Podcasts about Roots music

This episode was recorded on June 14th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Brandy Clark, Steep Canyon Rangers, Tristan, and Philip Bowen. https://bit.ly/4hjzCPF

On this week's show spend quality time with new records from Soft Science and Phoebe Bridgers, spin fresh tracks from Morphine, Caroline Rose, and The War On Drugs, and get our autumn sweaters out of storage in time for pumpkin spice season  All this and much, much less!Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on June 7th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes John R. Miller, Amy Speace, Bill Kirchen, Floyd Mercantile, and Michaela Anne. https://bit.ly/4dBFMIv

Making a Scene Presents Gerry Casey's Interview with Austin Walking CaneAustin Walkin' Cane plays what he proudly calls “Damn Fine Blues” — a gritty, soulful mix of original songs and classic Delta blues built around slide guitar, raw vocals, and the deep pull of American roots music. Whether performing solo, as a duo, or with a full electric band, Cane brings the spirit of Highway 61 to the stage with a sound that feels lived-in rather than recreated.A singer, songwriter, and slide guitarist with decades on the road, Austin Walkin' Cane has carried his music far beyond the Mississippi Delta. His touring history includes performances across Australia, Nepal, Colombia, France, Germany, England, Wales, and throughout the United States, from New Orleans to Juneau, Alaska. For much of that journey, all he needed was a guitar, a suitcase, and enough road ahead to keep moving. http://www.makingascene.org

WATCH First on YouTube: @RootsMusicHistory

Ask Jason Eady to put a label on his music and he'll take you to the back porch. If it works without electricity, it fits. The Mississippi-raised, Texas-based singer-songwriter has plenty of country in his catalog, but the blues and a laid-back Oklahoma groove are never far away. Eady joined Frank and Falls this week to talk about that mix, his latest album Tulsa Turnaround and what makes the Tulsa Sound tick. The hosts first caught him at Crossroads Acoustic Fest in April, where his songs and the stories between them left both Frank and Falls wondering why they hadn't been listening sooner. For Tulsa Turnaround, Eady enlisted John Fullbright to produce and surrounded himself with Tulsa musicians who could give the songs the feel he was chasing. It's less about showing off and more about leaving room for everybody else. The conversation runs from JJ Cale to the Gap Band, with a stop back in Mississippi for the guitar lessons that inspired “Mississippi Blues Man.” There's plenty of storytelling, too. Eady gets into the Hayes Carll road joke behind “Why I Left Atlanta,” how a show in Clarksdale grew into his Way Down in Mississippi weekend, and the perils of letting one funny song define a career. Which brings us to “The Matt Damon Song.” If you know it, you know we would ask about it. Frank and Falls also recap Flood With Love in Kentucky before settling in for the conversation. They also have their normal pickin' the grinnin' choices for music recommendations this week. Frank chose the video for Hermanos Gutiérrez's “Los Ojos Del Cóndor.” Falls pointed listeners toward singer-songwriter RJ Chesney. Find the picks online and on YouTube. Jason Eady can be found on his website, Spotify, Instagram, Facebook and YouTube, with more of his writing on Substack. Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts. Backstage Pass holders (members of our Patreon community) get episodes early and an ad-free feed. Join at patreon.com/rootsmusicrambler. Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic Rambler t-shirts, hats and stickers are now available. Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links: Get the Roots Music Rambler Backstage Pass on Patreon for early and ad-free episodes and more Jason Eady online Jason Eady on Spotify Jason Eady on Instagram Jason Eady on Facebook Jason Eady on YouTube Tulsa Turnaround on Spotify “Tulsa Turnaround” on Spotify “Mississippi Blues Man” on Spotify Crossroads Acoustic Fest online “Why I Left Atlanta” on Spotify Way Down in Mississippi weekend Jason Eady on Substack Flood With Love online The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Pickin' the Grinnin' picks: RJ Chesney online Hermanos Gutiérrez's “Los Ojos Del Cóndor” official video Subscribe to Roots Music Rambler for free on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. For early access to episode and ad-free episodes, plus bonus content, outtakes and more, join the Backstage Pass community at Patreon (https://patreon.com/rootsmusicrambler). Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Find more at rootsmusicrambler.com and join our Backstage Pass Community on Patreon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

WATCH on YouTube: @RootsMusicHistory

Making a Scene Presents an Interview with JP SoarsJP Soars has spent more than two decades building his reputation the way roots music was meant to be built: onstage, night after night, with a guitar in his hands and a road-tested sound that refuses to stay politely inside one genre. A fiery guitarist, soulful singer, and inventive songwriter, Soars moves through blues, rock and roll, Latin rhythms, country, Southern soul, and gypsy jazz with the confidence of a musician guided less by category than by feel.That wide-open musical vision comes into sharp focus on Gypsy Blue Revue, his collaboration with acclaimed Chicago-based violinist, singer, songwriter, and recording artist Anne Harris. The project brings together two restless musical spirits: Soars with his blues guitar fire and road-house grit, and Harris with a violin voice that can move from rootsy and earthy to soaring, cinematic, and nearly otherworldly. Together, they create a sound that blends Southern soul, blues, rock, Americana, country, folk, and Django Reinhardt-inspired swing into something raw, adventurous, and deeply alive. http://www.makingascene.org

Making a Scene Presents Gerry Casey's Interview with SujataSujata is a British-Indian singer and songwriter based in London. Raised in Calcutta by her musical family and steeped in the Bengali Folk Music tradition, her focus moved to Pop and Rock soon after she settled in England. Inspired by Janis Joplin, Dolly Parton, Aretha Franklin, George Harrison and her own cross-cultural upbringing, Sujata's songs present a unique fusion of Rock, Pop, Blues and Indian sounds – sitars and tablas with guitars and drums. Her powerful, potent lyrics reflect the challenges of life and honour the human spirit. On the subject of songwriting, Sujata states “If there's something I want to say, but can't for whatever reason – I turn it into a song”. http://www.makingascene.org

Coming this fall, listen in for American Songcatcher's "Roots Music Revue", the first live radio show centered on Appalachian music history, recorded at the Earl Scruggs Center in Shelby, NC and syndicated on NPR'S WNCW and online at WNCW.org.  Season 1 Lineup: September 24th | Leah Song (of Rising Appalachia) TICKETS October 29th | Travis Book (of The Infamous Stringdusters) TICKETS November 19th | Melissa McKinney (of MAMA) TICKETS   Here's to the songs of old, may they live on forever.    Follow American Songcatcher Now a flagship program of the 501c3 nonprofit ReString Appalachia

Episode 843 visits The Band Jam Grass Roots Festival, featuring Western PA musicians, artist interviews, live music and original songs from local bands. The post The Band Jam Grass Roots Music Festival Interviews | PA Music Scene | the Pennsylvania Rock Show 843 first appeared on Build the Scene.

On this episode of The Bandwich Tapes, I sit down with SAVNT, lead singer of Ghost Hounds, for a conversation about the band's new album Justified, vocal interpretation, storytelling, musical identity, and the unexpected path that brought him into the group.We spend a lot of time talking about SAVNT's approach as a singer. Sam Cooke was one of his earliest and most important influences, but his musical upbringing was much broader than any one genre. Soul, rock, country, and pop all existed together in his home, and that openness still shapes the way he hears music today. As SAVNT puts it during our conversation, “soul is not a genre, it's a feeling.” That idea becomes a through line for much of the episode.We also get deep into the songwriting and recording process behind Ghost Hounds. SAVNT talks about working with Thomas Tull, who often approaches songs almost like a screenwriter, building characters, circumstances, and emotional backstories before SAVNT ever steps to the microphone. From there, the challenge becomes finding that character's truth and connecting it to something real in his own life. We talk about why he prefers singing complete takes in the studio and why he sometimes keeps recording even after everyone else thinks they already have the vocal.The story of how SAVNT joined Ghost Hounds is remarkable. After deciding to leave New York and move to Denver, one final performance in Brooklyn put him in front of the band's former lead singer, who recommended him for the job. Only months later, SAVNT was touring with The Rolling Stones, meeting artists including Lainey Wilson and Patty Griffin, and eventually performing at the Grand Ole Opry. He and drummer Sydney Driver even joined the band on the same day, giving both of them someone else to navigate that transition alongside.We also break down several songs on Justified, including “Sinner's Prayer,” “Pale Horse,” “Something Wicked,” “After You,” and the band's versions of “Gimme Shelter,” “Going Down,” and “Amazing Grace.” SAVNT explains why those older songs naturally became part of the album and why closing the record with “Amazing Grace” gives the entire project an emotional and spiritual destination. It's a conversation about roots music, perseverance, collaboration, and what happens when a singer stops thinking about genre and starts thinking about truth.Key TakeawaysSAVNT's vocal identity comes from an unusually broad musical foundation. Sam Cooke was a formative influence, but country, rock, soul, pop, and other styles were all part of his listening life from an early age.For SAVNT, soul is bigger than a genre. If a folk, bluegrass, country, rock, or jazz performance communicates something real enough to make him feel it, he considers that soul.Ghost Hounds approach songs as stories first. Thomas Tull often gives SAVNT detailed character and emotional context, allowing him to approach the vocal almost like an actor trying to find the truth of a role.SAVNT prefers recording complete vocal performances whenever possible. Singing the full song allows him to build naturally toward its emotional peaks instead of assembling the performance one isolated section at a time.Joining Ghost Hounds was the result of an unlikely chain of events. A final Brooklyn performance before SAVNT planned to move to Denver led to a recommendation, an audition, and ultimately a meeting with the band on January 1, 2024.SAVNT and drummer Sydney Driver joined Ghost Hounds on the same day. Their musical connection quickly became important, with SAVNT describing Sydney as an anchor whose playing helps guide his entrances and phrasing onstage.Justified developed organically rather than according to a rigid plan. Covers including “Gimme Shelter,” “Going Down,” and “Amazing Grace” were originally recorded without certainty that they would become part of an album, but eventually the music itself seemed to determine where they belonged.Songs from the EpisodeSomething Wicked - Ghost HoundsSinner's Prayer - Ghost HoundsGimme Shelter - Ghost HoundsAmazing Grace - Ghost HoundsGoing Down - Ghost HoundsAbout the PodcastThe Bandwich Tapes is a podcast about the people who make music and the experiences that shape them. I sit down with musicians, songwriters, producers, engineers, and other creative people for thoughtful conversations about craft, collaboration, careers, influences, and the realities of making music. The goal is simple: get beyond the résumé and talk about how music actually gets made.Connect with the ShowQuestions, comments, guest suggestions, or just want to say hello?contact@thebandwichtapes.com

Jovin Webb did not find the blues. He was born into them. Raised in Baton Rouge, Louisiana, Webb grew up surrounded by gospel music, Southern church culture, Gulf Coast grit, and the kind of real-life struggle that has always fed the deepest blues. He built his voice the old-fashioned way: singing from lived experience, playing night after night, and learning how to turn pain, faith, temptation, survival, and hope into music that sounds both ancient and urgently alive. http://www.makingascene.org

On this week's show, we pour one out for Frank Beard drummer ZZ Top and the legendary xb, spend quality time with superlative new records by The Mountain Goats and Cory Branan, and spin fresh tracks from Caroline Rose, Soft Science, and Sierra Ferrell. All this and much, much less!Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Making a Scene Presents an Interview with Hugh Pool and Jon Ragusa of Mulebone Mulebone is the long-running blues and roots partnership of guitarist, vocalist, songwriter, and producer Hugh Pool and multi-instrumentalist Jon Ragusa. Built on the foundation of traditional blues, the duo takes the language of country blues, folk, roots music, and early American song forms and stretches it into something soulful, agile, and adventurous. At the heart of Mulebone is a rare musical conversation between two players who know the tradition well enough to honor it, but not so carefully that they forget to have some fun with it. Their music can move from slide-guitar boogies and one-chord trance riffs in the spirit of Howlin' Wolf to the uptempo ragtime snap of Reverend Gary Davis and the rural textures of country blues. Sometimes they play close to the source, almost tracing the outline of the original form. At other times, they step back, lift the music into the air, and look at it from a new angle. http://www.makingascene.org

On this week's show, we pour one out for Kavinsky and Glen Hansard, catch up on a smokin' boatload o' singles that have been piling up over the past several weeks, and spin fresh tracks from Boards of Canada, Mitch Easter, The Womack Sisters, Tom Waits, and the long-awaited collab of Steve Earle & Los Lobos.All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Making a Scene Presents an Interview with Clark Paterson Clark Paterson does not write songs from a safe distance. He writes them from the middle of the wreckage: hospital rooms, court dates, bar shifts at Robert's Western World, old farmhouses mid-restoration, garages cluttered with vintage car parts, and the strange emotional territory between heartbreak, survival, and redemption. http://www.makingascene.org

Welcome to another in our Backstage episode of Roots Music Rambler. These are short interviews Frank and Falls are able to grab backstage (or just somewhere in person rather than on our virtual, longer-form interview episodes) and catch up briefly. This week, we share a recent chat Falls had with West Virginia-based singer-songwriter William Matheny. He hails from the Morgantown area of West Virginia where Falls spent time in graduate school. So, the two mucked it up a bit with some casual Morgantown banter, but not before we asked Matheny about his new record.  Material Witness is the name of the LP and it marks a step up in the recording and engineering approach for Matheny and his band. It was recorded at Ronnie's Place in Nashville with the musicians coming from Matheny's personal list of favorites. A couple of tracks even feature a fun change of roles as John R. Miller sat in on bass guitar. Matheny is Miller's regular bass player when Miller is playing live, so turnabout is a fun little tidbit about the record. Matheny says the album is more focused on mortality and the passing of time than his previous works, but his songwriting is so beautiful and the music brings the right amount of life to the stories. We know you'll love it, and hearing more about Matheny's journey to and through music, his approach to songwriting and more. You can find William Matheny online at williammatheny.com as well as Instagram, Facebook, YouTube, TikTok and all the streaming platforms.  Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  William Matheny online William Matheny on Spotify Material Witness on Spotify William Matheny on YouTube William Matheny on TikTok William Matheny on Instagram William Matheny on Facebook John R. Miller on Spotify The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, we spend quality time with new records from Jack White, The Rolling Stones, Brother Wallace & Jalen Ngonda.All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this week's show, we spend quality time with new records by Low Cut Connie & River Shook, spin fresh tracks from Billy Strings, U2 & Phoebe Bridgers, and celebrate 25 years of The White Stripes' White Blood Cells. All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Welcome to another in our Backstage episode of Roots Music Rambler. These are short interviews Frank and Falls are able to grab backstage (or just somewhere in person rather than on our virtual, longer-form interview episodes) and catch up briefly. In this case, we wanted to make sure everyone out there knew about Flood With Love, a music festival happening on Saturday, July 25 at The Burl in Lexington, Ky. Not only does it have a killer, and Roots Music Rambler friends-of-show heavy lineup, but it raises money for disaster relief efforts for Kentucky communities devastated by disasters like floods, tornadoes and so on.  Falls caught up with the founder and primary organizer behind the event, Robby Chadwell, to talk a bit about this year's lineup, the history of the festival (now in its sixth year) and more.  The lineup for the one-day event at The Burl's Outdoor configuration, includes friends of the show The Local Honeys, Brit Taylor, Taylor Lansdale, Emily Jamerson, Hollerhead and (we hope soon-to-be guests) Miles Miller, Hunter Flynn, Bedford, The Jenkins Twins and many more. The cost is just $30 and tickets can be purchased in advance at theburlky.com. You can find more information on the Flood With Love website. Follow them on Instagram and Facebook as well.  Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Flood With Love Online Flood With Love Tickets Flood With Love on Instagram Flood With Love on Facebook Kentucky 8-1-1 The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Bandwich Tapes, I sit down with John Cowan, a musician whose voice has been part of my own musical memory since I first heard New Grass Revival as a kid at the Georgia Mountain Fair in Hiawassee, Georgia.John and I talk about his early influences, from Paul McCartney and Duck Dunn to Leon Russell, and how he developed as both a singer and a bass player. We also dig into the specific challenge of singing lead while holding down the low end, especially when the bass part and vocal line are moving in different rhythmic directions.The conversation moves through John's years with New Grass Revival, his deep admiration for Sam Bush's rhythm, and the way bluegrass taught him the power of simplicity. John also reflects on finding his own voice after years of being able to imitate other singers, and how joining New Grass Revival forced him to become himself as a vocalist.We also talk about his work with The Doobie Brothers, his respect for Tiran Porter's bass lines, singing harmony, working with Andrea Zonn, Luke Bulla, and The HercuLeons, and the gratitude that comes from a life spent standing beside remarkable musicians.Key Takeaways  • John reflects on the impact of New Grass Revival and how joining the band helped him discover his own voice.  • He talks about the challenge of singing lead while playing bass, especially when the bass line is syncopated.  • Paul McCartney, Duck Dunn, Leon Russell, Little Feat, Stevie Wonder, and Gregg Allman all shaped John's early musical world.  • Playing bluegrass taught John the beauty and power of simplicity.  • John describes Sam Bush as one of the greatest rhythmic forces in bluegrass music.  • His role with The Doobie Brothers gives him the chance to honor Tiran Porter's melodic and highly musical bass parts.  • John speaks openly about recovery, community, discipline, and the work of becoming a better person over time.Music from the Episode  Georgia Rhythm - John CowanDevil Woman - John CowanHold to a Dream - New Grass RevivalYou Plant Your Fields - New Grass RevivalTake Me to the Alley - The HerculeonsI'm Just Not Ready - John Cowan  About the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, producer, studio builder, and longtime Austin music figure Hank Alrich for a conversation about songs, sound, family, and the long arc of a creative life.Hank talks about his early years as a working folk singer, his time building a recording studio inside Armadillo World Headquarters, and eventually taking the helm of that legendary Austin venue in the late 1970s. Along the way, he reflects on the kind of musical education that comes from being surrounded by country, blues, folk, jazz, funk, and experimental music all in the same room.We spend a good bit of time with Hank's album Broken River, especially the way it balances polish and looseness. Hank shares how he approaches recording with a live band, why he values trusted collaborators, and how his daughter Shaidri has become an essential musical voice in his work.This is a conversation about writing only when the song demands it, letting musicians play together in real time, and learning to respect the crack in the performance where the light gets in.Key Takeaways • Hank's first professional gig was as a house folk singer, playing six sets a night, seven nights a week. • His work at Armadillo World Headquarters gave him a broad musical education across folk, country, blues, jazz, funk, and beyond. • Broken River brings together songs from different periods of Hank's writing life. • Hank values live recording because of the human, almost metaphysical connection between musicians in the room. • His daughter Shaidri plays an important role as a harmony singer, collaborator, and trusted set of ears. • Hank sees production as a team effort, with every musician and engineer contributing to the final shape of the song. • The conversation explores the difference between perfection and completion in making records.Music from the EpisodeI Hate to See That Evening Sun Go Down - Hank AlrichThe Perfect Hat - Hank AlrichShe Had Whiskey For Dinner - Hank AlrichBroken River - Hank AlrichAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

Welcome to another in our Backstage episode of Roots Music Rambler. These are short interviews Frank and Falls are able to grab backstage (or just somewhere in person rather than on our virtual, longer-form interview episodes) and catch up briefly. In this case, Falls was able to catch Kentucky singer-songwriter and guitar virtuoso Shelby Lore for a virtual conversation.  He's the man behind the Shelby Lore Band which is based in Northeastern Kentucky in Carter County. That's a little more than halfway between Lexington, Kentucky and Huntington, West Virginia if you're traveling East. Less than halfway if you're going West. Falls first saw Shelby live filling in on lead guitar for fellow Kentuckian Jordan Lee King a while back and made my way to find him after the show, he was so impressed. I soon discovered he was not only a fantastic guitar player, but singer and songwriter on his own with a killer blues-rock-country blend of a band.  We chatted about his latest single “Memphis”, music in the works, playing live and supporting other artists while doing so. You're going to like Shelby a lot. You can find Shelby Lore and his band online at shelbyloremusic.com, on Spotify, Instagram Facebook and other places you find music.  Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Shelby Lore Band online Shelby Lore Band on Spotify Shelby Lore Band on Instagram Shelby Lore Band on Facebook   The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode was recorded on May 17th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Paul Thorn, Ray Benson, Sunny Sweeney, Andy Friedman. https://bit.ly/4afWiMG⁠

On this week's show, we celebrate Pride Month and Juneteenth loudly and proudly, spend quality time with new records from Kurt Vile, Elephant Gerald, and Bruce Springsteen, and spin fresh tracks from Jack White, The Last Dinner Party, and Cigarettes After Sex. All this & much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on April 3rd, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Chris Smither, Joan Shelley, Yarn, Calvin Arsenia, Hudost. ⁠https://bit.ly/4vsZEnH

We're firing up the Mountain Stage time machine once again to look back two decades to the year 2006. Host Kathy Mattea revisits sets from The Derek Trucks Band, Bettye LaVette, Soulive (featuring Reggie Watts), Grace Potter & the Nocturnals, and more, all recorded live on Mountain Stage. https://bit.ly/4xBxqcv

Welcome to Episode 327 of Blues From The Ouse.This week we're heading down to the roadhouse for two hours of outstanding blues, blues-rock and roots music. Along the way we feature brand-new music from Gráinne Duffy, Billy F Gibbons, Robert Jon & The Wreck, GA-20 & Charlie Musselwhite and rising star Harrell "Young Rell" Davenport.Our Roadhouse Blues feature takes in The Paladins, The Record Company, Moreland & Arbuckle, The Cold Stares, Scott H. Biram, The Reverend Peyton's Big Damn Band, Left Lane Cruiser and Johnny Winter, capturing the raw spirit of late-night blues clubs, dusty highways and neon-lit bars.The second hour includes listener favourites from John Mayall & The Bluesbreakers, Beth Hart & Joe Bonamassa, John Lee Hooker, Gary Moore, R.L. Burnside, Richard Townend & The Mighty Bosscats and more.Featuring:Gráinne Duffy • Billy F Gibbons • GA-20 • Charlie Musselwhite • Robert Jon & The Wreck • Johnny Winter • John Mayall • Beth Hart • Joe Bonamassa • John Lee Hooker • Gary Moore • R.L. Burnside and many more.Blues From The Ouse #327 Playlist:Blues From The Ouse - Show Opener - 00:00:00Gráinne Duffy - Streets Of Love - 00:01:36Jumping Matt & His Combo - Jumping Matt Jumps - 00:04:57Billy F Gibbons - Brown Paper Bag - 00:07:54Robert Jon & The Wreck - Arroyo - 00:11:48GA-20 with Charlie Musselwhite - I Can't Hold Out - 00:15:49Harrell "Young Rell" Davenport - Giving Me The Blues - 00:19:09The Paladins - Let's Buzz - 00:23:13The Record Company - Off The Ground - 00:28:01Moreland & Arbuckle - Tall Boogie - 00:32:17The Cold Stares - Mojo Hand - 00:36:14Scott H. Biram - Blood Sweat & Murder - 00:39:19The Reverend Peyton's Big Damn Band - Clap Your Hands - 00:42:32Left Lane Cruiser - Heavy Honey - 00:46:57Johnny Winter - Hideaway - 00:50:22John Mayall & The Bluesbreakers - All Your Love - 00:56:23 GA-20 with Charlie Musselwhite - Crazy Love - 01:01:04The Neil Sadler Band - 40 Miles Of Bad Road - 01:04:17Mail The Horse - Magnolia - 01:09:30Beth Hart & Joe Bonamassa - Chocolate Jesus - 01:14:17The V.I.P.'s - Stagger Lee - 01:17:51R.L. Burnside & John Spencer Blues Explosion - Boogie Chillen - 01:24:11Richard Townend And The Mighty Bosscats - Doin Time - 01:26:32John Lee Hooker - Motor City's Burning - 01:30:59Gary Moore - Still Got The Blues - 01:33:50Link Wray - Rise And Fall Of Jimmy Stokes - 01:37:49 Shuggie Otis - Sweet Thang - 01:41:51Amani Burnham - Fastlane - 01:45:31Blues Podcast, Blues Radio Show, Roadhouse Blues, Blues Rock, Chicago Blues, Hill Country Blues, GA-20, Charlie Musselwhite, Billy F Gibbons, Johnny Winter, John Lee Hooker, Gary Moore, Robert Jon and The Wreck, Blues Music, Modern Blues, Roots Music, Southern Rock, Americana, Independent Radio, UK BluesBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

This episode was recorded on March 22nd, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Patrick Watson, John Gorka, Anna Tivel, Shelby Means, and Liza Lo. https://bit.ly/4vsZEnH

This episode was recorded on April 19th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Duane Betts & Palmetto Motel, John Pizzarelli, Peter Case, Mollie O'Brien & Rich Moore, Jedd Hughes. https://bit.ly/4wLZPMh

On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this episode of The Bandwich Tapes, I sit down with Michael Bacon for a conversation that moves naturally through songwriting, teaching, film scoring, orchestration, and the long arc of a creative life.Michael reflects on the musical education that shaped him, both formal and informal. He talks about returning to Lehman as an adult to fill in gaps in theory, harmony, counterpoint, and music history, and about the profound influence of composer John Corigliano. We also dig into Michael's early life in Philadelphia, where public school music programs, orchestral experiences, folk music, and an extraordinary listening environment at home all helped form his wide musical palette.One of my favorite parts of this conversation is hearing Michael talk about range: why he is drawn to music that can be beautiful, unsettling, lyrical, loud, delicate, and emotionally direct all at once. That idea connects everything he does, from songwriting with The Bacon Brothers to his work as a film composer and orchestrator. He has no interest in staying in one narrow lane, and that comes through clearly in the way he describes both his influences and his process.We also spend time on collaboration: co-writing in Nashville, writing with his brother Kevin Bacon, adding Mayer to the band, and the trust required to make any long-running musical partnership work. By the end of the conversation, what stands out most is Michael's clarity about what sustains a creative life: deep listening, family support, musical curiosity, and the willingness to keep showing up for the work.Key TakeawaysMichael Bacon balances multiple musical identities: songwriter, film composer, educator, orchestrator, and performer.He studied at Lehman College, and his time with John Corigliano helped strengthen the technical foundation behind his creative instincts.Growing up in Philadelphia, surrounded by music at home and in public school programs, had a lasting impact on his musical language.His values range in music—beauty, tension, melody, fear, dynamics, and emotional contrast all matter to him as a composer.His songwriting process differs depending on the setting, from structured Nashville co-writes to more personal, experience-driven songs.Collaboration in The Bacon Brothers works because Michael and Kevin bring different strengths, influences, and instincts to the same songs.Writing for orchestra remains one of Michael's deepest creative joys, especially when he can bring that world into live performance.Music from the EpisodePut Your Hand Up - The Bacon BrothersAirport Bar - The Bacon BrothersPeople in the World - The Bacon BrothersAbout the PodcastThe Bandwich Tapes is a podcast hosted by me, Brad Williams, featuring thoughtful conversations with musicians, songwriters, composers, and artists about craft, creativity, collaboration, and the stories behind the music.Connect with the ShowEmail: contact@thebandwichtapes.com

If you like these episodes, please subscribe and follow on the YouTube channel as it better supports my business and research! Thank you for being here and supporting music storytelling.

Episode SummaryOn this episode of The Bandwich Tapes, I sit down with Liam Duncan, the Winnipeg singer-songwriter, producer, and bandleader better known as Boy Golden. Liam has been carving out a distinct lane in modern roots music through records like Church of Better Daze, For Jimmy, For Eden, and now Best of Our Possible Lives, his 2026 album released by Six Shooter Records. Along the way, he has earned major recognition in Canada, including a Juno nomination for For Eden and a Canadian Folk Music Award, while continuing to grow as both an artist and a producer.  We begin with the new album itself, which feels relaxed on first listen but reveals a deeper level of craft the more time you spend with it. Liam talks about the balance between intentional songwriting and the freedom of a loose studio environment, and he explains how careful pre-production gave the band room to breathe once the red light was on. That combination of structure and openness runs through the whole conversation.We spend a good stretch of time on the making of Best of Our Possible Lives, including Liam's collaboration with co-producer Robbie Lackritz and a remarkable studio cast that includes Pino Palladino, Abe Rounds, Austin Parachoniak, FONTINE, Gabe Noel, and Joseph Shabason. Liam shares what it was like to sing and play inside a rhythm section that strong, how live the sessions really were, and why letting go of technical responsibilities helped him become a better performer in the room. The result is a record that feels warm, human, and deeply played.  From there, the conversation opens out into larger questions about communication, collaboration, songwriting, and identity. Liam talks about learning to speak differently to different musicians, the value of being both a bandleader and a sideman, and why he does not feel especially tied to recreating his records onstage. We also get into the meaning behind the name Boy Golden, the freedom of writing through an alter ego, and the way fiction, metaphor, and autobiography all live together inside a song.What I love about this conversation is that Liam is thoughtful without sounding guarded. He is clearly serious about songs, sound, and arrangement, but he also leaves room for instinct, humor, and surprise. This episode is about more than one record. It is about what happens when an artist learns to prepare deeply, trust the people around him, and leave enough space for the music to become what it wants to become.Key TakeawaysLiam built Best of Our Possible Lives through a mix of deliberate songcraft and a relaxed, collaborative studio process.Working with players like Pino Palladino and Abe Rounds gave the music a rhythmic center that made everything else feel easier to sing and play over.Sharing production duties with Robbie Lackritz allowed Liam to step away from technical tasks and focus more fully on performance.  He adjusts how he communicates musical ideas depending on the player, whether that means theory, feel-based language, or simply playing something through a few more times.The Boy Golden name gave Liam more artistic freedom than writing under his own name, especially in how he blends truth, fiction, and storytelling.He values live performance as an art form in its own right and is not especially interested in reproducing studio recordings exactly onstage.He is already thinking ahead creatively, including new writing methods and experiments with combining multiple song ideas into larger suites.Music from the EpisodeBoy Golden - You Got itBoy Golden - SufferBoy Golden - The Matter at HandBoy Golden - Best of Our Possible LivesBoy Golden - ChickadeeAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative thinkers for thoughtful conversations about craft, collaboration, career, and the deeper philosophy of making music. It is a space for stories, process, and the lived experience behind the work.Connect with the ShowEmail: contact@thebandwichtapes.com

On this week's show, we spend quality time with superlative new records by Parlor Greens and Robyn, spin fresh tracks from Massive Attack with Tom Waits, S.G. Goodman and Angine de Poitrine, and commemorate the 50th anniversary of The Ramones' iconic self-titled debut. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on March 8th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Cyril Neville, Deke Dickerson & Los Straitjackets, Sons of Town Hall, Amanda Pascali. https://bit.ly/3OyzFLX

This episode was recorded on March 1st, 2026 at the Templeton-Blackburn Alumni Memorial Auditorium in Athens, Ohio. The lineup includes The Steel Wheels, Sam Weber, Peter Holsapple, Lily Talmers, Rylee Bapst Band. https://bit.ly/4dXq37H

This episode was recorded on February 22nd, 2026 at the Joan C. Edwards PAC in Charleston, WV. The lineup includes Stephen Kellogg, Emily Scott Robinson, Joe Troop & The Truth Machine, Kindred Valley, Corduroy Brown. https://bit.ly/4mHj455

On this week's show, we spend quality time with new records from Johnny Blue Skies & The Dark Clouds, Adeem The Artist, Courtney Barnett, and The Long Ryders, and spin fresh tracks from Bruce Springsteen, U2, Low Cut Connie, and Michael Stipe. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This episode was recorded on February 15th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Solas, Tim O'Brien & Jan Fabricius, Amanda Cook Band, Clymer & Kurtz, Darrin Hacquard. https://bit.ly/41NZrP8

As is often the case, songwriter Mike Westbrook was referred to me by a fellow songwriter.  Relatively new to theHeartland via Louisiana and Oregon, Westbrook came to songwriting in his mid-20's and is actively pursuing the muse and a lyrical life.    The youngest of three in a family not knownfor pursuing music as a vocation or even a hobby, Mike is finding his way by writing new songs and is open to performance opportunities friendly to Country and Roots Music.  It was an honor to provide him the opportunity to make his radio debut and introduce him to other like-minded artists at a recent monthly Heartland Song Network Song Sanctuaryevent.  I look forward to witnessing Mike finding his musical way and will be happy to invite him back to the airwaves ashe sees fit.  Enjoy this introduction to and musical performance by Mike Westbrook.  

This episode was recorded on January 18th, 2026 at the Canady Creative Arts Center at West Virginia University in Morgantown, WV. The lineup includes Don Was & The Pan-Detroit Ensemble, Vienna Teng, Joe Crookston, and William Matheny. https://bit.ly/4lZrAvO

This episode was recorded on December 7th, 2025 at the Culture Center Theater in Charleston, WV. The lineup includes The Bacon Brothers, Shawn Camp, Rose Cousins, Tessa McCoy & The State Birds, and Mark Erelli. https://bit.ly/4c0FV7X

On this week's show, our good friend, Charlotte Observer columnist, and author of Finding Your Walden: How to Strive Less, Simplify More & Embrace What Matters Most  Jen Tota-McGivney joins us for the very 4th time to share her 2026 Oscars picks. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this week's show, we spend quality time with new records from Cordovas, Meels and Ratboys, spin fresh tracks from The Long Ryders, Delvon Lamarr Organ Trio and Labi Siffre, and get downright spooky in two very different ways. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Five Faves: 2005 Edition Executive producer Adam Harris walks us through some of the most memorable sets and performances from his first season with Mountain Stage, twenty short years ago. Tune in to hear The Del McCoury Band, Alison Krauss & Union Station, Lizz Wright, Guy Clark, Nanci Griffith, Odetta and more! https://bit.ly/4sptuc8