Byte High no Limit

In This Episode, Chris Bell of Super Page 58 dot com needs our help. The main feature today is a real treat and is a recording of a panel from teletext 50 form September 2024 at the centre for computing history in Cambridge. The two Gentlemen you are going to hear from were guests and kindly agreed to provide us with an impromptu panel on the Sunday morning. The panel was somewhat of an exclusive and luckily for all of us Jason Robertson was on hand to record the majority of the panel for prosperity by leaving his phone on voice record and placing it next to a speaker! The first 30 seconds or so is David Rayer's speaking to Jason just before the panel started in in foyer of the centre, I included it because it provided some context to Davis role.  David was the Principal R and D engineer at BBC research, Kingsford Warren-  his remit included Ceefax, telesoftware and data broadcasting. The next gentleman we are introduced to is Charles Hope, who worked for BBC R and D at Television centre, Lyme Grove and Henry Wood House, working in the field of Standard Conversion in Ceefax as well as marketing the technology to other broadcasters, more of this you will hear. Charles also worked on many newsworthy events, the 1966 World Cup, the Olympics in Mexico, the Winter Olympics in Grenoble and also the Assignation of John F Kennedy. The accounts from David and Charles provides a  great compliment to the recollections of John Adams, who I recently interviewed, it is available already just look for John Adams in my podcast feeds. If you want to see other panels that were hosted that weekend, you should visit Jamie Nemeth's YouTube page where he has provided recordings. I would urge anyone who has not as yet to visit there as there are many contributors who have never shared the experiences of Teletext and Ceefax before in that context and probably will not have the opportunity again for some time. So thanks again for Jason's quick thinking, we join the panel and apologies in advance for the varying sound quality but on this the episode!..

A small family run TV station based in Hertfordshire UK, regularly attracts audiences in their Millions, screening Archive TV that the Big broadcasters no longer care to show.   This was the motivation that Founder Noel Cronin and his Daughter Sarah behind Talking Pictures TV, now in its tenth year of transmission. Sarah was kind enough to share with me it's history, Achievements and challenges.   TPtv is free to air in the UK and to Astra satellite users Freesat 306 - Freeview 82 - Sky Digi 328 - Virgin 445  TPT encore the player show their entire archive, talkingpicturestv.co.uk    

  John conceived the idea and made the original design of Teletext in the early 1970's whilst working at Philips / Mullard Central Application Laboratories (CAL) in London.   He left Manchester university in 1970 with a passionate desire to work in the field of electronic brains, (now called AI), digital computing and information systems. Though less than a year out of university, Philips promoted John in 1971 to Lead Designer for Computer Data Entry Terminals. This was a new field as computers at that time typically used mechanical machines (teletypes) for data entry. His development of advanced computer text displays was ground-breaking work in itself. However, John's interest in the potential for a home information system continued. An obstacle was the high expense of the large amount of electronics that would be required by each home TV to make it possible. Unfortunately, the necessary technology to reduce the cost did not yet exist. Remember that this was the early years of the Information Revolution. Computers were very rare. Those that existed were the size of large rooms and found in a few big companies and institutions. Intel had only recently invented the microprocessor and PCs and smart phones were things of the future. The chips that John required and which would fuel the Information Revolution were yet to be invented. John has some very amusing anecdotes from his Teletext time at Mullard. Tales of sitting in a London pub in 1971 nursing a half pint of Guinness whilst hoping for inspiration to help him dream up a design that would both work on the old, mal-adjusted TV of his granny! and yet also be cheap enough for her to buy.   His first idea to add digital electronics to home TVs and create a UK wide information system was born in 1970 whilst working on experimental electronics for computer data entry. In fact, John's design was prepared for an early implementation as reasonably priced modules to add to an existing TV and for a future low cost application when integrated in to chips. His designs became the base of the Mullard Teletext Decoder Modules, the Mullard Teletext chips and Teletext systems throughout the World.   Philips, as one of the World's biggest TV tube manufacturers backed the Teletext idea as it had potential to increase screen sales. Mullard CAL Management had two additional requirements: It should be affordable to “the man in the street” and be able to work on very old black and white TV sets as well as on the latest colour ones. In 1971 John devised a design and plan that overcame all technical obstacles and achieved both these goals. He drew up a proposal for a complete Teletext system. Included were a receiver for installation on home TVs and other essentials for a nationwide information system. For example: How the TV broadcaster could transmit the information to users homes. How multiple information pages could be made available and selected and many other technical details. The proposal was sent to the BBC and to the UK Independent Broadcasters.   It lead to the launch of BBC Ceefax in 1974. The text display and fundamental design that John had devised became the basis of the World standard for Teletext. In the following years it was implemented in many countries under a wide variety of names. At Mullard, John went on to work on complex display systems and microprocessor designs. After that he worked as an independent digital design consultant at ITT Research Labs. In the late 1970's he was headhunted by Intel where he worked for many years. He left Intel to start his own company in Spain where amongst other things he designed major testers for manufacturing lines producing electronics used by tier-1 automotive companies.   In 1990 we sailed our boat from Poole harbour to El Puerto de Santa Maria near Cadiz to start our new life in Spain and where we still live – but that is another story ! - Lorraine Bronny 2024

Allow me little bit of self indulgence! During the week of the 50th Anniversary of Ceefax in September 2024, Myself, Nathan Dane, Jason Robertson and Graham Lovelace were interviewed on BBC local Radio Stations. Here are interviews from BBC Essex and BBC Radio Scotland. Find me on bluesky @bytehigh.bsky.social   

Discovered from some reel to reel tapes made in the early 1970s was an account of a Roman ghosts in West Mersea in Essex as well as the unfortunate treatment of 'Witches' in Thorpe Le Soken, Saint Osyth and strange goings on in Great Leighs in 1944! Enjoy a Rural Essex Accent and a well told story recovered from old technology!    The second recording was taken from 'Essex witches SA 6/289/1 side A part 1, Essex Records Office. Speaker was Peter Bibby 1970 Used under Creative commons BY-NC-SA 3.0

Teletext50: The Stories A Byte High No Limit / illarterate co-production   In 1974, a brand new technology called teletext was being rolled out. It would, over the next few decades, have far-reaching implications, not only in the UK but worldwide.   These are the stories of those involved in the production, restoration and art of the blocky medium that graced UK TV screens until 2012. You'll hear from the pioneers, those who made teletext tick, and the newcomers keeping the medium alive 50 years after its inception.   This is a social record of teletext, and these are the teletext people. Sonic credits Sound effects courtesy Pixabay “Seesaw” by Aretha Franklin, cover by Pixelblip “Tip Toes” by Myuu https://www.youtube.com/watch?v=lJKeIzPzrWE  “Waltz For a Cat” by MondayHopes https://pixabay.com/music/introoutro-waltz-for-a-cat-8089/ “Wicked Annabella” by The Kinks, cover by Pixelblip “Jumping Jack Flash” by The Rolling Stones, cover by Pixelblip “The Ballad of Sir Clive Sinclair” by Mr Biffo https://www.youtube.com/watch?v=OVnv1tVmmjk  “The Wozniak Song” by Mr Biffo https://www.youtube.com/watch?v=8ZvoFHkmolk  “Ambient Classical Guitar” by William King https://pixabay.com/music/solo-guitar-ambient-classical-guitar-144998/  “Dance Off” by All-rights-reserved https://pixabay.com/music/dance-dance-off-8843/  “Long Hot Summer” by the Jimi Hendrix Experience, cover by Pixelblip “Resistance” by Gvidon https://pixabay.com/music/beats-gvidon-resistance-170918/  “Orange Juice on the Table” by MondayHopes https://pixabay.com/music/bossa-nova-orange-juice-on-the-table-8024/ “Cognoscenti vs Intelligentsia” by The Cuban Boys (light mashup) https://www.youtube.com/watch?v=fXJ5oaU940U  “Road to Nowhere” by Grand Project https://pixabay.com/music/dance-road-to-nowhere-long-188064/  “A Villain's Redemption” by Katzen Tupas https://pixabay.com/music/solo-guitar-a-villain39s-redemption-12976/  “Bossa Nova Dreams” by HD-Studio https://pixabay.com/music/bossa-nova-bossa-nova-dreams-182163/  “Clock Cracker” by Caboose https://www.youtube.com/watch?v=UBcCts2nlbA  “Road Rash” by Octosound https://pixabay.com/music/rock-road-rash-172665/ “Heroes” by David Bowie, cover by Pixelblip https://www.youtube.com/watch?v=8_HzlaIxnHg  “Don't Let the Sun Go Down On Me” by Elton John, cover by Pixelblip https://www.youtube.com/watch?v=PJ_Ed-d2dD8    The Teletext People Carl Attrill (Episode presenter) Mort Smith (Ceefax, Intelfax) Julie Morton-Smith (Intelfax) Ian Irving (Ceefax, Intelfax) Colin McIntyre (Ceefax) - via archive interview from Channel 4 Steve Rosenberg (Intelfax, Russian Teletext, BBC) Gareth Herincx (ORACLE) Graham Lovelace (Ceefax, Teletext Ltd) Paul Rose (Teletext Ltd) Sara-Scott Rivers (Teletext Ltd, Videotron, Datasolve) John Earls (Teletext Ltd) Ricardo Autobahn (The Cuban Boys) Ian Westbrook (Ceefax, BBC News) Paul B Davis (VBI Microtel) Dan Farrimond (Teletext Artist, Episode Editor) Jason Robertson (The Teletext Archaeologist) Alistair Cree (ZXNet browser-based teletext editor) James Domestic (artist) Count Binface (Space Politician) Nathan Dane (NMS Ceefax) Additional clips courtesy   BBC, ITV, WFLD Channel 32, Teletext Holidays, Peter Kay Live at the Top of the Tower, Q Radio, Hit n' Run Misc.   Eleven Labs (synthesised voices) All interviews from Teletext People by Byte High No Limit Steve Horsley Teletext Holidays segment from the Teletextr Podcast Colin McIntyre Interview courtesy Channel 4 Timecodes   0:00 ACT 1: Ceefax, the world's first teletext service (Beginnings) 1974-1980 15:22 Teletext expands abroad (Keyfax and Russian teletext) 1980-1992 26:29 ORACLE, the UK's other teletext service (Debbie's Diary) 1992 31:15 ACT 2: Deregulation (launch of Teletext Ltd) 1992-1993 40:13 Digitiser and sick worms 1993-2003 47:25 Teletext Holidays 1993-2009 51:30 Emergence of the Web and Interactive TV 1993-1999 59:07 Princess Diana 1997 1:04:17 The Music Men: Planet Sound  1:11:15 Teletext sports and the Ceefax Striker 1:13:50 The end of teletext in the UK 2009-2012 1:18:06 ACT 3: Teletext rises again! Teletext art 2005-2015 1:25:58 Hidden teletext (teletext recovery) 2010- 1:30:46 Recreating teletext (Ceefax for the 21st Century) 2016-2024 1:39:50 Teletext today 2024 1:43:21 Tributes & memories  

James Domestic grew up in Essex, is a compulsive songwriter, a musician, occasional DJ, painter, poet, and punk. He holds a doctorate from the University of Essex, has toured the world and elsewhere with The Domestics, and made records with more bands than is healthy or sensible. He was kind enough to speak to me in his Local, The Brewers Tap, Sudbury. We cover a range of subjects and when it came to edit, I unashamedly did not leave an awful lot out as I found the whole interview engaging.  Look out for the exclusive teletext Poem! You Can follow James on his facebook, or go to jamesdomestic.com for updates and books.

Bob Pape's Dead Lights, Bob and I discuss Curious, Forgotten and Unusual films. In this Episode 12:01pm (1990) He Never Died (2015) The Giant Claw (1957) I Woke Up Early The Day I Died (1998)   Please do leave us feedback on the discord or X twitter  You can also support the show via ko-fi.com/bytehigh 

This Episode I had the pleasure of the host of Floppy Days, Randy Kindig. 11 years and 141 episodes so far and his quest to cover every home computer chronologically has only got him to 1984's Grundy Newbrain! what dedication. Randy Speaks to me about his motivation and collection of vintage computers and we share our observations on how computing has changed since the days of individual quirky machines.   Please visit www.floppydays.com to listen to his show. Thanks also to Warren (Woz) Pilkington for the opening segment. Theme is by Mr Nissness, get him on youtube and bandcamp @mrnissness You can support the podcast with hosting costs by buying me a kofi www.ko-fi.com/bytehigh  if you wish, but a like or a rating is just as welcome.   Keep it blocky!

Yes, The Unpublished chapter!! Bob Pape is a computer game coder that came into prominence in the 8 bit world with his conversion of the Irem coin-op R-type to the humble ZX Spectrum. Around ten years ago he wrote an account of how he made the game and described a less than glamourous world of coding that surrounded it in 'It's Behind You'  This book is available on www.bizzley.com for free and is highly recommended. Part two covers Bob's views on the games industry, the magazines and also his humble appraisal of his other projects and also his love of Cinema.   I hope you enjoy, please do leave feedback in the usual places.  

Bob Pape is a computer game coder that came into prominence in the 8 bit world with his conversion of the Irem coin-op R-type to the humble ZX Spectrum. Around ten years ago he wrote an account of how he made the game and described a less than glamourous world of coding that surrounded it in 'It's Behind You'  This book is available on www.bizzley.com for free and is highly recommended. Part one of this interview, or chat covers Bobs background, the computers he used and other industries he worked in.  Subjects discussed - R-type- ZX Spectrum, TRS 80, Dragon 32 and many more! I hope you enjoy, please do leave feedback in the usual places.        

At 23:32:19 BST on 23 October 2012, Schoolboy Nathan Dane witnessed the close down of BBC's teletext service CEEFAX. The following years a pursuit to revive the abandoned service was realised with NMS CEEFAX, a fully working and up to date teletext service that can be used by anyone with an internet connection. Nathan's endeavours were now a national talking point from Radio Two, The press including The Guardian & TV's BBC One Breakfast wanting to find out more. Join me in conversation with the inventor and curator, the man himself, Nathan Dane who explains how he done it and what he has in mind next for the 50 year old medium. you can X me @tetetextR you can join the discord at https://discord.gg/GQyka9Wt2B you can help me off set the cost of hosting by buying me a Ko-fi.com/bytehigh theme song is by @mrnicness  kEEp it BLocky!

In this episode, I speak with the man in charge of Finland's YLE teletext service. He explains how he got into the industry, his battles with Nokia and the challenges for teletext in the future. Thanks to Dan Farrimond, who cleaned up this recording and provided the edits. There are some audio issues but not as many thanks to Mr Yak who, in my opinion is a wizard to get this to you.   you can X me @tetetextR you can join the discord at https://discord.gg/GQyka9Wt2B you can help me off set the cost of hosting by buying me a Ko-fi.com/bytehigh theme song is by @mrnicness  kEEp it BLocky!

I had the absolute pleasure of speaking with the extra terrestrial political force of nature that is his Excellency Count Binface. We discussed Ceefax, ZX Spectrum and less important subjects including Boris Johnson, Sadiq Khan & Teressa May. What does the future hold for Sigma nine's political big Beast?   Want to help with my hosting costs? https://ko-fi.com/bytehigh  Join the discord?  https://discord.gg/nVjcCe2MFE get me on X @teletextR and bluesky as @bytehigh.bsky.social    

It's Max Headroom month! One November evening in 1987 local Chicago TV was invaded by a masked Max Headroom impersonator. For the following 37 years the question of who and why persist. Now well past a statute of limitations and the advantage hive mind of the internet we are still no closer to the definitive, but we do have theories! Whitney Merrill is a Hacktivist, info security champion and Head of Global Privacy and data Governance at Asansa. She also makes the coolest Pins on her etsy. Being brought up in Chicago and immersed in Hack culture she is the perfect guest to have with me in this show. We talk about hacking, the direction of security and of course Max! THE TRUTH IS OUT THERE Find out more about Whitney at whitneymerrill.com her shop at https://www.etsy.com/uk/shop/TheGarbageFile contact on X @wbm312 or .Bsky.social.com   Want to help with my hosting costs? https://ko-fi.com/bytehigh  Like, subscribe @bytehigh on youtube! get me on X @teletextR          

Ricardo speaks to me about the CubanBoys  ,teletext, Eurovision and the Poundshop boys. Being championed by Radio One DJ's Jo Wiley and John Peel catapulted Ricardo and his band mates into superstardom when they were spotted by EMI records. Ricardo also speaks about his fascination with the Top 40 and his ZX Spectrum Coding career. The Peel Sessions are now available on preciousrecordingsoflondon.com - Please consider buying Sam Tan from poundshopboys.bandcamp.com as the proceeds go to local Charities. My Theme tune is courtesy of  @mrnissness    You can, if you wish, buy me a Ko-fi.com/bytehigh  

Joe Banks, producer of the art project Disinformation, has been working with Very Low Frequency (VLF) radio since the mid nineteen-nineties. His installations have been exhibited and performed worldwide and been shown on national TV & radio stations including Sky TV and BBC Radio Four. His challenging investigations into Electronic Voice Phenomena (EVP) demonstrate the mind's conscious and unconscious working in a conflicting synergy. In this episode Joe speaks to me and my excellent co-host and inspiration, Leila Johnston about how early experiences propelled him towards the sonic voyage of the Disinformation project, his family and future projects.   Warning- this show does contain some loud noises, headphone users beware! This show contains the following extracts, in appearance order: 0'50: “National Grid” by Disinformation 1996 to 1999 1'20: Hari Kunzru on Sky TV 1999 5'24: “Electric Skies” Channel 4 “Equinox” 1994 6'50: “Stargate” by Disinformation 1996 13'00: “National Grid” by Disinformation, live in Moscow 28 Sept 2000 * 20'34: “Kwaidan, Part 3” by Disinformation 2002 (from the “Sense & Data Perception” CD 2005) 30'41: “Sine Wave Speech - Psychoacoustics Demonstration” by Disinformation 19 July 2014 42'50: “Martelsham Heath” by Disinformation, exhibited at Domo Baal gallery Nov 2017 50'33: “Language [as] Meta Technology” by Disinformation Nov 2018, remixed July 2021 1'10'50: “Sound Mirrors” aka “Blackout” soundtrack by Disinformation 1997 * “National Grid - Live in Moscow” features saxophonists Mike Walter and Andy Knight on YouTube @C4eye   theme Byte High no Limit - Mr Niceness bandcamp.com/mrnissness or YouTube @MrNissness   Join the Discord Contact me @teletextR on X Buy me a Ko-Fi   Leila's Hack Circus Podcast is definitely worth a listen  

Dan Farrimond and myself reflect on the Chunky Fringe live show, with Jamie Nemeth and Jason Robertson. The Audio was provided by Dan from his live stream that you can see with pictures on his YouTube channel. Thanks again to @grimfandango and Jamie Nemeth and his awesome twitch channel. Please like of subscribe where ever you get this show and why not join the discord!   If you feel inclined You can send a ko-fi to @bytehigh  Contact me on X @teletextR    

This is a live show hosted by myself and Dan Farrimond during Chunky Fringe, the teletext expo that took place at the same venue and day as the Digi Live 30 show held by Mr Biffo. We speak to Jason & Rich from What's wrong with Wolfie? Podcast as well as teletext movers and Shakers Jason Robertson, Steve Horsley and Chris Bell. The recording was kindly made by  Ash Versus of Under Consoletation: The GamesMaster Retrospective Podcast, get him at one of the following: https://twitter.com/underconsolepod https://www.instagram.com/under.console https://www.threads.net/@under.console https://twitch.tv/underconsolepod   you can join the Discord https://discord.gg/CCSrHxD3z9 or get me on X/twitter or Bluesky/threads @teletextR / Bytehigh You can send a ko-fi (its a hobby, but any little helps) https://ko-fi.com/bytehigh      

Stuart Ashen is a Actor, Screen writer, comedian and critic. He has near 1.6 million YouTube subscribers and 600 million views. I also got his name wrong in the intro, we discuss where it all started and the possible future trends as well as the challenges faced when running a large YouTube Channel. Stuart gives me his thoughts on social media the recent name change of twitter to X.   Music is from Mr Nissness (.bandcamp.com) you can join the Discord https://discord.gg/CCSrHxD3z9 or get me on X/twitter or Bluesky/threads @teletextR / Bytehigh You can send a ko-fi (its a hobby, any little helps) ko-fi.com/bytehigh

Dr Anderson has worked in AI for over a decade, she completed her Ph.D. in computed science and focused on machine learning and I was lucky to have a moment to speak to her about this remarkable technology. But what is AI? How is it transforming our lives, at home and in the workplace?   Dr Anderson explains the ethical implications and givers her thoughts on how Human-AI collaboration is a key to augment human capabilities.  If you can and wish to, please give me a rating. If you want to support the Podcast, please do you can buy me a KoFi Here You can Contact me on My Twitter Or email sunspotstories@gmail.com Join the Discord! - https://discord.gg/CCSrHxD3z9 music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music  

Planet Sound was a cult music magazine that reached every teletext set n the UK, John Earls and his team championed many new acts of the 90s & 2000's including Artic Monkeys, Kaiser Chiefs, Razorlight, Arcade Fire, Franz Ferdinand, Keane, Editors, Snow Patrol, Klaxons, Kasabian, Hard-fi, Elbow, The Feeling, Scissor Sister, Guillemots, Amy Winehouse and Dizzee Rascal to name but a few!   John Speaks to me about his time at Teletext and explains Robert Smiths carrot cake recipe and Nicky Wires objection to Bono's hotel due to its lack of teletext TV sets!   If you can and wish to, please give me a rating.   If you want to support the Podcast, please do you can buy me a KoFi Here You can Contact me on My Twitter Or email sunspotstories@gmail.com Join the Discord! - https://discord.gg/CCSrHxD3z9 music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music

Tim, better known to his thousands of followers as @ceefaux uses the distinct looks of old Ceefax tv listings to inject his brand of humour on to the social media world of twitter. His account is barley 15 months old but he has a amassed an avid following of fans. In this episode Tim explains  to me and Dan Farrimond how he got involved, his inspiration and challenges for the future. We even cover serious subject like AI and trampolines.   Thanks as ever to @illarterate Dan for hosting with me.   Want to join in on the discords? message me @teletextR Help me with the pod like meatlotion & drnovocalcords? no problem! ko-fi.com/bytehigh music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music

"We were the first people in the World to do this sort of thing..." Graham Norwood.   Graham is a prolific travel writer and Formula One fan, but before all of this he cut his journalistic teeth at BBC Ceefax. Graham recalls the stories and events that the service reported on and conveyed to the public in it's unique way. There is also a rare insight into how some Ceefax staff felt in the food-chain of BBC journalists. Were these fair observations? Listen and share your thoughts...   Reach me on @tetetextR twitter or the discord. Reach Graham @propertyJourn    Music by Mr Nissness  https://www.youtube.com/@mrnissness Thank you @meatlotion for my www.ko-fi.com/bytehigh donation :)

  In this episode we enjoy the recollections of Patrick, @cgnfridays and Cody, @pranfunkels as they discus hacks and tricks to get free calls on phone systems like their hero, Matt Broderick and try not to get caught... with varying consequences.  They explain what innocent, inquisitive kids can get up to with telephones and how they took over voice mail systems to create a BBS without the knowledge that the US Hacker community were already at it too!   Music by mrnissness.bandcamp.com Buy me a kofi? ko-fi.com/bytehigh - it helps to offset the podbean cost, no yachts I promise!   @ me on twitter @teletextR join the discord https://discord.gg/FNJ2Gv9ZUg   

Dan Farrimond and myself discuss the evolution of techlores, originating from copiers to fax machine then to our beloved media of choice!   But how many lores are there?    Music from Mr Nissneness (as in Business) mrnissness.bandcamp.com Wayne Dreaden @WJD2owls    Thanks as ever to @illarterate Dan for hosting with me.   Want to join in on the discords? message me @teletextR Help me with the pod like @meatlotion ? no problem! ko-fi.com/bytehigh  

A super special episode where I talk to Frauke Langguth about ARD Text, A real live teletext service!  The service runs in Germany on the National broadcaster ARD. Frauke explains how she got involved with teletext, what the service delivers and the possible futures of the technology.   It was an absolute pleasure to speak with Frauke, you can visits the service at ard-text.de  If you can and wish to, please give me a rating.   If you want to support the Podcast, please do you can buy me a KoFi Here You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music    

Before the Home computers became ubiquitous and a technology we can not live without, they were hobbies and self built projects assembled by the luminaries home computing.   This episode looks at the origins of kit computers in the US, the TV Typewriter; the  UK the MK14, System 1 and 101 and Yugoslavia with it's embargo busting Galaksija. The show includes recollections of the users of these machines and a very special interview with the Creator of Galaksija, Voja Antonic.   My thanks go to Georg Fuchs for the Voja Antonic interview. www.lotek64.com Dan Farrimond and Chinny Hill's voice talents. Music = Mr Niceness on Youtube   Want to buy me a Kofi to help offset podcast hosting costs? go for it! ko-fi.com/bytehigh        

I had the privilege to interview the very person that, unbeknown to him, started my journey in teletext art and with it, the friendships I built with many other like minded folk.   Paul's one and only online teletext project had far reaching influences on many of us and I hope you enjoy listening to this episode as much as I have had in making them all so far.   If you can and wish to, please give me a rating.   If you want to support the Podcast, please do you can buy me a KoFi Here You can Contact me on My Twitter Or email sunspotstories@gmail.com            

Oracle's Buzz! Magazine was the first  tech, teen culture and music magazine of it's kind. It's interactive nature was a major influence on many  that viewed the electronic magazine one who went on to make services themselves! (Mr Biffo- see previous episode!)   Join us as we talk about Debbie's Dairy, Buzz! and plenty more! Keep updated, join the discord!     If you can and wish to, please give me a rating.   If you want to support the Podcast, please do you can buy me a KoFi Here You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music      

In her glittering career, Sara Scott-Rivers worked extensively with both Viewdata and teletext.  Following designer-editor roles with Prestel in the 1980s, she joined Teletext Ltd prior to its launch in 1993.   Sara was kind enough to share her recollections of working with the blocky mediums with me in this podcast series.    Keep updated, joint the discord!     If you can and wish to, please give me a rating.   If you want to support the Podcast, please do you can buy me a KoFi Here You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music  

Byte High no Limit is a series about all aspects of Technological history and it's social connections. Fans of the teletext series should not despair as there will be more interviews on the way, In the meantime here is an update of the channel and and item I recorded about WE ARE INSTAR, an art collective that are exhibiting in my childhood town of Jaywick in Essex.   As mentioned - I have a discord server you can join, plus you can get me the normal ways. https://discord.gg/DCwTXWHf   If you can and wish to, please give me a rating. If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music      

Paul Rose is a BAFTA nominated  writer for Children's TV and also writes for Mainstream Adult audience programming. He is fondly remembered and held in high regard for his work on Teletext Ltd's Digitiser Magazine as Mr Biffo which he launched 30 years ago! Paul very kindly spoke to me about his time at teletext, his motivations and what he is doing now.   If you can and wish to, please give me a rating.   If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music You can find out more about Paul here... http://www.paulrosewriter.com/        

Probably one of the BBC computer's killer Apps, Elite started a series of games that continue today.   Acorn Nut Mark Moxon decided that this iconic game needed a port to the teletext medium and in this episode he explains his motivations an experiences of creating this wonderfully playable adaption.   You can play the game yourself here. https://www.bbcelite.com/hacks/teletext_elite.html    If you can and wish to, please give me a rating.   If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music        

The Teletext revival is a shop window, but without the goods in the stock room nothing can happen. Alistair's ZX Net Teletext editor and online Viewers have been the glue that enables artists, archivists and new services to make their concepts a reality.   We discuss how it all happened and what projects are on the go at the moment. I love making these episodes, if you want to help me with hosting costs, a KoFi will go a long way.   If you can and wish to, please give me a rating.   If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music       

Dan's interest in teletext art was a spring board for many other artists who have adopted this medium to express their artwork long after it's greatly exaggerated demise. Part of the 'TeletextR' movement, he has been instrumental in the high profile that the blocky medium enjoys today in the media.    I love making these episodes, if you want to help me with hosting costs, a KoFi will go a long way. If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music  

In this episode, we find out how Jason developed a way of restoring lost teletext from tape,  how he found long lost services and a curious Audio service that was hidden in plain sight from millions of UK television viewers.   If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com  

Ian Irving was one the medium's first ever recognised artist and is cited as a contemporary of many pixel artists who used the format.   Ian tells us his story of working at Ceefax then moving to Intelfax and 4-Tel.  Ian also worked on a ground breaking project for deaf children 'Hands Up!' on Channel four was a completely unique programme that can be viewed on YouTube.    If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music  

Graham worked at CEEFAX at the beginning of the 1990s and was given the opportunity to run a new teletext service for commercial TV just after the biggest shake up of television regulations in the UK at the time. He explains how he manged to get the service going and make a success of it, then foresee the trouble coming down the pipe from non- broadcast competition and the attempts to adapt.    today Graham is a media consultant and can be reached at www.lovelace.co.uk  I love making these episodes, if you want to help me with hosting costs, a KoFi will go a long way. If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music  

Ian shares with us stories of how he became the last editor of Ceefax before is merger with the BBC web based service. Sport was one of the most popular services on Ceefax and there are a few tales of sackings of Football managers and match winners that would not of occurred had it not been for Ceefax.  I love making these episodes, if you want to help me with hosting costs, a KoFi will go a long way.   If you want to support the Podcast, please do you can buy me a KoFi Here   You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music  

Russia 1991, the Soviet Union is collapsing, A chance meeting with engineers at a Moscow TV tower results in Steve becoming in charge Russia's first teletext services. Steve explains his love for the medium and shares his recollections of running a teletext system during volatile times of the Eastern Bloc. If you want to support the Podcast, please do you can buy me a KoFi Here You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music  

In the early 1970s Mort was the first BBC news Sub Editor to work on the new service called CEEFAX. He moved to the USA to start Chicago's Keyfax and then later returned to Blighty to run C4's upstart service 4TEL     I was privileged to speak with Mort and Julie  to record their experiences working at all these teletext services.   If you want to support the Podcast, please do you can buy me a KoFi Here You can Contact me on My Twitter Or email sunspotstories@gmail.com   music= William Rosati - Floating Also ♫ NO COPYRIGHT 8-bit Music

Sunspot Stories is the series where I recall the people, history & machines of my favourite arcade. This Episode I revisit Gremlin's Depthcharge and look into its gameplay.

In this episode I catch up with my childhood friend Mark Parker. Mark played the machines in the Sunspot and when leaving school, embarked on an interesting career in the video games industry for Eidos & I.O. interactive. He is now Producer, Writer and Partner at The Bearded Ladies who are responsible for the highly rated Mutant Year Zero and The much anticipated Myasma Chronicles. Mark talks to me about the older systems, playtesting and of course the Sunspot Arcade!

What does a demolished amusement arcade in Jaywick, A Grade two building in Harrow and W.H. Smith have in common? I speak to Professor Bruce Peter of the Glasgow School of Art to find out about the man who designed the most awesome building of my childhood.