Podcasts about chartmetric

Ben Rector is a singer songwriter originally from Tulsa, Oklahoma. Over the past decade, he has built a dedicated fanbase through consistent touring and a catalog of self-written, self-released albums. His 2015 album Brand New debuted in the Billboard Top 10, with the title track going RIAA Platinum. He is currently on tour and just released his new album The Richest Man In The World.In this episode, we talk about Ben's journey from indie beginnings to chart success, the business of being a fully independent artist, the pitfalls of the attention economy, and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Jon Decious is a Nashville-based songwriter originally from Monticello, Kentucky. His recent credits include three songs on Lainey Wilson's 2024 album Whirlwind (“4x4xU,” “Counting Chickens,” and “Ring Finger”), “Armadillo” from Miranda Lambert's Postcards from Texas, and cuts with Anderson East, Ashley McBryde, Tyler Halverson, and Carter Faith. In 2024, he signed a joint publishing deal with Reservoir Media and One Riot.In this episode, we talk about Jon's journey from playing bass in The Pink Spiders, the story behind his first No. 1 song “4x4xU,” working with Ric Ocasek (of The Cars fame), and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Walker Hayes is a GRAMMY-nominated country artist and songwriter originally from Mobile, Alabama. He gained national attention in 2021 with “Fancy Like,” which topped the Billboard Hot Country Songs chart, became his first No. 1 at country radio, and is now certified 6× Platinum by the RIAA.In this episode, we discuss Walker's unconventional path to success, the impact of “Fancy Like,” balancing faith, family, and music, and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Ryan Hurd is a Grammy-nominated singer and songwriter originally from Kalamazoo, Michigan. He began his career as a songwriter in Nashville, penning No. 1 hits like “Lonely Tonight” for Blake Shelton and Ashley Monroe, and “What If I Never Get Over You” for Lady A. His own artist career has included Gold-certified singles like “To a T” and the Platinum-certified duet “Chasing After You.” He is currently signed to Big Machine for both records and publishing.In this episode, we talk about Ryan's journey from the writing room to his first record deal, how he crafts his albums, his new deluxe version of Midwest Rock and Roll, and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Spotify lanza Snooze para bloquear canciones repetidas y ofrece más control a usuarios Premium  Por Félix Riaño @LocutorCo        Spotify tiene 615 millones de oyentes mensuales, de los cuales 236 millones pagan Premium. La plataforma está probando una nueva función llamada «Snooze 30 días». Los usuarios Premium pueden bloquear temporalmente canciones que no quieren escuchar. La función aparece junto a las opciones de «Ocultar» y permite pausar una canción durante 30 días sin eliminarla. Snooze se está probando en Estados Unidos, Canadá y Reino Unido, y pronto llegará a otros países. Spotify reconoce que su algoritmo a veces repite canciones y ofrece Snooze para que los usuarios tengan más control.     Spotify admite que sus recomendaciones pueden volverse repetitivas.     Spotify ofrece Discover Weekly desde 2015. Cada lunes, esta lista sugiere 30 canciones personalizadas usando un algoritmo que analiza 2 billones de listas y el historial de cada usuario. Pero el sistema tiene un problema: si una canción se reproduce hasta el final, Spotify asume que gusta y la repite. En 2024, Chartmetric mostró que 4 de cada 10 oyentes saltan la misma canción al menos 3 veces por semana. Con Snooze, los usuarios pueden bloquear esas canciones sin borrarlas.     El problema de las canciones repetitivas no solo aburre, también afecta a los artistas. Los músicos emergentes pueden ver su trabajo rechazado si aparece fuera de contexto. Además, los grandes sellos dominan las listas de recomendaciones. Deezer y YouTube Music ya ofrecieron soluciones similares. Ahora, Spotify lanza Snooze para dar más control a los usuarios sin afectar su modelo de negocio.     Spotify no solo añade Snooze. También ha mejorado el botón «Ocultar», que ahora sincroniza la decisión en todos los dispositivos. La sección «Ahora Suena» muestra las recomendaciones futuras y permite eliminarlas. También se añadieron accesos directos a Shuffle, Smart Shuffle, Repetir y Temporizador de Sueño.     Spotify paga a los artistas un promedio de 0,0032 USD por reproducción. Esto equivale a menos de un tercio de un centavo. Un artista necesita 312 reproducciones para ganar 1 dólar. En mercados como Colombia y México, el costo del plan familiar de Spotify se puede dividir entre seis personas, reduciendo el costo mensual a menos de 1 dólar por persona. Esto hace que el servicio sea accesible.     Spotify no paga a los creadores de pódcast. Solo paga a las discográficas por las canciones. Los pódcast son gratuitos para todos, incluso para quienes no pagan Premium. Los usuarios Premium escuchan música sin anuncios, pero los pódcast pueden incluir publicidad, ya que los anuncios son responsabilidad del creador del contenido. Algunos pódcast son de pago y se compran por episodio o temporada.    Spotify lanza Snooze para silenciar canciones repetitivas. También mejora las opciones de control en la cola de reproducción. Los pódcast siguen siendo gratuitos para todos. ¿Te interesa probar Snooze? Síguenos en Flash Diario: Flash Diario en Spotify     Spotify prueba Snooze: pausa canciones repetitivas 30 días, controla tu cola y recuerda que los pódcast siguen gratis.Bibliografía TechRadar     The Verge     TechCrunch     Spotify Newsroom     Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/flash-diario-de-el-siglo-21-es-hoy--5835407/support.

Kameron Marlowe is a country artist and songwriter originally from Kannapolis, North Carolina. He has earned multiple RIAA certifications, including a platinum certification for his song “Giving You Up.” He is currently signed to Columbia Nashville and published by Sony Music Publishing.In this episode, we talk about Kameron's journey from working a parts counter in North Carolina to playing arenas, the evolution of his songwriting, the pressure of early success, his new record Sad Songs for the Soul, and many other stops along the way.This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Ryan Whelpley is a touring director at Red Light Management. Originally from Eerie, Pennsylvania - he has built a career working behind the scenes with artists like Kip Moore, Tim McGraw, Jordan Davis, and many, many others. After starting as a bellhop at the Gaylord Opry Hotel, he has served as a sound guy, a carpenter, a production manager, and a tour manager and many other stops along the way.In this episode we discuss his journey from production manager at the Wild Horse Saloon, to being on the road with Kip Moore, and to his current role at Red Light Management. We also discuss the nature of various roles on the touring side of the industry. This is a great episode for anybody who is curious how the machinery behind your favorite artist's work, or for anybody considering a career in a touring role. This episode's "stat of the week" is brought to you by Chartmetric.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

We're excited to announce a special bonus interview with Sung Cho, the CEO & Founder of our incredible sponsor, Chartmetric. Ross recently sat down with Sung to discuss how his company is building the world's best analytics team in the music industry. Read below to find out more about Chartmetric and listen to this conversation on any platform you find your podcasts!Chartmetric is the all-in-one platform for artists and music industry professionals, providing comprehensive streaming, social, and audience data. Since 2016, Chartmetric has strived to ensure everyone can have a successful career in music. Their easy-to-understand and powerful analytics on over 10 million artists and 100 million tracks will help answer all of your questions, from tracking your stats to discovering new talents. From playlist placements to stream counts to follower demographics and much more, it's never been easier to understand how your artists fit in the music industry, and how they can grow. What's even better is that Chartmetric does the work for you, providing actionable insights and beautiful visuals on their up-to-date global data from over 15 different social and streaming platforms. Find out more at chartmetric.com! Hosted on Acast. See acast.com/privacy for more information.

This week we celebrate all things data as the year end music stats have been released and I dive in head first to some of my favorite findings from Luminate and Chartmetric... and I've got some music that all had a common element this week... space.To check out this week's songs on your platform of choice head to Songs That Don't SuckConnect with Songs That Don't Suck ~ ⁠⁠Instagram⁠ | Threads | Facebook | TikTok | BlueSky2025 Songs That Don't Suck ||  2024 Songs That Don't Suck || 2023 Songs That Don't Suck

The NFL and Roc Nation just renewed their five-year partnership to lead the Super Bowl Halftime Show production and its Inspire Change Initiative. Let's dive into what led to the initial deal in 2019, how it's gone, Jay Z's involvement, the twists, turns, and whole lot more. Join me and Zack O'Malley Greenburg as we break it all down.Sponsors:CD Baby: https://cdbaby.com/Splice: https://splice.com/Chartmetric: https://www.trapital.com/chartmetric

Episode 215 On this week's episode of the YMC podcast, your super-groovy hosts Jay Gilbert and Mike Etchart wax poetic on these important music industry stories: "Do Albums Still Matter, And Which Artists Should Be Releasing Them?" (Chartmetric);  "Universal's Direct-To-Fan Business Has Been Growing At A Whopping 33% Rate, And 3 Other Things We Learned At UMG's Capital Markets Day" (Music Business Worldwide); "A Journey Through The Best Record Stores In North America" (My Pack Wizard).   Plus an audio drop with NITO Executive Director Nathaniel Marrow.   Subscribe to the newsletter! YourMorning.Coffee    

Sung Cho is the CEO of Chartmetric, a remarkable B2B SaaS company that collects and analyzes music data from streaming platforms and social media to predict the future of the music industry. Through its services, Chartmetric contributes to the growth of the music industry and has achieved an impressive annual subscription revenue of $8.5MM. Before founding Chartmetric, Sung was a founding member of Gamevil, one of South Korea's leading game companies. He jumped into the Korean game industry before it was fully established and led the company's growth alongside the industry's development. However, not content with just the company's success, Sung aimed to fulfill his dream of building a career and starting a business in Silicon Valley. Approaching his 30s, he left Gamevil and started anew as an intern at Sun Microsystems in Silicon Valley. While working at Sun Microsystems, the company was acquired by Oracle, naturally transitioning his career to Oracle. Yet, he chose to step out of his comfort zone for another challenge. After leaving Oracle, Sung faced numerous challenges before finally starting Chartmetric in 2015. The company has since been steadily growing, as evidenced by its increasing ARR and other metrics. --- Support this podcast: https://podcasters.spotify.com/pod/show/getu-chandler/support

Depending on who you ask, it's either the best or worst time to be an artist. There's plenty of evidence on both sides. Today, we're breaking down all of that and more.I'm joined by beatBread's Peter Sinclair. We covered it all:why it's the best time to be an artistbut why it's harder to be an omnipresent superstarthe role and perception of Spotify, YouTube, and DSPsmaking it in music today vs. the CD erathe impact of a great producer and a guest versewhy it's harder than ever to be the biggerThis was a jam packed episode. Hope you enjoy!This episode is presented by State Farm. Like a good neighbor, State Farm is there.Listen in for our Chartmetric stat of the episode!

The market is booming for generative music. Suno raised $125M and Udio has raised over $10M. The tools are impressive, but they raise some important questions:What data are these products trained on?Are startups in music incentivized to ask for permission?Is this what 'IG for music' looks like?Are these products or features?I'm joined by Tati Cirisano from MIDiA Research. Hope you enjoy listening.Make sure you listen to our Chartmetric stat of the episode!

NPR Tiny Desk is 15 years old and arguably stronger than ever. It helped Usher perform at the Super Bowl. It helped Tank and the Bangas break through to a Grammy nomination. And it elevated the perception of artists like T-Pain and Mac Miller.But how does Tiny Desk maintain its influence? Any company can host a stripped-down acoustic series for artists to perform in their office. But even if they did, it wouldn't hit the same.In this episode, we break down the dynamics that make Tiny Desk work, the tradeoffs that the show balances, how it maintains its status over time, and what the future may hold.Listen to me and Tati Cirisano from MIDiA Research break it all down.Make sure you listen to our Chartmetric stat of the episode.

The list of brands that Penske Media Corporation owns or has invested in is long: Billboard, Variety, The Hollywood Reporter, Rolling Stone, Music Business Worldwide, Deadline, and dozens more.What's Penske's long game? Are these companies better off? Where would these companies be without Penske? Which companies are most likely next?To break it all down, I'm joined by Bill Werde, former Billboard editorial director, author of Full Rate No Cap, and the Director of Bandier Program of Recording and Entertainment and Syracuse's Newhouse School.This episode is brought to you by 4se New York, where sports and entertainment come alive.Make sure you check out our Chartmetric stat of the episode.

While Drake and Kendrick Lamar trade diss tracks back and forth, we decided to dig into the engine that makes it all possible. How has rap beef evolved in the streaming era and social media? Do the stakes still matter? Who makes money from these beef? How does this impact hip-hop's "decline"?I'm joined by BrandMan Sean, our friend of the pod who had a lot to say about this. Listen here or wherever you get podcasts!Make sure you listen to our Chartmetric stat of the week.

Private equity firm KKR has been fascinating to watch in the music rights landscape. Just when you thought they were out, they get pulled back in!In this episode, we break down the past few years of KKR's deals with Chord Music, Kobalt, HarbourView Equity Partners. Why did they sell Chord Music? Why did they partner with HarbourView? What does it say about the broader music rights investing landscape.Listen to me and Anna Nicolaou from the Financial Times break it all down.00:00 KKR's $500M debt deal with Harborview07:24 How rising interest rates affect the valuation of music14:50 KKR vs other players in the industry22:15 The role of UMG in the music rights landscape30:25 Predictions on the current bidding warsThis episode was brought to you by 4se New York, the sports and entertainment event on May 21-22. Learn more here.Make sure you listen for our Chartmetric stat of the week.Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

On April 11, Taylor Swift's songs reappeared on TikTok despite the platform's ongoing dispute with her record label, Universal Music Group. This move was made in advance of the release of Taylor's 11th studio album, The Tortured Poets Department.On this episode of Trapital, Tatiana Cirisano and I discuss why Swift and UMG don't see eye-to-eye, competing incentives, who's in charge at UMG, and more.00:00 Why we're not surprised Taylor Swift made this move07:52 Why Swift and UMG have competing incentives13:37 What it means for UMG and TikTok moving forward24:27 Who's the most powerful person in the music industry?This episode is brought to you by EVEN, where you buy the art from the artist. Learn more at https://get.even.biz/trapitalMake sure you listen in for our new Chartmetric stat of the week!Trapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

We've had plenty of conversations on Trapital about Diddy's business success, so we have to keep that same energy when outlook changes.On this episode, Zack O'Malley Greenburg and I talk about our initial reactions to the allegations surrounding Sean Combs, and we talk about the present state and future of the biggest businesses in his portfolio.Make sure you listen for our Chartmetric stat of the episode

Despite the all-time record highs for the live music industry, music festivals haven't quite had the same post-pandemic recovery. Several well-known festivals have closed up shop, and others have had slower than usual demand (even Coachella!)To break it all down, I'm joined by Tati Cirisano from MIDiA Research. Hope you enjoy!Make sure you check out our Chartmetric stat of the episode!

Back in the day, each record label had a distinct consumer identity. In the 90s, you knew what to expect from an Interscope album. Def Jam, Jive, Uptown, Cash Money. They all had their own vibe, their own identity, their own brand.So... what the hell happened?In the episode, we talk about how music's landscape shifted, and took the consumer brands with it. Strong brands still exist today among today's music companies, but they operate more like B2B brands than B2C brands.I'm joined by Justin Hunte, music journalist, startup advisor, and former Editor-in-Chief of HipHopDX, and we break it all down.04:20 Def Jam's fight for legitimacy and innovation.06:59 Federal Communications Act - media consolidation impact12:08 Media success relies on standing on giants' shoulders.16:36 Hybe's Weverse maximizes label and artist reach.18:21 Maximizing super fans to boost revenue. Consolidation.23:07 Shift in entertainment from pandemic to 2024.25:41 Changing music industry, companies adapting to trends.28:37 Brand identity crucial; industry accolades have limits.31:31 Share, rate, and spread the word.Make sure you listen in for our new Chartmetric stat of the week!Trapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

It's time to dig into the mailbag again. I asked Trapital listeners to send me their most burning questions about the music industry. But this time we're doing things a bit differently: you'll be hearing the questions directly from our listeners.We dug into the TikTok vs. UMGc dispute, children's entertainment media, and the Beyoncé - Verizon relationship leading to album ‘Act II: Cowboy Carter.”00:00 UMG vs TikTok 15:17 Kids' music 19:55 Beyoncé, Verizon, and Cowboy CarterMake sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

2023 was a big year for concert films. Taylor Swift's “Eras Tour” film became the highest grossing concert film of all time with nearly $270M in worldwide box office gross. Beyonce's Renaissance film grossed over $44M. Was this just a Beyonce and Taylor thing, or will this continue?In this episode, I'm joined by Jimmy Stone, Founder of Alderbrook Companies, to dive deep into the rise of concert films, the economics behind them, the highest grossing concert films of all time, and so much more.At the end of our conversation, we also included an audio segment of the guest essay that Jimmy wrote for Trapital: “What Is Driving The Rise Of Concert Films?”00:00 Why are concert films becoming so popular? 06:50 Transmedia storytelling in music 12:48 The economics of concert films 21:11 Which artist could make a successful concert film in 2024? 31:22 Jimmy's essay: What Is Driving The Rise Of Concert Films?Make sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

There's been a lot of discussion (and concern) about the impact of generative AI on music and whether the industry is on the verge of another Napster moment. But according to Jessica Powell, CEO of AudioShake, it's going to take a lot more than a text prompt to kill music as we know it.On today's episode, Jessica and I did a dive deep into the rise of generative music, its actual opportunities, and what it means for the industry moving forward.At the end of our conversation, we also included an audio version of the essay that Jessica wrote for Trapital: “Is Generative Music Really the Next Napster?”00:00 Will AI music have a Napster moment?08:07 The rise of generative music12:14 Main challenges and opportunities20:26 Audio essay: “Is Generative Music Really the Next Napster?”Make sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

Mario Melgar llega al podcast de Métrica Latina para una entrevista en la que hablamos de sus inicios en la industria musical, manejar artistas como Locomotor, Rich White, Leslie Shaw, su llegada como CEO a Sony Perú, la firma de Jaze y Ryan Castro, el interés por Faraon Love Shady y Gabriel Drago, Chartmetric, su trabajo en Kandavu, qué busca a la hora de firmar artistas, cómo formar clubs de fans y sus próximos proyectos 

This episode is about Hollywood's biggest night, the Academy Awards. I'm joined by friend of the pod Zack O'Malley Greenburg to dive deep into the Oscars, how it compares to the Grammys, its relationship with music, the money spent on campaigns, the dramas, the major controversies, and some wild theories.00:00 The money behind the Oscars06:30 Why the Grammys gets worse ratings than the Oscars22:05 What happened to big movie soundtracks?31:36 Controversies over the years40:02 Biggest snubs of all time44:39 How to improve the showMake sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

The rise and fall of the Yeezy brand is a Hollywood screenplay in the making. But this is less like the movie AIR, and more like The Wolf of Wall Street.To break it all down, I'm joined by Zack O'Malley Greenburg, who covered the Yeezy business through his reporting at Forbes. Together, we explore Kanye West's partnerships with Nike, Adidas, and Gap and the highs and lows along the way.Make sure you listen in for our new Chartmetric stat of the week!00:00 Kanye West enters the fashion world08:52 You don't have the answer, Sway.24:56 Yeezy becomes a billion dollar brand30:28 The downfall37:04 Yeezy's independent futureEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

Analicemos el efecto que tuvo el Super Bowl en los números y datos musicales de Usher, luego de su participación en el show de medio tiempo. Además, vemos cómo tú también puedes usar Chartmetric en tu carrera musical. --- Send in a voice message: https://podcasters.spotify.com/pod/show/seedcademy/message

From gamblers paradise to entertainment mecca, on this episode of Trapital, we take a trip to Las Vegas and how its coveted residencies have evolved over time, the economics of how they work, and predictions for the future.I'm joined by Tati Cirisano from MIDiA Research. We explore the Las Vegas' origin with mob ties, the ground-breaking 2003 Celine Dion residency, and the changing demographic of Vegas attendees.Want to leave us a question for our upcoming mailbag episode? Leave us a voicemail at memo.fm/trapitalThis episode is brought to you by DICE. Want to learn more about how you and your artists can reach a packed room of your superfans? Learn more at dice.fm/partnersMake sure you listen in for our new Chartmetric stat of the week!2:30 Las Vegas evolution in music14:26 Celine Dion's 2003 residency21:50 The millennial demand29:59 Weekends with Adele41:42 The Sphere48:04 The Future of ResidenciesEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

We hear a lot about superfans and how important they are for an artist, but we rarely see any data to quantify how valuable they actually are.In this episode, I'm joined by Will Page, author of Pivot and former chief economist at Spotify, to break down his most recent report, Soundcloud Rockonomics. We discuss the company's Fan Powered Royalties, the user centric model, how artists like Lil Uzi Vert can measure their fans, and the impact on the industry.Today's episode is brought to you by Bandzoogle. Build a stunning website today. Start your free 30-day trial and use promo code ‘trapital' to get 15% off your first year.Make sure you listen in for our new Chartmetric stat of the episode!00:00 SoundCloud's fan-powered royalties12:17 Lil Uzi Vert's superfans20:17 Helping artists nurture superfans25:14 Streaming fraud29:09 What the industry can learn from this modelEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

This episode is about music's biggest night. But we're not interested in who should win. This is about the business behind the show and everything surrounding it.We break down how the show makes money for CBS and the Recording Academy despite the viewership decline, the massive For Your Consideration business, the campaigning required to win an award, and major controversies over the years.I'm joined by Zack O'Malley Greenburg, friend of the pod, who covered The Grammys several times while at Forbes.This episode is brought to you by DICE. Want to learn more about how you and your artists can reach a packed room of your superfans? Learn more at dice.fm/partnersMake sure you listen in for our new Chartmetric stat of the week!00:31 Why The Grammys were started08:04 The Grammys cultural impact over time.16:50 How The Grammy elevated the perception of musicians32:03 How The Recording Academy Works52:15 Changes we would make to The GrammysEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

It's been over 10 years since State Farm's first Chris Paul - Cliff Paul ad. It's been over 20 years since GEICO first introduced the gecko. These ads from insurance companies have been the biggest ad campaigns and their impact continues to grow.I'm joined by Dr. Marcus Collins, who helped develop the Chris Paul - Cliff Paul campaign during his time at Translation. We talked about why there are so many insurance ads, how Chris Paul - Cliff Paul happened, and how its legacy lives on.This episode is brought to you by Primary Wave, the home for legends. Learn more about how Primary Wave continues to legacy of the biggest artists from yesterday and today at primarywave.com Make sure you listen in for our new Chartmetric stat of the week!Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

Radio is the music format with nine lives. Despite all of the new evolutions in AI, streaming, and short-form video, radio continues to live on; and will do so for several more years.In this episode, I'm joined by a friend of the pod, Tati Cirisano from MIDiA Research. We dive into radio's impact in music over the years, current cutbacks and layoffs, and what the future of radio looks like in today's era.Today's episode is brought to you by Bandzoogle. Build a stunning website today. Start your free 30-day trial and use promo code ‘trapital' to get 15% off your first year.Make sure you listen in for our new Chartmetric stat of the week!09:100 The underestimation of radio's impact.15:20 Debates for royalty payments22:20 How streaming flipped radio's role in promotion37:15 The Breakfast Club's success48:14 What streaming can learn from radioEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.

In this episode, I sit down with Playlist expert Mike Warner to delve into the fascinating world of targeted advertising, the challenges of music promotion, and the powerful role that AI can play in your playlist strategy. Mike warns about the dangers of targeting the wrong audience and emphasizes the importance of considering an artist's genre when reaching out to potential fans. He also shares personal anecdotes, including a friend's experience with directing family and friends to their music under a new name. Discover how text and visuals can influence listeners' decision to press play, and why catching people's attention within a fraction of a second is crucial in today's social media scrolling culture. From the struggles and challenges faced during the creative process to the innovative use of AI in crafting effective song descriptions and pitches, Mike offers invaluable insights and practical advice to aspiring musicians and industry professionals. Tune in as Mike uncovers the potential of AI tools like Chat GPT in revolutionizing the way we promote music and connect with audiences. With a treasure trove of tips on filling out submission forms, curating playlists, and making the most of streaming platforms, this episode is a must-listen for anyone looking to navigate the ever-evolving landscape of the music industry. Artificial intelligence is shaping the landscape of music promotion, and musicians can take advantage of AI-driven tools for various tasks. Warner discusses the benefits of Chat GPT in writing engaging pitches, improving communication with recipients, and streamlining the workflow. Although AI has its limitations and requires fine-tuning, it can be a valuable partner in the music industry. AI not only aids in overcoming writer's block but also enhances the effectiveness of promotional efforts. In an era where music promotion requires a multi-faceted approach, the insights shared by Mike Warner offer valuable guidance for musicians. From targeting the right audience and harnessing the power of words to understanding the nuances of music streaming platforms and embracing AI-driven tools, artists have an array of strategies at their disposal. By staying informed and adapting to the ever-evolving digital landscape, musicians can maximize their reach, engage their fan base, and elevate their music careers to new heights. Key topics in this Podcast - Targeting the Right Audience for Music Ads - Importance of Text in Music Promotion - Challenges in Creating and Describing Music - AI Tools for Music Promotion - Manipulation and Consequences in Music Streaming Platforms - Utilizing Submission Forms for Music Platforms - Using Chat GPT for Writing Pitches - Playlists and Other Opportunities for Music Promotion - AI as a Partner in the Music Industry Works - Documenting and Sharing Experiences in the Music Industry About my Guest: Mike Warner Australian-born Mike Warner is one of the leading experts in the world of streaming music. Mike has held many roles in music over the past 20 years. Currently, he is the Head of Editorial Marketing Partnerships, in North America with global music distributor Believe. Prior to this, he was the Director of Artist Relations at Chartmetric.As a true wearer of many hats, he is also a best-selling self-published author as well as a public speaker, Mike has shared his insights on every stage, from guest starring on numerous podcasts and appearing live on CNBC to speaking at the music industry's largest conferences including SXSW, NAMM and Music Biz. Based on the success of the first two editions of Work Hard Playlist Hard, Mike has expanded the world of WHPH into a full online blog and a podcast series. He also collaborated with industry friend Erika Parr to translate the book into Spanish. Mike has gained an audience on LinkedIn, with his informative and entertaining posts earning him the title as one of LinkedIn's 2023 Top Voices in Music. An independent artist himself, Mike understands the challenges facing artists today better than anyone. A bit of a rebel and an obstinate supporter of independent artists, Mike continues to be unrelentingly passionate about empowering musicians with the tools they need to succeed. As an educator, author, speaker, executive, and leader, Mike's work has gained him recognition among his peers as the go-to authority at the forefront of the digital music world. Featured Links and Deeper Dives: X DJ Mode on Spotify - Head to your Music Feed on Home in the Spotify mobile app on your iOS or Android device, tap Play on the DJ card, and let Spotify do the rest! Work Hard Playlist Hard - Mike's awesome blog. PlaylistAI  - Describe what you want to listen to and AI will make you the perfect mix.

Data has become essential in today's digital age for businesses, creators, and artists alike, but have you ever wondered how musicians effectively utilize streaming platforms, social media, and audience insights to discover their target audience? In this episode, Xylo chats with Chartmetric's Business Development Manager, Michelle Yuen, on how to leverage data to identify the target audience, the potential problems musicians should be aware of when using audience data, and tips on when and where to use data when releasing music. Follow Michelle Yuen: LinkedIn: https://www.linkedin.com/in/michelle-l-yuen/ Distrokid has kindly offered all MPW listeners a 30% discount off the first year of their annual subscription! Use the following link to redeem the discount: https://distrokid.com/vip/mpw

Abonnez-vous à la Newsletter : mailchi.mp/372ce005d7cc/explizik Cette semaine dans Explizik, Je voulais vous parler de part de marché. De la part de marché des majors et des indés dans les recommandations algorithmiques de Spotify. Music Tomorrow, société spécialisée dans la data et la musique et dans laquelle je travaille, je le précise, a sorti une étude en partenariat avec Chartmetric, qui plonge en profondeur dans le sujet. Et on peut parler de profondeur puisque nous avons analysé plus de 6000 playlists. Notre objectif : répondre à la question qu'on nous pose très souvent, les moteurs de recommandations favorisent ils les majors au détriment des indés ? https://blog.chartmetric.com/indie-major-labels-spotify-recommendations/

Some links you're going to want to use:Jesse Cannon Musformation YouTube Channel: https://www.youtube.com/@MusformationHow To Write A Spotify Playlist Pitch For Editorial Playlists:  https://youtu.be/y7z9T0ydXsoDiscover and Track Your Spotify Popularity Score: Musicstax.comTrack Every Playlist On Spotify: Chartmetric.com Join the movement and broaden your understanding of how to honor the digital platform. This FREE download, Whoever Owns The Traffic, Rules The Road, will help you understand and adjust your tactics to grow your traffic and get paid on a digital platform. Go to GiftFromJohnny.com and tell him where to send it. If you'd like some one-on-one coaching to better understand your assets and how to use them to get paid, schedule a  consultation with Johnny today. Email him at info@daredevilproduction.com and put CONSULTATION in the subject line. 

I've got another special long-form conversation to share with you. This comes courtesy of Adam Meckler and the GigBoss Podcast. Thanks to Adam for giving me permission to upload this episode and share it with all of you. If you like what you hear please consider subscribing to the GigBoss Podcast! In this episode Adam Meckler talks with Mike about strategy for pitching songs via Spotify for Artists, why emails are better than socials when building fan-artist relationships, how to get your music in retail stores, and a bunch more Gig Boss is a podcast with the goal of helping musicians learn how to navigate the new music economy. Hear directly from artists on how they built their careers, and from Industry pros on how to navigate streaming, social media, sync licensing, booking gigs, routing tours and more. Links to Adam, GigBoss and Mike: https://www.adammeckler.com https://linktr.ee/GigBoss https://linkpop.com/mikewarner Things we talked about: Chartmetric: https://chartmetric.com/ Spotify for Artists: https://artists.spotify.com/ Soundiiz: https://soundiiz.com/

Welcome back to another episode. Today we will be speaking with Michelle Yuen and her transferability of unique skills towards the music industry. She currently works at Chartmetric as a Business Intelligence Analyst. Michelle doesn't really have a background in data analytics. She studied psychology with minors in BEMT (Business of Entertainment, Media and Technology) and Child & Adolescent Mental Health Studies at NYU. She took a statistics course in college and become more inquisitive of analytics. She wears many different hats at Chartmetric including: developing strong business relationships and partnerships, working with trade associations, helping out the educational college sector especially increasing awareness about the platform, and finally developing a stronger client base by supporting the CCO with larger/key accounts. Michelle has also developed two key initiatives for Chartmetric including Make Music Equal, as well as Chartmetric's academic initiative. She is going to explain the initiatives she developed, her experience transitioning from an intern to a full-time employee, and her background and what it's like to live in Amsterdam. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Mike Warner is the author of "Work Hard, Playlist Hard", a comprehensive how-to on building your presence and listenership on streaming platforms. Gig Boss host, Adam Meckler talks with Mike about strategy for pitching songs via Spotify for Artists, why emails are better than socials when building fan-artist relationships, how to get your music in retail stores, and a bunch more.Work Hard Playlist Hard Book: https://amzn.to/3BoKcQF____________________________Stuff we talked about:Chartmetric: https://chartmetric.com/Spotify for Artists: https://artists.spotify.com/Soundiiz: https://soundiiz.com/____________________________Download Gig Boss app: https://linktr.ee/gigbossJoin the Gig Boss Facebook Group: https://www.facebook.com/groups/gigbossBumper Music: Sunshine is Out by Adam Meckler https://open.spotify.com/track/1u12flYbzE4jxD1cwG5pGT?si=5228a5324e474da9-----------------------------------How to Make it in the New Music Business Book: https://amzn.to/3Pls5ixAri's Take Academy: https://aristakeacademy.teachable.com/?affcode=267075_yqqy4mcn - Use code "GIGBOSS" at checkout for 10% off

Baz Luhrmann's hit box office hit biopic Elvis has spurred new interest in the music of The King. Elvis Presley's streaming subscribers has grown by two million listeners on Spotify since the film's release according to ChartMetric, and if you're hearing a lot more “Hound Dog” these days, it might be partially due to the success of Doja Cat's hit song “Vegas,” which updates – and interpolates – the song for contemporary listeners.  Doja Cat's version samples from the original 1953 “Hound Dog,” sung by Big Mama Thornton and written by acclaimed songwriter team Jerry Leiber and Mike Stoller (whose credits also include Presley's “Jailhouse Rock” and Ben E. King's “Stand By Me”). The original is a sauntering blues song with a raunchy tale about a two timing man; Presley, who is frequently said to have stolen the song from Thorton, instead sings a tepid lyric about an actual dog, and radically changes the groove.  But in an interview with Rolling Stone, Stoller says Presley didn't steal the song at all. Rather, he adapted one of many covers of the song, specifically the version performed by the Las Vegas lounge act Freddie Bell and the Bellboys. Their “Hound Dog” borrows its upbeat rhythm from a song responding to the original “Hound Dog,” titled “Bear Cat.” It's a similar rhythm to the one we hear on the contemporary Doja Cat version, “Vegas,” which heavily features samples of Thornton's original vocals: listening closely reveals a song that synthesizes a complicated music history by uniting the best parts of the many versions of “Hound Dog.”  Listen to the latest episode of Switched On Pop and uncover the long legacy of “Hound Dog.” Songs Discussed Big Mama Thorton - Hound Dog Elvis - Hound Dog Doja Cat - Vegas Esther Phillips - Hound Dog Jack Turner - Hound Dog Rufus Thomas - Bear Cat Freddie Bell and the Bellboys T.L.C. - No Scrubs Sporty Thievz - No Pigeons  W.C. Handy - St. Louis Blues Duke Ellington - Conga brava Sister Rosetta Tharpe - Didn't It Rain Fats Domino - Mardi Gras in New Orleans Dave Bartholomew - Country Boy Little Richard - Slipping' And Sliding' Jack Harlow - Dua Lipa Future - Puffin on Zootiez Hitkidd, Gorilla - F.N.F. (Let's Go) Bad Bunny - Después de la Playa Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our guest today is Fabrice Sergent, Co-Founder and Managing Partner at Bandsintown, where they “believe that live music is one of the last ‘tribal experiences' which creates happiness and understanding in the world. Their mission is to help artists build a sustainable future through virtual live streams, music releases, merchandise and traditional live events promotion. With a reach of 250 million Monthly Active music fans globally, over 67m registered concert goers and 550k touring artists registered to the platform, Bandsintown offers powerful, scalable and targeted digital marketing solutions to engage with music enthusiasts.”According to his LinkedIn profile, Sergent is “an entrepreneur driven by passion, having led hyper growth digital media enterprises in the U.S. and in Europe with extensive experience in the music industry, digital consumer marketing, brand building, business development, and mergers & acquisitions. He co-founded and led two start-ups to $100m+ revenues, starting his journey by founding Club-Internet, with the support of Lagardere/Hachette in 1995. Club-Internet was one of the very first Internet Service Provider (similar to AOL in the US) launched in France and later became one of the largest [Internet Service Providers] before it was purchased by Deutsche Telecom's T-Online in 2000 for 1.2 billion Euro.”Today, we'll look back on his road to music, what Bandsintown is up to nowadays, and what the future holds in store for live music.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

Learn the latest when it comes to major streaming platforms from Mike Warner - Director of Artist, Label and DSP Relations at Chartmetric and author of Work Hard Playlist Harder. Mike is one of the people we follow in order to stay up to date to all music industry news. Besides going over Amazon, Spotify, Apple Music, Deezer and TIDAL, we share news on new streaming platforms and some pro tips for artists when it come to platforms like TikTok and Linkedin. The episode was recording while doing a Live on our Discord server. Links » Mike Warner (@askmikewarner) » Stereofox (@wearestereofox) » host (@himynameisivo) » Join our Discord Server Show Notes [02:00] Intro (2nd attempt) and Mike's take on LinkedIn for artists [4:30] Mike's responsibilities at Chartmetrics [6:45] The 2 sides of TikTok [12:50] TikTok's new distribution service SoundOn [16:43] Amazon Music and the focus on voice control [20:30] Amazon Music pitching process, changes and tips [24:30] The importance of tagging and metadata [27:45] The key of artist to fan direct connection [33:05] User-centric payment systems [36:45] Pros and cons of allowing users to create playlists on streaming platforms [41:30] Pitching music to Apple Music [48:05] Pitching music to Spotify [49:30] Relevance of music blogs [52:50] Staying up to date with the music industry news [1:00:01] Spotify's Discovery Mode

Ever wonder how to create a playlist? We are going to review the ins and outs of playlists and talk about how artists can make money and what are the analytics behind a good playlist? Mike Warner is a music industry professional who works as the Director of Artist, Label and DSP Relations at Chartmetric. He helps independent artists on and off the charts. He has created a book called Work Hard Playlist Hard, https://workhardplaylisthard.com/p/book has his own podcast, and has been participating in a select group for LinkedIn's accelerator program. We are going to learn about his music business background from starting off being a DJ at a few bars to now being a mentor for the next wave of artists and music business leaders. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Our guest today is Ian Urbina, the director of The Outlaw Ocean Project. The project is a non-profit journalism organization based in Washington, D.C., that produces investigative stories about human rights, environment, and labor concerns on the open seas.Urbina won a Pulitzer Prize for Breaking News and a George Polk Award for Foreign Reporting. Several of his stories have been adapted into major feature films, and his reporting for a New York Times Magazine article called The Secret Life Of Passwords was nominated for an Emmy Award.He has degrees in history and cultural anthropology from Georgetown University and the University of Chicago, respectively. Before joining The New York Times for roughly 17 years as a staff reporter, he was a Fulbright Fellow in Cuba, and he also wrote about the Middle East and Africa for various outlets including the Los Angeles Times, Harper's, and Vanity Fair.On this episode, we talk to Urbina about the Outlaw Ocean Music Project, an offshoot of The Outlaw Ocean Project that's "[a]imed at people who might not otherwise have encountered this reporting." According to the project's website, "[T]he music renders stories more viscerally, and delivers them to the public through different channels. The music project's goal is to raise awareness and stoke a sense of urgency about the human rights, labor, and environmental abuses that occur at sea.”If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

What does empathetic marketing even look like in today's digital age, where everything seems to be done over email or social media? And what are some principles to help marketers embrace and turn it into action? Today's guest, social media marketer Pat Timmons, wrote a great book called Feel Something: How to Embrace Empathy and Build Trust with Your Audience. As a frontline marketer, Pat has learned a lot about how to leverage social media to create strong customer relationships.Today we talk about what empathy marketing is and some of the principles highlighted in the book. We also discuss how to leverage social media to cultivate empathy and why frontline marketers have a responsibility to be empathetic in their work. He'll give us examples of brands that are marketing with empathy - and why empathy is vital beyond the sale in the post-purchase experience - something marketers often forget about. Key Takeaways:Be constantly curious about your audience and listen in full, saying “Yes! 100%.”You can tell the emotions of your clients by the style of memes that are being posted. Listen to what your customers are saying, and how they are saying it, and utilize that in your own posts. You can't just stop once you get the money. They've made a commitment to you, now you need to continue your commitment to them. "The only way you can really market to someone that will make them feel something is to feel what they're feeling. The way you can do that is by being curious about them, and really leaning into that." — Pat Timmons About Pat Timmons:Pat Timmons, Social Media Expert and AuthorPat Timmons is a social media marketer with experience in tech, the music business, advertising, and PR. His journey in marketing began at Emerson College with his major in marketing communications and entrepreneurial studies. Since starting and finishing at Emerson, Pat has had roles in all forms of marketing and is a “swiss-army knife” in the discipline, working for companies such as Webflow, Chartmetric, and Drift.While marketing is a strong passion for Pat, so is getting to know people and understand why people do things. Ever since he could remember, he has been constantly curious and relentlessly empathetic. Pat is the author of Feel Something: How to Embrace Empathy and Build Trust With Your Audience. Connect with Pat Timmons: Website: https://www.feelsomething.coBook: https://www.feelsomething.co/bookLinkedIn: https://www.linkedin.com/in/pattimmons/Twitter: https://twitter.com/pattimmons_ Don't forget to download your free guide! Discover The 5 Business Benefits of Empathy: http://red-slice.com/business-benefits-empathy Connect with Maria: Get the podcast and book: TheEmpathyEdge.comLearn more about Maria's brand strategy work and books: Red-Slice.comHire Maria to speak at your next event: Red-Slice.com/Speaker-Maria-RossTake my LinkedIn Learning Course! Leading with EmpathyLinkedIn: Maria RossInstagram: @redslicemariaTwitter: @redsliceFacebook: Red Slice

What does empathetic marketing even look like in today's digital age, where everything seems to be done over email or social media? And what are some principles to help marketers embrace and turn it into action? Today's guest, social media marketer Pat Timmons, wrote a great book called Feel Something: How to Embrace Empathy and Build Trust with Your Audience. As a frontline marketer, Pat has learned a lot about how to leverage social media to create strong customer relationships.Today we talk about what empathy marketing is and some of the principles highlighted in the book. We also discuss how to leverage social media to cultivate empathy and why frontline marketers have a responsibility to be empathetic in their work. He'll give us examples of brands that are marketing with empathy - and why empathy is vital beyond the sale in the  post-purchase experience - something marketers often forget about.  Key Takeaways:Be constantly curious about your audience and listen in full, saying “Yes! 100%.”You can tell the emotions of your clients by the style of memes that are being posted. Listen to what your customers are saying, and how they are saying it, and utilize that in your own posts. You can't just stop once you get the money. They've made a commitment to you, now you need to continue your commitment to them.  "The only way you can really market to someone that will make them feel something is to feel what they're feeling. The way you can do that is by being curious about them, and really leaning into that." —  Pat Timmons About Pat Timmons:Pat Timmons, Social Media Expert and AuthorPat Timmons is a social media marketer with experience in tech, the music business, advertising, and PR. His journey in marketing began at Emerson College with his major in marketing communications and entrepreneurial studies. Since starting and finishing at Emerson, Pat has had roles in all forms of marketing and is a “swiss-army knife” in the discipline, working for companies such as Webflow, Chartmetric, and Drift.While marketing is a strong passion for Pat, so is getting to know people and understand why people do things. Ever since he could remember, he has been constantly curious and relentlessly empathetic. Pat is the author of Feel Something: How to Embrace Empathy and Build Trust With Your Audience. Connect with Pat Timmons:  Website: https://www.feelsomething.coBook: https://www.feelsomething.co/bookLinkedIn: https://www.linkedin.com/in/pattimmons/Twitter: https://twitter.com/pattimmons_ Don't forget to download your free guide! Discover The 5 Business Benefits of Empathy: http://red-slice.com/business-benefits-empathy Connect with Maria: Get the podcast and book: TheEmpathyEdge.comLearn more about Maria's brand strategy work and books: Red-Slice.comHire Maria to speak at your next event: Red-Slice.com/Speaker-Maria-RossTake my LinkedIn Learning Course! Leading with EmpathyLinkedIn: Maria RossInstagram: @redslicemariaTwitter: @redsliceFacebook: Red Slice

In this episode, I talk with Mike Warner of Work Hard Playlist Hard and Chartmetric. We talk all about best practices when it comes to playlisting and getting our label's music heard on streaming platforms! Grab a copy of Mike's book on Playlisting called "Work Hard Playlist Hard" here: http://otherrecordlabels.com/books Find more resources for independent record labels and DIY artists at http://OtherRecordLabels.com.

Our guest today is Marc Brown, Founder of Byta, a music sharing app that lets artists, studios, and managers share, collaborate on, and promote secure music files before uploading them to streaming services. Marc is currently based in Stockholm, Sweden, though he is originally from Canada and spent many years in London working in A&R and artist promotion. On this episode, we discuss how he came to found Byta, what sets the app apart from DropBox and Soundcloud, and what this might mean for the future of Hi-Fi audio and NFTs.Check out Byta here.To attend a free Byta symposium that explores "how the music ecosystem will evolve and adapt to the developing digital landscape," register here.Byta recently published a white paper on the state of music sharing, which you can check out here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

Hey everyone and welcome back to the First Act Podcast. This week's episode features Sung Cho. Initially from Korea, Sung is the thought-leader and founder behind the revolutionary, Chartmetric. Listen in as we break down Sung's unique path entering the music industry after holding prominent roles in engineering and product at such companies as Gamevil and Oracle.

Hey everyone and welcome back to the First Act Podcast. This week's episode features Sung Cho. Initially from Korea, Sung is the thought-leader and founder behind the revolutionary, Chartmetric. Listen in as we break down Sung's unique path entering the music industry after holding prominent roles in engineering and product at such companies as Gamevil and Oracle.

Before starting Chartmetric, Sung worked on Sales Cloud as the Principal Product Manager at Oracle Corporation. Prior to that, he was the first employee/engineer at the publicly-traded gaming company Gamevil (which has a Market Cap of $400MM), where he initiated mobile game development and eventually positioned the company as a leading mobile game developer. Sung graduated with a bachelor's degree of electrical engineering and computer science from Seoul National University, and an MBA from UCLA Anderson School of Management.He enjoys posting ideas on his blog (http://sungmooncho.com), which has attracted more than 5 million views and is considered as one of the leading tech blogs in Korea. Sung has invested in 10 startups in New York, Silicon Valley, and Seoul (http://angel.co/sung-cho).If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here. 

Hey everyone and welcome back to the First Act Podcast. This week's episode features Sung Cho. Initially from Korea, Sung is the thought-leader and founder behind the revolutionary, Chartmetric. Listen in as we break down Sung's unique path entering the music industry after holding prominent roles in engineering and product at such companies as Gamevil and Oracle. This is an episode you won't want to miss!

Mike Warner has over 20 years of experience as an exec in the music industry. He's the director of artist, label, and DSP relations at Chartmetric - an awesome music analytics tool.He's been featured on CNBC, at SXSW, and at the Electronic Music Conference. And he's a best-selling author with his book “Work Hard Playlist Hard.” This week's episode will help you take your playlisting to the next level with a conversation I had with a playlisting expert!Here's what you'll learn about: When and how to reach out to playlists to ensure the best chance at successHow to research playlisting companies to find the best one for youWays to leverage exciting new features on Amazon Music and Apple Music when planning your next release Linkedin: https://linkedin.com/in/askmikewarnerWebsite: www.workhardplaylisthard.comWant to Fast Track Your Music Career? Try MusicMentor™ Pro For Free: https://link.modernmusician.me/MusicMentor

Founder and CEO of Chartmetric, a data analytics company dedicated to serving the music industry, by solving complex problems by tracking a large amount of data and meeting the industry needs. - Bonus Episode      

Russ Tannen is President of DICE, a UK- and now NYC-based mobile ticketing, live streaming, and live music recommendation platform that partners directly with venues, labels, and promoters to bring upfront pricing to live music fans (no fees are added at checkout, so the price you see at first is the price you get). Before rising through the ranks at DICE, Russ spent many years as an artist manager at Deadly Management during — and after — his time as an Events Manager at Vice Media. Before that, Russ studied Photography at the University for the Creative Arts in the UK.Read 20 things we've learned about Music Live Streaming by DICE Founder & CEO Phil Hutcheon.Check out DICE here, and download the app on your phone.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

The Arab nations have rarely been viewed as important markets by the global music industry. And artists from the region have only ever achieved modest international success. Until 20 years ago, exactly the same could be said of countless other countries. Today, markets like Latin America and South Korea produce global superstars with astonishing regularity.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

Our guest today is Milana Lewis, Co-Founder and CEO of Stem, a platform making it easier for artists, managers, labels and brands to distribute music, manage contracts, share data, split royalties, and stay independent. After six years working in talent agencies, spending the majority of that time as a Digital Media Agent with United Talent Agency, Milana started Stem in 2015 with the goal of simplifying how musicians and their teams pay collaborators. At the start of 2020, Stem announced Scale, a $100 million cash advance program aimed at giving artists a way to access alternative funding with fewer restrictions than a label typically imposes. This year, Inc. featured Milana on their Female Founders 100 list.Check out Stem here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

UnitedMasters' Head of Marketing David Melhado (mel-HEY-doh) is a New York City-based industry veteran who first cut his teeth in music marketing and management in the South, holding roles at Atlantic Records, iHeartRadio, StreamCut Media & RocNation. Connect With Dave on LinkedIn and check out UnitedMasters here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here. 

On this episode, we chat with Aileen Crowley, former Vice President of Global Streaming Marketing at Universal Music Group. Before leaving the major label world in November 2020, Aileen devised data-driven streaming strategy for developing artists, working directly with artist management to translate streaming analytics, develop artist release strategies, and implement plans for audience growth. Prior to that, Aileen was the General Manager of DigSin, a subscription-based independent music label focused on singles, playlisting, and data, as well as being an artist manager—and that was after spending almost seven years at world-renowned consulting firm McKinsey & Co. Today, Aileen runs The Streaming Story, a website dedicated to contextualizing streaming success with the narrative surrounding that success.Since recording this interview, Aileen has teamed up with Lark42, a digital consultancy that solves hard problems in the music, data, blockchain, streaming and startup space.You can connect with Aileen on LinkedIn here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

Aqui Kumar, Jannick Steinke, Sebastian Gorki, and Valerian Dilger are music business students at the Popakademie in Germany. “Established in 2003, the Popakademie is a higher education institution for the music and creative industries and their pop cultural scenes. By focusing its study programmes on popular music, it offers an academic education that is unique in Germany's public university landscape.” In this context, the students are part of Popakademie's SMIX.LAB. Founded in 2008 as an interface between the online world and the traditional music industry, SMIX.LAB sees itself as a center for the digital music business. It integrates digital knowledge and future-oriented research, investigating the modern possibilities of music marketing and other forward-thinking initiatives.The students themselves have industry experience at companies such as Live From Earth, Electric Feel, Amazon Music, and Ease Agency. Over the past few months, the Chartmetric team supported the students in their project to study how TikTok is influencing the German charts.Check out their exciting research on our blog: https://blog.chartmetric.comIf you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here. 

Zael is a manager at YMU Group, a global talent management company with a roster that includes RAC, Kina, Ryan Caraveo, Ben Zaidi, and Oshi. Originally from Amherst, Massachusetts, Zael grew up around a lot of jazz, cows, and psychologists. After moving out to LA and building his own management company, Zael joined forces with YMU in late 2019 where he kicked things off by developing the marketing plan for RAC's third studio album “BOY” before signing Kina and Ryan Caraveo in early 2020.Connect With Zael on LinkedIn and check out YMU Group here. If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here. 

Mike Warner is one of the leading experts on the world of streaming music. Mike's multifaceted roles as both a freelance label consultant and Director of Artist Relations at Chartmetric have allowed him to develop and execute strategic digital campaigns for both major and independent clients. He is also a published author. Based on the success of the first edition of Work Hard Playlist Hard, Mike has expanded the world of streaming into a full online educational portal and a podcast series called Streamline With Mike Warner. As an independent artist himself, Mike understands the challenges facing artists today better than anyone. Mike continues to be unrelentingly passionate about empowering musicians with the tools they need to succeed. Today, we uncover the world of streaming and where the opportunities lie for you all. -- Who is Mike Warner? Key Technique to Success Music Distribution Enhancing Profiles Future of Streaming The Reality of Playlist Curation Music Analytics Playlist Promotion Create Your Own Playlist Where to Find Feature Updates -- Use our code for 30% off your first year's membership with DistroKid. http://distrokid.com/vip/thesetup. As always, when you distribute your music to DSPs with DistroKid, they never take a cut. You & your collaborators get 100% of the earnings. -- If you enjoy the podcast, would you be willing to leave us a 5-star review on Apple podcasts? It takes less than 15 seconds, and it really makes a difference in helping to convince hard-to-get guests and I also love reading the reviews! We love to see what you all think! -- For show notes and past guests, please visit thesetupseries.com Want to meet our guests? Join our community (“Set Up Set List") at thesetupseries.com/community --- Send in a voice message: https://anchor.fm/thesetupseries/message Support this podcast: https://anchor.fm/thesetupseries/support

MIKE WARNER, Director of Artist, Label & DSP Relations at Chartmetric MIKE WARNER, Director of Artist, Label & DSP Relations at Chartmetric + Author of the book Work Hard Playlist Hard Between advising clients on analytics and insights as part of the Chartmetric team, to spearheading third-party playlisting strategies for artists, Mike's mission is simple: […]

On this episode, we chat with Ami Patel, a writer for Water & Music, a passionate analyst of the international music scene, and the “Leslie Knope” of K-Pop fandom!Ami is a music marketing strategist from Houston, Texas, with a Bachelor of Business Administration in Marketing and Entrepreneurship from the University of Houston. She has a passion for artist development and the global music market and frequently shares her thoughts on current music trends and new music discoveries on her website.In June 2021, Patel penned a 3,600-word tome titled “Anatomy of a modern pop fanbase: How fans use data to build their own music marketing powerhouses,” which will be the main topic of today's conversation with her. The K-Pop guide was rigorously researched and written by Patel and edited by Cherie Hu, who runs Water & Music, which is a membership-funded email newsletter, research hub, and community forum dedicated to unpacking the fine print of commercial, technological, and cultural change in the music industry.Patel was a recent participant in the first-ever Measure of Music music + data event in February 2021, and is joining us today from the great state of Texas.Note: Around 43 minutes in, Ami says, "1.93 million ticket buyers." The correct number is 1.33 million ticket buyers.You can connect with Ami on LinkedIn here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

Hace unos días publiqué un programa sobre Chartmetric, una de las herramientas más completas para analíticas de música. Hoy quiero hablarles sobre Songstats, que es otra herramienta para análisis que está ganando mucho terreno porque, en primer lugar, es mucho más accesible para el bolsillo del artista independiente, y en segundo, porque ofrece muchos, muchísimos datos que seguramente serán suficientes para ti. Te invito a que te quedes en este programa para mostrarte a detalle todo lo que te ofrece Songstats y cómo puedes usarla día a día para monitorear tu música. Revisa la demo en pantalla: https://youtu.be/bhp1DtzMb0A RECURSOS Y ENLACES: Songstats: https://songstats.com/?ref=MIDISQUERA (https://songstats.com/?ref=MIDISQUERA) (enlace de afiliado)

What can you do with an insane amount of data about an artist? Can you use that data to predict hitmakers? In this episode we speak to Jason Joven, Manager for Content and Insights at Chartmetric. A former US Navy cryptologic intelligence officer, Jason helps create actionable insights for Chartmetric via special client projects, deep-dive articles, podcast episodes and product development. Chartmetric is a music analytics company that is measuring unbelievable amounts of data about digital music. They track how many streams each artist and song gets. How many followers they have on social media. Who's trending up or down and much more. We sit down with Jason to discuss how insights and data are changing the music industry at large. Learn all about how it works and sign up for a free trial at https://www.chartmetric.com/ and follow on social media @chartmetric ... Beatseeker has been selected by Feedspot as one of the Top 10 Music Technology Podcasts on the web: https://blog.feedspot.com/music_technology_podcasts/ Learn more: beatseeker.fm Insta: @beatseekerpod Twitter: @beatseekerpod Facebook: facebook.com/beatseekerpod Patreon: https://www.patreon.com/beatseeker Beatseeker is sponsored by the Boombox Music League: boomboxsoftware.com

El que no conoce sus números camina a ciegas. En la era digital hay todo tipo de herramientas para mostrarnos cómo va cada canción o cada álbum desde muchos puntos de vista. En este programa te voy a hablar de Chartmetric, una de las plataformas más importantes usadas en la industria de la música para análisis de datos, tendencias, actividad de playlists y muchos datos más que resultan vitales para tomar decisiones. Ojo, y la versión gratuita de esta herramienta nos permite hacer muchos tipos de consultas sin tener que pagar la versión premium.

Jay Gilbert turned his love of taking concert photographs into being on the cutting edge of digital sales and marketing as an executive with Universal, Sony and Warner Music Groups. Jay has created and executed unique online marketing plans for a wide variety of artists, including Elton John, KISS, Nirvana, Styx, Bob Marley, Peter Frampton and many more. Jay is also the force behind the excellent Your Morning Coffee newsletter and the Music Biz Weekly Podcast, as well as a partner in the artist and label services company Label Logic. During the interview we spoke about the one thing that artists get wrong with digital strategy, the importance of fundamental artist marketing, the reason why pseudo and unwrapping videos can be so powerful, the importance of radio, and much more. With many platforms to track the performance of your song, video or fanbase, it can be challenging to connect the dots. There's Chartmetric, Bandsintown, Viberate, Spotify, Pandora, Deezer... but what exactly can you gain from the insights? Today, we are discussing the role of data for artists, and why it is important to understand data and plan your next strategy. -- The Set Up podcast listeners can go to Bandzoogle.com to try it free for 30 days, and use the promo code “thesetup” to get 15% off the first year of any subscription. -- Intro to Jay Intro to Data Artist Assessment Types of Data Metrics Breaking down DSP Data How to Use Data Guidance for Young Artists Changing Goals -- If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 30 seconds, and it really makes a difference in helping to convince hard-to-get guests. I also love reading the reviews! -- For show notes and past guests, please visit thesetupseries.com Sign up for Sydney's email newsletter (“Set Up Set List") at thesetupseries.com/community --- Send in a voice message: https://anchor.fm/thesetupseries/message Support this podcast: https://anchor.fm/thesetupseries/support

On this episode, we chat with Tommaso Rocchi, a 2020 Master of Arts graduate of The Global Entertainment and Music Business program at Berklee College of Music in Valencia, Spain. As a former college radio Music Director at the University of Padua in northern Italy, Rocchi then moved on to Berklee to focus on copyright law, new business models, and data analytics.In September 2020, Rocchi penned a Chartmetric article entitled “How Data is Redefining the Role of A&R in the Music Industry Today,” based off of his research at Berklee. It focuses on where the field of A&R has gone in the digital era from its analog roots, and how data plays a significant role, but should never replace the human side of how professionals operate.Rocchi is currently a Project Manager for Data and Analytics at Netherlands-based classical music label PENTATONE.Connect with Tommaso: LinkedIn | Twitter | InstagramRead "How Data is Redefining the Role of A&R in the Music Industry Today" here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

On this episode, we chat with Andrew Thompson, Editor and Founder of Components, a media and culture publication focused on data journalism. Originally from California, Andrew received a degree in Political Science and Government from Temple University before moving into journalism. Becoming increasingly interested in data and data science, Andrew eventually became the Data Editor and Audience Development Manager at design software startup Ceros and then the Editorial Director of video streaming search engine Flixed. After a couple of years in New York City, he moved back home to Philly, taking Components from a side project to his full-time endeavor. Since 2018, Components has been covered and/or cited in Mashable, Vice, and more than 70 academic papers, and we were lucky enough to feature some of his research on our blog in an article he wrote called “What Spotify Follower Ratio Tells Us About Artist Growth and Fan Engagement.”Read "What Spotify Follower Ratio Tells Us About Artist Growth and Fan Engagement" here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

On this episode, we talk to Adam Kanwal about the article he wrote for the Chartmetric blog entitled, How to Promote Your Music in Southeast Asian Trigger Cities. Kanwal is a Digital Marketing and Analytics Consultant, working with artists including Amorphous, Still Woozy, Remi Wolf, Suzuki Saint, and Miss Madeline to analyze TikTok and YouTube trajectories, building campaigns from the ground up. He’s formed partnerships with over one hundred influencers globally, and has also served as the Digital Marketing Specialist for Shifted Recording in New York City.He’s a 2021 graduate from Cornell University in New York, with a background in Human Development, and minoring in International Relations and Music. His primary interests are in creating psychologically smart, culturally relevant, and globally reverberating digital marketing campaigns for up-and-coming musical artists.Read How to Promote Your Music in Southeast Asian Trigger Cities here. If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

In honor of Mental Health Awareness Month, on this episode, we talk to Berklee's Camille Lopez-Silvero about the article she wrote for the Chartmetric blog entitled, The Under 27 Club: Music and Mental Health in the Streaming Era. Lopez-Silvero is a 2021 Global Entertainment and Music Business Master of Arts candidate at the Berklee College of Music program in Valencia, Spain, and a 2020 Northwestern University graduate. She currently serves as the Head of Marketing and Branding at Disrupción Records, an independent, student-run record label based out of Berklee’s graduate campus. She has previously interned at Paradigm Talent Agency in their Chicago office, and a host of diverse companies including a New York-based creative digital agency (Swell Shark), branding company (Siegel+Gale), investment firm (Loeb Enterprises), and startup (Thnks).Read The Under 27 Club: Music and Mental Health in the Streaming Era here.If you want more free insights, follow our podcast, our blog, and our socials.If you're an artist with a free Chartmetric account, sign up for the artist plan, made exclusively for you, here.If you're new to Chartmetric, follow the URL above after creating a free account here.

We are joined by Rutger Rosenborg and Michelle Yuen from Chartmetric. Chartmetric helps entertainment professionals make smarter and faster music business decisions by providing reliable data, beautiful visuals, in-depth insights, innovative features, and rockstar customer support. More than 25 music streaming and social media data sources plus the power of data science … all in […]

In this episode, I speak with Mike Warner from Chartmetric.com We discuss the importance of data... Email: hi@chartmetric.com and mention you heard about the Artist Special on this podcast and get a great discount... Also, go to www.workhardplaylisthard.com --- Send in a voice message: https://anchor.fm/music-industry-blueprint/message

In this episode, I speak with Mike Warner from Chartmetric.com We discuss the importance of data... Email: hi@chartmetric.com and mention you heard about the Artist Special on this podcast and get a great discount... Also, go to www.workhardplaylisthard.com --- Send in a voice message: https://anchor.fm/music-industry-blueprint/message

En cualquier negocio, el que no conoce sus números, trabaja a ciegas. Y la música no es la excepción. Nadie puede darse el lujo de lanzar música y videos y limitarse a revisar el conteo de streams, likes o descargas. Quien no monitorear y analiza de cerca sus números diariamente y desde varios ángulos, no tendrá la visibilidad requerida para tomar decisiones estratégicas en sus proyectos, campañas y acciones a tomar. Hoy vamos a hablar de las herramientas de análisis, estadísticas y monitoreo para música digital. Es un rango super amplio en el que caben varias categorías que ya iremos revisando en programas por separado, pero hoy nos concentraremos en las herramientas de análisis de música enfocadas a usuario particular, es decir, usuarios individuales o compañías pequeñas. Las herramientas o servicios de los que hablaremos hoy son servicios que consolidan los datos de todas o casi todas las plataformas de música digital y video, y tienen distintos enfoques respecto a cómo presentan la información, qué interpretación o análisis de datos proveen, qué información adicional ofrecen (como redes sociales), etc. Las 5 herramientas incluidas en este programa son, en orden de costo: ForTunes, SpotonTrack, Songstats, Soundcharts y Charmetric. ForTunes: https://www.fortunes.io (https://www.fortunes.io) Spot on Track: http://spotontrack.com (http://spotontrack.com) Songstats: https://songstats.com/welcome (https://songstats.com/welcome) Soundcharts: http://soundcharts.com (http://soundcharts.com) Chartmetric: https://www.chartmetric.com (https://www.chartmetric.com)

In light of our exciting new Pandora integration, we chat with Pandora's Dan Wissinger and Jay Troop about why Pandora matters to the music industry and to artists’ careers, how artists can get their music on Pandora, and what strategies you can use to make sense of your Pandora data — whether it's on Next Big Sound, AMP, or Chartmetric.

This week, Ryan sits down with Rutger Rosenborg, the Digital Strategy Lead for Chartmetric, a platform that offers data analytics services for music industry stakeholders. Ryan and Rutger talk about data insights that should guide artists in using social media platforms like TikTok and Instagram effectively. Rutger also talks about what data points artists should be looking at to measure their career success and how artists can use data for effective goal setting. Be sure to check out Chartmetric’s “How Music Charts” podcast (hosted by Rutger and former BTB guest Jason Joven) on all major podcast platforms and find out more about our guest’s work by visiting www.chartmetric.com. Rate/review/subscribe to the Break the Business Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair and the Break the Business Podcast @thebtbpodcast. Like Break the Business on Facebook and tell a friend about the show. Visit www.ryankairalla.com to find out more about Ryan's entertainment, education, and business projects.

William Tenney is a musician turned music business executive. He currently serves as Crush Music's head of streaming strategy and promotion. Crush Music is the management company for artists like Sia, Green Day, Panic! At The Disco, Alec Benjamin, and more.Will knew that he wanted to be in the music business since he was young. As a teenager, he signed a record deal and toured the US, Europe, and Canada. He then returned to the US and went to school to pursue a degree in music business and finance. Right out of school he took a job at Goldman Sachs to raise money for his record and consulting business - a decision he says was the best thing he's done.In this episode Will and I talk about the various types of streaming promotion and strategies, music data, discovery, and how to get your music into department stores. We also talk about the importance of financial literacy for music business professionals.--Connect with Lennon:Website: https://www.lennoncihak.comPatreon: https://www.patreon.com/lennoncihakMailing List: http://eepurl.com/dlYpxTInstagram: https://www.instagram.com/lennoncihak/Twitter: https://twitter.com/LennonCihakLinkedIn: https://www.linkedin.com/in/lennoncihak/YouTube: https://www.youtube.com/channel/UC5eX_uxAUIwBC0gyKwCbqtwGuest Request: https://goo.gl/forms/8zs61IYiIXMLjFpX2Connect with William Tenney:Your Favorite Mixtape: https://open.spotify.com/playlist/7aOui6FzZeN5xf9z3qgnnI?si=ABbn2abXR3GReF89G1vZqQInstagram: https://www.instagram.com/callme_will/

In this weeks episode, Jay Gilbert and Mike Etchart discuss: -Chartmetric's New Music Industry Trends Report (Chartmetric) -Want a record deal? Call a Tok Tok Marketing Company (Rolling Stone) -How Playlists Reshaped the Music Industry (Medium) -Facebook, Instagram Update Music Guidelines - And It’s Bad News For Live Streams (Hypebot) Your Morning Coffee newsletter : https://bit.ly/330lNOH

A year ago, Dmitri Vietze launched a new thought leadership conference on music technology in Los Angeles and had to move it with one day's notice. This year, he has moved his whole thought leadership with Music Tectonics online with virtual conferences and community gatherings. He shares his thoughts on crisis-driven shifts to music livestreaming, expanding new releases, and digital access, along with tidbits on intriguing companies in this current listen-from-home era.    Guest: Dmitri Vietze, CEO and Founder, rock paper scissors Dmitri Vietze is the Founder and CEO of rock paper scissors, inc. It was his crazy idea to transform a global music PR firm into what has become a predominant music tech PR firm. Dmitri is a regular presenter at SXSW Music, SF MusicTech, Music Biz, APAP, and WOMEX. He is also the founder and CEO of StoryAmp.com. He has a jaw harp collection, can juggle five balls, and has a titanium leg.  Links: rock paper scissors website: http://hello.rockpaperscissors.biz/ (http://hello.rockpaperscissors.biz/) Music Tectonics Website: https://www.musictectonics.com/ (https://www.musictectonics.com/) Podcast: https://www.musictectonics.com/podcast (https://www.musictectonics.com/podcast) Blog: https://www.musictectonics.com/blog (https://www.musictectonics.com/blog) Community App: https://app.musictectonics.com/ (https://app.musictectonics.com) Conference: Oct. 27-28, 2020 - https://www.musictectonics.com/conference (https://www.musictectonics.com/conference) LinkedIn: https://www.linkedin.com/in/dmitrivietze/ (https://www.linkedin.com/in/dmitrivietze/) Facebook: https://www.facebook.com/dmitri.vietze (https://www.facebook.com/dmitri.vietze) IG: https://www.instagram.com/dmitrivietze/ (https://www.instagram.com/dmitrivietze/) Twitter: https://twitter.com/dmitrivietze (https://twitter.com/dmitrivietze) Mentioned Links Topeka: https://topeka.live/ (https://topeka.live/) YouNow: https://www.younow.com/ (https://www.younow.com) Emma McGann: https://www.emmamcgann.com/ (https://www.emmamcgann.com) Bandsintown: https://www.bandsintown.com/ (https://www.bandsintown.com/) Twitch: https://www.twitch.tv/ (https://www.twitch.tv/) CD Baby: https://cdbaby.com/ (https://cdbaby.com/) Audiobridge: https://www.audiobridgeapp.com/ (https://www.audiobridgeapp.com) Soundstorming: https://soundstorming.com/ (https://soundstorming.com) Chartmetric: https://www.chartmetric.com/ (https://www.chartmetric.com) CD Baby: https://cdbaby.com/ (https://cdbaby.com) Your Host: Gigi Johnson, EdD I run transformative programs, speak/moderate, invest, advise, and produce multimedia on creativity and technology.  I taught for 22 years at UCLA, where I ran the Center for Music Innovation and the podcast "Innovating Music," built four industry-connecting programs, and taught undergraduates, MBAs, and executives about disruption in creative industries.  Before UCLA, I financed media M&A at Bank of America for ten years. Connect with Us https://maremel.com/creative-innovators-podcast/ (Our Website) How to submit a Creative Innovator Guest: https://maremel.com/creative-innovators-podcast/guest-information/ (Information Page) Subscribe to our newsletter http://eepurl.com/bugPcj (here). Join our Patreon community https://www.patreon.com/creativeinnovators (here). Sponsored and Produced by the https://maremel.com/ (Maremel Institute)

Today on the Music Business Podcast, we invite Chief Commercial Officer at Chartmetric, Chaz Jenkins. Prior to joining Chartmetric, Chaz founded Grammy Award-winning label LSO Live, an artist management company, and was VP of International Marketing at Universal Music Group. In this episode, Chad discusses the concept of Trigger cities - cities off the beaten path with a very high density of DSP users likely to share your music. As outlined in the “Trigger Cities” blog post, DSP algorithms take note of trigger cities and weigh success in them more heavily than traditional markets, helping burgeoning artists in those cities attract more visibility on the platform. We additionally discuss success on which digital platforms indicate long term success, how data has transformed the music industry over time, and more.As always, feel free to leave a comment or a review on what you thought about the episode on Apple Podcasts or on the Music Business Podcast instagram @musicbusinesspodcast. We’re also very excited to connect with our community on Patreon, MusicBusinessPodcast.com/Community. We look forward to you joining our community! See acast.com/privacy for privacy and opt-out information.

In this live webinar about data in the music industry, Zak is joined by Alex White (founder of Next Big Sound and current VP, Content & Programming at Pandora), Britnee Foreman (Data analyst at Tempo Music) and Jason Joven (Content and Insights manager at Chartmetric).

Releasing and marketing music today generates tons of data. How do you make sense of all those Spotify streams, YouTube views, TikTok videos, Shazam searches, even Wikipedia pageviews? Chartmetric CEO Sung Cho explains how his company processes and visualizes publicly available data on 2.5 million artists to put all those numbers in context. Find out how Chartmetric helps artists, managers, indie labels, even A&R track the success of new music, surface trends before they’re even a thing, and focus their energy on what works. What does it take for a track to go viral on TikTok, and why is it such a powerful music discovery platform? What’s the deal with paid playlist promotion? How does Chartmetric track songs through “playlist journeys?” Find out why Chartmetric is a passion project for Sung after honing his data analytics expertise in mobile games and SaaS. Questions? Join Sung for an “Ask Me Anything” on Friday, 7/17 at 12pm PT / 3pm ET in the Music Tectonics App, a new social network for the Music Tech community. Find out more about Friday’s Music Tech AMArama and get the app at www.MusicTectonics.com/community The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit MusicTectonics.com to learn more, and find us on Twitter, Facebook, and Instagram. Let us know what you think!

What is the data telling us about how COVID-19 is affecting different sectors of the music business, and how are indie artists being affected? The answers may surprise you. We talk to our guest Jason Joven of data analytics platform Chartmetric this week to get some insight. Jason does a deep drive into the data and gives some great advice for indie artists based on his platform’s findings. Be sure to check out Chartmetric’s ongoing “How COVID is Affecting the Music Industry” series by visiting blog.chartmetric.com. Rate/review/subscribe to the Break the Business Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair and the Break the Business Podcast @thebtbpodcast. Like Break the Business on Facebook and tell a friend about the show. Visit www.ryankairalla.com to find out more about Ryan's entertainment, education, and business projects.

3rd Episode of the podcast taken from Music Ally TV: The Impact Of COVID-19 On Streaming (With Chartmetric!) Sign up for the next one: https://musically.lnk.to/TVShowSignup Episodes Live Fridays 4pm CET / 3pm UK / 10am ET / 7am PT This episode: The Impact Of COVID-19 On Streaming There has rightly been a lot of discussion of how the live industries have been affected by Coronavirus - but what about music streaming? Jason Joven, Content/insight manager at Chartmetric, joins the panel as special guest to discuss the impact of Coronavirus on streaming: how it's affected listener and stream numbers and how the music industry can react to the impact of COVID-19. Chartmetric's report is here: https://blog.chartmetric.io/covid-19s-effect-on-the-global-music-business-part-1-genre-c81ffdd808a6 Featuring: Jason Joven - Manager, Content and Insights @ Chartmetric: https://app.chartmetric.com Henriette Heimdal - Market Development @ CD Baby: https://cdbaby.com Joe Sparrow - Music Ally Contributor Patrick Ross - SVP, Digital Strategy @ Music Ally Stuart Dredge - Editor, Music Ally

For this audible article, we highlight another important music data story that you might have missed, from a January 2020 piece our Data Scientist wrote. It's about the global, industry-wide trend of music collaborations in recent streaming history. As always, if you want to follow along with the charts and visuals, the link to the original blog article is in the show notes. Enjoy "How Music Collaborations Evolved in the Digital Era: A Decade in Review", from our resident Data Scientist here at Chartmetric, Dr. Nuttiiya Seekhao.

On this episode of Play the Music, we're chatting with Rutger Rosenborg, a digital marketing strategist at Chartmetric, the music industry's leading data analytics platform, giving artists end-to-end music market analytics. He's also the guitarist and vocalist of The Lulls, an indie-rock band formed in 2015.Jeff, Rich, Rutger and FanLabel's Mick Brege make their picks for this week's “Hot New Music” Best of Five Challenge, featuring new releases from Winona Oak, Megan Thee Stallion and Normani, Mac Miller, Gabby Barrett and Ethan Gruska featuring Phoebe Bridgers.To round out the show, Mick discusses FanLabel's new app features (version 4.5, coming soon!) and top players.Articles mentioned in this podcast:The Subgenres Populating Streaming's Top Playlists

Music Marketing interview with Kohrey da Savior where we discuss Spotify data, Spotify scams, Tiktok, Chartmetric, and more! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nocapbranding/message

Obsessed with streaming? Rightfully so, but after almost a year of coverage on Chartmetric, let’s go over some useful US radio facts that may help your artist’s overall distribution strategy......chartmetric.com @chartmetric #chartmetric #musicbusiness #musicindustry #radio #aqh #streaming

Know thy neighbor, you may have been told, and to that us music data nerds would say, know thy artist neighbor...we’ll do so with rapper Pusha T through Chartmetric’s Neighboring Artists feature.....chartmetric.com @chartmetric #chartmetric #musicbusiness #musicindustry #musicnews #datascience #pushat #sociopath

How do you measure artist success across multiple streaming, social and other Internets platforms? Rest easy and let Chartmetric’s Resident Data Scientist assuage your fears.....chartmetric.com @chartmetric #chartmetric #musicanalysis #dataanalytics #datascience #scientist #charts #music #musicbusiness #interview

On her new album, Cuz I Love You, Lizzo shows off her genre bending musicality. We speak with X Ambassadors lead singer, Sam Harris, who helped co-write three songs on the album, including its eponymous track. We discuss how Lizzo's songs glide across sixties soul, seventies rock rock, eighties new wave, and nineties hip-hop. But we find that her music is much more than a history lesson in genre. Lizzo's writes vulnerable and courageous lyrics about self love, body positivity, female empowerment, and black identity. Rather than craft a singular sound for her album, Lizzo utilizes the genre that best fits the message of any given song. Her subversion of genre to the mood of her lyric matches changes in music consumption. According to Chartmetric, more people than ever are listening across genres to context based playlists. Does this mean genre no longer matters? Nate and Charlie try to find out with the help of Lizzo's genre busting music. Songs DiscussedLizzo - Better In ColorLizzo - Cuz I Love YouLizzo - JuiceLizzo - TempoMissy Elliott - Get Ur Freak OnLizzo - JeromeRadiohead - CreepLed Zeppelin - Royal OrleansPrince - When Doves CryLizzo - Exactly How I Feel (ft. Gucci Mane)Aretha Franklin - RespectAretha Franklin - Say A Little PrayerAretha Franklin - Chain Of FoolsAretha Franklin - I Knew You Were WaitingEurythmics ft. Aretha Franklin - Sisters Are Doin' It For ThemselvesListen to our Lizzo playlist that pairs each song on her new album with a song from the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

[REPLAY] A 2018 podcast favorite -- Andrea Young sees playlisting as a revolution for artists.  She shared a lot of basics of how to engage with both your fans and playlisters to create a thoughtful playlisting strategy for artists at different stages of their careers.  Toolsets are available within different platforms to understand analytics and learn from where and how your fans listen to your music. We talked about how the new funnels are a bit more translucent than the old ones to get your music in the right places and to the right fans.  How do you pitch the playlists? We talked about that a pitch is more than just sharing the song. Andrea shared tools like Chartmetric and Spot on Track, and the processes she uses to work with artists. We ended the conversation talking about the impact of smart speakers like Alexa in opening up the demographics for streaming to 2 year olds and to 90 year olds.   Guest: Andrea Young, Co-Founder, Partner and Chief Playlisting Officer, Koral Young Andrea is an entrepreneur with extensive experience and expertise running projects and companies from startups to established brands.  As a management executive she has worked for a major label and distribution company on campaigns for Tom Petty, Spyro Gyra, Chaka Khan, Elvis Costello and hundreds of lesser known artists; co-owned a music retail chain of 15 stores; co-founded the company that computerized over 2,000 retail and wholesale music industry stores and warehouses; was part of the group that created SoundScan; ran and chaired Aspen Colorado’s public radio station (APR), and continues to produce and host weekly radio news and music shows on APR.   Recently she has focused her energies on music curation services, playlists, and working with emerging and established artists through label services offered at Koral Young. Koral Young: http://www.koralyoung.com Koral Young Spotlight Artist Spotify Playlist: Link Chartmetric: https://chartmetric.io/ Spot on Track: https://www.spotontrack.com LinkedIn: linkedin.com/in/andrea-young-8191447 Twitter: @aspenbeat