Podcast appearances and mentions of Otis Rush

When you explore the music of The Yardbirds you are really observing the evolution of what would become hard rock.  This group started in 1963 and over its time would engage the talents of three of the greatest guitarists of the rock world:  Eric Clapton, Jeff Beck, and Jimmy Page.  Additional musicians in the group through 1968 were Keith Relf on vocals and harmonica, Jim McCarty on drums, Chris Dreja on rhythm guitar, and Paul Samwell-Smith on bass.  The group was founded in the blues, but over time would explore psychedelic rock, pop rock, and hard rock, with instrumental jams being a signature sound throughout their tenure.Having a Rave Up, also known as "Having a Rave Up with the Yardbirds," is their second American album, and showcases two of their virtuoso guitarists.  The album has one side of studio recordings in which Jeff Beck is the guitarist.  Side two is a compilation of live performances featuring Eric Clapton on guitar.  During a time when most songs were expected to run about three minutes, the Yardbirds would extend these out in live performances to six or seven minutes with instrumental jams known as "rave ups."  The combination of studio and live work is an excellent introduction to The Yardbirds, as the band's strength was in their live performances.  Their studio efforts would improve with the experimentation of Jeff Beck.Jimmy Page would become their guitarist in mid-1966 until their split-up in mid-1968.  He would form a group as "The New Yardbirds" shortly thereafter, which would be renamed shortly thereafter to Led Zeppelin.Rob brings us this study in the origins of rock for this week's podcast. Heart Full of SoulThis song was the first single released by The Yardbirds after Jeff Beck joined the group.  It was written by Graham Gouldman, who would later be the co-lead singer and bassist of 10cc.  The band wanted to include a sitar in the instrumentation for this song, but when things didn't work out for that, Beck experimented with his guitar to duplicate the eastern sound of the sitar instead.You're a Better Man than IThe opening song from the album is also known as "Mister, You're a Better Man than I."  It was written by brothers Mike and Brian Hugg, and is an attempt at a more folk rock song.  The socially conscious lyrics take aim at the hypocrisy of society and politics, stating that you shouldn't judge a person based on superficial appearances or education.Smokestack LightningThe live opener to side two is a cover of an old blues song recorded by American blues artist Howlin' Wolf in 1956.  The inspiration for the title came from watching trains go by at night and seeing the sparks come out of the smokestack.The Train Kept a-Rollin'While Aerosmith's cover may be more famous, this jump blues piece was originally performed by Tiny Bradshaw in 1951.  The Yardbirds played this song during their first American tour in 1965, and Sam Phillips recorded it for them in Memphis later that year.  It closes out side 1 of the album. ENTERTAINMENT TRACK:Main theme from the television action comedy "Batman"This campy superhero show premiered this month. STAFF PICKS:Don't Think Twice, It's Alright by The Wonder Who?Bruce begins the staff picks with a disguise group.  The Four Seasons used the name "The Wonder Who?" for four records released from 1965 to 1967, including this one.  Frankie Valli wasn't happy with his vocals on this song, and he recorded it with a "joke" falsetto voice while trying to break the tension in the studio.  All Your Love by John Mayall & the BluesbreakersLynch brings us a blues song originally recorded by American blues musician Otis Rush in 1958.  Multi-instrumentalist singer-songwriter John Mayall led this group, which included Eric Clapton on guitar and John McVie on bass.  This single is the lead-off track to the debut album "Blues Breakers with Eric Clapton," also known as "The Beano Album" because Clapton is reading a children's comic called "The Beano" on the front cover.My Generation by the WhoWayne's staff pick is the hit that started the trajectory for the Who.  Guitarist Pete Townshend wrote this song about young rebellion.  Roger Daltrey incorporates a stutter in his vocals to sound like a British mod on speed.  While this song would reach number 2 on the UK charts, it topped out at number 74 on the US charts.Day Tripper by the BeatlesRob features a well known song from the Beatles, recorded during the "Rubber Soul" album sessions but not included on the album itself.  It was released as a double A-side single along with "We Can Work it Out" during a time when the Beatles were under pressure to release a single in time for the 1965 Christmas season.   COMEDY TRACK:The Lurch by Ted CassidyTed Cassidy played Lurch on "The Addams Family," and also performed this novelty song.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Monster Mike Welch performs live on the Blues Radio International SoundStage at the 2024 Blues Music Awards in Memphis on Edition 695 of Blues Radio International, with music from Otis Rush and Floyd Jones. Sound by Michael Wolf.Find more at BluesRadioInternational.net

Making a Scene Presents An Interview with Mondo Cortez Of the Chicago Blues AngelsMondo Cortez, guitarist, vocalist, and frontman of the Chicago Blues Angels, is a seasoned torchbearer of roots blues, rockabilly, and American roots music. With a style steeped in tradition and fire in every performance, Mondo has earned his stripes on stages across the country. His resume reads like a blues hall of fame—he's performed with legends such as Nick Curran, Kim Wilson, and the iconic Fabulous Thunderbirds. Over the years, he's shared the spotlight with giants like Buddy Guy, Jimmie Vaughan, Otis Rush, Willie “Big Eyes” Smith, Dave Meyers, Kid Ramos, and Eddie Taylor Jr. — each encounter shaping the depth and authenticity of his sound. http://www.makingascene.org

Today's show features music performed by Frank Hutchison, Aretha Franklin, and Otis Rush

I have Casey Sutton the President of The Washington Blues Society as my special guest on Bluesland April 10, 2025. We talk about the history,  membership, upcoming shows and more. The Washington Blues Society (wablues.org) is a great organization to be a member of. Also the music of The Stacey Jones Band, Otis Rush, Curtis Salgado, D.K. Harrell, Ronnie Baker Brooks and more. 

1990 is an odd time for a hard rock band from the late 70's to make a comeback.  Hair metal was declining rapidly, and music that would form the grunge movement was percolating up in the pacific northwest.  But that is exactly what AC/DC did with their album The Razors Edge.  The album reached number 2 on the Billboard 200 chart and number 4 on the UK albums chart, and it would become AC/DC's third highest selling album behind “Back in Black” and “High Voltage.”After concluding their 1988 world tour the band had some changes and interruptions.  Drummer Simon Wright left the group to join Dio, and was replaced by Chris Slade who would be with the group until 1994.  Front man and songwriter Brian Johnson took some time off to finalize his divorce, which left brothers Malcolm Young (rhythm guitar and backing vocals) and Angus Young (lead guitar) to write all the songs for the album.  They would continue to be the songwriters for the band through 2020.Critical reviews of the album were mixed, with negative comments revolving around the idea that this album was nothing new for the band. With the benefit of hindsight it may be that the consistency with AC/DC's previous works is actually a strength of the album.  In a period of big shifts in rock music, AC/DC provided a point of stability and a return to hard rock origins.Friend of the show Julie Doran joins us to bring us this high energy hard rock masterpiece with Rob. Are You ReadyThe anthem that leads of side 2 of the album reached number 16 on the US charts, and became the band's only number 1 hit in New Zealand.  It is used in a number of sports events and is also familiar as the official theme for WWE SmackDown on Fox.ThunderstruckThe lead off track and lead single to the album is a signature song for the band.  It started as a "little trick" Angus Young played on guitar, and Malcolm built the rhythm guitar behind that riff.  It has been performed in almost every live show the band has performed since its release. MoneytalksThis track reached number 23 on the Billboard Hot 100, making it the first top 40 hit for AC/DC since Back in Black in 1981.  Interestingly, the song has not been performed live since the band toured The Razors Edge.   Part of the appeal of AC/DC on this album could have been the downturn in the economy at the time, striking a cord with blue collar employment struggles.  If so, money really does talk!The Razors EdgeWhile this song is the title track it was not released as a single.  This dark track talks about the fine line between success and failure, good and evil, life and death.  "You're running out of lives, and here comes the razor's edge." ENTERTAINMENT TRACK:Have Yourself a Merry Little Christmas by Mel Torme (from the motion picture "Home Alone")This Christmas classic saw its debut from Judy Garland in the motion picture "Meet Me in St. Louis".  Mel Torme's version was used in the Christmas movie "Home Alone" which was in theaters in 1990. STAFF PICKS:Keep On Loving Me Baby by Colin JamesWayne starts out the staff picks with a Canadian blues singer-songwriter.  This cover from James' second album, Sudden Stop, is a high energy cover of a tune originally written by Otis Rush in 1958.  James benefitted from the blues revival of the time, as well as the soon-to-come swing revival in the early- to mid-90's.Chain of Fools by Little CaesarLynch brings us another cover originally performed by Aretha Franklin and written by Don Covay in 1967.  Little Caesar is a hard rock band formed in the late 80's which had a short career before problems with their label, and the eclipsing of hard rock by grunge contributed to their decline.  This cover from their debut single was their most memorableDiabolic Tastemaker by the Cherry Poppin' DaddiesBruce's staff pick is a deep cut off the Daddies' debut album "Ferociously Stoned."  This horn-heavy track first appeared on their 1989 demo tape before it was added to their album.  The band  at the time was an amalgam of punk, funk, jazz, ska, and swing at the time, thought future albums would move heavily towards swing.If You Needed Somebody by Bad Company Julie features the second single off Bad Company's ninth studio album, Holy Water.  It was their first top 40 hit since “Rock and Roll Fantasy” back in 1979.  The rock ballad hails from BadCo's days with Brian Howe as the front man, as Paul Rodgers had left the group in 1982 and was performing solo at the time.  Been Caught Stealing by Jane's Addiction Rob finishes off the staff picks with the third single from Ritual de lo Habitual, and the biggest single, topping the Billboard Modern Rock charts for four weeks.  The dog barking is Perry Farrell's pet Annie, who was brought to the studio.  The barking was not planned, but the coincidence was included on the track. COMEDY TRACK:Do the Bartman by The SimpsonsBart Simpson closes us out this week with this lost epic.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This week on Time Signatures with Jim Ervin, Erv heads past the halfway point in Season four, with legendary Bluesman and elder statesman, Elvin Bishop. Many will remember Elvin for his smash hit with Mickey Thomas on vocals in 1976, ‘Fooled Around And Fell In Love', but Bishop's bigger claim to fame was his work with the Chicago Blues scene in the 1960s and 70's. Elvin talks about meeting a young Paul Butterfield on some steps of an apartment building shortly after arriving in Chicago, his jam sessions with Muddy, Magic Sam, Otis Rush and others, and his advice to the next generation of the Blues. Don't miss this episode, and be sure to share it with your Blues friends!Website: https://www.elvinbishopmusic.com/Facebook: https://www.facebook.com/elvinbishop Spotify: https://open.spotify.com/artist/2G1yVp387GlUf9yvLk6V11 _________________________Facebook: Time SignaturesYouTube: Time SignaturesFacebook: Capital Area Blues SocietyWebsite: Capital Area Blues SocietyFriends of Time Signatures _______Website: University of Mississippi Libraries Blues ArchiveWebsite: Killer Blues Headstone ProjectWebsite: Blues Society Radio NetworkWebsite: Keeping the Blues Alive Foundation

Duke Robillard performs his Blues Music Award winning acoustic blues on Edition 670 of Blues Radio International, with music from Otis Rush, Memphis Slim, Howlin' Wolf, and Benny Turner.Find more at BluesRadioInternational.net

Few genres have influenced rock music as much as the blues. From it's humble beginnings in the 19th century American South, incorporation with R&B and Soul music in the 60s, to its strong influence on 70s rock, its hard to separate the blues from modern day music. Join us as we discuss 3 of our favorites from some of the all-time top blues albums.Magic Sam – West Side Soul (1968)The Rolling Stones – The Rolling Stones (1964)Otis Rush – Right Place, Wrong Time (1976)Other DigginsRichard Thompson – Ship To Shore (2024)Thou – Umbilical (2024)Riffindots – Lockjaw Mountain (2024)Little Big Town – The Christmas Record (2024)Jerry Cantrell – I Want Blood (2024)Phil Ochs – I Ain't Marching Anymore (1965)Here's the full list of top blues records we reference from Rate Your Music.What do you think of these records? What's your favorite blues album? Let us know on our website, albumnerds.com or email us, podcast@albumnerds.com.Listen to more episodes and suggest topics for the Wheel of Musical Discovery on albumnerds.com. Follow us on Instagram & Facebook.Thanks for listening!!!

Few genres have influenced rock music as much as the blues. From it's humble beginnings in the 19th century American South, incorporation with R&B and Soul music in the 60s, to its strong influence on 70s rock, its hard to separate the blues from modern day music. Join us as we discuss 3 of our […]

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In the latest episode of *Blues is the Truth,* Ian McHugh brings together a stellar lineup of artists that showcases the rich diversity of the blues genre. The episode opens with the soul-stirring guitar work of Otis Rush, known for his passionate and emotional style that helped shape the Chicago blues sound. The Rolling Stones make an appearance with their iconic blend of rock and blues, reminding us of how they brought blues to the mainstream. Rory Gallagher delivers his fiery guitar solos, capturing the raw energy that made him a legendary figure in the blues-rock scene. The distinctive rhythms of Bo Diddley are also featured, showcasing his unique style that influenced countless musicians. British blues veterans Paul Lamb and the Kingsnakes bring their tight, harmonica-driven sound, while David Sinclair 4 contributes a contemporary blues flavor with intricate guitar work and thoughtful lyrics. The episode doesn't stop there—it includes a track from Eric Clapton, the guitar god whose career has been deeply intertwined with the blues, offering listeners a chance to hear one of his masterful interpretations. Tangiers Blues Band delivers gritty, no-nonsense blues, while the Paul Garner Band adds a modern twist to traditional blues sounds. The legendary Howling Wolf makes an appearance, his deep, growling voice cutting through the mix with the power and authenticity that only he could provide. Taildragger, another Chicago blues veteran, channels the spirit of the city's rich blues history, while Ray Charles adds a touch of soul, reminding us of the close ties between blues and soul music. The Cadillac Kings bring a swinging, upbeat vibe, and John Primer continues the Chicago tradition with his electric blues style. Carl Wehtersby delivers not just one, but two powerful tracks, showing off his impeccable guitar skills and deep understanding of the blues. The show also features harmonica virtuoso Rod Piazza, who delivers an energetic and dynamic performance. Junior Wells, another harmonica legend, brings his raw and emotional sound, while Albert King, known for his influential string-bending technique, contributes a powerful track. Beaux Gris Gris and the Apocalypse bring a modern, eclectic mix to the blues, while Robert Cray adds his smooth and soulful touch. The episode rounds out with tracks from Mike Vernon and the Mighty Combo and The Mustangs, both bringing their unique perspectives to the genre, and finally, the electrifying Joe Louis Walker, whose passionate playing and powerful voice close the show on a high note. In addition to this incredible music lineup, the episode features the regular segments that fans love. "Blues Driver" sees Paul Michael picking out a timeless blues track to get your heart racing, "The Song Remains the Same" explores different versions of classic blues songs, and "Title Track Tango" highlights standout title tracks from various albums. Ian McHugh's insightful commentary ties it all together, making this episode of *Blues is the Truth* a must-listen for blues fans old and new.

#johnnywinter #chicagoblues  #grammywinners  #aligator  Richard L. Shurman He has produced numerous recordings by notable musicians including Johnny Winter, Lurrie Bell, Eddie C. Campbell, Albert Collins, Little Smokey Smothers, Jody Williams, Roy Buchanan, Big Bill Morganfield, Larry Garner, Robert Cray, Hip Linkchain, Magic Slim, Charlie Musselwhite, Otis Rush, Johnny Heartsman, and Fenton Robinson. Shurman has also written many liner notes, and is the publisher of Chicago Blues News. In 2005, he was the recipient of the Blues Foundation's "Keeping the Blues Alive" award.[6] He co-produced Showdown!, an album which won a Grammy Award for Best Traditional Blues Album in 1987. Shurman was inducted into the Blues Hall of Fame in 2014 for his multitudinous contributions as a 'non-performer'. https://www.markhummel.com

Welcome to the latest edition of "Blues is the Truth," hosted by the passionate and knowledgeable Ian McHugh. This episode promises a rich tapestry of blues brilliance, featuring all your favorite regular segments, including "Blues Driver," where Paul Michael shares a timeless blues track, "The Song Remains the Same," which explores different versions of classic blues songs, and "Title Track Tango," highlighting standout album tracks. This week's show is packed with incredible music from both legendary artists and contemporary stars. Tune in to hear powerful performances from Otis Rush, The Fabulous Thunderbirds, Kai Strauss, Giles Robson and the Dirty Aces, Rory Block, Robert Johnson, The Zac Schulze Gang, Shemekia Copeland, Bobby Rush, BB King, Tony Louie, Chuck Jackson's Big Bad Blues Band, Otis, Mandolin Jack, Martin Abrahams Band, Matthew Chaffey, Robin Bibi Big Band, Jimmie Vaughan, Mick Simpson, Jeff Rogers, Lucy Zirins, Dean Owens, Derek Martin, Coco Montoya, Muddy Waters, and Stevie Ray Vaughan. Join us for an unforgettable journey through the world of blues, celebrating both the genre's rich heritage and its vibrant present. Subscribe to "Blues is the Truth" on your favorite podcast platform, leave a review, and share your thoughts to help us reach even more blues enthusiasts. Let the blues wash over you and feel the truth in every note!

What if you could blend traditional blues with inventive hooks to create a sound that captivates audiences? Join us on "Chewing the Gristle" as we welcome back the legendary slide guitar virtuoso Rick Vito to explore this very question. Rick takes us inside his creative haven in Tennessee, where he crafts his latest masterpiece "Cadillac Man" surrounded by iconic instruments, including Peter Green's Armstrong archtop and a nearly century-old National Triolian. Our conversation with Rick Vito also dives deep into influences that have shaped his illustrious career. Hear about his collaborations with the soulful Ronnie Barron, the intricate techniques of sacred steel and Indian musicians, and the journey of blending diverse sounds to forge a unique musical identity. We'll also talk about encounters and performances that have left an indelible mark on our musical journey. From the electrifying Peter Green tribute concert featuring legends like David Gilmour and Pete Townsend to the enduring influence of Otis Rush, Chuck Berry, and BB King, this episode celebrates the soulful expression that defines great guitar playing. We also discuss the excitement of new guitar models and upcoming tours, all while emphasizing the importance of a family vibe within guitar companies. Don't miss this episode filled with passion, reverence, and the timeless spirit of the blues.FishmanDedicated to helping musicians achieve the truest sound possible whenever they plug-in. Wildwood GuitarsOne of the world's premier retailers of exceptional electric and acoustic guitars.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Welcome to the latest edition of "Blues is the Truth," the podcast where host Ian McHugh guides you through a dynamic and soulful journey into the world of blues. This episode is packed with exceptional music and engaging features that will keep you coming back for more. Join us as Paul Michael takes the reins for his renowned "Blues Driver" segment, showcasing a timeless track that perfectly captures the spirit of the blues. In addition to Paul's expert selection, we delve into the fan-favorite segments "The Song Remains the Same" and "Title Track Tango," ensuring a diverse and immersive blues experience. This week's lineup is a blues lover's dream, featuring legendary artists and contemporary stars alike. Tune in to hear the powerful sounds of Otis Rush, Trainman Blues, Parchman Prison Prayer, and Voices of East Harlem. Enjoy the soulful performances of Giles Robson, Willie Dixon, Omar Dykes, Trevor Sewell, and Stevie Ray Vaughan. The episode continues with the musical prowess of Jack De Keyzer, Buddy Guy, Joanne Shaw Taylor, and Joe Bonamassa. Experience the vibrant energy of Elles Bailey, Kat Pearson, Mike Goudreau Band, Nick Curran, and Emma Wilson. The rich blues heritage is further represented by Thomas Heppel, Rory Block, The Headhunters Blues Band, Adam Sweet Band, The Dirt Road Band, Smokin' Joe Kubec, Fleetwood Mac, and Pinetop Perkins. Don't miss out on this incredible musical journey. Subscribe to "Blues is the Truth" on your favorite podcast platform, leave a review, and share your thoughts to help us reach even more blues enthusiasts. Let the blues wash over you and feel the truth in every note!

Enjoy the music of The Isley Brothers, Stevie Ray Vaughan, Curtis Salgado, Otis Rush, Tinsley Ellis, Cedric Burnside and more. Click on the picture/link and hear this episode. 

Tune into episode 705 of Blues is the Truth, presented by Ian McHugh, for another electrifying journey through the world of blues. This episode features the soulful sounds of Eric Clapton, Tom Manci and the Icebreakers, Otis Rush, The Untouchables, Martin Abrahams Band, Jersey Swamp Cats, Kid Andersen, Paul Lamb, Mississippi MacDonald, Deb Callahan, Buddy Whittington, JP Soars, Eddie 9V, Will Johns, Billy Price, Albert Castiglia, Anthony Geracci, Lisa ‘Little Baby' Andersen, Guy King, Brave Rival, Kathy and the Kilowatts, Katie Kadan, Eddie Blue Lester, and Freddie King. This week's show includes all your favorite regular features: - **Blues Driver:** Paul Michael shares a timeless blues track that's bound to get your heart racing. - **The Song Remains the Same:** A segment dedicated to exploring different versions of classic blues songs. - **Title Track Tango:** An exploration of albums where the title track stands out. Join Ian McHugh as he weaves together listener requests and personal selections, ensuring a rich tapestry of blues brilliance. Whether you're a longtime blues aficionado or a new listener, this episode promises to captivate and inspire with its diverse lineup and heartfelt performances. Don't miss out on the magic of Blues is the Truth! ---

Here is my music podcast from Thursday May 2, 2024. Included are the music of Otis Rush, Joe Louis Walker, Marcia Ball, Muddy Waters, The Rolling Stones and more. Just click on the picture/link. Thanks for listening to this podcast. Tell all your music friends Bluesland is on the air live Thursday 7-9 PM. 

Get ready to groove to the rhythm of the Blues as Blues is the Truth with Ian McHugh celebrates its 700th show in style. Alongside special requests from Karena K, Rob Millis, MPB, Geoff Garbow, Christian Parker, Paul Gordon White, Paul Michael, Angela J, Tim Green, and Christian Parker, this milestone episode features all the regular features you know and love. But that's not all – we're taking a moment to give special thanks to Brian Soundy, who made it possible to start this incredible journey, and to Pat West, whose musical magic has woven through every episode. Join us as we delve into the soul-stirring sounds of Jo Ann Kelly, the electrifying guitar riffs of Shuggie Otis, and the infectious grooves of The Meters. From the legendary Otis Rush to the bluesy vibes of Junior Watson and The Steady Rolling Revue, each track is a testament to the timeless allure of the Blues. Don't miss out on special collaborations like Andy Watts with Joe Louis Walker, the soulful harmonies of Kim Wilson, and the unforgettable magic of Bonnie Raitt with Mike Finnigan. And of course, we'll be paying homage to Blues icons like Rory Gallagher, Hound Dog Taylor, and Eric Clapton, whose music continues to inspire generations. So, tune in and let the Blues wash over you as we celebrate 700 episodes of musical exploration, community, and the undeniable truth that is Blues is the Truth.

Here is my music podcast from my radio show "Bluesland" April 11, 2024. Music featured are Chuck Berry, Walter Trout, Otis Rush, Savoy Brown, Gary Clark Jr. , Albert Cummings and more. Tune in next Thursday 7-9 PM on KMRE 88.3 FM. 

Tune in to this week's electrifying episode of "Blues is the Truth" with your host Ian McHugh! Get ready for an immersive journey through the heart and soul of blues music, spanning over two hours of pure musical magic. In this week's edition, the legendary Paul Michael takes us on a retro ride with the Blues Driver segment. From the timeless classics of Bob Willis and His Texas Playboys to the contemporary sounds of Otis Grand, Tad Robinson, and British Bluescasting Corporation, the lineup is stacked with talent and passion. Featuring captivating tracks from blues icons like Taj Mahal, T Bone Walker, Freddie King, Otis Rush, alongside modern maestros including Jo Harman, Eric Bibb, Slash, The Cinelli Brothers, and Vaneese Thomas, this episode promises to keep you hooked from start to finish. Join us as we groove to the rhythm of Hubert Dorrigatti, Steady Rolling Revue, Johnny Burgin featuring Anson Fundeburgh, Tim Penn and the Second Line, Boz Skaggs, Bobby Elvin, Cole and Ward, Jimmy Johnson, Mike Zito, Rick Vito, Breezy Rodio, Whitney Shay, and more, while exploring the rich tapestry of blues music that transcends time and space. Don't miss out on this soul-stirring edition of "Blues is the Truth" - where the essence of blues resonates deeply with every note played. Tune in and let the blues set you free!

Dive into the blues with another electrifying edition of Blues is the Truth hosted by Ian McHugh! This week, Paul Michael returns for his regular Blues Driver segment, bringing you insightful commentary on the genre. Get ready for a stellar blues lineup featuring both legendary and contemporary artists. We've got blues giants like Otis Rush, Albert Collins, Freddie King, and Chuck Berry to lay down the foundation. Then, we'll crank it up with the likes of Jack de Keyzer, Mike Zito, Ian Siegal, and rising stars Karen Russell and Vanessa Collier. But wait, there's more! This episode uncovers hidden gems from Big Maybelle, Ridgerunner, The Milkmen, Big Time Sarah, Big Mama Thornton, Hubert Dorrigatti, One Dime Band, Dion, Hard Swimmin' Fish, No Sinner, Sonic Saliva, The Hoax, Philip Sauce, Bryan Lee, Dave Kelly, and the Fran McGilivray Band. Whether you're a seasoned blues fan or just discovering the genre, Blues is the Truth has something for everyone. Tune in and get ready for a powerful journey through the soul of the blues!

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Introduced in 1954, the Fender Stratocaster could have died a quick death if it had not caught on with key players on the music scene of the day. The guitarists who put it on the map, Ike Turner, Otis Rush, Pee Wee Crayton, Buddy Guy, Buddy Holly, Johnny Meeks, Eldon Shamblin, Buddy Merrill, and Neil LeVang, deserve credit for their important role in the success story of the Strat. Bill Carson & Rex Gallion also get special mention as the guys who pushed Leo Fender to create the Stratocaster because of their desire for an instrument with a built-in vibrato, a 6-piece bridge, 3 pickups, and a contoured body.  Playlisthttps://open.spotify.com/playlist/4XGaErkuMmb0aa1tYu9jaE?si=cceae943364246dcDoye O'Dell with Bill Carsonhttps://www.youtube.com/watch?v=LtuBYo3e9lQDeke's article on Rex Gallion and Strat 001https://dekedickerson.com/musings/rex-gallion-and-stratocaster-serial-no-001/Gear used:2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-amp1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.https://www.ronellispickups.com/Strings: D'Addario NYXL 10-46Affiliate linkhttps://amzn.to/494qQ1yPick:Pick Boy Small Jazz, Tortoise Shell, 1.00mmEffects: Amp reverb#askzac #zacchilds #stratocasterSupport the show

Leo Schumaker's "Bluesland" music podcast with special guest The Reverend Peyton. I interview the Reverend Peyton talking about his music and  The Reverend Peyton and Big Damn Band appearance at The Mt. Baker Theatre in Bellingham on my radio show. We had a great talk and I hope to see you at the show Oct. 11. Also the music of Keb' Mo', Doug MacLeod, Elvin Bishop, Bonnie Raitt, Otis Rush and more. See you next Thursday on the radio at KMRE 88.3 FM 7-9 PM. 

The nightclub scene was magical in Chicago's South and West sides in the late 1950s and during that time, white kids from the suburbs were finding The Blues at the end of their radio dials, buying the records, studying the music and traveling down to the clubs to meet and play with their idols!That story is told in the new Bob Sarles film, Born in Chicago. We are joined by musician/bandleader Jimmy Vivino and Blues legend Barry Goldberg who, along with Mike Bloomfield and Paul Butterfield, learned his craft at the feet of Muddy Waters, Howlin' Wolf, B.B. King and Buddy Guy. Barry and Jimmy created the film's soundtrack and they are steeped in the history of Chicago Blues and loaded with stories and wisdom about class, race, inter-generational guidance and the joy of sharing and celebrating an art form that contains the power to transform us for the better.Barry and Jimmy give us a full account of the evolution of blues and blues rock from the '50s through today. Barry tells us about sitting in with Muddy Waters and Howlin' Wolf as a teenager and his frenemy relationship with the British invasion acts like The Stones and Eric Clapton who also idolized the Blues greats. He talks about playing in one of our nation's first racially integrated bands, Electric Flag and his experience on stage with Dylan when he “went electric” at the Newport Folk Festival.Jimmy and Barry describe composing the documentary's soundtrack & more and the blues standards that informed their musical choices.Plus, Fritz and Weezy are recommending Shiny Happy People: Dugger Family Secrets on Prime and Fair Play on Hulu and Prime.Path Points of Interest:Born in ChicagoBorn in Chicago - IMDBQ&A with Directors in Chicago ReaderBorn in Chicago on FacebookJimmy VivinoJimmy Vivino on WikipediaJimmy Vivino on InstagramJimmy Vivino on FacebookBarry GoldbergBarry Goldberg on WikipediaBarry Goldberg on imdbShiny Happy People: Dugger Family SecretsFair Play - Prime/Hulu

Desgajamos el álbum “R&B Guitar Crushers” una colección de doce cartuchos marcados por guitarras sucias y rompedoras extraídas de las valijas más crudas del rhythm n’ blues de los años 50 y primeros 60. Añadimos a la marmita los volúmenes 5 y 6 de la colección “Blacked!” (Sleazy Records), una serie de EPs que rinde tributo a grandes leyendas negras del rocknroll a través de jugosas versiones de bandas blancas, en esta ocasión recordando el legado de Larry Williams y Willie Dixon. Playlis (Todas las canciones de "R&B Guitar crushers" salvo donde indicado); (sintonía) FLOYD DIXON “Let’s go smitty” JAMES COTTON “Hold me in your arms” JOE GUITAR MORRIS “The git back (part 1)” OTIS RUSH “All your love (I miss lovin’)” THE POOR BOYS “Wash board” THE NIGHT RIDERS “Pretty plaid skirt (and long black sox)” KING CHARLES and HIS ORCHESTRA “Bop cat stomp” WILD JIMMY SPRUILL “Scratch n’ twist” TARHEEL SLIM “Wildcat tamer” SONNY THOMPSON “Loco limbo” OHIO UNTOUCHABLES “Forgive me Darling” MAC REBENNACK “Storm warning” THE ESCORTS “Dizzy Miss Mizzy” (Blacked Vol. 6) LOS APSON “Calor” (Blacked Vol. 6) THE GANTS “Bad boy” (Blacked Vol. 6) MICKEY GILLEY “My babe” (Blacked Vol. 5) REX “Mellow down easy” (Blacked Vol. 5) THE SOUL AGENTS “The seventh son” (Blacked Vol. 5) Escuchar audio

The Black Crowes "Midnight From The Inside Out"Big Maybelle "Baby Won't You Please Come Home"Jimmy Reed "Honest I Do"Lucero "I Can't Stand to Leave You"Red Foley "Pin Ball Boogie"The Deslondes "Ways & Means"Billie & DeDe Pierce "I Ain't Good Looking"Loretta Lynn "Portland Oregon"Tampa Red "Mercy Mama"Valerie June "Don't It Make You Want To Go Home"Otha Turner and The Rising Star Fife and Drum Band "Shimmy She Wobble"Albert King "The Sky Is Crying"Eilen Jewell "I'm a Little Mixed Up"Amos Milburn "Milk and Water"Hank Williams "I'm So Lonesome I Could Cry"Sidney Bechet "In a Café On the Road to Calais"Precious Bryant "Don't Jump My Pony"Dr. John "Croker Courtbullion"The Black Keys "Sinister Kid"Flora Molton "Never Drive a Stranger from Your Door"Aretha Franklin "Groovin'"Otis Rush "Groaning the Blues"Bob Wills & His Texas Playboys "Bring It on Down to My House"The Big Three Trio "Cigareets, Whuskey. And Wild Women"Merle Haggard "I Think I'll Just Stay Here and Drink"Superchunk "Makeout Bench"R.L. Burnside "Miss Maybelle"Chuck Brown and the Soul Searchers "Bustin' Loose"Willie Nelson "Don't Get Around Much Anymore"Howlin' Wolf "Dog Me Around"Emmylou Harris "Sweet Old World"Skeets McDonald "Heartbreaking Mama"Louis Armstrong "Star Dust"Ian Noe "Irene (Ravin' Bomb)"Billie Holiday "More Than You Know"Gillian Welch "Barroom Girls"Mississippi Fred McDowell "Mama Says I'm Crazy"Ten Years After "Good Morning Little School Girl"Steve Earle & The Dukes (& Duchesses) "Pocket Full of Rain"Tom Waits "Jersey Girl"Ruth Brown & Her Rhythmakers "The Tears Keep Tumbling Down"Lucero "Raining for Weeks"Alex Moore "Lillie Mae Boogie"The Yardbirds "Lost Woman"Joan Shelley "The Fading"Soltero "The Factory"The Spinners "Don't Let The Green Grass Fool You"

This 2-hour episode originally aired, worldwide on multiple formats, on Sunday April 9th.  The music posted here includes music from brand new albums by Nick Schnebelen, Vanessa Collier, Eddie 9V, Teresa James and more.  We also featured classic tunes from Buddy Guy with Junior Wells and one from Otis Rush.  I hope you enjoy it and remember to visit Blues Therapy Radio on Facebook.  If you hit our "like' button we will shout your name out on an upcoming show.   Cheers Biggdaddy Ray Hansen

The Beatles were at the height of their popularity, and surprisingly near the end of their time as a group when they recorded Abbey Road, their eleventh studio album.  In fact, it would be the last album the group started recording, as Let it Be was mostly recorded prior to the Abbey Road sessions even though it wasn't finished until after Abbey Road was released.  John, Paul, George, and Ringo were iconic by this time, though all were still under 30 years of age.  The recording of this album was more harmonious than the Get Back/Let It Be sessions earlier in the same year, but they were not free of conflict.  John Lennon did not perform on several tracks, and would have quietly left the group prior to the album's release.The album is a bit of a throwback to a previous style of production, prior to the conflict-ridden processes  that had typified Get Back and The White Album.  Producer George Martin agreed to this, but on the condition that all group members - especially John Lennon - let him produce the record as the earlier records were produced, and that everyone maintain discipline for the process.  The result actually faced mixed reviews at the time of its release, though with the passage of time it has attained its present status as one of the greatest rock albums of all time.The cover is the iconic picture of the band members walking across a zebra crossing outside Abbey Road Studios.Special guest and friend of the show Eric Von Haessler from “The Von Haessler Doctrine” on WSB Radio joins us to present this album - one of his all-time favorites.  Eric recommends the version from the 1987 CD, as newer versions have been remixed to the detriment of the album. Come TogetherThe opening track is a bit of a continuation of the earlier song “Let's Get It Together” which John Lennon wrote for Timothy Leary when he was campaigning for the California gubernatorial race against Ronald Reagan.  The song's lyrics are quite surrealistic, but the title may represent the desire of the band to get together in harmony for the sake of the music.Here Comes the SunGeorge Harrison wrote this incredibly positive song in Eric Clapton's garden during a break from business meetings for the Beatles.  John Lennon was recovering from a car accident when the track was recorded, and did not perform on the track.  Believe it or not, this was not released as a single from the album!Maxwell's Silver HammerPaul McCartney wrote this song after traveling to India in 1968 and originally wanted to record it for the White Album, but the group thought it was “too complicated” and pushed it off until this album.  McCartney further annoyed the others by insisting on a perfect performance of the work.  The multiple takes were, in the words of George Harrison, “a real drag.”I Want You (She's So Heavy)Lennon wrote this song about his relationship with Yoko Ono.  The finished product is a combination of two different recording attempts, one made just after the Get Back sessions with Billy Preston, and the other made during the Abbey Road sessions. The phrase “heavy” at the time meant deep or significant, and in no way related to Ono's weight! **We opted to cover 5 Staff Picks and did not feature an Entertainment Track on this podcast** STAFF PICKS:Me by Otis Rush Wayne starts this week's staff picks with a Chicago blues artist that got his start in the early 50's.  This song is about a guy who attributes his position on hard work and self-determination.  “I paid my own way, gave stuff for free 'cause the only true friend I ever had was me.” Duane Allman is on guitar on this track.Oh What a Night by the DellsBruce's staff pick is a remake of a number 4 R&B hit from 1956, also by The Dells.  This updated version went to number 10 on the Billboard Hot 100.  A number of covers of this song have been done through the years, including by Sly Stallone and the Biscaynes, Tracey Ullman, Lester Bowie, Nick Kaman, and the Moonlighters.Sweet Caroline by Neil Diamond This one is not a deep cut by any stretch of the imagination.  Rob features a sing-a-long song for many sports teams, including the Carolina Panthers, Iowa State, the University of Pittsburgh, and of course the Boston Red Sox.  The inspiration for the name was Caroline Kennedy, the last surviving child of President John Kennedy, though Diamond wrote it for his wife, Marsha.  He felt like a three-syllable name would fit the song better.Green River by Creedence Clearwater RevivalLynch brings us some swamp rock from CCR.  Creedence Clearwater Revival had 14 top 10 hits within a 17-month period.  Although the group is from California, the song was written about the Green River near New Orleans and has a Louisiana feel.  Despite their success, acrimony within the group would lead to a breakup in 1972.Sugar, Sugar by The ArchiesEric Von Haessler finishes off the staff picks with a very different song from the Beatles.  The Archies were a fictional band based on the TV show and comic strip of the same name.  The music was recorded by session musicians.  A number of these “bubble gum pop” songs were successful, with a lighthearted, positive touch.  Jeff Barry and Andy Kim wrote this, and it hit number 1 on the Billboard Hot 100 for four weeks INSTRUMENTAL TRACK:Baby, I Love You  by Otis RushWe exit the podcast by double-dipping on an instrumental blues number by Otis Rush.

Music Rewind welcomes blues historian Marty Weil to discuss the three volume anthology: Chicago/The Blues/Today! A moment in time that resulted in a perfect snapshot of the blues scene of mid-1960's Chicago. Featuring legends: Junior Wells, Otis Rush, Otis Span, Johnny Cotton, J.B. Hutto, Homesick James, Johnny Young, Johnny Shines, Big Walter Horton, and others.  Album: Chicago/The Blues/Today! Artist: Various Year: 1966 Our Guest, Marty Weil, operates @ChiBluesHistory on Twitter. A great channel to follow for amazing bits of blues history. https://twitter.com/ChiBluesHistory  Listen to the album on Spotify; Vol 1: https://open.spotify.com/album/7mBBWwpCTFnrVDci6WYU9T?si=d481db1e51554bfa Vol 2: https://open.spotify.com/album/2j6hPbEmlTI0DmvLFZbzgw?si=01c3e0efc2e84bcd Vol 3: https://open.spotify.com/album/1f0ioBuSECsDKyVNhrZ016?si=63494b5c8a9e450a  —-------------------------------------------------- New Intro Music by Bryce Evans: Sin's a Good Man's Brother https://bryceevansmusic.com/music  @bryceevansmusic on Instagram —-------------------------------------------------- Buy Me A Coffee: https://www.buymeacoffee.com/musicrewind    —-------------------------------------------------- Gotham Cigars: Use this link to get up to 40% Cigar Specials at Gotham Cigars. https://bit.ly/MusicRewind_GothamCigars  —-------------------------------------------------- ZZounds Music. The best place for all your music needs. Guitars, Amps, Keyboards, Mics, Soundboards, everything!  Shop here to help the show. https://www.zzounds.com/a--3978729   -------------------------------------------------- Drizly Delivery. Your favorite beverage, delivered right to your doorstep. Use Drizly to get beer, wine or liquor without the hassle of leaving the house. 21 and over only. https://drizly.sjv.io/rewind     ------------------------------------------------- Useful Links for Music Rewind Music Rewind: All Episodes - https://bit.ly/Music_Rewind   Music Rewind Website: - www.musicrewindpodcast.com   Music Rewind Selects: A playlist of select tracks from albums covered on the show. - https://bit.ly/MusicRewindSelects   Music Rewind Patreon Early access to future episodes - https://bit.ly/MusicRewindPatreon  Discover our sister podcast, Cinema Decon, deconstructing the movies of the 80's, 90's and 2000's. www.cinemadecon.com    “No ownership of music material. All credits go to its rightful owner. Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair Use is a use permitted by copyright statute that might otherwise be infringing. All rights and credit go directly to its rightful owners, no copyright infringement intended.” #chicagothebluestoday #blues #chicagoblues #juniorwells #otisrush #otisspann #homesick james #chicagomusic #music #podcast #musicpodcast       

#electricflag #sanfranciscoscene Nick Gravenites played in clubs with Mike Bloomfield, Charlie Musselwhite and others. In 1967 he formed the Electric Flag with Bloomfield. Gravenites also wrote the score for the film The Trip and produced the music for the film Steelyard Blues. Gravenites is credited as a "musical handyman", helping such San Francisco bands as Quicksilver Messenger Service and Janis Joplin's first solo group, the Kozmic Blues Band. He wrote several songs for Joplin, including "Work Me, Lord" and the unfinished instrumental track "Buried Alive in the Blues". Gravenites was the lead singer in the re-formed Big Brother and the Holding Company (without Joplin) from 1969 to 1972. He also worked extensively with John Cipollina after producing the first album by Quicksilver Messenger Service. Gravenites produced the pop hit "One Toke Over the Line" for Brewer & Shipley and the album Right Place, Wrong Time for Otis Rush, for which he was nominated for a Grammy Award. Mark Hummel www.markhummel.com Patreon https://www.patreon.com/markhummel Accidental Productions https://www.youtube.com/channel/UCOOnWFbj8SGiV34ixhO0Cwg

A weekly quiet gig at a wine bar, being the salesman of the month, and playing a 90 minute set with a 5 minute break. Matthew Stubbs (GA-20) "GA-20 was formed by friends Pat Faherty and Matthew Stubbs in Boston, MA in 2018. The project was born out of their mutual love of heavy traditional Blues, R&B, and Rock & Roll of the late 50s and early 60s. Faherty and Stubbs bonded over legendary artists like Lazy Lester, J.B. Lenoir, Earl Hooker, Buddy Guy, Otis Rush and Junior Wells. Feeling a void in current music, the duo have set out to write, record and perform a modern version of this beloved art form. Joined by drummer Tim Carman in 2019, GA-20 is a trio of 2 guitars, vocals and drums. Raw, passionate and honest performance, both on stage and in the studio, is the only goal. GA-20 released their debut album “Lonely Soul” Oct 18th 2019 on Karma Chief / Colemine Records. The album debuted at #2 on the Billboard blues charts. Stubbs has spent the past 11 years as guitarist for Blues legend Charlie Musselwhite. During that time he has also backed up and toured with such Blues giants as John Hammond, James Cotton, Junior Watson and James Harman. Stubbs also leads his own original instrumental psych-rock band, 'The Antiguas'." Excerpt from https://www.coleminerecords.com/collections/ga-20 GA-20: Bandcamp: https://ga-20.bandcamp.com Instagram: @ga20band Website: https://ga20band.com Merch: https://ga-20.square.site Records: https://www.coleminerecords.com/collections/ga-20 The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

I have the honor of interviewing 5 time Grammy award winner Robert Cray in support of his show at The Mount Baker Theatre Oct. 19. We talk about his latest album "That's What I Heard" on Nozzle Records, his musical influences and I play his music. Also the music of Rod Piazza, Roy Buchanan, Otis Redding, Otis Rush, Gary Clark Jr. and more. The podcast is free. Just click on the link/picture. 

Together, Muddy Waters and Willie Dixon electrified and spread all over the world the music known as The Blues!In this episode, we return to the Profiles In The Blues series with the story of Muddy Waters and Willie Dixon, both key figures in the Chicago Blues scene, tracing back to their Mississippi roots. The Imbalanced Boys gauge their impact in their own time, as well as the future of Rock & Roll!Other characters come to play in this story: Leonard Chess, Howlin' Wolf, and Little Walter among them. Top up your drinks, and kick back for a fine ride!During this episode, the guys mention the following links/sources:-Willie Dixon on loudersound.com-I Am The Blues piece on Willie on PastePlease check out our sponsors:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/

Volvemos a adentrarnos en el contenido de "Confessing the blues", un doble álbum compilado por los integrantes de The Rolling Stones que recoge sus canciones favoritas del blues reivindicando a los artistas que les marcaron el camino en sus primeros pasos. Playlist; BILLY BOY ARNOLD “Don’t stay out all night” LITTLE WALTER “I got to go” AMOS MILBURN “Down the road apiece” MUDDY WATERS “Mannish boy” BO DIDDLEY “Craw dad” HOWLIN WOLF “Commit a crime (a.k.a. What a woman)” DALE HAWKINS “Suzie Q” EDDIE TAYLOR “Bad boy” OTIS RUSH “I can’t quit you baby” LIGHTNING SLIM “Hoo doo blues” B.B. KING “Rock me baby” MAGIC SAM “All your love” ROBERT JOHNSON “Stop breakin’ down blues” REVEREND ROBERT WILKINS “The prodigal son” Escuchar audio

Here is my podcast from August 18, 2022 on "Bluesland".  I played Otis Rush, Eric Clapton, Taj Mahal, John Hammond, The Fabulous Thunderbirds and more. Just click on the link/picture and enjoy the tunes and stories about the blues. It's free. Tell your friends and like my Facebook page Leo Schumaker for more information about the blues and more. 

 | Artist  | Title  | Album Name  | Album Copyright | Jake Leg Jug Band  | 03 I Had to Give Up Gym  | Live At The Audley Theatre | Curley Weaver with Willie McTell  | Joker Man  | Curley Weaver (1933-1935) | Mississippi Fred McDowell & Hunter's Chapel Singers  | Back Back Train  | Amazing Grace  |  | Otis Rush  | I Can't Quit You Baby  | Total Blues - 100 Essential Songs | Doc Watson & Jack Lawrence  | Shady Grove  | Look A Yonder Coming | Mike Goudreau  | Tell Mama I'm Ok  | Acoustic Sessions  |  | Claire Hamlin  | Old Black Joanna  | Elbows Going Crazy  |  | Claire Hamlin  | Yakety Piano  | Elbows Going Crazy  |  | Claire Hamlin  | Suitcase Stroll  | Elbows Going Crazy  |  | Reverend Gary Davis  | Cocaine Blues  | Manchester Free Trade Hall 1964 | Rev Gary Davis  | Swingin' BLues  | Some People Who Play Guitar Like A Lot Of People Don't | Moonshine Society  | The One Who Got Away (Acoustic-Bonus)  | Sweet Thing (Special Edition) | Hannah Aldridge  | Lie Like You Love Me  | Razor Wire  |  | Half Deaf Clatch  | Pony Blues (Charley Patton)  | Borrowed Blues  |  | Dean Haitani  | Fairlight Walking  | RED DUST  | 

This week, after snatch of 1978 Rutles: brand new Guided by Voices, Beths, John Doe, Finnogun's Wake, Michael Head & the Red Elastic Band, Spoon, and Desario, plus Beatles, Otis Rush, Johnny... Real Punk Radio podcast Network brings you the best in Punk, Rock, Underground Music around! From Classic Oi!, Psychobilly and Hardcore to some Classic Rock n Roll and 90's indie Alt Rock greatness!! With Tons of Live DJ's that like to Talk Music From Garage Rock, to Ska.. We are True MUSIC GEEKS!

Doug takes me through his life working with wood:  building cabinets with his dad to eventually starting his guitar business.  Shipping pranks with sawdust, just barely making it, riding bikes, and just 2 nerds chatting.Check out these gorgeous instruments here.And here is Otis Rush, Live at The Wise Fools Pub.★ Support this podcast on Patreon ★

Your Ultimate Blues Music Experience

James McMurtry And The Heartless Bastards "No More Buffalo"The Low Anthem "Home I'll Never Be"Valerie June "Fade Into You"Candi Staton "Darling You're All That I Had"Otis Redding "Little Ol' Me"Golden Smog "Radio King"Laura Marling "Soothing"Johnny Cash "Jealous Loving Heart"Drag the River "forgiveness"Buddy Emmons "If No News Is Good News"Hank Williams "Howlin' At the Moon"Nick Drake "Pink Moon"Son Volt "Medicine Hat"Jolie Holland "Old Fashioned Morphine"James Luther Dickinson "Out of Blue"Trombone Shorty "Lie To Me"The Temptations "I Wish It Would Rain"Kitty Wells "Do Right Woman, Do Right Man"Matt Sweeney "My Home Is The Sea"Bonnie Raitt "Livin' for the Ones"Micah Schnabel "Gentle Always"Two Cow Garage "Let the Boys Be Girls"Micah Schnabel "Cincinnati, Ohio"Ted Hawkins "Sorry You're Sick"Eddie Floyd "Stealing Love"Big Mama Thornton "Sweet Little Angel"Otis Rush "Homework"Aimee Mann "Deathly (Remastered 2020)"Gillian Welch "I Just Came Home To Count The Memories"Otha Turner "Lay My Burden Down (Album Version)"Kendrick Lamar "The Heart Part 5"Koko Taylor "Never Trust A Man"Dr. John "I Walk On Guilded Splinters"Mavis Staples "I Wish I Knew How It Would Feel To Be Free"Bill Withers "Ain't No Sunshine"The Meters "Cissy Strut"Bobby "Blue" Bland "Ain't No Love In The Heart Of The City"Jerry Lee Lewis "Goodnight Irene"

"My Love Will Never Die" original lyrics by Willie Dixon. Produced by Andrew Hozier-Byrne for Ruby Works and Island Records.  This song is a cover of Otis Rush's "My Love Will Never Die" released in 1956. Transcript

Johnny Iguana began playing classic piano at a young age.  He gravitated to Punk Rock and then an uncle introduced him to the blues. He set an intention and suddenly found himself playing with Junior Wells and his band and then Otis Rush.  Johnny's piano playing has been described as Punk/Blues; regardless of the genre, it is completely authentic and original.  In 2013, he and drummer Michael Caskey released their first Claudettes Album, which was entirely instrumental.  A few years later they welcomed Zach Verdoorn on bass six and Berit Ulseth on vocals and that is the magical combination they are sticking with.  Check them out at the Acorn Theater on May 7!

One of the elder statesmen of Chicago blues, bass player extraordinaire and vocalist Bob Stroger talks about his new album "That's My Name" and shares memories from his long and storied career in the blues, playing with Otis Rush, Sunnyland Slim, Jimmy Rogers and many more.

Dr Downhome's Blues Podcast #7 – Otis Rush, Rubin Lacey, Sleepy John Estes, Kid Bailey, Blind Joe Reynolds, Bo Weavil Jackson, Sonny Boy Williamson 1, Sonny Boy Williamson 2, Blind Lemon Jefferson, Ramblin' Thomas, Peg Leg Howell, Memphis Willie B Borum, Charley Patton, Robert Johnson, Freddie Spruell, Tommy McClennan

John Millard is a 16 year old guitar prodigy who's from the suburbs of Chicago, a city that has fostered some of the biggest musicians to ever exist from Muddy Waters, B.B. King, Buddy Guy, Junior Wells, Otis Rush, etc. While John is only 16 years of stage he's already established himself within the Chicago blues community by getting to play with some of the best to ever do it in the blues music world such as John Primer, Jimmy Burns, Mike Wheeler and even 8 X Grammy Award Winning Buddy Guy among many others. John also is the man behind the official show music of this very podcast! John sat down with me a few weeks back to discuss the importance of the blues, dealing with the loss of his father who recently passed away this year, the formation of his band The Uncle Funk Blues Band and much more! Episode Website: https://tinyurl.com/51JohnMillard

Join Mitch Perry and Ralph Rasmussen as we Co-Host a RadioBypass special - For Your Ears Only! Have you ever listened to an entire album, headphones on, just forgetting about everything and immersing yourself into the music? It was a great way to clear your head for a while, wasn't it? Well, we encourage you to do just that with this special episode. Mitch picked a high energy live album, one of his personal favorites, by the J. Geils Band. Mitch shares his personal insights on the record, information on the songs and how he was inspired by it even before learning to play guitar. Did Mitch once lose 200 dollars to Otis Rush? Shut out the world for a little while, put on your headphones, and listen to this very special episode!