Podcasts about Roots music

Making a Scene Presents an Interview with Todd Mack For more than 40 years, singer-songwriter, producer, and community-builder Todd Mack has followed the road less traveled, creating a life in music that has taken him across continents, cultures, and unexpected stages. His songs have carried him far beyond the usual club and theater circuit, with performances at the famed Hong Kong Foreign Correspondents' Club, a bomb shelter in Israel, a remote island in Fiji, an olive grove in the West Bank, and the Taichung Jazz Festival in Taiwan. Wherever he has traveled, Mack has used music as a bridge: a way to connect, listen, tell stories, and find common ground. http://www.makingascene.org

On this week's show, we spend quality time with new records by Low Cut Connie & River Shook, spin fresh tracks from Billy Strings, U2 & Phoebe Bridgers, and celebrate 25 years of The White Stripes' White Blood Cells. All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this episode of The Bandwich Tapes, I sit down with John Cowan, a musician whose voice has been part of my own musical memory since I first heard New Grass Revival as a kid at the Georgia Mountain Fair in Hiawassee, Georgia.John and I talk about his early influences, from Paul McCartney and Duck Dunn to Leon Russell, and how he developed as both a singer and a bass player. We also dig into the specific challenge of singing lead while holding down the low end, especially when the bass part and vocal line are moving in different rhythmic directions.The conversation moves through John's years with New Grass Revival, his deep admiration for Sam Bush's rhythm, and the way bluegrass taught him the power of simplicity. John also reflects on finding his own voice after years of being able to imitate other singers, and how joining New Grass Revival forced him to become himself as a vocalist.We also talk about his work with The Doobie Brothers, his respect for Tiran Porter's bass lines, singing harmony, working with Andrea Zonn, Luke Bulla, and The HercuLeons, and the gratitude that comes from a life spent standing beside remarkable musicians.Key Takeaways  • John reflects on the impact of New Grass Revival and how joining the band helped him discover his own voice.  • He talks about the challenge of singing lead while playing bass, especially when the bass line is syncopated.  • Paul McCartney, Duck Dunn, Leon Russell, Little Feat, Stevie Wonder, and Gregg Allman all shaped John's early musical world.  • Playing bluegrass taught John the beauty and power of simplicity.  • John describes Sam Bush as one of the greatest rhythmic forces in bluegrass music.  • His role with The Doobie Brothers gives him the chance to honor Tiran Porter's melodic and highly musical bass parts.  • John speaks openly about recovery, community, discipline, and the work of becoming a better person over time.Music from the Episode  Georgia Rhythm - John CowanDevil Woman - John CowanHold to a Dream - New Grass RevivalYou Plant Your Fields - New Grass RevivalTake Me to the Alley - The HerculeonsI'm Just Not Ready - John Cowan  About the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, producer, studio builder, and longtime Austin music figure Hank Alrich for a conversation about songs, sound, family, and the long arc of a creative life.Hank talks about his early years as a working folk singer, his time building a recording studio inside Armadillo World Headquarters, and eventually taking the helm of that legendary Austin venue in the late 1970s. Along the way, he reflects on the kind of musical education that comes from being surrounded by country, blues, folk, jazz, funk, and experimental music all in the same room.We spend a good bit of time with Hank's album Broken River, especially the way it balances polish and looseness. Hank shares how he approaches recording with a live band, why he values trusted collaborators, and how his daughter Shaidri has become an essential musical voice in his work.This is a conversation about writing only when the song demands it, letting musicians play together in real time, and learning to respect the crack in the performance where the light gets in.Key Takeaways • Hank's first professional gig was as a house folk singer, playing six sets a night, seven nights a week. • His work at Armadillo World Headquarters gave him a broad musical education across folk, country, blues, jazz, funk, and beyond. • Broken River brings together songs from different periods of Hank's writing life. • Hank values live recording because of the human, almost metaphysical connection between musicians in the room. • His daughter Shaidri plays an important role as a harmony singer, collaborator, and trusted set of ears. • Hank sees production as a team effort, with every musician and engineer contributing to the final shape of the song. • The conversation explores the difference between perfection and completion in making records.Music from the EpisodeI Hate to See That Evening Sun Go Down - Hank AlrichThe Perfect Hat - Hank AlrichShe Had Whiskey For Dinner - Hank AlrichBroken River - Hank AlrichAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

Making a Scene Presents an Interview with Maura Dunst Maura is a Minnesota-based multi-instrumentalist, vocalist, and songwriter whose work moves with ease through bluegrass, Americana, roots, and folk. Known for her expressive fiddle and mandolin playing, strong harmony instincts, and sharp songwriting voice, she brings both fire and feel to every stage she steps onto. http://www.makingascene.org

Making a Scene Presents an Interview with Kat Blue KAT Blue & The True Believers are a blues band built on fire, feel, and full-throttle conviction. Their new EP, Clock Strikes Blue, captures a group locked into what KAT calls an “all asides, all the time” spirit: no half-measures, no phoning it in, just hard-hitting blues played with purpose. http://www.makingascene.org

This episode was recorded on May 17th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Paul Thorn, Ray Benson, Sunny Sweeney, Andy Friedman. https://bit.ly/4afWiMG⁠

On this week's show, we celebrate Pride Month and Juneteenth loudly and proudly, spend quality time with new records from Kurt Vile, Elephant Gerald, and Bruce Springsteen, and spin fresh tracks from Jack White, The Last Dinner Party, and Cigarettes After Sex. All this & much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on April 3rd, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Chris Smither, Joan Shelley, Yarn, Calvin Arsenia, Hudost. ⁠https://bit.ly/4vsZEnH

We're firing up the Mountain Stage time machine once again to look back two decades to the year 2006. Host Kathy Mattea revisits sets from The Derek Trucks Band, Bettye LaVette, Soulive (featuring Reggie Watts), Grace Potter & the Nocturnals, and more, all recorded live on Mountain Stage. https://bit.ly/4xBxqcv

Welcome to Episode 327 of Blues From The Ouse.This week we're heading down to the roadhouse for two hours of outstanding blues, blues-rock and roots music. Along the way we feature brand-new music from Gráinne Duffy, Billy F Gibbons, Robert Jon & The Wreck, GA-20 & Charlie Musselwhite and rising star Harrell "Young Rell" Davenport.Our Roadhouse Blues feature takes in The Paladins, The Record Company, Moreland & Arbuckle, The Cold Stares, Scott H. Biram, The Reverend Peyton's Big Damn Band, Left Lane Cruiser and Johnny Winter, capturing the raw spirit of late-night blues clubs, dusty highways and neon-lit bars.The second hour includes listener favourites from John Mayall & The Bluesbreakers, Beth Hart & Joe Bonamassa, John Lee Hooker, Gary Moore, R.L. Burnside, Richard Townend & The Mighty Bosscats and more.Featuring:Gráinne Duffy • Billy F Gibbons • GA-20 • Charlie Musselwhite • Robert Jon & The Wreck • Johnny Winter • John Mayall • Beth Hart • Joe Bonamassa • John Lee Hooker • Gary Moore • R.L. Burnside and many more.Blues From The Ouse #327 Playlist:Blues From The Ouse - Show Opener - 00:00:00Gráinne Duffy - Streets Of Love - 00:01:36Jumping Matt & His Combo - Jumping Matt Jumps - 00:04:57Billy F Gibbons - Brown Paper Bag - 00:07:54Robert Jon & The Wreck - Arroyo - 00:11:48GA-20 with Charlie Musselwhite - I Can't Hold Out - 00:15:49Harrell "Young Rell" Davenport - Giving Me The Blues - 00:19:09The Paladins - Let's Buzz - 00:23:13The Record Company - Off The Ground - 00:28:01Moreland & Arbuckle - Tall Boogie - 00:32:17The Cold Stares - Mojo Hand - 00:36:14Scott H. Biram - Blood Sweat & Murder - 00:39:19The Reverend Peyton's Big Damn Band - Clap Your Hands - 00:42:32Left Lane Cruiser - Heavy Honey - 00:46:57Johnny Winter - Hideaway - 00:50:22John Mayall & The Bluesbreakers - All Your Love - 00:56:23 GA-20 with Charlie Musselwhite - Crazy Love - 01:01:04The Neil Sadler Band - 40 Miles Of Bad Road - 01:04:17Mail The Horse - Magnolia - 01:09:30Beth Hart & Joe Bonamassa - Chocolate Jesus - 01:14:17The V.I.P.'s - Stagger Lee - 01:17:51R.L. Burnside & John Spencer Blues Explosion - Boogie Chillen - 01:24:11Richard Townend And The Mighty Bosscats - Doin Time - 01:26:32John Lee Hooker - Motor City's Burning - 01:30:59Gary Moore - Still Got The Blues - 01:33:50Link Wray - Rise And Fall Of Jimmy Stokes - 01:37:49 Shuggie Otis - Sweet Thang - 01:41:51Amani Burnham - Fastlane - 01:45:31Blues Podcast, Blues Radio Show, Roadhouse Blues, Blues Rock, Chicago Blues, Hill Country Blues, GA-20, Charlie Musselwhite, Billy F Gibbons, Johnny Winter, John Lee Hooker, Gary Moore, Robert Jon and The Wreck, Blues Music, Modern Blues, Roots Music, Southern Rock, Americana, Independent Radio, UK BluesBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

This episode was recorded on March 22nd, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Patrick Watson, John Gorka, Anna Tivel, Shelby Means, and Liza Lo. https://bit.ly/4vsZEnH

Making a Scene Presents an Interview with Stacy Mitchhart Stacy Mitchhart's musical journey began in Cincinnati, Ohio, in a house where jazz guitar masters like Wes Montgomery and Johnny Smith were always spinning on the stereo. With that kind of soundtrack in the air, it was only natural that he gravitated toward the guitar. But it wasn't just the notes that grabbed him early—it was the performance. As a kid, he saw Little Richard on television and couldn't look away. Little Richard's style, confidence, and larger-than-life showmanship opened Stacy's eyes to a powerful idea: music isn't only something you play—it's something you deliver. That lesson became a lifelong part of Mitchhart's identity, and today he's known for a brand of showmanship that keeps audiences coming back night after night. http://www.makingascene.org

Making a Scene Presents an Interview with Sawtooth Witch Sawtooth Witch was born out of restlessness and the open road. After years of crisscrossing the country with a string of bands, multi-instrumentalist and singer-songwriter Pat "Doc" Dougherty found himself chasing something he couldn't quite name — a sound that lived somewhere between the genres he'd spent a lifetime soaking in. He found the missing piece when he reconnected with old friend and collaborator Haley Fleming, whose fiddle playing carried the ghost of Appalachian hollers and the grit of a late-night juke joint in equal measure. Together, they started building something that didn't fit neatly into any box — and that was exactly the point. http://www.makingascene.org

This episode was recorded on April 19th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Duane Betts & Palmetto Motel, John Pizzarelli, Peter Case, Mollie O'Brien & Rich Moore, Jedd Hughes. https://bit.ly/4wLZPMh

On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this episode of The Bandwich Tapes, I sit down with Michael Bacon for a conversation that moves naturally through songwriting, teaching, film scoring, orchestration, and the long arc of a creative life.Michael reflects on the musical education that shaped him, both formal and informal. He talks about returning to Lehman as an adult to fill in gaps in theory, harmony, counterpoint, and music history, and about the profound influence of composer John Corigliano. We also dig into Michael's early life in Philadelphia, where public school music programs, orchestral experiences, folk music, and an extraordinary listening environment at home all helped form his wide musical palette.One of my favorite parts of this conversation is hearing Michael talk about range: why he is drawn to music that can be beautiful, unsettling, lyrical, loud, delicate, and emotionally direct all at once. That idea connects everything he does, from songwriting with The Bacon Brothers to his work as a film composer and orchestrator. He has no interest in staying in one narrow lane, and that comes through clearly in the way he describes both his influences and his process.We also spend time on collaboration: co-writing in Nashville, writing with his brother Kevin Bacon, adding Mayer to the band, and the trust required to make any long-running musical partnership work. By the end of the conversation, what stands out most is Michael's clarity about what sustains a creative life: deep listening, family support, musical curiosity, and the willingness to keep showing up for the work.Key TakeawaysMichael Bacon balances multiple musical identities: songwriter, film composer, educator, orchestrator, and performer.He studied at Lehman College, and his time with John Corigliano helped strengthen the technical foundation behind his creative instincts.Growing up in Philadelphia, surrounded by music at home and in public school programs, had a lasting impact on his musical language.His values range in music—beauty, tension, melody, fear, dynamics, and emotional contrast all matter to him as a composer.His songwriting process differs depending on the setting, from structured Nashville co-writes to more personal, experience-driven songs.Collaboration in The Bacon Brothers works because Michael and Kevin bring different strengths, influences, and instincts to the same songs.Writing for orchestra remains one of Michael's deepest creative joys, especially when he can bring that world into live performance.Music from the EpisodePut Your Hand Up - The Bacon BrothersAirport Bar - The Bacon BrothersPeople in the World - The Bacon BrothersAbout the PodcastThe Bandwich Tapes is a podcast hosted by me, Brad Williams, featuring thoughtful conversations with musicians, songwriters, composers, and artists about craft, creativity, collaboration, and the stories behind the music.Connect with the ShowEmail: contact@thebandwichtapes.com

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Episode SummaryOn this episode of The Bandwich Tapes, I sit down with Liam Duncan, the Winnipeg singer-songwriter, producer, and bandleader better known as Boy Golden. Liam has been carving out a distinct lane in modern roots music through records like Church of Better Daze, For Jimmy, For Eden, and now Best of Our Possible Lives, his 2026 album released by Six Shooter Records. Along the way, he has earned major recognition in Canada, including a Juno nomination for For Eden and a Canadian Folk Music Award, while continuing to grow as both an artist and a producer.  We begin with the new album itself, which feels relaxed on first listen but reveals a deeper level of craft the more time you spend with it. Liam talks about the balance between intentional songwriting and the freedom of a loose studio environment, and he explains how careful pre-production gave the band room to breathe once the red light was on. That combination of structure and openness runs through the whole conversation.We spend a good stretch of time on the making of Best of Our Possible Lives, including Liam's collaboration with co-producer Robbie Lackritz and a remarkable studio cast that includes Pino Palladino, Abe Rounds, Austin Parachoniak, FONTINE, Gabe Noel, and Joseph Shabason. Liam shares what it was like to sing and play inside a rhythm section that strong, how live the sessions really were, and why letting go of technical responsibilities helped him become a better performer in the room. The result is a record that feels warm, human, and deeply played.  From there, the conversation opens out into larger questions about communication, collaboration, songwriting, and identity. Liam talks about learning to speak differently to different musicians, the value of being both a bandleader and a sideman, and why he does not feel especially tied to recreating his records onstage. We also get into the meaning behind the name Boy Golden, the freedom of writing through an alter ego, and the way fiction, metaphor, and autobiography all live together inside a song.What I love about this conversation is that Liam is thoughtful without sounding guarded. He is clearly serious about songs, sound, and arrangement, but he also leaves room for instinct, humor, and surprise. This episode is about more than one record. It is about what happens when an artist learns to prepare deeply, trust the people around him, and leave enough space for the music to become what it wants to become.Key TakeawaysLiam built Best of Our Possible Lives through a mix of deliberate songcraft and a relaxed, collaborative studio process.Working with players like Pino Palladino and Abe Rounds gave the music a rhythmic center that made everything else feel easier to sing and play over.Sharing production duties with Robbie Lackritz allowed Liam to step away from technical tasks and focus more fully on performance.  He adjusts how he communicates musical ideas depending on the player, whether that means theory, feel-based language, or simply playing something through a few more times.The Boy Golden name gave Liam more artistic freedom than writing under his own name, especially in how he blends truth, fiction, and storytelling.He values live performance as an art form in its own right and is not especially interested in reproducing studio recordings exactly onstage.He is already thinking ahead creatively, including new writing methods and experiments with combining multiple song ideas into larger suites.Music from the EpisodeBoy Golden - You Got itBoy Golden - SufferBoy Golden - The Matter at HandBoy Golden - Best of Our Possible LivesBoy Golden - ChickadeeAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative thinkers for thoughtful conversations about craft, collaboration, career, and the deeper philosophy of making music. It is a space for stories, process, and the lived experience behind the work.Connect with the ShowEmail: contact@thebandwichtapes.com

On this week's show, we spend quality time with superlative new records by Parlor Greens and Robyn, spin fresh tracks from Massive Attack with Tom Waits, S.G. Goodman and Angine de Poitrine, and commemorate the 50th anniversary of The Ramones' iconic self-titled debut. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on March 8th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Cyril Neville, Deke Dickerson & Los Straitjackets, Sons of Town Hall, Amanda Pascali. https://bit.ly/3OyzFLX

This episode was recorded on March 1st, 2026 at the Templeton-Blackburn Alumni Memorial Auditorium in Athens, Ohio. The lineup includes The Steel Wheels, Sam Weber, Peter Holsapple, Lily Talmers, Rylee Bapst Band. https://bit.ly/4dXq37H

This episode was recorded on February 22nd, 2026 at the Joan C. Edwards PAC in Charleston, WV. The lineup includes Stephen Kellogg, Emily Scott Robinson, Joe Troop & The Truth Machine, Kindred Valley, Corduroy Brown. https://bit.ly/4mHj455

On this week's show, we spend quality time with new records from Johnny Blue Skies & The Dark Clouds, Adeem The Artist, Courtney Barnett, and The Long Ryders, and spin fresh tracks from Bruce Springsteen, U2, Low Cut Connie, and Michael Stipe. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on February 15th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Solas, Tim O'Brien & Jan Fabricius, Amanda Cook Band, Clymer & Kurtz, Darrin Hacquard. https://bit.ly/41NZrP8

As is often the case, songwriter Mike Westbrook was referred to me by a fellow songwriter.  Relatively new to theHeartland via Louisiana and Oregon, Westbrook came to songwriting in his mid-20's and is actively pursuing the muse and a lyrical life.    The youngest of three in a family not knownfor pursuing music as a vocation or even a hobby, Mike is finding his way by writing new songs and is open to performance opportunities friendly to Country and Roots Music.  It was an honor to provide him the opportunity to make his radio debut and introduce him to other like-minded artists at a recent monthly Heartland Song Network Song Sanctuaryevent.  I look forward to witnessing Mike finding his musical way and will be happy to invite him back to the airwaves ashe sees fit.  Enjoy this introduction to and musical performance by Mike Westbrook.  

This episode was recorded on January 18th, 2026 at the Canady Creative Arts Center at West Virginia University in Morgantown, WV. The lineup includes Don Was & The Pan-Detroit Ensemble, Vienna Teng, Joe Crookston, and William Matheny. https://bit.ly/4lZrAvO

This episode was recorded on December 7th, 2025 at the Culture Center Theater in Charleston, WV. The lineup includes The Bacon Brothers, Shawn Camp, Rose Cousins, Tessa McCoy & The State Birds, and Mark Erelli. https://bit.ly/4c0FV7X

On this week's show, our good friend, Charlotte Observer columnist, and author of Finding Your Walden: How to Strive Less, Simplify More & Embrace What Matters Most  Jen Tota-McGivney joins us for the very 4th time to share her 2026 Oscars picks. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this week's show, we spend quality time with new records from Cordovas, Meels and Ratboys, spin fresh tracks from The Long Ryders, Delvon Lamarr Organ Trio and Labi Siffre, and get downright spooky in two very different ways. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

I sat down with Janie Barnett, a singer, songwriter, arranger, and educator whose career reflects a steady commitment to saying yes to what fits and no to what does not.We begin with her roots in the Greater Washington area, where summers at the Smithsonian Folklife Festival and early exposure to roots music shaped her ear. Moving to New York was a shock. The city carried a gritty, post-Patti Smith energy and felt like a long search for a new urban Americana sound. Janie found her footing through community, especially friendships with Robin Batteau and Kenny White. Session work, including jingles, gave her financial stability and the freedom to keep her songwriting honest rather than chasing a paycheck through her own music.We talk about life behind the scenes and what it taught her about leadership. Janie shares stories from sessions with Linda Ronstadt and a career highlight singing background vocals on Saturday Night Live with Rickie Lee Jones, one of her musical heroes. Being on the team shaped how she leads her own bands, creating rooms where musicians feel respected and invited to contribute.She also reflects on how becoming a parent changed her artistry. Her songs deepened, her priorities clarified, and the work stopped feeling precious in the face of real life.We spend time on her project Under My Skin, a reimagining of Cole Porter through an acoustic Americana lens. What began as a guitar idea for I've Got You Under My Skin grew into a pandemic-era collaboration with an extraordinary group of musicians, including Carmela Ramsey and Jerry Douglas, many of whom recorded from home studios. The album proves Porter's writing is timeless, and Janie's voice brings it all together.We close with her work at Berklee, where she mentors singer-songwriters and leads ensembles. She speaks candidly about the pressures of constant content and social media, and the importance of building real community and a live musical life. Looking ahead, she is planning a vinyl release of the Cole Porter project, aiming for a show around Porter's birthday in June, and working toward a new record of original songs with a clearer strategy for getting it into the world.Music from the Episode:LIfe Is Long and Then It's Not (Janie Barnett)Delaware Bridge (Janie Barnett)If You Were Here (Janie Barnett)I've Got You Under My Skin (Janie Barnett)Night and Day  (Janie Barnett with Keith Sewell)You're the Top (Janie Barnett with Catherine Russell)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Welcome to the first of hopefully many shorter episodes of Roots Music Rambler, we're calling our Backstage with episodes. These are short interviews Frank and Falls are able to grab backstage (or just somewhere in person rather than on our virtual, longer-form interview episodes) and catch up briefly. Our first such episode is with Josh Mitcham. The Breckenridge County, Kentucky native and farmer has a new solo album coming out in June called Gonna Be Alright. He's dropped a couple of singles from the album already and the sound is a level up from previous work as he brought the Alabama Sound Company to the table to produce the album. Josh is the former frontman for Jericho Woods and a 2026 Kentucky Music Hall of Fame Ambassador.  Falls caught him backstage at the Mercury Ballroom in early February, getting ready to open for Sundy Best. The two talked about the new songs and album, Josh's approach to promoting the music and a lot more.  Find Josh Mitcham online at joshmitcham.com, on Spotify, Instagram and Facebook.  Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Josh Mitcham online Josh Mitcham on Spotify Josh Mitcham on Instagram Josh Mitcham on Facebook The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, we spend quality time with superlative new records from Lucinda Williams and Langhorne Slim, spin fresh tracks from Snail Mail, Courtney Barnett and King Tuff, and fight the power with Bruce Springsteen, Billy Bragg & Low Cut Connie. All this and much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this week's show we catch up with The Replacements' Let It Be Deluxe Edition box set, wake up to records we slept on from Jeff Tweedy and Hayley Williams and pour one out some musical icons who left us in the last quarter of 2025. All this and much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Five Faves: 2005 Edition Executive producer Adam Harris walks us through some of the most memorable sets and performances from his first season with Mountain Stage, twenty short years ago. Tune in to hear The Del McCoury Band, Alison Krauss & Union Station, Lizz Wright, Guy Clark, Nanci Griffith, Odetta and more! https://bit.ly/4sptuc8

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2025  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on November 16th, 2025 at the Culture Center Theater in Charleston, WV. The lineup includes Russell Moore & IIIrd Tyme Out, Jack Blocker, Cole Quest & The City Pickers, Courtney Hartman, The Critton Hollow String Band. https://bit.ly/451Cjin

Welcome to the Merry Month of Debts-cember!Part 2 - 8 Lazy Nights VI - On this week's show, because I just didn't have it in me to pull off another extended show, we're dialing it back with one of our shortest episodes of the year! 8 songs (one for each night of Chanukah) plus a bonus track to represent the starter candle.  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this week's show, we spend quality time with the records that sparked joy, inspired us to get out of bed, face the day & conquer the world as the world continued to rage like a dumpster fire. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on November 11th, 2025 at the People's Bank Theatre in Mariette, Ohio. The lineup includes Hannah Cohen, Lera Lynn, Boulevards, Amy Millan, and Oyo. https://bit.ly/445zyvT

This episode was recorded on October 19th, 2025 at WVU's Canady Creative Arts Center in Morgantown, WV. The lineup includes SHADOWLANDS feat. John Raymond & S. Carey, TAE & The Neighborly, Ken Yates, Damn tall Buildings, Erin McKeown. https://bit.ly/3M4Zkdj

This episode was recorded on October 12th, 2025 at the Culture Center Theater in Charleston, WV. The lineup includes Craig Finn & The Band of Forgiveness, East Nash Grass, Deb Talan, Nicki Bluhm, and Two Runner. https://bit.ly/3XJq7hP

This episode was recorded on October 5th, 2025 at the Culture Center Theater in Charleston, WV. The lineup includes Jim Lauderdale & The Game Changers, Aaron Lee Tasjan, Lilly Hiatt, Joachim Cooder, and Woodbine. https://bit.ly/4qXuRhh

This week's broadcast of Mountain Stage is a Five Favorites edition featuring a collection of favorite sets from 2023, chosen by our host Kathy Mattea. This special episode includes performances by Jason Isbell, Catherine Russell, Karla Bonoff, The High Kings, and Jennifer Hartswick Band. https://bit.ly/3LokYcs

This episode was recorded on September 28th, 2025 at the Culture Center Theater in Charleston, WV. The lineup includes The Baseball Project, The Minus 5, Bob Mould, Chris Stamey, Loose Cattle. https://bit.ly/4hvWHNn

This episode was recorded on September 21st , 2025 at the Canady Creative Arts Center in Morgantown, WV. The lineup includes Chuck Prophet & His Cumbia Shoes, The SteelDrivers, Basia Bulat, The Wildwoods, and Taylor Rae.  https://bit.ly/3Wmpn1E

This episode was recorded on August 24th, 2025 at the Robinson Grand Performing Arts Center in Clarksburg, WV. The lineup includes Robert Randolph, Carolyn Wonderland, Patty Larkin, and Nellie McKay. https://bit.ly/472AlQd

This episode was recorded on August 17th, 2025 at the Culture Center Theater in Charleston, WV. The lineup includes Vanessa Collier, Margaret Glaspy, Matt Andersen, Amythyst Kiah, and Ron Sowell. https://bit.ly/3KBVSX2