American computer scientist
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Danielle Feinberg is a Visual Effects Supervisor at Pixar Animation Studios. Danielle's problem is this: How do you optimize technology so that you can spend more time being creative? Danielle Feinberg has worked at Pixar for 26 years. Earlier in her career, she was the director of photography on movies like Coco and Wall-E. She talks about how new software shapes creative work.See omnystudio.com/listener for privacy information.
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Stevie, Josh, Mikey, Korey, and Brett review Pixar classic: Wall-E! WALL-E, short for Waste Allocation Load Lifter Earth-class, is the last robot left on Earth. He spends his days tidying up the planet, one piece of garbage at a time. But during 700 years, WALL-E has developed a personality, and he's more than a little lonely. Then he spots EVE (Elissa Knight), a sleek and shapely probe sent back to Earth on a scanning mission. Smitten WALL-E embarks on his greatest adventure yet when he follows EVE across the galaxy. Release date: June 27, 2008 (USA) Director: Andrew Stanton Story by: Andrew Stanton; Pete Docter Distributed by: Walt Disney Pictures, Walt Disney Studios Motion Pictures Box office: $532.5 million Cinematography: Jeremy Lasky; Danielle Feinberg
In this 2018 chat, Sim dives into the world of Pixar with Danielle Feinberg, Director of Photography for Lighting at Pixar Animation Studios. They discuss the magic of storytelling through animation, the intersection of art and technology, and the challenges and triumphs of bringing beloved Pixar characters to life. Guest bio Danielle Feinberg, an acclaimed Director of Photography for Lighting at Pixar Animation Studios, has been a part of the Pixar family for over two decades. She has contributed her expertise to some of Pixar's most iconic films, including “Finding Nemo,” “The Incredibles,” and “Coco.” Danielle is passionate about inspiring young women to pursue careers in STEAM (Science, Technology, Engineering, Art, and Math.) Key points Danielle shares her journey at Pixar, from her early days to her role as Director of Photography for Lighting. She discusses the intricate process of lighting in animation, and how it contributes to the storytelling and emotional impact of a film. Danielle talks about the challenges of blending art and technology, and the joy of seeing a character come to life on the big screen. She also shares her passion for inspiring young women to pursue careers in STEAM, and her work in this area.
The most creative and productive careers often emerge at the intersections of disciplines. It's not a linear path, but a serendipitous collision of multiple areas of interest that create an opportunity. Some might even call it a “creative accident”, which is the reason for the name of this show. Such was the case with today's guest Danielle Feinberg. Danielle Feinberg began her career at Pixar Animation Studios in February 1997, and since then, she has worked on 14 of Pixar's feature films. She cut her teeth on early films like A Bug's Life, Toy Story 2, Monsters, Inc. and the Academy Award®-winning Finding Nemo and The Incredibles. Feinberg was the director of photography-lighting for the Academy Award®- winning features WALL•E, Brave, and Coco. Most recently she completed her work as the visual effects supervisor on Turning Red.In this interview, we discuss how creativity and career emerge at the intersections, why it's important to pursue awe in your life and work, and how Pixarnavigates the complexity of a long-arc project like a film.Watch Danielle's TED talk.Learn about the documentary about the making of Turning Red.Mentioned in this episode:Please support our sponsors:Indeed: Join more than 3 million businesses worldwide that use Indeed to hire great talent fast. Start hiring now with a $75 sponsored job credit to upgrade your job post at indeed.com/creative. Offer good for a limited time.
Ian Failes from befores & afters catches up with Pixar visual effects supervisor Danielle Feinberg to discuss 'Turning Red', including a look at the new animation tech used on the film called 'profile movers' for rigging and animating such expressive characters.
Labor leader and activist Dolores Huerta, visual effects supervisor at Pixar Animation Studios Danielle Feinberg, and NASA aerospace engineer Aprille Ericsson join journalist Lynn Sherr to talk about what it means to be a woman and a leader in our challenging times. Sharing stories of childhood dreams, career challenges, social justice and more, the panel gives insight into their own journeys, providing inspiration for women and girls everywhere. Series: "Women in Science" [Public Affairs] [Show ID: 37979]
Labor leader and activist Dolores Huerta, visual effects supervisor at Pixar Animation Studios Danielle Feinberg, and NASA aerospace engineer Aprille Ericsson join journalist Lynn Sherr to talk about what it means to be a woman and a leader in our challenging times. Sharing stories of childhood dreams, career challenges, social justice and more, the panel gives insight into their own journeys, providing inspiration for women and girls everywhere. Series: "Women in Science" [Public Affairs] [Show ID: 37979]
Labor leader and activist Dolores Huerta, visual effects supervisor at Pixar Animation Studios Danielle Feinberg, and NASA aerospace engineer Aprille Ericsson join journalist Lynn Sherr to talk about what it means to be a woman and a leader in our challenging times. Sharing stories of childhood dreams, career challenges, social justice and more, the panel gives insight into their own journeys, providing inspiration for women and girls everywhere. Series: "Women in Science" [Public Affairs] [Show ID: 37979]
Labor leader and activist Dolores Huerta, visual effects supervisor at Pixar Animation Studios Danielle Feinberg, and NASA aerospace engineer Aprille Ericsson join journalist Lynn Sherr to talk about what it means to be a woman and a leader in our challenging times. Sharing stories of childhood dreams, career challenges, social justice and more, the panel gives insight into their own journeys, providing inspiration for women and girls everywhere. Series: "Women in Science" [Public Affairs] [Show ID: 37979]
Ian Failes from befores & afters catches up with Pixar visual effects supervisor Danielle Feinberg to discuss 'Turning Red', including a look at the new animation tech used on the film called 'profile movers' for rigging and animating such expressive characters.
EPISODE 138 - DANIELLE FEINBERG -Pixar DP/VFX Supervisor Team Deakins speaks with Pixar lighting artist, Danielle Feinberg (WALL•E, COCO, RATATOUILLE). Danielle tells us about her time at Pixar, how computer animation is evolving and how each story demands different technical advances. She walks us through the process of making a film at Pixar, step by step. She also tells us how Pixar hires and what they look for in applicants as well as how the layout of the Pixar building is deliberate to promote communication. We learn that changes in the tools can alter the movie's workflow. She speaks about working on Finding Nemo and her favorite creative moment in the jellyfish scene. We also get into the roles of camera operating and lighting in animation and the struggle to open up communication between the departments. Danielle really opens up the world of animation for us!
Go behind the scenes at Pixar Animation Studios with director of photography Danielle Feinberg and Oscar-winning director and art director Ralph Eggleston. They share how their childhood interests in art and computer science led to careers on the cutting edge of animation, making joyful movies like "Finding Nemo" and "WALL-E." Note: We produced this episode in quarantine and we'd love to hear how we did! Send your feedback to: podcast@roadtripnation.org Learn more about Roadtrip Nation at: roadtripnation.com
In 1995, Pixar Animation Studios created Toy Story, the first feature length computer animated film, and a blockbuster that changed cinema history. Here we bring together Danielle Feinberg, director of photography for lighting at Pixar, and 16-year-old Robin, an aspiring animator himself. Danielle has worked on many films including Monsters Inc, The Incredibles and Finding Nemo. Hear about what inspired her to work in animation, and how to realise your own dreams. Made by BBC World Service and BBC Rewind. Produced by Tamsin Barber.
For Danielle Feinberg, computers and technology have always been about creativity and beauty. And that’s especially true now in her job at Pixar Animation Studios as the supervising technical director. In her work on such films as “WALL-E,” “Brave” and “Coco,” she knows firsthand the beauty and wonder that can come from math, science and computer code. Sharing that perspective is part of her efforts to narrow the gender gap in technology and encourage more girls to pursue STEM education. She has firsthand experience with being one of the few women in male-dominated classrooms and workplaces, so she has ideas about the reasons for that and how to counteract it. She also shares what inspired her to travel the STEM path she has followed and what insulated her early on from the cultural forces that often discourage girls.
In this episode, the Raptors are NBA champs and the worlds most important video game conference, E3, is over we’ll talk about both. This week we’ll also talk about the closing of the Institute of Play and the massive equity gaps that exist when it comes to getting online. Our guest this week is the Director of Photography for Lighting at Pixar Animation Studios, Danielle Feinberg.References:Guest: Danielle FeinbergTwitter: https://twitter.com/dafeinbergWebsite: http://daniellefeinberg.com/Notes:#ChatOnEducation is a slow chat on Thursdays with questions at 9am, 12pm and 3pm join us to discuss the topics we talk about on this week's podcast. It's awesome, trust us!The Institute of Play shuts its doors: https://www.edsurge.com/news/2019-06-10-it-s-game-over-for-the-institute-of-play-but-its-legacy-lives-onThe Connection Gap: https://mobile.edweek.org/c.jsp?cid=25919761&bcid=25919761&rssid=25919751&item=http%3A%2F%2Fapi.edweek.org%2Fv1%2Few%2Findex.html%3Fuuid%3D8CD05290-8B7B-11E9-B20B-B4F258D98AAA&cmp=SOC-SHR-FBStudent Lunch Debt: https://www.mic.com/p/why-does-lunch-debt-exist-3rd-graders-paying-their-friends-bills-shouldnt-make-us-feel-good-17995110?fbclid=IwAR2dLKxDw8Wct5tH4dN28yNPp_lld_gH_ugDgs325WwWlXw3owM635WlqVAToday's podcast is brought to you by:Classcraft: The presenting sponsor for OnEducation is Classcraft. You won’t believe what Classcraft has in store for you at ISTE 2019. Stop by the Classcraft booth and complete the new AR experience to be entered in a drawing for a Nintendo Switch. Do you want TWICE the chance to win? Tweet out a screenshot of your subscription to OnEducation - and tag @oneducation & @classcraftgame be sure to use the hashtag #ISTE19 - To learn more about classcraft visit classcraft.com/oneducationBadge Summit: Do you have plans to attend the ISTE conference this summer? Come one day early and participate in the best hidden gem conference in the United States. Badge Summit 2019 will take place on the Temple University Campus in Philadelphia on June 22. The first 10 OnEducation listeners will get 10% off by going to https://badgesummit.weebly.com/tickets.html and using the promo code OnEducation.
ABOUT THE EPISODE Just in time for Women’s History Month, SIGGRAPH 2019 Conference Chair Mikki Rose (senior fur technical director, Blue Sky Studios) is joined by Jinko Gotoh (a producer and consultant in animation, and vice president of Women in Animation), Danielle Feinberg (director of photography, Pixar Animation Studios, and advocate of Girls Who Code), and Erin Summers (senior software engineer – AR/VR, Facebook, and co-founder of wogrammer) in a special episode that discusses the state of women in computer graphics and the ways each guest is helping to bring about positive change. In addition to conversations on diversity, the group shares stories from their careers and challenges they have faced and overcome. What does the future hold for women in computer graphics? Listen to hear what they have to say on that, too. Enjoy the show, and Happy International Women’s Day! || MUSIC Podcast theme, "SIGGRAPH," composed by Julius Dobos. || LINKS *Episode* http://womeninanimation.org | https://girlswhocode.com/ | https://wogrammer.org/ | https://womenshistorymonth.gov/ | https://www.internationalwomensday.com/ *Social Media* http://blog.siggraph.org/ | https://www.facebook.com/SIGGRAPHConferences | https://twitter.com/siggraph | https://www.youtube.com/user/ACMSIGGRAPH | https://www.instagram.com/acmsiggraph/ | https://www.linkedin.com/company/acm-siggraph/ *Conference Website* http://s2019.siggraph.org/
Science meets art. Danielle Feinberg, director of photography for lighting at Pixar Animation Studios wins Academy Awards by blending computer science with art – creating magical moments. Hear about how she shows the world, especially young women, the beauty of what math, science, code and art can create in the world.
Danielle Feinberg is a storyteller using light as her narrative tool. With over 2 decades of experience at Pixar Animation Studios, Ms. Feinberg inspires younger generations of all genders and communities to become artists through technology. Her work can be admired in Academy Award nominated movies, like Coco and Brave.
Danielle Feinberg is Pixar’s director of photography-lighting for the Academy Award®- winning features WALL•E, Brave and Coco. In addition to Danielle’s Pixar work, she works with teenage girls, encouraging them to pursue math and science. For our show notes, visit DreamBigPodcast.com/79
It's our first-ever very special highlights episode! We're bringing you some of our favorite illuminating moments from four guests who all have at least one circle of their Human Venn Diagrams in the world of STEM communication. You'll hear Bobak Ferdowsi of NASA's JPL, Danielle Feinberg of Pixar, Emily Graslie of Chicago's Field Museum and The Brain Scoop and our favorite high school teacher Monsieur Le Nadj of Interlochen Arts Academy. It's our gift to you! Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
Samira Stalks: Entrepreneurship | Business Education | Innovation | Impact
“At the most basic level, the thing that makes movies at Pixar unique is its dedication to story.” In this episode, we’re joined by Danielle Feinberg, the Director of Photography at Pixar who has created stories with heart, soul and wonder for 12 Pixar movies and counting! We go behind the scenes of Pixar classics including A Bug’s Life, Wall-E, Brave, Finding Nemo (and Dory) to discuss its infamous creative process and the edge between believable and fantastical. Like all of us and Pixar’s lovable characters, she’s on this adventure called life and we delve into her passions of weaving maths, code and art together to make enchanted worlds that truly turn imagination into a reality. Talk about impact – who hasn’t been tear-jerked by a Pixar classic?! Available as podcast in iTunes (Apple) and Stitcher (Android) Sign up to the Samira Stalks mailing list for written summary. The post #17 How Pixar makes imaginary worlds real with Danielle Feinberg appeared first on Samira Stalks.
We interview Pixar's Danielle Feinberg, Director of Photography for Lighting on films like WALL-E, Brave, and the upcoming Coco. Why the 10,000 hours rule may not apply to you, what computer programming and algorithms have to do with making animated features, what happens when science and storytelling intersect (hint: magic), and all kinds of other inspiration! Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
In episode 047 of the Pixar Post Podcast we we discuss the animation kickoff of Pixar's Coco, Finding Dory news (Art of book, soundtrack, fun facts), Piper news (Alan Barillaro, the score, the concept artwork) and chat about Danielle Feinberg's amazing TED Talk about the science of light (with audio clips). Feel free to listen to the Podcast using the player below, subscribe and listen directly in iTunes, Stitcher, or Overcast. Kicking off the show, we put Julie under pressure and ask her a question from the Ultimate Inside Out Trivia Quiz (via Oh My Disney). At 1:37 into the show, we discuss Lee Unkrich's tweet regarding the kickoff of the animation team on, Coco. 3:01 Finding Dory news We discuss some recent fun facts released and get geeky calculating the average number of storyboards created by the story team (103,000) and breaking that down per year (1,635 - assuming 18 average story team members over 3.5 years) and per day (6.28 - assuming a 5 day work-week). Also chat about the release date of the Finding Dory Soundtrack & the newly updated Art of Finding Dory book cover (and "look inside" details). EW article about the ease of vocal casting due to Ellen DeGeneres' talk show. In case you missed the map of the Marine Life Institute from the April Fool's joke video, it's worth another look to get the layout of the park. 12:45 After Inside Out quiz question #2 for Julie, we delve into Piper We chat about the brilliant concept art by Jason Deamer, Alan Barillaro's directorial debut for the short film, The painterly effect the film may contain, The score by Adrian Belew. 26:39 After Inside Out quiz question #3 for Julie, we chat about Danielle Feinberg's TED Talk about the science of light (with audio clips). Be sure to let us know your thoughts on the episode by leaving a comment on iTunes, writing a comment below or sending us an email - we'd love to hear from you. Pixar Post - T.J. & Julie
Danielle Feinberg, directora de fotografía de Pixar, crea historias con alma y encanto mezclando matemáticas, ciencia y programación. Asómate a los bastidores de "Buscando a Nemo", "Toy Story", "Valiente", "WALL-E", y muchos más para descubrir cómo Pixar combina el arte y la ciencia para crear mundos increíbles, donde todo lo que se puede imaginar se vuelve realidad. Esta charla es parte de un especial de PBS: "Las charlas TED: Ciencia y fascinación".
Danielle Feinberg, directrice photo chez Pixar, crée des histoires remplies d'émotions et de magie grâce aux mathématiques, à la science et à la programmation. Explorons les coulisses du « Monde de Nemo », « Toy Story », « Rebelle », « WALL-E » et d'autres, et découvrons comment Pixar unit l'art et la science pour créer des monde fantastiques où tout ce qu'on imagine devient réel. Ce discours fait parti d'une série de conférences appelées « Conférences TED : Science & Merveilles. »
Danielle Feinberg, diretora de fotografia da Pixar, cria histórias com alma e encantamento usando matemática, ciência e programação. Entre nos bastidores de "Procurando Nemo", "Toy Story", "Valente", "WALL-E", entre outros, e descubra como a Pixar entrelaça arte e ciência para criar mundos fantásticos no qual as coisas que você imagina podem se tornar realidade. Esta palestra faz parte do especial da PBS "TED Talks: Ciência e Fascinação."
Danielle Feinberg, die bei Pixar Spezialistin für visuelle Effekte ist, lässt mit der Hilfe von Mathematik, Naturwissenschaften und Programmieren Geschichten mit Seele entstehen. Mit ihr werfen wir einen Blick hinter die Kulissen von "Findet Nemo", "Toy Story", "Merida" und "WALL-E" und finden heraus, wie bei Pixar Kunst und Wissenschaft verwoben werden, um fantastische Welten entstehen zu lassen, in denen ausgedachte Dinge real werden können. Dieser TED-Vortrag stammt aus der PBS-Reihe "TEDTalks: Science & Wonder" [TEDTalks: Wissenschaft & Wunder].
픽사의 사진 감독인 다니엘 페인버그는 수학과 과학, 코딩을 이용해 영혼과 기적이 담긴 이야기를 창조해냅니다. 니모를 찾아서, 토이스토리, 메리다와 마법의 숲, 월-E 등 애니메이션의 장면 속으로 들어가 픽사가 여러분의 상상이 현실이 되는 환상의 세계를 만들기 위해 예술과 과학을 어떻게 결합시키는지 알아보세요. 이 강연은 PBS 특집 "TED 강연: 과학과 신비"에서 제작되었습니다.
Danielle Feinberg, Pixar's director of photography, creates stories with soul and wonder using math, science and code. Go behind the scenes of Finding Nemo, Toy Story, Brave, WALL-E and more, and discover how Pixar interweaves art and science to create fantastic worlds where the things you imagine can become real. This talk comes from the PBS special "TED Talks: Science & Wonder."