Podcasts about universal audio apollo

Podcast Notes: The Church Front Show - Streaming Showdowns, Volunteer Tech Culture, and Easter Hot Takes Episode Overview In this episode of The Church Front Show, hosts Jake Gosselin and Matt Woltjer discuss several important topics for church tech teams including streaming platform updates, volunteer management challenges, studio equipment upgrades, and Easter service preparation. They also share interesting tech spotlights and clarify Church Front's service offerings. Time Stamps & Key Points Introduction [00:02] Welcome to The Church Front Show with Jake Gosselin and Matt Woltjer Jake introduces himself as "low voltage specialist" while Matt jokes about being the "Stream Deck guy" Mention of Church Front's website and the new "Toolkit" featuring gear packages and bundles Streaming Showdown Follow-Up [01:27] Discussion of Resi's response to their previous streaming platform comparison video Key issues identified by Resi: Tests were conducted on outdated firmware missing critical improvements Resi Mini encoder was configured at a much higher bitrate (15 Mbps vs. 4 Mbps) Jake's acknowledgment: "We messed up. We mess up all the time. Don't take everything we said as the final truth." Explanation of philosophical differences between streaming platforms: BoxCast prioritizes near real-time delivery even with occasional quality reduction Resi prioritizes consistent video quality with accepted delays Matt explains the challenges of recording comparison videos: "We recorded this video three times... you have to basically stop what you're doing, congest your network or cut the cable..." Volunteer Tech Culture Discussion [11:34] Response to a social media post about a 26-year tech volunteer who was abruptly dismissed The volunteer had served for 26 years and was told by a new pastor (8 months at the church) they were "going in a different direction" with no further explanation Perspectives from both sides: Leadership should build relationships and provide clear communication about vision Volunteers should maintain open communication and approach changes with humility Matt's insight: "If you build good relationships with your people, hopefully it never comes to this type of a post... if you can do it through that element of respect and love and relationship, it's going to turn out way better." Studio Updates & Equipment [18:16] Current equipment upgrades: Shure SM7B microphones (not the DB version as intended) Yamaha DM3 mixer CRM 300 camera with a 500 model on the way NDI video integration with ECAMM Uline cafe table (72″ x 36″) Prime Acoustic wall panels Jake's appreciation for ECAMM: "ECAMM now in my opinion is a little bit underrated as a live stream solution for churches" Discussion of ProPresenter's limitation: lack of NDI HX output Church Front Growth [24:24] Announcement about company expansion Currently hiring for a Solutions Specialist role Future need for additional AV technicians for upcoming projects New warehouse space development Applications available through the Church Front website resources page Tech Spotlights [26:31] DIY Front of House Console Build: YouTube creator completely disassembled an Avantis console Integration with rack-mounted computers to create a 4-in-1 system Controls audio, ProPresenter, lighting, and video Matt's warning: "Don't do this until you've had your Avantis for at least two years and the warranty's no longer good." LED System Installation: Church in Nebraska with 6.5′ x 11.5′ LED screens Impressive architectural integration including sliding door to reveal screens Universal Audio Apollo Headphone Amp: Discussion of potential studio upgrade Cost-effective alternative using Dante feeds and Loop Back software SQ Mixer Firmware Update (v1.6.0.0): Matrix mixes can now be split (six mono matrices instead of three stereo) Both USB ports can record simultaneously Enhanced app control capabilities MAC compatibility for firmware updates Easter Tech Hot Takes [39:41] Matt's advice: "Don't be one of the churches that completely changes your DNA for the people that are going to come twice a year... you don't want them to be shocked by the difference between what you did for Easter and what you do the next weekend." Jake's warning: "Easter's not the time to try new tech!" Recommendation to plan major tech upgrades months in advance, not weeks before major services Jake: "If you are having to expend all of your creative brain power to put together a tech system that you didn't take the time to learn, test and use, and then your whole week is just consumed with stress... you quite frankly deserve that stress because you did not take the time to be responsible in planning." Matt's reminder: "Your job at that moment is to minister. Even if you're on sound, even if you're on video, your job is to minister, not worry about tech." Church Front Services Update [45:19] Church Front Premium: Training and personalized advice through group coaching Consultation on upcoming AV projects Equipment recommendations with Spencer, their lead design engineer Access to all Church Front courses Church Front Pro (formerly Church Front Accelerator): Comprehensive consulting, design, and AV integration On-site surveys and assessments, including Matterport scans Professional system design using Vectorworks Assembly, installation, commissioning, training, and support Equipment Mentioned Shure SM7B microphones Yamaha DM3 mixer CRM 300 and 500 cameras ECAMM live streaming solution Avantis audio console Universal Audio Apollo headphone amp Allen & Heath SQ mixer (firmware v1.6.0.0) Prime Acoustic panels Action Steps Check for firmware updates on your existing equipment Evaluate your volunteer relationships and communication strategies Plan any Easter tech upgrades well in advance Focus on ministry, not just technical excellence, during high-attendance services Visit churchfront.com to explore their Premium and Pro services Connect & Continue Visit the Church Front website resources page for job opportunities and more information about their toolkit of recommended gear packages Apply to Join Churchfront Premium Apply to Join Churchfront Pro Free Worship and Production Toolkit Shop Our Online Courses Join us at the Churchfront Conference Follow Churchfront on Instagram or TikTok: @churchfront Follow on Twitter: @realchurchfront Gear we use to make videos at Churchfront Musicbed SyncID: MB01VWQ69XRQNSN  

Audio tech expert George Whittam, the genius behind George the Tech, joins Anne Ganguzza, on the VO Boss Podcast. The BOSSes tackle the technical hurdles of the industry - from unreliable internet to optimizing studio setups. George's solutions help empower voice talents to keep their focus where it belongs—on their craft. The BOSSes delve into strategies for leveraging technology and outsourcing to scale operations effectively. Adapting to change is non-negotiable in this rapidly shifting market, and finding a mentor can be crucial for navigating its complexities. The BOSSes highlight the importance of forming meaningful industry relationships and the camaraderie that can fuel professional success. 00:04 - Anne Ganguzza (Host) Hey guys, it's that season again. Are you feeling that tickle in your throat? Don't let a cold or flu slow you down. Combat your symptoms early with Vocal Immunity Blast, a simple and natural remedy designed to get you back to 100% fast. With certified therapeutic-grade oils like lemon to support respiratory function, oregano for immune power, and a protective blend that shields against environmental threats, your vocal health is in good hands. Take charge of your health with Vocal Immunity Blast. Visit anneganguzza dot com to shop.  00:41 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  01:00 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and I am so happy and elated to be here with my special guest, audio tech guru and owner of George the Tech the one and only George Whittam, Woo-hoo.  01:16 - George Whittam (Guest) Hey, can you hear me okay from the Chili's in Palos Verdes, california.  01:21 - Anne Ganguzza (Host) I can I, can I love it. You know George is. He is technology on the go, guys, and for those of you I don't know anyone that doesn't know you, but for those of you bosses out there that don't know George, you need to know George. He has been doing this since 2005, dedicating his life and I know this because he's helped me to serving the technical needs of bosses out there voice actors, podcasters, recording studio owners and in 2017, he launched georgethetechcom to assist anybody that needs support with just about anything. And he has an amazing team. I know firsthand. I have used that team. I've used George for many, many years and among his many successful clients I'm gonna say, in addition to me, are Don LaFontaine, bill Ratner, mr Beast, david Prog, melissa Disney, randy Thomas, joe Cipriano and Scott Rummel. Well, welcome, welcome, welcome and thank you for checking in with me, george, from your very busy schedule. George actually just popped off the road and said I will join this interview from the Chili's after my customer that you just went to go fix a studio.  02:32 - George Whittam (Guest) I did, I did. I do most of my work from home, of course, remotely, but I have a few clients who do have me on a membership program that I've been doing for many years and I make regular visits. So today was one of those days and technology, once in a while, it just flails miserably at letting you know that there's something you're supposed to be doing, and this was one of those moments. You texted me from the car. You're just, and you're like out of the blue tech, just checking in, and I'm like, oh, that's so nice, and it's just checking in, see you're not checking in.  03:03 You're like where the F are you right now?  03:05 - Anne Ganguzza (Host) George, george, where are you?  03:07 - George Whittam (Guest) In our Riverside room right now. So anyway, thank you. I hope this isn't too distracting. They find me a quiet corner of the restaurant, so we'll see how it goes.  03:17 - Anne Ganguzza (Host) I love it. I will say, though, here's the deal, my video now Riverside. Anybody that's been on Riverside knows that it's uploading video and audio separately, and right now my upload is at 94%, Yours is only at 55%, so that 5G connection keep your fingers crossed that that internet is going to upload that video successfully and the audio Don't worry. Well, guess what I get to do this again.  03:42 - George Whittam (Guest) I got your back because I'm recording it. I was about to say, I was recording in QuickTime and it said that you've stopped recording, so I'm going to start recording it again, just so I have another layer of redundancy to this whole thing. But that is the really cool thing about Riverside is that, yeah, it doesn't want QuickTime, won't let me. Okay, fine, fine, we're going to rely on new technology today. But, yeah, riverside is really cool the way it keeps a local record and even if my internet isn't, great.  04:09 I'll eventually get it uploaded to you, so don't worry about that. Yes, Awesome.  04:15 - Anne Ganguzza (Host) Well, it's always a good excuse to chat with you again, because it's so rare these days, I mean except when I'm desperate in need of technical support.  04:22 - Intro (Announcement) And.  04:23 - Anne Ganguzza (Host) I'll have the bosses know that George helped me with my past or my latest studio upgrade. And I remember, george, that we were talking about me moving my Apollo solo into my studio which, by the way, it is moved in here and we were testing out this very long cable that went from my Mac studio out there into my studio and guess what it's working, and yay, technology. And so, george, you're instrumental in all of my studio upgrades and actually my original studio building when I moved to California back in oh my goodness, 2008. And so you've been through a lot of my studio builds. And let's talk a little bit about, oh gosh, what bosses need audio-wise right for being successful voice actors. They have so many technological needs.  05:14 - George Whittam (Guest) It is so many. You know. The thing is not everybody is like you, anne.  05:19 You love and embrace technology in a way that a lot of actors do not right and so on the cover of the laptop that you can't see because it's on the other side of the camera. I have a cover on my laptop and it's a picture of the left brain, right brain thing, right Like you know, the left being very technical, the right being creative, and I'm such a big proponent of finding the perfect middle balance. Maybe that's because I'm also a Libra, I don't know, but you know it's like I'm such a big proponent of finding the perfect middle balance. Maybe that's because I'm also a Libra, I don't know, but you know it's like I'm always trying to find that balance and I'm also trying to figure out who you are as my client. Are you more Ann Ganguza, or are you more Lori Allen, who's my quintessential super right brain, crazy actor talent, you know, and she knows that I'll say that and she'll laugh that doesn't love technology or doesn't care, right, I mean I get it.  06:09 - Anne Ganguzza (Host) I mean we go into this industry. I mean some of us are just super, super creative and brilliant.  06:18 - George Whittam (Guest) If we had our choice, we would let someone else run all the technology and take care of it for us, which is what you do Absolutely. In a perfect world, we would all have our own little virtual assistant engineer people who just log into your machine and run everything for you. I do know a precious few actors who have actually availed themselves of such a thing, which is a pretty nice position to be in, right, and that would be a really cool scenario where you really don't need to think about it. But the fact of the matter is, the vast majority of the time, we have to think about and know what's going on with the technology and ensure that we're giving the client super clean, great quality audio quickly and on time, reliably, etc. Etc. And that's the goal.  07:01 - Anne Ganguzza (Host) It is about good audio, but it's about a lot of other things beyond just good audio, you know, willing to really experiment and figure out solutions for your clients that are not like status quo. So if they have a budget, you can fit yourself within that budget and you make things work and you say, all right, so if you need this, we can maybe substitute this or we can work with this. And I'm talking bosses, my firsthand experience, not just on what microphone or give me a stack to put on my audio, but like home studio builds from the ground up, like what can I do to save money here? Or what can I do? I have this in my budget and you literally have created things from like the ground up, depending on your client's budget.  08:01 And I think that that's really awesome and it really goes to show like the versatility and the amount of skills that you have in, not just like one thing. I mean you have to be great at everything, because everybody has different technology, everybody has a different microphone, everyone has a different DAW, everyone has a different environment in their house that you have to kind of assess and then say, well, okay, here's a solution. And then I'm quite sure, myself being one of them going, no, I can't do that, so you'll come up with multiple solutions. Or if something doesn't work, you'll actually get it to work. You'll figure out what it is that's not working and then make it work.  08:38 - George Whittam (Guest) Yeah, it's so many different things because there's a lot of things that you can get away with or there's certain things that you can make work or get it to work. Here's my black bean burger and fries.  08:49 - Anne Ganguzza (Host) All right.  08:50 - George Whittam (Guest) There's a lot of things you can get away with, so I'll try to talk while you take a bite. I will eat when you're talking, okay, so there's a lot of things that you can make work. There's a lot of things that you can get away with, and that's where people start out right. That's where you begin, that's where you learn on your own.  09:06 That's where you get used equipment. You get hand-me-downs, you buy what you can find on Amazon, right, you get away with it. You make it work. But at a certain point your clientele requires this consistency, quality and this quick turnaround, and that stuff starts to be cumbersome, it becomes a bother because it's getting in your way, right. So that's a big part of it. And then I'm glad you said earlier budget.  09:33 You really need to know where you're at. I mean, this is why voice acting, especially now as an entrepreneurial pursuit, you really need to have a pretty good idea where you're at with your budget. When you come to me, be honest with yourself, be honest with me. I'm not here to spend unnecessary money. I'm not here to push you or upsell you. I'm going to tell you exactly where you're at, based on where you are with your budget, and make sure it fits, because that's my goal is to help you out and get you where you need to go at the budget you've had to spend.  10:07 And then if it's either really too low, I'll let you know if I think it's not going to work, or I will speak up if I think you're overspending, if I think you've got this budget and it's unnecessarily. You know it's like, oh well, you've got that much to spend, all right. Well, let's think about that. Should we really spend all of that? Or should we really be spending 20% of that on the mic and maybe 50% of that on building your website, getting your demo, that kind of stuff right? So I'll make sure your money is spent the right way, but be really honest with yourself about what your budget is. Know where you're ready to spend so we can get off on the right foot.  10:50 - Anne Ganguzza (Host) So let's talk about the types of services that you do offer, because I'm happy to recommend you and your team to my students, and I think they might have preconceived notions as to oh well, george can just create a stack for me, or George can just tell me what microphone to buy, with lots of experience in multiple operating systems. So it's not just the mic or not just the studio, it can be your computer, it can be your software, it can be how to use Twisted Wave or how to use I just had a student the other day Studio One. I'm sure you have somebody on your team that can help with somebody with Studio One, and so can you create a filter for that? And so I'm constantly saying to myself I know lots of different audio engineers that specialize right, and I think that's great, but they're all independent, right? And so I can't be like, oh gosh, well, who knows Twisted Wave or who knows Studio One, or who knows?  11:48 And I'll think about it. What's great is you're like a one-stop shop, because now you've built yourself up a team. What's great is you're like a one-stop shop because now you've built yourself up a team, and I love this, because when I hired you in the beginning it was just you and you're I mean, you're busy back then and I love how you've like I mean, talk about being a boss, right. You've actually grown your little empire there and created a team of really amazing people that work for you, that have great skills and very specific skills. Speak to that a little bit.  12:14 - George Whittam (Guest) It's been a dream for a really long time to expand beyond myself. It started probably 12, 13 years ago in New York City. I knew I couldn't be in New York City that often and I had a few clients in New York and I thought, god, it'd be a no-brainer to have somebody else backing me up here in Manhattan. I actually had interviews in Borders bookstores with people that responded to ads, sat down, interviewed people and onboarded some folks and it just turned out that, one, maybe it was too soon to do it and two, it wasn't enough demand, because at that time it was a different time. But New York it was almost 100% studio town. Right, all the gigs were in studios because they're all over the place, they're all like walking or a subway ride away. So New York was a different environment.  13:05 So flash forward now quite a few years and I decided, with the new website that I had built by Skills Hub a couple of years ago, that it was finally time to properly expand the team. And now that I have a system built, an infrastructure, a booking system, the whole thing that allows me to essentially infinitely expand, I can build it as big as I want. I finally had the tools and everything in place to do that, and so we have that. Now you can go onto the website. Let's say you need help with Adobe Audition. You can see who is available that is actually an Adobe Audition expert and then you'll see their availability and you can book into the system right then and there and get help with someone that actually knows what they're doing. I realized after a while there's a certain point where I don't necessarily learn and retain new information the way I used to. I think that's just life, that's just age, right?  14:02 - Anne Ganguzza (Host) Well, there's so much now.  14:04 - George Whittam (Guest) And there's so much more.  14:05 - Anne Ganguzza (Host) Yeah, I know you're like right Anne.  14:07 - George Whittam (Guest) Right, but I get that I totally get that.  14:10 - Anne Ganguzza (Host) But think about this what I really love. What I really love is, again and again, this is the VO Boss podcast. So I really like to always relate things to how you can really be a boss, and I think all of us voice actors are bosses, obviously in our own right, and I think we really need to look for ways that we can grow and expand. Right and it's not an easy thing, right, it's a scary thing how can you scale? How can you provide more services for your clients so that your business can move forward successfully? And you are such a great example of I mean, not everybody that's a voice actor, is an audio engineer and they're going to scale their businesses in the way that you did, but it's all relative right, as voice actors, how can you scale your business? And so if you think outside of the box and you think about what can you do that's efficient as a voice actor, right, maybe you don't like technology, maybe you don't understand your computer, and I'm saying there's a certain element that we have to be technologically adept, but you can consider outsourcing these things as a voice actor so that you yourself can scale your business, and you've offered this great place for people to have all kinds of options, and so it's not just like a one-shot deal.  15:25 George, I need help. You have like 24-7 support, and I know for a fact that you've got emergency tech support, which I know, having worked in technology for how many years prior to voiceover. Technology is awesome until it doesn't work and then people panic, right, and that's when it's almost the most important to have that type of support. And so I'm sure lots of you voice actors have had something happen with your computer, like, and all of a sudden you're at a loss, or something happened in your studio, you're at a loss, and now all of a sudden, do you have a backup? Do you have a way that you can deliver your goods, deliver your product to your client?  16:01 And I think we all need to really start thinking about how can we outsource, how can we scale, and you've got a great place where, if voice actors don't necessarily love working with technology or learning technology, nor do they have the time right For me. I have no desire to be an audio engineer, I know what I know right, and if I have problems, let's say I'm setting up my new Mac studio. Well, I don't want to spend my entire weekend trying to learn anymore. I mean, I love learning, don't get me wrong but I don't want to right now. That's not an efficient use of my time.  16:33 So I'd much rather call you and say hey, george, I know you've set up Macs, I know you've done the Apollo on this iOS and I'm running into these problems. Or I know I'm having a problem like with Zoom and then sending my audio through Zoom. How can you help me? So it just makes sense for me, as a boss, right to outsource that. And so make sure, out there, guys, that you have a source, and I highly recommend George a hundred times If you haven't figured it out by now, I'm recommending him a hundred times over. Have a source, have a place that you can go when you run into trouble technology-wise or with your computer, or you want to just learn. You also have educational resources. You have tutorials. Yes, you have one-on-one help. You've just got all those options and I think it just really lends itself. Not only are you showing people how you're a boss and you're scaling your business right. They can scale their business with you.  17:26 - George Whittam (Guest) Yeah, being a boss is what I've really become now. I was always solopreneuring. In a way I still am, but now I do actually have people that look to me for getting paid, look for me for getting jobs, look for me for communication and support and actually training. The content we create for you guys we use internally to train our own team. I want more of our team to be comfortable with the Universal Audio Apollo. I've been encouraging them to watch the content we already have. Everybody who does work for me gets complete carte blanche access to my entire library of content right, so they all can learn.  18:03 I want to work with you, then I would love to have you. I mean, honestly, the point is that we've built the network, we've built the system, we have the infrastructure. Now it's just a matter of what's the next thing a voice actor needs, or what's the next thing podcasters need, what's the next thing people that do media appearances need, studios, people that need to do executives, c-suite folks what do they all need? And we're trying to eventually fill these different gaps right, and so my role now is more of a boss, more of a CEO, more of a director, even beyond. I spend way more hours of my day doing director, boss, ceo work than I do actual build time nowadays, and that's just how things have morphed. But it's great.  18:52 I love finding out that somebody got a service from one of our team and I didn't even know about it. That's the coolest thing ever. Oh, you helped that guy. Awesome, I had no idea. That's great. That means things are working. I don't have to micromanage everything, and so that's been a huge thrill for me, and it's just allowed us to be so much more helpful to more people.  19:11 - Anne Ganguzza (Host) That's such a relief. I know my own business. When you said about micromanaging, and in reality, you know, we talk all the time about voice actors, we're solopreneurs, we wear all the hats, but now's the time to really start thinking about, okay, what is the most efficient use of my time? Right, and I want you bosses to really open your minds out to thinking that a lot of people they get stuck in this whole thought process that, oh, I can't afford to hire somebody. But in reality, if you sat down and you marked what is your price per hour? Right, how much money do you make when you're doing voiceover, versus how much money are you making when you're trying to, like, do the billing yourself? Right?  19:50 - George Whittam (Guest) I'm so glad you mentioned the hourly thing because a while ago somebody made that clear to me.  19:55 There's the hourly rate that you charge retail, right? I know what my hourly rate is per hour. If you want to consult with me directly, it's $360 an hour. Whoa huge number. Wow, that sounds really crazy. That's not what I make per hour. What I make per hour is actually what I made last year. Subtract my expenses, take my net revenue right and divide that by I don't remember the magic number is whatever. It is 52 weeks a year, you know. And then you basically whittle it down to what your actual hourly wage actually is and you start to realize like, oh my gosh, that's what my actual time is worth. And so you're going oh, now it is worth spending $25 an hour for a virtual assistant or somebody because I'm actually worth $50 an hour.  20:45 You know what I mean. So that's. It's really good to know that.  20:48 - Anne Ganguzza (Host) Exactly, exactly.  20:50 And I think that we need to look outside of, like, the numbers that are just spent, because somebody might say, oh, I spent a thousand dollars on this microphone.  21:00 If you figure out what your value is per hour, right, and you're doing tasks that I always say, don't bring you joy a certain standard where, if I want to be able to direct somebody right that I'm going to outsource stuff to, I need to learn enough about it so that I can direct intelligently, right.  21:20 I know, you know, if somebody's saying to me well, it's taking me five hours to do this, when I know, in fact, maybe it shouldn't be taking five hours, because when you become a boss and you start employing people, you have to be concerned about, okay, what's the value of your employees and what are they bringing you, what are you paying them right and how efficient can they be? And I think also, george, it becomes where you now have to inspire the people that work for you to want to do their best for you, that they want to help move your company forward, and to do that, you've got to pay them a fair rate you definitely do and you've got to inspire them with things that they like to do right so that they join the team right.  22:01 And that's a whole other set of boss skills that's a whole other set of boss skills which I love.  22:06 - George Whittam (Guest) The amazing person I brought in to do our customer service and actually kind of act as a bit of an assistant to me as well. She also is a graphic designer. So when I realized that she was getting these skills, she was literally studying and I said you know what? Let's try some things, let's get you doing some more creative endeavors, and I'm paying her more for that. I said you know, track your time when you're doing graphic design, when you're creating our thumbnails and our promotional content for the socials and our webinars, and that's a different rate. You tell me what you think is a fair rate for your graphic design and then you have a rate for all the other general work and she breaks up her billing that way and so she's getting paid better for that work and that's going to be much more fulfilling for her because it's creative stuff and I think it's been working out really well. You know, my biggest fear is her going away. If she goes, away.  23:02 That's going to be a giant pain in my neck to find another person like her Finding good.  23:09 - Anne Ganguzza (Host) It's going to be very difficult, so I want to keep her around.  23:12 - George Whittam (Guest) It's a delicate balance and I trust her. It sure is, you know, but it's a tricky one. The more you rely on outside help, the more you start realizing you need to make sure what will you do if that person needs to be replaced? It's another skill.  23:27 - Anne Ganguzza (Host) And the people that work for you. They need to be better than you, and I think that's an ego thing for a lot of people. Do you know what I mean it's like? Oh no, I want to do it because I want to have control over it. I mean, I'm a control freak. I know this. I mean it took me a while, but once I started realizing that when you hire people who are better than you at the tasks like I'm not a graphic artist, so I want to hire somebody who's amazing at that and then pay them what they're worth, they aren't bitter, they don't feel like, oh, they're just working for pennies, and so they get excited because you want to work with them and collaborate. They get excited about helping you grow your business and you get excited about helping them grow their skills or grow their career as well under you. So I think it's something that bosses out there can really start to think about.  24:10 How would you expand right? And I think now too, with the technology and with AI and all this talk about the industry and how it's changing, I think technology it's always good to educate yourself on the technology evolve with the technology, those other things that we're talking about in addition to voiceover, like on-camera work, right? Voice actors maybe this is something that you know. You want to present yourself more professionally to your clients. What's involved in a good I don't know webcam or good lighting for your studio and that sort of thing. So that's the sort of thing that you can help them with as well in terms of expanding and broadening their horizons, even outside of voice acting.  24:51 So I love that you said that you were also delving into on-camera and technology for expanding businesses, because I think voice actors should also consider things like that. I mean, it's something we've talked about on the podcast as well, as we're moving forward along with this technology. What other services can you offer your clients? What other things can you do? Are you going to be making TikTok videos, right? How can you get your message out there? How can you market yourself right so that people know you exist, so they can hire you? And a part of that is getting out there, getting heard, getting seen, and you can help with that.  25:26 - George Whittam (Guest) And you might also be able to parlay that thing, because now you've become the spokesperson for that channel or that brand or that explainer and if you can now take that ability to create content into a visual medium and you might move beyond just doing voice, if you end up being comfortable on camera. You may not know if you're comfortable on camera until you do it. When I started my first podcast or really web channel, YouTube channel East West On your Body Shop, you can go back and watch episode one.  25:58 - Anne Ganguzza (Host) Oh yeah, and I was like a deer in headlights Myself too.  26:01 - George Whittam (Guest) I got a lot more comfortable on camera. So you know, as I evolve and I start doing more and more interviews and interviewing others and I'm going wow, I'm really comfortable doing this. I've actually really enjoying this. How can I parlay this into a different? So now I'm thinking about speaking engagements and doing speaking roles.  26:21 I've gotten to teach in a couple of universities now. Wow, I love doing that, so maybe I need to parlay that into another thing. So I'm looking into speaking now. So it's just ever-evolving. If you get stuck in one lane, you can quickly start feeling discouraged. When that one lane that you chose starts grinding to a halt, you really need to be ready to try new stuff Starts getting traffic right and saturated.  26:47 - Anne Ganguzza (Host) I mean now I'm just thinking of that, you know, because after the pandemic I mean I had so many people that I think got into voiceover because of the pandemic and now I thought we were saturated before. But there's a lot of people in there. I'm not saying there isn't enough work, voiceover work. However, there's an awful lot of people doing voiceover. So I think it's always healthy for us to consider how we can always grow and always evolve. So I'm going to ask you one last thing, george, before I have to run for the day what would be your best advice that you would give someone out there just getting into the industry?  27:21 - George Whittam (Guest) Definitely work with a coach that understands the spectrum of what you need to learn in a holistic way. That coach doesn't have to be an expert in every aspect, but the coach should be very aware of that. You need to learn these separate skills right. So someone like Anne, for example. She knows a lot about a lot of things, but she also knows when it's time to get another person involved a demo producer, an expert engineer.  27:47 Yeah, that's so, so helpful, right, and it's so easy. These days it's almost like getting support is just like dating. It's so easy to just keep swiping right or swiping left. Which one is it? Because you're like well, that was nice, let me try that guy, and I hear that guy's good. Let's try that guy.  28:03 Hook your wagon to somebody for a while and focus in on what they have to say and learn before you start constantly seeking fresh perspectives. It doesn't mean fresh perspectives are bad, but you really need to focus on one person's methodologies and get behind them and then, after you've done it for a while, consider well, is it the best way? Well, maybe I could learn a new skill, or maybe I have another way to learn this that could save time. I never am offended when a client says I worked with somebody else along the way, but I do get concerned when somebody's pretty new and they've already taken, let's say, consulting from three or four different techs and four or five different coaches, because they're going to have a lot of conflicting or somewhat differing opinions and you're going to get so off base.  28:51 So find somebody that is well vetted, somebody that has like we have our trusted partners page on our website. Everybody on there is somebody we have worked with and trust. And hook your wagon to somebody like Ann, so you have that one point of focus to help you navigate all of this, and then they can help shut you off into different directions for those specialty things. Otherwise it can feel hopelessly confusing and there's just too much conflicting information out there. So that's the best thing I can say Just find one single point of trust, follow that person, get the advice they can give you and find the expertise in different areas when you need it, and go to georgethetech early and often. Yes.  29:41 - Anne Ganguzza (Host) Yes, yes, I was just going to say how can people get in touch with you, george the tech?  29:44 - George Whittam (Guest) You have your landing page right, Absolutely Slash.  29:48 - Anne Ganguzza (Host) Yep, is it slash? Be a boss, my gosh.  29:50 - George Whittam (Guest) I don't have it memorized.  29:51 - Anne Ganguzza (Host) I have it like in a link, I think so I'll check it, I'll look it up.  29:56 I'll put that in the show notes. Yeah, I'll put it in the show notes for services. I do have a nice little link that I can send to you. That will save you some money on your first services with George. So highly recommend. George. It's been so nice to have you and I appreciate you pulling off to the side of the road and being safe and talking with us today, and I'm going to give a great big shout out to IPDTL you too can connect and network like bosses. Find out more at IPDTLcom and George, it's been so wonderful talking with you. I feel like we should do a series. We should do a whole series with George the Tech.  30:31 - George Whittam (Guest) We'll do another one in a proper environment when I'm in my home studio, I promise. And, by the way, it's slash AG, so georgethetech slash AG for Ann Ganguza. That'll take you to all the information we have and our discount codes and come and visit us and learn from us. We have so much useful content that's affordable and accessible. So happy to be of service and thank you, ann. Thanks for being so cool, a friend and being always a pleasure to talk to yes. You're a blast to be around.  31:04 - Anne Ganguzza (Host) I feel the exact same way about you. So thanks so much. All right, bosses, you have an amazing week and we'll see you next week. Take care, bye, bye.  31:13 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Songwriter Wendell Kimbrough is on the Creatively Christian podcast, interviewed by Andrea Sandefur. Wendell shares his process of turning psalms into contemporary worship songs as well as his approach to co-writing music. Plus, they share industry tips and gear reconmendations. "A lot of times, as artists, we don't actually know our work until other people respond to it. That's why it is so important to be part of a community; to move toward community with your work and not hide it away." - Wendell Kimbrough Wendell Kimbrough is a songwriter and performer, serving as worship leader and artist-in-residence at Church of the Apostles in Fairhope, Alabama. His music has been featured in Worship Leader Magazine and World Magazine; and Under the Radar Media selected his 2016 album Psalms We Sing Together as an honorable mention for albums of the year. In 2020, he was invited to serve on American Songwriter Magazine's panel of lyric judges. This episode can also be found on YouTube. Show Notes The following resources were mentioned in the show or are useful resources recommended by the guests. Links might be marked as affiliates, meaning we earn a commission if you buy through the link. Universal Audio Apollo audio interface: https://amzn.to/3ni8HY8 [Affiliate link]Wendell's Patreon: https://www.patreon.com/wendellkmusicPsalm 62 setting: https://youtu.be/Vsg-pLr3iyEMusic video for “See How Good it Is”: https://youtu.be/XmQLBD70cak Learn More About Our Guest You can follow this guest on several platforms, including: Website: https://www.wendellk.comFacebook: https://www.facebook.com/wendellkmusicTwitter: https://twitter.com/wendellkmusicInstragram: http://instagram.com/wendellkmusicYouTube: https://www.youtube.com/channel/UCuWPn2sw5aOzA000qcFQVZQ Credits This show is produced by Theophany Media. The theme music is by Bill Brooks and Andrea Sandefur. Our logo is by Bill Brooks. This show is hosted by are Brannon Hollingsworth, Andrea Sandefur, Dave Ebert, and Rachel Oxborough. Jake Doberenz produces. Follow Theophany Media and the podcast on Facebook, Twitter, or Instagram.

PLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!!I just setup an email to contact me on the Podcast!! - emlyninthemix@gmail.comP.S I love youGive me a follow on Spotify - dropping music monthlyhttps://open.spotify.com/artist/09EVg...

A chat with the super talented guitarist and songwriter Mark Lavengood as well as fans Steve, Jacob, and Rick. We talk about how the fans discovered Mark Lavengood. Our stories ramble into how Mark has been making the best of the pandemic and his new studio. We get into Mark’s soundtrack to life and leap into playing the dobro. We wrap things up with our dream show venue and who we want to see there. Along the way, we share many laughs.Becoming a fan of Mark LavengoodWe kicked off our chat by exploring how the fans became fans of Mark Lavengood. Steve became a fan through his work on the tech crew at the Ark. He had the pleasure of working during several performances by Mark.. The first time was during the Erin Zindle (Ebird & Friends) holiday show when Mark was with Lindsay Lou and the Flatbellys. Steve fell in love with Mark’s playing and energy on stage. He’s been a fan ever since.Jacob became a fan of Mark’s when he saw him at a Rob Reiderr basement show when Mark was playing with Lindsay Lou. Jacob continued with a happy accident ordering Mark Lavengood’s No Part of Nothin album thinking he was getting a Lindsay Lou album. Despite the initial surprise when spinning the disc, Jacob loved the album and looks forward to more from Mark Lavengood.Rick became a fan through me (Chuck). He went to a show at the Chelsea Alehouse for one of their Wednesday night bluegrass sessions where Mark was jamming with Jason Dennie of Thunderwude. After seeing Mark live, he became an instant fan.Handling the PandemicThe pandemic has been a bit of a forced sabbatical for Mark. He is keeping busy by working on his new house in Coral, Michigan which is about 30 minutes north of Grand Rapids. Mark is also doing live streams, some outdoor socially distanced shows, and working on his new studio.Mark’s children have been helping him out around the house. They are enjoying making music with Dad. Check out the videos on Mark’s Facebook page for a taste of the fun.Home StudioMark is jazzed to get his new studio up and running. He has converted the detached garage on his property into a studio with a control room, isolation booth, and live room. While there are some tweaks to be made, the work is nearly complete. In fact, Mark used the new studio to lay down some guest tracks on the new Desmond Jones albumI asked if the new studio is an extension of his Bear Mark Productions. Mark relayed that Bear Mark is more about booking and promotion currently. Unfortunately, with the pandemic, this aspect of his livelihood is on hold until we get live music rolling again (hopefully later in 2021).Working From HomeBeing able to spend more time at home allows Mark to focus not only on family, but on dialing in his playing and his overall performance. It is difficult to get others together to jam, but this opportunity to work on recording and songwriting makes the downtime from the road rewarding.One new goal is writing a new song a week and using that as another avenue to keep his fans on Patreon engaged. Ultimately, Mark would like to expand the studio to record other artists on a variety of projects.Jacob was curious what Mark is using to record in the studio. Mark mentioned that currently he is recording via Logic into his iMac. Mark is in the process of picking up a Universal Audio Apollo recording interface which will provide an array of plug-ins to expand the versatility of his studio.Getting into the DobroSteve was interested in how Mark got into playing the dobro. Mark started out in middle school and the first year of high school band. However, at the time, being a wrestler was his focus. Mark got back into music playing drums. A friend asked him to jam in his senior year in a band called Frisco Denaro.Mark’s first serious band started out with some friends playing together on acoustic guitars. He met up with Bed Fidler to create music for winter/sessions. In that band, Ben offered Mark his resonator guitar and he fell in love with the instrument. The band morphed into the self proclaimed  “Rebels of Folk Grass”. Mark then got into the slide playing of Joe Wilson and Drew Howard. Mark did a great tour with Joe and Drew called Dobros Heal The World.Steve asked if Mark still has his Mule. He does, although he may need to sell it to make ends meet. A reminder to all our music fans that artists are hurting due to the pandemic. If you can buy music and merchandise during this tough time, it will go a long way to helping out.Mark’s Soundtrack to LifeEarlier, Mark mentioned the term “folk-grass” to describe the blending of genres that he started in winter/sessions. This hybrid of Americana continued with Lindsay Lou and ultimately within his solo work. Rick really dug that term and was curious how Mark got interested in the variety of music he enjoys and performs.Throughout Mark’s life, the soundtrack to his life has evolved. This soundtrack includes a variety of sounds from Black Sabbath and Led Zeppelin to Bruce Springsteen. Mark’s first CD was a single by Snoop Dog “It’s a Doggy Dog World” which got him into west coast rap along with artists Bone Thugs-N-Harmony.Growing up, Mark’s brother played drums which influenced him to start off with drums. In addition, Mark’s dad is a guitar player and classic rock connoisseur. While there were guitars in the house, Mark didn’t tackle the instrument until he was a senior in high school. This would be the time he started playing with his buddy Ben (which eventually led to winter/sessions). It was during this time frame that Mark got into folk, bluegrass and bands like The Grateful Dead and Bela Fleck.The current soundtrack to Mark’s world when he isn’t making his own, is in Spanish. He is a big fan of Andres Calamaro. Mark feels his songwriting is impeccable. Favorite TuningsJacob was curious about what tunings Mark uses, hoping the question wasn’t too nerdy. Mark confirmed it was definitely nerdy, but given that most of us on this episode of Fans With Bands are guitar nerds, it’s all good.The dobro is tuned to open G (GBDGBD). However, Mark likes Open D or capo to an Open E to spice things up. On his 8 string slides Mark uses a C6 tuning. Hit up Mark for a full guitar lesson if you want to dive more into tunings.Drop Everything ArtistSteve wanted to know if there was a particular artist or group that Mark would drop everything to jam with. Mark laughed saying there are so many. At the top of the list is Billy Strings. Having had the opportunity to see Mark open up for Billy Strings and join him on stage, I can attest to this being a musical moment to savor.Mark would love to collaborate with artists in South and Central America given his love for the music from the region. In the course of our conversation, Mark shared that he has tons of ideas and is working pulling them together with an artist from Uruguay.Dream Show Wrap UpTo wrap-up our chat with Mark Lavengood, I asked everyone where they would love to go see (or play a show) and who they would see. Mark would be down with seeing and opening for Tedeschi Trucks at Red Rocks in Colorado. Jacob would love to be attending and performing at the Wheatland Music Festival in Michigan.Mark stole Steve’s idea of Red Rocks, so Steve shifted to The Caverns in Tennessee to see a show by Ariel Posen with Joey Landreth. Rick would love to check out a show at the legendary Ryman Auditorium in Nashville perhaps with Jason Isbell. For my part, I’d love to see Mark and Sturgill Simpson jam in my living room. In all seriousness Sturgill, if you need a mandolin or dobro player on your next tour, call up our friend Mark Lavengood.Dig into the stories, laughs, and much more in this episode of Fans With Bands with Mark Lavengood. We hope you enjoy it!  Subscribe to Fans With Bands on your favorite podcast service such as Apple, Google, Youtube, Spotify, iHeartRadio, Audible, Amazon Music or Stitcher.  Be sure to rate the show and please send us feedback. We would love to hear from you. Check out Mark Lavengood's musicFollow Mark Lavengood on Facebook, Twitter, Youtube, and Instagram You can also follow Fans With Bands on Facebook, Twitter, Youtube, and InstagramFor samplings of music by artists featured on Fans With Bands, drop by our playlist on SpotifySupport the podcast!!

Mike Maimone is a poster child for grit, hustle, and road-dogging. The singer, songwriter, monster keyboardist, and recording/mix engineer works as hard as anyone in the industry, is prolific to match, and anyone with an interest in making a career in music can learn a thing or two from this episode.Mike talks us through getting his start in a reggae band at Notre Dame, living on couches in control rooms in Chicago, joining Company of Thieves, forming Mutts with his CoT bandmate, and his current solo endeavors in Nashville with the new records Borrowed Tunes and isolation:001. Mr. Mutt also shines a light on connecting with the LGBTQ community as a gay man in the music industry, changing the chords in cover tunes, the choices we make in pursuit of our careers, and sometimes just saying ef the data.Also discussed: Hank’s new old Silvertone acoustic and new new Universal Audio Apollo x8p, Brian Jones, Todd Terje’s “It’s Album Time!”, new pedals from Boss, Strymon, JHS, and Voodoo Labs, and Black Bobbin teaming up with Benson for a pink sparkle Preamp.Don’t sell your drums for beer.

Programming By Stealth 100 SMR Podcast – "Come Tell Us With Allison Sheridan" Universal Audio Apollo Solo Thunderbolt 3 Interface HomeKit-enabled Ring using HOOBS in a Docker Container on Synology Security Bits — 30 August 2020 allison@podfeet.com Tesla Affiliate Link podfeet.com/patreon podfeet.com/slack podfeet.com/facebook podfeet.com/paypal

Mai adásunkban országban először bemutattuk az Universal Audio új hangkártyáját, az Apollo Solo-t és kicsit beszélgettünk a rendszerbeli lehetőségekről! Támogaitóink a Zaj Studio és a Hitspace.

We Just Can't Stop.. Giving You The The VO Recording Tech You Need! We lost count. It actually VOBS TECH-TALK #22... on all week just about everywhere! Our website, Facebook and our podcast!   In this info dense episode we discuss:   George gets an iPhone 11! (Hell has frozen over!)  Headphone adapters for iOS devices, not all created equal Visible mobile service, unlimited? Any good? Wanna party?  Issues with Apollo Twin MKII and USB, check my FB group “Universal Audio Apollo” and supply your info to the survey IG and FB ads for fraudulent products, BEWARE, if the deal looks too good, it Is too good.   George's and Rick Wasserman's Tri-Booth! More to come!  And..What are the differences in Interfaces?  Plus, we answer lots of your great home studio questions sent in to theguys@VOBS.TV. Can you handle it? All this and more Brought to you by Voiceoveressentials.com, Vo2Gogo.com, Sourceelements.com, VoiceOverXtra.com, VOICEACTORWEBSITES.com and J. Michael Collins Demos jmcvoiceover.com/demo-production-

This is the audio from our video here: https://youtu.be/XKmN-Dykgjk We demo the Strymon Iridium amp, cab and room simulator pedal alongside Vox AC30 and Fender Super Reverb guitar amplifiers. We use a selection of effects pedals including overdrive, fuzz & delay. Life too short for long YouTube videos? See ‘Interesting bits and go-to sections’ below. Welcome! Regular viewers will know that Dan and I aren’t regular users of digital modelling amps and cabs. Why? Well, because we own pretty much all the real stuff and we absolutely love playing it for a whole host of reasons.Nevertheless, we are genuinely intrigued by the Strymon Iridium because of its simplicity, form factor and adaptability into traditional pedalboards. That is what this video is about, plus some comparisons with some ‘real’ amps. Thus… WHAT AM I HEARING?The actual valve amps are mic’d with Sontronics Delta 2 ribbon mics on the cabs, plus a pair of AKG C414 XLS mid-side for stereo room mics. They go into a Universal Audio Apollo 8p interface running Neve 1073 mic preamp plugins. The Iridium is going direct to stereo channels in the Apollo 8p with no additional preamps. It is a purely direct signal: no microphones. In the studio we are hearing the Iridium’s direct sound through 1500-watt EV PA speakers. WHY DIDN’T YOU USE A FENDER DELUXE REVERB?We don’t own one. We do have a Super Reverb which isn’t the same thing, but it is close enough for an interesting comparison. We will do a VCQ this Monday to discuss the reaction and comments. Should be fun. Enjoy the episode! Pedals etc in this episode… TheGigRig Three2Onehttps://www.thegigrig.com/three2one • Peterson StroboStomp HDUK & Europe: http://bit.ly/2Ozf60oUSA: http://bit.ly/2pHMvvYAustralia: http://bit.ly/2lM39so • Strymon IridiumUK & Europe: http://bit.ly/2qEAlnAUSA: http://bit.ly/2CGb3YVAustralia: http://bit.ly/36XmmKq • Keeley D&M DriveUK & Europe: http://bit.ly/2oTblU1USA: http://bit.ly/2quRShWAustralia: http://bit.ly/2pUDUAE • ZVEX Fuzz Factory 7https://www.zvex.com/guitar-pedals/fuzz-factory-7-guitar-effects-pedal-rus • Analogman King Of Tonehttp://www.analogman.com/kingtone.htm • Jam Pedals Ripply FallUK & Europe: http://bit.ly/2PoxKu0 • Diamond Memory Lane Jrhttp://www.diamondpedals.com/products/memory-lane-jr/ • Walrus Audio FathomUK & Europe: http://bit.ly/2JxexizUSA: http://bit.ly/2X7OlT4Australia: http://bit.ly/2JsVFRM • Fender Newport Bluetooth SpeakerUSA: http://bit.ly/34YWTOC • TheGigRig G2https://www.thegigrig.com/g2 * Why the preferred retailer links? Read this: http://www.thatpedalshow.com/partners Interesting bits & go-to sections…- Intro playing: 0:00- What are we doing?: 2:50- The excuses begin: 3:52- Why no Kemper/Helix?: 4:32- …why make an exception for Iridium?: 5:37- Big up Pete Celi!- What is it?: 7:35- TWO MAIN QUESTIONS?: 8:48- Today’s pedalboard: 09:53- Where does Iridium go on my board?: 10:41- FRFR: full range flat response: 11:03- Stereo Iridium and IRs?: 11:23- Delay and reverb after Iridium?: 11:50- ’65 Deluxe Reverb: 13:34- …and with Room: 15:48- Comparing three cabs on the Deluxe Reverb: 17:20- Sounds like a recorded guitar: 18:50- Things a loud valve amp can’t do:19:55- What about a bluetooth speaker?: 20:28- You’re using the wrong IRs! 24:15- Iridium Vox AC30 model and various IRs: 24:30- Iridium 100-watt Marshall Plexi and various IR’s: 28:15- The Room control is fab! 31:46- Cabs on the Marshall model: 32:45- Marshall model with Strat: 33:16- That guitar! 35:30- What’s missing? 36:30- Additional features: 38:23- Inputs and outputs: 40:33- Compared to the ‘real’ thing?: 41:25- What you’re hearing now: 42:35- ’61 Vox AC30 & Iridium’s AC30: 43:00- Thoughts on the above: 44:15- Real AC30 & Iridium with Strat: 45:10- Thoughts after playing: 47:55- Fender Super Reverb & Iridium – Strat (yes we know it’s not the same amp!): 49:08- Thoughts on the above: 52:16- More Super Reverb & Iridium – Tele: 53:26- Both real amps together: 56:40- Yet more thoughts: 58:16- 3,000 watts?! 1:00:30- Applications of Iridium?: 1:01:09- Why don’t you just get a Helix or a Kemper?: 1:03:34- The problem facing digital technology: 1:03:57- We are entirely spoilt: 1:05:10- Would we use it instead of our amps?: 1:06:00- People want valve amps dead: 1:06:38 Guitars:• Fender Custom Shop 1963 Telecaster - Dan’s video at http://bit.ly/2dlZJ6K • Gibson Memphis 1958 ES-335 - Mick’s video at http://bit.ly/2mpJA8X1961 Fender Stratocaster - no video yet  Amps in this episode• Fender Super Reverb (reissue) with 4 x 10-inch Jensen P10R speakers• 1961 Vox AC30 with Celestion Alnico Blue speakers Enjoy this episode. Please subscribe to our channel.Buy TPS merch to support our efforts https://www.thatpedalshowstore.comPatreon – crowdfunding for creativeshttps://www.patreon.com/ThatPedalShow Visit our preferred retailers!UK & Europe: Andertons Music http://bit.ly/2cRvIvtAustralia: Pedal Empire http://bit.ly/2mWmJQf

En este episodio entrevistamos a la pareja de podcasters Dania Ramos y su esposo Michael Aquino, productores de Timestorm, una serie de ficción en podcast. La propuesta de Timestorm les permitió ser uno de los seis podcasts elegidos para el Google Podcast Creator Program. En este episodio, Dania y Michael nos comparten un poco sobre su historia, información valiosa sobre el proceso creativo detrás de la producción de Timestorm, así como los programas, equipos y talentos que utilizan en el programa. Además nos regalan datos de su experiencia como productores dentro del género de ficción, los retos, las lecciones y lo más que disfrutan. Al final, Michael y Dania nos revelan cuáles son sus podcasts favoritos.  Timestorm  Herramientas y programas mencionados  Airtable – Herramienta para el manejo de proyectos Google Docs / Spreadsheets (hojas de cálculo) Pro Tools -  estación de trabajo de audio digital  Scrivener – para escribir libretos Trello – Herramienta para el manejo de proyectos Equipos mencionados en el episodio Universal Audio Apollo 8 – Interface digital Binaural Microphones from 3Dio Podcasts mencionados Six Minutes – podcast para niños por Gen-Z Media Latino USA All Songs Considered Las Raras Zig Zag Radioutopia Flyest Fables Radio drama revival Eventos Podcast Movement

This podcast extra interview was recorded at the press launch of the new Universal Audio Apollo x series of interfaces held at the stunning AIR studios in London. James Ivey say down with producer, engineer and owner of Flux studios in New York City, Fab Dupont to talk about his roll in the event, the new Universal Audio Apollo x range and a string of other music and recording related subjects, like, “Why are the drum room mics outside the booth”?

Jim and Dan talk about the new Mac Pro's, the Universal Audio Apollo, Nokia's latest commercial, how to get better at guitar without practicing, and more.