Podcast appearances and mentions of bela fleck

Sintonía: "Tee Nah Nah" - Tuts Washington"Sleepy Eyed John/Tom and Jerry de Laurie Lewis & Tom Rozum y "Whitewater" de Bela Fleck, extraídas del CD 2 de "Hand-Picked: Twenty-Five Years Of Rounder Records" (Rounder, 1995)"Three Keys" de James Booker y "Hold To God´s Unchanging Hand" de Irma Thomas, extraídas del "City Disc" de "Lousiana Spice: 25 years of Louisiana Music On Rounder Records" (Rounder, 1995)"J´ai vu le loup, le renard et la belette" - The Balfa Brothers; "Chere toute-toute" - Jimmy C. Newman; "Bayou Pon Pon" - Le Trio Cadien (Eddie LeJeune, D.L. Menard & Ken Smith); "Wildwood Flower" - D.L. Menard; "Les flammes d´enfer" - Beausoleil; "Laissez faire (Let It Be)" - Bruce Daigrepont; "T´en as eu" - David Doucet; "Give Him Cornbread" - Beau Jocque and the Zydeco Hi-Rollers; "La Danse de Mardi Gras" - Steve Riley and the Mamou Playboys; "Snap Bean" - Li´l Brian and the Zydeco Travelers. Músicas extraídas del "Country Disc" de "Louisiana Spice: 25 years of Louisiana Music On Rounder Records" (Rounder, 1995) Escuchar audio

Eclectic mix of musicians to perform at Howland Of the 14 saxophones, from tenor to contrabass, Brad Hubbard gravitated to the baritone. "It's my voice and just a different animal for me," he says. The instrument facilitates honking - the twisted mouthpiece resembles a gooseneck. Hubbard plays several woodwind instruments, but when the New York City Ballet orchestra selected a piece from West Side Story with a baritone sax part, or if Woodstock-based Americana mainstay Professor Louie & the Crowmatix wants that low-end presence, he's a go-to. Though he graduated from a classical music conservancy that eschewed jazz, Hubbard enjoys bending genres and playing unlikely styles. "When I first came to New York, I got hired by a country guitarist because I knew all the old songs, though I can't sing a lick," says the North Carolina native, whose voice still resonates with a faint twang. "I'm grateful for my education, but it's taken my entire professional career to recover from it in some ways." On Sunday (June 8), Hubbard will perform at the Howland Cultural Center in Beacon at Composers Concordance, an annual confluence of eclectic musicians. Nine composers, five of the players and conductor Gene Pritsker created works specifically for the concert. (They call themselves the CompCord Ensemble.) "This is about as 'winging it' as classical music gets," says Hubbard. The instrumentation (including members of the B3+ brass trio) consists of horn, trumpet, piano, clarinet, bass trombone and, of course, baritone sax. Roger Aplon, one of the three poet narrators, and pianist Debra Kaye live in Beacon. The concert is an offshoot of the New York City-based collaborative Composers Concordance, which presents a packed schedule of performances. Hubbard has participated in all six of its concerts at the Howland Center. Though classical music and the jazz-oriented sax make strange bedfellows, he points to famous crossover musicians who fused classical training with other forms, including cellist Yo-Yo Ma and bass player Edgar Meyer, who jumped from Beethoven to country. Bluegrass banjo player Bela Fleck and jazzman Wynton Marsalis, who recorded three trumpet concertos by Haydn, Hummel and Mozart in 1983, arrived at classical from other genres. Hubbard also recalls the Kronos Quartet's stirring string arrangement of "Purple Haze," by Jimi Hendrix, in 1986. Like jazz, "there's plenty of space for improvisation in Baroque music," a precursor to the classical period, along with "many compositions called 'theme' and 'variation,'" he says. "The continuo [underpinning bass or cello lines] are also open to alteration and interpretation." Hubbard got his start in the 1990s with the New Century Saxophone Quartet before branching out. In addition to teaching at the Beacon Music Factory, he honks with the Funk Junkies and Hot Wrk Ensemble, which plays original music along with Beatles and Dolly Parton covers. On Saturday (June 7), the Hot Wrk crew will perform at the Kingston Public Library with Beacon violinist Gwen Laster. Blame Google (or human nature) for the creative spelling. According to Hubbard, "people are weird - so weird that all kinds of crazy stuff comes up [when searching for 'hot work'], none of which has to do with music." The Howland Cultural Center is located at 477 Main St. in Beacon. Tickets for the show, which begins at 5 p.m., are $20 at dub.sh/CompCord2025 or $30 at the door. Tickets for seniors and students are $10.

The string quartet known as Brooklyn Rider features the usual two violins, viola and cello.  And that's about all that's usual with this band. Over the past two decades they have played with Yo Yo Ma and the Silk Road Ensemble, Mexican singer Magos Herrera, Irish fiddler Martin Hayes, and banjo wiz Bela Fleck.  They've commissioned a bunch of new pieces, and now, to celebrate their 20th anniversary, they've released a new record called The Four Elements - a wide range of music from the past and the present which is representative of, or directly inspired by Earth, Air, Fire, Water. And in parallel, the record is also designed to raise the alarm and bring “attention to the powerful forces of climate change which represent the single greatest challenge of our time”, (Bandcamp). Brooklyn Rider plays new works and an older piece, in-studio.Set list: 1. Colin Jacobsen - A Short While To Be Here... - I. Whoa, Mule!  2-3 Colin Jacobsen - A Short While To Be Here... - IV.- The Old Cow Died-V. Little Birdie," 4.Osvaldo Golijov: Tenebrae

www.patreon.com/banjopodcast   Marc Horowitz (aka the "Banjo Whisperer") is a fantastic player in both 3-finger and clawhammer styles: he came up in the  '60's folk scene in NYC, and became an in-demand sideman and session player, playing on commercials, movie soundtracks, and folk and pop music records, and many more. He's a teacher, and lists a guy named Bela Fleck among his former students. He's a setup technician, personally entrusted by Steve Martin to maintain Steve's stable of instruments. Marc now works as a design consultant with Gold Tone Banjos, and helped bring into existence their flagship Bluegrass Heart model. Sponsored by Peghead Nation, Elderly Instruments, Sullivan Banjos, and Bluegrass Country Radio   Contact the show: pickyfingersbanjopodcast@gmail.com

Bela Fleck entlockt seinem 5 String Banjo Töne und Melodien von Bach bis Bluegrass. Nun umgarnt er den Jazz mit Banjo-Rolls. Kalifornien erfreut sich einer wachsenden Community von brasilianischen Musikern.

It's time for a collection of musicians who play in a wide variety of styles, from bluegrass to swing to blues, and John Hartford's unique music, too. Included are The Acousticats, Bela Fleck and the Flecktones, John Mayall, and Gillian Welch, among lots more. More than two traditions, but all acoustic … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysBela Fleck & the Flecktones / “Hurricane Camille” / Bela Fleck & the Flecktones / Warner BrothersFraser & Debolt / “Gypsy Solitaire” / Fraser & Debolt with Ian Guenther / ColumbiaGillian Welch / “Caleb Meyer” / Hell Among the Yearlings / AlmoThe Blue Velvet Band / “Hitchhiker” / Sweet Moments with the Blue Velvet Band / Warner BrothersThe Acousticats / “California Republic” / Down at Evangelina's / Flying FishJohn Hartford / “Back in the Goodle Days” / Aereo-Plain / RounderJohn Mayall / “Room to Move” / The Turning Point / Cherry Bela Fleck & the Flecktones / “Reflections of Lucy” / Bela Fleck & the Flecktones / Warner Brothers 3David Bromberg et al / “Breakfast Feud” / Hillbilly Jazz / Flying FishThe David Grisman Quintet / “Fish Scale” / The David Grisman Quintet / KaleidoscopeGuy Van Duser / “When I See An Elephant Fly” / Stride Guitar / Rounder Tony Ellis / “Cherry Blossom Waltz” / Farewell My Home / Flying FishThe Horseflies et al / “Hangman's Reel” / Two Traditions / Self-producedPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

U2 released a part-live, part studio album in October 1988 called Rattle and Hum.  This album accompanied a filmed “Rockumentary” of the band which was filmed in Denver and Arizona.  Originally intended to be entitled  “U2 in the Americas,” the album and film instead take their name from lyrics in the song “Bullet the Blue Sky' from their album “The Joshua Tree.” Studio sessions for Rattle and Hum included time at Sun Studio in Memphis, and include collaborations with other musicians including Bob Dylan and B.B. King.  The intent of Rattle and Hum was to explore more American blues rock, and folk, and roots music of the 50's and 60's, and includes both original and cover songs.  Critics were divided on the album at the time of its release.  Some felt that U2 was not celebrating blues rock and artists as much as they were attempting to insert themselves into higher echelons of rock celebrity.  Over time the criticisms of egotism would fade, as U2 has indeed proven to be a major force in the Rock pantheon.  In retrospect, both Bono and The Edge have found Rattle and Hum to be a bit of a side excursion for the band, more of a “scrapbook” than a true direction.  The new direction of U2 would be set beginning with their next studio album, “Achtung Baby” in 1991.  Regardless, Rattle and Hum is a great album, well worth a listen.  The collaboration with other artists is worth special attention, as is its examination of the way that modern rock finds its roots in the delta blues.Friend of the show Greg Lyon sits in for Wayne, while Rob brings us this hybrid album for today's podcast.Angel of HarlemThe second single from the album is an original studio release which was written as an homage to Billie Holiday.  Songwriting took place during the tour for ”The Joshua Tree,” and the lyrics take inspiration form various landmarks around New York City.  The track reached number 14 on the Billboard Hot 100 and number 9 on the UK Singles chart.  When Love Comes to TownRecorded in Sun Studios, this U2 original song features collaboration with blues guitarist B.B. King. Live performances included B.B. King and his band during the “Lovetown Tour” in 1989.  U2 would discontinue playing the song in concert over time, but revived it in 2015 as a tribute to B.B. King after his death.  King plays lead on this song written by The Edge, who takes on rhythm guitar for this track.All Along the WatchtowerThis live cover is of a song written by Bob Dylan and made famous by Jimi Hendrix.  The lyrics are of a conversation between a joker and a thief, and several lines echo lines of scripture from the book of Isaiah in the Bible.  U2 performed this live cover in San Francisco at the “Save The Yuppie Free Concert.”  Some of the lyrics were altered, which irritated Dylan. Pride (In the Name of Love)A live version of the studio song from the 1984 album The Unforgettable Fire, this was recorded in Denver.  The popularity of this song can be heard in the audience call-and-response.  The lyrics were inspired by elements of the civil rights movement, particularly the assassination of Martin Luther King, Jr. ENTERTAINMENT TRACK:Iko Iko by The Belle Stars (from the motion picture “Rain Man”)Tom Cruise and Dustin Hoffman turned in stellar performances in this dramatic film exploring autism. STAFF PICKS:Kiss by Art of Noise featuring Tom JonesBruce leads off the staff picks with a cover of a Prince song performed by an unusual pairing of art rock group the Art of Noise with Vegas crooner Tom Jones.  This became the biggest hit for the Art of Noise to that point, reaching number 5 on the UK charts and number 31 on the Billboard Hot 100.  She Drives Me Crazy by Fine Young CannibalsLynch brings us the most successful single from the British pop trio, off their second and final album, “The Raw & the Cooked.” The band formed from two previous bands, one Ska, and one Punk.  The track was composed at Prince's Paisley Park Studios in Minneapolis.Once Bitten, Twice Shy by Great WhiteGreg features a rocker.  Great White covered a song originally written and performed by Ian Hunter in 1975.  This song went to number 5 on the Billboard Hot 100.  Great White had a more blues-oriented sound than many of the hair metal bands of the late 80's.  Lead singer Jack Russell passed after a battle with Lewy body dementia in August 2024.What I Am by Edie Brickell & New BohemiansRob closes out the staff picks with the signature song off Edie Brickell & New Bohemians' debut album, "Shooting Rubberbands at the Stars."  The inspiration for the song was Brickell's frustration with the dogma exhibited in a world religions class in college.  Brickell would meet her husband and fellow musician, Paul Simon, when she performed this song on Saturday Night Live. INSTRUMENTAL TRACK:Sunset Road by Bela Fleck & the FlecktonesThis jazz fusion piece with an unusual banjo lead was on the group's debut album, and takes us out for this episode. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The Indian-born tabla player and composer, teacher, and advocate Zakir Hussain, son of Ustad Alla Rahka, who passed away in late 2024, wasn't just a virtuoso improviser - he was one of the world's exceptional percussionists, working in many genres, and was the world's preeminent tabla master. He was a great communicator in many musical languages, including jazz, Afro-Cuban rhythms, Nigerian talking drums, or Indonesian gamelan; he was also a great listener and a bringer of joy (editor can't help herself.) One of the most exciting ways that Zakir Hussain shared tabla specifically, and percussion more broadly was by way of the Masters of Percussion Tour – which was exactly as stunning and marvelous as a music fan (especially a drum nerd) might ever imagine. Zakir turned the tabla into a global instrument by way of his incredible collaborations, playing with everyone from George Harrison to Mickey Hart of the Grateful Dead, from John McLaughlin's Shakti and Yo Yo Ma's Silk Road Project; he's laid down beats for Scottish fiddlers Charlie McKerron (Capercaillie) and Patsy Reid (formerly of Breabach); played concertos with western orchestras, with and without banjo player Bela Fleck and bassist Edgar Meyer, and performed and recorded with scores of Indian classical musicians. Zakir Hussain enjoyed the different challenges that each new collaborator “will throw at him”. For this edition of the Soundcheck Podcast, Ustad Zakir Hussain joined Pandit Rahul Sharma, the son of illustrious santoor master Pandit Shivkumar Sharma, who established the pedigree of the santoor within Indian Classical Music. Pt. Rahul Sharma has since built on his father's style, “taking the santoor to new corners of the world”, (Darbar.org). Rahul Sharma has also collaborated widely across genres, having released some 60 albums, split between classical Indian music and more experimental recordings. Rahul Sharma and Zakir Hussain played in-studio in Oct of 2024, just about six weeks before Hussain passed away. - Caryn Havlik Set list: 1. Dhun: Misra Pahadi 2. Dhun Keharwa Sharma explains the roots of the santoor, and gives a quick demonstration of its 94 strings which require precise tuning:  Zakir Hussain also gave an intimidatingly fast explainer of some of the syllables of tabla, what the left and right hand might do, with unbelievable and impressive speed: See their performances:    

Kala Ramnath is a world-renowned Indian violinist who performs in both the Hindustani classical tradition, and in collaborations that incorporate many styles with Ray Manzarek of The Doors, Bela Fleck and Edgar Meyer, Hilary Hahn, Kronos Quartet with Reena Esmail and veena player Jayanthi Kumaresh, and  leading orchestras such as my own National Arts Centre, to name but a few. You'll hear about her childhood, and how she became a disciple of the legendary vocalist Pandit Jasraj, leading her to revolutionize her approach to Hindustani violin technique. As a teacher she has put together an incredible resource with an extensive video library that she's created of Indian music, Indianclassicalmusic.com  When I recorded this interview with Kala, she had just the day before returned from the celebration of life for the legendary tabla master Zakir Hussain, who died this past December, and was one of the most important musicians in both Indian music and in bringing a global audience to Indian music. He had moved to San Francisco in the 1960s and was involved in too many projects to begin to list; in 2024 he was the first musician from India to receive 3 Grammys at one ceremony, including his collaboration with Bela Fleck and Edgar Meyer. Zakir Hussain was an incredibly important mentor of Kala, and you'll hear in her words about what his guidance and collaborations meant to her. Kala talked to me about some of her many cross-genre collaborations, including her fantastic albums with tabla master Bikram Ghosh  and her inventive trio with George Brooks and Gwyneth Wentink and you'll hear some of that music as well (albums linked below).  Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript : YouTube and TranscriptKala Ramnath Website Indianclassicalmusic.com Raag Ahir Bhairav  Paperboats album Elements trio albumOther episodes I've linked directly to this one, which I think may interest you: Karnatic violinist Suhadra VijaykumarSitar and tabla player Mohamed Assani Bansuri player Milind DateSarod player Avi KishnaIt's a joy to bring these inspiring episodes to you every week, and I do all the many jobs of research, production and publicity.  Please buy me a coffee? Or check out my merch store Sign up for my newsletter and get exclusive sneak peeks! Timestamps:(00:00) Intro(02:41)Zakir Hussain, Triveni with Jayanthi Kumaresh(10:53) Kala's childhood(15:17) Indianclassicalmusic.com resource(17:56) Kala Ramnath Collective world music (19:13) albums with Bikram Ghosh(20:28) A Better Place from Paperboats with Bikram Ghosh (26:30) Pandit Jasraj, changing her approach to the violin(34:46) Raag Ahir Bhairav (video linked in show notes) (46:16) Kala's Singing Violin style(48:12) other episodes you'll enjoy and different ways to support this series(49:05)Concerto for Hindustani Violin and Orchestra written with Reena Esmail(54:32) Ragas according to the time of day(57:43) Ray Manzarek of The Doors, ragas with other musical traditions(01:02:31) why Kala uses viola strings and tunes low(01:04:21) trio with George Brooks and Gwyneth Wentink(01:05:42) Better Than Coffee from Elements, George Brooks, Gwyneth Wentink (link in show notes)(01:10:15) Bela Fleck, Edgar Meyer, importance of consistent practice(01:13:54) Kalashree foundation(01:15:28) pandemic shutdowns, performing with Zakir Hussain 

Jazz88's Peter Solomon spoke with banjoist Bela Fleck about his recent Grammy Award winning recording with the late Chick Corea and his new project, a collaboration with Colombian harpist Edmar Castaneda and drummer Antonio Sanchez. They perform at the Dakota on Monday, March 24th and Tuesday, March 25.

Jazz88's Peter Solomon spoke with banjoist Bela Fleck about his recent Grammy Award winning recording with the late Chick Corea and his new project, a collaboration with Colombian harpist Edmar Castaneda and drummer Antonio Sanchez. They perform at the Dakota on Monday, March 24th and Tuesday, March 25.

Alison Brown is a Grammy and Emmy winning Banjo player. She is the winner of the “Banjo Of The Year” award. She's a member of the Banjo Museum's Hall Of Fame. She's collaborated with Steve Martin on three Bluegrass radio hits. And she's collaborated with Vince Gill, Anat Cohen and Bela Fleck. Plus, she's the co-founder of Nashville's Compass Records.My featured song is “The Gift”, my recent single in which Michael Abene, the Grammy winning arranger, transformed my love song ballad into a Big Band Samba. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Alison:www.alisonbrown.com—----------------------------------------ROBERT'S RECENT SINGLES:“LOVELY GIRLIE” is Robert's latest single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Band of Other Brothers is a stellar, multi genre supergroup whose members boast incredible associations with a Who's Who of A-listers. There's pianist Jeff Babko (Jimmy Kimmel Live, Sheryl Crow), saxophonist and woodwind wizard Jeff Coffin (Dave Matthews Band, Bela Fleck & the Flecktones), drummer Keith Carlock (Steely Dan, John Mayer), guitarist Nir Felder (Esperanza Spalding, Jack DeJohnette), and bassist, vocalist Will Lee (Late Show with David Letterman, The Brecker Brothers).   While they've joined forces before, this is their first holiday release.  It's called “This Year At Christmas” on Ear Up records, and offers Christmas standards delivered in a unique, and even unconventional manner, by this all-star group of multi Grammy®️ winning musicians. The album also features two very special guest vocalists, as well as Keith Carlock's own Carlock Family Choir, all highlighted by an amazing string ensemble that offers the perfect complement the joubilant selection of tunes.   My guests for this fun and more than occasionally frenetic conversation are Jeff Babko, Jeff Coffin, Nir Felder and Will Lee. Drummer Keith Carlock was tending to the reindeer and sadly couldn't join in the Christmas chaos.  Join me for a whimsical journey through the backstory behind this one-of-a-kind holiday release.

Episode Notes To Order my new album “Around the Clock” Click HERE! (Digitial, Limited CD or Limited Edition Vinyl) Here's part two with Sierra Hull! We talk about playing with Bela Fleck, Cory Wong, tone, pyro, how she keeps herself challenged and more! Keep up with Sierra at her website HERE which has links to all her social pages and tour dates! Restring Appalachia link Songs featured in this episode: “The First Snowfall” by Sierra Hull “Western Winds” by Cory Wong (Trail Songs) As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Acoustic Disc Peghead Nation promo code mandolinbeer Northfiled Mandolins Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer

On this episode of The Bandwich Tapes, I sit down with Matt Mundy to discuss his incredible musical journey, which is deeply rooted in family heritage and a love for bluegrass. We dive into the evolution of bluegrass music, breaking down the role of various instruments and how academic influences have helped shape modern sounds.Matt opens up about his early years in music, playing with family, and the joy of making music together. He also shares some memorable stories, including his experiences playing with Wendy Bagwell and his later transition to working with Bruce Hampton and the Aquarium Rescue Unit. We talk about the significance of rhythm in bluegrass, the importance of being a team player, and how the lessons he learned from his bandmates helped shape his playing style.We even discuss some of Matt's collaborations with well-known musicians like Bela Fleck, the rise of jam bands, and how he handles performance anxiety—a common challenge for so many in the music world. Matt also talks about teaching as a way to understand music on a deeper level and reflects on the joy of passing on his love for music to younger players. Music from the Episode:Up and Running (Béla Fleck)Goldrush (Mark & Matt Mundy)Stomp (Mark & Matt Mundy)Dead Presidents (Bruce Hampton & the Aquarium Rescue Unit)The Landing (Béla Fleck)Mo' Better Blues (Mark Mundy, Matt Mundy, Jeff Sipe, & Brad Williams)Thank you for tuning in! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. And please spread the word about the show!The theme song, "Playcation," was written by Mark Mundy.

This native of Kentucky is an accomplished songwriter, cellist, and film scorer who has collaborated with Abigail Washburn, Bela Fleck and Jim James of My Morning Jacket.

Mandolin virtuoso Sierra Hull can do it all: She juggles time with her own band, touring with Bela Fleck, and performing with the likes of Cory Wong, Brad Paisley, Billy Strings, and the Allman Betts Band.  On this week's podcast, we discuss a pair of eclectic covers she's just shared: Tears for Fears' "Mad World" and the Grateful Dead's "Black Muddy River" and hear all about them. We also talk about life on the road, electric octave mandolins(!), being a free agent, the art of changing mandolin strings, plans for the future, and so much more. Subscribe to the Fretboard Journal: http://fretboardjournal.com/subscribe Our next Fretboard Summit takes place August 21-23, 2025 at Chicago's Old Town School of Folk Music. Register today: https://www.oldtownschool.org/concerts/2025/08-21-2025-fretboard-summit-2025/ This week's show is sponsored by: Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Mike & Mike's Guitar Bar: https://mmguitarbar.com Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Collings: Check out their new Hill Country series of guitars: https://collingsguitars.com/hill-country-series/ Love the podcast and want to support it? We have a Patreon page just for Fretboard Journal fans and loaded with bonus content. https://www.patreon.com/Fretboard_Journal

My guest this week is Sierra Hull.Since I spoke to Sierra for the podcast back in January 2023 she's been ridiculously busy touring and recording. We chat about the extended tour she's been on for Bela Fleck's My Bluegrass Heart (which she describes as one of the highlights of her musical life), her current and ongoing tour with her own band (which has been chaotic to say the least!) and why she chose to have a drummer in her band, even though she confesses she's not generally a fan of drums in bluegrass.We talk about the wonderful band she's assembled and what they've been up to in  the studio, including recording a new album (due in the first quarter of 2025), two great covers (Tears For Fears' Mad World and The Grateful Dead's Black Muddy River), not one but two holiday songs (the first of which,The First Snowfall, is out this week) and her Freshgrass Concerto commission.Lots to look forward to if (like me) you're a Sierra Hull fan!This conversation was a lot of fun - I hope you enjoy it!For info and tour dates head to Sierra's website sierrahull.comFor regular updates follow Sierra on Facebook and InstagramIf you missed it, check out my previous interview with Sierra.Happy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Ok, WE'RE BACK! Sorry about the delay.We (like everybody else in this country with a pulse) are having a lot of feelings (of course, Pearce is especially worked up). Join us we reconnect- Growing Up Naked style- with another pithy sit down that includes (among other things) THE ELECTION!, roach clips, broken teeth, Mo moving back to NYC, THE ELECTION!, Sandusky, Ohio, giant spiders and punching praying mantises, THE ELECTION!, a tribute to Phil Lesh, and much much more, including... THE ELECTION!!!DON'T FORGET TO VOTE!Growing Up Naked theme composed, arranged and performed by Isaac DellMusic:Cold Cold Feeling, written and performed by Ry Cooder and Joachim Cooder  (from the album Election Special)He's Gone, lyrics by Robert Hunter, music by the Grateful Dead (Jerry Garcia, Bob Weir, Phil Lesh, Keith Godchaux, Donna Jean Godchaux and Bill Kreutzmann)   live in Veneta, OR, 8/27/72 (from the album/soundtrack Long Strange Trip:      The Untold Story of the Grateful Dead)Brown Eyed Women, lyrics by Robert Hunter, music by the Grateful Dead (Jerry Garcia, Bob Weir, Phil Lesh, Ron "Pigpen" McKernan, Keith Godchaux, Donna Jean Godchaux and Bill Kreutzmann)   live in Copenhagen (from the album Europe '72)Bread Line Blues, written by Bernard Slim Smith, performed by Jorma Kaukonen,  Sam Bush, Jerry Douglas, Byron House and Bela Fleck   (from the album Blue Country Heart)   

ReString Appalachia www.americansongcatcher.com/ReStringAppalachia ReString Appalachia is an initiative by American Songcatcher to get instruments that were lost due to Helene back in the hands of musicians throughout Appalachia. This effort is supported by over 125 roots musicians, including Bela Fleck, Rhiannon Giddens, Old Crow Medicine Show, The Infamous Stringdusters and many more, as well as several non profits, instrument makers, venues, festivals, actors, visual artists and media outlets. - It's been nearly a month since Helene brought unfathomable devastation to Appalachia. I've honestly never been so consumed with grief after a natural disaster. I have countless memories of performing, camping and hiking... so many good times throughout Appalachia over the last 15 years. I got married in Swannanoa. I almost moved to both Brevard and Asheville. I also have dozens and dozens of dear, talented friends throughout East TN, WNC, SC, North GA, and FL. It's been hard to embrace that it'll never be the same, that so many are suffering. Words fell short in a time like this. Action speaks, and I had to do something. So, through the American Songcatcher network, I've been quietly building an initiative that will put instruments back in the hands of those who lost them due to the storm. The exact, or comparable instrument. This effort is called ReString Appalachia. Whether you're a professional, or picking for the love of it, the importance of continuing the living tradition of Appalachian music culture is paramount, and American Songcatcher aims to keep it that way. Over the next month, you're going to see 100's of musicians, non profits, venues, festivals, actors, artists and media outlets post about ReString Appalachia. If you, or someone you know lost an instrument due to Helene, if you have instruments to donate, or if you are seeking a tax-exempt donation to help us cover the costs, please visit the link in the show notes. American Songcatcher will be back very soon with a very special live episode on Western North Carolina music history. Thank you for listening. Here's to the songs of old, may they live on forever. www.americansongcatcher.com/ReStringAppalachia --- Support this podcast: https://podcasters.spotify.com/pod/show/americansongcatcher/support

You can now listen to the Public Song Project on a record player near you! We've curated an LP of this year's standout tracks -- from artists including Bela Fleck, Rosanne Cash and John Leventhal, Rhiannon Giddens, and The Lemon Twigs -- and put them on a limited edition vinyl pressing. Producers Simon Close and Zach Gottehrer-Cohen join for a Listening Party.

Jazz88's Peter Solomon speaks with Jeff Coffin, a multi-instrumentalist/composer who is well-known for his role as saxophonist with Bela Fleck and the Flecktones and the Dave Matthews Band. On "Only the Horizon," his 23rd album as a leader, he collaborates with a West African percussion group called the Yeli ensemble as well as guitarist Cory Wong, banjoist Bela Fleck, blues icon Keb Mo and others. The Dave Matthews band, including Coffin, are being inducted into the Rock and Roll Hall of Fame on October 19th.

Banjo legend Tony Trischka joins me on the show this week. I first saw Tony playing with his band Psychograss back in the 90's at a bluegrass festival in Vancouver, and have been following Tony's music ever since. Tony is from Syracuse, and has spent most of his career in the New York area. His early bands included The Down City Ramblers, Country Cooking and Breakfast Special. He also started making really cool solo records in the early 70's that are pretty out-there in the context of what was going on in those days in bluegrass. Those albums definitely nod to traditional bluegrass, but they are also very progressive and experimental. He did alot of touring and recording with his various projects and collaborations over the years, while continuing to teach and compose (he taught a young upstart named Bela Fleck a thing or two in some lessons). After working to progress the banjo and its role in music through his entire career, Tony suddenly has dropped this amazing new project on us that is as traditional as it gets, and has allowed him to mine the depths of the greatness of Earl Scruggs. The new record is called Earl Jam, and was made after he was given hours and hours of tapes of Earl and John Hartford jamming. Unheard stuff that is like a portal into the brain of the greatest banjo innovator of all time. Tony transcribed a hours of that playing, and those transcriptions are what you hear, along with guests like Molly Tuttle and Billy Strings. So let's dive into all this history and hear about the new record - you can get all the latest info on Tony and his upcoming gigs at tonytrischka.com - Enjoy my conversation with Tony Trischka!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.

Open up your heart! Open up your heart! Open up your heart, let Kimbra pull you out!On this episode, Kirk goes for a swim in the extra-buoyant waters of Kimbra's 2011 pop stomper "Cameo Lover." It's an intricate musical narrative told through shifting time-feels, retro drum beats, leaping vocals, and sneaky key changes, and it's just the song to raise our spirits after a long, dark winter.Written by: Kimbra JohnsonAlbum: Vows (2011)Listen/Buy: Apple Music | Amazon | SpotifyALSO FEATURED/DISCUSSED:“Somebody That I Used to Know” by Gotye from Making Mirrors, 2011“Settle Down,” “Plain Gold Ring” and “Sally I Can See You” by Kimbra (Plain Gold Ring by George Stone) from Vows, 2011“In My Bones” by Jacob Collier from Djesse Vol. 3, 2020“Be My Baby” by Jeff Barry, Ellie Greenwich, and Phil Spector as performed by The Ronettes, 1963OUTRO SOLOIST: Dan NervoThis episode's outro soloist is the fantastic Dan Nervo. Dan plays guitar in the San Francisco Bay Area in bands like Neon Velvet, and also teaches private guitar lessons. Hit him up if you want to get good at guitar: https://www.facebook.com/DanNervoGuitarLessons/----LINKS-----RECAST RECOMMENDATION: "Fade to Black" by Howard Levy & Chris Siebold from Art + Adrenaline, 2018(also featuring "Chip Monkey" by Kick the Cat (YouTube) and "Sinister Minister" by Bela Fleck and the Flecktones from Live Art, 1995)SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------SEPTEMBER 2024 WHOLE-NOTE PATRONSMeryl AllisonRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoyRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreySEPTEMBER 2024 HALF-NOTE PATRONSLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans & Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizMichael YorkClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan Laserbrian john peterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyAlan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Angela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Jeff Coffin is a superstar saxophonist who performed with Bela Fleck and the Flecktones for 13 years and currently is with the Dave Matthews Band. He's a 3x Grammy winner. He's also performed with Snarky Puppy, J.D. Souther and David Crosby. And he's the leader of his own group called Jeff Coffin and the Mu'tet.My featured song is “This Time” from the album Bobby M and the Paisley Parade. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Jeff at:www.jeffcoffin.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

We have a special episode this week - we are sharing Sarah Jarosz's conversation on Basic Folk podcast! Sarah is a multi-Grammy winning mandolin player and songwriter who has collaborated with the likes of Chris Thile, the Live From Here house band, Bela Fleck, Daniel Tashian, Ruston Kelly, and Natalie Hemby. In this conversation, Sarah and hosts Cindy Howes and Lizzie No talk about her experience with ​confidence using the ​Dunning–Kruger effect, in which people with limited competence in a particular domain overestimate their abilities. AKA Fake it till you make, AKA Leap and the net will appear. She also talks about her parents' influence on her early musicality and how her mom is doing with her cancer remission. An overall theme of this conversation is that Sarah never lost sight of her goal: keeping it all about the music and don't let noise get in the way of your important work.More on Basic Folk:Basic Folk, honest conversations with folk musicians, features hosts Cindy Howes and the musician/known communist Lizzie No. The podcast approaches interviews with warmth, humor and insightful questions. Basic Folk fosters the folk community, but our definition of “folk” is extremely broad, so you'll hear interviews from Molly Tuttle, Ben Harper, The Lone Bellow and many more.You can listen to Basic Folk on The Bluegrass Situation Podcast Network, wherever you get podcasts or at BasicFolk.comGet more access and support this show by subscribing to The Other 22 Hours on Patreon, right here.Links:Sarah JaroszBasic FolkBasic Folk on IGLizzie No on IGSocial Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

My guest this week is Rebecca Frazier. Rebecca was the first woman ever to appear on the cover of Flatpicking Guitar Magazine and her band Hit & Run are the only band to win all three Rockygrass, Telluride, and SPBGMA Festival Band competitions.She joins me to chat about her new record Boarding Windows in Paradise. We talk about working with legendary producer and engineer Bill Wolf, recording with Bela Fleck, Sam Bush, Stuart Duncan and the band Love Canon and the decade gap between this and her last record.We touch on so many different aspects of combining music with life and how we change (or don't ) over time. We also talk about our shared love of Dolly Parton's record The Grass is Blue and the influence it had on Rebecca's new record.I loved this conversation and I hope you do too.For more info check out rebeccafrazier.com, where you'll find links to her tour dates, social channels and YouTube.Send a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the Show.===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Kris Myers was born on April 5, 1977. Receiving a drum kit at the age of 8, he took an early interest in jazz, rock and punk music. During high school Myers co-started his first musical outfit, a ska/punk band called the Skalawags. The group received a decent amount of success but denied an offer to tour Japan to instead pursue college degrees. Myers attended Elmhurst College from 1995 – 1999 where he was a music major and the drummer in the Elmhurst College Jazz Band. Under director Doug Beach, the Elmhurst College Jazz Band played gigs in the U.S. and Internationally at events such as the Umbria Jazz Festival, Jakarta Jazz Festival and the Montreaux Jazz Festival. In 2001 Myers enrolled in DePaul University where he earned his master's degree in jazz drumming and was a member of the Rob Parton Orchestra.  In addition to his involvement in school bands, Myers was playing in festivals with a variety of jazz artists such as Nicholas Payton, Diane Schuur, Randy Brecker, Dennis DiBlasio as well as local musicians Mark Colby and John McLean.  Myers also was a member of Chicago jazz fusion band Kick the Cat.  Myers began playing drums for progressive-rock band Umphrey's McGee in 2003 following the departure of original drummer Mike Mirro. With Myers at the helm, Umphrey's has released ten albums and maintains a rigorous touring schedule of over 100 live shows per year.  Umphrey's has performed at legendary festivals and venues such as Bonnaroo, Lollapalooza, Austin City Limits, Fuji Rock Festival, South by Southwest, Red Rocks, The Ryman Theatre, The Beacon Theatre and more. With Umphrey's, Myers has shared the stage with countless notable musicians such as Buddy Guy, Huey Lewis, Ivan Neville, Les Claypool, Stephen Perkins, Mike Keneally, Joshua Redman, Bela Fleck, Taj Mahal, Victor Wooten, Adrian Belew, Stanley Jordan, Gene Ween, Derek Trucks and Jason Bonham. In 2011 Myers was honored with the title of Best Jam Band Drummer by DRUM Magazine, beating jamband stalwarts such as Butch Trucks (The Allman Brothers) and Jon Fishman (Phish). In 2018, Myers was featured on the cover of Modern Drummer's July issue. Myers placed second in the Experimental Rock category of the publication's “Readers Poll Awards” behind St. Vincent drummer Matt Johnson. When he's not behind the drum kit, Myers enjoys playing golf, attending concerts, hiking and collecting art.    Some Things That Came Up:  -2:30 Kris's multi genre style  -3:00 Rabid fans  -4:45 The Umphrey's McGee audition turned into a 21 year gig and counting -6:30 Kris's previous band was Kick The Cat  -11:00 Maintaining a list of all the venues the band has played  -11:30 Red Rocks is fave venue as well as The Fox Theater in Oakland and The Ryman in Nashville -14:00 Vic Salazar !!! The ambassador of the drum community -16:40 The rider!  The love of milk chocolate!  -18:00 Stretching, fitness center, yoga -19:40 The documentary “Frame By Frame” -21:20 The Grateful Dead's Mickey Hart.. “most impressive” -23:40 The cover of Modern Drummer magazine in 2018!  -24:30 Dauz pads! Used by Rush and Nine Inch Nails  -26:45 Writing material together as a band  -27:40 Producer Greg Majors and Manny Sanchez -30:30 Different sets every night. Choosing from 14 studio albums. Responsible for all songs at all times  -35:40 collaboration with Huey Lewis. Met at The Jammy Awards in 2006. -43:00 Kris loves practicing impressions  -44:30 Stewart Copeland, Buddy Rich, Vinnie Colaiuta, Keith Carlock, Steve Gadd 49:50 The art of mashups, inspired by DJ culture  -50:15 Kris songs background vocals while playing insane music  -52:00 Rotator Cuff repair surgery. 6 month rehab, but ready after 4 months  -54:00 Local gigs and charity work  -54:50 Getting to do the “Boom Smack” -55:50 “David's Den” for mental health  -56:15 Wedding preparation  -57:20 “The Fave 5”   Follow: www.umphreys.com www.krismyersdrums.com  FB: @krismyers IG: @krismyersdrums YouTube: @krismyersdrums   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

My guest on the podcast this week is Chris Eldridge, guitarist with Punch Brothers and Mighty Poplar.Chris is not only one of my favourite guitarists, he's also one of my favourite people I've had on as a guest, so I'm delighted to welcome him back to Bluegrass Jam Along to celebrate the podcast's 400th episode.In this special episode we're chatting about Bela Fleck's ground breaking record Drive. It's a record that's really important to Chris, and also played a key role in the early days of both The Infamous Stringdusters and Punch Brothers.Chris talks about first hearing the record, why it grabbed his attention so much and why it holds a key place in not only Bela's output, but also in the rich tradition of progressive, instrumental string band music. We also talk about the remarkable contributions made by the players Bela assembled for this record, including Sam Bush, Mark Schatz, Jerry Douglas, Stuart Duncan, Mark O'Connor and, of course, Tony Rice.It was a fascinating conversation to get to have. Drive is one of my favourite records and I know it's a favourite of so many bluegrass fans and players too.Thanks Chris and here's to the next 400 episodes!Happy picking!Matt Support the Show.===- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

In this episode of The Bandwich Tapes, I am thrilled and honored to sit down with the incredible Luke Bulla, one of my all-time favorite instrumentalists and vocalists. Our conversation is a deep dive into his remarkable musical journey and the experiences that have shaped his illustrious career.Luke's life has been steeped in music from an early age. At age four, he began touring and singing with his family band and took up the fiddle at seven. His prodigious talent quickly became evident as he went on to win the National Fiddle Contest in Weiser, Idaho, six times in his respective age categories. At sixteen, he made history by becoming the youngest winner of the Grand Champion division. By age ten, Luke had already made a mark at Nashville's Grand Master Fiddle Championship as the youngest top-ten finalist.In the spring of 1999, Luke moved to Nashville, diving headfirst into a full-time music career. His early years in Tennessee were marked by his stint with Ricky Skaggs' band, Kentucky Thunder, where his exceptional fiddle playing earned him his first Grammy Award. Following this, he joined the John Cowan Band. He performed and recorded with a host of renowned artists including Brandi Carlile, Jim Lauderdale, Darrell Scott, Alison Krauss, Jerry Douglas, Sam Bush, Edgar Meyer, Bela Fleck, and many more. His collaborations read like a who's who of the music industry, featuring names such as Bryan Sutton, Kevin Costner & Modern West, Shawn Colvin, Tony Rice, Chris Thile, Peter Rowan, Patty Griffin, Glen Phillips, Rodney Crowell, and Earl Scruggs.Luke was a perennial instructor at Mark O'Connor's fiddle camps during his early years in Nashville. Alongside his long-time friend Casey Driessen, Luke founded the band Wisechild, which toured briefly with John Mayer and Counting Crows. He also played a pivotal role in the band W.P.A. (Works Progress Administration), a collaboration that included notable members like Sean Watkins, Glen Phillips, Sara Watkins, Benmont Tench, Pete Thomas, Greg Leisz, and Davey Faragher.In 2009, Luke released a solo EP featuring a stellar lineup of musicians, including Jerry Douglas, Sam Bush, Bela Fleck, and Aoife O'Donovan. That same year, he joined Lyle Lovett's Large Band and toured full-time with them until 2023.In 2015, Luke co-founded the Bluegrass/Americana record label, Pure Music | Nashville, with music and business executive John L. Heithaus. The label released his LP, Who Loves You Better, in May 2016. Recorded at Zac Brown's Southern Ground Nashville studio and produced by Grammy winner Bryan Sutton, the LP showcases Luke's extraordinary musical talent.Join us for an enriching discussion as we explore Luke's diverse musical influences, his approach to songwriting, and the incredible journey that has led him to where he is today. This episode is a celebration of his enduring contribution to music and his unwavering passion for his craft.Music from the Episode:Luke Bulla - Temperance Reel (Luke Bulla/Guy Clark/J.R.Stuart)Luke Bulla - Who Loves You Better (Feat: Sarah Jarosz) (Lyle Lovett)Luke Bulla - On the Turning Away (David Gilmour and Anthony Moore)Luke Bulla - Tie Me Down and Set Me Free (Luke Bulla/J.R.Stuart)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. Please tell your friends about the show.The theme song, "Playcation", was written by Mark Mundy.

Send us a Text Message.Today's crossword (by Josh Goodman, his second!) is an homage to one of Alabe Craft / Ideal Toy / Mattel's greatest inventions, the Magic 8 Ball

One of the many fun things about making this podcast is going from "this is cool!" (ironically) to "yo, this is pretty sick actually" (sincere), so it should be no surprise that breaking down the context around the creation of Revelation and the timeline of the Tribulation judgments was really fun to dig into. The start of this episode is a look into the actual book of Revelation and the history that led to its writing, along with necessary context to help ground this wild and weird book. Then, we enter the Final Terrible Week of The Lord and break down the Seal, Trumpet, and Bowl Judgments that have either already affected our heroes, or will be thrown at them soon. Things are about to get extremely unchill for the Tribulation Force and I cannot wait to talk about it when we get deeper into the series. Even if some of the judgments are repeats... (Really, God? Three earthquakes??)This episode would not have possible without the fine folks over at patreon.com/contenthole. Thank you!Here is a list of some of the sources used:New Oxford Annotated Bible, 3rd EditionRevelation, Blackwell Bible Commentaries, by Judith Kovacs and Christopher RowlandPBS Frontline series on ApocalypseJones, Brian W. (1992). The Emperor Domitian.Revelation Unveiled, by Tim LaHayeSpecial Shoutout to the Bela Fleck album, My Bluegrass HeartOur intro and outro music and lyrics by Layne Smith and William WhiteBass: Jonas NewhouseExtra Vocals: Frannie K MorrisonFollow Glass Beach Hosted on Acast. See acast.com/privacy for more information.

Frances Chan finds female flautists and harpists old and new, sends birthday greetings to Stanley Clarke and Gilberto Gil and features NZ Jazz Artist of the Year, Myele Manzanza. Setlist: Jazz Jamaica – I Heard it Through the Grapevine  Myele Manzanza ft China Moses – Gone Up in Flames Kaidi Tatham – Try n Follow Kaidi Tatham – Carry it Mongo Man Stanley Clarke & George Duke – Wild Dog George Duke – Giant Child Within Us - Ego Carnivorous Plant Society – Temple Kiss Myele Manzanza – Pencarrow Joao Donato & Gilberto Gil – Bananeira Alina Bzhezhinska & HipHarp Collective ft Vimala Rowe – Afro Blue Dorothy Ashby – Myself When Young Bela Fleck, Zakir Hussain – Beast in the GardenJohn McLaughlin, Zakir Hussain, Jean-Luc Ponty – Lotus Feet Camilla George ft Sanity – Creation - Abasi and Atai Myele Manzanza – Something Old Something New Clear Path Ensemble – Drip Mariana Zwarg, Sexteto Universal – Pra Ele Bobbi Humphrey – Uno Esta Galliano – Prince of Peace  

This key-rrific episode of Join The Docs features the ever-curious Professor Jonathan Sackier flying solo, sitting down without his usual sidekick Doctor Nigel Guest who is taking his own medicine and having a holiday.. This time, he's joined by the legendary John Oates. Yes, you heard it right—John Oates, the moustached marvel from the iconic duo Hall & Oates. Not only is he in the Rock and Roll Hall of Fame, but he's also a multi-talented musician, songwriter, and all-around cool guy. They sit down to talk all things music and medicine, with a hint of laughter.What sparks the conversation? Oates, dives straight into the nitty-gritty of his sixth solo album,  “Reunion." This isn't just any album. Inspired by a whirlwind of personal life events, "Reunion" is a rollercoaster of emotions, melodies, and collaborations with some of the music industry's finest. Oates regales us with tales of  jam sessions, spontaneous songwriting when the radar is alerted by life events - check out the story of a girl in cowboy boots and a pink tutu!At the heart of the episode, the emotional story behind the album's title track. Oates opens up about his ageing father, painting a vivid picture of a man who has seen it all and then some. The song is a poignant reflection on life's horizons, filled with realisations that hit harder than a double espresso on a Monday morning. Oates' storytelling is so vivid, you can almost see the twinkle in his father's eye and feel the weight of the years gone by.What's Oates' secret to maintaining his vocal health? John shares his secret weapons, gargling, humidity, yoga and not talking to our resident Professor!. And let's not forget the physical challenges he's faced—two rotator cuff surgeries, folks! Oates recounts the gruelling physical therapy sessions with a humour that makes you almost wish you were there, cheering him on from the sidelines. Hip Hop, Hooray!Wait a minuet!  Why is the healing power of music so important to Oates? To rap it up, Oates passionately discusses how strumming a guitar or belting out a tune can mend a broken spirit faster than any doctor-prescribed remedy. Oates means treble, emphasising the importance of physical therapy post-surgery, sharing anecdotes of his therapist who, according to Oates, has the hands of an angel and the motivational skills of a drill sergeant. He also tells us of the people he has  worked with, a veritable who's who of the music business. And talking of Who, his recent duet with Roger Daltrey was to help those living with teen cancer.—--DISCLAIMER: The views and opinions expressed on Join the Docs are those of Dr. Nigel Guest, Jonathan Sackier and other people on our show. Be aware that Join the Docs is not intended to be medical advice, it is for information and entertainment purposes only - please, always take any health concerns to your doctor or other healthcare provider. We respect the privacy of patients and never identify individuals unless they have consented. We may change details, dates, place names and so on to protect privacy. Listening to Join the Docs, interacting on our social media, emailing or writing to us does not establish a doctor patient relationship.To Contact Us: For a deeper dive on this episode's issue, merchandise and exclusive content, head to www.jointhedocs.comFollow us on youtube.com/JoinTheDocs Follow us on instgram.com/JoinTheDocsFollow us on tiktok.com/JoinTheDocsFollow us on: facebok.com/JoinTheDocsFollow us on: x.com/JoinTheDocsSo, why should you buckle up and get ready for a wild ride? This episode of Join The Docs is filled with laughter, tears, and a whole lot of rock and roll wisdom. This episode is not one to miss, it's hitting all the right notes – from heartstrings to guitar strings! And careful listeners could win a special prize identifying surreptitious song titles hidden in the episode….

My guest this week is Jacob Jolliff, who joins me to talk about his wonderful new record Instrumentals 2: Mandolin MysteriesWe talk about the process of writing the record and how many of the tunes began on piano rather than mandolin, plus the great band Jacob assembled to record and tour the album. We also chat about what it was like to sit in with Bela Fleck for part of the My Bluegrass Heart tour and some of the things Jacob leaned from Bela about rehearsing and leading a band in the process.You can buy Mandolin Mysteries on Bandcamp on vinyl and as a digital download.For more info, visit jacobjolliff.com or follow Jacob on Instagram or FacebookYou'll also find some cool performances of tracks from the record on Jacob's YouTube channel.Happy picking!Matt Support the Show.===- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

De los palacios de Rajastán hasta Bab Makina, antigua ciudadela convertida en escenario monumental, llega Pandit Vishwa Mohan Bhatt, uno de las cuatro músicos más importantes de la clásica hindú. Discípulo de Ravi Shankar, el hombre que con George Harrison introdujo el sitar en occidente. Un nuevo instrumento en sus manos, de su invención, el "mohan vena” sitar del que imparte un electrizante "master class" en directo en esta edición junto al Ensemble Divana de Rajastán, Cherifa, amazigh, o la Cofradía Hamadcha de Fez. Regreso a las fuentes de la mano de Alain Weber, director artístico de Festival de Musicas Sagradas, de Justin Adams, músico y productor vinculado a la musica étnica o el propio Maestro que ha compartido momentos con Ry Cooder, Bela Fleck o Taj Mahal, . Exclusivo concierto e introductores de lujo a un continente aún por descubrir. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Guitarist Ethan Sherman returns to the Fretboard Journal Podcast to talk about his new acoustic album, 'Passages.' This contemporary bluegrass-inspired record features Ethan alongside Wes Corbett (banjo), Rob Ickes (Dobro), Thomas Cassell (mandolin), Avery Merritt (fiddle) and Ethan Jodziewicz (bass).  During our chat, Ethan explains why banjo recordings like Bela Fleck's 'Drive' were the unlikely inspiration to the album and its arrangements; talks to us about the gear that he used; gives us a follow-up on his 'String Theories' project with Adam Levy; and shares some insights from touring with Michael Bublé.  Check out Passages here: https://ethansherman.bandcamp.com/album/passages Fretboard Summit 2024 Registration:  https://fretboardsummit.org Subscribe to the Fretboard Journal print edition and reserve your copy of Fretboard Journal 54:  https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription This week's show is sponsored by: StewMac: https://stewmac.sjv.io/R5jvRR (Affiliate link) Collings Guitars: https://www.collingsguitars.com (Look at their pau ferro offerings: https://www.instagram.com/p/C6_kzwmroYI/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==) Izotope: https://www.izotope.com (Use the code FRET10 to save 10%) Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Love the podcast and want to support it? We have a Patreon page just for Fretboard Journal fans and loaded with bonus content. https://www.patreon.com/Fretboard_Journal

This week we feature bass player March Schatz.  For anyone who has been around bluegrass music for a while, Mark is no stranger.  Throughout his career he has played with many of the top bluegrass artists.  He started with bands like Tasty Licks and Spectrum and also spent time with Tony Rice, Tim O'Brien, Nickel Creek and Claire Lynch.  Most recently he has been out on the road with Bela Fleck as part of the My Bluegrass Heart tour.  

Dos canciones del brasileño Raphael Gimenes del disco 'Dinamarca' ('Llanura infinita', 'Caçador de horizontes'). Pat Metheny con la pieza que va a dar título a su próximo disco ('Moondial'), Nathalie Cressman & Ian Faquini con su disco 'Guinga' ('Contradição', 'Bolero de Satã', 'Delirio carioca', 'Por trás de Brás de pina'), Chick Corea y Bela Fleck con 'Juno' otro adelanto de su disco 'Remembrance' previsto para julio, Susie Arioli con canciones de su disco 'Embraceable' ('Pendulum', 'It´s allreight with me', 'Embraceable you', 'Indifférente') y Amaro Freitas con 'Dança dos martelos'.Escuchar audio

Los guitarristas brasileños Marco Pereira y Rogério Caetano con 'Choro em Do menor', 'Folia das cinco', 'Irene' y 'Uma valsa pra Rosa' de su disco a dúo 'Folia das cinco'. Bossacucanova con su disco 'As próprias' ('A bossa é cucanova' -con Carlos Lyra, Cris Delanno y João Donato-, 'Previsão' -con Adriana Calcanhotto-, 'Balança' -con Cris Delanno-, 'Queria' -con Marcos Valle-, 'Bom dia Rio' -con Roberto Menescal-, 'Just a samba' -con Celso Fonseca-). Además, la canadiense Susie Arioli con 'Pendulum', 'Embraceable you' y 'It´s allright with me' de su reciente 'Embraceable'. Y un adelanto del disco de Chick Corea y Bela Fleck, 'Remembrance', que se publicará en mayo.Escuchar audio

John Cowan is an All-Star Singer and Bassist. He's a longtime member of the Doobie Brothers and previously with New Grass Revival with whom he was inducted into the Bluegrass Hall Of Fame. He's played with a Who's Who including Bela Fleck, Alison Krause, Huey Lewis, Chris Hillman and Leon Russell. And he's currently performing with legendary fiddler and singer Andrea Zonn, longtime member of James Taylor's band.My featured song is “My Love” from the album Bobby M and the Paisley Parade. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE RICH ONES”. Robert's new single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Crossover instrumental.Click HERE for all links.—-------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with John:www.johncowan.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

What connects you to the year 1946? Think of the time immediately following World War II, and perhaps black and white images of men in fedoras and women in long dresses come to mind. Maybe you have parents or grandparents who were born around that time, or maybe you know someone who lived then and has past on. It is an era that now seems quite distant for most of us, a kind of abstraction that can be read about but which remains present only in its dusty tomes and mono records. But like all eras of our past, the time when bluegrass music was born remains with us in tangible, even impactful ways. In 1946, Bill Monroe and the Blue Grass Boys recorded their first songs with new members Lester Flatt and Earl Scruggs, and a new genre of music was born. Born that same year in New York City was Pete Wernick, who came to know all of the Blue Grass Boys as well as most if not all of the other first-generation stars, and played with many of them eventually as well. He remains one of the few people today who embodies a direct link to this era, making it leap from the pages of history across the decades and get us tapping our feet to bluegrass music that is still being born. Pete Wernick Songs heard in this episode:“Waiting For Daylight” by Pete Wernick & Flexigrass, from What The“Powwow the Indian Boy” by Hot Rize, from Hot Rize, excerpt“Untold Stories” by Hot Rize, from Untold Stories, excerpt“Spring Break” by Pete Wernick, from On A Roll Thank you for visiting us and giving this podcast a listen! This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone at IBMA for their role in making this episode possible, and you can listen to more episodes on this series on artists interviewed at previous IBMA conferences, like Sierra Hull, Bela Fleck, Stephen Mougin and Ben Wright (Sam Bush Band and Henhouse Prowlers respectively), and C.J. Lewandowski (Po' Ramblin' Boys), to name a few. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, and to Joshua Meng, who wrote and performed our theme songs.Southern Songs and Stories is currently ranked #13 in Southern podcasts here on feedspot.com, and moved up to a top 2.5% globally ranked podcast by Listen Notes, which makes us smile. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

This program traces the history of this most American of instruments from its ancestors in West Africa through the Caribbean and American South and into the present, as a new generation of Black women artists reclaim the banjo as their own. Rhiannon Giddens, Bassekou Kouyate, Bela Fleck and more talk claw-hammers, trad jazz, Appalachian folk, African ancestors and the on-going story of American music, which would be woefully incomplete without a Black history of the banjo. Produced by Ben Richmond.

Sarah Jarosz is what happens when young women are taken seriously. A huge part of the mandolinist's story is that she had supportive male mentors and that has added to her confidence. We all know the age old story of “Young woman shows promise, gets exploited by the patriarchy and it affects her work.” We need to hear stories like this. Starting in her hometown of Wimberley, Texas, just 45 minutes outside of Austin - the live music capital of the world, Sarah found the mandolin at ten years old. Labeled a prodigy and thanks to the encouraging spirit of folk music, she found music mentorship with seasoned professionals like David Grisman, Ricky Scaggs, Tim O'Brien and Bela Fleck. After her time at The New England Conservatory of Music, she moved to New York and would go on to collaborate with people like Chris Thile in the Live From Here House Band and her trio I'm With Her, featuring Aoife O'Donovan and Sara Watkins and won four Grammys.After making the move to Nashville, on her latest album, the very impressive and sonically expansive Polaroid Lovers, Jarosz collaborated with producer Daniel Tashian, which originally was just a low-stakes co-writing project. The success of her first co-writing experience with Daniel led her to pursue other songwriting sessions with Ruston Kelly and Natalie Hemby. The collaboration found on the record has opened Sarah up to new sounds and new experiences. In our conversation, we talk about Sarah stepping into her own voice with confidence on this record and knowing her musical self enough at this point in her life. She describes her experience with ​confidence using the ​Dunning–Kruger effect, in which people with limited competence in a particular domain overestimate their abilities. AKA Fake it till you make, AKA Leap and the net will appear. She also talks about her parents' influence on her early musicality and how her mom is doing with her cancer remission. An overall theme of this conversation is that Sarah never lost sight of her goal: keeping it all about the music and don't let noise get in the way of your important work.Also! For those interested in Sarah's #1 skincare product: HERE YOU ARE.ORDER/STREAM LIZZIE NO'S NEW ALBUM HALFSIES: https://orcd.co/halfsiesFollow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Advertising Inquiries: https://redcircle.com/brands

Jay leads off with a true “Three for Thursday,” which includes something old, something new, and something blue. After hearing Bela Fleck's Drive recommended on another podcast, Jay's been experiencing a bit of the Baader-Meinhof phenomenon all week regarding Mr. Fleck. Also, Ryan Adams has released five full length albums so far this year. Songs:Bela Fleck - “Whitewater”Ryan Adams - “Shinin' through the Dark”Bela Fleck - “Rhapsody in Blue(grass)”Nick came across a recent NY Times piece on American guitarist, Cordell Jackson. Born in Mississippi in 1923, she is believed to be the first woman to produce, engineer, arrange and promote music on her own rock label. An eccentric creative with a thrash playing technique that she developed as a teenager, she first starting getting acknowledgement in the mid-80s, culminating in an appearance alongside Brian Setzer in a 1996 Super Bowl commercial.Songs: Cordell Jackson - “Rockin'Rollin'Eyes”Brian Setzer with Rock-A-Billy Icon - Budweiser CommercialWhile he's homebound this week for jury duty, Greg was on the road with the Red Not Chili Peppers last week and shares his experience. Landing a gig at the House of Blues in Anaheim, CA has taken years for the band, as the venue is owned, operated and booked exclusively through Live Nation. We hear what it's like working with the industry behemoth and celebrate the band's successful dalliance with the devil company…will there be more in the future? We'll keep you posted.Song: Mitski - “A Pearl”

It's almost the end of 2023. Where did the year go?!I'm already working on some exciting stuff for 2024 but, before we head into the holidays, I wanted to have a look back at 2023 on Bluegrass Jam Along as it's been an extraordinary year.I've had the opportunity to speak to some truly amazing guests. You'll hear excerpts from a few of them in this episode, along with a recap of all the interviews on the podcast this year.You'll hear from:Sierra Hull on playing with Bela Fleck and the new music she's working onTim O'Brien on what Doc Watson means to himJack Lawrence on how he came to own a D18 that Doc gave himAlison Krauss on spending time with Tony RiceGabe Witcher on why he chose now to move on from Punch BrothersCaitlyn Canty on songwriting and processing life through creation David Grier on hanging out with Clarence WhiteWyatt Rice on recording Church Street Blues with his brother TonyIf you missed any of these episodes (or just want to listen again) you'll find the full list on the Bluegrass Jam Along websiteWe also added lots more fiddle tune backing tracks to the podcast too.Oh, and I won an IBMA award!I feel so lucky to get to have these conversations. Thanks for listening - happy holidays and happy picking!Matt Support the show===- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Biden just dropped a 50 page executive order that's going to make the world safe for AI, hopefully? To discuss the sprawling EO we've brought on three CNAS analysts, Vivek Chilukuri, Bill Drexel and Tim Fist. We touch on: Immigration and federal hiring If AI + bio can ever be a safe thing What's going to happen to cloud access What are the hoops you'll need to jump through to train GPT5 and whether they're enough What to do about open source Why Jordan just wants to be an AI czar RSVP to the Los Angeles meetup! https://partiful.com/e/SgjdajUSrD1aEOOrVgXk Outro music (yea I was not going to impose Devo on you all): The B Tune by Bela Fleck https://open.spotify.com/track/6h6vvG1t4xtfP9lkOKzBTv?si=6ec3f32629bd46a2 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Alan, Quinta, and Scott were joined by Ravi Agrawal, Editor in Chief of Foreign Policy Magazine, to talk through the week's big natsec news, including: “Pledge Week.” In a sign of strength, NATO held its annual summit in the capital of Vilnius this week, just kilometers from Lithuania's border with Belarus. But those hoping to join the club have gotten mixed receptions, with NATO members securing a clear path for Sweden to join the alliance without presenting a clear way forward for embattled Ukraine. What did we learn about the state of the alliance from this week's historic meeting?“Cluster Ruck(us).” Late last week, the Biden administration made the controversial decision to provide U.S. cluster munitions—a type of weapon that many U.S. allies have banned by treaty, due to concerns about civilian casualties—to its ally Ukraine. Is it the right move? And what might it mean on the battlefield—and after the war is over?“Needling and Threads.” Mark Zuckerberg appears to have finally gotten under the skin of tech billionaire Elon Musk, as his recently launched competitor to Musk's beleaguered Twitter, Threads, launched last week and soon secured over 100 million users. Has Twitter finally met its match? And what will Threads and other competitors mean for the future of the information (and disinformation) economy? For object lessons, Alan went back to his college roots and endorsed the music of banjo virtuoso Bela Fleck. Quinta celebrated the weirdness of the Barbie nine-dash-line controversy. Scott urged listeners to check out Kim Stanley Robinson's sci-fi masterpiece, the Mars Trilogy. And Ravi plugged the Foreign Policy Live video and podcast series he hosts for a weekly fix of smart thinking about the world. Hosted on Acast. See acast.com/privacy for more information.