Making a Scene Presents

Making a Scene Presents an Interview with Bryan SchumannBryan Schumann is an award-winning composer, producer, and singer-songwriter based in Minnesota. His music weaves together elements of pop, folk, indie, rock, electronic, and classical genres, creating a sound that feels both modern and timeless. Known for his strong melodies and emotional depth, Schumann's songs range from infectious dance tracks to introspective ballads that linger long after they end. http://www.makingascene.org

Making a Scene Presents - DaVinci Resolve 20: The Ultimate Free Video Editor for Indie MusiciansIf you're an indie musician — writing songs, shooting videos, or just trying to tell your story visually — you've probably realized how important good video editing has become. Fans don't just listen anymore; they watch. Whether you're putting out a full music video, a lyric visualizer, a rehearsal clip, or a behind-the-scenes vlog, video is the main way you connect with your audience. But good editing software can be expensive, complicated, and often limited unless you pay for premium plans. http://www.makingascene.org

Making a Scene Presents - The Roadmap: How to Transition from Web2 to Web3For most indie artists, Web3 can sound like another buzzword—like crypto, NFTs, or blockchain were just a few years ago. But under the hype, there's something far more powerful going on. Web3 represents a shift from renting space on platforms like Spotify, YouTube, and Instagram to owning your creative universe. It's the difference between being an employee and being your own boss. And for independent musicians, it might be the biggest opportunity since the invention of home recording. http://www.makingascene.org

Making a Scene - The Sentient Studio: How AI Learns Your Sound Over TimeThere was a time when your digital audio workstation, or DAW, was nothing more than a glorified tape machine. You hit record, moved some faders, and hoped for the best. Every time you opened a new project, it felt like starting from scratch. Your EQ curves, compressor ratios, and reverb settings had to be dialed in again and again. You might have had a few saved presets, but the system itself didn't know you. http://www.makingascene.org

Making a Scene Presents - From Likes to Income: How AI Marketing Translates Fan Engagement into RevenueThere's a funny thing about the internet. It gives artists more visibility than ever before—yet most indie musicians still struggle to turn that attention into real money. Getting thousands of likes on Instagram or a viral TikTok video feels good, but when it comes to paying rent or funding your next album, likes don't equal dollars. That's where artificial intelligence is changing the game. http://www.makingascene.org

Making a Scene Presents - The Indie Advantage: How AI Levels the Playing Field in the StudioAccess to Major-Label Tech, at HomeImagine being in a major label studio in the 1990s: racks of outboard gear, professional engineers, weeks of tracking, mixing, and mastering. For most indie artists, that meant compromise: cheaper rooms, fewer takes, less time, less polish. But today, AI is giving indie musicians the power to access that kind of technology in a very different way. http://www.makingascene.org

Making a Scene Presents an interview with Samuel WilburSamuel Wilbur returns with a powerful new album, Ivory Tower — a record that feels nothing short of magical. Beyond its cinematic sound and lyrical depth, the album stands out for how Wilbur uses his platform to spotlight some of Minneapolis's strongest female voices, featuring stunning performances by Meghan Kreidler, Dani Michaele, and Laura Kiernan. http://www.makingascene.org

Making a Scene Presents Gerry Casey's Interview with Tola Lamont and Kurt Michael of Coastland FairBlending coastal soul with Americana grit, Coastland Fair is the creative union of Tola Lamont and Kurt Michael — two artists whose musical chemistry feels as timeless as the tide. Based on a shared love for organic songwriting and heartfelt storytelling, the duo crafts songs that blur the lines between folk, roots rock, and modern indie pop, wrapped in harmonies that shimmer like sunlight on open water. http://www.makingascene.org

Making a Scene Presents - Mid/Side Processing in Mixing: The Secret to Width, Clarity, and ControlHave you ever listened to a pro mix and thought, “Why does this sound so wide and full, but everything still feels perfectly in place?” That's not just good EQ or compression — chances are, the engineer used a little Mid/Side processing to get that balance between focus and space.Mid/Side, or M/S, is one of those behind-the-scenes techniques that can take your mixes from sounding flat and two-dimensional to open, clear, and three-dimensional. Once you understand what it does and how to use it properly, it becomes one of the most powerful tools in your mixing toolbox. http://www.makingascene.org

Making a Scene Presents an Interview with Billy Branch!Billy Branch is one of the most respected and influential harmonica players of his generation — a true ambassador of Chicago Blues. Discovered by the legendary Willie Dixon, often called the “father of modern Chicago Blues,” Branch was still in college when Dixon took him under his wing. Dixon urged him to complete his degree, which he did, earning a political science degree before joining Willie Dixon's Chicago All-Stars. http://www.makingascene.org

Making a Scene Presents - AI for Session Musicianship: Tightening, Not ReplacingThere's this fear floating around studios lately — that artificial intelligence is coming to take the jobs of session musicians, singers, producers, even mixing engineers. The truth? AI isn't here to replace you. It's here to help you sound tighter, cleaner, and more confident in the studio. It's a tool, not a takeover. http://www.makingascene.org

Making a Scene Presents - Neutron 5: A Deep Dive Review For Real-World MixingIf you make music at home or in a small studio, you already know the hardest part usually isn't the songwriting. It's the mix. Tracks pile up. Levels fight. Vocals hide behind guitars. Drums either feel weak or way too loud. That's where iZotope's Neutron 5 steps in. Think of it like a modern, all-in-one mixing toolkit that combines powerful modules with smart, AI-assisted workflows. You can drop it on individual tracks, stack the modules you need in any order, and even let it listen to your song so it can give you an honest first pass at balance and tone. You still make the creative calls, but it gets you to a clean starting point fast. http://www.makingascene.org

Audius Introduces Artist Coins!Think of an Artist Coin like a digital fan-club pass. You make a coin under your artist name on Audius. Fans can buy it inside Audius. Holding your coin gets them into your inner circle: early listens, coin-only posts, private chats, special drops, and whatever else you decide to offer. It's all built into the same Audius site where your music lives, so fans don't have to learn a bunch of new tools. On day one, Audius already lets you gate music for coin holders and send message blasts to those holders, which makes the coin useful immediately—not some “maybe later” promise. http://www.makingascene.org

Making a Scene Presents - Mix Clarity: The Truth About Masking (And How to Fix It)by a recording engineer who's spent way too many nights chasing clarity in crowded mixesThere's a moment every indie artist hits when a mix sounds almost perfect… but something feels wrong. The vocals are there, the bass is there, the guitars are crunchy, the kick is thumping — yet somehow, it all sounds like a muddy soup instead of a clear, powerful record.You might try turning things up, EQing harder, or adding compression, but nothing seems to fix it. That's not a “bad mix.” That's masking — one of the most misunderstood problems in music production. http://www.makingascene.org

Making a Scene Presents - Know Your Fans: How AI Analytics Shows You Who to Market To (and How)Picture this. You've just dropped your new single. You check your stats on Spotify, maybe glance at YouTube views, and you're left wondering—Who's actually listening to my stuff? Are they in your hometown? Across the country? Maybe on the other side of the world?Most indie musicians have asked these questions at some point. The thing is, guessing who your fans are is kind of like throwing darts blindfolded. You might hit something now and then, but you're mostly just hoping for the best. That's where AI analytics comes in to lift the blindfold. http://www.makingascene.org

Making a Scene - Building Your Web3 Artist Brand: How to Present Yourself as a Forward-Thinking MusicianIf you're an independent musician trying to stand out today, you've probably noticed that the music world is changing faster than ever. Between streaming algorithms, AI, and blockchain, it can feel like the ground keeps shifting under your feet. But here's the thing—change isn't the enemy. It's the opportunity. http://www.makingascene.org

Making a Scene Presents an Interview with Jimi Primetime SmithJimi “Primetime” Smith has lived and breathed the blues his entire life. A veteran guitarist and vocalist, he's performed with legends like Otis Rush, Albert King, Albert Collins, and Etta James. Though his humble nature often keeps him under the radar, his recent surge of attention is making sure blues fans finally know his name. http://www.makingascene.org

Making a Scene Presents Gerry Casey's Interview with Preacher StonePreacher Stone was born from guitarist Marty Hill's vision of creating a world-class Southern rock band—one that carried the torch lit by legends like Lynyrd Skynyrd, Molly Hatchet, and The Allman Brothers, but with its own modern grit and swagger. Hill's idea came to life when he teamed up with powerhouse vocalist Ronnie Riddle, whose raw, soulful delivery gave the songs their authentic Southern edge. http://www.makingascene.org

Making a Scene Presents an Interview with Kaitlin CassadyKaitlin Cassady is an indie-folk-rock artist rooted in the vibrant Minneapolis, Minnesota music scene. Her sound blends the heartfelt storytelling of Aimee Mann and Carole King with the modern textures of Phoebe Bridgers, Norah Jones, Billie Eilish, and Kacey Musgraves—all tied together with a touch of Brian Wilson's harmonic sophistication. The result is a rich and emotionally resonant style that explores love, grief, self-discovery, and mental health with unflinching honesty. http://www.makingascene.org

Making a Scene Presents Rethinking Crowdfunding for the Indie Musician in a Decentralized Music IndustryWhy rethink crowdfunding?Let's begin with a simple question: when you ask fans for money to make an album or go on tour, is that “donation” or “investment”? Traditional tools treat it like donation: you promise perks (a signed CD, a shout-out, backstage passes). But the fan gives you money up front, hoping you deliver. That's okay, but it doesn't change the relationship: you're asking, “Will you support me?”Web3 crowdfunding changes that. Instead of begging, you offer fans a stake in your project. They become partial owners (in a clearly defined way) of future revenue streams. They share upside with you. That is closer to how businesses raise investors. This flips the incentive: fans want your success, because they benefit when you succeed. http://www.makingascene.org

Making a Scene Presents - A Deep Dive Review of Sonible's Learn:BundleWhat is the Sonible learn:bundle?First, what is this bundle anyway? Sonible's learn:bundle is a set of five intelligent plug-ins meant to help with core mixing tasks. Those tasks are:Equalization (EQ)CompressionReverbLimitingUnmasking (i.e. helping reduce frequency clashes between tracks)Sonible describes them as “assistive AI plug-ins” that guide you while you mix.  The idea is that instead of turning knobs blindly, you let the plug-ins analyze your audio and suggest where to cut, boost, compress, etc. Then you can accept, tweak, or override those suggestions. http://www.makingascene.org

Making a Scene Presents - AI-Generated Videos & Visuals: Turning Your Songs into Scroll-Stopping ContentFor decades, video production has been one of the biggest hurdles for independent artists. Cameras, crews, editors, colorists, and motion-graphics specialists were luxuries reserved for labels with budgets to burn. For indie musicians, even a simple music video often meant calling in favors, borrowing gear, and learning to edit on the fly. http://www.makingascene.org

Making a Scene Presents an Interview with Miss EmilyBack in the 1990s, twelve-year-old Emily Fennell from Prince Edward County, Ontario was already turning heads at county fairs, winning one singing competition after another. While other contestants played it safe with songs like “Somewhere Over the Rainbow” or “I Will Always Love You,” Emily stopped audiences in their tracks with K.D. Lang's haunting version of Patsy Cline's “Three Cigarettes in an Ashtray.” That bold choice — and the spellbinding performance that came with it — said almost everything about the artist she would become. She had a voice that demanded attention, a fearless approach to music, and an instinct to take creative risks. http://www.makingascene.org

Making a Scene Presents - AI in Metadata & File Prep: Smarter Exports for DistributionWhat is metadata, and why should you care about it?Imagine this: you write a song, record it, and then send it out into the world. But who “owns” that song? Who wrote it? Who should get paid when people listen? How will streaming services or radio stations know which song it is, among millions of others? That's where metadata comes in.Metadata is “data about data.” In music, metadata is all the information attached to a recording (or a track) that describes it: the song title, who the artist is, who wrote it, who owns it, when it was released, the track number on an album, and unique codes like an ISRC (International Standard Recording Code). Without good metadata, your track is like a book without a cover or title page—it's hard to identify, harder to track, and easier to lose. http://www.makingascene.org

Making a Scene Presents - Reverb: The Secret Sauce of Space – History, Types, and How to Use It Like a ProWhen you listen to your favorite song, there's something that makes the sound feel alive — it breathes, it moves, it fills the air. That magical sense of space comes from one of the oldest and most loved tools in audio engineering: reverb. Whether it's the dreamy echo behind a vocal, the lush wash on a guitar solo, or the big, booming snare sound of the '80s, reverb shapes the emotional depth of music more than most people realize.But to really understand how to use it, you have to know where it came from — and how it evolved from the real world into digital code. http://www.makingascene.org

Making a Scene Presents Gerry Casey's Interview with BillyBoy MiskimminBillyBoy Miskimmin first made his mark on the Northern Ireland music scene in the 1980s, stunning audiences with his emotional power and jaw-dropping harmonica technique. Performing alongside local legends such as Jim Daly, Jackie Flavelle, and Ronnie Greer, he earned a reputation as a fiery and soulful performer in pubs and clubs across the region. http://www.makingascene.org

Making a Scene Presents an Interview with "The Name Droppers"The Name Droppers are a powerhouse blues-rock band forged from the DNA of true road warriors and seasoned session pros. With decades of collective experience performing alongside some of the biggest names in rock and blues, this Connecticut-based group delivers a sound steeped in authenticity, groove, and soul. http://www.makingascene.org

Making a Scene Presents - The Indie Artist's Guide to Token Gating: How to Turn Fans into VIP InsidersWhat is Token Gating (in simple terms)?Let's start with the basics. A “token” in this context is usually a digital asset on a blockchain — often an NFT (non-fungible token). Think of that token like a golden ticket. If someone holds that token, they get special privileges: access to a hidden chat, a private webpage, or a live stream. If they don't hold the token, they can't enter.So token gating means “locking something behind a token.” Only people who own (or are granted) the token can enter. http://www.makingascene.org

Making a Scene - Audio Saturation - The What, Why and How to use it in your Mix!Imagine you have a clean audio recording—say, a vocal track. Saturation is the process of gently overdriving that signal so that subtle distortion or harmonic content is added. The distortion is not harsh like a guitar's heavy fuzz; it's softer, more musical, more “warm feeling.” It gives extra harmonics (that is, extra tones above the original tone) and compresses peaks slightly. In early analog days, engineers would push tape machines, tube amplifiers, or transistor circuits beyond their “clean” range. The equipment would “clip” or distort a bit—but in a pleasing way. That effect is what we emulate now digitally. http://www.makingascene.org

Making a Scene Presents - AI in the Recording Studio: Your New Assistant and Teacher, Not Your ReplacementRecording music has never been more accessible. What once required a massive studio full of expensive gear can now be done in a spare bedroom with an affordable DAW, a good mic, and a decent computer. Programs like Studio One (https://www.presonus.com/studioone), Cubase (https://new.steinberg.net/cubase/), Logic Pro (https://www.apple.com/logic-pro/), and BandLab (https://www.bandlab.com/) give indie artists powerful tools for multitrack recording, editing, and mixing—often for a fraction of what a single day in a commercial studio used to cost. But there's one thing you can't buy: experience. That deep, intuitive sense of how to balance a mix, shape a vocal, or make a kick drum sit perfectly in the pocket comes from years of trial, error, and critical listening. http://www.makingascene.org

An extensive guide for indie musicians on how to leverage Artificial Intelligence (AI) to significantly improve their direct-to-fan email communication. It argues that email remains the most stable and effective channel for artists to connect with fans and generate revenue, unlike unpredictable social media platforms. The text explains that AI tools like ChatGPT and Jasper can help artists transform boring announcements into engaging, personalized messages by assisting with subject lines, drafting content, and setting up complex automation sequences. Furthermore, the source discusses the importance of owning the email channel by using local systems like The Newsletter Plugin for WordPress, paired with reliable deliverability services such as SendGrid, to ensure messages reach the inbox and the fan data remains secure. http://www.makingascene.org

An extensive guide for independent musicians on how to proactively collect all earned royalties, which often remain unclaimed due to the music industry's complex structure. It systematically outlines the different categories of music royalties—including performance, mechanical, and digital radio rights—and details the specific organizations, like The MLC and SoundExchange, where artists must register their work. Crucially, the text emphasizes the emerging role of Artificial Intelligence (AI) and Web3 technologies in automating tracking, recovering lost money, and creating new, decentralized revenue streams through NFTs and direct-to-fan sales. The guide concludes with a comprehensive index listing essential registration websites, distribution platforms, and AI tools necessary for financial self-management. http://www.makingascene.org

Making a Scene Presents an Interview with Euphoria StationEuphoria Station is a Los Angeles–based progressive rock band whose music blends Americana, rock, and touches of jazz and folk, all tied together with a love for melody and storytelling. At the heart of the band are vocalist Saskia Kraft van Ermel and guitarist Hoyt Binder, who formed the group in 2015 to create music that feels both expansive and deeply personal. Their songs are rooted in the progressive rock tradition of the late '60s and eclectic '70s, yet infused with a distinctly American spirit—majestic, soulful, and full of heart. http://www.makingascene.org

Making a Scene Presents Gerry Casey's Interview with Sari SchorrSari Schorr first burst onto the Blues-Rock scene with her critically acclaimed debut album, A Force of Nature, produced by iconic British Blues pioneer Mike Vernon (David Bowie, Eric Clapton, John Mayall, Fleetwood Mac).  Her most recent collaboration Joyful Sky with Robin Trower soared to #1 on the Billboard Blues chart in the USA. http://www.makingascene.org

Making a Scene Presents an Interview with Andy B.AndAndy B. – short for Andy Bernstein – has been the lead singer and primary songwriter for roots rock band The VooDUDES since 1990. As the group celebrated its silver anniversary, Andy found himself with a notebook full of songs that didn't quite fit The VooDUDES' style. Inspired by the growing Americana and soul music movements, he launched a solo project with producer John “JP” Pittas (known for his work with Blues Leaf Records, among others). The result was My Roots Are Showing, released under the name Andy B.AND – meaning “Andy B and whoever he's playing with.” http://www.makingascene.org

Making a Scene - AI for Mixing Workflow: Automating First PassesMixing is the stage where songs finally come alive. It's where all the pieces—vocals, drums, guitars, keys, bass, and more—start to feel like music instead of a pile of recordings. But let's be honest: if you're an indie artist or home studio musician, opening a session with twenty or thirty raw tracks can be intimidating. You hit play, and instead of hearing a band, you hear chaos. Vocals are too loud, the snare is exploding in your face, guitars are lost somewhere in the mud. http://www.makingascene.org

Introduction: Music Was Never Just EntertainmentMusic isn't background noise. It isn't just party soundtracks, workout playlists, or marketing jingles. At its core, music has always been a weapon, a rallying cry, and a spark for social change. It's the heartbeat of revolutions, the whisper of resistance, and the shout of freedom. From enslaved people encoding escape routes in spirituals, to punk rockers screaming against conformity, to hip-hop calling out police brutality, music has always spoken for the people when politicians and corporations wouldn't. http://www.makingascene.org

Making a Scene Presents Slate Digital VSX Headphone System: A Deep Dive ReviewI want to start this review with something important: I bought these headphones myself. I didn't get an endorsement, a discount, or a sponsorship. This review is based on my own money, my own time, and my own ears. That matters because when you're spending hundreds of dollars on a piece of gear, you need an honest perspective—not marketing fluff. http://www.makingascene.org

Making a Scene Presents - Building a Superfan Funnel: How AI Turns Followers into Paid SupportersIf you're an indie musician today, you already know the game has changed. It's no longer enough to just put your music on Spotify and hope someone stumbles across it. The truth is, music discovery happens everywhere—on TikTok, Instagram Reels, YouTube Shorts, and even random memes. But discovery is only the first step. The real challenge is moving fans from casually liking one of your videos to becoming true superfans—the kind who buy tickets, grab merch, and support your career for the long run. http://www.makingascene.org

Making a Scene Presents - Smart Contracts & Royalty Splits: Get Paid AutomaticallyWhy Money Has Tore So Many Bands ApartYou know the story well: a band records a hit, it starts making money, and then tensions emerge. Who wrote which verse? Who deserves how much? Did the producer's studio time count toward “points”? Did the marketing team's work deserve a slice? Even when everyone's intention is good, the old system is full of ambiguity, delays, and opaque accounting. Labels, publishers, and middlemen often stand between you and your money—and by the time a royalty check arrives, it's wrapped in cryptic spreadsheets and late to the table. http://www.makingascene.org

Making a Scene Presents - The Art of Mic Placement: Getting a Pro Sound from a Cheap MicIntroduction: It's Not About the Price TagEvery indie artist knows the struggle: you look at your bank account, then you look at those glossy ads for $3,000 microphones, and your heart sinks. But here's the truth that doesn't get advertised enough—you don't need an expensive microphone to get a professional sound. What you really need is an understanding of mic placement. http://www.makingascene.org

Making a Scene Presents an interview with Ra'shad the Blues KidLarry McGill, better known as Ra'Shad the Blues Kid, was born on September 30, 1987, in Laurel, Mississippi—the heart of the Piney Woods region. Though no one in his family played music, Ra'Shad grew up surrounded by soul and gospel, planting seeds of inspiration early on. As he says, “The love of music was put in me before I could even play.” http://www.makingascene.org

Making a Scene Presents Gerry Casey's Interview with Vic Wayne of Star CollectorStar Collector is a rock & roll band based in Vancouver, BC, known for their high-energy performances and melodic, guitar-driven sound. Over the years, they've built a reputation as one of Canada's hardest-working indie rock bands, touring extensively across Canada, the United States, and Europe. http://www.makingascene.org

Making a Scene Presents Suno Studio: A Deep Dive into the First True Generative Audio WorkstationThe world of music production has always lived on the edge of technology. From the tape machines of the 1950s to the MIDI revolution of the 1980s and the digital audio workstations (DAWs) of the 2000s, each leap forward has reshaped how artists create. Now, in the mid-2020s, we're entering a new era: the rise of the Generative Audio Workstation—a platform where artificial intelligence is not just an assistant but an active collaborator. http://www.makingascene.org

Making a Scene Presents an Interview with the Resurrection Blues BandBorn from good times, hard times, and a deep connection to the blues, the Resurrection Blues Band has carved out a reputation as one of the most exciting and versatile acts on the scene today. Their journey, fueled by passion and grit, led them to win the Herald-Palladium Readers' Choice Award in 2024 for Best Local Entertainment and Best Blues Rock Band—a recognition that reflects both their musicianship and their ability to connect with audiences on a soul-deep level. http://www.makingascene.org

Making a Scene Presents - Microphone Basics: Dynamic vs. Condenser vs. Ribbon and When to Use EachIf you're an indie musician setting up your first home studio, one of the most confusing things you'll run into is microphones. Walk into any music store, and you'll see a wall full of mics—big, small, fat, skinny, cheap, and insanely expensive. The big question is: what's the difference? And how do you know which mic to grab when you're recording vocals, guitar, or drums? http://www.makingascene.org

Making a Scene Presents an Interview with The Gravel ProjectWhen music is in your soul, nothing can hold it back. That unstoppable drive fuels The Gravel Project, a band built on passion, authenticity, and the joy of sharing music with anyone willing to listen.Led by founding member, vocalist, guitarist, and songwriter Andrew Gravel, the band features an all-star lineup: keyboardist Jordan Gravel, drummer Dave Fox, percussionist Eguie Castrillo, bassist Brad Barrett, and vocalist Jen Kearney. Together, they create a powerhouse sound rooted in rock, blues, and psychedelia. Each member brings not only professional chops but also a lifetime of dedication to music—several are accomplished educators as well as performers. On stage, that depth translates into performances that are as heartfelt as they are electrifying. http://www.makingascene.org

Making a Scene Presents Gerry Casey's Interview with Robin Nutley of The RevenantFormed in 2023, Revenant deliver a powerhouse rock sound infused with a southern edge. Their debut EP, What A Time To Be Alive, dropped in May 2024 to critical acclaim and quickly established the band as one to watch. Onstage, they've been turning heads across the UK festival and club circuit—including a standout performance at Firevolt—captured in their live album What A Time To Be Live. Backseat Mafia praised it as “one of the best guitar releases of the year,” while Powerplay Magazine called Revenant “one of the most refreshing and exciting sounds around.” With accolades like these, it's no surprise that these southern UK rockers are fast becoming a new fan favorite. http://www.makingascene.org

Making a Scene Presents an Interview with AEvnÆvn grew up immersed in the worlds of trip-hop and lo-fi, sounds that shaped the foundation of a deeply personal musical journey. Influenced by boundary-pushing artists like Portishead and Joji, Ævn crafts music that blends moody textures with cinematic atmospheres, weaving mellow beats, haunting melodies, and subtle layers that reward repeat listening. http://www.makingascene.org

Making a Scene Presents - Cubase 14: A Deep Dive into the Future of AI-Powered Music ProductionThe Long Journey of CubaseWhen we talk about modern digital recording, it's hard not to mention Cubase. This software has been shaping the way music is created for over three decades. Steinberg, the company behind Cubase, first introduced it back in 1989 on the Atari computer. At that time, it wasn't nearly as powerful as what we see today, but it did something revolutionary: it gave musicians a way to record and arrange MIDI on a computer. http://www.makingascene.org

Making a Scene Presents - Decentralized Streaming Platforms: The Spotify AlternativeWhen most people think of music streaming, Spotify is usually the first name that comes to mind. It's the giant of the industry, with over half a billion users worldwide and more songs than anyone could listen to in a lifetime. For indie musicians, Spotify seems like the obvious place to be. You upload your tracks through a distributor, your music shows up next to the stars, and fans can find you with a search bar. http://www.makingascene.org