Podcasts about radiok

MPR News host Angela Davis talks with her producers about what happens behind the scenes of her 9 a.m. show.They'll tell you all about how they pitch, research and select topics and guests and screen phone calls. Guests: Maja Beckstrom is a producer for MPR News with Angela Davis. She was a reporter at the St. Paul Pioneer Press for over 20 years before joining the 9 a.m. team almost five years ago. She was also a reporter for a newspaper in Southern California and for MPR stations in Rochester and Collegeville. Cari Dwyer is the senior producer for MPR News with Angela Davis. Before joining the 9 a.m. team, she helped create exhibits for the Science Museum of Minnesota and was a producer and newscaster at Wisconsin Public Radio.Nikhil Kumaran is the associate producer for MPR News with Angela Davis. He has also worked for The Current and was the music director at Radio K, the award-winning student-run radio station of the University of Minnesota. He is also a concert photographer and music videographer.Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Spotify or RSS.    Use the audio player above to listen to the full conversation.    

VOV1 - Từ những người tị nạn phải rời xa quê hương, đến những cư dân ở vùng sâu, vùng xa, radio vẫn là công cụ không thể thay thế, mang đến thông tin thiết yếu về thời sự, giáo dục, giải trí và thậm chí là sự sống còn.

Rullar P4 alltid under långtradarturen, står P1 ständigt på hemma, förgylls promenaden av en P3-dokumentär, minns du lådradion? Sveriges Radio fyller 100 år och vi undrar vad radion betyder för dig. Lyssna på alla avsnitt i Sveriges Radio Play. Den 1 januari 1925 sändes det allra första radioprogrammet i Sveriges Radio, eller AB Radiotjänst som SR hette då. Det var en högmässa som legenden Sven Jerring påannonserade. Under det året drog även Barnens Brevlåda igång, Vasaloppet och Finnkampen sändes för första gången och Radiokören gav sin första konsert.Många radioprogram och radioprofiler har kommit och gått sedan den där första radiosändningen för 100 år sedan och för att fira 100-åringen vill vi nu prata om vad radion betyder för dig.Är du yrkeschaufför och förgyller långtradarfärden med P4, satt du framför den stora lådradion med glittrande ögon och lyssnade på knastriga telegrafmeddelanden som råkade glida in på en frekvens, fick du världens aha-upplevelse när du upptäckte en P3-dokumentär, räddade en trafikupplysning i P4 dig från en olycka, lärde du dig älska klassisk musik genom P2?Radiominnen med Li SkarinRing oss, mejla på karlavagnen@sverigesradio.se eller skriv till oss på Facebook och Instagram. Programmet börjar kl 21:40. Slussen öppnar som vanligt kl 21:00.

Heute tauchen wir tief in die Welt eines besonderen Symbols ein – das Muschelhorn, ein Instrument, das nicht nur Klang, sondern auch Frieden und Gemeinschaft verbreitet. Gemeinsam werden wir die Magie und Geschichte hinter der Muschelhornkampagne entdecken. Diese Initiative hat nicht nur Herzen auf der ganzen Welt bewegt, sondern bereitet sich nach dem Weltrekord auf einen neuen Event vor im Februar 2025

I december hyllas Strages idol Lana Del Rey med konserten "Dark paradise" i Berwaldhallen i Stockholm. De svenska artisterna Moto Boy och Jennie Abrahamson tolkar hennes låtar i samarbete med Radiokören, ledd av dirigenten Hans Ek. Eftersom Strage lyssnat massor på både Moto Boy och Jennie Abrahamsson bjuder han förstås hem dem till sig för ett samtal om Lana Del Rey. Och för första gången spelas bara en artist i ett helt "Hemma hos Strage"-avsnitt. Moto Boy och Jennie Abrahamsson hinner också berätta om sina vikariat i The Cardigans respektive Shout Out Louds, om det går att dricka alkohol i samband med konserter och om varför man som Lana Del Rey-fan ibland, när folk inte förstår hennes storhet, känner sig som om man förklarar Schopenhauers filosofi för chimpanser. Hosted on Acast. See acast.com/privacy for more information.

Julian hat sich schon wieder für einen Halbmarathon angemeldet. Da müssen wir ihn schnell optimieren, denn so, wie er gerade rumhoppelt, wird das nichts. Also brauchen wir alle Tipps, wie wir ihn innerhalb von zwei Monaten nach vorne optimieren können. Worauf schwört ihr? Intermittierendes Fasten? Intervallläufe? Kältetherapie? Saunaexzesse? Und was ist mit der Ernährung? Was tut ihr, um so richtig fit und gesund zu bleiben? Oder ist das alles nicht nötig und drei Liegestütze und drei Überraschungseier sind die Lösung? Zusätzlich lässt sich Julian von Berlins härtestem Coach Stefan Höcht Trainingstipps geben, wie er aus seinem schwammigen Radiokörper einen Astralbody macht, und ein bisschen anschreien lässt er sich natürlich auch.

Want to know what happened to Paul Carrack? Why he left Mike and the Mechanics? Which song he wrote for the Eagles and what he's doing now? Well, tune in and find out! English singer, songwriter and multi-instrumentalist, Paul Carrack has been a member of several bands including Ace, Squeeze, Mike + The Mechanics, and Roxy Music. He's been a session and touring musician for several others including Nick Lowe, the Frankie Miller Band, The Undertones, The Smiths, John Hiatt, The Pretenders and has enjoyed success as a solo artist as well. Born in Sheffield, Paul began with semi-pro bands playing pubs and clubs locally. At age 17 he played in European discos and at army bases. He joined the band Warm Dust in 1970.In 1972, Paul formed Ace who enjoyed success with 3 albums, a worldwide hit "How Long" (which Paul wrote), and a US tour with the group Yes. In 1977 he joined the Frankie Miller Band for 2 albums before joining Roxy Music in 1978. Paul toured the U.K. and Europe and played on their albums Manifesto & Flesh And Blood.In 1985, Carrack joined Mike Rutherford's group Mike + The Mechanics, who enjoyed international fame with "Silent Running" on which Paul sang lead vocal, and they toured until 1986.Mike & The Mechanics resumed in late 1988, recorded their second album, The Living Years, and had a world wide hit (and U.S. number 1) with the title track being sung by Carrack. When The Mechanics resumed other interests, Carrack began recording his fourth album Groove Approved released in late 1989.During a 1994 tour of the UK, US and Japan, he aided Mike & The Mechanics in the recording of their 4th album Beggar On A Beach Of Gold (1995) which included two Carrack songs, one of which, "Over My Shoulder" achieved popularity in the UK and Europe.In January 1996, Paul Carrack found European success with 'How Long' and 'Eyes of Blue' from Blue Views. By the end of 1996 he was opening for Sting's UK tour, and sang a duet with Sting.Paul maintains an active solo career to the present day. He still sings some of his affiliated bands' best-known hits, including Ace's "How Long"; Squeeze's "Tempted"; and Mike + The Mechanics' "Silent Running" ,"The Living Years" and "Over My Shoulder". He has also performed lead vocals on tracks from the Roger Waters albums Radio K.A.O.S. and The Wall – Live in Berlin, and achieved a major solo hit with "Don't Shed a Tear". Paul's songs have been recorded by artists such as Linda Ronstadt, Eagles, Diana Ross, Tom Jones, Michael McDonald and Jools Holland, and he has recently served as a session and/or touring musician for Elton John, Eric Clapton, Ringo Starr, B.B. King, and Madness. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sandy-kaye3/message

Que se passerait-il si vous pouviez transformer votre vie simplement en améliorant votre capacité à rester concentré? Dans ce nouvel épisode de Radio Kémote Success, nous explorons la puissance du focus et ses implications profondes sur nos vies quotidiennes. Découvrez comment maintenir son attention peut faire la différence entre réussir ou échouer, que ce soit dans vos interactions personnelles, votre carrière, ou même dans les situations conflictuelles. À travers des exemples concrets et des métaphores évocatrices, nous analysons les conséquences désastreuses de la dispersion mentale, exacerbée par notre société moderne saturée d'informations.Ensemble, nous plongeons dans trois chapitres captivants : d'abord, nous discutons de l'importance de rester concentré malgré les distractions omniprésentes. Ensuite, nous explorons la désintégration de l'attention à travers des anecdotes percutantes, comme celle d'une jeune femme perdue dans une conversation. Enfin, nous réfléchissons à la valeur de la connaissance et à la nécessité de la partager, même avec ceux qui pourraient nous trahir. Ce voyage à travers le monde du focus vous fournira des clés essentielles pour améliorer votre concentration et atteindre vos objectifs. Rejoignez-nous pour un épisode qui promet de transformer votre manière d'aborder la vie et ses défis.Support the Show.Tout arbre dépendra toujours de ces racines cachées!

Wed, 29 May 2024 19:22:26 +0000 https://fc-podcast.podigee.io/193-wie-soll-dat-nur-wigger-jon-der-fc-vorstand-im-exklusiv-interview-folge-192 2876eae03027280520f31fb360782eb0 Es tut immer noch weh und so schnell wird der Schmerz auch bei FC-Reporter Guido Ostrowski nicht nachlassen. Der siebte Abstieg der Vereinsgeschichte steht fest, alle Resthoffnungen haben sich in Heidenheim erschreckend schnell in Luft aufgelöst und mal wieder stellt sich die Frage: "Wie soll dat nur wigger jon?" Abstieg, Transfersperre, der Vorstand steht massiv in der Kritik, Rücktrittsforderungen werden immer lauter, irgendwie mal wieder typisch Effzeh. Es müssen Antworten her, vor allem von eben jenen, die an der Vereinsspitze in der Verantwortung stehen. Guido hat exklusiv mit Werner Wolf, Eckhardt Sauren und Carsten Wettich rund eine Stunde lang am Geißbockheim gesprochen und dabei nicht nur eine Menge eigener Fragen mit ins Interview genommen, sondern auch viele Fragen der FC-Fans, -Mitglieder, der Radio Köln-Hörer… full no Effzeh,Abstieg,Transfersperre,FC-Vorstand Radio Köln FC-Report

Gedichte junger europäischer Autoren, inszeniert und komponiert von namhaften Radiomachern und Komponisten. Ausgewählt und erläutert von Jan Wagner www.deutschlandfunkkultur.de, Hörspiel

Påskdagens glada budskap förmedlas från Olofströms kyrka. Predikar gör kyrkoherde Jesper Mattsson och komminister Daniel Stenström leder gudstjänsten. Lyssna på alla avsnitt i Sveriges Radio Play. På påskdagen har död vänts till liv. Förtvivlan bytts mot glädje. Mörkret har blivit ljus. Inte på ett sätt som du och jag hade tänkt ut eller planerat, utan på Guds alldeles egna sätt.Efter gudstjänsten hör du predikan i podd ovan.Musik:Psalm 742 Han är inte härPsalm 153 Livet vann, dess namn är JesusPsalm 147 Upp min tunga, att lovsjungaMaria och JesusPsalm 155 Herren leverDin tomma gravPsalm 612 Uppstått har JesusPsalm 154 Dina händer är fulla av blommorPåskhymnJesu bleibet meine FreudeTexter:Jesaja 25:6-9Matteus 28:1-20Medverkande:Jesper Mattsson, kyrkoherdeDaniel Stenström, komministerAnders Svensson, textläsningBodil Wrangsjö, förbönPernilla Gustafsson, förbönBo Johansson, församlingsmusikerCarina Kenneteg, kantorJonna Welander, trumpetTilda Svensson, tvärflöjt”Jämshögs Radiokör”Tekniker: Kristoffer Hjälmberg och Simon TinggrenProducent: Ingrid ElfstråhleSveriges Radioliv@sverigesradio.se

MPR News host Angela Davis checked in with the team from Carbon Sound at our sister station, The Current.  Carbon Sound is a music stream, website and app “dedicated to celebrating the depth, breadth and influence of Black musical expression.” The stream has been broadcasting for just a year and a half, but the small but mighty Carbon Sound team has been doing big things. Carbon Sound won an Anthem Award for its work last spring – that's an international award celebrating “purpose and mission-driven work.” Content Director Julian Green and Host Sanni Brown joined MPR News with Angela Davis to talk about their newest work spotlighting DJ mixes and local musicians. Tuesday, Feb. 13, Carbon Sound will host a dance night at the Seventh Street Entry in Minneapolis called "HEART BEATS.” Guests:  Julian Green is the content director for Carbon Sound. He built and manages the music library and oversees content creation. He previously served as program director at Radio K at the University of Minnesota and founded their online hip-hop stream The Vanguard.Sanni Brown is the host and voice of Carbon Sound. Her show, “The Message,” focusing on classic Hip Hop and R&B, also airs on The Current on Wednesday nights. She has more than 10 years of broadcast experience at stations including KMOJ-FM, KFAI-FM and 107.1 MyTalk.  Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify or RSS.  

durée : 00:03:12 - Le karaoké de Thomas Croisière - Sarah voulait chanter "Cœur de loup" pour ses 35 ans et ça tombe bien car Maylis voulait aussi karaoker Philippe Lafontaine. C'est le Radioké de Thomas Croisière spéciale anniversaires...

A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that's every second week) following the monthly SpokenWeb podcast episode. If you are a SpokenWeb RA with an archival clip to feature on ShortCuts, do write to us at spokenwebpodcast@gmail.com with your pitch.Host and Series Producer: Katherine McLeodSupervising Producer: Maia HarrisSound Design: James HealeyTranscription: Zoe MixARCHIVAL AUDIOArchival audio excerpted from this episode of Radio Survivor: https://www.radiosurvivor.com/2015/11/podcast-22-were-all-moving-to-the-fm-dial-now/Blog post with photographs from Jennifer Waits's tour of Radio K:https://www.radiosurvivor.com/2015/10/my-grand-tour-of-college-radio-station-radio-k/A past Radio Survivor episode featuring SpokenWeb: https://www.radiosurvivor.com/2021/02/podcast-284-spokenweb-and-literary-sound/SPECIAL GUESTSJennifer Waits (interviewee) is the co-founder of Radio Survivor and Radio Survivor's College Radio and Culture Editor and Social Media Director. Jennifer is also the Founder and Editor of SpinningIndie, a website devoted to the culture of college radio. She's worked in college radio at 4 different stations (off and on) since 1986 and is currently a DJ at KFJC 89.7FM in Los Altos Hills, California. Jennifer has a Master's degree in Popular Culture Studies and has written about radio, music, youth culture, and pop culture for a number of publications and websites, including Radio World, PopMatters, the scholarly Radio Journal, youth culture blog Ypulse, beloved teen mag Sassy, and music site Uplister.Kate Moffatt (interviewer) is a PhD student in the Department of English at Simon Fraser University. Her research interests include British Romanticism, women's authorship, walking and pedestrianism, and print culture. She is the former supervising producer of The SpokenWeb Podcast, and she is the current co-host of The WPHP Monthly Mercury podcast.

When you turn the dial up several frequencies to 100.7 FM or 104.5 FM, you could hear anything from Indie Pop to Japanese post-rock and everything in between. And that is the beauty of college radio.On Oct. 1, the University of Minnesota's student-run station, Radio K is turning 30 years old. MPR News Host Cathy Wurzer spoke to some of the people who were there from the beginning. Jim Musil is the founder of Radio K and Ali Lozoff was the station's first marketing manager.Radio K is having a Birthday Party at First Avenue Thursday night. Click here.https://www.instagram.com/p/CxrHxJzMR3b/?img_index=1Use the audio player above to listen to the full conversation.Subscribe to the Minnesota Now podcast on Apple Podcasts, Google Podcasts, Spotify or wherever you get your podcasts.   We attempt to make transcripts for Minnesota Now available the next business day after a broadcast. When ready they will appear here.

Millions of Americans could lose their food assistance in a federal government shutdown. But the Minnesota Department of Health says it has money to continue providing benefits — for now. We learn more.The latest drought monitor map had some bright spots. A state climatologist gives the details. And we turn the dial to celebrate Radio K, the University of Minnesota's Public Radio Station, which turns 30 Sunday, with the founder and the first marketing manager. Fall in Minnesota is beautiful and fleeting. We talk with a blogger who wants to help people soak up the season. And we talk Twins, Vikings, and the Twin Cities marathon with resident sports guys Wally and Eric.

durée : 00:03:18 - Le cinéma de Thomas Croisière - Son but avoué : vous donner la patate sous la douche ou sur le chemin du boulot. Et cette semaine, il y a du niveau. Thomas Croisière s'attaque à un monument de la chanson mondiale : ABBA

Episode 104 Experimental Music for Pipe Organ Playlist Bengt Hambraeus, “Doppelrohr II” (1956) from Cologne - WDR: Early Electronic Music (1992 BV Haast Records). All compositions are productions of the 'Studio für elektronische Musik des Westdeutschen Rundfunks Köln.' The earliest work I can find that combines electronic music on tape with sounds created using a pipe organ. 3:54 Bengt Hambraeus, “Constellations II For Organ Sounds” (1959) from Constellations & Interferences (1968 Limelight). Composed and played on the pipe organ by Bengt Hambraeus. 16:02 Bengt Hambraeus, “Responsorier For Two Organs, Solo Voice, Mixed Choir And Church Bells” (1964, final section) from Max Reger Och Bengt Hambræus (1970 SR Records). Swedish release conducted by Eric Erickson. Composed by, Organ, Bengt Hambræus; Choir, Kammarkören, Radiokören; Organ, Karl-Erik Welin; Tenor Vocals, Christer Solén.11:14 Christian Wolff, “For 1, 2 or 3 People” (1964) from A Second Wind For Organ (1968 Odyssey). Baroque Organ by David Tudor, Liner Notes by Richard Teitelbaum; Produced by David Behrman. 9:37 Hans Otte, “Touches” (1965) from Gerd Zacher, Organ (1970 Heliodor). Composed by Hans Otte; pipe organ, Gerd Zacher. 12:46 Mauricio Kagel, “Improvisation Ajoutée” (1966) from A Second Wind For Organ (1968 Odyssey). Organ by David Tudor; Liner Notes by Richard Teitelbaum; Produced by David Behrman. 13:41 Juan Allende-Blin, “Sons Brisés - In Memoriam Lothar Schreyer” (1967) from Gerd Zacher, Organ (1970 Heliodor). Composed by Juan Allende-Blin; pipe organ, Gerd Zacher. 12:36 György Ligeti, “Etude No. 1 "Harmonies" (1967)” from Aventures - Nouvelles Aventures / Volumina / Etude No. 1 "Harmonies" (1969 Candide). Organ of The Kaiser-Wilhelm Gedächtniskirche, Berlin, Gerd Zacher. 6:51 Morton Feldman, “Intersection 3” (1953/1969) played by Gerd Zacher from Gerd Zacher, Orgel (1970 DGG). Zacher was an accomplished organist who had a reputation for interpreting contemporary works. This work is a realization for organ of a work from 1953, which Feldman offered to Zacher for this project. The work was originally intended for piano and written with David Tudor in mind. The original Intersection was written in 1952 and was created as part of John Cage's project for works on magnetic tape. 2:36 Gerd Zacher, “Ré” (1969) from Gerd Zacher, Orgel (1970 DGG). Composed and performed by Gerd Zacher; vocals, Juan Allende-Blin. 8:35 Diane Bish, “Laudation” from Bish, Bach & Baroque (1978 Suncoast). Interesting, oddball combination of pipe organ and synthesizer. Ms. Bish was an accomplished American organist, composer, conductor, author, organ designer, television producer and television host. Written by Diane Bish and played on pipe organ (117-rank Ruffatti pipe organ made in Padua, Italy) and ARP Pro Soloist synthesizer mounted above the organ manuals. 5:25 Sarah Davachi, “For Organ” (2015) from All My Circles Run (2017 Students of Decay). Davachi is a Canadian electroacoustic musician based in Los Angeles, primarily working with organ, piano, synthesizer, strings, woodwinds. This work is for solo pipe organ and was recorded live at Knox United Church, Calgary, Alberta, Canada on June 14, 2017. 8:02 Jonas Olesen and Sandra Boss, Teaser (excerpt) from New Works for Organ (2016 private). Work for pneumatic church organ, MIDI controlled pipe organ and prepared pump organ. Premiere at Koncertkirken, Copenhagen DK. Friday May 27th, 2016. 1:43 Opening background music: György Ligeti, “Volumina (Original Version 1961/62)” from Aventures - Nouvelles Aventures / Volumina / Etude No. 1 "Harmonies" (1969 Candide). Organ of The Kaiser-Wilhelm Gedächtniskirche, Berlin, Gerd Zacher. 16:57 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Cân bằng cuộc sống | GS. Phan Văn Trường | Cấy Nền Radio ----------------------------- ツ Kết nối với Cấy Nền Radio: ► Tik Tok: https://www.tiktok.com/@caynenradio ► Youtube duy nhất: https://www.youtube.com/c/CayNenRadio ► Fanpage Facebook: https://www.facebook.com/CayNenRadio/ ► Group Facebook: https://www.facebook.com/groups/CayNenRadio/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/caynenradio/message

Nu kan du høre eller genhøre Morgenkrydderen fra søndag den 16. juni 2023. Denne gang med følgende indslag: - Berleburgklubbens har igen været til Skyttefest i venskabsbyen Bad Berleburg. Ole Holde fortæller om arrangementet og turen der ned. - Vi skal have en boganmeldelse om bagværk - John Macko har besøgt Ana Maria Vega der i starten af august fylder 80 år. Ana Maria er en "kendt" personlighed i kommunen, gennem hendes engagement i Den spanske musikforening. - Der er også CyberVejret med Leif Jensen. - Vi bringer også et indslag fra Radiokøkkenet med Nikolaj Kirk

“No me tengas miedo, soy el que hace danzar el caballito, con mis sonidos hago bailar con júbilo y algarabía a mi gente que me acompaña, niños, niñas, jóvenes. No me dejen morir, porque cuando muera, morirán también nuestras fiestas”. Así comienza esta cápsula producida por Radio K'inal en Chiapas, México, en la que se reflexiona sobre la importancia de mantener viva la tradición de hacer música con tambores. ¡Te invitamos a escucharla! Puede escuchar, descargar y compartir este programa de forma gratuita. Musicalización: - Bajo responsabilidad de la producción. Voces: - Radio K'inal. Producción y guión: - Radio K'inal. Imagen: - Cultural Survival. Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

Radiokörens två år långa jubileumsturné har börjat och för första gången visas nu delar av konstnären Frida Kahlos privata fotosamling i Norden. Producent: Nils LindströmProgramledare: Maria Askerfjord Sundeby

durée : 00:04:30 - Le cinéma de Thomas Croisière - par : Thomas CROISIERE - "Salut les guys, salut les girls, bienvenue au 5-7 karaoké club, est-ce que vous êtes làààààààà ?!" Thomas Croisière, DJ des petits matins, passe les disques que vous lui demandez.

La Cooperativa AMBIO, nacida en el Sureste de México en 1994, está enfocada en temáticas como la captura de carbono, la mitigación del cambio climático y el desarrollo rural de manera integral, armónica y con perspectiva de género. En esta cápsula de Radio K'inal, un técnico ambiental de dicha Cooperativa platica sobre el manejo de bonos de carbono en la región zoque de Chiapas. Los bonos de carbono son un mecanismo internacional de descontaminación, a través del cual se busca la reducción de emisiones causantes del calentamiento global y efecto invernadero. Las comunidades dueñas de bosques o selvas que determinan vender bonos de carbono reciben un pago y, a cambio, asumen responsabilidades como la realización de actividades de reforestación y el manejo forestal sustentable. ¿Sabías esto? ¡Te invitamos a conocer más sobre el tema! Puede escuchar, descargar y compartir este programa de forma gratuita. Musicalización: - Bajo responsabilidad de la producción. Voces: - Radio K'inal. Producción y guión: - Radio K'inal. Imagen: - Cultural Survival. Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

Tạp chí Cấy Nền số 01 với chủ đề Câu Chuyện Tình Yêu phiên bản Digital chuyển đổi số trên nền tảng Youtube. ĐƠN VỊ PHÁT HÀNH Cấy Nền Radio - Kênh phát thanh của Hệ sinh thái Cấy Nền Email: radiocaynen@gmail.com Điện thoại: 088 814 0997 Tổng biên tập: ĐẶNG HẰNG Phụ trách: VIỆT HẢI Phụ trách nội dung: THU LÀI Phụ trách truyền thông: TIẾN HIỆP Phụ trách sản xuất: MAI HƯƠNG Biên tập nội dung: Phượng Nguyễn,Thanh Phượng, Hồng Phương, Hồng Yến, Lâm Nhuần, Quốc Đang, Huỳnh Á, Khánh Phương, Trịnh Long, Trương Giang Biên tập sản xuất: Kiều Hải, Minh Thắng, Thanh Mai CHUYỂN ĐỔI SỐ Điều phối: Quỳnh Anh Trần Voice Talent: Phương Thảo, Kiều Hải, Hoàng Nhung, Thảo Đan, Châu Hoàng Bảo, Trần Lê Trúc, Nguyễn Minh Hòa, Huỳnh Quốc Đang, Quỳnh Anh Trần Hậu kỳ: Darius Ho Cùng các thành viên khác của Cấy Nền Radio. GÂY QUỸ ĐÓNG GÓP CHO: Cấy Nền Yêu Thương - Cấy tinh thần - Gieo giá trị Chủ nhiệm: Nguyễn Thị Thu Lài Fanpage: https://www.facebook.com/Caynenyeuthuong Email: caynenyeuthuong@gmail.com - Số tài khoản: 9106 - Ngân hàng Quân đội - MBBank - Tên tài khoản: Nguyễn Thị Thu Lài - Nội dung: [HoTen_QuyenGopQuySach_CNYT] --- ツ Kết nối với Cấy Nền Radio: ► Tik Tok: https://www.tiktok.com/@caynenradio ► Youtube duy nhất: https://www.youtube.com/c/CayNenRadio ► Fanpage Facebook: https://www.facebook.com/CayNenRadio/ ► Group Facebook: https://www.facebook.com/groups/CayNenRadio/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/caynenradio/message

“Pareciera que el mundo occidental quisiera envolver al mundo nativo, a los verdaderos hijos del maíz”. De esta manera comienza la cápsula producida por Radio K'inal en Chiapas, México, en la que se aborda el tema de la pérdida de la vestimenta tradicional por parte de las y los jóvenes Indígenas de Zinacantán. ¿Por qué las nuevas generaciones han dejado de usar la vestimenta de sus comunidades? En esta cápsula escucharemos las razones que dan varios jóvenes Indígenas, entre las cuales se encuentran la discriminación que sufren cuando migran a las ciudades y los costos elevados de los trajes tradicionales. Puede escuchar, descargar y compartir este programa de forma gratuita. Musicalización: - Bajo responsabilidad de la producción. Voces: - Radio K'inal. Producción y guión: - Radio K'inal. Imagen: - Cultural Survival. Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

El “zomé” es un adorno tradicional de la cultura zoque, presente en los Estados de Chiapas y Oaxaca en México. Este adorno, propio de las celebraciones zoques, se fabrica con una vara de caña que se envuelve en hojas de pimienta y maguey morado, además, se adorna con flores que anuncian la llegada de una festividad. De acuerdo con Freddy Muñoz, cronista zoque de Chiapas a quien se entrevista en esta cápsula, “el ‘zomé' es la vara florida por excelencia, es el resultado de un trabajo comunitario” y “con sus vistosos colores es la alegría y el recordatorio de lo sagrado. El ‘zomé' es la fiesta, es la comunalidad”. Puede escuchar, descargar y compartir este programa de forma gratuita. Musicalización: - Bajo responsabilidad de la producción. Voces: - Radio K'inal. Producción y guión: - Radio K'inal. Imagen: - Cultural Survival. Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

durée : 00:03:16 - Le cinéma de Thomas Croisière - par : Thomas CROISIERE - "Salut les guys, salut les girls, bienvenue au 5-7 karaoké club, est-ce que vous êtes làààààààà ?!" Thomas Croisière, DJ des petits matins, passe les disques que vous lui demandez.

durée : 00:03:46 - Le cinéma de Thomas Croisière - Bienvenue dans le Radioké 5/7 Club ! Thomas Croisière passe les tubes que vous voulez chanter à tue-tête le matin

durée : 00:03:19 - Le cinéma de Thomas Croisière - Bienvenue dans ce premier "5-7 radioké club", mené par Thomas Croisière ! Ils nous fait chanter sur les 5 tubes le plus demandés en karaoké !

La pandemia por Covid-19 dejó muchas secuelas en nuestros pueblos y comunidades, y aunque el número de contagios ha disminuido significativamente durante el último año, aún se viven afectaciones en ámbitos como la salud física y espiritual, el cuidado del medio ambiente, la educación, la economía y el empleo. En este noticiero producido por Radio K'inal en Chiapas, México, conocerás los problemas de salud que el Covid-19 dejó entre los pueblos Tsotsiles y escucharás a un médico tradicional, quien platica que las plantas medicinales y una buena alimentación siguen siendo efectivas para tratar enfermedades respiratorias. Además, reflexionarás sobre las secuelas a nivel espiritual que aún se viven en esta región. Puede escuchar, descargar y compartir este programa de forma gratuita. Musicalización: Música de introducción: - “Burn Your Village to the Ground” de The Halluci Nation. Derechos de autor, propiedad de The Halluci Nation. Usada bajo su permiso. Música de fondo: - Bajo responsabilidad de la producción. Voces: - Radio K'inal. Producción y edición: - Radio K'inal. Imagen: - Cultural Survival. Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

La pandemia por Covid-19 dejó muchas secuelas en nuestros pueblos y comunidades, y aunque el número de contagios ha disminuido significativamente durante el último año, aún se viven afectaciones en ámbitos como la salud física y espiritual, el cuidado del medio ambiente, la educación, la economía y el empleo. En este noticiero producido por Radio K'inal en Chiapas, México, conocerás los problemas de salud que el Covid-19 dejó entre los pueblos Tsotsiles y escucharás a un médico tradicional, quien platica que las plantas medicinales y una buena alimentación siguen siendo efectivas para tratar enfermedades respiratorias. Además, reflexionarás sobre las secuelas a nivel espiritual que aún se viven en esta región. Puede escuchar, descargar y compartir este programa de forma gratuita. Musicalización: Música de introducción: - “Burn Your Village to the Ground” de The Halluci Nation. Derechos de autor, propiedad de The Halluci Nation. Usada bajo su permiso. Música de fondo: - Bajo responsabilidad de la producción. Voces: - Radio K'inal. Producción y edición: - Radio K'inal. Imagen: - Cultural Survival. Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

Host Matthew is joined by Mae, Jack, and Jason to discuss Houston's 2022 World Series victory as well as Gopher sports in the Gopher Sports Report. Since the NASCAR season just concluded, Radio K's new resident NASCAR expert Jack Bartlett explains to listeners the ins-and-outs of the sport. No Random Rankings this episode due to time constraints.

Real College Podcast says goodbye to another reporter, Shannon Brault. Listen to her favorite pieces from her time with the podcast and Radio K!

Linus, Lif & Prästen -TSB JULSHOW! -Ocoola saker -Tappad telefon -TV & Radiokändisar och mycket annat! Patreon: https://www.patreon.com/tappadsombarn Facebookgruppen: www.facebook.com/groups/tappadsombarnpodcast/ Instagram: @tappadsombarnpodcast Youtube: "Tappad som barn" Twitch: "TappadSomBarnPodcast" Podcast: "Life of SWK" Blev du tappad som barn? TSB-KLÄDER FINNS I VÅR WEBSHOP! www.tappadsombarn.se

Is there a song that you just love? Do you have a favorite jam? Or are you a fan of a certain genre of music and will listen to anything that falls in line with it? MPR News host Angela Davis introduced us to the team at The Current behind Carbon Sound, the new music stream available online and via mobile app dedicated to celebrating Black musical expression from hip-hop and R&B to Afrobeats, funk and electronica. Carbon Sound launched on Thursday and is a collaboration between The Current and KMOJ/The Ice. The project is funded by the Corporation for Public Broadcasting. Other stations launching as part of CPB's initiative include Radio Milwaukee and WJSU-FM in Jackson, Mississippi. Guests: Julian Green is the content director of Carbon Sound. He previously served as program director at Radio K at the University of Minnesota and founded their online hip-hop stream The Vanguard. Sanni Brown is the host of Carbon Sound. She also hosts The Message, The Current's hip-hop and R&B show that airs on Wednesdays. The Message will now also be heard on Carbon Sound. She has more than 10 years of broadcast experience at stations including KMOJ-FM, KFAI-FM and 107.1 MyTalk. Andre Griffin is the community engagement specialist for Carbon Sound. He has worked as a youth mentor at Banyan Community and as a community outreach specialist for the Pan-Afrikan Student Union at Augsburg University.

Ukraina, Nato och val i höst - hur ser vi på oss själva numera? Dessutom musikalisk avslutningsspecial med Daniel Alling och koristkollegor från Radiokören. Borde Studentsången skrivas om? Vad gör en psalm till en hitlåt? Programledare Daniel Alling som alltså gör sin sista sändning i rollen som sådan. Bisittare: Louise Epstein. Hej till Nato?Krig i Ukraina, hej då till den svenska neutraliteten och hej till Nato. Hur är vår självbild efter våren 2022? Katarina Barrling, statsvetare och författare och Göran Rosenberg, journalist och författare, menar att Sverige kanske kommit lite närmare en europeisk verklighet, där krig existerar. Hör historien om "Sommarpsalm"Mattias Lundberg, professor i musikvetenskap, Uppsala Universitet, berättar historien om en av våra mest älskade avslutningspsalmer, "Sommarpsalm", som bytt melodi, skrivits om och blivit en hit. Korister från Radiokören: Jennie Eriksson Nordin, sopran, Tove Nilsson, alt och Gunnar Sundberg, tenor. Programledare: Daniel Alling Bisittare: Louise Epstein Producent: Olle Björkman

Roma là cộng đồng thiểu số lớn nhất Hungrary có nguồn gốc Romania đến Hunragy từ thế kỷ 14 là cộng đồng đối mặt với nhiều sự phân biệt vì họ cũng chính là người du mục Gypsy. Đài Dikh đang sử dụng sóng phát thanh để nâng cao vị thế và tiếng nói của người Roma nhằm xóa bỏ những định kiến và khoảng cách giữa họ với xã hội chung tại Hung. 

Nhân dịp sinh nhật 2 năm Cấy Nền Radio, được sự đồng ý của Thầy Phan Văn Trường, Cấy Nền Radio tổ chức một buổi online để tất cả các bạn thính giả có cơ hội giao lưu trực tiếp với Thầy Trường. Đây cũng là buổi tiếp nối cho chương trình Trí Tuệ & Nội Lực Show trên Cấy Nền Radio.

So kann das neue Fußballjahr doch mal starten, oder? 3:1 bei der Hertha. Auswärtssieg! Wobei im Grunde ja vieles beim alten geblieben ist. Der Effzeh spielt weiter mutig nach vorne, mit hoher Intensität und viel Leidenschaft und Anthony Modeste trifft. Merci! In der ersten Folge des neuen Jahres gibt es für euch selbstverständlich wieder die Highlights aus dem Radio Köln FC-Radio. Viele Reaktionen von Spielern und Trainer Steffen Baumgart und diesmal auch wieder einen spannenden Interviewgast: Marvin Schwäbe. Denn ganz hinten, zwischen den Pfosten, zeichnet sich ein dauerhafter Wechsel auf der Torwartposition ab. Schwäbe könnte nach rund zehn Jahren die Nummer 1 von Timo Horn übernehmen. Was er darüber denkt, wie er damit umgeht, erzählt euch Schwäbe im Interview...

Season 2.... We BACK Julian is a name you'll know if you don't already. Hailing from Milwaukee, Wisconsin he's already made a huge impact on the Minnesota music scene. DJ'ing under the alias Ech0astral he's already done a myriad of things. Starting his own radio station is amongst one of his notable achievements. Most recently he opened for Pi'erre Bourne - and Rejected Sound with Hidden Gems Alumni Mark Khan. In todays episode we talk about: Julians journey to graduation How he found inspiration for his famous grad pic His success in college Radio K and the Vangaurd DJ'ing Opening for Pi'erre Bourne Much, much more Julians instagram:https://www.instagram.com/ech0astral/?hl=en Julians Twitter #JulianArmy: https://twitter.com/vibeistan Hidden Gems Twitter: https://twitter.com/Hidden_GemsPod Hidden Gems Instagram: https://www.instagram.com/hidden_gemspod/?hl=en --- Support this podcast: https://podcasters.spotify.com/pod/show/marcus-johnson-luther/support

Host Tyler Jones (@TylerJonesLive) is joined by KMAN Radio K-State Insider John Kurtz (@jkurtz), Bryan O'Connor (@CoachBoKnowShow) & Thomas Bridges (@Thomas_Bridges).(0:30-17:50) Summer Of Jones Update: Tulsa, Nashville and Garth Brooks.(17:50-42:50) Around the NFL.(42:50-1:11:25) John Kurtz on K-State and the rest of the Big 12's future, OU and Texas to the SEC and K-STATE Football 2021 Season Preview.(1:11:25-1:50:00) Coach Bo's Football Fix Presented By O'Connor Advisory Group: Hall of Fame Weekend, Peyton Manning's future, Derek Carr wants to play to 45 and the CFB Coaches' Poll.(1:50:00-2:04:45) Big 12 Teams in the CFB Coaches' Poll.(2:04:45-2:13:00) Tom Foolery Story of the Week: How to properly poop in the woods, according to Poland.Hear it all on "The Jones Report" and make sure to subscribe/review us on Apple Podcasts, Spotify, Google, etc.!! 

From May 11, Grant and Trask wrap up their Radio K career with a great episode with lots of guests.

Sept. 27, 1982: Bad Brains/Sweet Taste of Afrika/Husker Du Almost 40 years ago, D.C. rockers Bad Brains played First Avenue with two Minnesotan openers: Sweet Taste of Afrika and Husker Du. While Husker Du are relatively well-known today, Sweet Taste of Afrika are all but forgotten. Meanwhile, Bad Brains are world-famous, but their hurtful behavior has flown under the radar. In this episode, we tease out the complicated relationship between the three bands on the bill, their genres, and their identities. This is the third episode of The Current Rewind's "10 Pivotal Days at First Avenue" season. If you missed the first two episodes, catch up below. • April 3, 1970 (The day it all began)• Nov. 28-29, 1979 (The days that told the future) Transcript of The Current Rewind season 2, episode 3: "Sept. 27, 1982" [Bad Brains' "Banned In DC"] Cecilia Johnson VO: D.C. rockers Bad Brains are among the best-known hardcore bands in history. They're famous for their live shows. Imagine a scene like this: [volume inches up] Cecilia Johnson VO: Lead singer H.R. is flailing, his voice curdled from screaming, and drummer Earl Hudson rides the cymbals hard. A song later, the band dips into reggae. The kids who were moshing just a minute ago are now letting their shoulders slump, swaying from side to side, until Dr. Know fires up the guitar again, and the audience churns back into a pit. Maybe you've experienced this in person, maybe you've just heard about it...but whatever's the case, for a lot of people, Bad Brains are one of the only Black rock bands they've heard of. Let's talk some more about that. [Icetep's "Hive Sound"] Cecilia Johnson VO: [over theme] I'm Cecilia Johnson, and this is The Current Rewind, the show putting music's unsung stories on the map. For our second season, we're exploring the history of First Avenue, the downtown Minneapolis venue that has become one of the Twin Cities' – and the country's – greatest clubs. [Icetep's "Hive Sound" crescendos, plays for several seconds, and fades down] Cecilia Johnson VO: So far, we've seen First Avenue evolve from the Depot to Uncle Sam's to Sam's. For this episode, we'll jump ahead to 1982, when Bad Brains, Sweet Taste of Afrika, and Hüsker Dü shared the Mainroom stage. We set out to tell a story about one of the most revered bands in punk music. But we ended up learning a lesson: that while representation is definitely necessary, if you treat individuals' identities as their virtues, you can actually allow them less humanity – and excuse the harm that they've done. Honestly, this episode presented a lot of challenges, and we want to let you in on them as we tell this story. So let's do that. I'm super excited to introduce our guest host for this episode. She runs the show Rock and Roll Over at the University of Minnesota's Radio K and her name is Zoë Challenger. She's definitely one of our youngest guest hosts this season, but I can already tell she has a ton of talent and wisdom to share with the world. Here she is. [rewind sound effect] Zoë Challenger VO: I'm Zoë Challenger. Being a Twin Cities native, I am embarrassed to say that my first concert at First Avenue was when Noname came to town in January of 2019. I was 19 years old, and I went alone. While I grew up with a desire for musical exploration, I did not grow up in a musical household by any means. I told my parents I was going with a friend, when in reality, I couldn't find anyone to go with me. So I draped my mother's elegant hand-me-down wool coat over my plaid skirt, crop top, and tattered stockings. I let the material confidence override any underlying social anxieties. As an only child, I've never been afraid of being alone, but walking into a venue by myself brought up new feelings. Since that night, I found myself at the First Avenue Mainroom or the 7th St Entry nearly once a week until the coronavirus pandemic hit the nation. Most of the time I would arrive alone, but over time, I would find myself running into more and more familiar faces at any given show. Maneuvering the block of 7th Street and Hennepin Avenue will always be an act of muscle memory. Over the last 50 years, First Avenue has hosted a variety of big names, but the early 1980s were jam-packed. From 1982-84, the calendar swerved from funk to punk to New Wave, with acts ranging from talkbox legends Zapp & Roger, to Minnesotan rockers the Replacements, to Bow Wow Wow, the band behind "I Want Candy." That's not to mention Prince, U2, Ray Charles, and a then-unknown Wynton Marsalis. But if you were to look through the 1980s First Ave band files that are now housed at the Minnesota Historical Society, you'd struggle to find a particular category of artists: well-known Black American rockers. The Minnesota music community has a lot of excuses for this, the most common one being, "There weren't that many Black rock bands to book." It's true that funk and soul were much more popular among Black Americans, especially those raised in the church. But it's too easy to say that Black rock wasn't a thing. In fact, according to those band files, rock-adjacent bands War, Ipso Facto, and Defunkt played First Avenue in the early '80s. But aside from the Historical Society files, those shows hardly left a paper trail, whether in microfilm archives or the internet. Which brings us to an issue at the heart of this story: which legacies last and which fade away. The story of Bad Brains is fairly well-established. The D.C. group originally banded together in the 1970s as a jazz fusion ensemble called Mind Power. After going to a Bob Marley concert and hearing the Ramones' song "Bad Brain," they were influenced enough to change not only their name but also their sound, ending up with a mix of punk rock and reggae. At this point, a pattern was beginning to form with Black musicians who dove into punk music; they were often eclectic in their genre-molding and evolution. In Minneapolis, local punk bands who'd been performing at bars like Duffy's and the Longhorn had a new room to fill: the 7th St Entry, a small space off the side of the First Avenue Mainroom. Steve McClellan: And there was just, say, we got this empty room. It's a storage area. Zoë Challenger VO: Around the same time as he opened the Entry, general manager Steve McClellan hired Chrissie Dunlap, who ended up booking the space. Chrissie Dunlap: I started out just 100 percent Steve's assistant: You know, his desk (and office generally) was just filled up with contracts, riders, promo material, you know, label stuff, cassette tapes everywhere. And I would go in there and just try to prioritize things – tell him, "This needs to be signed, this, you gotta do this." And then I would just sorta take the promo material and start promoting shows. And as time went on, a lot of that detailed stuff ended up leaving Steve's desk and [moving] over to my desk. The bands would start calling, looking for gigs, and, you know, I started out giving the info to Steve and kinda working on him with it, but he was busy doing the real talent buying, and I was there during the day more when the phone rang and people stopped by with cassettes and stuff. So I just kinda, little by little, picked it up. Zoë Challenger VO: One of the bands Chrissie would book – a lot – were Hüsker Dü, the St. Paul punk group who opened for Bad Brains at First Avenue. But that's not a huge surprise; in the '80s, they were playing upwards of 60 shows a year. Hüsker Dü guitarist Bob Mould wanted to tell us all about this era, but right when we were producing this episode, he was actually called for jury duty. While Bob did his civic duty, we grabbed a clip from the audiobook of his memoir, See A Little Light: The Trail of Rage and Melody. Bob Mould: We started the spring tour in the Midwest, with our four-year anniversary gig at First Avenue in Minneapolis. First Avenue was originally a bus depot in downtown Minneapolis. It became a nightclub in 1970, and 7th St Entry was the coat check before becoming its own 300-capacity music room. First Avenue had been a cornerstone of the Midwest rock scene for years, and to play the 1,200-capacity main room was the goal of many a Midwest musician. Zoë Challenger VO: Along with Bob, bassist Greg Norton and drummer/songwriter Grant Hart recorded their debut album Land Speed Record at the Entry in '81, and they released it via New Alliance in January 1982. Bob Mould: The band always played with purpose – there wasn't a lot of goofing around in the live shows. On the faster material, Greg would start jumping in the air or do scissor kicks. I typically wore a grave, glowering expression, digging deep into my guitar when not singing. Grant was behind the kit, looking much like Animal from the Muppet Show band, except with longer hair and bare feet. We were young and inexperienced, but we had tons of energy and were able to create a solid wall of sound. Zoë Challenger VO: In selecting this show as one of First Avenue's pivotal nights, we were excited to focus on the positive, celebrating punk heroes Hüsker Dü and Bad Brains on one bill. But it didn't turn out to be that easy. Bob Mould: There was a loose network, which we often discovered by chance, where like-minded bands would share a stage and the hometown band would offer accommodations to the traveling band. In return, when that band came to your town, you would reciprocate. Sometimes you'd run into a band that didn't understand or appreciate the idea. When Bad Brains stayed with Grant and his parents, they took Grant's pot and left behind an antigay note. Some gratitude. But once people caught the drift of those bands, they were usually shunned, and eventually they faded away. Zoë Challenger VO: Bob and Grant's sexualities were open secrets in the Minneapolis punk scene. Bob would come out as gay in a Spin article in 1994, and Grant is on record talking about his bisexuality around that time. Bob and Grant wanted to avoid becoming pigeonholed for their identities. But when you consider the scope of their experiences – and how scary the AIDS crisis was – their angry, frenetic catalog takes on new meaning. [Hüsker Dü's "Pink Turns To Blue"] Bob Mould: Gays in the hardcore punk scene were much like gays in the military. If the military says, "Don't ask, don't tell," the hardcore punk collary was, "Don't advertise, don't worry." If someone made a disparaging remark about gays, I would simply say, "That's not cool," or, "You're so ignorant." It was a way of making my feelings known without broadcasting my sexuality. Generally, there was no more homophobia in the hardcore scene than anywhere else in America, although as 1981 progressed, the media began reporting on the "gay cancer," and homophobia escalated throughout the country. Numberwise, the hardcore scene didn't seem any more or less populated by homosexuals than most major cities were. Then again, the scene attracted the margin walkers, the folks who were outside the norms of society, so maybe there was a slightly higher ratio of gays to straights. Zoë Challenger VO: According to several sources, Grant wasn't the only person Bad Brains mistreated. Lori Barbero, who drummed and sang in Babes in Toyland, remembers similar behavior toward Randy "Biscuit" Turner of Texas punk quartet the Big Boys. Lori Barbero: Think they did the same thing to one of the guys from the Big Boys down in Austin, Texas, because he was gay. And I heard kinda the same story. And it's like then don't – if you know they're gay, why would you even stay at their house? Zoë Challenger VO: In Finding Joseph I: An Oral History of H.R. from Bad Brains, punk rock activist Mark Andersen also mentions the band's mistreatment of Biscuit. He echoes Bob Mould's thoughts on margin walkers: quote, "Weren't we all in the punk rock underground because we were all different, and because none of us felt like we really belonged out there?" In 1989, Bad Brains released the song "Don't Blow Bubbles," which guitarist Dr. Know described as an "angry warning to homosexuals." One chorus goes, quote, "Don't blow no bubbles and we can stop the AIDS/ Don't blow no spikes/ Don't blow no fudge buns/ Ask Jah and he'll make the change." By this point, 100,000 cases of HIV/AIDS had been reported in the U.S., and the public health crisis would get much worse before the government approved the first antiretroviral drugs in 1995. It's shocking to hear H.R. cite "P.M.A" – Bad Brains catchphrase "Positive Mental Attitude" – in the same song as he encourages, as a fundamentalist Rastafarian, that non-straights pray the gay away. In 2007, bassist Darryl Jenifer addressed the band's past worldview with some remorse, saying, quote, "Damn right, I was a homophobe! [...] You have to grow to be wise." As more details about Bad Brains' homophobia came to light, the Current Rewind team weren't feeling too good about focusing this episode on such a disappointing group. So we turned to the third band on that night's line-up: Sweet Taste of Afrika. Before learning about the show, I had never heard of that band before, and neither had our producer, Cecilia Johnson. But we were excited to learn that they're from the Twin Cities. Joe Shalita: So I came to the Twin Cities in the '80s and I've been in – you know – participating in the music and art industry all that time. Zoë Challenger VO: This is Joe Shalita, Sweet Taste of Afrika's lead guitarist and the man the Twin Cities Daily Planet has called "the face of African music in the Twin Cities." He grew up in Uganda and moved to Minneapolis in 1979. Joe Shalita: When you grow up in Africa, you have – music is a big part of our culture – people are tilling the garden, they're always using music to till the garden or till the land. Whether they're chopping trees down, they're gonna be singing along. [Shalita laughs] Zoë Challenger VO: And when he got to Minneapolis, he found a small but strong African music scene. Joe Shalita: In those days, really, there were a whole lot of live bands, live groups of almost every genre, but Simba was the original roots-reggae band in the Twin Cities. And then there was the calypso band, which was Shangoya with the late great Peter Nelson. Then there was Sweet Taste of Afrika, which was our band, which performed strictly African music. [Sweet Taste of Afrika's "Children of the Nile"] Joe Shalita: Hassan [Omari] was our lead singer, and then there was Mr. Robert Mpambara who was on bass. He's still in the Twin Cities. I was on lead guitar and also singing, and then there was Mr. David Mutebi from Uganda also. Mr. Mpambara was from Uganda; I was from Uganda; Mr. Mutebi from Uganda. So the Ugandans dominated the band. [Shalita laughs] He played rhythm guitar. And then we had native Minnesotans who played. We had the late Paul McGee on percussion [and] Mr. Ben Hill on drums. Zoë Challenger VO: In 1980, the band helped organize an event called Afro Fest. But most of the time, they had to rely on white bookers to let them onstage. Joe Shalita: We were really stubborn, because getting into First Avenue was not easy. And I know personally, I kept harassing Mr. McClellan – Steve McClellan – and I'm sure he got tired of listening to my voice – "Is that Joe Shalita calling again?" [Shalita laughs] Steve, wherever you're listening – it's true, because I kept bugging him all the time, said, "You gotta give me a chance! Come on, man. How many times do you have an African band on your stage?" And then, fortunately, First Avenue started having these big African stars coming in to grace the stage. They had, like, Tabu Ley Rochereau was like one of the superstars of Africa [who] came to First Avenue, and I think that opened their eyes, too, to say, "Ok." I was young in those days. But eventually they let us open for some artists – Bad Brains being one of them. Zoë Challenger VO: Sweet Taste of Afrika spent a little time in the studio, but to Shalita's knowledge, none of their music was ever released to the public. Joe Shalita: There are some YouTube videos of Sweet Taste of Afrika. Have you seen them? Cecilia Johnson: I have seen them! They're so good! Joe Shalita: I know! I was skinny, with a huge Afro. [Shalita laughs] I think David and Hassan may have some recordings, but I don't have any myself. I just look at those ones on YouTube and marvel at the quality of the sound and musicianship. I was like, "What?" [Shalita laughs] Zoë Challenger VO: According to Joe, the band had some creative differences, and they broke up in 1982. Joe found work as a roadie, then learned a little sound engineering, then formed his own band, Shalita, which lasted until 1999. He rarely performs these days, but he's planning to retire in a few years, and he dreams of returning to music. Joe Shalita: Art doesn't have an age limit. That's a good thing about art. Zoë Challenger VO: After learning about Sweet Taste of Afrika, we got to thinking about the Black rock artists who work in the Twin Cities today. Some are relatively well-known, having placed in "best new band" polls or opened for bigger acts. But sooo many of them have never been in the spotlight. And as we've learned while relying on microfilm and internet archives this season, the press has the power to preserve artists' legacy. So we decided to talk back to this narrative. Our producer Cecilia met up with a few Minnesota Black rockers – Matt Slater and Himes Alexander of the Smokes, plus Nadi McGill of Gully Boys – and asked them, what musicians inspire you? What constitutes a good legacy? What do you love about rock music? Nadi McGill: Um, I feel pure joy. It's like I can feel the oxytocin rushing through my body. It feels really good. Zoë Challenger VO: Nadi drums and sings in the Minneapolis rock band Gully Boys – who've performed in the First Avenue Mainroom and many times in the Entry. [Gully Boys' "New Song No. 2"] Nadi McGill: I'd always wanted to drum. My mom said no when I was a child, of course. A past partner was a very good drummer, and he had two [or] three drum kits, so I just sat down at one of the drum sets he had set up at his house and just started playing. Cecilia Johnson: What do you think of when you hear somebody talking about rock, or like, what is rock to you? What do you feel when you're listening? Nadi McGill: Everyone's playing their own instrument, like that's – the sound you hear is the sound that is being put out, and I think that's really cool. I think that's a really awesome aspect of rock. Zoë Challenger VO: Although they're a young artist, Nadi is already thinking about legacy. Nadi McGill: I will always be loud about what I believe in, and I'm always willing to be corrected, and I just want to be known and remembered as someone who used whatever platform that I had to make Minneapolis a better and safer place. For all people, but mostly femmes – fat femmes, femmes of color – in whatever space they choose to occupy... Every opportunity that we have, I try to encourage femmes to join a band, and then I specifically make a point to encourage Black femmes to join the band, because I feel like there is a lot of gatekeeping, and there is a lot of tokenization that happens, which is very annoying. I think the best way to kinda combat that tokenism and gatekeeping is to just be loud about it, and rock music is a great way to be loud about it. And you kinda just make your own space. Zoë Challenger VO: Nadi says they've taken inspiration from other Black rockers. Nadi McGill: I was obsessed with this band called Dance Gavin Dance when I was younger. I really was into pop punk music and a little bit of emo music, and Dance Gavin Dance I loved, and then I found out their guitarist was a Black musician, and I was even more in love, because it's very rare for me to see anyone who looked like me, not only in the crowd at the shows that I would love to go to, but on stage. Also, The Smokes locally? Two Black amazing punk rockers. And my favorite is that Matthew, the drummer rocks an Afro while he's playing. They sing about racial experiences that they've had. And then I appreciate that they're transplants as well. They're not even from here, but they kinda came here, and they were like what's up, like we are here to rock. So that's amazing. Cecilia Johnson: [laughing] We are here to rock. Nadi McGill: Honestly, like they really did. I remember I saw them for the first time. It was, like, maybe a week or two weeks after they had moved here, and I was like, "Welcome! Welcome, let's do this," like, "Y'all came like riding on the pavement 100 miles per hour," and I was so stoked to have them here. [The Smokes' "2 I Luv" (demo)] Himes Alexander: Black pride is something that's difficult for a lot of people to swallow, but is inevitable as you look at the influence that Black culture has had on American society, especially. Zoë Challenger VO: That's Himes Alexander of the Smokes, a two-piece garage/punk/indie/soul band who've been performing together for about five years. Himes and his cousin Matt Slater grew up in Spokane, Washington and moved to the Twin Cities in 2017. They've learned from many Black artists around the world. Matt Slater: This is a really broad one to start with, but I really love Fela Kuti. I've always loved Fela Kuti for lots of reasons. I've got like a soft spot for funk, and he was like a – just comes off as like this African king to me. And then jumps around musically so freely, like, just like feels the spirit of the music. And it was like, oh my god. This music is so Black, so free, and so it like captures his voice so well that like even now I hear it and it just like it makes you feel good, inspires to actually say something – say something real, and it doesn't have to be like a downer. Himes Alexander: I'd like to talk about a collective like Odd Future who has a bunch of different bands, a bunch of different projects coming out of the same collective, and there's a wide range of eclectic taste when it comes to all of that. You know, Steve Lacy is doing some sort of indie thing. The Internet is electronic R&B or – and even goes outside of that, and [Earl] Sweatshirt and Tyler the Creator are enigmatic, like you can't really hold them down to one thing. Matt Slater: And then there was the drummer from – god, why can't I – Himes Alexander: Yellowcard? Matt Slater: Yeah, the drummer from Yellowcard. Who cares about Yellowcard? [The Smokes laugh] The drummer from Yellowcard was this Black dude with dreads, and it was like hell yeah, I wanna do that. I literally – I was like I didn't even like their music. I was just like yes, cool. Zoë Challenger VO: The Smokes have brought up several musicians who made an impact on them. For me, Whitney Houston, Nina Simone, and Janis Joplin have probably been my biggest musical influences. Years after Houston's death, her friend Robyn Crawford told The Guardian about their queer past, saying, quote, "Our friendship was intimate on all levels." Both Simone and Joplin also held relationships with both men and women. And going back to the beginnings of rock and roll, artists like Sister Rosetta Tharpe, Big Mama Thornton, and Little Richard experimented not only with instruments and genre, but also with their sexualities. Many beacons of musical creativity have occupied many different identities – there is no "prime" or perfect human being, whatever H.R. or anyone else might say. Like it or not, Bad Brains are part of rock history. It's true that their actions were garbage. But it's also true that they inspired members of Fishbone, Rage Against the Machine, ho99o9, and many more groups to make rock music. They played First Avenue during a complicated and sometimes tense time in the club's history, with respect to race. Many of the Black bands who played there were not supported by press, radio play, or strong ticket sales, and community members noticed. In fact, one of the people who would've been paying attention was Prince. Cecilia Johnson VO: Thank you, Zoë. In 1983, the year after the Bad Brains show, Prince would take the First Avenue stage to change the club – and music history – forever. As we'll see in our next episode, the artist who catapulted First Ave from a well-known local rock club to an international destination was a genre-fluid Black rocker. And that was no coincidence. [Icetep's "Hive Sound"] Cecilia Johnson VO: This episode of The Current Rewind was hosted by Zoë Challenger and me, Cecilia Johnson. I produced this episode, with research and consulting by Taylor Seaberg. Marisa Morseth is our research assistant, and Jay Gabler is our editor. Our theme music is the song "Hive Sound" by Icetep. This episode was mixed by Johnny Vince Evans. Thank you to Brett Baldwin, Rick Carlson, Matthew Gallaway, Dirim Onyeneho, Jackie Renzetti, David Safar, and Jesse Wiza for additional support. If you'd like to learn more about Hüsker Dü, check out The Current's five-part podcast Do You Remember. If you enjoyed this episode, please rate and review our show on Apple Podcasts, or tell a fellow music fan it's out there. To get in touch, please send an email to rewind@thecurrent.org. To find a transcript of this episode, go to thecurrent.org/rewind. And thanks for rolling with these mid-season changes. We have one more episode hosted by Mark Wheat next week, and after that, we'll share a bonus episode about his personal connection to First Avenue. I miss him already, and I know you might, too. The Current Rewind is made possible in part by the Minnesota Legacy Amendment's Arts and Cultural Heritage Fund. It is a production of Minnesota Public Radio's The Current. The Current Rewind goes to First Avenue Rock and Roll Book Club: Bob Mould's 'See a Little Light'

What's it like running a college radio station in fall 2020, as students return to campus amidst the ongoing coronavirus pandemic? Jay Gabler talked with Julian Green, program director of Radio K at the University of Minnesota.

Geschafft! Durch das 1:1 gegen Frankfurt ist der Effzeh den letzten Schritt aus eigener Kraft über die Ziellinie gegangen. Der Klassenerhalt ist gesichert. Grund genug für die beiden FC-Reporter Alexander Haubrichs vom Express und Guido Ostrowski von Radio Köln zu gratulieren und Bilanz zu ziehen. Was waren die entscheidenden Faktoren? Welchen Anteil haben Trainer Gisdol und Geschäftsführer Heldt? Warum hat es sich hinten raus nach der Corona-Pause so gezogen? Viel Gesprächsstoff für Alex und Guido, die aber auch nach vorne blicken. Welche Konsequenzen könnten aus der schwierigen Saison mit vielen Höhen und Tiefen gezogen werden? Wie schweirig gestaltet sich die Kaderplanung, insbesondere bei Mark Uth? Und wie sieht es mit der Zukunft von Gisdol und Heldt aus?

Und noch immer ist der Effzeh nicht über der Ziellinie, der Klassenerhalt nicht sicher, weil die Jungs von Markus Gisdol gegen Union Berlin eben nicht, wie angekündigt, den Sack zu gemacht haben. Wie auch, wenn der Gegner mehr investiert, wenn er zum Beispiel insgesamt neun Kilometer mehr läuft? Die 1:2-Niederlage wirft bei den beiden FC-Reportern Alexander Haubrichs vom Express und Guido Ostrowski von Radio Köln viele Fragen auf, über die leidenschaftlich diskutiert wird. Kann die Mannschaft im Moment nicht besser spielen oder fehlt es gar an der Bereitschaft mehr Leistung zu bringen? Alex und Guido stellen vor allem die Charakterfrage in den Mittelpunkt dieser Folge. Und wie sehen eigentlich Trainer Markus Gisdol und Geschäftsführer Horst Heldt den Negativtrend? Und was erwarten die beiden für das anstehende Derby in Leverkusen von der Mannschaft? Hört selbst!

Und mühsam ernährt sich das Eichhörnchen, ja oder eben das Geißböckchen. Nüsschen für Nüsschen, Pünktchen für Pünktchen zum Klassenerhalt. Eine Überlebenstaktik die nicht mehr den Zauber der Erfolgsära vor Corona hat, den Effzeh aber trotzdem immer näher ans Ziel bringt. So auch das 1:1 in Augsburg, das die beiden FC-Experten Alexander Haubrichs vom Express und Guido Ostrowski von Radio Köln für euch, wie gewohnt, analysieren. Ist es eine gewonner Punkt oder muss sich der Effzeh ärgern, weil er die Führung kurz vor Schluss noch aus der Hand gegeben hat? Hört dazu auch Trainer Markus Gisdol und Geschäftsführer Horst Heldt. Außerdem geht es in der neuen Folge um eine mögliche Vertragsverlängerung bei Jhon Cordoba, über die Aussichten nächste Saison wieder vor Fans spielen zu können, aber vor allem natürlich auch das nächste Spiel gegen Union Berlin. Gelingt endlich der erste Sieg seit dem Restart und damit auch die Revange für das völlig verkorkste Hinspiel?

Wenn's mal wieder länger dauert! Der Effzeh tritt auf dem Weg zum Klassenerhalt auf der Stelle. Weder gegen Hoffenheim, noch gegen Leipzig konnten weitere Punkte geholt werden. Der Vorsprung auf die Abstiegsplätze ist ein wenig kleiner geworden. Doch was sind die Gründe und was die Lehren, die die Mannschaft um Markus Gisdol aus den beiden Niederlagen ziehen kann und muss? Und wird der Abstiegskampf jetzt doch noch mal zur Zitterpartie? Die beiden FC-Experten Alexander Haubrichs vom Express und Guido Ostrowski von Radio Köln geben euch Antworten und lassen wie immer auch FC-Protagonisten zu Wort kommen. Außerdem gibt es den Ausblick auf das nächste Spiel in Augsburg.

Was für ein Start in die neue Saison!6:5 nach Elfmeterschießen gegen Wehen Wiesbaden, die 1. Runde des DFB-Pokals war nichts für schwache Nerven. Ist nochmal gut gegangen. Auch dank Elfmeterkiller Timo Horn und einem coolen Neuzugang Birger Verstraete, der den entscheidenden Treffer erzielt hat.Aber heißt gut gegangen auch gut genug für den Bundesligastart mit einem schweren Auswärtsspiel beim VfL Wolfsburg? Die beiden FC-Experten Alex und Guido schauen genau hin und besprechen die Erkenntnisse aus dem Pokalspiel. Guido aus dem Radio Köln-Studio und Alex aus seinem Ferienhaus in Dänemark. Bisschen Erholung muss ja auch mal sein ;-)