POPULARITY
14 episodes with Silvertone
6 episodes with Silvertone
3 episodes with Silvertone
3 episodes with Silvertone
4 episodes with Silvertone
5 episodes with Silvertone
2 episodes with Silvertone
2 episodes with Silvertone
3 episodes with Silvertone
In this week's show I play my latest release "Focused Pulse". Furthermore, we have brandnew tracks by Tiesto, NLW, Meduza and much more. Enjoy! Tracklist: Tiesto, Oaks - I Follow Rivers Christian Fischer - Your Body Freejak - California Love Tiesto, Jordan Shaw - Hold Me Charlie Powell - Act A Fool Kream, Goodboys - Paradise Breez, Silvertone, Carrie Keller - Think About You Yves V, Chester young, 'exa - Insanity Argy, Anyma, Son of Son - Voices In My Head Almero - Lost On You John Alto - Do You Like Bass NLW - Subway NLW - Free Your Mind Kill the Buzz, Jimmy Clash, Robbie Rosen - Fire In The Sky Mike Williams, Joe Jury - La la DJ Artin- Focused Pulse Meduza, Genesi - Take It
We dive into some killer guitar stories and surprises! First up, we touch on Billy Corgan's interview with Wolfgang Van Halen—but don't worry, I'll be covering that in-depth on Exclusively Van Halen, so stay tuned for that episode! In other news, Bruce Kulick reveals the worst gig of his career with KISS—and trust me, it's a wild one. Plus, we check out what Mark Knopfler from Dire Straits says is his most challenging song to play live. That's not all! I show off my Silvertone guitar, and Ron makes a bold promise—he's going to paint a Stratocaster pink!
150 - John McCutcheon in episode 150 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist and multi-instrumentalist John McCutcheon. In their conversation John talks a little about the Hammered Dulcimer one of the many instruments John plays. He talks about its tuning, its construction, its history and how he moves it around to gigs. John tells us about his new album “A Field of Stars” and the musicians he works with on his albums, Steuart Smith (from the Eagles) and Stuart Duncan and how he encourages them to collaborate. John talks gear including his Huss and Dalton acoustic guitars and the Silvertone guitar he started on. John discusses one of his mentors, Pete Seeger. John describes the instruments he plays and what he would take to a gig. He also talks about the venues he's playing and his touring and songwriting camp schedule. He also tells us about a musical cruise down the Danube he's planning for 2026. John tells us about his plans for the future: an album celebrating 100 years since the Bristol sessions apart from the cruise down the Danube. John describes his role in the musicians union and how he made changes to suit the traveling musician. Finally John tells us about his pastimes… taking a 500 mile walk in Europe and baseball, major, minor and little league baseball as well as his family, gardening and bee keeping. You can find out all you want to know about John at his website: folkmusic.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JohnMcCutcheon #AFieldofStars #HussandDalton #steuartsmith #stuartduncan #FolkMusic #SilvertoneGuitar #theDeadlies #haveguitarwilltravelpodcast #hgwt #HGWT . . . . Please like, comment, and share this podcast! Download Link
Spinning the latest tech house, bass house, and techno tunes from artists and labels around the world. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!
Classic show from Season 6: Product Manager for RBI Music joins Dave to chat about their line up of guitars. They take a close look at the Vintage Guitar line as well as the Silvertone line of guitars. Old favorites improved for today's players!
For FUTURISTICA RADIO Episode 12, Futuristica Music boss and master DJ SIMON S serves up a third helping of his Contemporary Jazz series for us, featuring the latest releases from UK jazz, nu-jazz and alt-soul artists and labels, including Alfa Mist, Nubya Garcia, Peter Franks, Finn Rees, Amanda Whiting, Ashley Henry, Gogo Penguin, Rowan Oliver, Sekito Music, Mr. Bongo, Silvertone, Concord Jazz and much more. For Part 1 of Simon's Contemporary UK Jazz selections, check out Episode 2 of Futuristica Radio, "Jazzin' The 2000's" HERE, on Apple, or wherever you get your music podcasts. For Part 2 of Simon's Contemporary UK Jazz selections, check out Episode 9 of Futuristica Radio HERE, on Apple, or wherever you get your music podcasts. Futuristica Radio Host and DJ Simon S journeys through his extensive vinyl selection to create a blend of jazz, soul, hip-hop & electronica from across the generations…from madlib to coltrane, gang starr to alfa mist and everything in between. For more information about Futuristica Music and Simon S, and all the latest Futuristica releases, go futuristicamusic.bandcamp.com and follow them @futuristicamusic on Instagram. And if you're in the UK, visit Simon's dope full-service record shoppe Crates Is High, located in Launceston, Cornwall.See omnystudio.com/listener for privacy information.
Fölster pratar i detta avsnitt om dealbreakers. Vi tyckte det var ett så bra ämne så vi ägnar även huvuddelen av avsnittet till detta. I veckan pryls testar vi en sann klassiker; Pro Co “The Rat” I veckans avsnitt: Ibanez, Floyd Rose, Strandberg, Valley Arts, EMG, Jackson, Gibson, Fender, Gretsch, Silvertone, Pro Co, UA.
137 - Chris Ballew (the Presidents of the United States of America) In episode 137 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, Host, James Patrick Regan speaks with singer/bassist/guitarist Chris Ballew from the Presidents of the United States of America and he also performs as Caspar Babypants. In their conversation he covers: Growing up in Seattle with his mom's classical influences and his father's country influences… and his mom going in to the “pit” at his early shows. Chris takes us through his musical journey: high school in Seattle college in New York and busking in Boston and then back to Seattle to start the Presidents. Chris takes through his gear Harmony's Silvertone's all set up untraditionally with between 2 and 4 strings. Chris also tells us about his Presidents rig which was an Epiphone SG style with just two strings tuned to C# and G#. Chris tells us a bit about his musical contemporaries in the Seattle area as well as New York and Boston. Chris takes us through his other musical projects, the music he created for music libraries, Caspar Babypants and his solo space pop albums. . To find out all you want to know about Chris you check out his website: chrisballew.org And the website for Caspar Babypants: babypantsmusic.com . Please subscribe, like, comment, share and review this podcast! . #VintageGuitarMagazine #ChrisBallew #thePresidentsoftheUnitedStatesofAmerica #CasparBabypants #Epiphone #Bass #TPOTUSOA #GuitarHero #theDeadlies #HomeStudio #haveguitarwilltravelpodcast #guitarcollector #Travelwithguitars #hgwt #HGWT . . Please like, comment, and share this podcast! Download Link
This week, hosts Jim DeRogatis and Greg Kot explore the history and legacy of the 50+ year-old Chicago blues label, Alligator Records, with its founder Bruce Iglauer. They'll talk to him about his new book Bitten By the Blues: The Alligator Records Story and discuss some of the landmark artists who came through, from Koko Taylor to Albert Collins. They also revisit a conversation and live performance with Buddy Guy.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Koko Taylor, "I'm A Woman," The Earthshaker, Alligator , 1978The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club, Parlophone, 1967Albert Collins, "Honey Hush! (Talking Woman Blues)," Ice Pickin', Alligator , 1978Mississippi Fred McDowell, "You Got to Move," You Gotta Move, Arhoolie, 1965Hound Dog Taylor & The Houserockers, "Walking the Ceiling," Hound Dog Taylor and the HouseRockers, Alligator , 1971Hound Dog Taylor & The Houserockers, "Give Me Back My Wig," Hound Dog Taylor and the HouseRockers, Alligator, 1971Hound Dog Taylor & The Houserockers, "Phillips' Theme," Hound Dog Taylor and the HouseRockers, Alligator, 1971B.B. King, "The Thrill Is Gone," Completely Well, Alligator, 1969Hound Dog Taylor & The Houserockers, "Wild About You Baby," Hound Dog Taylor and the HouseRockers, Alligator, 1971Koko Taylor, "Wang Dang Doodle," Wang Dang Doodle (Single), Chess, 1966Koko Taylor, "That's Why I'm Crying," I Got What It Takes, Alligator, 1975Koko Taylor, "I Got What It Takes," I Got What It Takes, Alligator, 1975Albert Collins, "I Ain't Drunk," Cold Snap, Alligator, 1986Albert Collins, Johnny Copeland, Robert Cray, "The Moon Is Full," Showdown!, Alligator, 1985Toronzo Cannon, "Walk It Off," The Chicago Way, Alligator, 2016Toronzo Cannon, "Bad Contract," The Chicago Way, Alligator, 2016Shemekia Copeland, "Would You Take My Blood," America's Child, Alligator, 2018Shemekia Copeland, "Ain't Got Time For Hate," America's Child, Alligator, 2018A.C. Reed, "She's Fine (feat. Bonnie Raitt)," I'm In the Wrong Business!, Alligator, 1987Buddy Guy, "Baby Please Don't Leave Me," Sweet Tea, Silvertone, 2001B.B. King, "Don't Answer the Door," Don't Answer The Door (single), ABC, 1966Buddy Guy, "Good Morning Schoolgirl," Hoodoo Blues Man (Live On Sound Opinions), Delmark, 2007Cream, "Strange Brew," Strange Brew (single), Reaction, 1967Buddy Guy, "First Time I Met The Blues," I Got My Eyes On You (single), Chess, 1960Shawnna, "Can't Break Me (feat. Buddy Guy)," Block Music, Disturbing Tha Peace, 2006Buddy Guy, "I've Got Dreams to Remember," Bring 'Em In (Live On Sound Opinions), Silvertone, 2007Lou Reed, "Coney Island Baby," Coney Island Baby, RCA Victor, 1976See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the immediate aftermath of WWII, the founders of Teisco would get their guitar bodies from a milkman who built instruments on the side. By the 1960s they were responsible for a large chunk of the Japanese import market, coming up with wilder designs as they went along. They mostly built for third parties; case in point this Silvertone bass, made for Sears. Enjoy! Like the show? Follow us at these fine establishments: Patreon || https://www.patreon.com/thehighgain Instagram || @thehighgain Web || https://www.thehighgain.com
Vi diskuterar om vad som gör en bra gitarr och hur man kan definiera det. Fölster har varit på Black Crowes-konsert och berättar om det. I veckans pryl spelar vi på Mosland Overdrive/ MT-11 från Nordland. I detta avsnitt: Gibson, PRS, Fender, Collings, Vox, Muswell, Marshall, Silvertone, Gretsch, Frank Brothers, True Temperament, Zemaitis, Greco, Ibanez, Seven Engineering, Nobels, UA, Nordland.
House music at its best! Let Dave Baker take you on a journey of discovery and aural pleasure as he brings you the hottest and freshest funky, deep and tech house releases every week. It's another bangin' episode filled with hot new releases, promos and nostalgia this week, kicking off with Sgt Slick's white label recut of the Depeche Mode anthem Enjoy The Silence before moving onto a soulful Peverall Brothers remix of Stevie V's massive 1989 hit Dirty Cash (is that song REALLY 35 years old???). We've also got hot tunes from Silvertone; Mark Knight collaborating with Darius Syrossian and James Hurr; a homemade mashup by yours truly; and upping the tempo with bangers from Martin Ikin, David Guetta, and R3WIRE. House music at its best once again! Please share, rate, review and subscribe wherever you can to help the podcast reach more house music lovers. You can also leave comments for episodes you like on the Hot House Hours Soundcloud page. New Instagram for show-related posts: https://www.instagram.com/hothousehours/ All tracks released on May 17 unless shown below. 1. Enjoy The Silence (Sgt Slick ReCut) - Depeche Mode [White Label] RELEASE DATE TBC
Welcome back to Rinse And Repeat Radio! On this week's guest mix we have a very special guest - SilvertoneSilvertone is a DJ/Producer based out of Philadelphia, PA. He's played alongside acts Steve Aoki, Dillon Francis, Two Friends, & more. As well as gotten major support on his originals & remixes from artists around the country. He took over the first half of the episode and shared a bunch of his unreleased music, remixes, & favorite current house records. Episode 209, turn it up! **Tracklisting****Silvertone Guest Mix**1.) Big Sean - I Know Ft. Jhené Aiko (Silvertone Edit)2.) Silvertone - Give Them House3.) Silvertone - Life's a B!tch4.) Silvertone - Out My Mind5.) Dom Dolla - Saving Up (Silvertone Edit)6.) Eli Brown - Diamonds On My Mind (Silvertone X Stang Edit) 7.) King Julian, Silvertone - BEIJA8.) Silvertone - I Just Wanna**Cazes Mix**9.) Tame Impala - Borderline (Westend Edit)10.) Anti Up - The Weekend11.) Peggy Gou - (It Goes Like) Nanana (Westend Edit)12.) Hozier - Too Sweet (ZUEZEU EDIT)13.) ESSEL & Alex Wills - Rave is The Weapon14.) Empire of The Sun x Afroki x Gorgon City & BbyAfricka - We Are The People (Cazes 2024 VIP Edit)Find me on my socials! @cazesthedjwww.cazesthedj.comUpcoming Dates5/24 - Green Light Social - Austin, TX5/25 - Green Light Social - Dallas, TX5/26 - Sunset Sessions @ Ruby Room - Dallas, TX6/7 - Good Night John Boy - Cleveland, OH6/8 - FWD - Cleveland, OH
De los muchos cuartetos que grabaron para King y sus sellos filiales, el más conocido fue Swan Silvertones. El grupo grabó casi medio centenar de canciones para Queen y King entre 1946 y 1951. Edita y conduce Jose M Corrales t.me/EnfoqueCritico (https://t.me/EnfoqueCritico) debateafondo@gmail.com @EnfoqueCritico_ facebook.com/DebateAFondo facebook.com/josemanuel.corrales.750/ https://www.youtube.com/@EnfoqueCritico Instagram enfoquecritico Mastodon @EnfoqueCritico@masto.es
Join Row on Triple M's Gig Review as we dive into Chris Isaak's latest performance at Sydney's iconic State Theatre. For nearly four decades, Isaak has been enchanting audiences worldwide with his distinctive voice, magnetic presence, and timeless good looks. In this episode, we dive into a night where Isaak, now in his late 60s, proves that age is just a number with his pitch-perfect voice and dynamic range that flawlessly complements his signature moody love tunes. Isaak's bond with his Australian audience is undeniable; his affection for the country and its people shines through, reciprocated by the adoring fans who hang on his every word and note. Discover how Isaak and his band Silvertone, including beloved bandmates Kenney, Rowland, and Hershel, deliver a performance filled with emotional depth, from heart-wrenching ballads like "Somebody's Crying" and "Wicked Game" to the upbeat rhythms of "Baby Did a Bad Bad Thing." Experience the unique blend of humor, intimacy, and musical genius that defines a Chris Isaak show, including spontaneous interactions with the audience and unforgettable Orbison covers. Row provides an insider's look into a night of musical magic, inviting listeners into the world of live music that touches the soul. Whether you're a long-time Isaak fan or new to his music, this episode on the LiSTNR app is your backstage pass to one of the most memorable gigs of the year.See omnystudio.com/listener for privacy information.
In this episode of Triple M Nights, Chris Isaak sits down with Gleeso to delve into his eagerly anticipated Australian tour this April, sharing his excitement about returning to the Australian coastline. The renowned American musician, celebrated for his unique blend of rockabilly, blues, and surf rock, opens up about his enduring friendship with Layne Beachley and their plans to catch some waves together whilst he's in the country. Isaak, with a career spanning over three decades, reveals the secret sauce to his longevity in the music industry - a relentless passion for singing that has not waned since he was 13. The episode takes a nostalgic turn as Isaak recounts a humorous encounter with Gleeso on 'The Footy Show' in 1995, alongside a memorable anecdote about ejecting Sting from his dressing room. Listeners will get an intimate look into Isaak's musical influences, nurtured by his parents' eclectic record collection, and how everything except the jazz records was played to its last groove. From his breakthrough album "Silvertone" to the iconic "Wicked Game" and beyond, Isaak discusses his musical journey, his Australian connection, and his unyielding love for authentic, soul-stirring music.See omnystudio.com/listener for privacy information.
Just got the other Silvertone 604 in so you gotta hear it. Also some old guitars that take concepts of other brands, and make them their own. Check out the Indie IRK5 and the Framus Junior 6.
I'm back finally with a new guitar! The Silvertone 604mhns. I try it out next to the original from the 60s and a new Guild troubadour. This thing really holds it own and I love it.
Universe: “Super Fuzz or Big Muff?”Mudhoney: “Both!”What else would you expect from a band that titled their mischievously visceral '88 debut EP after both pedals (Superfuzz Bigmuff)?Formed in the late '80s by guitarists Mark Arm and Steve Turner after the dissolution of their band Green River (which included future Mother Love Bone and Pearl Jam cofounders Jeff Ament and Stone Gossard), Mudhoney long ago solidified themselves as the Seattle scene's big brothers and tightest pack. Through their 11 LPs, five EPs, and six live albums, Mudhoney has routinely diversified and further defined their eccentric brand of raucous, aggressive, unfiltered rock 'n' roll. Possibly more impressive than the band's wide influence and devoted authenticity is the foursome's bond. Drummer Dan Peters and bassist Matt Lukin (also a founding member of the Melvins) were the rhythmic bedrock for Arm and Turner's exploding-M-80 tones since the beginning. (Arm and Turner have been friends since high school and have been playing off each other since then.) But Lukin left the band in 2001 because tour life became too much, and Guy Maddison has been thundering ever since. To see a group's career that's pushing past 35 years and only have one member swap is as inspirational as it is baffling. How?!“We like each other a lot. We get along. We love what we're doing,” remarks Arm. “Why stop, even if no one gives a shit?”Friendship matters to Arm and Turner, but gear isn't a concern unless it points them in one direction—east. More specifically, toward Detroit, Michigan. And even more specifically, to the Stooges. Both namecheck the livewire band and their raw power several times in our Rig Rundown. However, in a 2018 interview with Premier Guitar, they acknowledged regenerating sounds that echo influences from Neil Young and the Byrds to Devo and the Dead Kennedys. But after chasing “I-Wanna-Be-Your-Dog” sizzle, what else leads them to the gear they use? Has that mentality changed since the late '80s?“If you think about the aesthetics of where we come from—garage punk, and punk rock in general—a lot of it was made with cheap gear, and a lot of it was reclaiming gear that guitarists had kind of dismissed as garbage. Like the Mustang. That was my ultimate guitar back when I was a kid, but it was poo-pooed when I finally got one. I could get them for $150. The Danelectro and Silvertone amps were kind of high-rated garbage when we were getting into them. We based a lot of our sound on cheap gear, so it makes sense to me that I still buy the cheap gear,” concluded Turner.They're still pragmatic about their setups, preferring equipment that's familiar and reliable. Where they chase the dragon is in stompboxes. Turner trusts the Big Muff (his favorite iteration is from the mid-'80s), while Arm's torrid tone burns with a Super Fuzz clone. However, both have additional hot-sauce stompboxes and other effects on their pedalboards that are being auditioned trial by fire.Hours before Mudhoney's headlining set at Nashville's Basement East, Arm and Turner brought PG's Chris Kies onstage to catalog their setups. Turner started the party by talking about a pair of guitars—his battle-tested late-'60s Guild Starfire IV and a recently-acquired Fender Gold...
Let us introduce you to Silvertone Hills a Hamilton based Indie -rock band. Dawg and Gus have a sitdown and talk writing during the pandemic, choosing which songs made it to the album , how they met to form the band. So come join us and give this podcast a listen and get to know a little bit more about Silvertone Hills. Be sure to follow them on all social media. And as always, support your local venues and artists. As always , much love! Dawg and Gus
The Platform episode 484 features a mix by the Philadelphia based DJ and producer, Silvertone! A house and techno based artist that has had his remixes supported by major artists like Loud Luxury and has played alongside huge acts such as Steve Aoki, Dillon Francis, Two Friends and the list goes on. Be sure to follow him on his socials by tapping the link below and download his latest remixes on SoundCloud that you hear in the mix today! Subscribe to my Patreon to get my top tracks of the week, see track lists from the shows and more! Turn those speakers up and let's get into it with Silvertone's latest right here, on The Platform!
Product Manager for RBI Music joins Dave to chat about their line up of guitars. They take a close look at the Vintage Guitar line as well as the Silvertone line of guitars. Old favorites improved for today's players!
Andrew Watson - CarStore Power Maxed Racing - First Podium Chat & Silvertone Preview
Queen of S-Mountain podcast presents GEAR TIME LIVE, a music gear gameshow where nothing is live and everyone wins except mansplaining dudebros. How much is Tom DeLonge (of Blink-182) charging for his signature Fender Strat? Are there amps that can kill you? Is there such thing as a perfect fuzz pedal? In this episode, Kel-O-Watt of Wattever Audio tries to defend their title as champion, Hilary B. Jones of MidRiff Podcast is out for blood, LG of Thelma and the Sleaze finds the best fuzz pedal so far, and Colleen Fazio of Fazio Electric shows off her Lap Steel Guitar. Gear Time Live is sponsored by Reverb, an online music gear selling community for all musicians everywhere, and by EarthQuaker Devices, an elite effects pedal company nestled in the heart of Akron, Ohio aka America's Shirt Pocket. With promotional support by Ruinous Media. Visit our Sponsors: www.reverb.com www.earthquakerdevices.com www.ruinousmedia.com Follow Gear Time Live on Instagram: www.instagram.com/geartimelive
It's the 120th episode of the Truth About Vintage Amps, the call-in show where amp tech Skip Simmons fields your questions on all things tube amp. This week in a nutshell: Is this the Fender Yale?; lots of Fretboard Summit love; Skip sneaks a mower across the border; magnifiers; tomato gravy; and rumblings of a possible Oregon Truth About Vintage Amps meetup! Special Note: Our friends at Amplified Parts are having a Labor Day Sale right now. Use the code LABOR10 to save 10% off your order, but act fast. https://www.amplifiedparts.com/ Want to be a part of the show? Keep the amp questions for Skip coming to podcast@fretboardjournal.com! Voice memos or emails are welcome. Don't forget we now have a Patreon if you'd like to support the show featuring weekly installments of what's on Skip's bench, random eBay finds, and surprise content: https://www.patreon.com/vintageamps Some of the topics discussed in this episode: :00 Fretboard Summit recap (thanks, Kevin!); a gift of Del Cabo mangos; Rob Abernathy's robots (https://rodabernethy.com/); our sponsors (Emerald City Guitars, Stringjoy Strings (use the code FRETBOARD to save 10% off your first string order), Amplified Parts, and Grez Guitars. 10:30 Donny Hathaway plays "The Ghetto" (YouTube link); Skip brings a Tweed Deluxe back from the dead (and possibly a Princeton Reverb), lousy amp repair people 16:22 A Fretboard Summit recap; a transitional Gibson Falcon find 21:40 An Ampeg SVT CL that sounds sort of like the opening to the Beastie Boys' "Intergalactic" when you turn it on 24:46 Offshoot amp brands we can spot in the wild 26:43 Magnifiers, redux! Recommended: YOCTOSUN Head Mount Magnifier on Amazon (link, on sale for just 16 bucks right now); LED garage lighting (Costco link) 29:55 How do self-split output stages work? Kalamazoo KEA amps 32:30 Help me make sense of this Bell PM33 Pacemaker schematic 37:53 Speaker-driven line out and reverb, together; a Seattle TAVA meetup?; an Oregon Coast TAVA meetup at Pelican Brewing? 41:01 Skip's contraband riding lawn mower 49:01 Is this the Fender Yale? John Peden's Sidetrack Liner Notes podcast (Apple Podcast link: https://podcasts.apple.com/us/podcast/sidetrack-liner-notes/id1162344630) 53:05 Kate Wolf; Eminem 56:25 Transformer windings and tomato gravy 1:02:12 The Silvertone 1484 TwinTwelve input section; Fender Musicmaster Bass amp mods 1:06:17 The Gibson tone-sucking circuit in the GA19RVT Falcon (Instagram link) Recorded August 31, 2023. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. Support us on Patreon.com for added content and the occasional surprise and don't forget to get a subscription to the Fretboard Journal (link). Digital subscriptions start at just $30. Submit your amp questions, recipes, and life hacks to podcast@fretboardjournal.com and don't forget to share the show with friends on social media.
Hello dear listener, This week, Phillip Carter (40 Watt Podcast) and I are talking all about his trip to Chicago for this year's Fretboard Summit! We're also discussing my rediscovery of Helix Native, my sudden obsession with 1950's Silvertone guitars, and Phillip's new Line 6 POD Go!Don't forget, you have the chance to win a Chapman ML1X simply by telling Chapman what your dream guitar build would be.Simply fill out this form for the chance to win.https://forms.gle/geSQZRQznSeBysFcA(If you're reading this on a platform that doesn't support external links, just visit Guitar Nerds on Instagram or Facebook for info on how to enter.) Hosted on Acast. See acast.com/privacy for more information.
This week, we're joined by the one-and-only Ben Harper, who has a couple of questions for Skip right before his Lyon, France concert. Ben regales us with tales of a rare Weissenborn spotted on a Disneyland ride, Dumbles, and pre-show skateboarding (which Skip is a little worried about). He also spills the beans on his new touring amp of choice… a Two-Rock. Before Ben joins us, we've got our usual assortment of listener-submitted questions on tremolo and speaker impendence, Larry Chung references, and a tamale suggestion. Want to be a part of the show? Keep the amp questions for Skip coming to podcast@fretboardjournal.com! Voice memos or emails are welcome. Don't forget we now have a Patreon if you'd like to support the show. Some of the topics discussed in this episode: :34 Special thanks to Shure for that MV7 that Skip uses; the Fretboard Summit (August 24-26 in Chicago; www.fretboardsummit.org) 1:51 PSA: Skip is retired through September 2:23 A forthcoming Danelectro documentary, early Nat Daniel-built Epiphone Model M amps 15:32 This week's sponsors: Emerald City Guitars, Stringjoy Strings (use the code FRETBOARD to save 10% off your first string order), Amplified Parts, and Grez Guitars. 19:05 Peter Jensen's Magnavox 12" speakers 20:54 Don Pepino canned tomato sauce (thanks, Rob), Remington Model 5 typewriters 22:27 A 1964 Fender Vibrolux Reverb with a replaced power transformer…but not really; Skip gets a visit from Larry Chung 29:46 The dangers of playing a bass through a small guitar amp; Versatone amps; Los Hernandez tamales in Union Gap, Washington (https://www.loshernandeztamales.com); Bruce Harvie & the Sound Flea's ‘Overhead at Darrington' (Bandcamp link) 38:47 A humming Ampeg GS-12 Reverberocket: Was the speaker affecting the reverb spring? 43:26 Changing the tremolo depth on an Ampeg Jet 46:12 Skip's favorite trem circuit; a Massie that modulates the guitar signal; Chris Vincent (https://www.instagram.com/djlavalamp/) 51:03 Tube amp kits (Mod 102 and Mod 102+ from AmplifiedParts.com https://www.amplifiedparts.com/products/amp-kit-mod-electronics-mod102-guitar-amp ); grilled asparagus; the Good Ol' Grateful Deadcast 59:54 The rising cost of everything 1:02:17 Speaker impedance for a Gibson Falcon GR-19RVT Crestline 1:02:53 What to do with the reverb on a Silvertone 1484; JHD Audio Ice Cubes 1:06:09 Special guest: Ben Harper! Forestry; a vintage Weissenborn spotted on Disneyland's Pirates of the Caribbean ride; Ben's new Two-Rock Bloomfield Drive; Marcus Eaton; Jimmy Page seeing David Lindley's Kaleidoscope; Liuteria Guarnieri guitars (https://www.liuteriaguarnieri.com/en/acoustic-guitars/); Dumbles are like Basquiats; skateboarding before a concert; kicking Princeton Reverbs; tech Bill Webb; and vintage Gibson amps Recorded July 19, 2023. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. Support us on Patreon.com for added content and the occasional surprise and don't forget to get a subscription to the Fretboard Journal (link). Digital subscriptions start at just $30. Ben has a huge feature in our 53rd issue! Submit your amp questions, recipes, and life hacks to podcast@fretboardjournal.com and don't forget to share the show with friends on social media.
To Support the Channel:https://www.patreon.com/AskZacTip jar: https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch - www.askzac.comIn a recent Livestream, I was asked if there was any certain piece of gear I was looking for, and I responded that I would love to find a good old (1930s-50s) acoustic guitar. I then followed with that I was not in a position to afford something like that, and someone mentioned Baxendale Conversions. I found that Scott Baxendale takes old Kay, Harmony, Silvertone, and Regal acoustics from the 1940s-1960s, and converts them into instruments that are scarily similar to same era Gibson and Martins. In today's video, I lay out what Scott Baxendale does to these vintage budget instruments to make them take flight with much greater volume, tonal range, and much better playability. In the video, I am playing a 1950s Kay, that has been converted into an 8-string mandocello, but I hope to find a 6-string conversion soon.Gear used in this video:2021 Baxendale Mandocello conversion of a 1950s Kay acoustic.#askzac #guitartech #telecasterSupport the show
It's the 117th episode of the Truth About Vintage Amps podcast, where legendary amp tech Skip Simmons fields your questions on guitar amps and their repair! Want to be a part of the show? Keep the amp questions for Skip coming to podcast@fretboardjournal.com! Voice memos or emails are welcome. And don't forget we now have a Patreon. This week's sponsors: Emerald City Guitars, Stringjoy Strings (use the code FRETBOARD to save off your first string order), Amplified Parts, and Grez Guitars. This week's topics: 1:18 Jason goes to NYC (and Montana) 4:43 Special thanks: Listener Doug, QSL cards, Micah 9:18 Skip's movie, music and book picks of the week: 'Little Miss Sunshine,' an Arhoolie Records box set (link), "A Hero's Death" by Fontaines D.C., "Cleanin' Out My Closet" by Eminem; 'Fire in Sierra Nevada Forests' by George E. Gruell 16:34 The amps Skip has seen the most often and why 21:51 When to NOT just service it first, should I gut this Stromberg Carlson AU-42? Daniel Romano; Premier Amps 29:45 Can I actually use the AC outlet on the back of my vintage Fender? 32:43 Extending the leads on a Mojotone Tweed Princeton kit, what are turret boards made of? 38:08 Do I need to replace all the resistors on my 1953 Gibson GA-20? 42:52 Coupling cap orientation, redux 44:30 Sourcing a parts kit for vintage amp servicing 51:17 John Vanderslice visits Skip, Gibson resistors again 54:02 Using the vintage speakers found in the walls of my midcentury modern home's intercom system 59:06 Hope for the Fender Musicmaster bass amp, GSS Speaker Repair Services in Los Angeles 1:05:50 Plate voltage versus screen voltage on a power tube; @thevalvinist on Instagram; a Hohner / Sano combo amp for sale; the 2023 Fretboard Summit (link) 1:14:14 Modding the tone control on a Silvertone 1482, using a tip ring sleeve jack to bypass a cap 1:22:40 Fat Tire Amber beer Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. Support us on Patreon.com for added content and the occasional surprise and don't forget to get a subscription to the Fretboard Journal (link). Digital subscriptions start at just $30. Submit your amp questions, recipes, and life hacks to podcast@fretboardjournal.com and don't forget to share the show with friends on social media.
Vi pratar om hur vi i en värld med utrustning som håller mycket hög kvalitet, letar efter det personliga. Fölster dyker ned i ämnet cellulosalack. I veckans pryl pratar vi om en gitarr från Gammelgura. I veckans avsnitt: Mastery, Ronin, Bigsby, Gibson, True Temperament, Evertune, Fender, Novo, Descendant, Harmony, Kay, Wandre, Danelectro, Teisco, Silvertone, Airline, Vox, Gammelgura, Ibanez, Vega Trem, Seymour Duncan, Gretsch, Björk, Nordin.
It's the 116th episode of the Truth About Vintage Amps podcast, where legendary amp tech Skip Simmons fields your questions on guitar amps and their repair! Want to be a part of the show? Keep the amp questions for Skip coming to podcast@fretboardjournal.com! Voice memos or emails are welcome. And don't forget we now have a Patreon. This week's sponsors: Emerald City Guitars, Stringjoy Strings (use the code FRETBOARD to save off your first string order), Amplified Parts, and Grez Guitars. This week's topics: 1:02 Making amps out of little intercoms, redux 4:01 Amplified Parts' Potentiometer Adapter Sleeve (link) 8:34 Join our Patreon and hear a lost episode with Steve Melkisethian (Angela Instruments): https://www.patreon.com/vintageamps 9:19 What's on Your Bench: A 1952 low-powered Tweed Twin found on eBay 12:00 Retiring the word "blackface" when talking about amps 16:10 Coupling capacitor orientation, redux 20:28 Jonathan Stout (check out 'Pick It and Play It'); "For the Good Times" by Al Green 26:19 Sellers turning vintage amps on with no speaker load 29:55 The best DIY Fender Princeton kits around; roasted cauliflower with curry powder, Soursound transformers (link) 40:28 Does a lower B+ keep an old amp happier? 43:58 How quickly could you build a Champ? The Fretboard Summit (August 24-26 in Chicago) and JHS's Germanium Chef competition (attend by registering here: www.fretboardsummit.org), wiring a part board before you put it in the amp 46:59 Chris at Deluxe Amplification (deluxeamplification.com) 50:08 A horse-powered IBM Selectric typewriter (Facebook post link) 52:06 Silvertone 1484 amps; in defense of metal film resistors, a forthcoming Ampeg documentary, Ampeg Jets and Rockets, the Jackson Audio 1484 - Twin Twelve pedal (link), a Guild 66-J amp with a Pyle Driver speaker 1:09:20 The Fret Files podcast capacitor test (link); the terminology of pickups Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. Support us on Patreon.com for added content and the occasional surprise and don't forget to get a subscription to the Fretboard Journal (link). Digital subscriptions start at just $30. Submit your amp questions, recipes, and life hacks to podcast@fretboardjournal.com and don't forget to share the show with friends on social media.
Chris Isaak es una de esas figuras mágicas que a veces surgen en la música. Un artista que arrancó en los años 80 bebiendo de los sonidos del pasado pero que supo dotar su propuesta de personalidad y actualidad. Gran compositor de voz magnética, maestro de las letras doloridas envueltas en suaves ropajes. Con motivo de sus próximas citas en nuestro país -22 de junio en las Noches del Botánico de Madrid, 24 de junio en el BBK de Bilbao y 12 de julio en el Festival de los Jardines de Pedralbes en Barcelona- sobrevolamos la trayectoria del genial artista californiano.Playlist;(sintonía) CHRIS ISAAK “Wicked game (instrumental)”CHRIS ISAAK “Dancing” (Silvertone, 1985)CHRIS ISAAK “Gone ridin’” (Silvertone, 1985)CHRIS ISAAK “Blue Hotel” (Chris Isaak, 1987)CHRIS ISAAK “Heart full of soul” (Chris Isaak, 1987)CHRIS ISAAK “Don’t make me dream about you” (Heart shaped world, 1989)CHRIS ISAAK “I want your love” (San Francisco days, 1993)CHRIS ISAAK “Blue moon” (Elvis Presley tribute, live 1994)CHRIS ISAAK “Baby did a bad bad thing” (Forever blue, 1995)CHRIS ISAAK “There she goes” (Forever blue, 1995)CHRIS ISAAK “South of the border (down Mexico way)” (Baja sessions, 1996)CHRIS ISAAK “Black flowers” (Speak of the devil, 1998)CHRIS ISAAK “Let me down easy” (Always got tonight, 2002)CHRIS ISAAK “Oh pretty woman” (Beyond the Sun, 2011)CHRIS ISAAK “Down in flames” (First comes the night, 2015) Escuchar audio
It's the 112th episode of the Truth About Vintage Amps, where legendary amp tech Skip Simmons fields your questions on guitar amps and their repair. Want to be a part of the show? Keep the amp questions for Skip coming to podcast@fretboardjournal.com! Voice memos or emails are welcome. Some of the topics discussed this week: 7:42 David Lindely on Dumble: Audio interview on our Patreon (link) 8:07 Shoutout to August from Otis Amps 8:46 Rancho Gordo Beans, redux (link), Herdez Salsa Casera, Juantonio's chips 11:42 What's on Skip's workbench: A Stromberg PA head; a 1910 Hammond Multiplex typewriter 16:39 More on David Lindley 19:31 A muted Tweed Bassman with a hiss in V2, testing test equipment; a brownface Deluxe at the flea market 27:15 What's the difference between silverface '60s Fender Pro Reverbs (drip-edge or not); the Cars; is the Pro Reverb the beginning of "logging truck" status 33:53 Amps that use 2A3/6A3 triodes as power tubes 40:01 ChatGPT wrote a poem about TAVA 43:11 Rob Robinette's recommendation to put a 1N4007 diode in series after the Secondary AC High voltage and the plate of the rectifier tube; 'Junior Bonner' with Steve McQueen; Better Call Saul; Hollywood gossip 47:49 Lighting your workbench, a dedicated filter circuit for testing amps? 50:39 Waking up amps that have not been used in a long while; using multimeters for the first time; inconsistencies in the volt readout on a variac 56:12 Does a variac provide the same shock protection as an isolation transformer?, the Silvertone 1485 circuit, the Hillbilly Rueben recipe 1:02:52 Hearing Skip's voice in your head while you're at your day job; a 1940s Navy soundsystem with a dynamotor 1:06:15 Fixing the crack in a 1972 Fender Deluxe Reverb cabinet, troubleshooting amps that have been dropped, index pins 1:13:13 The sound of octal tubes; the Baxandall EQ circuit explained; why did my Ampeg start smoking with an acrid smell when turned on? 1:17:38 A Fender Hotrod Blues Deluxe that is muted until it has warmed up for 30 seconds, input jacks 1:22 Kenny Burrell's ‘Soulero', a 2006 Fender Tweed Twin (no reverb) with an intermittent volume drop 1:28:46 Balancing family life with amp projects, redux Recorded March 15, 2023. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. This week's episode is sponsored by Stringjoy Strings, Amplified Parts and Grez Guitars. You can also use the discount code FRET10 to save 10% off your Izotope purchase. Support us on Patreon.com for added content and the occasional surprise and don't forget to get a subscription to the Fretboard Journal (link). Digital subscriptions start at just $30. Want to register for our Fretboard Summit? Here's a link. Submit your amp questions, recipes, and life hacks to podcast@fretboardjournal.com and don't forget to share the show with friends on social media.
We answer questions about Freddy Henry, the firing of Tom Wilson, Al's original Silvertone guitar, and that mystery song at the end of the movie King of the Corner. After each segment Nilly the Dog barks a brief comment of her own.
Check out the Greensboro College Analytics Apprenticeship program here: https://learn.silvertoneanalytics.com/apprenticeship/Check out the Silvertone Analytics Career Services Program here: https://learn.silvertoneanalytics.com/career-services/In this podcast episode Hunter catches up with Michael Galarnyk who is a seasoned data scientist. Hunter facilitates a Q&A with Michael and two of our Silvertone Analytics Career Services students who are interested in potentially growing into a Data Science role.Welcome to the How to Get an Analytics Job channel. Discover how you fit into the analytics marketplace, what skills you should build, and how to land your analytics dream job. Analytics agency owner John David Ariansen and his team will give you tips and tricks to land your dream job and level up your analytics career.Check Out Our PlaylistsHow to Get an Analytics Job Podcast:https://lnkd.in/dMv987nmGreensboro College Analytics Lecture Series: https://lnkd.in/dH66tJixLooking to land an analytics job? Sounds like you need a solid resume... Sign up for our email list to get a free analytics resume guide: https://lnkd.in/dSqBSwQgFollow us on LinkedIn:John David Ariansenhttps://lnkd.in/dXFrGHqhHunter Brownhttps://lnkd.in/gqGwk2Rk
Seattle's Jimmy James has been one of the city's most exciting guitarists for years. He's currently the guitarist in the True Loves, among other projects, and was formerly in the Delvon Lamarr Organ Trio. On this week's podcast, we talk to the funk / jazz / soul / blues musician about growing up in Washington State, hearing "My Girl" for the first time, the music that helped shape his sonic palette, his cherished Silvertone, his time in New York City, and so much more. https://www.instagram.com/jimmyscratchjames/ The True Loves on KEXP: https://www.youtube.com/watch?v=TD2hNsY6G7E Register for our 2023 Fretboard Summit here: https://fretboardsummit.org/ Our podcast is sponsored by Retrofret Vintage Guitars, Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); Izotope (use the coupon code FRET10 to save 10% off their plug-ins); and Stringjoy Strings.
The one-and-only Sam Bush joins us this week for an enlightening talk about John Hartford and so much more. Sam has just released 'Radio John: Songs of John Hartford,' a tribute album to his old friend/mentor where he plays every instrument (acoustic guitar, mandolin, banjo, bass, and fiddle). We talk about the inspiration behind the album, the Hartford tracks he chose, and his recording process. Sam also talks to us about some of the unique gear he employed. In addition to his tried-and-true 1937 Gibson F-5 mandolin (dubbed "Hoss"), he used a Silvertone bass with 40-year-old strings; a low-tuned banjo on loan from Bela Fleck, and a Cat's Eyes / Tokai copy of a Martin D-42. It's a great chat with a true bluegrass music legend. We hope you enjoy it. Get Sam Bush's 'Radio John' here: https://folkways.si.edu/sam-bush/radio-john-songs-of-john-hartford Get a digital subscription to the Fretboard Journal here: https://shop.fretboardjournal.com/collections/downloads/products/fretboard-journal-digital-subscription-offer Pre-order An Instrument Maker's Guide to Insanity and Redemption: Behind-the-Scenes Stories from the Instrument Making and Repair Community here. Our podcast is sponsored by Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); Izotope (use the coupon code FRET10 to save 10% off their plug-ins); and Calton Cases.
On this episode we chat with Texas guitar legend Chris Duarte. Born in San Antonio, the young Duarte became interested in music after seeing "Fiddler on the Roof" on TV. He initially wanted to play violin and then clarinet, but circumstances led him to playing his brother's guitar where he discovered an innate talent to pick up tunes by ear. At age 14 Chris obtained his first guitar, a Supro, and became further immersed in music. He began exploring different genres and learning jazz standards (in the once "illegal" Real Book) by musical idols such as John Coltrane and Miles Davis. In 1979, he moved to Austin and purchased a 1963 Fender Stratocaster. Soon after, he found himself gravitating towards the blues stylings of players like Howlin' Wolf and Stevie Ray Vaughn. Durate continued to develop his chops and gained a reputation as a road dog as he constantly played, both with his own band and as a sideman, widening his touring circuit throughout Texas and the south. As the Chris Duarte Group's popularity continued to grow, Chris found himself in a bidding war between labels, but ultimately CDG's first record, 1994's Texas Sugar Strat Magik featuring John Jordan on bass and Brannen Temple on drums, was released via Silvertone Records and became a highly acclaimed success among fans and critics alike. Chris quickly gained national recognition and won"Best New Talent" in Guitar Player's 1995 Reader's Poll. He finished fourth in the magazine's "Best Blues Guitarist" category behind some of his biggest blues influences: Eric Clapton, Buddy Guy, and B.B. King. His second album, Tailspin Headwhack (1997) followed with the hit Cleopatra, but that would be the last record with Silvertone. Since then Chris has recorded a wide variety of albums with various producers including the legendary Mike Varney of Shrapnel Records. He has traveled the U.S. and the world many times over playing everything from small clubs to headlining major music festivals and nearly everything in between. After moving to Atlanta, GA for several years, Chris Duarte has returned Austin where he plays with girlfriend Beth Lee (and the Breakups) as well as consistently touring with his trio. The current incarnation of CDG primarily features Dustin Sargent on bass and John McKnight on drums, and the band has a new album release ready, recored with producer Dennis Herring of their TSSM days. Although genuinely humble and somewhat soft spoken, Duarte's stage performance and guitar playing are mesmerizing and out of this world. He has remained recognizable in his sound even though he has crossed many genres, and he gives every record and performance 100%. In many interviews, he has stated “music must evolve.” With such a vast catalog of recordings, there are no two shows alike. Every set list is different, and each song may be offered distinctly based on the feel of a show and the audience. We are thrilled he is playing ESP's Skunk Manhattan's Austin-based festival Skunkfest for 2022 and looking forward to seeing what he might pull from the vault. RIP Frosty (drummer) Facebook | Instagram |
THE HIGH GAIN PODCASTWEBSITEwww.thehighgain.comPATREONBecome a SubscriberDISCORDhttps://discord.gg/XUMEzkjYOUTUBEhttps://www.youtube.com/thehighgainTHE SOCIALSInstagramFacebookTwitterPinterestLinkedInEMAILthehighgainpod@gmail.comPRODUCED BYVerkstad - Seattle, WA
Un épisode hors-série des Fous du Volant consacré à Victor Martins, leader du championnat de Formule 3 à l'issue de la manche de Silvertone. Le Français nous explique ce qu'est la vie d'un jeune pilote, comment il vise le titre cette saison puis la Formule 2 et enfin la Formule 1 "à long terme". Une interview passionnante qui permet d'en savoir plus sur Victor Martins.Ecoutez d'autres épisodes des Fous du Volant en vous abonnant sur Apple Podcasts. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.
Décima cita de la temporada y nos trajo una montaña de sensaciones, Ya que hubo desde accidentes preocupantes, hasta incertidumbre por saber quienes ocuparìan el podio.
"Reverent" isn't exactly a word that you usually associate with Only Three lads. But that's the best word to describe this week's episode, as we pay tribute to some of the dearly departed heroes of the O3L era. They may be gone...but they will never be forgotten. We talk a lot about James Calvin Wilsey. It's a name you may not recognize, but we guarantee you've heard him play guitar. Jimmy started his professional career as the bassist in San Francisco punk legends The Avengers before joining forces in Silvertone with Chris Isaak. Yeah, that's Jimmy who wrote and played the haunting lead guitar lines in "Wicked Game." Jimmy's life, career and tragic death are chronicled in Wicked Game: The True Story of Guitarist James Calvin Wilsey, penned by our Third Lad this week, the esteemed Michael Goldberg. Michael has been a respected and renowned music journalist since the '70s, serving as Senior Writer for Rolling Stone magazine for a decade, as well as writing for Creem, NME, Musician, and other notable music publications. In 1994, he founded the first online music magazine, Addicted to Noise, which garnered him a spot on Newsweek's 1995 list of the "50 People Who Matter Most on the Internet." For more information on Wicked Game, visit https://hozacrecords.com. A portion of the proceeds go to Jimmy Wilsey's teenage son Waylon. Also, on this week's O3L Spotlight, we feature music by TV Party! Buy their self titled debut album at: https://tvparty1.bandcamp.com/album/tv-party. #musicpodcast #musicpodcasts #RIP #wickedgame #punkrock #1stwave #newwave #indierock #indiepop #classicalternative #alternativerock #guitarhero
Michael Goldberg's new book: “Wicked Game: The True Story of Guitarist James Calvin Wilsey” goes deep into the life of a brilliant but doomed unsung genius who we lost too soon. Jimmy wasn't just a great and unique guitarist, but a music pioneer. Michael met Jimmy Wilsey in 1982 at a Silvertone gig and a few years later interviewed him in 1987. Not long after that, they became friends. His book tells the story of a charming, incredibly talented guy who ultimately succumbed to the dark side of addiction. It's riveting, funny at times, heartbreaking and tragic, but fascinating – and hard to put down.The book is available through HoZac and Michael is donating a very generous portion of the profits to Jimmy Wilsey's teenage son, Waylon. You can order yours here:https://hozacrecords.com/product/wicked-game/Find or Sell Guitars and Gear at Reverb Find great deals on guitars, amps, audio and recording gear. Or sell yours! Check out Reverb.comBuzzsprout - Let's get your podcast launched! Start for FREEInstacart - Groceries delivered in as little as 1 hour. Free delivery on your first order over $35.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
THE HIGH GAIN PODCASTWEBSITEwww.thehighgain.comPATREONBecome a SubscriberDISCORDhttps://discord.gg/XUMEzkjYOUTUBEhttps://www.youtube.com/thehighgainTHE SOCIALSInstagramFacebookTwitterPinterestLinkedInEMAILthehighgainpod@gmail.comPRODUCED BYVerkstad - Seattle, WA
We check out the Silvertone 1303 and the Danelectro 56 U2. Landon is back and feeling way better!!! Austin gets out his new Gamechanger!!!! Fun night!!!
Микшер Русской кибернетики 247 с Александром Киреевым и Евгением Сваловым / 4Mal Авторы гостевого микса: ELECGROUND (S. Silvertone, A. Uchvat, E. Amadeus) 01. Amonita feat. Makebo — Matangi [Rubicunda, RBCND002] 02. Anton Ishutin — Air (Michael A Remix) [FlipCube, FLIPCUBE057] 03. Sebastian Busto — Dancing Flower [Sudbeat Music, SB207] 04. Dimuth K & Berni Turletti — Tejomaya (Alex O'Rion Remix) [Mango Alley, ALLEY164] 05. ELECGROUND — Pulsar [Studio Exclusive] 06. Morttagua — Imentet (Hernan Cattaneo & Marcelo Vasami Remix) [Timeless Moment, TM096] 07. Sergey Leman — Genesis (ELECGROUND Remix) [FlipCube Promo] 08. ELECGROUND — BioZond [Studio Exclusive] 09. Lightning Effect — Daylight (Franzis-D Remix) [Estribo Rec., EST338] 10. Zodiac — Zodiac (ELECGROUND Progressive Remix) [Studio Exclusive] 11. ALPHA21 & Nico Beren — Mangata (Clarium Remix) [Electronic Tree, ETREE402] Друзья, открывайте для себя новую электронную музыку России и русскоговорящих стран вместе с национальным клубным проектом «Русская кибернетика» и его ведущими Евгением Сваловым (4Mal) и Александром Киреевым! Новые эпизоды «Русской кибернетики» вы всегда найдёте онлайн: Яндекс.Музыка: https://music.yandex.ru/album/6917036 Google Podcasts: https://bit.ly/3b5ITGd Apple Music / iTunes: http://apple.co/3p6m9w2 VK кураторский плейлист: https://vk.cc/c9TeGiVK интервью-плейлист: https://vk.cc/av6kf0 Spotify кураторский плейлист: https://spoti.fi/3JJOMuz Spotify интервью-плейлист: https://spoti.fi/3h2zkLQ Soundcloud: https://soundcloud.com/russiancyber/ Instagram с анонсами и эксклюзивами: https://instagram.com/ruscyber Сообщество в VK: https://vk.com/ruscyber Сообщество в Фейсбуке: https://www.facebook.com/russiancyber Канал на Youtube: https://www.youtube.com/c/russiancyber Канал в Телеграме: https://t.me/ruscyber Анонсы в Твиттере: https://twitter.com/russiancyber Хэштеги для связи в соцсетях: #ruscyber и #русскаякибернетика Отправьте ваши треки в редакцию: http://promo.russiancyber.net/ Отправьте заявку на вечеринку «Русская кибернетика» или 4Mal DJ-сет: http://dj.russiancyber.net/ #modernrussianelectronica #makerussiagreatagain #house #deephouse #techhouse #progressivehouse #indiedance #nudisco #dj
Микшер Русской кибернетики 247 с Александром Киреевым и Евгением Сваловым / 4Mal Авторы гостевого микса: ELECGROUND (S. Silvertone, A. Uchvat, E. Amadeus) 01. Amonita feat. Makebo — Matangi [Rubicunda, RBCND002] 02. Anton Ishutin — Air (Michael A Remix) [FlipCube, FLIPCUBE057] 03. Sebastian Busto — Dancing Flower [Sudbeat Music, SB207] 04. Dimuth K & Berni Turletti — Tejomaya (Alex O'Rion Remix) [Mango Alley, ALLEY164] 05. ELECGROUND — Pulsar [Studio Exclusive] 06. Morttagua — Imentet (Hernan Cattaneo & Marcelo Vasami Remix) [Timeless Moment, TM096] 07. Sergey Leman — Genesis (ELECGROUND Remix) [FlipCube Promo] 08. ELECGROUND — BioZond [Studio Exclusive] 09. Lightning Effect — Daylight (Franzis-D Remix) [Estribo Rec., EST338] 10. Zodiac — Zodiac (ELECGROUND Progressive Remix) [Studio Exclusive] 11. ALPHA21 & Nico Beren — Mangata (Clarium Remix) [Electronic Tree, ETREE402] Друзья, открывайте для себя новую электронную музыку России и русскоговорящих стран вместе с национальным клубным проектом «Русская кибернетика» и его ведущими Евгением Сваловым (4Mal) и Александром Киреевым! Новые эпизоды «Русской кибернетики» вы всегда найдёте онлайн: Яндекс.Музыка: https://music.yandex.ru/album/6917036 Google Podcasts: https://bit.ly/3b5ITGd Apple Music / iTunes: http://apple.co/3p6m9w2 VK кураторский плейлист: https://vk.cc/c9TeGiVK интервью-плейлист: https://vk.cc/av6kf0 Spotify кураторский плейлист: https://spoti.fi/3JJOMuz Spotify интервью-плейлист: https://spoti.fi/3h2zkLQ Soundcloud: https://soundcloud.com/russiancyber/ Instagram с анонсами и эксклюзивами: https://instagram.com/ruscyber Сообщество в VK: https://vk.com/ruscyber Сообщество в Фейсбуке: https://www.facebook.com/russiancyber Канал на Youtube: https://www.youtube.com/c/russiancyber Канал в Телеграме: https://t.me/ruscyber Анонсы в Твиттере: https://twitter.com/russiancyber Хэштеги для связи в соцсетях: #ruscyber и #русскаякибернетика Отправьте ваши треки в редакцию: http://promo.russiancyber.net/ Отправьте заявку на вечеринку «Русская кибернетика» или 4Mal DJ-сет: http://dj.russiancyber.net/ #modernrussianelectronica #makerussiagreatagain #house #deephouse #techhouse #progressivehouse #indiedance #nudisco #dj
New year and finally new episodes! Austin and I talk new gear and we Jam on it as well! We talk Grestch, Silvertone, Eastwood, and Telemasters? Glad to be back!
Enjoy An Album with Liam Withnail & Christopher Macarthur-Boyd
2006 was a bad year for Justin Vernon. His band broke up, his girlfriend left him, and he came down with a serious bout of mononucleosis hepatitis - a severe form of herpes that leaves your lungs inflamed. He spent the winter getting steamboats in his father's cabin in rural Winsconsin, where he wrote almost all of ‘For Emma, Forever Ago' on a laptop with a 1960s Silvertone guitar. It was a very successful record. Four years later he was an arena-level folk-star, collaborating with Kanye West and Nicki Minaj on the greatest hip-hop album of the 21st century, ‘My Dark Beautiful Twisted Fantasy'. For Emma, Forever Ago is the 461st Greatest Album of All Time, according to Rolling Stone magazine. This week, Christopher and Liam listened to it, and now they're going to talk about it. Featured topics include: liquid acid, powerful loneliness, the Scottish Exhibition and Conference Centre, Zane Lowe, the origins of modern hipsterdom and auto-tuned Appalachian folk choirs. All that plus Secret Posho, on this week's episode of Enjoy An Album. Enjoy!
Chris Isaak, Silvertone, and
There Strat boys are back with a quick one.... Dirty laundry is filled with new guitar day purchases... This day in got skipped around on because it was a duesy! Still has tons of goods in it... Jim's Metal Minute is a wonderful Dime story... Also with the announcement of a new unnamed show where we deep dive on a single guitar or music related subject or story... Thoughts on names? Hit us up on our socials! News this week was lite but still we discuss more year end guitar awards, An Eddie VanHalen Funko Pop, A Legendary Death, and more... B.o.w. is a throwback in honor of the new Beatles Movie Get Back... Sir Paul McCartney!!! What a beard during this time... G.A.S. is a small discussion about a couple of offset guitars, Silvertone, and a Harmony... Your Main Event for this episode is our top 5 favorite Xmas movies with some honorable mentions sprinkled in... Whats on your wish list this year? Have the Pirates been naughty or nice? Find out next week on the Guitar Pirates Podcast!smoothmyballs.com/piratesMidnights Haberdashery anywhere on social media!!!Set up your custom hat order today and tell him the Pirates sent you!
Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this our 206th episode, our guest is Howie Statland. Here is how he describes himself and his store, Rivington Guitars: “This year we are celebrating 23 years of business – 23 years of finding guitar players the guitar of their dreams. Located at 73 E. 4th St., our store is right in the heart of the East Village of Manhattan. We like to keep our prices low and our customers delighted. We buy, sell, trade and repair all vintage guitars, amps, keyboards and more. Our expert repair shop features quick, reasonable prices and reliable service. Since we opened in 1998, Rivington Guitars has come to be known as 'The Best Little Guitar Store in New York City,' and this is a reputation we have earned. Rivington Guitars specializes in vintage guitars, and we know vintage guitars. It's what we do best. We have over 350 vintage guitars in stock at all times -- Fender, Gibson, Gretsch, Martin, Rickenbacker, Silvertone and Harmony as well as many other more unusual brands. Owner and proprietor Howie Statland is a featured survey participant for the 'Vintage Guitar Price Guide.' He is one of 25 select guitar dealers throughout the USA who helps determine the values set forth in the 'Vintage Guitar Price Guide.' He has been dealing guitars for over 20 years. A list of some of our satisfied clients include Paul Simon, The Killers, The Strokes, Courtney Love and Hole, Elvis Costello, Jeff Tweedy and Wilco, The Black Keys, Cults, Green Day, Arcade Fire, Brian Jonestown Massacre, Vampire Weekend, Motley Crue, Jonathan Richman, Mumford & Sons, J Mascis and Dinosaur Jr., the Smashing Pumpkins, Norah Jones, Peter Bjorn and John and many other local New York City working musicians. Our store began in 1998 on Rivington Street, hence our name, and expanded to a larger location on East 4th Street in 2008. We have since opened an acoustic store called Rivington Guitars Unplugged on the same street as our main store. Besides selling fine vintage guitars, we also offer guitar lessons at affordable rates, rental services and appraisal services. Our website is updated daily and all our inventory is on our website. There is always something new at Rivington Guitars, so come in today.” Join The Rob Burgess Show mailing list! Go to tinyletter.com/therobburgessshow and type in your email address. Then, respond to the automatic message. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Twitter, Internet Archive, TuneIn, RSS, and, now, Spotify. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com.If you have something to say, record a voice memo on your smartphone and send it to therobburgessshow@gmail.com. Include “voice memo” in the subject line of the email. Also, if you want to call or text the show for any reason, the number is: 317-674-3547.
Whiteout with Eric Lindsay in conversation with David Eastaugh Whiteout were a British rock group from Scotland, who were most famous for their hit "Jackie's Racing". Although they had existed in a different incarnation since the very early 1990s, the band's classic line-up consisted of Andrew Caldwell (vocals), Paul Carroll (bass), Eric Lindsay (guitar) and Stuart Smith (drums). The name came from a slang term for the disorientating effects of alcohol. They were the first guitar band to sign to the Silvertone label after their enormous success with the Stone Roses. Whiteout's principal recordings were the albums Bite It (1995) and Big Wow (1998). Their music was influenced by the country rock and glam rock of the early 1970s, as well as the aforementioned Stone Roses.
Dan Rowbottom - Halfords Racing with Cataclean - Silvertone Race 1 - 26th September 2021
Deeper Roots goes free form this week with some classic country and blues right alongside tradition. From Pee Wee King to Memphis Minnie and Robert “Barbecue Bob” Hicks to Chuck Wills…we've got the goods. We'll fill our Friday two hours with a delightful collection of music from the past one hundred years, live from the Cherry Street Historic District in downtown Santa Rosa, California. Got some sugar, radio memories, gospel rafter-raisers, and a track from Luke the Drifter…and remember….ninety-nine and a half just won't do when you're listening to the radio. Which is why we give you a hundred percent here on community radio. An eclectic blend of sounds that takes you back to the little Zenith or Silvertone that you put up to your ear, driven by that two-pronged nine-volt heart. Join us for some memories.
THE HIGH GAIN PODCASTWEBSITEwww.thehighgain.comPATREONBecome a SubscriberDISCORDhttps://discord.gg/XUMEzkjYOUTUBEhttps://www.youtube.com/thehighgainTHE SOCIALSInstagramFacebookTwitterPinterestLinkedInEMAILthehighgainpod@gmail.comPRODUCED BYVerkstad - Seattle, WA
THE HIGH GAIN PODCASTWEBSITEwww.thehighgain.comPATREONBecome a SubscriberDISCORDhttps://discord.gg/XUMEzkjYOUTUBEhttps://www.youtube.com/thehighgainTHE SOCIALSInstagramFacebookTwitterPinterestLinkedInEMAILthehighgainpod@gmail.comPRODUCED BYVerkstad - Seattle, WA
The latest episode of the Gut Feeling Podcast is an extended look at True Loves/Delvon Lamarr Organ Trio guitarist Jimmy James, who I'd profiled for the newsletter a couple of issues ago. There were a number of musical moments to our talk, which Jimmy punctuated with his prized Silvertone, and since the bulk of that didn't quite fit the Q&A format, I'm posting the audio so you can get a feel for his style. The True Loves' Sunday Afternoon is out this Friday (May 28) via Color Red, and you can also peep the band playing a record release livestream show the same day via KEXP. In the meantime, please enjoy Jimmy's playing in this latest episode!
The 68th installment of the Truth About Vintage Amps with special guest Jef Brown! Use the discount code TRUTHV150FF to save $15 off Caddis readers between now and April 30, 2021. Some of the topics discussed this week: 7:30 The details you should never annoy your amp tech with 12:23 El Pato references, explained; the El Pato-Tone practice amp (almost sold out); Knorr bullion cubes 19:19 A reissue Fender Twin Reverb with an irritating noise floor and vibrato 23:42 What to do with old 2 ohm Rola speakers; funky capacitors from a vintage Yamaha organ 30:96 Special guest: Jef Brown (Leighton Amplifiers; Southside Guitars) with more amp hacks and troubleshooting knowledge: The 3.3 MHz resistor mod to 5E3s (revisited); Southside Guitars; Gibson KEA amp hacks; chokes in a power supply; a Super Reverb soaked in WD-40; new parts gone bad; a buzzy Princeton Reverb; a Fender Tone Master with misplaced grid stop resistors; a Marshall Plexi with a bad LCR filter cap; lead dress; filter caps on a clone Princeton; when to move on from a new speaker; using Fela Kuti/Burning Spear to break in a new speaker; the proper way to wire a three-prong cord to an amp with a fuse. Technical Note: Around 28:00, Jason's good mic somehow stopped working. Thankfully, this episode becomes the Jef and Skip show shortly thereafter so it won't affect you too much. There's a lot of deep knowledge in this episode; dig in! Support the show as a TAVA Patreon patron and get bonus episodes, in-depth articles on amp circuitry and other surprises. Email or send us a voice memo to: podcast@fretboardjournal.com or leave us a voicemail or text at 509-557-0848.
TAVA Discount: Use the discount code THETRUTH10 to save 10% off your order from Amplified Parts between now and April 15, 2021. Skip takes a fall, but still manages to help you troubleshoot your tube amps. Plus: Our long-awaited Deluxe schematic primer, recommended short stories, obsolete bass lures and more. 1:33 Skip and the haystack 5:30 This week's sponsors: Grez Guitars, Amplified Parts (Watch Josh Yenne demo a Grez Mendocino here.) 9:57 Jason's new podcast on makers and creators: Sweep the Floor (Apple Podcasts link); plus: The Truth About Recording & Mixing podcast (Apple Podcasts link) 12:35 The new issue of the Fretboard Journal (link) 16:54 A 1965 Ampeg G-12 with screeching reverb; a Silvertone 1484 with a rusty transformer, eddy currents 26:59 Is it worth restoring a Tweed Tremolux that works but has all-new caps and resistors? 34:34 The Johnson Silver Minnow 36:12 Putting Bozak audiophile speakers in a guitar amp, making a hi-fi into a guitar amp 43:06 Taming a Bogen PA head-turned-5C3-Deluxe style amp 47:33 Is canned salsa the circuit board amp equivalent of Mexican food?, Diana Kennedy 53:06 Two nearly-identical 1960 5G9 Fender Tremolux amps... one sounds way better. Why? 1:01:13 Potential guest: Roy Rogers 1:02:39 What to do with asbestos in your amp? 1:05:50 Goldentone amps, redux, and a music recommendation (Eddy Current Suppression Ring's "That's Inside of Me" Spotify link); get Mat Fitzwilliam's Goldentone amp book here 1:08:27 Taming a Fender Blues Deluxe reverb with a reverb volume control box 1:13:05 Baxandall tone stacks in a 1972 Traynor YGM-3 1:18:26 Skip's Deluxe schematic walk-through, part one (Robrobinette.com has the 5C3, 5E3, etc. schematics you may need here) 1:31:52 Skip's literary pick: Tim Gautreaux's 'Same Place, Same Things' Support the show as a TAVA Patreon patron and get bonus episodes, in-depth articles on amp circuitry and other surprises. Have a topic for a future episode? Email or send us a voice memo to: podcast@fretboardjournal.com or leave us a voicemail or text at 509-557-0848.
GORDIE is joined once again with BRETT STILLO to wax rhapsodical about the good old days of the SEARS Christmas Wishbook. If you grew up with the phenomenon, you'll be right at home. If not, strap in for a bunch of nostalgic memories from two 50 something dudes. VINCENT PRICE, ski families, SILVERTONE guitars, pointing, mustaches, W.C. FIELDS, SCOOBY DOO, BOBBSEY TWINS, KING KONG, MISSES vs JUNIORS, BUDWEISER, BORIS KARLOFF and so much more.
Wanna split £100? You get £50 free AND save money on 100% green electricity by moving to Octopus Energy. Plus I get £50 to support this podcast but ONLY if you do it by using my unique referral code. I moved to Octopus recently and had been putting it off for ages, but I kicked myself for not doing it sooner, as it’s literally a 5 minute job to give them your details. Click here: https://share.octopus.energy/free-puma-452 On today’s podcast: GMC’s Hummer EV Being Engineered As A Dedicated Electric Vehicle Volvo Battery Electric Trucks For U.S. UK Goes Green Numberplates Why XPeng Stock Skyrocketed Groupe PSA To Launch More EV Vans Lunaz to begin production of electric classic Range Rovers More PHEV's from Volvo and Audi HEVO Wireless Charging Show #944 Good morning, good afternoon and good evening wherever you are in the world, welcome to EV News Daily for Tuesday 8th December. It’s Martyn Lee here and I go through every EV story so you don't have to. Thank you to MYEV.com for helping make this show, they’ve built the first marketplace specifically for Electric Vehicles. It’s a totally free marketplace that simplifies the buying and selling process, and help you learn about EVs along the way too. GMC HUMMER DEVELOPED IN IT'S OWN BUBBLE The pandemic may have introduced us the concept of only mixing with people in your own bubble - or is that just a UK thing? - but now GM and the GMC Hummer are chanelling that spirit. They've confirmed the Hummer EV is being developed without regard for what else is on the market. But is that a smart idea? Should GM benchmark the Hummer against it's rivals. Or should they make the truck they want to make, and not be swayed by what it will be competing with? If there's one thing the EV community loves it's benchmarking. EV drag races on Youtube went from viral sensation to cliche when it seemed the only thing reviewers wanted to do was drag race anything and everything against a Tesla. Hummer EV Vehicle Performance Engineer Todd Hubbard in an interview with Muscle Cars & Trucks: The platform is called BT1 and it's besppoke to Hummer so the engineers don't have to make this work on a platform which wasn't designed for an EV. Truck fans might recognise the T1 platform from the Chevrolet Silverado but the Hummer is unique. But remember it's only unique because it's first. GM's roster allows for economies of scale, purchasing, parts sharing and technology crossover. However I've often said the way to make a great EV is with a blank sheet of paper and not making it a compromise car. See: BMW. Or Ford F150, same truck just with batteries. GM will use the BT1 platform (and their commercial version of it, the BV1) and expand from that, making those savings whilst increasing choice of models. If they didn't it would be a financial disaster but we know that's not the case. We know from the presentations around their Ultium batteries, the plan IS a lot of parts sharing and flexibility of pack sizes. Even motors and drive units will be used from their SUVs, Crossovers and large trucks. Those vehicles, like an electric Silverado, are where they'll really hit economies of scale. GM also have a platform called BEV3 which is for things like the Cadillac Lyriq in 2021 but that's a different podcast. VOLVO BATTERY ELECTRIC TRUCKS FOR U.S. Whilst the Tesla Semi Truck sucks up all the attention in teh commercial space there's actualyl lots more going on that people realise. Volvo Trucks North America just introduced the fully electric Class 8 Volvo VNR model and production starts early next year. They will be made in Virginia on the same lines as the diesel models. Except rather than an oil burner they have a 264kWh battery, a top speed of 65mph and a range of 240km. The trucks go up to 82,000 lbs gross weight. Volvo has been testing these as part of a trial in California and say that they provide customers with a complete solution. So I'm guessing that's charging and fleet management. UK GOES GREEN NUMBERPLATES From today it's legal to have a new green numberplate here in the UK. Of course they are a legal identifier so had to go through the legislation process. From Dec 8th you can order your plates with a green rectangle on the left there the old blue Euro flag would be. At the moment it's just for those who want to show off their green credentials because the benefits aren't yet defined. Government hopes local areas will introduce incentives like free parking and bus lane use. Whilst ANPR can do a lot of the work, there are still traffic wardens who give tickets to EVs when parked in a special space because they don't know what cars are electric and which ones aren't. They CAN be retro fitted. No you can't make these yourself with green tape. By law, each number plate must display the name and postcode of the supplying outlet, the British Standard number and the trade mark of the manufacturer or component supplier. WHY XPENG STOCK SKYROCKETED Chinese Electric car maker had a stellar November with the stock price up 203.2% and 100 of their G£ Crossovers are now being shipped to Europe for the first time. They delivered 3040 vehicles in Ocotber and 4224 in November. A total of 21,341 this year. They unveiled their new autonomous driving software at the Auto expo in China on Nov 20th. A reminder XPeng are the Tesla close in a legal battle with them aas well, over a former employee who joined XPeng to work on self-driving. Tesla are saying, and this isn't legal speak, prove you didn't steal our code. XPeng saying, prove that we did. It's a common misconception Tesla open-sourced their patents so others were free to copy, in the sense of true open-source code. But instead they promised not to take action against anyone using them, in order further the field of EVs - but they do reserve the right to stop people using their IP. GROUPE PSA TO LAUNCH MORE EV VANS Following the 2020 launch of electric versions of their medium van models (D-Van) and large van (E-Van), the four brands, Peugeot, Citroën, Opel and Vauxhall will complete their line-ups in 2021 with all-electric versions of their compact van (B-Van) and associated passenger cars. Coming from eCMP platform, the powertain is composed with: A water-cooled 50kWh electric battery allowing power outputs of up to 100kW, A 100kW/136hp electric motor, An onboard charger available in two levels of power (7.4kW single-phase and 11kW three-phase) LUNAZ TO BEGIN PRODUCTION OF ELECTRIC CLASSIC RANGE ROVERS Fancy an electric Range Rover conversion? The Silvertone based company Lunaz will make 50 of the classic Rangies, from 1974 to 1994, in all electric off roaders. Prices start at £245,000 or $329,000. It's a bare metal restoration and reengineering. 4 wheels drive, new suspection and brakes, infotainment screens etc. Customer delivieres summer 2021. MORE PHEV'S FROM VOLVO AND AUDI Volvo completes electrification of XC60 range with plug in petrol. The XC60 is available with three plug-in hybrid powertrains. These combine a supercharged and turbocharged 2.0-litre petrol engine that drives the front wheels and an electric motor that powers the rears, ensuring the plug-in hybrid’s exceptional efficiency is twinned with the reassurance of all-wheel drive. And an 11.6kWh battery. Presales of the A3 Sportback 45 TFSI e will start in Germany this week. The electric motor is integrated into the housing of the six-speed S tronic, which transfers the power to the front wheels. A package consisting of 96 prismatic cells in the lithium-ion battery stores 13.0 kWh of energy. HEVO WIRELESS CHARGING In early 2021, HEVO will be the first production-ready and UL-listed wireless EV charging product designed and tested to the SAE J2954 standard. The UL 2750 standard and the recently published SAE standard establish requirements for performance, safety and interoperability HEVO say "Our system is also proving to be more efficient than wired Level 2 charging, while also being the only technology equipped to serve both wired and aftermarket wireless-enabled vehicles." You can listen to all 944 previous episodes of this this for free, where you get your podcasts from, plus the blog https://www.evnewsdaily.com/ – remember to subscribe, which means you don’t have to think about downloading the show each day, plus you get it first and free and automatically. It would mean a lot if you could take 2mins to leave a quick review on whichever platform you download the podcast. And if you have an Amazon Echo, download our Alexa Skill, search for EV News Daily and add it as a flash briefing. Come and say hi on Facebook, LinkedIn or Twitter just search EV News Daily, have a wonderful day, I’ll catch you tomorrow and remember…there’s no such thing as a self-charging hybrid. PHIL ROBERTS / ELECTRIC FUTURE (PREMIUM PARTNER) BRAD CROSBY (PREMIUM PARTNER) AVID TECHNOLOGY (PREMIUM PARTNER) PORSCHE OF THE VILLAGE CINCINNATI (PREMIUM PARTNER) AUDI CINCINNATI EAST (PREMIUM PARTNER) VOLVO CARS CINCINNATI EAST (PREMIUM PARTNER) NATIONALCARCHARGING.COM and ALOHACHARGE.COM (PREMIUM PARTNER) DEREK REILLY FROM THE EV REVIEW IRELAND YOUTUBE CHANNEL (PREMIUM PARTNER) RICHARD AT RSYMONS.CO.UK – THE ELECTRIC VEHICLE SPECIALIST (PREMIUM PARTNER) DAVID AND LISA ALLEN (PARTNER) OEM AUDIO OF NEW ZEALAND AND EVPOWER.CO.NZ (PARTNER) GARETH HAMER eMOBILITY NORWAY HTTPS://WWW.EMOBILITYNORWAY.COM/ (PARTNER) BOB BOOTHBY – MILLBROOK COTTAGES AND ELOPEMENT WEDDING VENUE (PARTNER) DARIN MCLESKEY FROM DENOVO REAL ESTATE (PARTNER) JUKKA KUKONEN FROM WWW.SHIFT2ELECTRIC.COM RAJEEV NARAYAN (PARTNER) IAN SEAR (PARTNER) ALAN ROBSON (EXECUTIVE PRODUCER) ALAN SHEDD (EXECUTIVE PRODUCER) ALEX BANAHENE (EXECUTIVE PRODUCER) ALEXANDER FRANK @ https://www.youtube.com/c/alexsuniverse42 ANDERS HOVE (EXECUTIVE PRODUCER) ANDREA JEFFERSON (EXECUTIVE PRODUCER) ANDREW GREEN (EXECUTIVE PRODUCER) ASEER KHALID (EXECUTIVE PRODUCER) ASHLEY HILL (EXECUTIVE PRODUCER) BÅRD FJUKSTAD (EXECUTIVE PRODUCER) BRIAN THOMPSON (EXECUTIVE PRODUCER) BRUCE BOHANNAN (EXECUTIVE PRODUCER) CHARLES HALL (EXECUTIVE PRODUCER) CHRIS HOPKINS (EXECUTIVE PRODUCER) CHRISTOPHER BARTH (EXECUTIVE PRODUCER) COLIN HENNESSY AND CAMBSEV (EXECUTIVE PRODUCER) CRAIG COLES (EXECUTIVE PRODUCER) CRAIG ROGERS (EXECUTIVE PRODUCER) DAMIEN DAVIS (EXECUTIVE PRODUCER) DAVE DEWSON (EXECUTIVE PRODUCER) DAVID FINCH (EXECUTIVE PRODUCER) DAVID MOORE (EXECUTIVE PRODUCER) DAVID PARTINGTON (EXECUTIVE PRODUCER) DAVID PRESCOTT (EXECUTIVE PRODUCER) DON MCALLISTER / SCREENCASTSONLINE.COM (EXECUTIVE PRODUCER) ERU KYEYUNE-NYOMBI (EXECUTIVE PRODUCER) FREDRIK ROVIK (EXECUTIVE PRODUCER) GENE RUBIN (EXECUTIVE PRODUCER) GILBERTO ROSADO (EXECUTIVE PRODUCER) GEOFF LOWE (EXECUTIVE PRODUCER) HEDLEY WRIGHT (EXECUTIVE PRODUCER) HEINRICH LIESNER (EXECUTIVE PRODUCER) IAN GRIFFITHS (EXECUTIVE PRODUCER) IAN (WATTIE) WATKINS (EXECUTIVE PRODUCER) JACK OAKLEY (EXECUTIVE PRODUCER) JAMES STORR (EXECUTIVE PRODUCER) JIM MORRIS (EXECUTIVE PRODICERS) JON AKA BEARDY MCBEARDFACE FROM KENT EVS (EXECUTIVE PRODUCER) JON MANCHAK (EXECUTIVE PRODUCER) JUAN GONZALEZ (EXECUTIVE PRODUCER) KEN MORRIS (EXECUTIVE PRODUCER) KEVIN MEYERSON (EXECUTIVE PRODUCER) KYLE MAHAN (EXECUTIVE PRODUCER) LARS DAHLAGER (EXECUTIVE PRODUCER) LAURENCE D ALLEN (EXECUTIVE PRODUCER) LEE BROWN (EXECUTIVE PRODUCER) LUKE CULLEY (EXECUTIVE PRODUCER) MARCEL WARD (EXECUTIVE PRODUCER) MARK BOSSERT (EXECUTIVE PRODUCER) MARTY YOUNG (EXECUTIVE PRODUCER) MATT PISCIONE (EXECUTIVE PRODUCER) MIA OPPELSTRUP (PARTNER) MICHAEL PASTRONE (EXECUTIVE PRODUCER) MIKE WINTER (EXECUTIVE PRODUCER) NATHAN GORE-BROWN (EXECUTIVE PRODUCER) NEIL E ROBERTS FROM SUSSEX EVS (EXECUTIVE PRODUCER) NICHOLAS MILLER (EXECUTIVE PRODUCER) NIGEL MILES (EXECUTIVE PRODUCER) OHAD ASTON (EXECUTIVE PRODUCER) PAUL RIDINGS (EXECUTIVE PRODUCER) PAUL STEPHENSON (EXECUTIVE PRODUCER) PETE GLASS (EXECUTIVE PRODUCER) PETE GORTON (EXECUTIVE PRODUCER) PETER & DEE ROBERTS FROM OXON EVS (EXECUTIVE PRODUCER) PHIL MOUCHET (EXECUTIVE PRODUCER) PHILIP TRAUTMAN (EXECUTIVE PRODUCER) RAJ BADWAL (EXECUTIVE PRODUCER) RENE KEEMIK (EXECUTIVE PRODUCER) RENÉ SCHNEIDER (EXECUTIVE PRODUCER) RICHARD LUPINSKY (EXECUTIVE PRODUCER) ROB HERMANS (EXECUTIVE PRODUCER) ROB FROM THE RSTHINKS EV CHANNEL ON YOUTUBE (EXECUTIVE PRODUCER) ROBERT GRACE (EXECUTIVE PRODUCER) RUPERT MITCHELL (EXECUTIVE PRODUCER) SEIKI PAYNE (EXECUTIVE PRODUCER) STEPHEN PENN (EXECUTIVE PRODUCER) STEVE JOHN (EXECUTIVE PRODUCER) THOMAS J. THIAS (EXECUTIVE PRODUCER) TODD OAKES (EXECUTIVE PRODUCER) THE PLUGSEEKER – EV YOUTUBE CHANNEL (EXECUTIVE PRODUCER) TIM GUTTERIDGE (EXECUTIVE PRODUCER) WILLIAM LANGHORNE (EXECUTIVE PRODUCER) CONNECT WITH ME! EVne.ws/itu nes EVne.ws/tunein EVne.ws/googleplay EVne.ws/stitcher EVne.ws/youtube EVne.ws/iheart EVne.ws/blog EVne.ws/patreon Check out MYEV.com for more details: https://www.myev.com
Once again, guitar amp tech Skip Simmons is fielding your questions on all things tube amp. This week's sponsors: Amplified Parts and Grez Guitars. Want to support the show? Be a part of our Patreon page. 3:57 Skip announces his retirement (not really) 10:50 The Roxy Theater's "Wall" sound system finds a new owner 23:20 Preserving an all-original Fender 5F10 Harvard 29:05 The non-Fender amps Skip sees the most 31:05 Salvaging a submerged Red Bear amp 37:18 Special Guest: Barry Grzebik of Grez Guitars! 1:01:57 A smelly Silvertone 1484 thanks to an attenuator, hardshell taco tips 1:06:20 Decade boxes 1:10:03 Skip's movie picks: Straight Story, Dual 1:12:45 The hum balance pot in a 100-watt Fender Quad Reverb 1:15:29 Buying a 1952 TV panel Fender Deluxe with a replaced output transformer 1:21:06 Music recommendations: Bing Crosby with Eddie Lang; Cindy Cashdollar with Arlen Roth; Carla Bley's "O Holy Night" Have a topic for a future episode? Email or send us a voice memo to: podcast@fretboardjournal.com or leave us a voicemail or text at 509-557-0848. Be sure to check out the ever-growing Big Index of Truth About Vintage Amp topics to see if your amp questions have already been covered.
Starting with a Sears & Roebucks' Silvertone guitar, Michael Schirf has learned close to 1,000 songs during his 40+ year music career. Woodstock almost became a first-hand experience at the tender age of 17.
Making a Scene Presents an Interview with Dennis Mckee of The Mckee BrothersThe roots of the McKee Bros. project go back to 70s Ann Arbor and Detroit, where Ralph McKee, inspired by his college roommate, guitarist Bob Doezema (now a Berklee professor who tours with Al Kooper), bought a cheap bass and a Silvertone amp and started to teach himself to play. After a couple of years of jamming with guitarist Grant Cherry and bongo player Pat “Doc” Roberts, Ralph began to play professionally with the eclectic All Directions band, playing funk, jazz, blues, fusion and rock in local clubs and occasionally backing touring artists, including the Drifters and jazz drummer/vocalist Grady Tate. Ralph and Doc picked out a set of bongos for Denis (11 years younger), who then also picked up alto sax in school band. The McKee Brothers,Bluer Than You,A Time Like This,The McKee BrothersThe McKee Brothers,Think It Over,A Time Like This,The McKee Brotherswww.makingascene.org,Dennis McKee,,www.makingascene.orgThe McKee Brothers,A Scene From Sunday,A Time Like This,The McKee BrothersThe McKee Brothers,Putt Putt Hustler,,The McKee Brothers
Buddies, this is a fun one. Dave and Hank use this week’s episode to do some catching up on our gear (and meatball) worlds.For Hank, this means lots of Craigslisting, which of course leads to lots of Craigslist belly-aching, as well as dissertations on the Silvertone 319 and Scott Baxandale, the Arturia Microbrute SE, Universal Audio, and even some Zildjian and DW drum stuff. The dudes also close it down with a little desert island thought experiment as well as the question - what’s a COVID Hawk?Also discussed: EVH, boxes of boxes, free sounds from the BBC, The Kinks, and Can’s Tago Mago.Shimmer is the chorus pedal of reverb.
Mike Maimone is a poster child for grit, hustle, and road-dogging. The singer, songwriter, monster keyboardist, and recording/mix engineer works as hard as anyone in the industry, is prolific to match, and anyone with an interest in making a career in music can learn a thing or two from this episode.Mike talks us through getting his start in a reggae band at Notre Dame, living on couches in control rooms in Chicago, joining Company of Thieves, forming Mutts with his CoT bandmate, and his current solo endeavors in Nashville with the new records Borrowed Tunes and isolation:001. Mr. Mutt also shines a light on connecting with the LGBTQ community as a gay man in the music industry, changing the chords in cover tunes, the choices we make in pursuit of our careers, and sometimes just saying ef the data.Also discussed: Hank’s new old Silvertone acoustic and new new Universal Audio Apollo x8p, Brian Jones, Todd Terje’s “It’s Album Time!”, new pedals from Boss, Strymon, JHS, and Voodoo Labs, and Black Bobbin teaming up with Benson for a pink sparkle Preamp.Don’t sell your drums for beer.
Support the Truth About Vintage Amps through our brand new Patreon page: https://www.patreon.com/vintageamps Once again, Skip Simmons is fielding guitar amp questions from around the world. Some of the topics discussed on this episode: 4:35 Soundmaster PAs, revisited 16:20 Turret boards versus freestyle wiring 21:24 Adjectives for the tones of tweed-era Deluxe and 4x12" Bassman 27:37 Matching a 16 ohm speaker to a 4 ohm amp output with a transformer 31:20 A schematic, but no layout 33:33 Power tubes in series (Milkman amps) 35:54 A Gibson GA-15 that rattles its tubes out 40:54 Silvertone 101 45:50 Advice on a 1966 Silvertone 1484 Twin Twelve: Watts, speakers, tips 52:26 A Silvertone 1474 and desoldering components from terminal strips 1:05:50 Using Telefunken EAM86 indicator tubesin an amp application Special thanks to Derek Taylor for the intermission music. Have a question or topic for a future episode? Submit it to Skip here: podcast@fretboardjournal.com or leave us a voicemail or text at 509-557-0848. This episode is brought to you by Grez Guitars and Amplified Parts.
Et tilfeldig møte med en en haiker i Østerdalen resulterte i plateinnspilling med mannen bak Alexander Rybaks største hits for totningene i Silvertone.
Et tilfeldig møte med en en haiker i Østerdalen resulterte i plateinnspilling med mannen bak Alexander Rybaks største hits for totningene i Silvertone. Hosted on Acast. See acast.com/privacy for more information.
Albert Fabrega, analista de F1 y un gran amigo de los latinos nos acompañó en el quinto episodio para contarnos como se vive la F1 en la nueva normalidad desde el paddock. Además de compartir con nosotros algunas anecdotas, comentamos sobre el protagonismo de los neumáticos Pirelli en Silvertone, el mal paso de Vettel y la situación de Racing Point con las demandas en su contra por el tema de su similitud con Mercedes. En el anecdotario Albert nos cuenta una de las suyas...
Alex tells us about his difficult weekend at the 1/12 IFMAR Worlds & Paul let’s all the racers what’s going on at this weekends British GP.
Listen to Part 1Listen to Part 2Listen to Part 3Listen to Part 4FamilyLife Today® Radio TranscriptReferences to conferences, resources, or other special promotions may be obsolete. Out of the Depths Day 1 of 4 Guest: Ed Harrell From the Series: The Sinking of the USS Indianapolis________________________________________________________________ Bob: Sixty years ago this week on the night of July 30, 1945, just weeks before the end of World War II, a Japanese submarine launched torpedoes that would sink the USS Indianapolis. Marine Ed Harrell was on board that night. Ed: When I actually left the ship, and there I prayed that somehow the Lord would see me through what lie ahead, and yet I had the foggiest idea that I'm going to be out there for four-and-a-half days. There's times when you pray, and there's times when you pray, and there is a difference. Bob: This is FamilyLife Today for Monday, August 1st. Our host is the president of FamilyLife, Dennis Rainey, and I'm Bob Lepine. Of the nearly 1,200 men who were onboard the Indianapolis on that night only 317 survived. Ed Harrell was one of the survivors, and we'll hear his story today. And welcome to FamilyLife Today, thanks for joining us on the Monday edition. Dennis? Dennis: Bob, I want you to imagine with me a pretty dramatic scene. Just consider yourself being 20 years old, you're a Marine, you're tough, you're physically fit, but you're alone, you're in the ocean, you've just lost your ship, and you and about 80 others are floating in the middle of the night in the ocean in lifejackets. We're going to hear a story – one of the most compelling stories I think I've ever heard from a gentleman who joins us on FamilyLife Today – one of the survivors of the USS Indianapolis. Bob: A man who doesn't have to imagine what you just described because he lived through it. Dennis: That's exactly right. Ed Harrell joins us on FamilyLife Today. Welcome to the broadcast, Ed. Ed: Thank you so much. It's a delight to be with you. Dennis: Ed is not only a survivor, but he was a businessman for 38 years. He's served as a member of the board of trustees at Moody Bible Institute, a great ministry. He and his wife Ola, who have been married since 1947 – that's a lot of years, that's a lot of years, live in Paris, Tennessee. They have two children, eight grandchildren, and four great-grandchildren. Ed: That's right. Dennis: You've lived quite a life, Ed, but you're one of the few, one of the few survivors of that tragedy. Take us back, first of all, to when you signed up. Why in the world did you sign up to be a Marine? It was 1943, is that right? Ed: That's right, 1943. I don't know that I can even know why I really did at the time, but I knew that the war was getting pretty close to home, it sounded to me. In fact, when I heard that the Japanese and the American forces were having quite a battle at Midway, I was thinking that Midway was maybe between San Francisco and Hawaii, and so I thought, you know, they're getting pretty close to America, so, actually, I had just finished my junior year in high school, and I volunteered then for the Marine Corps. Bob: You were 17, 18 years old? Ed: I was 18 when I – I actually became a Marine when I was 18. Bob: You know, Ed, my son is a junior in high school, and the thought of my son saying, "I'm going to sign up to be a Marine in the middle of this kind of conflict, as a parent, I'm not sure I'd endorse that plan. Were your parents behind it? Ed: Yes, I think they pretty much agreed. Dad pretty much agreed. They didn't necessarily want to see me leave, but they knew, too, the little Silvertone radio that we had was telling us quite a bit what was happening in the Pacific, and I didn't have much problem convincing them that I wanted to go. In fact, I have two grandsons in the Marine Corps today. Dennis: Do you remember that time when you said goodbye to your dad? Ed: I do. My dad was 37 or 39 years old, and I thought he was an old man then, but I told him goodbye at the bus station. Dennis: Did you hug? Ed: Yes, yes, we did. Dennis: Were there tears? Ed: There were some tears, there were some tears. Dennis: What did he say to you? Ed: I don't know that I can remember what he said, but I'm sure that the advice that he gave me, he was a fine Christian man, and I'm sure it was some good, solid advice that he was giving me. Bob: Why the Marines? Why did you pick them instead of the Army or the Navy or the Air Force? Ed: I wondered sometimes why if I picked the wrong one, but I really don't know. I even considered, after I got in the Marine Corps, that I would be a paratrooper. After I got through sea school, then they said – after I got through boot camp, they said, "You're going to sea school," and I didn't know what that meant, either, but I went through sea school, and then they said, "You're going aboard a large combatant ship," and so I waited, then, until the Indianapolis was in port and caught it at San Francisco. Dennis: Before you left to join the Marines, you made another decision that was a life-altering decision. Ed: Yes, I did. Yes, I did. On the 1st of August, 1943, already a Marine and yet hadn't shown up even for my boot camp, I went to church on that Lord's Day morning, and seeming the Lord was saying to me, "Your last chance, your last chance," and the preacher preached a message, and he gave an invitation, he pronounced the benediction, and I sat there, I knew that my heart was not right with the Lord, and knowing that I was going into combat soon that I had to get things right with the Lord. I know the pastor came back and sat down by me there. Everyone else had left the building except two people – one was my wife later to be, and my mother-in-law later to be, and they were back in the back of the building there praying, and the pastor turned to a Scripture, Acts 16:31, which simply says, "Believe in the Lord Jesus Christ and thou shall be saved." He said, "Ed, do you believe that?" Well, I was brought up in a Christian home and Sunday school, church all the time, but really never trusted the Lord as my own personal Savior. And so he goes over that a time or two, and he said, "Ed, God who cannot lie, is making you a promise, and He simply says believe on the Lord Jesus Christ, the finished work of Christ on the cross for you, and He promises to save you." And then he would look at me and said, "Do you believe that?" And I said, "Yes, I believe that," and he said, "But does the Lord save you?" "No." Well, he went over it a time or two and there, in the quietness of that little pew there in the church, I trusted the Lord Jesus Christ as my personal Savior. So later now, when I'm getting into the story of the actual sinking of the ship, I could really look back and rely on the faith and trust that I had in the Lord to care for me, even there in the water those days. Dennis: Yeah, in fact, there's a line in your book, which basically says this – "The same Jesus Christ who became my Savior was now going to be the same Jesus Christ who saved my life." Ed: That's right. When I actually left the ship, you know, abandoned the ship, I trusted the same Lord to take care of me there as I stepped over the railing and stepped into the water, and brought up in a Christ home and knew some Scripture. But the Lord brought to mind there as I was about to abandon ship and seeing many of the boys actually jumping on each other in a desperate rush to get off the ship, and I hung onto that rail for a little while, and I prayed and oftentime I say when I give talks is that there's times when you pray, and there's times when you pray, and there is a difference. And there I prayed that somehow the Lord would see me through what lie ahead, and yet I had the foggiest idea that I'm going to be out there for four-and-a-half days. But here from memory of His Word that he brought to mind – "Peace I give unto you not as the world give unto you, let not your heart to be troubled. Don't be afraid." And yet I'm scared to death. And as I left the ship, then I left with the assurance I felt – God didn't speak to me in any audible form in any way, but just the assurance that I had from repeating His Word back to my heart, I knew that He was going to care for me. Dennis: You did end up joining the Marines then, and you boarded the USS Indianapolis in San Francisco. Ed: In San Francisco. Dennis: At that point, you had not been to war, you had not been in any battles, but that was soon to change, wasn't it? Ed: That's right. Of course, to get aboard a large combatant ship like that, you know, that ship, you know, was 610 feet, 8 3/4 inches, and four or five stories high, and that's going to be my home, you know, for a time. And then after I got aboard, then to see all those big guns that I'm going to have to learn how to fire those things, and I think I say in my book the biggest gun that I'd ever fired was a double-barreled shotgun, and yet here I'm going to be firing five-inch guns and 40 millimeter guns, so I'll be trained to do those things. Then I was at Saipan – actually, I was at Enewetak and Kwajalein Islands there in the Marshalls, then the first, really, combat was at Saipan then at Tinian and at Guam. The sea battle of the Philippine Seas, that was at Palau, at Iwo Jima, at Okinawa, and later three air strikes on Tokyo and then, lastly, I was Marine guard that guarded the two atomic bomb – components of the bombs that we took over to our B-29 base on the island of Tinian. Bob: And you didn't know, when you got on board the Indianapolis in San Francisco Harbor, you didn't know what else was on board with you. You didn't know that you had … Ed: We did not know. Bob: … the two atomic bombs that were going to be dropped on Hiroshima and Nagasaki. Ed: We knew it was top-secret cargo. We understood, even, that the captain of the ship didn't know what we had; that he had been told that what he had, we needed to get it to the forward area – that every hour would save lives, and I was a guard that guarded – or, actually, I was a corporal of the guard, and I stationed guards both on the two places that we had the components of the bomb. Bob: San Francisco to Tinian – how long a trip is that in the water? Ed: We made a record speed run. We traveled those 5,400 or so miles in 10 days. Bob: Wow. Ed: So, can you imagine a heavy cruiser traveling, like, 32 miles an hour across the Pacific? So we made a record speed run to Tinian Island and got rid of our cargo. Dennis: And you got rid of the cargo, made the turn, and you were to participate with another ship? Ed: We received orders at CENPAC there in Guam, the Central Pacific Command, to proceed to the Philippines, but we were to – yes, we were to join up with the USS Idaho, I think, three days later, to make a gun re-practice as we went into the Philippines, because the main invasion of Japan was to take place in November of '45. Dennis: We're not going to go into the detail that surrounds, really, a great controversy about the USS Indianapolis, because some information was withheld about the enemy being in the waters – enemy subs – and you guys sailed into harm's way without realizing it. But you were in the process of making your way to join up with the USS Idaho, and it was really an uneventful trip. You weren't even going all that fast at that point, right? Ed: As I mentioned, we had traveled 32 knots going into Tinian, and then when we received orders then to go on to the Philippines, Captain McVay requested, or they gave him permission to travel only at 17 knots, to slow down, because we had nearly burned the motors up, you know, getting the cargo over. So we had slowed back to 17 knots going on to the Philippines. Dennis: You were one day away from connecting with the USS Idaho, and was it the middle of the night? Ed: Well, we were to have met them the next day in the daytime, but we encountered Commander Hoshimoto at about five minutes after midnight on the night of July 30, 1945. Bob: Now, where were you when that happened? Were you asleep in your bunk? Ed: No, the Indianapolis was a pretty modern ship, but we did not have air-conditioning, and in order to get any sleep at night, you went topside. So I was on watch 'til 12:00. At 12:00 I went to my locker, and I got my blanket, and I went topside, and I went up under the barrels of number 1 turret, and I took off my shoes and used kind of the arch of my shoe as a pillow, and I rolled up in my blanket, and it was about five minutes or so after midnight that the first explosion, we took the first torpedo. And about as long as it would take Commander Hoshimoto to say, "Fire one, fire two," and he fired six, but two of them hit us, and the first one cut the bow of the ship off. If you could see the picture of the ship, you could see that those barrels on number 1 turret, forward big 8-inch guns, they're about 18 feet long, and I'm sleeping right down on the deck under the barrels of those guns and looking forward of me, maybe 25, 30 feet or so, the bow of the ship is cut off – about 50 feet. Some said 65 feet, but I don't think it was that much. I think it was more of a 40 feet or so. The bow of the ship was cut off, so we became a funnel, then, as we were moving through the water, and then the second explosion then was aft of me, nearly midship and close to the marine compartment, and it made a big gaping hole. And, of course, since we had no air conditioning, we were traveling at a – you might say, at an open condition in that all of our bulkheads down below were open, and they had to be open or else we would suffocate without air conditioning. So that was a death blow, likewise, because as we were moving forward in the water, all of that water … Dennis: It just poured in the front. Ed: It was rushing in, and even before I could get back to my emergency station, which was back at midship, the bow of the ship is already under. I mean, the deck of the bow of the ship, like, the first 100 yards or so, is already under. Dennis: Was there still light on the ship at this point, or had the torpedoes knocked out the electricity. Ed: All the electricity was knocked out. Dennis: So you're in the middle of the night … Ed: But we had light in that there was an inferno below decks. They say that number 2 turret took a hit, and the magazine in number 2 turret had exploded and came through all the way up so that it was just a big fire, a big blaze, coming up through there. And then most other places below decks forward of midship was an inferno. And so you get a certain amount of light, you know, from that. Dennis: You said when the torpedoes hit, and the boat blew up, blew the front end off, that there was a huge amount of water that went up in the air, and it drenched you and ultimately kept you from burning up? Ed: I think two things – number one, of course, I believe in the providence of God, number one. I had the blanket around me, and that protected me, no doubt, maybe from much of the blast of the fire at the first explosion, and then all of the water, then, from that first explosion that went up in the air, I don't know I could imagine 50 to 100 feet plus, then all of that coming back down. Well, I was drenched, you know, with all the water, as it came back down, and that kind of protected me somewhat, I'm sure, from much of the flash burn that many were getting. Bob: Ed, when something like that happens, it's disorienting at first. You're thinking, "Did something explode down in the engine room," you're kind of trying to get your bearings. How long do you think it was before you realized, "We're under attack, we've been hit," and you caught a sense of what was going on? Ed: I think immediately when we were hit, I wondered, "We aren't firing at anyone," and then just those three explosions, and no one now is firing back at us. So we had to have either hit a mine or we had to have been hit by a torpedo. And then realizing nearly immediately that forward part of the ship was cut off, and I could hear the bulkheads breaking down below and they, to me, were a death blow. You could imagine, you know, with all that water, with the ship still moving 17 knots or so, and the funnel there coming – all of the water coming in, and the bulkheads breaking, you knew that the ship was doomed, and as I began to make my way, then, back to my emergency station, which was back to midship, and there were those that were coming from internally coming out, and that part of the ship, really, was kind of the officers' quarters up there. Many of those were in the flash burns, and as they came out, literally, flesh was hanging from their face and from their arms, and they were in panic and begging for someone to give them some help. But, you know, that's not my responsibility, and I have to make my way to my emergency station, which was on the quarterdeck. And, of course, when I get to the quarterdeck, then, I'm realizing that the ship is already under forward part, and there's no question that it's sinking. So as word actually came to abandon ship, I had made my way to the port side, and there on the quarterdeck, there's a steel cable, a rail, as we call it, and I got ahold of the rail, and I hung on there and said my prayer, you know, before I actually stepped over the rail and stepped about two big, long steps and jumped into the water feet first. My kapok jacket then came up over my head. If you could visualize that the deck of the ship now is listing so that you step over, and you walk down the keel of the ship, walk down the side of ship, and so I could have nearly walked to the water, but I walked down closer to the water, and then jumped in feet first and then began to come up and push that oil back that was on the water and then to try to get my head up above that, and then swam away from the ship about maybe 50 yards, and then we began to congregate, you know, in little groups. The ship had still been moving, so boys had been getting off maybe for two or three or four minutes. I actually watched the ship as she went under. Bob: Did you think this was it for you? Ed: I wondered, and yet I really felt – and I don't say this in any boasting way of any kind, but I really had the assurance that somehow, some way, that I would make it. Dennis: You felt like God … Ed: I felt assurance that – "Don't be afraid, don't be afraid. I'm with you," and I think when you hear all of my story, you'll see the various times that He came to my assurance that "I'm still with you," all the way through – the different things that happened for the next three days. Bob: Yes, and we're going to hear the rest of your story over the next couple of days. Of course, it is told in the book that you've written called "Out of the Depths," which is a compelling story of God's faithfulness in the midst of remarkable adversity, and I want to encourage our listeners, you can get a copy of the book from us when you contact us here at FamilyLife. Go to our website at FamilyLife.com. Down at the bottom of the screen there's a button there that says, "Go." You click on that button, it will take you right to a page where you can find information about ordering Ed's book. Again, it's called "Out of the Depths." We also have our conversation this week with Ed Harrell available on CD. We also have a book that our friend, Chip Ingram, has written that is a reflection on pivotal chapters from the Psalms where David experienced the same thing that you've talked about, Ed, which is the presence of God in the midst of trial and adversity. He's written a book called "I Am With You Always." It's a book that reminds us that the Lord is faithful to hear the cry of our heart; that He is there for us in times of great trial like you experienced. In fact, any of our listeners who wanted to get your book and Chip's book together, we'd send them the CD that has our conversation with you. We'd send it along at no additional cost. Again, go to our website, FamilyLife.com, click the "Go" button at the bottom of the screen. That will take you right to the page where there is more information. Or call 1-800-FLTODAY. That's 1-800-F-as-in-family, L-as-in-life, and then the word TODAY, and we've got folks on our team who will be happy to let you know how you can have these resources sent to you. You know, speaking of resources, Dennis, one of the most requested resources we've had in our FamilyLife Resource Center this year has been two CDs from a conversation you and I had with Shaunti Feldhahn. She wrote a book called "For Women Only." It was based on the research she had done, conversations with more than 1,000 men about the deepest needs and the deepest longing in men's hearts. And that conversation really resonated with a number of our listeners. This month we are making that two-CD set available to any of our listeners who would contact us in August to make a donation of any amount to the ministry of FamilyLife Today. It's our way of saying thank you for helping to support this ministry. We are listener-support, and it's your donations that keep us on the air in this city and in cities all across the country. So this month, if you can go online to make a donation or call 1-800-FLTODAY to make a donation, just mention that you'd like the CD set for women. In fact, if you're donating online, when you get to the keycode box just type in "CD," those two letters, and we'll know that you want to have these CDs sent to you. Again, our website is FamilyLife.com or you can call 1-800-FLTODAY to make a donation, and we appreciate you standing with this ministry financially. Well, tomorrow we're going to begin to hear the story of how Ed Harrell and others survived for four days afloat in the Pacific. I hope our listeners can be back with us for that. I want to thank our engineer today, Keith Lynch, and our entire broadcast production team. On behalf of our host, Dennis Rainey, I'm Bob Lepine. We'll see you tomorrow for another edition of FamilyLife Today. FamilyLife Today is a production of FamilyLife of Little Rock, Arkansas, a ministry of Campus Crusade for Christ. ________________________________________________________________ We are so happy to provide these transcripts to you. However, there is a cost to transcribe, create, and produce them for our website. If you've benefited from the broadcast transcripts, would you consider donating today to help defray the costs? Copyright © FamilyLife. All rights reserved. www.FamilyLife.com
Stranded in Shark Infested Waters - Part 1Stranded in Shark Infested Waters - Part 2Stranded in Shark Infested Waters - Part 3Stranded in Shark Infested Waters - Part 4FamilyLife Today® Radio TranscriptReferences to conferences, resources, or other special promotions may be obsolete. Out of the Depths Day 1 of 4 Guest: Ed Harrell From the Series: The Sinking of the USS Indianapolis________________________________________________________________ Bob: Sixty years ago this week on the night of July 30, 1945, just weeks before the end of World War II, a Japanese submarine launched torpedoes that would sink the USS Indianapolis. Marine Ed Harrell was on board that night. Ed: When I actually left the ship, and there I prayed that somehow the Lord would see me through what lie ahead, and yet I had the foggiest idea that I'm going to be out there for four-and-a-half days. There's times when you pray, and there's times when you pray, and there is a difference. Bob: This is FamilyLife Today for Monday, August 1st. Our host is the president of FamilyLife, Dennis Rainey, and I'm Bob Lepine. Of the nearly 1,200 men who were onboard the Indianapolis on that night only 317 survived. Ed Harrell was one of the survivors, and we'll hear his story today. And welcome to FamilyLife Today, thanks for joining us on the Monday edition. Dennis? Dennis: Bob, I want you to imagine with me a pretty dramatic scene. Just consider yourself being 20 years old, you're a Marine, you're tough, you're physically fit, but you're alone, you're in the ocean, you've just lost your ship, and you and about 80 others are floating in the middle of the night in the ocean in lifejackets. We're going to hear a story – one of the most compelling stories I think I've ever heard from a gentleman who joins us on FamilyLife Today – one of the survivors of the USS Indianapolis. Bob: A man who doesn't have to imagine what you just described because he lived through it. Dennis: That's exactly right. Ed Harrell joins us on FamilyLife Today. Welcome to the broadcast, Ed. Ed: Thank you so much. It's a delight to be with you. Dennis: Ed is not only a survivor, but he was a businessman for 38 years. He's served as a member of the board of trustees at Moody Bible Institute, a great ministry. He and his wife Ola, who have been married since 1947 – that's a lot of years, that's a lot of years, live in Paris, Tennessee. They have two children, eight grandchildren, and four great-grandchildren. Ed: That's right. Dennis: You've lived quite a life, Ed, but you're one of the few, one of the few survivors of that tragedy. Take us back, first of all, to when you signed up. Why in the world did you sign up to be a Marine? It was 1943, is that right? Ed: That's right, 1943. I don't know that I can even know why I really did at the time, but I knew that the war was getting pretty close to home, it sounded to me. In fact, when I heard that the Japanese and the American forces were having quite a battle at Midway, I was thinking that Midway was maybe between San Francisco and Hawaii, and so I thought, you know, they're getting pretty close to America, so, actually, I had just finished my junior year in high school, and I volunteered then for the Marine Corps. Bob: You were 17, 18 years old? Ed: I was 18 when I – I actually became a Marine when I was 18. Bob: You know, Ed, my son is a junior in high school, and the thought of my son saying, "I'm going to sign up to be a Marine in the middle of this kind of conflict, as a parent, I'm not sure I'd endorse that plan. Were your parents behind it? Ed: Yes, I think they pretty much agreed. Dad pretty much agreed. They didn't necessarily want to see me leave, but they knew, too, the little Silvertone radio that we had was telling us quite a bit what was happening in the Pacific, and I didn't have much problem convincing them that I wanted to go. In fact, I have two grandsons in the Marine Corps today. Dennis: Do you remember that time when you said goodbye to your dad? Ed: I do. My dad was 37 or 39 years old, and I thought he was an old man then, but I told him goodbye at the bus station. Dennis: Did you hug? Ed: Yes, yes, we did. Dennis: Were there tears? Ed: There were some tears, there were some tears. Dennis: What did he say to you? Ed: I don't know that I can remember what he said, but I'm sure that the advice that he gave me, he was a fine Christian man, and I'm sure it was some good, solid advice that he was giving me. Bob: Why the Marines? Why did you pick them instead of the Army or the Navy or the Air Force? Ed: I wondered sometimes why if I picked the wrong one, but I really don't know. I even considered, after I got in the Marine Corps, that I would be a paratrooper. After I got through sea school, then they said – after I got through boot camp, they said, "You're going to sea school," and I didn't know what that meant, either, but I went through sea school, and then they said, "You're going aboard a large combatant ship," and so I waited, then, until the Indianapolis was in port and caught it at San Francisco. Dennis: Before you left to join the Marines, you made another decision that was a life-altering decision. Ed: Yes, I did. Yes, I did. On the 1st of August, 1943, already a Marine and yet hadn't shown up even for my boot camp, I went to church on that Lord's Day morning, and seeming the Lord was saying to me, "Your last chance, your last chance," and the preacher preached a message, and he gave an invitation, he pronounced the benediction, and I sat there, I knew that my heart was not right with the Lord, and knowing that I was going into combat soon that I had to get things right with the Lord. I know the pastor came back and sat down by me there. Everyone else had left the building except two people – one was my wife later to be, and my mother-in-law later to be, and they were back in the back of the building there praying, and the pastor turned to a Scripture, Acts 16:31, which simply says, "Believe in the Lord Jesus Christ and thou shall be saved." He said, "Ed, do you believe that?" Well, I was brought up in a Christian home and Sunday school, church all the time, but really never trusted the Lord as my own personal Savior. And so he goes over that a time or two, and he said, "Ed, God who cannot lie, is making you a promise, and He simply says believe on the Lord Jesus Christ, the finished work of Christ on the cross for you, and He promises to save you." And then he would look at me and said, "Do you believe that?" And I said, "Yes, I believe that," and he said, "But does the Lord save you?" "No." Well, he went over it a time or two and there, in the quietness of that little pew there in the church, I trusted the Lord Jesus Christ as my personal Savior. So later now, when I'm getting into the story of the actual sinking of the ship, I could really look back and rely on the faith and trust that I had in the Lord to care for me, even there in the water those days. Dennis: Yeah, in fact, there's a line in your book, which basically says this – "The same Jesus Christ who became my Savior was now going to be the same Jesus Christ who saved my life." Ed: That's right. When I actually left the ship, you know, abandoned the ship, I trusted the same Lord to take care of me there as I stepped over the railing and stepped into the water, and brought up in a Christ home and knew some Scripture. But the Lord brought to mind there as I was about to abandon ship and seeing many of the boys actually jumping on each other in a desperate rush to get off the ship, and I hung onto that rail for a little while, and I prayed and oftentime I say when I give talks is that there's times when you pray, and there's times when you pray, and there is a difference. And there I prayed that somehow the Lord would see me through what lie ahead, and yet I had the foggiest idea that I'm going to be out there for four-and-a-half days. But here from memory of His Word that he brought to mind – "Peace I give unto you not as the world give unto you, let not your heart to be troubled. Don't be afraid." And yet I'm scared to death. And as I left the ship, then I left with the assurance I felt – God didn't speak to me in any audible form in any way, but just the assurance that I had from repeating His Word back to my heart, I knew that He was going to care for me. Dennis: You did end up joining the Marines then, and you boarded the USS Indianapolis in San Francisco. Ed: In San Francisco. Dennis: At that point, you had not been to war, you had not been in any battles, but that was soon to change, wasn't it? Ed: That's right. Of course, to get aboard a large combatant ship like that, you know, that ship, you know, was 610 feet, 8 3/4 inches, and four or five stories high, and that's going to be my home, you know, for a time. And then after I got aboard, then to see all those big guns that I'm going to have to learn how to fire those things, and I think I say in my book the biggest gun that I'd ever fired was a double-barreled shotgun, and yet here I'm going to be firing five-inch guns and 40 millimeter guns, so I'll be trained to do those things. Then I was at Saipan – actually, I was at Enewetak and Kwajalein Islands there in the Marshalls, then the first, really, combat was at Saipan then at Tinian and at Guam. The sea battle of the Philippine Seas, that was at Palau, at Iwo Jima, at Okinawa, and later three air strikes on Tokyo and then, lastly, I was Marine guard that guarded the two atomic bomb – components of the bombs that we took over to our B-29 base on the island of Tinian. Bob: And you didn't know, when you got on board the Indianapolis in San Francisco Harbor, you didn't know what else was on board with you. You didn't know that you had … Ed: We did not know. Bob: … the two atomic bombs that were going to be dropped on Hiroshima and Nagasaki. Ed: We knew it was top-secret cargo. We understood, even, that the captain of the ship didn't know what we had; that he had been told that what he had, we needed to get it to the forward area – that every hour would save lives, and I was a guard that guarded – or, actually, I was a corporal of the guard, and I stationed guards both on the two places that we had the components of the bomb. Bob: San Francisco to Tinian – how long a trip is that in the water? Ed: We made a record speed run. We traveled those 5,400 or so miles in 10 days. Bob: Wow. Ed: So, can you imagine a heavy cruiser traveling, like, 32 miles an hour across the Pacific? So we made a record speed run to Tinian Island and got rid of our cargo. Dennis: And you got rid of the cargo, made the turn, and you were to participate with another ship? Ed: We received orders at CENPAC there in Guam, the Central Pacific Command, to proceed to the Philippines, but we were to – yes, we were to join up with the USS Idaho, I think, three days later, to make a gun re-practice as we went into the Philippines, because the main invasion of Japan was to take place in November of '45. Dennis: We're not going to go into the detail that surrounds, really, a great controversy about the USS Indianapolis, because some information was withheld about the enemy being in the waters – enemy subs – and you guys sailed into harm's way without realizing it. But you were in the process of making your way to join up with the USS Idaho, and it was really an uneventful trip. You weren't even going all that fast at that point, right? Ed: As I mentioned, we had traveled 32 knots going into Tinian, and then when we received orders then to go on to the Philippines, Captain McVay requested, or they gave him permission to travel only at 17 knots, to slow down, because we had nearly burned the motors up, you know, getting the cargo over. So we had slowed back to 17 knots going on to the Philippines. Dennis: You were one day away from connecting with the USS Idaho, and was it the middle of the night? Ed: Well, we were to have met them the next day in the daytime, but we encountered Commander Hoshimoto at about five minutes after midnight on the night of July 30, 1945. Bob: Now, where were you when that happened? Were you asleep in your bunk? Ed: No, the Indianapolis was a pretty modern ship, but we did not have air-conditioning, and in order to get any sleep at night, you went topside. So I was on watch 'til 12:00. At 12:00 I went to my locker, and I got my blanket, and I went topside, and I went up under the barrels of number 1 turret, and I took off my shoes and used kind of the arch of my shoe as a pillow, and I rolled up in my blanket, and it was about five minutes or so after midnight that the first explosion, we took the first torpedo. And about as long as it would take Commander Hoshimoto to say, "Fire one, fire two," and he fired six, but two of them hit us, and the first one cut the bow of the ship off. If you could see the picture of the ship, you could see that those barrels on number 1 turret, forward big 8-inch guns, they're about 18 feet long, and I'm sleeping right down on the deck under the barrels of those guns and looking forward of me, maybe 25, 30 feet or so, the bow of the ship is cut off – about 50 feet. Some said 65 feet, but I don't think it was that much. I think it was more of a 40 feet or so. The bow of the ship was cut off, so we became a funnel, then, as we were moving through the water, and then the second explosion then was aft of me, nearly midship and close to the marine compartment, and it made a big gaping hole. And, of course, since we had no air conditioning, we were traveling at a – you might say, at an open condition in that all of our bulkheads down below were open, and they had to be open or else we would suffocate without air conditioning. So that was a death blow, likewise, because as we were moving forward in the water, all of that water … Dennis: It just poured in the front. Ed: It was rushing in, and even before I could get back to my emergency station, which was back at midship, the bow of the ship is already under. I mean, the deck of the bow of the ship, like, the first 100 yards or so, is already under. Dennis: Was there still light on the ship at this point, or had the torpedoes knocked out the electricity. Ed: All the electricity was knocked out. Dennis: So you're in the middle of the night … Ed: But we had light in that there was an inferno below decks. They say that number 2 turret took a hit, and the magazine in number 2 turret had exploded and came through all the way up so that it was just a big fire, a big blaze, coming up through there. And then most other places below decks forward of midship was an inferno. And so you get a certain amount of light, you know, from that. Dennis: You said when the torpedoes hit, and the boat blew up, blew the front end off, that there was a huge amount of water that went up in the air, and it drenched you and ultimately kept you from burning up? Ed: I think two things – number one, of course, I believe in the providence of God, number one. I had the blanket around me, and that protected me, no doubt, maybe from much of the blast of the fire at the first explosion, and then all of the water, then, from that first explosion that went up in the air, I don't know I could imagine 50 to 100 feet plus, then all of that coming back down. Well, I was drenched, you know, with all the water, as it came back down, and that kind of protected me somewhat, I'm sure, from much of the flash burn that many were getting. Bob: Ed, when something like that happens, it's disorienting at first. You're thinking, "Did something explode down in the engine room," you're kind of trying to get your bearings. How long do you think it was before you realized, "We're under attack, we've been hit," and you caught a sense of what was going on? Ed: I think immediately when we were hit, I wondered, "We aren't firing at anyone," and then just those three explosions, and no one now is firing back at us. So we had to have either hit a mine or we had to have been hit by a torpedo. And then realizing nearly immediately that forward part of the ship was cut off, and I could hear the bulkheads breaking down below and they, to me, were a death blow. You could imagine, you know, with all that water, with the ship still moving 17 knots or so, and the funnel there coming – all of the water coming in, and the bulkheads breaking, you knew that the ship was doomed, and as I began to make my way, then, back to my emergency station, which was back to midship, and there were those that were coming from internally coming out, and that part of the ship, really, was kind of the officers' quarters up there. Many of those were in the flash burns, and as they came out, literally, flesh was hanging from their face and from their arms, and they were in panic and begging for someone to give them some help. But, you know, that's not my responsibility, and I have to make my way to my emergency station, which was on the quarterdeck. And, of course, when I get to the quarterdeck, then, I'm realizing that the ship is already under forward part, and there's no question that it's sinking. So as word actually came to abandon ship, I had made my way to the port side, and there on the quarterdeck, there's a steel cable, a rail, as we call it, and I got ahold of the rail, and I hung on there and said my prayer, you know, before I actually stepped over the rail and stepped about two big, long steps and jumped into the water feet first. My kapok jacket then came up over my head. If you could visualize that the deck of the ship now is listing so that you step over, and you walk down the keel of the ship, walk down the side of ship, and so I could have nearly walked to the water, but I walked down closer to the water, and then jumped in feet first and then began to come up and push that oil back that was on the water and then to try to get my head up above that, and then swam away from the ship about maybe 50 yards, and then we began to congregate, you know, in little groups. The ship had still been moving, so boys had been getting off maybe for two or three or four minutes. I actually watched the ship as she went under. Bob: Did you think this was it for you? Ed: I wondered, and yet I really felt – and I don't say this in any boasting way of any kind, but I really had the assurance that somehow, some way, that I would make it. Dennis: You felt like God … Ed: I felt assurance that – "Don't be afraid, don't be afraid. I'm with you," and I think when you hear all of my story, you'll see the various times that He came to my assurance that "I'm still with you," all the way through – the different things that happened for the next three days. Bob: Yes, and we're going to hear the rest of your story over the next couple of days. Of course, it is told in the book that you've written called "Out of the Depths," which is a compelling story of God's faithfulness in the midst of remarkable adversity, and I want to encourage our listeners, you can get a copy of the book from us when you contact us here at FamilyLife. Go to our website at FamilyLife.com. Down at the bottom of the screen there's a button there that says, "Go." You click on that button, it will take you right to a page where you can find information about ordering Ed's book. Again, it's called "Out of the Depths." We also have our conversation this week with Ed Harrell available on CD. We also have a book that our friend, Chip Ingram, has written that is a reflection on pivotal chapters from the Psalms where David experienced the same thing that you've talked about, Ed, which is the presence of God in the midst of trial and adversity. He's written a book called "I Am With You Always." It's a book that reminds us that the Lord is faithful to hear the cry of our heart; that He is there for us in times of great trial like you experienced. In fact, any of our listeners who wanted to get your book and Chip's book together, we'd send them the CD that has our conversation with you. We'd send it along at no additional cost. Again, go to our website, FamilyLife.com, click the "Go" button at the bottom of the screen. That will take you right to the page where there is more information. Or call 1-800-FLTODAY. That's 1-800-F-as-in-family, L-as-in-life, and then the word TODAY, and we've got folks on our team who will be happy to let you know how you can have these resources sent to you. You know, speaking of resources, Dennis, one of the most requested resources we've had in our FamilyLife Resource Center this year has been two CDs from a conversation you and I had with Shaunti Feldhahn. She wrote a book called "For Women Only." It was based on the research she had done, conversations with more than 1,000 men about the deepest needs and the deepest longing in men's hearts. And that conversation really resonated with a number of our listeners. This month we are making that two-CD set available to any of our listeners who would contact us in August to make a donation of any amount to the ministry of FamilyLife Today. It's our way of saying thank you for helping to support this ministry. We are listener-support, and it's your donations that keep us on the air in this city and in cities all across the country. So this month, if you can go online to make a donation or call 1-800-FLTODAY to make a donation, just mention that you'd like the CD set for women. In fact, if you're donating online, when you get to the keycode box just type in "CD," those two letters, and we'll know that you want to have these CDs sent to you. Again, our website is FamilyLife.com or you can call 1-800-FLTODAY to make a donation, and we appreciate you standing with this ministry financially. Well, tomorrow we're going to begin to hear the story of how Ed Harrell and others survived for four days afloat in the Pacific. I hope our listeners can be back with us for that. I want to thank our engineer today, Keith Lynch, and our entire broadcast production team. On behalf of our host, Dennis Rainey, I'm Bob Lepine. We'll see you tomorrow for another edition of FamilyLife Today. FamilyLife Today is a production of FamilyLife of Little Rock, Arkansas, a ministry of Campus Crusade for Christ. ________________________________________________________________ We are so happy to provide these transcripts to you. However, there is a cost to transcribe, create, and produce them for our website. If you've benefited from the broadcast transcripts, would you consider donating today to help defray the costs? Copyright © FamilyLife. All rights reserved. www.FamilyLife.com
In our quarter century ‘sode, we sit down with Cadien to talk fuzz pedals, the Jext Telez Dizzy Tone, jamming with Eddie Vedder, Heartworn Highway and other docs, tracking the new Twin Peaks record Lookout Low with Ethan Johns, meeting the Boss, that one Chance the Rapper story, being Tall Boys in rock and roll, Fender and Silvertone guitars and amps, and recording Finn Wolfhard’s band Calpurnia at Treehouse Records.If you’re gonna pedal, pedal.
Twice a month, guitar amp guru Skip Simmons fields your questions on vintage tube amp buying, restoration and repair. Co-hosted by the Fretboard Journal’s Jason Verlinde. Submit your guitar amp questions to Skip here: podcast@fretboardjournal.com or by leaving us a voicemail or text at 509-557-0848. It's our most veer-filled episode to date, including soup and footwear tips, a trip to Harvard and, yes, even some amp repair advice! Some of the topics discussed on this episode: 3:06 Soup hacks 4:01 An affordable, American-made boot 5:41 Frampton plays B.B. King 9:00 Site specific amp problems 12:37 Recommended Music: Joe Craven & the Sometimers’ 'Garcia’s Songbook,' Aretha Franklin’s 'Aretha’s Gold' and Charlie Musselwhite’s 'Stand Back' 18:36 Skip goes to Harvard 20:04 Parenting tips 30:06 Today’s sponsor: Grez Guitars 32:15 More Larry Norman and props to Jon Linn 33:02 Solder or "sodder" 35:05 Skip's recommended vintage tube supplier and advice on replacing tubes: https://www.ebay.com/usr/dangeruxb 40:22 Putting a solid state rectifier in a tweed-style amp 49:00 Fixing an output transformer in a 1961 Fender Brownface Pro 56:07 Hi-fi tube amps and phono pre-amp basics 1:04:06 A '67 Fender Bassman that was plugged into a DI box 1:09:14 More output transformer talk: Ampeg Reverberocket 1:11:26 A vintage Niviko MA120X Japanese amp 1:19:06 A 1968 Fender Super Reverb with a rattle 1:25:34 The "trimmer" in a '60s Silvertone 1431 1:28:40 Dirty power, an electric fence and an early '60s Gibson Skylark 1:34:33 Changing the head gasket on a Subaru Forester 1:35:25 More on the trimmer on a Silverton 1431 1:38:28 Car talk 1:43:36 A Fender Hot Rod Deluxe with a busted volume pot 1:47:52 A clean, high-headroom, low volume steel amp 1:52:15 A Fender Silverface Champ vs Blackface Champ
Marc Marquez merasa benar benar sakit ketika dikalahkan untuk kedua kalinya di dua Race berturut turut MotoGP Austria dan MotoGP Inggris 2019. Di Austria ia dikalahkan Oleh Dovizioso dan Di Inggris Marc dikalahkan Oleh Alex Rins. Marc Mengaku bahwa kekalahan di Austria lebih menyakitkan ketimbang di Inggris. Namun kalau menurut tmcblog ada potensi bahwa seharusnya kekalahan di Silverstone Inggris inilah yang lebih menyakitkan. Yap Kalau di Silvertone ini Jelas Banget lebih di-‘kadalin’ sama Alex Rins. Namun ini juga tidak terlepas dari kecerdikan dan kecerdasan Alex Rins sepanjang race berlangsung. Di Silverstone inilah secara gamblang Rins memperlihatkan kepada kita semua dengan segamblang gamblangnya kelebihan Suzuki GSX-RR ketimbang Motor motor lainnya yakni di Mid-Corner-Speed. Kecepatan di tengah tikungan terutama ketika beraksi di beberapa tikungan parabolic. --- Send in a voice message: https://anchor.fm/tmcblog-podcast/message
The hunks have guest hunk Paul join the crew, talking about his many vintage guitars, problematic Pantera, and trying to put one over on all-around douche Ryan Adams.
Twice a month, guitar amp guru Skip Simmons fields your questions on tube amp buying, restoration and repair. Co-hosted by the Fretboard Journal’s Jason Verlinde. Want to support the show? We now have Truth About Vintage Amps t-shirts available for pre-order. Special thanks to our sponsors: Grez Guitars, Martin, Gibson and Carter Vintage. Submit your guitar amp questions to Skip here: fretboardjournal@gmail.com or by leaving us a voicemail or text at 509-557-0848. Some of the topics discussed on this episode: 2:18 We have Truth About Vintage T-shirts (support the show) 5:33 This week’s sponsors: Grez Guitars, Gibson, Martin and Carter Vintage 6:29 The Epiphone version of a Gibson Falcon 9:00 More cooking tips with Skip 12:12 Skip can’t find his schematic 12:30 Thrifty Leo 14:12 More music tips: Bix Beiderbecke, Ned Boynton 18:00 Skip’s looking for someone to recone field coil speakers 19:35 Skip talks about his Champ mods, once more 24:45 The final Baffler 28:06 Correction re: Guitar Center’s return policy 29:28 A listener with an interesting way to use an electric amp with an acoustic guitar 33:27 The Grateful Dead’s Wall of Sound 37:12 Skip’s test guitar and cheap British amp recommendations 43:00 Skip’s test cabinet 45:15 A 1968 Fender Pro Reverb with a delayed vibrato 47:32 What’s a tone stack? 51:15 Pinpointing the buzz on a Silverface Fender Princeton 54:35 Class A, Class A/B and single-ended power tube arrangements 59:17 Tips on looking at vintage Gibson amps 1:02:48 A listener fixes his own Gibson Discoverer Tremolo 1:08:00 The triode mode used on high-powered amps 1:14:01 A brief chat about Dumble 1:18:44 A mid-60s Epiphone Galaxy that’s won’t turn off 1:20:23 Salvaging parts from a heavily modified Blackface Fender Bassman 1:24:30 Discussing changes on an early 1969 Fender Twin Reverb 1:29:50 Making homebrew amps sound less civil 1:33:11 Making a late ’50s Sylvania powered speaker amp work better as a guitar amp 1:42:12 Modding PA heads to work for guitars
Twice a month, guitar amp guru Skip Simmons fields your questions on tube amp buying, restoration and repair. Co-hosted by the Fretboard Journal’s Jason Verlinde. Special thanks to our sponsors: Mono Cases and Grez Guitars. Submit your guitar amp questions to Skip here: fretboardjournal@gmail.com or by leaving us a voicemail or text at 509-557-0848. Some of the topics discussed on this episode: 3:27 Skip's roll call of A/B box pre-orders 5:11 We discuss episode 12's Baffler, the 3 Channel Psychedelic Control Center 9:10 This episode's Baffler 11:44 An unlikely backup amp suggestion 14:30 This episode's sponsors: Grez Guitars and Mono Cases and TAVA t-shirts 17:00 Little Charlie's recipe for Spanish rice (yes, our first recipe) 18:22 More parenting tips 19:11 A preview of our next amp schematic 101 22:34 More Champ mod talk: One difference between Blackface and Silverface Fender Champs, the Hammond 290AX transformer 27:38 Gain stage basics: What makes an amp distort? 32:14 Bringing a Blackface Fender Tremolux with a solid state rectifier back to stock 37:21 A '60s Kay "Vanguard" 704 43:54 An amp motherlode in Lodi, California 45:35 A Princeton Reverb with a pilot light that is too bright 48:43 A Gibson GA-20 RVT found in a trash bin 54:28 Channel jumping and a vintage Airline Model 62-9013A 1:01:48 The pop you hear turning off your amp 1:07:03 A speaker dilemma on a 1962 Brownface Deluxe 1:09:28 Converting a PA head to a tube mic pre-amp 1:14:20 Turning an old tube radio into a guitar amp 1:18:18 Norwegian blues and Helge Tallqvist 1:19:11 This week's recommended music 1:20:49 High-powered tube amps and the Hiwatt 400 bass amp 1:25:32 Using a light bulb limiter instead of a variac 1:27:34 Speaker replacement on a Gibson GA-40 1:31:50 A tribute guitar repairman Glen Quan, inventor of the Badass bridge
Twice a month, guitar amp guru Skip Simmons fields your questions on tube amp buying, restoration and repair. Co-hosted by the Fretboard Journal’s Jason Verlinde. Special thanks to our sponsors: Mono Cases and Grez Guitars. Submit your guitar amp questions to Skip here: fretboardjournal@gmail.com or by leaving us a voicemail or text at 509-557-0848. Some of the topics discussed on this episode: 2:05 Skip works on a barn-find 1960 Fender Tweed Bassman 6:10 Parenting tips – get a riding lawn mower 7:50 Jason confesses to Skip that he got a Stew-Mac Champ kit; DIY amp tips 12:33 Skip’s music picks 16:05 Building a tube stereo amp (Dynaco Stereo 70, for music playback) versus a guitar amp 19:39 A synth repairman gets a contact high thanks to LSD residue 20:33 Disgusting things found in old amplifiers 21:16 Last week’s Baffler (a noisy Princeton Reverb, listen to episode 11) responses and answer 27:37 This week’s Baffler (view the image on our new Instagram page): What is the thing used for? 28:45 A listener in a hurry fixes his Les Paul thanks to Skip’s tube amp advice 30:34 Preserving (sloppy) originality on a CBS-era Fender or making it better than original 35:13 A non-reverb Silverface Fender Princeton with a weak vibrato 40:48 A reissue ‘63 Fender Vibroverb that needs more clean headroom 45:42 How do amp circuits get named? 47:40 Cleaning vintage pots 49:49: An ‘80s Tusc amp with EQ 51:06 What to do with a ‘70s Silverface Champ with no maintenance history 54:14 A ‘66 Ampeg Reverberocket with an unusual distortion sound 1:01:18 A ’69 Fender Bassman with both fixed and cathode bias 1:05:20 Rebuilding an amp found in a Hammond M-3 organ and melted wax on power transformers 1:07:52 A glimpse at the Fender Musicmaster Bass amps 1:11:40 Differences between an amp schematic and layout 1:13:24 A bargain Ampeg cabinet with four Altec 417 speakers 1:15:28 Sleeper pedal steel amp recommendations 1:17:00 An ‘80s Mesa Boogie SOB amp with a red-plating 6L6BC tube 1:20:01 Alternatives to the 6C10 tube on a ’82 Fender Super Champ 1:22:40 Negative feedback: What is it? Adjusting it. 1:29:21 A 1963 Gibson Discoverer Tremolo (GA-8T) amp with too much treble 1:32:01 Skip’s brief tutorial on speaker efficiency
Twice a month, guitar amp guru Skip Simmons fields your questions on tube amp buying, restoration and repair. Co-hosted by the Fretboard Journal’s Jason Verlinde. This is our eleventh (and possibly most philosophical) episode to date. Submit your guitar amp questions to Skip here: fretboardjournal@gmail.com or by leaving us a voicemail or text at 509-557-0848. Some of the topics discussed on this episode: 4:00 The Fretboard Journal silverface Fender Champ mods (it’s awesome, btw) 13:17 Skip’s four amp switcher / mixer / pre-amp 19:48 Looking at the Fender 5F1 Champ schematic, part two 31:37 This podcast now has an Instagram page 32:30 The problem with Skip’s Ep. 10 Baffler (on Fender tremolo circuits) 34:00 This week’s Baffler: A recently-serviced Fender Princeton Reverb with noisy pots 37:08 The smell of vintage tube amps 40:42 Gibson Falcon mods 45:00 Skip’s preferred NOS tubes 51:02 Loose tubes on a Gibson GA-6 Lancer 56:38 Thoughts on vintage Magnatones and the Magnatone pitch-shifting vibrato 1:02:36 A listener with a rare Hohner Contessa CA-300 amp asks for tips on keeping terminal strip/point-to-point wiring repair tidy 1:09:44 Why the 5E3 tweed Fender Deluxe is so loud, even with the volume turned down… plus the perils of replacing vintage pots 1:13:06 More Snufferstick talk and a Fender 6G15 reverb tank that hates high humidity 1:16:38 Tips on finding a good amp tech 1:26:45 A battery-powered(!) Gretsch Safari owned by a member of the Blue Man Group 1:29:15 Finding tube amp treasures through Ham radio enthusiasts 1:33:54 Sleuthing on the origin of a Venice-branded amplifier 1:36:06 A repaired 1966 Ampeg Reverberocket 2 with some quirks 1:43:18 A hissing 1967 Fender Vibrolux Reverb and a great Danny Gatton tale Plus: Travis Wammack’s "Scratchy;" a cardiologist chimes in; Skip’s disappointing beer of choice; why you should befriend your dentist; the novels of Patrick O’Brien and much more. This episode is sponsored by Grez Guitars and Mono Cases.
In this episode, Eric and Melissa take questions from listeners about moldy guitars, pickup resistance, painting guitars, guitar polish, adding a pickup to a Silvertone 1448, fingerboard removal, and more.
To see photos if this week's guitar, visit us on Instagram @thehighgainGot questions, comments or concerns? Want to recommend a guitar, or be a guest? Contact us at thehighgainpod@gmail.com or visit us on the web at www.thehighgain.com
Some of the topics this week are: How many strings on a guitar are too many, Marc Jacobs making a pretty poor attempt to profit off Nirvana's image, The possible issue with the legitimacy of Soulja Boy's failed video game system, One of the most disgusting ways to eat MDMA I've ever heard of, Jay-Z proving that it pays to be his friend, Woodstock coming back to it's original site for it's 50th anniversary, and much much more… This weeks album review: Mic Logik - Overdue This weeks Rig Rundown: Hershel Yatovitz - Chris Isaak and Silvertone 2014 Buy His Rig: KOLL Custom Yatocaster (Silver Sparkle) / Fender Jazzmaster 1965 Blonde / KOLL Jr. Glide (TV Yellow) / Gibson Chet Atkins Tennessean w/Bigsby / Fender Custom Shop Moto (Pearloid finish) / Furman AR-1215 AC Line Voltage Regulator (Discontinued) / Shure ULX Wireless Receivers / Jan Mengeling Custom Combiner Box (sub for a Switchbone V2) / ISP Decomator G-String / Durham Electronics Sexdrive Clean Boost / TC electronics NDY-1 Nova Dynamics / Wampler Pinnacle Distortion / Wampler Euphoria oD / Visual Sound visual volume pedal (Discontuned) / TC Electronics Polytune Mini / Strymon El Capistan dTape Echo / Strymon Brigadier dBucket Delay / Strymon Flint Tremolo and Reverb / Strymon Tap Favorite (For Flint Preset) / Option Knob Oknobs / 1969 Fender Twin Reverb Silverface (converted to blackface specs) / Fender Deluxe Reverb Reissue 1x12 (coverted to 6L6 Tubes) / Rivera Silent Sister Iso Cabs 1x12 Jensen 4 Ohm speakers / Dean Markley Helix 10-46 / D'Addario Flat Wound 12-52 / Chicken Picks Trial Pack, Multiple forms Mid-Level Replacement Rig: Fender American Strat / Fender American Pro Jazzmaster / Gibson Les Paul Junior P90s / Gretsch Electromatic / Whirlwind A/B box / ISP Decimator 2 / Xotic EP Booster / Keeley Compressor Plus / Fulltone OCD Distortion / Nobles ODR-1 Overdrive Pedal / Ernie Ball Volume Pedal / Boss TU3 Chromatic Tuner / Dunlop Echoplex / Kelley Caverns Delay and Reverb / 1969 Fender Twin Reverb Silverface (converted to blackface specs) / Fender Deluxe Reverb Reissue 1x12 (coverted to 6L6 Tubes) / Dean Markley Helix 10-46 / D'Addario Flat Wound 12-52 / Chicken Picks Trial Pack, Multiple forms Entry-Level Replacement Rig: Squier Classic Vibe 50's Strat / Hamer Monkj-d w/P90s / Gretsch Streamliner w/bigsby / Neewer Noise Gate / TC Electronic Spark booster / Mooer Yellow Comp / Ibanez Tube Screamer Mini / Boss TU3 Chromatic Tuner / Behringer Vintage Analog delay / Ammoon Trelicopter / Fender Hot Rod w/reverb / Dean Markley Helix 10-46 / D'Addario Flat Wound 12-52 / Chicken Picks Trial Pack, Multiple forms Cooking with Kdog / Graphic Design by Chris / Crazy X Band / DNA Amps / FretWorx Facebook / Instagram / Twitter
BARC - The British Automobile Racing Club Audio News and Interviews
[[:encoded, "Provisional 2018 MSA Supernational Championship Champ Tristan Ovenden from Canterbury talks during the final meeting of the season at Silvertone"]]
This week's episode is a little different. I didn't really have anything new to talk about so instead I talked about a couple of my guitars that mean a lot to me and also about the comic book Bone by Jeff Smith. It's an episode of full-on nostalgia for me, and I hope you'll enjoy the trip back in time too. Be sure to check out the blog at http://emptychecking.blogspot.com for photos and more! Here's how the time breaks down: 0:00 - Intro 5:40 - Music Break #1 - "One Man" from my Grounds album. 6:11 - Talking about my Ibanez EX Series bass. 16:48 - Music Break #2 - "Fall Apart" from my Grounds album. 17:18 - Talking about the comic book Bone by Jeff Smith. 35:18 - Music Break #3 - "Stranger" from my Grounds album. 35:48 - Talking about my Silvertone guitar. 43:03 - Music Break #4 - "Diner" from my Grounds album. 43:33 - Outro
Rowland Salley has been the bassist with Chris Isaak & Silvertone since 1985. His song “Killing the Blues,” won the Grammy Award with the duet by Robert Plant from Led Zeppelin, and Alison Krauss of Union Station on the October, 2007 Rounder release “Raising Sand.” The song, originally recorded by Rowland on his solo record “Killing the Blues,” has also been covered by John Prine, Shawn Colvin, Chris Smithers, and many others. As a bass player, he has played and/or recorded with Bobby Gentry, the Traum Brothers, Ian and Sylvia, Joan Baez, John Prine, Shawn Colvin, Lucinda Williams, Maria Muldaur and others, and created an instructional DVD called “Learning Electric Bass.” Rowland also paints, and his watercolor paintings have been displayed in the San Francisco Presidio, San Francisco, and a selection of them are reproduced for sale as postcards in the San Francisco area. His documentary film, ‘Why the Artist Creates,’ won a national Silver Telly award, and was nominated for an Emmy. He also has a cool dog named Woody. Join us as we explore this amazing and creative artist’s music story. The MOTR Show is the audio podcast for Musicians On The Record with David Ward. Subscribe now to be updated on the latest episodes! You can also watch all our interviews on our YouTube channel: http://www.youtube.com/c/MusiciansOnTheRecord?sub_confirmation=1 and our website at www.MusiciansOnTheRecord.com See More MOTR! -On Facebook: https://www.facebook.com/MusiciansOnTheRecord/ -On YouTube: http://www.youtube.com/c/MusiciansOnTheRecord?sub_confirmation=1 -On Instagram: https://www.instagram.com/musiciansontherecord/ -On Twitter: https://twitter.com/davidwardMOTR -On the Web: www.MusiciansOnTheRecord.com Never miss another MOTR Interview again! Sign up for our free newsletter at http://bit.ly/MOTRNewsletter ************************************** Music: http://www.purple-planet.com Copyright © 2018 Musicians On The Record
JACKSON C. FRANK. MILK AND HONEY – 3:40Jackson C. Frank, Columbia, 1965 SIMON & GARFUNKEL. SCARBOROUGH FAIR (CANTICLE) – 3:10Parsley, Sage, Rosemary and Thyme, Columbia, 1966 THE STONE ROSES. ELIZABETH MY DEAR – 1:00The Stone Roses, Silvertone, 1989 THE STONE ROSES. I WANNA BE ADORED – 4:50The Stone Roses, Silvertone, 1989 MAGAZINE. SHOT BY BOTH […] Cet article Errance #102 : De Jackson C. Frank à Joy Division est apparu en premier sur Eldorado.
“I've always been into the older, cheaper Sears' catalog-type guitars,” Nic Delisle of Island Instruments explains on this week's podcast. That influence is clearly apparent when one looks at Island's unique guitar lineup; you can see familiar Silvertone, Kay and Stratotone shapes but with refined hardware, ergonomics and pickups. During our talk, Delisle walks us through his numerous electric guitar models, explains his love for reclaimed materials (he recently made a guitar using reclaimed floorboards from the Boston Symphony Hall) and more. We also talk about the La Conner Guitar Festival, which took place May 12-14, 2017 in La Conner, Washington. Check out Island Instruments here. This episode is sponsored by Retrofret Vintage Guitars.
Dans cet épisode je vous raconte mon voyage au showroom du Custom Shop Fender de Dusseldorf, je vous parle du concert de Wilco à Paris il y a peu, de guitares japonaises, de slap à la basse, de Dream Theater et Anthrax, de Brian Johnson et d'Aerosmith. Et aussi de ma Silvertone 1308, my pride and joy. par Julien Bitoun
Aberdeen finishes his tale, but sounds different, kind of Scottishish. Don't worry it will be a long build to the end with lots of chances to nod off, so get some rest. You need it for the hard work of cracking raw jokes. Add random show ideas with #silvertone on twitter Subscribe: iTunes | Android | Support the podcast by shopping on Amazon Facebook Community A place to share and be shared with other listeners!!!! And Spelling!!!!! Subscribe in iTunes Become a fan on Facebook On Twitter @dearestscooter Spotify Playlist Sleep With Me is a bedtime story designed to take your mind off of the racing thoughts that keep you awake at night. As you listen you will find yourself distracted from your worries and drifting off into dreamland..due to the fact the story gets a little bit more boring with each passing minute This podcast is a little weird, a bit silly and a tad offensive so beware. It is very similar to ASMR or guided meditation bedtime story that slowly carries you off to slumber. "Sleep With Me" is a groundbreaking podcast created to help you fall asleep. So get in bed, press play and drift off into dreamland. If you struggle with insomnia or just getting a good night's rest, you've found the podcast for you. Music by Christopher Postill @ Sounds Like An Earful Podcast "A Podcast about collecting stories, tinkering with noises and fumbling with really big questions" Sleep With Me podcast art created by Always Trending Up Scott & Jennifer
Leo's Radio show-"Bluesland" May 14, 2015 Part 1 of 2. Here is some good hand picked music just for you. I hope you enjoy the show and send me requests for my next show at webmaster@leosbluesland.com. Here is the playlist: Bluesland (Blues) with Leo Schumaker 05/14/2015 03:00PM to 04:30PM 03:00PM-03:03PM (3:33) Booker T And The M Gs “Green onions” from Stax 50th Anniversary on Atlantic (USA) 03:03PM-03:07PM (3:40) Buddy Guy “First time I met The Blues” composed by Buddy Guy from Can't Quit the Blues (CD, Album, Private, 2006) on Silvertone 03:07PM-03:13PM (5:52) Larry Knight and The Blowin' Smoke Rhythm and Blues Band “Built for Comfort” from Beyond The Blues Horizon 03:13PM-03:18PM (5:38) Eddy "The Chief" Clearwater “Cool Blues Walk” from Cool Blues Walk (1998) on Bullseye Blues (England) 03:18PM-03:21PM (3:00) Wynonna Carr “Should I Ever Love Again” composed by D.R. from Blues Brothers and Soul Sisters 03:21PM-03:32PM (10:11) Tab Benoit & Jimmy Thackery “These Arms of Mine” composed by Otis Redding from Whiskey Store Live (CD, Album, Private, 2004) on Telarc (USA) 03:32PM-03:34PM (2:36) Little Richard “I'm Just a Lonely Guy” composed by Dorothy LaBostrie from The Georgia Peach (Rock, 1956) on Specialty Rcrds 03:34PM-03:41PM (6:17) The Love Dogs “Keep On Lyin'” from Live and On Fire on T-Ray Records 03:41PM-03:46PM (5:00) The Mannish Boys w/Finis Tasby and Kid Ramos “You don't love me” from Double Dynamite 03:46PM-03:49PM (3:00) Jr. Wells “Prison Walls All Around Me” from The Profile Records Story on Fuel Records (USA) 03:52PM-03:58PM (6:01) Kirk Fletcher “Thats Why I'm Cryin'” from Shades of Blues6 "LADIOS"
show #2038_12_07a full hour with SpinnerWilliam Clarke: educated fool (Clarke) (Serious Intentions, Alligator, 1992)Eddie Hinton: my searchin' is over (Hinton) (Letters From Mississippi, Instant/Line, 1986)Michelle Willson: three aces club (Van Walls, Shetler, Levy) (Evil Gal Blues, Bullseye Blues, 1994)Otis Grand: waiting for the hard times to go (Grand, Basson) (Nothing Else Matters..., Sequel, 1994)Paul Butterfield Blues Band: just to be with you (Roth) (The Original Lost Elektra Sessions, Elektra, 1995)Johnny Mastro & the Mama's Boys: behind the sun (Lester Butler) (Pinch That Snake, self-release, 2001)Little Mike & the Tornadoes: nobody knows New York (M. Markowitz) (Flynn's Place, Flying Fish, 1995)Spencer Bohren: snap your fingers (Martin, Zanetis) (Snap Your Fingers, Loft, 1989)Chris Duarte Group: 32 blues (Duarte, Jordan) (Tailspin Headwhack, Silvertone, 1997)Little Charie & the Nightcats: never trust a woman (Estrin, Alvin) (Shadow Of The Blues, Alligator, 1998)Marcia Ball: foreclose on the house of love (J.L. Sanders) (So Many Rivers, Alligator, 2003)Pat Boyack: can't you see (Boyack) (Super Blue & Funky, Bullseye Blues, 1997)Hoax: don't bust a valve (Amor, Hoax) (Sound Like This, Warner, 1994)Don't forget http://www.aworldofblues.com Tune in today!!!
show#18203.04.07The Tonemasters - Chilly (from Podsafe Music Network)Solomon Burke - Does My Ring Burn Your Finger ( from Nashville 2006)Spinner's Section:Popa Chubby: no comfort (How'd A White Boy Get The Blues?, Dixiefrog, 2000)Buddy Guy: too broke to spend the night (Damn Right, I've Got The Blues, Silvertone, 1991)The Blues Band: not me (Back For More, Ariola, 1989)Shannon Curfman: few and far between (Loud Guitars, Big Suspicions, Arista, 1999)Jimmy Thackery & David Raitt: tell me (That's It!, Blue Rock'it, 2000)Back to Beardo:Wynonnie Harris - Drinkin' By Myself (from Around The Clock Blues 1994 Compilation )Shawn Kellerman - Wash My Back (from Land Of 1000 Dreams http://www.flamingcheese.ca )Billy Hector - Back Door Man (http://www.billyhector.com )Artie "Blues Boy" White - Feet Must Be TiredFrank Zappa & The Mothers - More Trouble Every Day (from Roxy and Elsewhere)Call 61-879-0001 anytime to make a requesthttp://www.bandanablues.comthebeardo@gmail.com
show#17902.11.07Duke Tumatoe - The Colts Won (from The Bob And Tom Radio Show at http://www.bobandtom.com/gen3/index.htm)Deanna Bogart - Wonder What The Weather Is Today (from Real Time 2006 on Blind Pig Records http://www.blindpigrecords.com )Spinner's Section:Paul deLay: beautiful bones (deLay Does Chicago, Evidence, 1999)Dave Edmonds: don't answer the door (1968) (The Collection, Disky, 1997)Calexico: gypsy's curse (The Black Light, Quarterstick Records, 1998)Chris Duarte Group: Cleopatra (Tailspin Headwhack, Silvertone, 1997)John Mooney: somebody been missing somebody (2 long) (Against The Wall, Ruf, 1997)Back To Beardo:Phantom Blues Band - Baby Doll (from Out Of The Shadows on Delta Groove 2006 http://www.phantombluesband.com ) Beverly Guitar Watkins - Right Don't Wrong Nobody (from The Feelings Of Beverly Guitar Watkins on Music Maker Recordings http://www.musicmaker.org )Bobby Rush - Too Short Too Little (from J.W. Jones Blues Band - Here She Comes Part 2 with David Fathead Newman (from Kissing In 29 days on Northernblues 2006 http://www.northernblues.com )Pat Boyack - Pushin' On with Ruthie Foster (from Voices From The Street on Doc Blues Records 2004 http://www.docbluesrecords.com )DeGuello - Land Of Slaves {Nick Curran, ZACH BLAIR, Ronnie James and DAMIEN LLANES}(from My Space DeGuello http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=52032049 )Keep tuned for mobile phone podcast availability!!Look for Beardo ar iTunes or http://beardo1.libsyn.com
Welcome! Today we are featuring our first Collector's Corner segment, an interview with Rick Russell. We talk about his current collection, his outlook on guitar collecting, and even Celtic and Irish music. Thanks for joining me, Rick, and I hope all you listeners enjoy the conversation!If you'd like to be featured on an upcoming Collector's Corner, please contact me or post a comment here on the blog.Thanks!
The headstocks may say "National," but these are pure Valco "Res-O-Glas" beauties! The Val-Pro, Westwood, and Glenwood guitars offered from 1962 to 1964 put a whole new creative spin on what was possible for guitar-building materials and construction. Not to mention, some of these models even offered a transducer-type pickup built into the base of the bridge! We're talking 1962, here...way ahead of their time. Although they had a relatively short lifespan in production years, these babies certainly made an impact. And if you can find one today, be prepared to write a fairly hefty check before you can take it home with you. But comparitively speaking, it will cost you a heck of a lot less than trying to score a 1962-1964 Strat, Tele, or Les Paul. And you certainly won't be blending in while on-stage.Thanks go out to today's sources, the article, "National's Map-Shaped Electrics" by George Gruhn and "National Westwood and Glenwood: '60s Alt-Materials Make Short Run," an article from Vintage Guitar Magazine's June, 2001 edition.Thanks also to the Podsafe Music Network for the music on today's show. The lineup includes "Getting By" by Kathy Valentine, "Married on Monday" by The Gentlemen Losers, "Wednesday Morning" by Slackstring, "Almost Friday Night" by The Hot Rods, and "Tauntaun Heat" by Tadago Pie. For links to these bands websites and to hear the songs featured in their entirety, please check out my other podcast, Opinionated Ramblings.And at the end of the show, don't miss the promo for the Musician's Cooler Podcast! If you're in a band, you'll find great advice, tips, tricks, links, and all kinds of other stuff you never even knew you needed...but you do.Please join our Frappr Friends map, and feel free to leave me comments here on the blog, send me an email at vintageguitarcast at gmail dot com, or leave a voice message using the MyChingo method (links at the left)!Until next time! Cheers!
© 2020-2025 Ivy Podcast Discovery LLC
