Podcasts about chartmetric

This episode is in partnership and collaboration with our friends at The Recording Academy You'll hear our deep dive on what we can learn from this years Grammys with our usual analysis and a few select guests including: Panos Panay (President of The Recording Academy), Tati Cirisano (MIDiA Research), Zack O'Malley Greenburg, author and investor. We discuss the biggest takeaways from the 2026 nominations, the rise of international music, how the voting body has evolved, and the economic lift of a Grammy win. CHAPTERS 01:41 - Biggest takeaways 05:41 - Tati Cirisano joins us 13:02 - Panos Panay joins us 17:10 - Which past Grammys would have changed 21:52 - The Grammy Bump 33:10 - Zack Greenburg joins us SPONSORS The Recording Academy Chartmetric: Listen in for our Stat of the Week Tidal: Win $100k with the Tidal Upload Contest GUESTS Panos Panay, President, The Recording Academy Tatiana Cirisano, VP Music Strategy, MIDiA Research Zack O'Malley Greenburg, Author, Empire State of Mind TRAPITAL Where technology shapes culture. New episodes and memos every week. Sign up here for free. RESOURCES What is the Economic Value of a GRAMMY in Today's Industry? - Chartmetric and Will Page

How Do Indie Musicians REALLY Break Through? A&R Holly Hutchison Reveals Music Industry Secrets!  Dive into the latest episode of the MUBUTV Music Business Insider Podcast as legendary A&R executive and AnRGirl founder, Holly Hutchison, reveals the real secrets to artist development in today's music industry! From her work discovering Muse, Slipknot, and Alanis Morissette, to championing indie musician success, Holly discusses major shifts from label-driven careers to independent artist empowerment, artist services, data analytics, and using tools like Beatchain and Chartmetric. Perfect for indie artists ready to cut through the noise, build a sustainable career, and own their music journey!

Making a Scene Presents - AI for Session Musicianship: Tightening, Not ReplacingThere's this fear floating around studios lately — that artificial intelligence is coming to take the jobs of session musicians, singers, producers, even mixing engineers. The truth? AI isn't here to replace you. It's here to help you sound tighter, cleaner, and more confident in the studio. It's a tool, not a takeover. http://www.makingascene.org

Making a Scene Presents - Know Your Fans: How AI Analytics Shows You Who to Market To (and How)Picture this. You've just dropped your new single. You check your stats on Spotify, maybe glance at YouTube views, and you're left wondering—Who's actually listening to my stuff? Are they in your hometown? Across the country? Maybe on the other side of the world?Most indie musicians have asked these questions at some point. The thing is, guessing who your fans are is kind of like throwing darts blindfolded. You might hit something now and then, but you're mostly just hoping for the best. That's where AI analytics comes in to lift the blindfold. http://www.makingascene.org

An extensive guide for indie musicians on how to leverage Artificial Intelligence (AI) to significantly improve their direct-to-fan email communication. It argues that email remains the most stable and effective channel for artists to connect with fans and generate revenue, unlike unpredictable social media platforms. The text explains that AI tools like ChatGPT and Jasper can help artists transform boring announcements into engaging, personalized messages by assisting with subject lines, drafting content, and setting up complex automation sequences. Furthermore, the source discusses the importance of owning the email channel by using local systems like The Newsletter Plugin for WordPress, paired with reliable deliverability services such as SendGrid, to ensure messages reach the inbox and the fan data remains secure. http://www.makingascene.org

Peso Pluma BioSnap a weekly updated Biography.Peso Pluma is once again dominating headlines and social feeds on several fronts this week. Just days ago, he shared an update with fans after undergoing surgery for a broken foot—a dramatic mishap that cut short his headlining set at New York City's Governors Ball, but true to form, Peso Pluma has been assuring everyone he's on the mend and full of gratitude, signaling a brief but determined pause in his live performance schedule according to IMDb News. Musically, the buzz is relentless: his new album "Exodo" is stirring talk of artistic growth and vocal evolution, as Peso himself told Mississippi Valley State University media, reflecting on how personal experiences since "Genesis" have shaped both his sound and perspective. The collaboration world remains very much his playground, including a notable feature on José Darey Castro's new LP "Redención," where their track "Supreme" is flaunted as a showcase for material luxuries by the Los Angeles Times.On the festival circuit, Peso Pluma has been announced as a star performer—alongside global icons Shakira and Don Omar—at Chicago's rising Sueños Latin Music Festival, with Variety noting his inclusion as emblematic of the event's growing influence and his own unshakable place in the upper echelons of Latin pop. Social media activity paints a picture of an artist both accessible and unmissable. Funnyhoodvidz's recent Instagram post tagging him and pulling in over 73,000 likes, alongside a trending appearance with Kenia Os, indicates his ongoing viral appeal and the high engagement his presence sparks.But it's not all smooth sailing: he's making news for less savory reasons as authorities and critics warn him about the potential risks of his lyrics linking to crime, Parriva reported on July 25. The scrutiny underscores the tightrope Peso Pluma walks as a regional Mexican superstar with global appeal, navigating fame, controversy, and the ever-shifting boundaries of artistic responsibility.On a more personal note, the saga of his highly public breakup with Nicki Nicole continues to reverberate, fueled by her pointed social media posts after Peso was seen holding hands with another woman at the 2024 Super Bowl, a blowup that played out from their Grammy night together to leaks from a Las Vegas casino, as covered by People and AOL. Despite heartbreak, drama, and physical setbacks, Peso Pluma remains one of Latin music's defining voices of the moment, drawing in fans by the tens of thousands per Chartmetric, and commanding attention both for his hits and the intensity of his spotlight.Get the best deals https://amzn.to/3ODvOta

Unlocking the Secrets of Chartmetric: How Data Is Creating Music Superstars! Step into the world of music analytics with Chartmetric's Andreas Katsambas! Discover how Chartmetric became the gold standard for music data, revolutionizing artist discovery, A&R, and global music trends. We discuss how social media engagement, streaming metrics, and emerging markets like Brazil and India are shaping the modern music industry. Essential advice for artists and music business professionals looking to succeed in a data-driven landscape!

It's harder than ever to breaking through the noise, but navigating YouTube may be a prerequisite to even have a chance. In this episode, I'm joined by YouTube's Director of Black Music & Culture, Tuma Basa. He returns to reflect on the platform's evolution and the ongoing relationship between curators and the algorithms they rely on to reach the masses. 03:23 The YouTube Advantages 12:42 Global Music Trends 16:29 Community Engagement on Platforms 18:42 Music videos: Hype Williams and Dave Meyers Our partners at Chartmetric just released a new report you should check out, 2025 Make Music Equal Report. Our Trapital Summit is Wednesday, September 10 in LA! Get your early bird tickets here before July 24. This episode is presented by State Farm, the home for your small business needs. Like a good neighbor, State Farm is there. Listen in for our Chartmetric Stat of the Week.

Ben Rector is a singer songwriter originally from Tulsa, Oklahoma. Over the past decade, he has built a dedicated fanbase through consistent touring and a catalog of self-written, self-released albums. His 2015 album Brand New debuted in the Billboard Top 10, with the title track going RIAA Platinum. He is currently on tour and just released his new album The Richest Man In The World.In this episode, we talk about Ben's journey from indie beginnings to chart success, the business of being a fully independent artist, the pitfalls of the attention economy, and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Jon Decious is a Nashville-based songwriter originally from Monticello, Kentucky. His recent credits include three songs on Lainey Wilson's 2024 album Whirlwind (“4x4xU,” “Counting Chickens,” and “Ring Finger”), “Armadillo” from Miranda Lambert's Postcards from Texas, and cuts with Anderson East, Ashley McBryde, Tyler Halverson, and Carter Faith. In 2024, he signed a joint publishing deal with Reservoir Media and One Riot.In this episode, we talk about Jon's journey from playing bass in The Pink Spiders, the story behind his first No. 1 song “4x4xU,” working with Ric Ocasek (of The Cars fame), and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Walker Hayes is a GRAMMY-nominated country artist and songwriter originally from Mobile, Alabama. He gained national attention in 2021 with “Fancy Like,” which topped the Billboard Hot Country Songs chart, became his first No. 1 at country radio, and is now certified 6× Platinum by the RIAA.In this episode, we discuss Walker's unconventional path to success, the impact of “Fancy Like,” balancing faith, family, and music, and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Ryan Hurd is a Grammy-nominated singer and songwriter originally from Kalamazoo, Michigan. He began his career as a songwriter in Nashville, penning No. 1 hits like “Lonely Tonight” for Blake Shelton and Ashley Monroe, and “What If I Never Get Over You” for Lady A. His own artist career has included Gold-certified singles like “To a T” and the Platinum-certified duet “Chasing After You.” He is currently signed to Big Machine for both records and publishing.In this episode, we talk about Ryan's journey from the writing room to his first record deal, how he crafts his albums, his new deluxe version of Midwest Rock and Roll, and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Spotify lanza Snooze para bloquear canciones repetidas y ofrece más control a usuarios Premium  Por Félix Riaño @LocutorCo        Spotify tiene 615 millones de oyentes mensuales, de los cuales 236 millones pagan Premium. La plataforma está probando una nueva función llamada «Snooze 30 días». Los usuarios Premium pueden bloquear temporalmente canciones que no quieren escuchar. La función aparece junto a las opciones de «Ocultar» y permite pausar una canción durante 30 días sin eliminarla. Snooze se está probando en Estados Unidos, Canadá y Reino Unido, y pronto llegará a otros países. Spotify reconoce que su algoritmo a veces repite canciones y ofrece Snooze para que los usuarios tengan más control.     Spotify admite que sus recomendaciones pueden volverse repetitivas.     Spotify ofrece Discover Weekly desde 2015. Cada lunes, esta lista sugiere 30 canciones personalizadas usando un algoritmo que analiza 2 billones de listas y el historial de cada usuario. Pero el sistema tiene un problema: si una canción se reproduce hasta el final, Spotify asume que gusta y la repite. En 2024, Chartmetric mostró que 4 de cada 10 oyentes saltan la misma canción al menos 3 veces por semana. Con Snooze, los usuarios pueden bloquear esas canciones sin borrarlas.     El problema de las canciones repetitivas no solo aburre, también afecta a los artistas. Los músicos emergentes pueden ver su trabajo rechazado si aparece fuera de contexto. Además, los grandes sellos dominan las listas de recomendaciones. Deezer y YouTube Music ya ofrecieron soluciones similares. Ahora, Spotify lanza Snooze para dar más control a los usuarios sin afectar su modelo de negocio.     Spotify no solo añade Snooze. También ha mejorado el botón «Ocultar», que ahora sincroniza la decisión en todos los dispositivos. La sección «Ahora Suena» muestra las recomendaciones futuras y permite eliminarlas. También se añadieron accesos directos a Shuffle, Smart Shuffle, Repetir y Temporizador de Sueño.     Spotify paga a los artistas un promedio de 0,0032 USD por reproducción. Esto equivale a menos de un tercio de un centavo. Un artista necesita 312 reproducciones para ganar 1 dólar. En mercados como Colombia y México, el costo del plan familiar de Spotify se puede dividir entre seis personas, reduciendo el costo mensual a menos de 1 dólar por persona. Esto hace que el servicio sea accesible.     Spotify no paga a los creadores de pódcast. Solo paga a las discográficas por las canciones. Los pódcast son gratuitos para todos, incluso para quienes no pagan Premium. Los usuarios Premium escuchan música sin anuncios, pero los pódcast pueden incluir publicidad, ya que los anuncios son responsabilidad del creador del contenido. Algunos pódcast son de pago y se compran por episodio o temporada.    Spotify lanza Snooze para silenciar canciones repetitivas. También mejora las opciones de control en la cola de reproducción. Los pódcast siguen siendo gratuitos para todos. ¿Te interesa probar Snooze? Síguenos en Flash Diario: Flash Diario en Spotify     Spotify prueba Snooze: pausa canciones repetitivas 30 días, controla tu cola y recuerda que los pódcast siguen gratis.Bibliografía TechRadar     The Verge     TechCrunch     Spotify Newsroom     Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/flash-diario-de-el-siglo-21-es-hoy--5835407/support.

Kameron Marlowe is a country artist and songwriter originally from Kannapolis, North Carolina. He has earned multiple RIAA certifications, including a platinum certification for his song “Giving You Up.” He is currently signed to Columbia Nashville and published by Sony Music Publishing.In this episode, we talk about Kameron's journey from working a parts counter in North Carolina to playing arenas, the evolution of his songwriting, the pressure of early success, his new record Sad Songs for the Soul, and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Ryan Whelpley is a touring director at Red Light Management. Originally from Eerie, Pennsylvania - he has built a career working behind the scenes with artists like Kip Moore, Tim McGraw, Jordan Davis, and many, many others. After starting as a bellhop at the Gaylord Opry Hotel, he has served as a sound guy, a carpenter, a production manager, and a tour manager and many other stops along the way.In this episode we discuss his journey from production manager at the Wild Horse Saloon, to being on the road with Kip Moore, and to his current role at Red Light Management. We also discuss the nature of various roles on the touring side of the industry. This is a great episode for anybody who is curious how the machinery behind your favorite artist's work, or for anybody considering a career in a touring role. This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

We're excited to announce a special bonus interview with Sung Cho, the CEO & Founder of our incredible sponsor, Chartmetric. Ross recently sat down with Sung to discuss how his company is building the world's best analytics team in the music industry. Read below to find out more about Chartmetric and listen to this conversation on any platform you find your podcasts!Chartmetric is the all-in-one platform for artists and music industry professionals, providing comprehensive streaming, social, and audience data. Since 2016, Chartmetric has strived to ensure everyone can have a successful career in music. Their easy-to-understand and powerful analytics on over 10 million artists and 100 million tracks will help answer all of your questions, from tracking your stats to discovering new talents. From playlist placements to stream counts to follower demographics and much more, it's never been easier to understand how your artists fit in the music industry, and how they can grow. What's even better is that Chartmetric does the work for you, providing actionable insights and beautiful visuals on their up-to-date global data from over 15 different social and streaming platforms. Find out more at chartmetric.com! Hosted on Acast. See acast.com/privacy for more information.

This week we celebrate all things data as the year end music stats have been released and I dive in head first to some of my favorite findings from Luminate and Chartmetric... and I've got some music that all had a common element this week... space.To check out this week's songs on your platform of choice head to Songs That Don't SuckConnect with Songs That Don't Suck ~ ⁠⁠Instagram⁠ | Threads | Facebook | TikTok | BlueSky2025 Songs That Don't Suck ||  2024 Songs That Don't Suck || 2023 Songs That Don't Suck

The NFL and Roc Nation just renewed their five-year partnership to lead the Super Bowl Halftime Show production and its Inspire Change Initiative. Let's dive into what led to the initial deal in 2019, how it's gone, Jay Z's involvement, the twists, turns, and whole lot more. Join me and Zack O'Malley Greenburg as we break it all down.Sponsors:CD Baby: https://cdbaby.com/Splice: https://splice.com/Chartmetric: https://www.trapital.com/chartmetric

Episode 215 On this week's episode of the YMC podcast, your super-groovy hosts Jay Gilbert and Mike Etchart wax poetic on these important music industry stories: "Do Albums Still Matter, And Which Artists Should Be Releasing Them?" (Chartmetric);  "Universal's Direct-To-Fan Business Has Been Growing At A Whopping 33% Rate, And 3 Other Things We Learned At UMG's Capital Markets Day" (Music Business Worldwide); "A Journey Through The Best Record Stores In North America" (My Pack Wizard).   Plus an audio drop with NITO Executive Director Nathaniel Marrow.   Subscribe to the newsletter! YourMorning.Coffee    

Sung Cho is the CEO of Chartmetric, a remarkable B2B SaaS company that collects and analyzes music data from streaming platforms and social media to predict the future of the music industry. Through its services, Chartmetric contributes to the growth of the music industry and has achieved an impressive annual subscription revenue of $8.5MM. Before founding Chartmetric, Sung was a founding member of Gamevil, one of South Korea's leading game companies. He jumped into the Korean game industry before it was fully established and led the company's growth alongside the industry's development. However, not content with just the company's success, Sung aimed to fulfill his dream of building a career and starting a business in Silicon Valley. Approaching his 30s, he left Gamevil and started anew as an intern at Sun Microsystems in Silicon Valley. While working at Sun Microsystems, the company was acquired by Oracle, naturally transitioning his career to Oracle. Yet, he chose to step out of his comfort zone for another challenge. After leaving Oracle, Sung faced numerous challenges before finally starting Chartmetric in 2015. The company has since been steadily growing, as evidenced by its increasing ARR and other metrics. --- Support this podcast: https://podcasters.spotify.com/pod/show/getu-chandler/support

Depending on who you ask, it's either the best or worst time to be an artist. There's plenty of evidence on both sides. Today, we're breaking down all of that and more.I'm joined by beatBread's Peter Sinclair. We covered it all:why it's the best time to be an artistbut why it's harder to be an omnipresent superstarthe role and perception of Spotify, YouTube, and DSPsmaking it in music today vs. the CD erathe impact of a great producer and a guest versewhy it's harder than ever to be the biggerThis was a jam packed episode. Hope you enjoy!This episode is presented by State Farm. Like a good neighbor, State Farm is there.Listen in for our Chartmetric stat of the episode!

The market is booming for generative music. Suno raised $125M and Udio has raised over $10M. The tools are impressive, but they raise some important questions:What data are these products trained on?Are startups in music incentivized to ask for permission?Is this what 'IG for music' looks like?Are these products or features?I'm joined by Tati Cirisano from MIDiA Research. Hope you enjoy listening.Make sure you listen to our Chartmetric stat of the episode!

NPR Tiny Desk is 15 years old and arguably stronger than ever. It helped Usher perform at the Super Bowl. It helped Tank and the Bangas break through to a Grammy nomination. And it elevated the perception of artists like T-Pain and Mac Miller.But how does Tiny Desk maintain its influence? Any company can host a stripped-down acoustic series for artists to perform in their office. But even if they did, it wouldn't hit the same.In this episode, we break down the dynamics that make Tiny Desk work, the tradeoffs that the show balances, how it maintains its status over time, and what the future may hold.Listen to me and Tati Cirisano from MIDiA Research break it all down.Make sure you listen to our Chartmetric stat of the episode.

The list of brands that Penske Media Corporation owns or has invested in is long: Billboard, Variety, The Hollywood Reporter, Rolling Stone, Music Business Worldwide, Deadline, and dozens more.What's Penske's long game? Are these companies better off? Where would these companies be without Penske? Which companies are most likely next?To break it all down, I'm joined by Bill Werde, former Billboard editorial director, author of Full Rate No Cap, and the Director of Bandier Program of Recording and Entertainment and Syracuse's Newhouse School.This episode is brought to you by 4se New York, where sports and entertainment come alive.Make sure you check out our Chartmetric stat of the episode.

While Drake and Kendrick Lamar trade diss tracks back and forth, we decided to dig into the engine that makes it all possible. How has rap beef evolved in the streaming era and social media? Do the stakes still matter? Who makes money from these beef? How does this impact hip-hop's "decline"?I'm joined by BrandMan Sean, our friend of the pod who had a lot to say about this. Listen here or wherever you get podcasts!Make sure you listen to our Chartmetric stat of the week.

Private equity firm KKR has been fascinating to watch in the music rights landscape. Just when you thought they were out, they get pulled back in!In this episode, we break down the past few years of KKR's deals with Chord Music, Kobalt, HarbourView Equity Partners. Why did they sell Chord Music? Why did they partner with HarbourView? What does it say about the broader music rights investing landscape.Listen to me and Anna Nicolaou from the Financial Times break it all down.00:00 KKR's $500M debt deal with Harborview07:24 How rising interest rates affect the valuation of music14:50 KKR vs other players in the industry22:15 The role of UMG in the music rights landscape30:25 Predictions on the current bidding warsThis episode was brought to you by 4se New York, the sports and entertainment event on May 21-22. Learn more here.Make sure you listen for our Chartmetric stat of the week.Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

On April 11, Taylor Swift's songs reappeared on TikTok despite the platform's ongoing dispute with her record label, Universal Music Group. This move was made in advance of the release of Taylor's 11th studio album, The Tortured Poets Department.On this episode of Trapital, Tatiana Cirisano and I discuss why Swift and UMG don't see eye-to-eye, competing incentives, who's in charge at UMG, and more.00:00 Why we're not surprised Taylor Swift made this move07:52 Why Swift and UMG have competing incentives13:37 What it means for UMG and TikTok moving forward24:27 Who's the most powerful person in the music industry?This episode is brought to you by EVEN, where you buy the art from the artist. Learn more at https://get.even.biz/trapitalMake sure you listen in for our new Chartmetric stat of the week!Trapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

We've had plenty of conversations on Trapital about Diddy's business success, so we have to keep that same energy when outlook changes.On this episode, Zack O'Malley Greenburg and I talk about our initial reactions to the allegations surrounding Sean Combs, and we talk about the present state and future of the biggest businesses in his portfolio.Make sure you listen for our Chartmetric stat of the episode

Despite the all-time record highs for the live music industry, music festivals haven't quite had the same post-pandemic recovery. Several well-known festivals have closed up shop, and others have had slower than usual demand (even Coachella!)To break it all down, I'm joined by Tati Cirisano from MIDiA Research. Hope you enjoy!Make sure you check out our Chartmetric stat of the episode!

Back in the day, each record label had a distinct consumer identity. In the 90s, you knew what to expect from an Interscope album. Def Jam, Jive, Uptown, Cash Money. They all had their own vibe, their own identity, their own brand.So... what the hell happened?In the episode, we talk about how music's landscape shifted, and took the consumer brands with it. Strong brands still exist today among today's music companies, but they operate more like B2B brands than B2C brands.I'm joined by Justin Hunte, music journalist, startup advisor, and former Editor-in-Chief of HipHopDX, and we break it all down.04:20 Def Jam's fight for legitimacy and innovation.06:59 Federal Communications Act - media consolidation impact12:08 Media success relies on standing on giants' shoulders.16:36 Hybe's Weverse maximizes label and artist reach.18:21 Maximizing super fans to boost revenue. Consolidation.23:07 Shift in entertainment from pandemic to 2024.25:41 Changing music industry, companies adapting to trends.28:37 Brand identity crucial; industry accolades have limits.31:31 Share, rate, and spread the word.Make sure you listen in for our new Chartmetric stat of the week!Trapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

It's time to dig into the mailbag again. I asked Trapital listeners to send me their most burning questions about the music industry. But this time we're doing things a bit differently: you'll be hearing the questions directly from our listeners.We dug into the TikTok vs. UMGc dispute, children's entertainment media, and the Beyoncé - Verizon relationship leading to album ‘Act II: Cowboy Carter.”00:00 UMG vs TikTok 15:17 Kids' music 19:55 Beyoncé, Verizon, and Cowboy CarterMake sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

2023 was a big year for concert films. Taylor Swift's “Eras Tour” film became the highest grossing concert film of all time with nearly $270M in worldwide box office gross. Beyonce's Renaissance film grossed over $44M. Was this just a Beyonce and Taylor thing, or will this continue?In this episode, I'm joined by Jimmy Stone, Founder of Alderbrook Companies, to dive deep into the rise of concert films, the economics behind them, the highest grossing concert films of all time, and so much more.At the end of our conversation, we also included an audio segment of the guest essay that Jimmy wrote for Trapital: “What Is Driving The Rise Of Concert Films?”00:00 Why are concert films becoming so popular? 06:50 Transmedia storytelling in music 12:48 The economics of concert films 21:11 Which artist could make a successful concert film in 2024? 31:22 Jimmy's essay: What Is Driving The Rise Of Concert Films?Make sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

There's been a lot of discussion (and concern) about the impact of generative AI on music and whether the industry is on the verge of another Napster moment. But according to Jessica Powell, CEO of AudioShake, it's going to take a lot more than a text prompt to kill music as we know it.On today's episode, Jessica and I did a dive deep into the rise of generative music, its actual opportunities, and what it means for the industry moving forward.At the end of our conversation, we also included an audio version of the essay that Jessica wrote for Trapital: “Is Generative Music Really the Next Napster?”00:00 Will AI music have a Napster moment?08:07 The rise of generative music12:14 Main challenges and opportunities20:26 Audio essay: “Is Generative Music Really the Next Napster?”Make sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

This episode is about Hollywood's biggest night, the Academy Awards. I'm joined by friend of the pod Zack O'Malley Greenburg to dive deep into the Oscars, how it compares to the Grammys, its relationship with music, the money spent on campaigns, the dramas, the major controversies, and some wild theories.00:00 The money behind the Oscars06:30 Why the Grammys gets worse ratings than the Oscars22:05 What happened to big movie soundtracks?31:36 Controversies over the years40:02 Biggest snubs of all time44:39 How to improve the showMake sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

The rise and fall of the Yeezy brand is a Hollywood screenplay in the making. But this is less like the movie AIR, and more like The Wolf of Wall Street.To break it all down, I'm joined by Zack O'Malley Greenburg, who covered the Yeezy business through his reporting at Forbes. Together, we explore Kanye West's partnerships with Nike, Adidas, and Gap and the highs and lows along the way.Make sure you listen in for our new Chartmetric stat of the week!00:00 Kanye West enters the fashion world08:52 You don't have the answer, Sway.24:56 Yeezy becomes a billion dollar brand30:28 The downfall37:04 Yeezy's independent futureEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

Analicemos el efecto que tuvo el Super Bowl en los números y datos musicales de Usher, luego de su participación en el show de medio tiempo. Además, vemos cómo tú también puedes usar Chartmetric en tu carrera musical. --- Send in a voice message: https://podcasters.spotify.com/pod/show/seedcademy/message

From gamblers paradise to entertainment mecca, on this episode of Trapital, we take a trip to Las Vegas and how its coveted residencies have evolved over time, the economics of how they work, and predictions for the future.I'm joined by Tati Cirisano from MIDiA Research. We explore the Las Vegas' origin with mob ties, the ground-breaking 2003 Celine Dion residency, and the changing demographic of Vegas attendees.Want to leave us a question for our upcoming mailbag episode? Leave us a voicemail at memo.fm/trapitalThis episode is brought to you by DICE. Want to learn more about how you and your artists can reach a packed room of your superfans? Learn more at dice.fm/partnersMake sure you listen in for our new Chartmetric stat of the week!2:30 Las Vegas evolution in music14:26 Celine Dion's 2003 residency21:50 The millennial demand29:59 Weekends with Adele41:42 The Sphere48:04 The Future of ResidenciesEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

We hear a lot about superfans and how important they are for an artist, but we rarely see any data to quantify how valuable they actually are.In this episode, I'm joined by Will Page, author of Pivot and former chief economist at Spotify, to break down his most recent report, Soundcloud Rockonomics. We discuss the company's Fan Powered Royalties, the user centric model, how artists like Lil Uzi Vert can measure their fans, and the impact on the industry.Today's episode is brought to you by Bandzoogle. Build a stunning website today. Start your free 30-day trial and use promo code ‘trapital' to get 15% off your first year.Make sure you listen in for our new Chartmetric stat of the episode!00:00 SoundCloud's fan-powered royalties12:17 Lil Uzi Vert's superfans20:17 Helping artists nurture superfans25:14 Streaming fraud29:09 What the industry can learn from this modelEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

This episode is about music's biggest night. But we're not interested in who should win. This is about the business behind the show and everything surrounding it.We break down how the show makes money for CBS and the Recording Academy despite the viewership decline, the massive For Your Consideration business, the campaigning required to win an award, and major controversies over the years.I'm joined by Zack O'Malley Greenburg, friend of the pod, who covered The Grammys several times while at Forbes.This episode is brought to you by DICE. Want to learn more about how you and your artists can reach a packed room of your superfans? Learn more at dice.fm/partnersMake sure you listen in for our new Chartmetric stat of the week!00:31 Why The Grammys were started08:04 The Grammys cultural impact over time.16:50 How The Grammy elevated the perception of musicians32:03 How The Recording Academy Works52:15 Changes we would make to The GrammysEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

It's been over 10 years since State Farm's first Chris Paul - Cliff Paul ad. It's been over 20 years since GEICO first introduced the gecko. These ads from insurance companies have been the biggest ad campaigns and their impact continues to grow.I'm joined by Dr. Marcus Collins, who helped develop the Chris Paul - Cliff Paul campaign during his time at Translation. We talked about why there are so many insurance ads, how Chris Paul - Cliff Paul happened, and how its legacy lives on.This episode is brought to you by Primary Wave, the home for legends. Learn more about how Primary Wave continues to legacy of the biggest artists from yesterday and today at primarywave.com Make sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

Radio is the music format with nine lives. Despite all of the new evolutions in AI, streaming, and short-form video, radio continues to live on; and will do so for several more years.In this episode, I'm joined by a friend of the pod, Tati Cirisano from MIDiA Research. We dive into radio's impact in music over the years, current cutbacks and layoffs, and what the future of radio looks like in today's era.Today's episode is brought to you by Bandzoogle. Build a stunning website today. Start your free 30-day trial and use promo code ‘trapital' to get 15% off your first year.Make sure you listen in for our new Chartmetric stat of the week!09:100 The underestimation of radio's impact.15:20 Debates for royalty payments22:20 How streaming flipped radio's role in promotion37:15 The Breakfast Club's success48:14 What streaming can learn from radioEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

In this episode, I sit down with Playlist expert Mike Warner to delve into the fascinating world of targeted advertising, the challenges of music promotion, and the powerful role that AI can play in your playlist strategy. Mike warns about the dangers of targeting the wrong audience and emphasizes the importance of considering an artist's genre when reaching out to potential fans. He also shares personal anecdotes, including a friend's experience with directing family and friends to their music under a new name. Discover how text and visuals can influence listeners' decision to press play, and why catching people's attention within a fraction of a second is crucial in today's social media scrolling culture. From the struggles and challenges faced during the creative process to the innovative use of AI in crafting effective song descriptions and pitches, Mike offers invaluable insights and practical advice to aspiring musicians and industry professionals. Tune in as Mike uncovers the potential of AI tools like Chat GPT in revolutionizing the way we promote music and connect with audiences. With a treasure trove of tips on filling out submission forms, curating playlists, and making the most of streaming platforms, this episode is a must-listen for anyone looking to navigate the ever-evolving landscape of the music industry. Artificial intelligence is shaping the landscape of music promotion, and musicians can take advantage of AI-driven tools for various tasks. Warner discusses the benefits of Chat GPT in writing engaging pitches, improving communication with recipients, and streamlining the workflow. Although AI has its limitations and requires fine-tuning, it can be a valuable partner in the music industry. AI not only aids in overcoming writer's block but also enhances the effectiveness of promotional efforts. In an era where music promotion requires a multi-faceted approach, the insights shared by Mike Warner offer valuable guidance for musicians. From targeting the right audience and harnessing the power of words to understanding the nuances of music streaming platforms and embracing AI-driven tools, artists have an array of strategies at their disposal. By staying informed and adapting to the ever-evolving digital landscape, musicians can maximize their reach, engage their fan base, and elevate their music careers to new heights. Key topics in this Podcast - Targeting the Right Audience for Music Ads - Importance of Text in Music Promotion - Challenges in Creating and Describing Music - AI Tools for Music Promotion - Manipulation and Consequences in Music Streaming Platforms - Utilizing Submission Forms for Music Platforms - Using Chat GPT for Writing Pitches - Playlists and Other Opportunities for Music Promotion - AI as a Partner in the Music Industry Works - Documenting and Sharing Experiences in the Music Industry About my Guest: Mike Warner Australian-born Mike Warner is one of the leading experts in the world of streaming music. Mike has held many roles in music over the past 20 years. Currently, he is the Head of Editorial Marketing Partnerships, in North America with global music distributor Believe. Prior to this, he was the Director of Artist Relations at Chartmetric.As a true wearer of many hats, he is also a best-selling self-published author as well as a public speaker, Mike has shared his insights on every stage, from guest starring on numerous podcasts and appearing live on CNBC to speaking at the music industry's largest conferences including SXSW, NAMM and Music Biz. Based on the success of the first two editions of Work Hard Playlist Hard, Mike has expanded the world of WHPH into a full online blog and a podcast series. He also collaborated with industry friend Erika Parr to translate the book into Spanish. Mike has gained an audience on LinkedIn, with his informative and entertaining posts earning him the title as one of LinkedIn's 2023 Top Voices in Music. An independent artist himself, Mike understands the challenges facing artists today better than anyone. A bit of a rebel and an obstinate supporter of independent artists, Mike continues to be unrelentingly passionate about empowering musicians with the tools they need to succeed. As an educator, author, speaker, executive, and leader, Mike's work has gained him recognition among his peers as the go-to authority at the forefront of the digital music world. Featured Links and Deeper Dives: X DJ Mode on Spotify - Head to your Music Feed on Home in the Spotify mobile app on your iOS or Android device, tap Play on the DJ card, and let Spotify do the rest! Work Hard Playlist Hard - Mike's awesome blog. PlaylistAI  - Describe what you want to listen to and AI will make you the perfect mix.

Data has become essential in today's digital age for businesses, creators, and artists alike, but have you ever wondered how musicians effectively utilize streaming platforms, social media, and audience insights to discover their target audience? In this episode, Xylo chats with Chartmetric's Business Development Manager, Michelle Yuen, on how to leverage data to identify the target audience, the potential problems musicians should be aware of when using audience data, and tips on when and where to use data when releasing music. Follow Michelle Yuen: LinkedIn: https://www.linkedin.com/in/michelle-l-yuen/ Distrokid has kindly offered all MPW listeners a 30% discount off the first year of their annual subscription! Use the following link to redeem the discount: https://distrokid.com/vip/mpw

Some links you're going to want to use:Jesse Cannon Musformation YouTube Channel: https://www.youtube.com/@MusformationHow To Write A Spotify Playlist Pitch For Editorial Playlists:  https://youtu.be/y7z9T0ydXsoDiscover and Track Your Spotify Popularity Score: Musicstax.comTrack Every Playlist On Spotify: Chartmetric.com Join the movement and broaden your understanding of how to honor the digital platform. This FREE download, Whoever Owns The Traffic, Rules The Road, will help you understand and adjust your tactics to grow your traffic and get paid on a digital platform. Go to GiftFromJohnny.com and tell him where to send it. If you'd like some one-on-one coaching to better understand your assets and how to use them to get paid, schedule a  consultation with Johnny today. Email him at info@daredevilproduction.com and put CONSULTATION in the subject line. 

I've got another special long-form conversation to share with you. This comes courtesy of Adam Meckler and the GigBoss Podcast. Thanks to Adam for giving me permission to upload this episode and share it with all of you. If you like what you hear please consider subscribing to the GigBoss Podcast! In this episode Adam Meckler talks with Mike about strategy for pitching songs via Spotify for Artists, why emails are better than socials when building fan-artist relationships, how to get your music in retail stores, and a bunch more Gig Boss is a podcast with the goal of helping musicians learn how to navigate the new music economy. Hear directly from artists on how they built their careers, and from Industry pros on how to navigate streaming, social media, sync licensing, booking gigs, routing tours and more. Links to Adam, GigBoss and Mike: https://www.adammeckler.com https://linktr.ee/GigBoss https://linkpop.com/mikewarner Things we talked about: Chartmetric: https://chartmetric.com/ Spotify for Artists: https://artists.spotify.com/ Soundiiz: https://soundiiz.com/

Mike Warner is the author of "Work Hard, Playlist Hard", a comprehensive how-to on building your presence and listenership on streaming platforms. Gig Boss host, Adam Meckler talks with Mike about strategy for pitching songs via Spotify for Artists, why emails are better than socials when building fan-artist relationships, how to get your music in retail stores, and a bunch more.Work Hard Playlist Hard Book: https://amzn.to/3BoKcQF____________________________Stuff we talked about:Chartmetric: https://chartmetric.com/Spotify for Artists: https://artists.spotify.com/Soundiiz: https://soundiiz.com/____________________________Download Gig Boss app: https://linktr.ee/gigbossJoin the Gig Boss Facebook Group: https://www.facebook.com/groups/gigbossBumper Music: Sunshine is Out by Adam Meckler https://open.spotify.com/track/1u12flYbzE4jxD1cwG5pGT?si=5228a5324e474da9-----------------------------------How to Make it in the New Music Business Book: https://amzn.to/3Pls5ixAri's Take Academy: https://aristakeacademy.teachable.com/?affcode=267075_yqqy4mcn - Use code "GIGBOSS" at checkout for 10% off

Baz Luhrmann's hit box office hit biopic Elvis has spurred new interest in the music of The King. Elvis Presley's streaming subscribers has grown by two million listeners on Spotify since the film's release according to ChartMetric, and if you're hearing a lot more “Hound Dog” these days, it might be partially due to the success of Doja Cat's hit song “Vegas,” which updates – and interpolates – the song for contemporary listeners.  Doja Cat's version samples from the original 1953 “Hound Dog,” sung by Big Mama Thornton and written by acclaimed songwriter team Jerry Leiber and Mike Stoller (whose credits also include Presley's “Jailhouse Rock” and Ben E. King's “Stand By Me”). The original is a sauntering blues song with a raunchy tale about a two timing man; Presley, who is frequently said to have stolen the song from Thorton, instead sings a tepid lyric about an actual dog, and radically changes the groove.  But in an interview with Rolling Stone, Stoller says Presley didn't steal the song at all. Rather, he adapted one of many covers of the song, specifically the version performed by the Las Vegas lounge act Freddie Bell and the Bellboys. Their “Hound Dog” borrows its upbeat rhythm from a song responding to the original “Hound Dog,” titled “Bear Cat.” It's a similar rhythm to the one we hear on the contemporary Doja Cat version, “Vegas,” which heavily features samples of Thornton's original vocals: listening closely reveals a song that synthesizes a complicated music history by uniting the best parts of the many versions of “Hound Dog.”  Listen to the latest episode of Switched On Pop and uncover the long legacy of “Hound Dog.” Songs Discussed Big Mama Thorton - Hound Dog Elvis - Hound Dog Doja Cat - Vegas Esther Phillips - Hound Dog Jack Turner - Hound Dog Rufus Thomas - Bear Cat Freddie Bell and the Bellboys T.L.C. - No Scrubs Sporty Thievz - No Pigeons  W.C. Handy - St. Louis Blues Duke Ellington - Conga brava Sister Rosetta Tharpe - Didn't It Rain Fats Domino - Mardi Gras in New Orleans Dave Bartholomew - Country Boy Little Richard - Slipping' And Sliding' Jack Harlow - Dua Lipa Future - Puffin on Zootiez Hitkidd, Gorilla - F.N.F. (Let's Go) Bad Bunny - Después de la Playa Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our guest today is Fabrice Sergent, Co-Founder and Managing Partner at Bandsintown, where they “believe that live music is one of the last ‘tribal experiences' which creates happiness and understanding in the world. Their mission is to help artists build a sustainable future through virtual live streams, music releases, merchandise and traditional live events promotion. With a reach of 250 million Monthly Active music fans globally, over 67m registered concert goers and 550k touring artists registered to the platform, Bandsintown offers powerful, scalable and targeted digital marketing solutions to engage with music enthusiasts.”According to his LinkedIn profile, Sergent is “an entrepreneur driven by passion, having led hyper growth digital media enterprises in the U.S. and in Europe with extensive experience in the music industry, digital consumer marketing, brand building, business development, and mergers & acquisitions. He co-founded and led two start-ups to $100m+ revenues, starting his journey by founding Club-Internet, with the support of Lagardere/Hachette in 1995. Club-Internet was one of the very first Internet Service Provider (similar to AOL in the US) launched in France and later became one of the largest [Internet Service Providers] before it was purchased by Deutsche Telecom's T-Online in 2000 for 1.2 billion Euro.”Today, we'll look back on his road to music, what Bandsintown is up to nowadays, and what the future holds in store for live music.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

Mike Warner has over 20 years of experience as an exec in the music industry. He's the director of artist, label, and DSP relations at Chartmetric - an awesome music analytics tool.He's been featured on CNBC, at SXSW, and at the Electronic Music Conference. And he's a best-selling author with his book “Work Hard Playlist Hard.” This week's episode will help you take your playlisting to the next level with a conversation I had with a playlisting expert!Here's what you'll learn about: When and how to reach out to playlists to ensure the best chance at successHow to research playlisting companies to find the best one for youWays to leverage exciting new features on Amazon Music and Apple Music when planning your next release Linkedin: https://linkedin.com/in/askmikewarnerWebsite: www.workhardplaylisthard.comWant to Fast Track Your Music Career? Try MusicMentor™ Pro For Free: https://link.modernmusician.me/MusicMentor

Mike Warner is one of the leading experts on the world of streaming music. Mike's multifaceted roles as both a freelance label consultant and Director of Artist Relations at Chartmetric have allowed him to develop and execute strategic digital campaigns for both major and independent clients. He is also a published author. Based on the success of the first edition of Work Hard Playlist Hard, Mike has expanded the world of streaming into a full online educational portal and a podcast series called Streamline With Mike Warner. As an independent artist himself, Mike understands the challenges facing artists today better than anyone. Mike continues to be unrelentingly passionate about empowering musicians with the tools they need to succeed. Today, we uncover the world of streaming and where the opportunities lie for you all. -- Who is Mike Warner? Key Technique to Success Music Distribution Enhancing Profiles Future of Streaming The Reality of Playlist Curation Music Analytics Playlist Promotion Create Your Own Playlist Where to Find Feature Updates -- Use our code for 30% off your first year's membership with DistroKid. http://distrokid.com/vip/thesetup. As always, when you distribute your music to DSPs with DistroKid, they never take a cut. You & your collaborators get 100% of the earnings. -- If you enjoy the podcast, would you be willing to leave us a 5-star review on Apple podcasts? It takes less than 15 seconds, and it really makes a difference in helping to convince hard-to-get guests and I also love reading the reviews! We love to see what you all think! -- For show notes and past guests, please visit thesetupseries.com Want to meet our guests? Join our community (“Set Up Set List") at thesetupseries.com/community --- Send in a voice message: https://anchor.fm/thesetupseries/message Support this podcast: https://anchor.fm/thesetupseries/support