Podcasts about The Good Dinosaur

You ever hear of this movie? Pixar's anticipated follow-up to Inside Out? Their first EVER box office failure? Marcus certainly hadn't. We all generally agree that Pixar's standard of quality for their movies prevents them from being truly hot garbage—which is a good thing, mind you—but The Good Dinosaur lacks a fair bit of expected Pixar magic, and ends up being fairly uninteresting. Elements of its construction, like the symbolism of the River and the Storm as antagonists and the T-Rexes appearing in Act 2, are worth discussing and praising, whereas other aspects like pterodactyls and Spot leave us wanting more. Tune in when we eventually get to pandemic victim Onward sometime! Content warning: SPOILERS, strong language.

Extra special episode out now! For this year's holiday treat, Quizmaster Mack designed a whole game show for us to play - again! We play four different games, each one tied to our podcast in some way. We play Aside From That again to confront how often we veer off topic, make guesses about sequels to things we covered, see if we can tell what show a piece of generic background music came from, and learn about off-the-wall mystery media we probably will not be covering. Katy subsists on chemicals, Carrie only knows some Peanuts characters, Maddy gets upset again about medical misrepresentation, and Mack hates The Good Dinosaur. We also air a few grievances, learn what emesis means, reveal some embarrassing facts, and learn a super cool spy trick Carrie may or may not have done. Listen to hear Mack being a clever and delightful game show host, who has also created an incredible musical world- in more ways than one! And after the games, we have a familiar Casemas treat! Enjoy, and happy holidays! TW: Child death, modern day sex pests

Join us as we talk to acclaimed composer Jeff Danna. From the scores of Silent Hill and The Boondock Saints to Miss Spider's Sunny Patch Friends and The Zula Patrol, Jeff shares stories and insights about his iconic work. He is also best known for collaborating with his brother Mychael on Disney/Pixar's The Good Dinosaur and Onward.

In the 230th episode of The Main Street Electrical Podcast, Jenn & Dave are talking Disney movies, Disney history, and Disney movie history today. In a slow news week, Jenn is making plans for her upcoming New Years Eve trip to WDW, while Dave is set for more Star Wars Legos.... plus picking up a copy of "The Good Dinosaur", which leads to a discussion of the chaos in Dave's media shelf and Phil Collins going super hard on the Tarzan soundtrack. Then, going all the way back to "Snow White and the Seven Dwarfs", they put a spotlight on each of the seven known era of Disney animation - Golden, Wartime, Silver, Bronze, Renaissance, Post Ren, and Revival - plus, creating a new era for the latest batch of films. They list their favorites from each era, some nostalgia with some, and even a few they don't care for as much ("Black Cauldron" alert!), plus lots of random trivia and Disney animation tidbits along the way.  

Hey, gang! We're back with another absolute slog of a film: Pixar's 2015 borefest The Good Dinosaur! Talking points include: who is sleeping on Pixar's beanbag chair, and why do they keep getting work? When is pastiche a boring cinematic device, and when is it an Italian pastry Misha wants to go down the street to buy? Finally, why can't movies seem to animate children that look and act their age? Check out our website and buy us a coffee! www.muchabuaboutnothing.comEmail us and tell us what you think! muchabuaboutnothing@gmail.comFollow us on Instagram! @muchabupodCover Art by Misha. Editing by Tyler. Theme Music: "The Devil's Defiance" by Ritchie Everett. www.epidemicsound.com Send us a textSupport the showThank you for listening!

Welcome!

Inside Out 2 and The Good Dinosaur on Disney 09/30/24

We lay out the entire Pixar universe using easter eggs and other identifiers.Here is where each of the movies are located in the episode:The Good Dinosaur - 1:23Brave - 1:44A Bug's Life - 2:29Incredibles 1&2 - 4:06Luca - 4:36Lightyear - 6:33Toy Story - 6:55Toy Story 2 - 7:48Turning Red - 8:22Finding Nemo - 9:42Ratatouille - 10:50Toy Story 3 - 13:04Toy Story 4 - 13:53Up - 20:54Inside Out - 22:08Finding Dory - 22:33Inside Out 2 - 23:31Coco - 24:08Soul - 25:05WALL-E - 25:37Cars - 27:39Cars 2&3 - 29:47Onward - 31:23Monsters Inc. - 33:10Monsters University - 34:31Elemental - 35:11For more Mouse Ears Movie Thoughts content, check out our Instagram, website, and YouTube:Instagram: https://www.instagram.com/mouseearsmoviethoughts?igsh=MTZjYW5ranE0MG0wdQ%3D%3D&utm_source=qrYouTube: https://www.youtube.com/@mouseearsmoviethoughts9688Website: https://htzhxz6sjj.wixsite.com/memtIf you have any comments, questions, or episode ideas you would like to share with us, email us at mouseearsmoviesthoughts@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

“Kinosaade” on taskuhääling, kus kino Artis programmijuht Ra Ragnar Novod, Forum Cinemas programmispetsialist Henryk Johan Novod ning kultuurikriitik Raiko Puust võtavad igal nädalal läbi uued filmid ja seriaalid ning ka olulisemad filmiuudised. Hakka meie toetajaks läbi Patreoni: www.patreon.com/kinosaade “Kinosaate” 242. saates arutavad Ragnar, Henryk ja Raiko nende filmide ja seriaalide üle, mida on nad vahepeal koduste vahendite (Amazon Prime Video, Netflix, Apple TV+ jne) abil vaadanud (The Taking of Deborah Logan (2014), Replicant (2001), Creep (2014), I Saw the Devil (2010), Memories of Murder (2003), Infested (2023), Demon Slayer (2019), The Good Dinosaur (2015), The Acolyte (2024), Jurassic World: Dominion (2022)). Lisaks anname ülevaate kinos nähtud filmidest: Öine lihunik, Kena vaikne kohake: Esimene päev, Tule sõnumid, Pahupidi 2, Cowboy Bebop: The Movie, Kuninganna Catherine'i ohtlik mäng, Kiirus. Vaata seda episoodi Youtube'is: https://www.youtube.com/watch?v=luEqnPKQp_8&ab_channel=Kinosaade Sisukord: 0:00 Sissejuhatus 03:51 Mida on Raiko, Henryk ja Ragnar kodus vaadanud? Raiko: The Taking of Deborah Logan (2014), Replicant (2001), Creep (2014), I Saw the Devil (2010), Memories of Murder (2003), Infested (2023), Demon Slayer (2019), Henryk: The Good Dinosaur (2015), The Acolyte (2024) Ragnar: Jurassic World: Dominion (2022), The Acolyte (2024) 2:06:34 Anname ülevaate kinos nähtud filmidest: Öine lihunik, Kena vaikne kohake: Esimene päev, Tule sõnumid, Pahupidi 2, Cowboy Bebop: The Movie, Kuninganna Catherine'i ohtlik mäng, Kiirus. 3:53:21 Mis filmid alustasid uuel nädalal kinodes? Kõik saated on leitavad ka Kinosaade.ee, Apple Podcasts, Spotify ja kõikides teistes podcasti rakendustes. Lisaks leiab meid veel Facebookist, YouTubest ja Twitchist Kinosaade nime alt. Facebook: www.facebook.com/kinosaade YouTube: www.youtube.com/channel/UCeBOcl_yALcrk-U7Ou5BQCw Twitch: www.twitch.tv/kinosaade Kodulehekülg: kinosaade.ee/ Discord: discord.gg/B2zbCWPCc3 Patreon: www.patreon.com/kinosaade

En este programa María se pone un parche en el ojo, Dylan por fin puede hablar de Doctor Who y Loren se redime tras el programa anterior. Hablamos de: I Saw the TV Glow, Nausicaa, Entrevista con el Vampiro, Mondays: See You 'This' Week, HAIKYU!! The Dumpster Battle, Kinds of Kindness, The Bear, Star Trek Discovery, Tragones y Mazmorras, Alan Wake 2: Night Springs, Elden Ring: Shadows of the Erdtree, Cars 2, Brave, Monster University, Inside Out, The Good Dinosaur, Inside Out 2, Doctor Who, Humanity, Immortals of Aveum y Still Wakes the Deep. Suenan: LCD Soundsystem: 45:33 (Pt. 2) Mabe Fratti: Enfrente

Inside Out 2 has dropped in theaters.  So it's time to stop and rank all 28 Pixar films! Today's Sponsor:  Factor Go to https://factormeals.com/seanchandler50 and use code seanchandler50 to get 50% off your delicious meals delivered right to your front door plus 20% off your next month! EXTENDED CUT ON PATREON There's an extended cut of this video on Patreon with 7 extra minutes and ADs turned off: Learn more here: https://www.patreon.com/seanchandler

We review Inside Out 2 before diving into Pixar's entire filmography in chronological order, ending off with a ranking of our Top 10 and Bottom 5 Pixar movies. #Pixar #InsideOut #InsideOut2 #Disney Timestamps: (00:00) Intro (01:25) How are we doing? (14:15) What have we been watching? (23:30) Inside Out 2 Review (35:14) Inside Out 2 SPOILERS (56:30) Pixar Filmography Deep Dive (57:37) Toy Story (58:52) A Bug's Life (01:00:36) Toy Story 2 (01:03:30) Monsters, Inc. (01:07:02) Finding Nemo (01:11:06) The Incredibles (01:14:41) Cars (01:16:48) Ratatouille (01:19:50) Wall-E (01:23:59) Up (01:28:25) Toy Story 3 (01:32:14) Cars 2 (01:34:22) Brave (01:35:30) Monsters University (01:39:12) Inside Out (01:41:59) The Good Dinosaur (01:44:42) Finding Dory (01:47:07) Cars 3 (01:49:48) Coco (01:53:55) Incredibles 2 (01:58:20) Toy Story 4 (02:02:00) Onward (02:03:33) Soul (02:07:20) Luca (02:09:20) Turning Red (02:12:12) Lightyear (02:14:30) Elemental (02:17:54) Top 10 Pixar RANKED (02:21:05) Worst 5 Pixar RANKED (02:23:38) Movie Trailers (02:26:00) Movie News (02:39:00) Wrap Up Become a Patron! Join to gain access to exclusive perks like Discord access, giveaways, & more: https://www.patreon.com/reeltokpodcast Grab some ReelTok merch: https://reeltokpodcast.com/ Follow ReelTok everywhere: ReelTok Podcast YouTube: https://www.youtube.com/@reeltokpodcast TikTok: https://www.tiktok.com/@reeltokpodcast Instagram: https://www.instagram.com/reeltokpodcast/ Twitter: https://twitter.com/reeltokpodcast Letterboxd: https://letterboxd.com/reeltokpodcast/ Patreon: https://www.patreon.com/reeltokpodcast Listen and Rate Us 5 Stars on Spotify and Apple Podcasts: Spotify: https://open.spotify.com/show/3V214vWwkO823aa4OaeDrO Apple Podcasts: https://podcasts.apple.com/us/podcast/reeltok-podcast/id1644680412 George Carmi Letterboxd: https://letterboxd.com/georgecarmi/ TikTok: https://www.tiktok.com/@moviesandstuff14 YouTube: https://www.youtube.com/@moviesandstuff14 Instagram: https://www.instagram.com/georgecarmi/ Twitter: https://twitter.com/georgecarmi Tyler Whitmore Letterboxd: https://letterboxd.com/TylerCWhitmore/ TikTok: https://www.tiktok.com/@tylercwhitmore YouTube: https://www.youtube.com/@tylercwhitmore Instagram: https://www.instagram.com/tylercwhitmore/ Twitter: https://twitter.com/TylerCWhitmore Seth's Film Reviews Letterboxd: https://letterboxd.com/sethsreviews/ TikTok: https://www.tiktok.com/@sethsfilmreviews YouTube: https://www.youtube.com/@Sethsfilmreviews Instagram: https://www.instagram.com/sethsfilmreviews/ Twitter: https://twitter.com/sethsfilmreview Cam Walsh Letterboxd: https://letterboxd.com/cjwalsh27/ TikTok: https://www.tiktok.com/@camwalsh27 Instagram: https://www.instagram.com/camwalsh/ Twitter: https://twitter.com/CamWalsh27 YouTube: https://www.youtube.com/@camwalsh27 Twitch: https://www.twitch.tv/camwalsh27 New episodes every Monday reviewing the latest movie releases and covering the most recent movie trailers and industry news. Reviews, rankings, deep-dives, drafts, movie trivia, and so much more. The ReelTok Podcast is co-hosted by 4 of the largest film social media content creators, George, Seth, Tyler, and Cam. Bonus episodes every Thursday doing a movie-related draft, ranking, or game, and more bonus episodes every Friday reviewing a movie recommended by our viewers. Make sure to follow us as you have now found your new favorite podcast. #movies #moviereviews #podcast #moviepodcast #reeltok #reeltokpodcast Help us become the #1 movie podcast in the entire world! --- Support this podcast: https://podcasters.spotify.com/pod/show/reeltokpodcast/support

Today, I'm sharing my conversation with Meg Lefauve, Oscar-nominated screenwriter for the Disney Pixar film, Inside Out.   It was so cool to be able to talk to Meg and learn more about the inner workings of a movie that has had such an impact on me and my parenting journey. We talk about the importance of embracing our inner Anger (especially as women), the power of self-awareness and emotional intelligence, lava, and so much more.  Meg LeFauve is an Oscar-nominated writer and Peabody award-winning producer. She was nominated for the Academy Award for Best Original Screenplay for co-writing the script for Pixar's INSIDE OUT.  She wrote the script for Pixar's THE GOOD DINOSAUR which was nominated for a Golden Globe. In addition, she wrote the story for the MCU live action feature CAPTAIN MARVEL, and wrote the script for Netflix/Cartoon Saloon's MY FATHER'S DRAGON which was nominated for two Annie Awards. She has taught at AFI and served as co-chair of the Graduate Producers Program at UCLA's School of Film and Television, where she taught master level story and development classes for over seven years.   Check out Meg's podcast The Screenwriting Life And go watch Inside Out 2  live in theatres June 14th!     

 Drew Taylor & Jim Hill start off this week's episode by looking back at how Walt Disney Studios did effects back in the 1960s. They also talk about the version of “Toy Story 3” that Circle 7 Studios had in development Over the course of this episode, listeners will learn about: When will “Kung Fu Panda 4” be available for viewing on digital platforms like Amazon Video & iTunes How far back did the release date of Disney's live-action version of “Moana” get pushed back When did Happy Meals toys rethemed around Pixar's “Elio” become available for purchase in Mexico What name did Disney used for “The Good Dinosaur” when this Pixar production was first announced at the D23 Expo back in August of 2011 Who will be voicing the Mother of the title character in Pixar's “Elio” Learn more about your ad choices. Visit megaphone.fm/adchoices

 Drew Taylor & Jim Hill start off this week's episode by looking back at how Walt Disney Studios did effects back in the 1960s. They also talk about the version of “Toy Story 3” that Circle 7 Studios had in development Over the course of this episode, listeners will learn about: When will “Kung Fu Panda 4” be available for viewing on digital platforms like Amazon Video & iTunes How far back did the release date of Disney's live-action version of “Moana” get pushed back When did Happy Meals toys rethemed around Pixar's “Elio” become available for purchase in Mexico What name did Disney used for “The Good Dinosaur” when this Pixar production was first announced at the D23 Expo back in August of 2011 Who will be voicing the Mother of the title character in Pixar's “Elio” Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest began her creative journey in the world of theatre before moving to Pixar where she worked in the story department of hits including Ratatouille, Up, Brave, The Good Dinosaur and Inside Out.Having now transitioned to writing and showrunning her own projects, most recently the double Emmy nominated Tab Time as well as co-hosting mega-popular podcast The Screenwriting Life alongside fellow Red Carpet Rookies alumni, Meg LeFauve, I don't know how she finds the time!My guest is Lorien McKenna. 

Welcome!

EPISODE 600! Thanks for sticking with us for 600 great episodes. Here's to 600 more.Have No Fear! You have to be fearless and have the utmost belief in that feeling that is inside of you, that thing you want to pursue. One of the Best Motivational Speeches featuring AJ Buckley. Edited and Interviewed by Motiversity.SpeakerAJ BuckleyOver the course of his career, AJ Buckley has appeared in more than 30 prominent feature films and television series. He is currently best known for his role as fan favorite “Sonny Quinn” in the hit series SEAL Team. He's been major characters in successful productions like: CSI: NY, Narcos, Pure, “The Good Dinosaur” by Pixar, Sony Pictures “Home Sweet Hell” which he also helped write and produce. AJ's also a thriving entrepreneur with a number of successful ventures including Paperclip, sustainable products for parents. He's a husband, a dad. And he not only plays a Navy Seal but he trains like one. Follow AJ:https://www.instagram.com/ajbuckley/https://twitter.com/ajohnbuckleyhttps://www.cbs.com/shows/seal-team/cast/215681/MusicSecession Studios - The Power of One, Luminosahttps://www.youtube.com/c/thesecessionWays to stay connected with Motiversity and stay motivated:▶Subscribe for New Motivational Videos Every Week: http://bit.ly/MotivationVids►Download or stream the speech EVERYWHERE: ALL platforms: https://motiversity.lnk.to/HaveNoFearSpotify: https://bit.ly/3PBkQpnApple Music: https://bit.ly/3ZdP8Sp▶DOWNLOAD our Top 100 Quotes of All Time:https://bit.ly/topquotesfreepdf▶JOIN our Newsletter for Exclusive Updates, Discounts, and Deals: https://bit.ly/Motiversitynewsletter▶READ our Weekly Blog - https://bit.ly/motiversityblog▶SHOP Official Motivational Canvases and Apparel - https://bit.ly/motiversityshop▶BECOME A MEMBER of our loyal community!https://bit.ly/motiversitymembers Hosted on Acast. See acast.com/privacy for more information.

ABOUT HOW I LEARNED TO FLY, IN THEATERS DECEMBER 1STIn HOW I LEARNED TO FLY, the feature film debut from writer/director Simon Steuri, two African-American teenage brothers suddenly find themselves on their own after being mysteriously abandoned by their parents. Deeply haunted by the mental and physical abuse inflicted by their father (Wu-Tang Clan's Cliff "Method Man" Smith), elder brother Daniel (Scribner) is determined to keep their lives from falling apart. He maintains a daily routine, works as a dishwasher and does his best to keep a roof over their heads. Younger brother Eli (Lonnie Chavis, NBC's This Is Us) struggles to cope with the absence of his mother, leaving her voicemail messages in search of answers. Embarking on a journey of survival and self-discovery, they uncover moments of beauty, newfound meaning and enduring love that strengthen their bond despite the uncertain road ahead. Featuring supporting performances by Cedric the Entertainer and Michele Selene Ang, HOW I LEARNED TO FLY, is a poignant story of determination and resilience in the face of profound adversity. The film opens exclusively in theaters in major markets on December 1, 2023.Here's the trailer: https://www.youtube.com/watch?v=9xsIm7L3pyo ABOUT MARCUS SCRIBNERMarcus is most notable for playing Anthony Anderson's son 'Andre Jr.' on ABC-TV's Black-ish, alongside Anthony Anderson and Tracee Ellis Ross. Earlier this year and after four consecutive nominations, Marcus scored the NAACP Image Award in the category of 'Outstanding Supporting Actor' for his work on Black-ish. Marcus is carrying on his role of 'Andre Jr.' in the Freeform spinoff of the series, Grown-ish.Marcus can next be found in the Daniel Goldhaber directed feature and TIFF 2022 participant How To Blow Up a Pipeline alongside Lukas Gage and distributed by Neon, which released in theaters to raving reviews.Marcus is also featured in Netflix's feature film Along for the Ride, written by Sofia Alvarez, alongside Kate Bosworth and Emma Pasarow. Marcus also starred in the independent drama feature How I Learned to Fly, directed by auteur Simon Steuri opposite Lonnie Chavis, Cedric the Entertainer and Cliff 'Method Man' Smith.Marcus can currently be seen in the IFC drama, Farewell Amor directed by rising filmmaker Ekwa Msangi, which premiered at Sundance 2020, opposite Jayme Lawson, the dark YA thriller Confessional, and Awesomeness produced teen comedy, The F**k it List. Aside from his on-screen work, Marcus is an amazing voiceover actor. Most recently starring as 'Bow' in the animated award-winning hit series, She-Ra and the Princesses of Power for Dreamworks/Netflix as well as the role of 'Buck' in Pixar's The Good Dinosaur.

The universal language of cinema has proved a constant in Pixar director Peter Sohn's life, and with Elemental, he used it to tell a story close to his heart. Born in New York City to Korean parents, Peter's mother fell in love with the visual storytelling of Disney movies. He then carved out a career in animation, starting with The Iron Giant and moving to Pixar for moves including Finding Nemo and Up, and making his directorial debut with The Good Dinosaur. In this podcast, recorded at the View Conference, Peter discusses how his life experiences contributed to Elemental and helped inform creative decisions. He delves into the technical aspects of the movie, revealing how machine learning helped solve some of the surprising complexities of fire and water characters. It's a moving episode, and one that affirms cinema as a powerful tool to express and share human emotions.

Alan John Buckley is a Canadian actor. He played crime lab technician Adam Ross on the television series CSI: NY and Navy SEAL Sonny Quinn on the television series SEAL Team. He also had roles in Supernatural, The Box, Home Sweet Hell, and as the voice of Nash in The Good Dinosaur.

Jim Morris is President of Pixar Animation Studios, where he oversees all of the company's productions and operations. Morris began working at Pixar in 2005. Films under his supervision include RATATOUILLE, UP, TOY STORY 3, CARS 2, BRAVE, MONSTERS UNIVERSITY, INSIDE OUT, THE GOOD DINOSAUR, FINDING DORY, CARS 3, COCO and INCREDIBLES 2. As a producer, Morris most recently made the live-action Disney feature JOHN CARTER with director Andrew Stanton. He also produced Pixar's WALL•E, which won the Academy Award® for Best Animated Feature. Morris was also awarded Producer of the Year in Animated Theatrical Motion Pictures from the Producers Guild of America, the AFI Award, the Golden Globe and the Visual Effects Society Best Animated Feature Award for WALL•E. Prior to joining Pixar, Morris held a range of key positions for 17 years in various divisions of Lucasfilm Ltd. He served as President of Lucas Digital Ltd., and managed its three divisions, Industrial Light & Magic (ILM), Skywalker Sound and Lucasfilm Animation. As ILM's General Manager for more than 13 years, he supervised a staff of over 1,400 artists and technicians, and guided the largest visual effects facility in the entertainment industry.   With Morris' oversight, ILM created the groundbreaking and Academy Award®-winning visual effects in JURASSIC PARK, DEATH BECOMES HER, TERMINATOR 2 and FORREST GUMP. Other notable projects completed under his management include MISSION IMPOSSIBLE, TWISTER, SAVING PRIVATE RYAN, STAR WARS: EPISODE I, STAR WARS: EPISODE II, THE PERFECT STORM, PEARL HARBOR, MINORITY REPORT, PIRATES OF THE CARIBBEAN, MASTER AND COMMANDER, and three films in the HARRY POTTER series. Morris joined ILM in 1987 as a Producer of visual effects for films and commercials. Among Morris' producing credits are James Cameron's THE ABYSS (which earned the Academy Award® for Best Achievement in Visual Effects), and Steven Spielberg's ALWAYS. Before joining ILM, Morris was Executive Producer at Arnold & Associates, where he oversaw the company's three offices and produced commercials for clients such as Atari, Chevron and Mattel. Prior to that, Morris was Executive Producer at One Pass, where he headed the commercial production division. He also served in the production departments at advertising agencies J. Walter Thompson, and Foote, Cone & Belding in San Francisco. Morris worked as a producer and director for PBS, and began his career as a cameraman and editor at NBC. Morris is the recipient of the Producers Guild Digital 50 Award, the Visual Effects Society Board of Directors Award and the Visual Effects Society Founders Award. He has also been named a VES Fellow. Morris served for many years as President of the San Francisco Film Commission, and is Founding Chair of the VES. He is a member of AMPAS, PGA, BAFTA, VES and ASIFA, and currently serves as a member of Motion Picture Academy's Finance Committee. Morris earned a Bachelor of Science degree in Film and a Master of Science degree in Television/Radio from the Newhouse School at Syracuse University. In this Podcast, Allan McKay interviews Pixar's President Jim Morris about his career both at ILM and Pixar; working with legendary Directors such as James Cameron, Steven Spielberg, Andrew Stanton and Robert Zemeckis; behind-the-scenes and Innovations of JURASSIC PARK and FORREST GUMP; the unpredictable magic of live action projects; how limitations inspire VFX inventions; and why “Problems aren't an impediment to the job. Solving problems IS the job.” For more show notes, visit www.allanmckay.com/419.

In this episode of PixMix, Arun and Patricia discuss about the 2023 Pixar animated film Elemental co-written and directed by Peter Sohn, the director behind of the 2015 film The Good Dinosaur. In Element City where plants, water, clouds, and fire reside, a young woman of fire named Ember lives with her parents in Fire Town where they run a store called The Fire Place. They wish for her to take it over, but she isn't very good with dealing with customers. One day, her temper causes the water pipes to burst and flood the basement and a young man of water named Wade appeared. Wade, as an inspector, is forced to report on The Fire Place for breaking numerous violations which may cause it to shut down. Ember, not wanting to let her parents down, tries to convince Wade to not shutting it down. Overtime, they become closer as a couple and fall in love with each other despite their differences. When the film premiered in theaters, it made $29 million dollars on its opening weekend making it the second worst Pixar opening of all time behind the original Toy Story in 1995. But since then, it made $360 million dollars thanks to its international audience, especially in South Korea, receiving mixed to positive reviews. What did Arun and Patricia think of this film? Listen and find out. --- Support this podcast: https://podcasters.spotify.com/pod/show/old-school-lane/support

On a special episode of Pop Goes The Classics, Andy Atherton does a live watch of 2015's The Good Dinosaur. He gives his thoughts mass extinctions; dinosaur farmers; sibling pranks; critter-proofing; ginormous bugs; derivative stories; The Long Island Sound; eating wild berries; Jurassic Park; herbivores; evolution; hearing voices; comparing war wounds; coping with grief; evil pelicans; Arlo's growth and maturity & making tough choices.

In this episode of Katie's Crib, Katie talks to Meg LeFauve, the Oscar-nominated screenwriter for the Pixar film Inside Out. Meg explains the process that came along with writing the film, and what she hopes the movie (and its successor) would teach about expressing emotions.   Meg digs into how she first got involved in the IO project, and how the character Sadness became the essential emotion of focus in the movie. The “The Screenwriting Life” podcast host also reflects on how she witnessed children and adult audience members react to the flick. Finally, Meg recalls how the movie influenced her own parenting styles.   Also, how did Meg's own children respond to Inside Out, knowing that their mom wrote the movie? Push play for the answer!   Executive Producers: Sandie Bailey, Alex Alcheh, Lauren Hohman, Tyler Klang & Gabrielle Collins Producer & Editor: Casby Bias Associate Producer: Akiya McKnight  See omnystudio.com/listener for privacy information.

The summer season opened with a number of big movies but a pair of films that opened last weekend fell short as "The Flash" managed only $55 million and "Elemental" took in only $29.6 million in U.S. box office results despite finishing in the top two slots. Expectations were particularly high for "The Flash" considering the hype behind Michael Keaton reprising his role as Batman helping Ezra Miller's Barry Allen/The Flash character. We dive into the movie — yes, there are spoilers — to discuss its standing in the DC Extended Universe, the various Batman and Superman cameos and the use of the multiverse as a plot device. We follow that up with a discussion of Peter Sohn's latest Disney Pixar film "Elemental." While better than Sohn's first Pixar film "The Good Dinosaur," the movie lacks star power beyond Wendi McLendon-Covey and Catherine O'Hara and runs a little long. What does this mean for the rest of the summer? It's hard to say for sure, but films up next might want to take note and be prepared for subpar results. Where to watch "The Flash" in theaters "Elemental" in theaters About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed and screened and entertainment podcasts about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with the Master of the Multiverse, Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce, when you're in the multiverse, like, what are you doing in your other What's the other? Bruce Miller doing right now? Other one is actually enjoying himself. This one, it's like the third circle of hell, You know, where you go, What am I doing? Why is this one so tough? But I think they always say that a different one gets you a better life. So I'm hoping that the better life is in another, more diverse universe.Unknown Okay, so you brought it up now. You were the one. The flash. Yes. The Flash has these multiverses. This is the the kind of the overriding narrative that drives this thing, that there are many multiverses out there just like Spider-Man has the kind of the other world. And all I realize that this is is an excuse to be able to get rid of the actor that they don't want or is asking for too much money. Because if you say, well, I'd like a dollar more to be able to do this, it got near you. We're going to go to another multiverse and they'll be different. We'll be fine or we'll go back to an old one. I don't know. I'm sick of that. And I really don't want those things to color. Just a straight old story. Right. It's not. Whenever they need to get out of a problem, they just zip over to another multiverse verse and try and solve it. And that's what happens in the Flash. The flash as how much do we dare tell? Well, I'm out. If you haven't see the flash now, you're not going to see it. Right. So let's. Let's do this. Should we just. This is a spoiler. This is not a spoiler free episode. Let's just now let's just go for it, because I'll tell you, I did like Ezra Miller as The Flash. I thought he was really good, and I liked him playing off himself because he has a two version kind of thing where he is good and at that kind of give and take. He's funny and I know that they're trying for their own Spider-Man because Spider-Man skews young and I think The Flash, they need something like that in that old timey DC Comics universe. So all that is there was a good idea, and I'm glad they kept him. They didn't reshoot all that stuff, but then they decide that they're going to go dig back in some other universe. And we see a Batman. We get a Batman. Ben Affleck, who I don't like as Batman, I never have and never will. And I think his term could be up, at least in my house, that he is. And then they go in and they find an old Batman, which is Michael Keaton. And Michael Keaton is a good Batman. But they must have decided somewhere along the line that he needed a little more to do. And so they make him into Howard Hughes, and he's living in this old kind of rambling building or house or mansion or whatever you want to call it. And suddenly he's got more skills and toys than I ever remember because that Batman the thing with Batman. Sorry, I'm on a rant, but the thing with Batman is he is a human. He's one of the only human people that don't have special powers or aren't from another planet or any of that kind of stuff. And now he's got a kid that can do everything. I'm not so sure about all that. I really I question it. Yeah. So. Ezra miller. Forgetting about the controversies I thought was fine. No problems with Ezra. It was a solid, solid performance for as much as you could do with that role. It's, you know, obviously, it is what it is. And I had no problems. So I thought from. From just that aspect of it, totally fine. You and I have talked before. I'm not a huge comic book movie person. It's just not my thing. I do like the Batman movies I like or I like seeing Batman movies. I don't always like the Batman movies. I like kind of the Superman thing. A little bit of Wonder Woman here and there, but that's kind of the extent of my superhero kind of movie going that I'll do. I've never really seen any of the Marvel movies. Like one of them I saw That was probably a bad one, right? No, it was. Which one's with Ryan Reynolds? Oh, really? Ryan Deadpool. Deadpool. Yeah, Deadpool right now. Guy He's kind of in his own universe. He doesn't wrangle the others. No, that's. That's probably why I liked it. And it was just kind of somebody told me, Go see it, you'll like it. And actually it was funny. And he makes fun of superheroes. That I like that. That's probably why I liked it. So. But my problem, my my problem, especially with these Batman movies and the whole DC thing is just the constant reboot after reboot after reboot after reboot in this. Like your point to the multiverse helps us because now you could just throw it all out and it doesn't even matter anymore. Now there's another there's another movie franchise that I absolutely love, which is called the James Bond franchise. Now, they, of course, have had like seven James Bond's. But the difference there is the stories don't really conflict, right? You have you know, you'll get like six episodes of Sean Connery. He bows out. You bring in Roger Moore to do a half dozen, plus he bows out. There's only been a couple of instances with short term bonds with George Lazenby doing that one that bridged the two. Connery's had a Timothy Dalton had two, and, you know, Pierce Brosnan by standards. What a year. You only had, I think, four movies. So that was on the shorter side. But, you know, even with with Daniel Craig, he was even though he didn't do the most movies, I think he was in the role for the longest. Like he he was even longer than Roger Moore. He just he just kind of packed in more movies over a shorter period of time. I'm fine with that because it's just all those stories kind of live outside themselves. There's a little bit of crossover, a little bit of a nod here or there, but it's I'm fine with that, but it's just the constant starting and stopping with all these different actors. I can't keep up. I don't even remember who Batman is anymore. And one other point that I'll make, too, is what I loved about the Tim Burton Batman with Michael Keaton, is that, sure, there's special effects? Sure, it has a certain look to it. But as you said, he's a superhero, but he's a human who's just taking he's a vigilante, Right? So he's just kind of taking these extraordinary measures to kind of save save the day. They're vomiting special effects at us now. And I'm of the opinion that less is more. You don't have to. Just because you can do it doesn't mean you should do it. And I think another franchise that kind of brought this back a little bit was Star Wars, where, you know, you had the original Star Wars, which sure had lots of special effects, but they they kept it pretty low key because they couldn't do more at the time. And then I think the huge mistake with George Lucas when he did the prequel and back then, he just he went back. He like he re-edited the originals and put in all the special effects, which did not help. And then those prequel movies that he did, it was all shot against a green screen and it looks like and it doesn't feel real. And what I think has been good with The Mandalorian and the newer ones is they went back and they're actually doing puppeteering again and the special effects that they do use in it, like let's De-Age Mark Hamill, because we can't have a 70 year old guy playing young Luke Skywalker. I'm totally fine with that. You know, you can bring Grand Moff Tarkin back because he's been dead for so long. But those things I'm okay with, But you don't have to throw up special effects at me nonstop. So that's my rant, you know? Well, what I found with the Flash is they go back and visit all these other characters, right? And you have to remember too much. You need to know something about that version of whatever. And they have a number of Superman that comes when, of course, there's that the heart tugging moment when you see Christopher Reeve as as Superman come out. That's that's the gold standard for that, even though his films probably don't hold up at all. But you see that and you go all and then they toss in a Nicolas Cage Superman with a film never got made. And so the idea that that they would do that, but they conveniently don't hit all of the Batman. And it must have been something where, you know and you think all well they get that's choices as artistic choices. No, it was probably because Christian Bale said, there's no way in hell you're using my image in this film. And he had it written into a contract. So you get a little bit of Batman from the Adam West years, and then you go, Well, now what's that about? Because that's TV. Do we do TV Batman? Or is that not, you know, so there are these things that are choices that they make that I'm sure it's because do we have the right go call on this. Call the lawyers, see if we got the rights on this one. We're going to throw this one in just because I think they got nervous at the end and they decided we've got to have all these people show up, not unlike Space Jam, where they took every cartoon character they could throw in. That was a Warner Brother cartoon and then just have you kind of go nuts about it. And you go, Well, wait a minute, why is there Wizard of Oz in this? I didn't know The Wizard of Oz was part of Space Jam, but that's what they do. And I think they get nervous and they don't trust their artistic instincts and they just do this stuff. And I don't think all that was necessary. We caught the concept That was enough. You didn't need to show a world revolving with every character there was in it. I would hope that if they go back to the Flash and do it again, he gets new adventures with different characters. That Zod thing crazy and it can be more, more Shazam like if you will. And and I think you got a good actor. Let him just do what he can do. They obviously with the multiverse have set up a total reset of the DC expanded universe because they've kind of just said, you know what, we're going to we've closed the door now. On Ben Affleck as Batman, and it seems like they're largely closing the door on probably some of the other ones. I mean, there's going to come back here. Any idea is that Superman not there shouldn't be another shot at it, you know, So it's selective lawyering is all it it. Yeah. I loved Wonder Woman when that came out. The first one I thought I thought 1984 was just terrible. I was so disappointed when that one. I remember even telling my wife I'm like, honey, I saw, I saw the Wonder Woman and it's fabulous. We need to go. And it was on HBO. It was it was during the pandemic, and it was just on HBO. I'm like, Let's watch it. You'll love it. It's actually like, I don't like, you know, I don't love comic book movies. And then we sat through it. I'm like, I'm apologizing to her after because that's how bad I thought it was. So I even with her roll, are they going to bring her back for another Wonder Woman or have they said, you know, the last one wasn't good? Like we hit we hit a homerun with one second, one was there. So we're kind of we're going to reset that now, too. This is our deal breaker. This is the way we cut the contracts and move on and whatever it wants to be, it'll be. But I think blast is worth keeping. I just wish that they would do different things that they and not this concept of let all or nothing forget it, make it 90 minutes, make it good, Give us a situation and a and a character. You got it. Who is the new Batman? Is the new Batman George Clooney? Well, who knows? Oh, you know what? You know, he's back and I can see why this is not doing well in the theaters. I think you've got to realize that you cannot rely on the Old Faithful, the comic book nerds who will come do this no matter what, because took in other people. And I think that's where Marvel went wrong, too, is that they want to tie too much together and if you're a casual viewer, viewer like you, Terry, where you see one, you go, What is this crap? I don't know what this is all about. You've got to make it stand alone. It's like we say, you know, I, I read the book and there are lots of things aren't in the movie that were in the book. Well, it's the movie has to stand alone. It's got to be able to tell its story and move on from there. And so that's that's where they go wrong. I agree with you. And you know, it only did 55 million It led it led the box office almost almost doubled, elemental. But the 55 million is a terrible, terrible opening when you consider we're getting back to a point where movies are opening at 100 million plus and you know. Yeah. And Flash is clearly I mean, it's not going to it's not going up. I mean, next week it's not going to do 90 million in week two. It's only going to go down. So, you know, will it even recoup its money? And, you know, you bring up the point of the casual viewer. I was lucky because I had seen, as I said, I see the Batman movies, I see the Superman movies. So when I saw The Flash, it all made sense to me. But if you're a casual viewer and you didn't know what the deal was with Zod and all that stuff, you would be so lost. Like if you came in because you're like, I love Michael Keaton from those those early Batman movies with Timothy Burton, you're just going be lost because you're going be like, What is going on here? You just dropped the storyline. Makes no sense. Ellen Slater, if you were familiar with Ellen's later way back when, her appearance doesn't mean anything to you. So it is what it is. I think that they did a great job with the Flash on TV when it was on the CW, and I think he was a perfectly good flash. But when they're going in another direction and you're doing something that it's a little quirky stick with the quirk. Don't feel that you need to go back to the traditional and grab something there. One other point I'd like to make. We talked about the multiverse, the concept of the multiverse, right. And how big it's become because we're seeing it in a lot of different things, you know, Spider-Verse and and we saw it obviously everything everywhere. I wonder, I was thinking this is a it's a concept that basically replaces time travel or it sort of replaces time travel because that was such a driver of of, you know, show movies, shows of the 6070s, eighties, you know, like Star Trek when they would get stumped in like, well, what should we do? Well, how about we just send the Enterprise back 200 years to get a humpback whale and bring it back to the future? Right. And then, of course, there's back to the future. So I started I'm going into this movie knowing that it's the multiverse and thinking to myself, like, yeah, this is completely replace like the concept of time, travel back to the future and all that. And what did they do is this they heavily referenced back to the future in the flash where in this multiverse Eric Stoltz is not the part got the part you know and again you have to have a point of reference to enjoy the laugh. And if you're a young kid, did you know that Eric Stoltz was originally cast as Marty McFly? You didn't. So it it kind of falls flat on that. I is this made for critics? Maybe it is I don't know they just want them to say nice things. I mean it's cute. It's a cute concept. They do hammer it a couple of times and maybe I don't need to two or three times of that to get it. Now, let's talk about Elemental, because I you know, I'm a huge Disney fan. I love all those animated things. But boy, did it take effort to like Elemental. I'm not going to call it the worst Pixar movie I've ever seen that Cars. It's definitely not the best Pixar movie I've ever seen it. From my perspective, it was fine. It checked all the boxes. We went on Father's Day. We took the kids. The kids enjoyed it my way. Restless? Nope. They liked it. They liked the movie. My wife cried during a couple scenes. She enjoyed it. I was fine. I was fine. You know, I walked out of it and I was like, That's fine. That's fine. It's a fine movie. It's not great. It's not terrible. It's fine. I got what they were trying to do. They're trying to talk. Really. It's the immigrant story. Did you come to another country and you feel like you are alone and you don't fit in with others and you don't want to mix with others? And maybe mixing with others is a good thing. And we see how this works out in everything. But I think it tries way too hard to be jokey and it tries to make every person it can think of. Like I could see them sitting around a table and saying, Okay, fire. Think of all the things that you can think of that have fire in it that we can use. This is hotter than and you know, and they would just throw this out and then try to kind of squeeze that in in the process. And the idea that wind water, earth, an air or a soundtrack by Earth, wind and fire, how they don't, you know, combine. Well, they do. And if you just did a simple experiment, you'd know that all this does work together. And so they needed another villain. They needed somehow somebody to cause the problem that encourages them to come together to solve it. And they didn't. They kept these kind of universes or these worlds separate. And it was like, Oh, that's where the rich want people live. Oh, that's where the poor down and outer fire people live, you know? And I don't know, it's a basically it was good to look at I don't know how you make a stuffed animal out of a fire, but yeah, I really had a prop. This is me now. I had a problem where they show this baby fire sucking on a can of lighter fluid. And I thought, this is like, wrong. You don't if you image that to any little kids and they say, oh, lighter fluid, I could see a kid sucking on a bottle of that. I could. And so I think they didn't think through some of the things that they were playing. They just thought it was a cute gimmick and there it felt wet. I can see that, you know, as someone who grew up was born in New York and very familiar with the city culture and the concept of of a bodega that's run by an immigrant family, it resonated a little bit with me to an extent. I got what they were trying to do again with the concept of, you know, a melting pot. And there were moments to even when I would lean over to my wife, it's like, is this family, is it is it a Greek family? Do you think they're touching on agriculture is No, no. Maybe it's Turkish. You know, it's like, oh, no, no, no. Maybe it's like Pakistani or something like that. And, you know, and then of course, you see the relationship, the Korean heritage relationship, you know, to the Peterson And so and I think that's the point is you're not actually supposed to figure out what it is because it's this concept that it could be anything. Right. It's it's you know, these are the anyone that's an immigrant to this country or any country is going to face obstacles and discrimination. And it doesn't really matter where it's from. It's just, you know, we're just going to bring in these concepts. So, you know, I think it's a good movie for lessons of inclusion and whatnot, but it just felt, you know, it's fine. As I said, I don't know how else to describe this movie other than it was fine. There was no stars in this movie. No. And I tried to raise the voices and I thought, is this anybody? Is this somebody who is? And I thought at one point it was Miley Cyrus doing the voice of the Amber the flame girl. But no, it's it's not at all. Catherine O'Hara is in there is the mother. That's. Wait, wait. And it's that's the the the most notable actor that they they cast in it, which is kind of interesting from a few aspects because if you think back Disney up until really what the nineties largely just relied on on mostly unknown voice actors to do the roles and I think it was a lot of it had to do with like Toy Story and The Lion King where you started casting bigger screen actors to take on these roles. So I am wondering a little bit because they went low key, because it wasn't just this barrage of A-list actors. Did that hurt this at the box office? Because there isn't that that big name? You know, normally what they do is they have and I was waiting for a Justin Timberlake song, actually, I thought this is almost like rolls. They should throw in a Justin Timberlake song because there is a song in there. I think this is like one of those things they let people do with short subjects. They let them kind of go very creative and try things out. And maybe this one, they, you know, let's let's just give it a whole movie. Let's not give it a short subject because it seemed like a short subject concept. And there is kind of a pattern to Disney Pixar characters that have a certain look that you can turn into merchandise. And like I say, I don't know how you merchandise this at all unless everything is just a character on a on a t shirt. But we'll see. It'll, you know, they'll do it. But I yeah I thought that of that kind of odd mix inside out did a better job of kind of blending things and making it seem like, okay now I don't have to think too hard on this. And I thought too hard on this. I was trying all the time to make sense of it and I couldn't. The movie was a bit long for my tastes. Well, we again, animated films. Come on, I the kids start running about the 30 minute mark. And if they're not stopping by the 60 minute mark, you've gone too long. I hate to get up to go to the men's room during a movie because I don't want to miss a thing. And as soon as the credits started rolling because and with these Pixar movies, you don't want to miss something at the end. So it's like the movie. The credits started rolling. I like beeline out, leave my family behind, take care of business, come back in because that you know, that gallon of soda I was drinking went right through me. And then I was disappointed because there was nothing in the credits either. It just kind of they just straight rolled it. But it was it was a story that that I agree with could have been told in about 20 fewer minutes. And it would have been completely fine to keep the kids entertained. And I and I will say this, too, with Peter Sohn, who directed the movie, it's definitely the better of his two movies that he's done now for Pixar, because I. I absolutely hated The Good Dinosaur. Did. Do you remember that one? I hated that, too. I hated it. Well, one thing I notice when you think of the good dinosaur, the only thing I remember was the grass looked good. It looked Grant's look good in. And that was and I remember walking out of it with my kids because they were a lot younger than am. I like one of my daughters is crying. She's like, Dad, does this mean you're going to die, too? And because they killed now, they killed a dad. And I didn't like, Oh, good Lord, God, like you have to do. You have to kill a parent in every movie. Yeah, well, you know, interestingly, I think this is the only Pixar film that doesn't have a John Ratzenberger appearance. Might be that could be a curse. That if you don't use him, you're in trouble. So I'm throwing out there that maybe they should have had him in there somewhere as somebody. But yeah, ice and earth. Did you ever see anything earthy besides that little kid picking the flowers out of his pits? Yeah. Yeah. And then they. The wind people. It was a game, and that was it, Right? Right. And I would say that was somebody, too, from The Goldbergs, the mother on The Goldbergs as the voice of the Wind. Okay, Thank you. Wendy covered MacLaine to make clear she has a hyphenated name. When Wendi Mclendon-Covey Wright. Thank you, Your Honor. I'm sorry, Wendy. I apologized profusely, but you got a long name, you know. Yeah, but Elemental 29.6 million to open. That is not. That's not where you want to be if you're Pixar. And on the heels of Disney wiping out a huge chunk of the Pixar department recently, maybe this is my this is well, it also came after light year because light year did not do well last year either. It's very much like Zootopia. And I think if they're going to go back to that, well, Zootopia is a better way of dealing with it, because when you had characters who were goofy animals, you could be you could be snarky with them. And I think they wanted to be a little too noble. Yeah, Yeah. So Flash 55 million. Elemental 29.6 million. Not a great weekend for too big. It's supposed to be two big heavy hitters. What do you think this this means? You know, coming up, is this just a blip on the radar? I don't think. Come up or what? What what do you think? Now, interestingly, we have no hard feelings. And Wes Anderson's new movie coming out this week, those will be low key because they're not expecting anything out of that. I think no hard feelings will do really well once the word of mouth gets out there, because it's the old school R-rated comedy where it's like, ah, if you know what I mean. And I think people are looking for something like that, so that'll be a surprise. And then we get into Barbie week and boy, I'm seeing a lot of Barbie and I'm hearing a lot of Barbie, but it isn't all that positive. So we'll see what happens. I want it to be very positive, but I think you know, it's going to be I think we're still on the roller coaster. I don't think we're there yet. We're not heading toward the the entrance of the theme park ride. So it'll be like Indiana Jones that'll go big. There's nerve endings about that thing, too, that it is not as adventurous as they want it to be. These are viewers who've seen it and maybe, yeah, it'll still do well, Open. Well, it'll open big. Yeah, that's what I'm thinking. Like, it'll, it'll people like me will want to go see it because we're huge fans of the franchise, but we'll go see it. Maybe not like it and then not go back. So I don't know that it'll have a long run, but I think it'll open big. Yeah, a little up, a little bit down. We'll see what comes in the next few weeks. Next week we are getting ready for the 4th of July holiday, so we are going to dive into our favorite patriotic movies of all time salute right. All right, Bruce. So thanks again and thank you all for listening to this episode is screened and screened.See omnystudio.com/listener for privacy information.

Elemental received a chilly reception at the box office in its opening weekend, and sparks are certainly flying between lovers and haters of Pixar's 27th feature film. Some call it one of Pixar's hottest while others find it to be watered down. So this week we review this force of nature film and discuss what works and doesn't, plus we play the Rotten Tomatoes Game to see how the critical consensus is shaping up. Elemental was directed by Peter Sohn, a longtime Pixar mainstay who previously directed The Good Dinosaur. Sohn also co-wrote the film with John Hoberg, Kat Likkel, and Brenda Hsueh, with Pete Docter serving as executive producer. The voice cast includes Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, and Catherine O'Hara. Elemental premiered at the 76th Cannes Film Festival and was released nationwide through Disney on June 16. The runtime is a breezy 109 minutes. Our intro music this week is “Gato” by TyLuv. & Strehlow. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Twitter. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

This is Garrison Hardie with your CrossPolitic Daily News Brief for Tuesday, June 20th, 2023. CrossPolination Ad Did you guys know that you can sign up for a club membership, a magazine subscription, AND tickets to the Ark Encounter all in one place?! That’s some crosspollination right there! Fightlaughfeast.com is your one-stop-shop for everything CrossPolitic. Here’s what you should do. You should sign up for a club membership, then sign up for the Ark Encounter for a $100 discount off of your purchase, and then sign up for a magazine subscription. We’ve even got our own social media platform built into our website now for our club members… once you’re a club member, you’ll get access to exclusive content like a Bible Study series with Pastor Toby, a special series with New Saint Andrews President, Dr. ben Merkle, all of our back-stage content, and all of our conference talks, with more to come! There really hasn’t been a better time to be a CrossPolitic Club Member. Sign up today, at fightlaughfeast.com. That’s fightlaughfeast.com. https://www.breitbart.com/2nd-amendment/2023/06/18/at-least-21-shot-at-juneteenth-celebration-in-gun-controlled-illinois/ At Least 21 Shot at Juneteenth Celebration in Gun-Controlled Illinois At least 21 people were shot, one of them fatally, at a Juneteenth celebration in gun-controlled Illinois on Sunday morning around 12:30 a.m. CNN reported the shooting occurred “in a parking lot in Willowbrook, about 21 miles west of Chicago.” FOX 32 pointed out two of the wounded remain in critical condition. FOX News noted DuPage County Sheriff’s Deputy Chief Eric Swanson indicated that deputies patrolling the area near the parking lot heard the gunshots and responded. Swanson said, “The motive behind this incident is unclear and this is still an active investigation.” No information has been released on the number of shooters involved in the incident. Illinois has a red flag law, an “assault weapons” ban, a “high capacity” magazine ban, a 72-hour waiting period, and a gun owner licensing requirement via the Firearm Owners Identification (FOID) card system, among other controls. https://www.theepochtimes.com/judge-orders-trump-lawyers-not-to-share-evidence-ahead-of-trial_5341862.html?utm_source=partner&utm_campaign=BonginoReport Judge Orders Trump, Lawyers Not to Share Evidence Ahead of Trial President Donald Trump and his lawyers were ordered on June 19 not to share evidence in Trump’s criminal case with any people not involved in the case. Trump, co-defendant Waltine Nauta, and their attorneys must not disclose the discovery materials to the public or news media, or post it on any “news or social media platform,” without the consent of the U.S, government or approval of the court, U.S. Magistrate Judge Bruce Reinhart said in the order. Following Trump and Nauta being charged with multiple crimes, including concealing documents, government officials are preparing to hand over discovery materials to the defendants and their representatives. The materials will include depositions of testimony given by witnesses to the grand jury that approved the charges, as well as other evidence prosecutors plan to present at the trial in the case. The order from Reinhart, who was appointed by other judges and has criticized Trump on social media, comes in response to a request for such an order from prosecutors. The government said it was ready to provide unclassified materials to the defense, but that the disclosure of information could compromise ongoing investigations and make public the identity of people who have not been charged. “As a result, the government proposes protections against the dissemination of discovery materials and the sensitive information that they contain,” special counsel Jack Smith said in the request. Lawyers for Trump and Nauta did not oppose the motion, according to Smith. The lawyers did not respond to requests for comment. While Reinhart said that he may authorize the disclosure of information to certain people, lawyers for the defendants must take steps before disclosing the information. Once a person is authorized to receive the information, the lawyers must give the person a copy of Monday’s order and the person must sign an agreement to not disseminate the materials he or she receives, Reinhart said. The lawyers must keep a copy of each signed agreement. “No disclosure is permitted to any individual or entity that has not signed such Agreement, except by further order of the Court. Potential witnesses and counsel for potential witnesses may be shown copies of the Discovery Materials as necessary to prepare the defense, but they may not retain copies without prior permission of the Court,” Reinhart wrote, adding that defendants must also not copy or reproduce the materials unless necessary to prepare for the trial. Reinhart also ordered the defendants not to retain copies of the materials, and said they cannot review the materials unless they’re “under the direct supervision of defense counsel or a member of defense counsel’s staff.” The defendants can take notes while reviewing the materials but even the notes have to be stored by lawyers, not the defendants themselves. Violations of the order may result in being held in contempt of court or other sanctions, the judge said. Trump was charged with 31 counts of violating the Espionage Act for keeping sensitive records as well as six other counts for crimes such as obstruction and making false statements. Prosecutors allege Trump illegally failed to turn over records to the government after he left office on Jan. 20, 2021, and that he tried obstructing the investigation into the failure. Trump returned some records but not all of them, authorities say. Trump is also accused of showing the documents to people who lacked security clearance, including a writer and publisher. Nauta, a top Trump aide, assisted the effort by moving boxes and at one point falsely told FBI agents that he did not know where the boxes had been stored, according to an indictment. Trump has said he is innocent. A lawyer for Nauta previously declined to comment on the charges. Trump is also facing felony charges in New York. In that case, the judge also ordered that Trump and his lawyers not disclose discovery materials before trial. Trump cannot provide such information to any third party or to “any news or social media platforms … without prior approval from the court,” the order from acting New York Supreme Court Justice Juan Merchan stated. That order was granted after a request from Alvin Bragg, the Manhattan District Attorney. Bragg’s office had argued in a court filing that Trump “has a longstanding and perhaps singular history of attacking witnesses, investigators, prosecutors, trial jurors, grand jurors, judges, and others involved in legal proceedings against him, putting those individuals and their families at considerable safety risk.” https://www.dailywire.com/news/pixars-elemental-with-non-binary-character-flops-at-box-office-with-2nd-worst-opening-in-studio-history?utm_campaign=news&utm_medium=social&utm_source=twitter&utm_content=dailywire_feed_6/19/2023-13:44:19_na Pixar’s ‘Elemental,’ With ‘Non-Binary’ Character, Flops At Box Office Pixar’s new animated kid’s film “Elemental” had one of the worst openings in studio history, bringing in just $29.5 million in domestic ticket sales at the weekend box office. The movie is Pixar’s first non-franchise theatrical release since the COVID pandemic that wasn’t released directly to streaming, per The New York Times. To put those numbers into context, Pixar’s worst-performing movie ever was the first movie it ever did, “Toy Story,” which brought in $29.1 million for the then-unheard-of studio in 1995. Pixar’s top performers include “The Incredibles 2,” which earned $182.7 million during its opening weekend, “Toy Story 4” ($120.9 million), “Finding Nemo” ($70.3 million), and “Up” ($68.1 million), per Forbes. “Elemental” features the four elements — earth, water, fire, and air. According to the IMDb description, “the film journeys alongside an unlikely pair, Ember and Wade, in a city where fire-, water-, land- and air-residents live together. The fiery young woman and the go-with-the-flow guy are about to discover something elemental: how much they actually have in common.” The film is directed by Peter Sohn, best known for “The Good Dinosaur” (2015). The new movie includes the studio’s first “non-binary” character, Lake, who is voiced by the “non-binary” star Kai Ava Hauser. “BIG ANNOUNCEMENT I got to play Pixar’s first non-binary character. Meet Lake,” Hauser posted on Twitter. The Times noted that the movie cost $200 million to make. “Hard to sugarcoat this,” David A. Gross, a film consultant who publishes a newsletter on box office numbers, said of the lackluster results. NYT writer Brooks Barnes also mentioned that industry insiders have been questioning the future of Pixar since the “Toy Story” spinoff, “Lightyear,” underperformed expectations last year. That film also included a highly publicized same-sex kiss. One of the studio’s worst performers was “Onward,” another animated children’s film prominently featuring a gay character. “Onward” earned $39.1 million on opening weekend in 2020. Now in world news… WATCH: Blinken in China Says, ‘We Do Not Support Taiwan Independence’-PLay Video https://freebeacon.com/latest-news/watch-blinken-in-china-says-we-do-not-support-taiwan-independence/ Blinken in China Says ‘We Do Not Support Taiwan Independence’ Secretary of State Antony Blinken said the United States does not "support Taiwan independence" during his trip to Beijing this week, clarifying U.S. policy toward Taiwan that President Joe Biden himself has been unclear on. Biden has made conflicting statements on U.S. policy toward Taiwan. He said in September 2022 that the United States would come to Taiwan's defense in the case of a Chinese invasion, drawing anger from China. He made a similar comment in 2021—in both cases the White House walked back the remarks. The comments on Blinken's trip come as tensions between the two countries continue to escalate. Dozens of war games carried out by the Pentagon have indicated the United States is unprepared for a "horrifically bloody" war with China. Meanwhile, the U.S. military has reported close encounters with Chinese ships and planes. Republican House speaker Kevin McCarthy (Calif.) met with Taiwanese president Tsai Ing-wen in April, refusing to bow to China's pressure to cancel the meeting in California. China said in the week before McCarthy and Tsai's meeting that it "firmly opposes and strongly condemns" Tsai’s visit, which it sees as an affront to its claims of control over the island nation. It promised "resolute and forceful measures to defend national sovereignty and territorial integrity." Another statement from China's foreign ministry called the meeting "U.S.-Taiwan collusion." After then-House speaker Nancy Pelosi (D., Calif.) visited Taiwan last August, China conducted its largest live-fire drills in decades and shot a missile over Taiwan. https://www.bbc.com/news/world-us-canada-65953872 Titanic tourist submersible goes missing with search under way A submersible craft used to take people to see the wreck of the Titanic has been missing in the Atlantic Ocean with its crew on board since Sunday, sparking a major search and rescue. Contact with the submersible was lost about one hour and 45 minutes into the vessel's dive, the US coast guard said. Tour firm OceanGate said it was exploring all options to get the crew back safely. Government agencies and deep sea firms are helping the rescue operation. OceanGate charges $250,000 (£195,612) a seat for expeditions to the Titanic, which lies some 3,800m (12,500ft) beneath the waves about 435 miles (700km) south of St John's, Newfoundland. The missing craft is believed to be OceanGate's Titan submersible, a truck-sized sub that holds five people and usually dives with a four-day emergency supply of oxygen. On Monday, Rear Adm John Mauger of the US Coast Guard told a news conference: "We anticipate there is somewhere between 70 and the full 96 hours available at this point." He also said that two aircrafts, a submarine and sonar buoys were involved in the search for the vessel but noted the area in which the search is taking place was "remote", making operations difficult. Rear Adm Mauger said the rescue teams were "taking this personally" and were doing everything they could to bring those on board "home safe". Hamish Harding, a 58-year-old British billionaire businessman and explorer, is among those on the missing submarine, his family said. On social media at the weekend, Mr Harding said he was "proud to finally announce" that he would be aboard the mission to the wreck of the Titanic - but added that due to the "worst winter in Newfoundland in 40 years, this mission is likely to be the first and only manned mission to the Titanic in 2023". He later wrote: "A weather window has just opened up and we are going to attempt a dive tomorrow." OceanGate said in a statement that its "entire focus is on the crewmembers in the submersible and their families". "We are deeply thankful for the extensive assistance we have received from several government agencies and deep sea companies in our efforts to re-establish contact with the submersible," it added. The company bills the eight-day trip on its carbon-fibre submersible as a "chance to step outside of everyday life and discover something truly extraordinary". According to its website, one expedition is ongoing and two more have been planned for June 2024. https://dailycaller.com/2023/06/18/bob-huggins-college-west-virginia-university-basketball-coach-resigns-dui-arrest/ Legendary West Virginia University Men’s Basketball Coach Bob Huggins Resigns After DUI Arrest West Virginia men’s basketball coach Bob Huggins resigned Saturday from his coaching position after a DUI arrest Friday. The West Virginia University head basketball coach said in a statement he will walk away from his post “effective immediately.” “I have let all of you – and myself – down. I am solely responsible for my conduct and sincerely apologize to the University community,” Huggins said. Huggins reportedly initially broke the news to his players during a team meeting Saturday, according to an ESPN report. The famous coach was arrested in Pittsburgh at approximately 8:30 p.m. Friday night after police came across a black SUV holding up traffic. The SUV was damaged with a “flat and shredded tire” and the driver’s side door was ajar, according to police, the outlet reported. Officers told Huggins to pull the vehicle to the side of the road, which was a challenge for the coach, alleged police. Police then grew suspicious the driver was intoxicated, prompting a sobriety test — which Huggins did not pass, according to ESPN. Huggins submitted to a breath test which allegedly determined his blood alcohol content was 0.21%, twice the legal limit in Pennsylvania, according to the outlet. Just six weeks ago Huggins found himself in hot water over an “anti-gay slur” during an interview for a Cincinnati radio station. This controversy caused the coach to get slapped with a $1,000,000 salary reduction as well as a three-game suspension, according to ESPN. Huggins is an alumni of West Virginia University, having once played on the team he coached since 2007. Last fall, he was inducted into the Naismith Memorial Basketball Hall of Fame, the outlet reported. During his tenure as head coach, Huggins led the Mountaineers to 11 NCAA tournament appearances as well as making it to the Final Four back in 2010, ESPN added.

This is Garrison Hardie with your CrossPolitic Daily News Brief for Tuesday, June 20th, 2023. CrossPolination Ad Did you guys know that you can sign up for a club membership, a magazine subscription, AND tickets to the Ark Encounter all in one place?! That’s some crosspollination right there! Fightlaughfeast.com is your one-stop-shop for everything CrossPolitic. Here’s what you should do. You should sign up for a club membership, then sign up for the Ark Encounter for a $100 discount off of your purchase, and then sign up for a magazine subscription. We’ve even got our own social media platform built into our website now for our club members… once you’re a club member, you’ll get access to exclusive content like a Bible Study series with Pastor Toby, a special series with New Saint Andrews President, Dr. ben Merkle, all of our back-stage content, and all of our conference talks, with more to come! There really hasn’t been a better time to be a CrossPolitic Club Member. Sign up today, at fightlaughfeast.com. That’s fightlaughfeast.com. https://www.breitbart.com/2nd-amendment/2023/06/18/at-least-21-shot-at-juneteenth-celebration-in-gun-controlled-illinois/ At Least 21 Shot at Juneteenth Celebration in Gun-Controlled Illinois At least 21 people were shot, one of them fatally, at a Juneteenth celebration in gun-controlled Illinois on Sunday morning around 12:30 a.m. CNN reported the shooting occurred “in a parking lot in Willowbrook, about 21 miles west of Chicago.” FOX 32 pointed out two of the wounded remain in critical condition. FOX News noted DuPage County Sheriff’s Deputy Chief Eric Swanson indicated that deputies patrolling the area near the parking lot heard the gunshots and responded. Swanson said, “The motive behind this incident is unclear and this is still an active investigation.” No information has been released on the number of shooters involved in the incident. Illinois has a red flag law, an “assault weapons” ban, a “high capacity” magazine ban, a 72-hour waiting period, and a gun owner licensing requirement via the Firearm Owners Identification (FOID) card system, among other controls. https://www.theepochtimes.com/judge-orders-trump-lawyers-not-to-share-evidence-ahead-of-trial_5341862.html?utm_source=partner&utm_campaign=BonginoReport Judge Orders Trump, Lawyers Not to Share Evidence Ahead of Trial President Donald Trump and his lawyers were ordered on June 19 not to share evidence in Trump’s criminal case with any people not involved in the case. Trump, co-defendant Waltine Nauta, and their attorneys must not disclose the discovery materials to the public or news media, or post it on any “news or social media platform,” without the consent of the U.S, government or approval of the court, U.S. Magistrate Judge Bruce Reinhart said in the order. Following Trump and Nauta being charged with multiple crimes, including concealing documents, government officials are preparing to hand over discovery materials to the defendants and their representatives. The materials will include depositions of testimony given by witnesses to the grand jury that approved the charges, as well as other evidence prosecutors plan to present at the trial in the case. The order from Reinhart, who was appointed by other judges and has criticized Trump on social media, comes in response to a request for such an order from prosecutors. The government said it was ready to provide unclassified materials to the defense, but that the disclosure of information could compromise ongoing investigations and make public the identity of people who have not been charged. “As a result, the government proposes protections against the dissemination of discovery materials and the sensitive information that they contain,” special counsel Jack Smith said in the request. Lawyers for Trump and Nauta did not oppose the motion, according to Smith. The lawyers did not respond to requests for comment. While Reinhart said that he may authorize the disclosure of information to certain people, lawyers for the defendants must take steps before disclosing the information. Once a person is authorized to receive the information, the lawyers must give the person a copy of Monday’s order and the person must sign an agreement to not disseminate the materials he or she receives, Reinhart said. The lawyers must keep a copy of each signed agreement. “No disclosure is permitted to any individual or entity that has not signed such Agreement, except by further order of the Court. Potential witnesses and counsel for potential witnesses may be shown copies of the Discovery Materials as necessary to prepare the defense, but they may not retain copies without prior permission of the Court,” Reinhart wrote, adding that defendants must also not copy or reproduce the materials unless necessary to prepare for the trial. Reinhart also ordered the defendants not to retain copies of the materials, and said they cannot review the materials unless they’re “under the direct supervision of defense counsel or a member of defense counsel’s staff.” The defendants can take notes while reviewing the materials but even the notes have to be stored by lawyers, not the defendants themselves. Violations of the order may result in being held in contempt of court or other sanctions, the judge said. Trump was charged with 31 counts of violating the Espionage Act for keeping sensitive records as well as six other counts for crimes such as obstruction and making false statements. Prosecutors allege Trump illegally failed to turn over records to the government after he left office on Jan. 20, 2021, and that he tried obstructing the investigation into the failure. Trump returned some records but not all of them, authorities say. Trump is also accused of showing the documents to people who lacked security clearance, including a writer and publisher. Nauta, a top Trump aide, assisted the effort by moving boxes and at one point falsely told FBI agents that he did not know where the boxes had been stored, according to an indictment. Trump has said he is innocent. A lawyer for Nauta previously declined to comment on the charges. Trump is also facing felony charges in New York. In that case, the judge also ordered that Trump and his lawyers not disclose discovery materials before trial. Trump cannot provide such information to any third party or to “any news or social media platforms … without prior approval from the court,” the order from acting New York Supreme Court Justice Juan Merchan stated. That order was granted after a request from Alvin Bragg, the Manhattan District Attorney. Bragg’s office had argued in a court filing that Trump “has a longstanding and perhaps singular history of attacking witnesses, investigators, prosecutors, trial jurors, grand jurors, judges, and others involved in legal proceedings against him, putting those individuals and their families at considerable safety risk.” https://www.dailywire.com/news/pixars-elemental-with-non-binary-character-flops-at-box-office-with-2nd-worst-opening-in-studio-history?utm_campaign=news&utm_medium=social&utm_source=twitter&utm_content=dailywire_feed_6/19/2023-13:44:19_na Pixar’s ‘Elemental,’ With ‘Non-Binary’ Character, Flops At Box Office Pixar’s new animated kid’s film “Elemental” had one of the worst openings in studio history, bringing in just $29.5 million in domestic ticket sales at the weekend box office. The movie is Pixar’s first non-franchise theatrical release since the COVID pandemic that wasn’t released directly to streaming, per The New York Times. To put those numbers into context, Pixar’s worst-performing movie ever was the first movie it ever did, “Toy Story,” which brought in $29.1 million for the then-unheard-of studio in 1995. Pixar’s top performers include “The Incredibles 2,” which earned $182.7 million during its opening weekend, “Toy Story 4” ($120.9 million), “Finding Nemo” ($70.3 million), and “Up” ($68.1 million), per Forbes. “Elemental” features the four elements — earth, water, fire, and air. According to the IMDb description, “the film journeys alongside an unlikely pair, Ember and Wade, in a city where fire-, water-, land- and air-residents live together. The fiery young woman and the go-with-the-flow guy are about to discover something elemental: how much they actually have in common.” The film is directed by Peter Sohn, best known for “The Good Dinosaur” (2015). The new movie includes the studio’s first “non-binary” character, Lake, who is voiced by the “non-binary” star Kai Ava Hauser. “BIG ANNOUNCEMENT I got to play Pixar’s first non-binary character. Meet Lake,” Hauser posted on Twitter. The Times noted that the movie cost $200 million to make. “Hard to sugarcoat this,” David A. Gross, a film consultant who publishes a newsletter on box office numbers, said of the lackluster results. NYT writer Brooks Barnes also mentioned that industry insiders have been questioning the future of Pixar since the “Toy Story” spinoff, “Lightyear,” underperformed expectations last year. That film also included a highly publicized same-sex kiss. One of the studio’s worst performers was “Onward,” another animated children’s film prominently featuring a gay character. “Onward” earned $39.1 million on opening weekend in 2020. Now in world news… WATCH: Blinken in China Says, ‘We Do Not Support Taiwan Independence’-PLay Video https://freebeacon.com/latest-news/watch-blinken-in-china-says-we-do-not-support-taiwan-independence/ Blinken in China Says ‘We Do Not Support Taiwan Independence’ Secretary of State Antony Blinken said the United States does not "support Taiwan independence" during his trip to Beijing this week, clarifying U.S. policy toward Taiwan that President Joe Biden himself has been unclear on. Biden has made conflicting statements on U.S. policy toward Taiwan. He said in September 2022 that the United States would come to Taiwan's defense in the case of a Chinese invasion, drawing anger from China. He made a similar comment in 2021—in both cases the White House walked back the remarks. The comments on Blinken's trip come as tensions between the two countries continue to escalate. Dozens of war games carried out by the Pentagon have indicated the United States is unprepared for a "horrifically bloody" war with China. Meanwhile, the U.S. military has reported close encounters with Chinese ships and planes. Republican House speaker Kevin McCarthy (Calif.) met with Taiwanese president Tsai Ing-wen in April, refusing to bow to China's pressure to cancel the meeting in California. China said in the week before McCarthy and Tsai's meeting that it "firmly opposes and strongly condemns" Tsai’s visit, which it sees as an affront to its claims of control over the island nation. It promised "resolute and forceful measures to defend national sovereignty and territorial integrity." Another statement from China's foreign ministry called the meeting "U.S.-Taiwan collusion." After then-House speaker Nancy Pelosi (D., Calif.) visited Taiwan last August, China conducted its largest live-fire drills in decades and shot a missile over Taiwan. https://www.bbc.com/news/world-us-canada-65953872 Titanic tourist submersible goes missing with search under way A submersible craft used to take people to see the wreck of the Titanic has been missing in the Atlantic Ocean with its crew on board since Sunday, sparking a major search and rescue. Contact with the submersible was lost about one hour and 45 minutes into the vessel's dive, the US coast guard said. Tour firm OceanGate said it was exploring all options to get the crew back safely. Government agencies and deep sea firms are helping the rescue operation. OceanGate charges $250,000 (£195,612) a seat for expeditions to the Titanic, which lies some 3,800m (12,500ft) beneath the waves about 435 miles (700km) south of St John's, Newfoundland. The missing craft is believed to be OceanGate's Titan submersible, a truck-sized sub that holds five people and usually dives with a four-day emergency supply of oxygen. On Monday, Rear Adm John Mauger of the US Coast Guard told a news conference: "We anticipate there is somewhere between 70 and the full 96 hours available at this point." He also said that two aircrafts, a submarine and sonar buoys were involved in the search for the vessel but noted the area in which the search is taking place was "remote", making operations difficult. Rear Adm Mauger said the rescue teams were "taking this personally" and were doing everything they could to bring those on board "home safe". Hamish Harding, a 58-year-old British billionaire businessman and explorer, is among those on the missing submarine, his family said. On social media at the weekend, Mr Harding said he was "proud to finally announce" that he would be aboard the mission to the wreck of the Titanic - but added that due to the "worst winter in Newfoundland in 40 years, this mission is likely to be the first and only manned mission to the Titanic in 2023". He later wrote: "A weather window has just opened up and we are going to attempt a dive tomorrow." OceanGate said in a statement that its "entire focus is on the crewmembers in the submersible and their families". "We are deeply thankful for the extensive assistance we have received from several government agencies and deep sea companies in our efforts to re-establish contact with the submersible," it added. The company bills the eight-day trip on its carbon-fibre submersible as a "chance to step outside of everyday life and discover something truly extraordinary". According to its website, one expedition is ongoing and two more have been planned for June 2024. https://dailycaller.com/2023/06/18/bob-huggins-college-west-virginia-university-basketball-coach-resigns-dui-arrest/ Legendary West Virginia University Men’s Basketball Coach Bob Huggins Resigns After DUI Arrest West Virginia men’s basketball coach Bob Huggins resigned Saturday from his coaching position after a DUI arrest Friday. The West Virginia University head basketball coach said in a statement he will walk away from his post “effective immediately.” “I have let all of you – and myself – down. I am solely responsible for my conduct and sincerely apologize to the University community,” Huggins said. Huggins reportedly initially broke the news to his players during a team meeting Saturday, according to an ESPN report. The famous coach was arrested in Pittsburgh at approximately 8:30 p.m. Friday night after police came across a black SUV holding up traffic. The SUV was damaged with a “flat and shredded tire” and the driver’s side door was ajar, according to police, the outlet reported. Officers told Huggins to pull the vehicle to the side of the road, which was a challenge for the coach, alleged police. Police then grew suspicious the driver was intoxicated, prompting a sobriety test — which Huggins did not pass, according to ESPN. Huggins submitted to a breath test which allegedly determined his blood alcohol content was 0.21%, twice the legal limit in Pennsylvania, according to the outlet. Just six weeks ago Huggins found himself in hot water over an “anti-gay slur” during an interview for a Cincinnati radio station. This controversy caused the coach to get slapped with a $1,000,000 salary reduction as well as a three-game suspension, according to ESPN. Huggins is an alumni of West Virginia University, having once played on the team he coached since 2007. Last fall, he was inducted into the Naismith Memorial Basketball Hall of Fame, the outlet reported. During his tenure as head coach, Huggins led the Mountaineers to 11 NCAA tournament appearances as well as making it to the Final Four back in 2010, ESPN added.

This is our Interview with Director PETER SOHN, from the upcoming Disney and Pixar's ELEMENTAL. We sat down with Peter to discuss how he and the team at Pixar poured so much of themselves into this film, as well as the groundbreaking technology used to make it, and his North Star and what he wants audiences to take away from the film.Disney & Pixar's Elemental is in theatres June 16th, 2023.Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord  HERE

What would happen if the meteor never hit? What are you watching? Jesse John Wick Chapter 4 Rip-Off (Book) Brandon The Machine (movie) The Righteous Gemstones Angel Du$t (never ending game) Check out the new BOBS Pod Spotify playlist - Songs that Don't Deserve to Bomb⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/theboxofficebombsquad/message Support this podcast: https://podcasters.spotify.com/pod/show/theboxofficebombsquad/support

The animator and voice actor Peter Sohn has spent more than 20 years bringing lovable, hilarious characters to life in Pixar movies like “Finding Nemo,” “Ratatouille” and “The Good Dinosaur.” Peter tells Tom about his new Pixar film, “Elemental,” how his parents' immigration experience inspired the story, and how he reflects on Pixar's evolution since he first started with the company back in 2000.

In this week's episode of the Black Girl Nerds podcast we drop a bonus episode to feature the animation team behind the upcoming film Elemental from Disney and Pixar Studios. Featured in the interviews are director Peter Sohn, producer Denise Ream as well as directing animators Gwendolyn Enderoğlu and Allison Rutland. Director Peter Sohn joined Pixar Animation Studios in September 2000 and has worked on Academy Award®-winning feature films including Finding Nemo, The Incredibles and “WALL•E.” Sohn made his directorial debut on the Pixar short "Partly Cloudy", before going on to direct his first feature The Good Dinosaur. He was also an executive producer on Luca, which debuted on Disney+ in June 2021. Denise Ream joined Pixar Animation Studios in October 2006 as the associate producer on the Academy Award®-winning feature film Up. Ream continued on to produce 2011's Cars 2, working alongside director John Lasseter, and Pixar's original November 2015 feature film, The Good Dinosaur, with director Peter Sohn. Currently, Ream is serving as the producer on Disney and Pixar's upcoming feature Elemental, again alongside Director Peter Sohn. Gwendolyn  Enderoğlu joined Pixar Animation Studios in July 2013. She has worked as an animator and character development artist on Inside Out, The Good Dinosaur, Coco, Onward and Luca. As a directing animator, Enderoğlu helps oversee the animation team. Along with the two other directing animators, Enderoğlu's role was to test and help develop the show's unique character rigs and animation style, as well as give notes, feedback and advice to the animators to help them execute the director's vision and elevate each shot in the film. Allison Rutland joined Pixar Animation Studios in April 2009. She worked as an animator on several Academy Award-winning feature films including Toy Story 3, Brave, Inside Out, and Coco. Rutland also served as the Directing Animator on Onward. Disney and Pixar's Elemental is an all-new, original feature film set in Element City, where fire, water, earth and air residents live together. The story introduces Ember, a tough, quick-witted and fiery young woman, whose friendship with a fun, sappy, go-with-the-flow guy named Wade challenges her beliefs about the world they live in and the person she wants to be. Elemental premieres in theaters nationwide June 16th. Host: Jamie  Edited by: Jamie Broadnax Music by: Sammus

Memorial Day weekend is often viewed as the start of the summer movie season, although several big movies are already in theaters or will be out before then, such as "Guardians of the Galaxy, Vol. 3" and "Fast X." We don't want to do a podcast that will eat up an entire day, so we've thinned the list down to six movies you'll want to put at the top of the list. That's not to say skip the others. No, there are a lot of great options still out there we didn't have time to cover.  But these six offer a little something for everyone depending on your interests. And we will be back with another pass at the best of the rest (along with a few we think might crash and burn) in two weeks with our episode leading into the long weekend. So get a big bucket of buttery popcorn and buckle in for the top six films to see this summer. Bruce Miller's recommendations: "Barbie" out July 21 "Elemental" out June 16 "The Flash" out June 16 "Indiana Jones and the Dial of Destiny" out June 30 "No Hard Feelings" out June 23 "Oppenheimer" out July 21 About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of streamed and screened and entertainment podcasts about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Wayne. Wait, I am sorry. Not, Bruce Wayne, I've got I've got that right out of the mind. I've got Batman on my mind numbing. Coming in a new film he is has. Oh, that's right. So I've got Bruce Miller, editor of the Sioux City Journal, and a long time entertainment reporter. But he is a superhero in my world. Oh, you're so sweet to say that. And that's because we're not in the same room. That's right. It is. And that's it. But, you know, the movie season is starting. This is it. We had Guardians of the Galaxy come out last week, and that, I think, is the the official kickoff of the summer movie season. Summer movies are huge. And this is when they make big money. And we didn't have summer blockbusters during the COVID years. It really took a toll. So I think this is the year we're going to see things back. Its its you kind of get back into the theaters, eat a lot of greasy popcorn and watch every kind of movie you could possibly pick up. Yeah, I mean, last year it was basically the summer of of Top Gun being the first real big blockbuster to make it back and do really, really well since since COVID started. And in preparation for this episode, I'm going through the list of movies and I'm thinking, there's no way we could even touch on all these or if we're going to do a 19 hour episode. So what we're going to do is you just wrote a column on basically six movies to really focus in on for the season. So let's we're going to dive into that and then we're going to do another episode next week and then the following week, which will be in advance of Memorial Day weekend, which is again, like that huge, huge weekend for seeing movies. We're going to hit like our other ones either to watch that or we think might be duds or just they're going to be just pure popcorn movies where, of course, they'll be terrible, but we will all go and see them because that's just what we're going to do this summer. So. Bruce, why don't you get us moving? I'm going to do it alphabetically if you're already picked. I'm fine with that. The one you must see if you've been seeing any of the. And you know, right now we're getting all of the trailers. So if you watch any movie in the theaters, Guardians of the Galaxy, I saw so many of the summer movies. I thought, Oh, my God, I got to see that. I got to see that. I got to see that. I got to see that. There were a lot of them. But the one that has drawn the most kind of curiosity is Barbie. Yeah. Is it like a spoof of Barbie? Is it a real story? Story of Barbie? Is it what? And it's got a lot of big names behind it. Greta Gerwig directed the thing and wrote it, and she has always been kind of a favorite in Hollywood. These smarter segment of the industry. And she has been able to corral a lot of people. You see Ryan Gosling and you see Margot Robbie in the ads for this, but they are the tip of the iceberg. I think this is going to be like the the musical. The Book of Mormon was back when that first premiered. And nobody knew what it was. They had no clue what their show was. It was called Book of Mormon. That's the same way with Barbie. You think it's going to be a film about just Barbie and Ken kind of playing around in her pink Ferrari? Is it a Ferrari or is it a Corvette or is it what is Barbie's car? I think it's changed over the years. My girls had a Barbie. It might have been a beetle, a Volkswagen Beetle. Really? It was changed. It was pink. Yeah. They got well, Barbie and can get kind of drummed out of Barbie land, and they have to try and make their way in the real world. So this is like, okay, let's see how this plays out. Will this land and are people making fun of Barbie and can or are Barbie and can too smart for the real. And there are multiple Barbies and cans so this is you see all those ones in me in the department store or the, you know, toy toy store. There are a lot of Barbies and a lot of cans. Interesting. Only if there's only one. Alan, by the way, little one. Alan. But I think Barbie is going to be a big, big, big film because the kids will like it and then their their parents will like the kind of snarkiness that comes with it. I wasn't sure on this movie, but then when I saw that Greta Gerwig was attached to it, I thought, Well, you know, this one might be one that I'm willing to sit through. Now, I'm not sure if my kids will want to see it because they're they're 12 and they're kind of at that point of maybe too old for Barbie, but maybe not. So we'll see if they want to go see it or not. But I think that Greta Gerwig, you got Ryan Gosling. It's an interesting enough concept. And if it's that alternate reality type thing, is it almost like the Smurfs or the Brady Bunch where they're living? It's it's that fakeness, but it kind of lives in the reality. It's like Whoville, you know, you're living the world. I think it'll be fun. I'm. I'm waiting to see it. I think it has a real kind of extra quality. And when you look at the people involved, it's not like all were taking a risk. I think they know what they're doing and they're releasing just enough information all along the way so that you are kind of eager for it. And that's not coming out till July. So we have a time between now and Denver to really become part cold, hot again, lukewarm and then who knows what will happen when it opens. But I still think it's going to open big. So, you know what else is kind of hot and cold and lukewarm, but coming out maybe a little bit earlier than that is elemental. Another one and this is Pixar's. It's like they're inside out where they want with emotions. This is elements, air, water, land. And when they're all characters and they interact and I think they're trying to teach you a larger lesson, I don't know that that always works for Pixar, though. I think sometimes they go a little too deep. Yeah, I'm not sure on this one. I love Pixar movies, so like, I love Toy Story, the whole franchise, and I love Monsters Inc, but some of their movies are a little bit of a miss for me, and I don't know where this one's going to fall, so I want to see it. But I also I'm like, You have to go. Yeah. Now I saw that Peterson was directing this one. He did The Good Dinosaur, which was another one of those Disney cartoon animated movies, which I didn't love when it came out. Like I, I went to it took the kids in. It was fine looking at how grass looked there, I wasn't I wasn't thrilled. But there's a sea change at Pixar, different, different management now. And so you'll see that there's a different maybe mindset, but what they have been doing in recent years is letting you know newcomers to the business get a swing. They'll put them in to a short subject. They get a chance to kind of tell a story that they want to tell. And maybe this is one of those those situations where we're going to see kind of a different viewpoint, a different voice. Otherwise, this summer is going to be thin for animated adventures. I mean, we've got the Teenage Mutant Ninja Turtles and then Spider-Verse, which I think will be big. But as far as Disney and Pixar, this is kind of be it again, like when they hit the Toy Story franchise, I ended up Finding Nemo franchise spectacular. But some of these others that are kind of the one offs, they don't necessarily you know, Coco was fine, but it was just it was fine. Like I didn't love it. I didn't hate it. It was fine. Soul was fine. The reason I love soul, but I don't think my kids loved it as much. But I'm originally from New York and there was a lot of New York, like inside New York references. And they were also poking fun at the New York Knicks multiple times to Lyles, which I love the Knicks, but they've been awful for the last decade or more than that, too. It's probably going closer to 30 years than than 20. Look how bad light year was. Yeah. You know, that's another one of those. And swing and miss and yeah I a we'll see what happens but I think it could tell them you know let's not go so much over the heads of the the audience. Look at how Mario is doing. It's like huge and that isn't exactly a master's thesis in anything. Right. So I think if you try too hard to educate and entertain or edgy teen as they like to say, you could miss, you could miss big, We need a cute little character that can be a stuffed animal. There always has to be one of those in every in any animated film. So elementals out June 16th, another one that's also coming out June 16th, which should be huge. The Flash. Yeah. And there's this one that, you know, they weren't going to release. They had this whole thing like, No, we're just going to bury it. It's going to be in the back and we're not doing anything about it. But then test audiences got to see it and they said, This is like the best superhero film we've ever seen. And Ezra miller, who plays The Flash, was in some, you know, trouble, and that was kind of the like, could we really have a superhero that has been arrested for something? And then we have to deal with all of that fallout. But I think they realized that there's so much riding on this, particularly for DC Comics, that they have to release it. What really is surprising about it, Bruce Wayne, is that Batman is in this film in a number of ways and we get to see old Batman, if you will, because he's able to travel through time. So I think it has success written all over it. If it was that good in test screenings, it's got to be great once they, you know, tighten everything up and get it ready for an audience. So I think is going to be huge. I agree. And it's one where I wasn't sure if I wanted to see it initially because, again, I'm not a huge, huge comic book movie person, but I've always enjoyed Batman movies and Superman movies to an extent. And then, you know, when you found out when we found out that Michael Keaton was going to be coming back in some way, we didn't know exactly how, but Michael Keaton was coming back. And to me, that's probably the best Batman movie of all time. Between that one and maybe the Christopher Nolan era, the Tim Burton. Christopher Nolan. Those two to me are just spectacular. So to see that trailer where Michael Keaton is back on the screen as Batman, I'm thinking myself, I got to go see this movie. Yeah, I think there's a lot there, too, to digest. And I think it will be the start of better days for the Warner Brothers series of superheroes. We've been overwhelmed with way too many Superman kind of takes bad Aquaman, bad Wonder Woman. I mean, there's a lot of kind of baggage there. And this could, you know, start a new trend. They've got big people. They've got big, big names that are in there. And yes, Ben Affleck is in it, too. So exactly. I think the flash will be one of, if not the biggest movie this summer. One of the biggest. Yeah. But it it is crucial for DC to land this one. They got to stick the landing on this because Marvel is just rolling over them right now in terms of universes. And James Gunn, the director of Guardians of the Galaxy, is moving over to DC ahead of their division. So we'll see what happens with that. That could be really a big sign of things because his latest is good. We're we're halfway through your list of six. The next one, this next one is the one I've just been dying for. And I'm I'm hoping it's not terrible because the last one in the franchise was not good. Indiana Jones and the Dial Destiny out June 30th. Yeah. And I you know there's a lot riding on it but George Lucas wrote it so if he's putting his hand back in and you've got Harrison Ford, you know, they're going to try and tell some kind of maybe an ending story, I don't know. But there is something that he wants to say with that, and I think that's what will help this. Phoebe Waller-Bridge, who is incredible and is a great writer in her own right, is in this. And she could easily have suggested a line or two that might really make it that kind of, you know, how Indiana Jones always had that kind of odd way of phrasing something or you think it's going in this direction and then he turns it in another direction. You, you know, there'll be snakes there. It has to be snakes, of course, But it's that whole kind of world of Nazis and all that stuff that during the forties people were like, Oh my God, what is this? And they would go to serials and I think it's going to be good. I think it will be good. And I think they will address the fact that Indiana Jones isn't 30 and running around right there. I think it'll be a good kind of, if you will, closure to the to the series. I agree. I've seen the trailers now and especially that full one where they gave you a little bit more the two minute one. And it looks like they're going to you know, it's more of a modern thing maybe in the sixties or early seventies, that kind of thing. And he's he's about to retire as a college professor, so he's older. But then it does the time jump and they've really gotten good at the De-Aging process. We've seen this now in the Star Wars movies where they're able to, you know, have the actors perform but use CGI to make them look like they did as as younger people. So I think it they'll probably be able to make Harrison Ford look like a younger Harrison Ford, sell it and really hopefully wrap up the series in a good way. Now, it sounds like this is it definitely for Harrison Ford because he's come out and it maybe even thrown a bucket of cold water on hopes from Disney that he might come back in some capacity for a TV series on Disney Plus. And it just sounds like he is he is done with Indiana Jones forever after this one is done. So let's hope that, you know, we can go out on a high note. That last movie was not good. It's and I've always loved the franchise. So I'm hoping that we can just kind of forget about that one. And maybe it's one of those things, too, where if you look at the series as a whole, Raiders of the Lost Ark was a great movie. Temple of Doom was kind of and it was fine, but it wasn't a high note. Last crusade. A lot of the the Indiana Jones fan site is back to where it should be. Maybe they kind of missed the mark on the last one. So maybe it's just one of those every other thing they could nail it and we'll go out on a high note. Fingers crossed I'll be there. So what do we have next, Bruce? Well, then we have you. This is going to be interesting. It's called No Hard Feeling. Okay. Are you good with that? Okay. And this is we haven't seen Jennifer Lawrence in quite a while, right? Right. Act now. And she's going to play this woman who is hired by a wealthy couple to kind of make their son, I don't want to say popular, but maybe not as nerdy just as they expected him to be. The son is played by Andrew Barr, Feldman and I, Andrew Barr Feldman is kind of a one of those success stories that that New York is able to promote. He was in, I think, called the Jimmy Awards. The Jimmy Awards are high school equivalent of like the Tony Awards. So if your kid he is a star of his high school musical, you know, Fiddler on the Roof, he's playing Fiddler in the show. And then they take those kids and they put them in a competition in New York City, and one wins the Jimmy Award, one male, one female, and then see what happens. Well, Andrew, Bart Feldman won the Jimmy Award and immediately they put him into Dear Evan Hansen. He did a year with that. He did. He was in High School Musical, The musical, the series he's had, like a lot of stuff, but he's still going to college too, at the same time. But they cast him in this, and I think this is good. He's also doing a thing with a ratatouille musical, but he you'll be introduced to him in a big way. And oddly enough, this is a lot like Ferris Bueller's Day Off. The dad in this movie is played by Matthew Broderick. So there is it I and you get a little sense of that, but I think that's going to be hugely funny and I think it's going to be one of those ones You go, okay, I'm up for it. I think this will work. You know, you mentioned Matthew Broderick and Ferris Bueller's Day Off, and of course, we did an episode in talking about my affinity for that kind of era of movies to begin with. But the concept of this reminds me a little bit of a movie from that era in 1987 Can't Buy Me Love, where a guess Patrick Dempsey plays kind of that nerdy kid who's a little bit awkward in high school and he's going to spend his lawn mowing money on a really expensive telescope. But he also, you know, he's got interest because he's he's a he's a young man and he's, you know, trying to impress the ladies. And Amanda Peterson plays a young woman who's need something. I think it was a dress. And he, instead of buying the telescope, helps her out. But under the agreement that she dates him and I can't remember, it's been so long since I've seen the movie, I can't remember every little piece of it, but it has a little bit of that kind of feel to it as well. Yeah, a little risky business. Yeah. So here's a little about the genre that was very popular in the eighties, I think is now they're looking for how do we bring this back? This would be great. And like I say, you watch Andrew Barr. Feldman remember, that name is going to be big because of it. And Jennifer Lawrence, I think she plays that kind of snarky comedy that she's really good at. And I think in this case, it'll work. It'll really work. So. And Matthew Broderick, no hard feelings. Look for that one this summer. All right. That one is out June 23rd. And then we have one more that we're going to talk about today. If I were to pick and I only got six, these are my six, but the other one is my first and only real Oscar bait. I mean, the others, if they got something, you'd see Barbie in costumes or you might see Indiana Jones in the special effects or the flash and special effects, but one that would be a best picture potential, maybe some best acting potential. Is Oppenheimer about J. Robert Oppenheimer, who was the the father of the atomic bomb. And it's it's done by Christopher Nolan. So you know that there's something more there. And I think it's not going to be just one of those kind of long dredges that you sit and watch. Oh, God. And now they're going to do what, from the the the trailers I've been able to see. It does look like it has a movement and it does have kind of some energy that I didn't think was going to be there. And the look is just spectacular. Jillian Murphy is the star of this and Kenneth Branagh is in it. I mean, you just go through the list and it's blue chip all the way. Robert Downey Jr. So he's not Iron Man in this one. Yeah. No. Yeah, this one sounds like a one that I definitely want to check out. Obviously, Christopher Nolan being attached to a huge directing name. It's a little bit of a departure from some of the things that he's done recent. Right. And then I think because it's specifically based on history, he is in kind of free floating with a lot of this depth. Some of those last ones were like, what in the heck is this? But I think this one, it'll hold up and you'll go, I think that guy's got an Oscar. Come on. Yeah. So that's that's definitely this is a real solid list. Bruce So we haven't touched on everything, though. I mean, there, there is. Think that's my first my first blush, if you will. Okay. By the time I get to the the next, give me a week or so and I can give you a little better picture because some of those ones I will have been able to have seen. But I think right now those are the ones that I intrigue you the most. They're the ones that you go, Yep, I think I've got to look at that and and there are ones that come on based X and it has to be on a list. Right. But that that's a no brainer. That is not even one that you would hesitate if you are fast and furious fan like I think you are too. I will be there. Yes I that those movies have just gone off the rails but I don't know. Yeah. The idea that they're going in space and they're going to do all these kind of oddball things and these were street writers, right? They were right. It is work. I almost have to go back to the first one and watch it just to try to figure out what wait, what was this originally about? Because it has gone so far in the other direction. And every movie, if we're adding in more people more and more characters like who? Wait, who? You're Jason Momoa, you're in it now. It's crazy. It's everybody that is kind of of a larger size, I guess comes into this as a villain at some point. Exactly. But it's also I mean, it's not just Jason Momoa, but Rita moreno is going to be in it. Well, Brie Larson, Charlize Theron. And then you have Helen Mirren has been in this thing we renewed. It is like a marvel franchise where you figure, I better have that on my resume or else I'm really sunk. All right. So we're going to come back and talk about Fast X mission Impossible Blue Beetle Art Boy, right? Yeah. This is just one. This is just part one. So we'll we'll be back in Little Mermaid. Oh, yeah. So many. We're going to come back in two weeks and kind of just touch on everything else that that we didn't include in this one. And then next week you've got a bit of an interview scheduled. Can you talk about what that's mean? Yes. There is a really, really big TV series that's starting this month called American Born Chinese. And if you do any kind of research on this, you'll discover that this was one of those make or break kind of things. Everything everywhere, all at once really cracked a barrier and brought a lot of Asian stories and Asian actors and whatnot into the business. Well, this actually was made before all of that happened. They started filming American Born Chinese. Well, that was Pop act. And when it did pop, interestingly enough, they are going to be a beneficiary because it has all the big stars at one Oscars or that movie in their series. So it's fascinating and it's a way of opening up a door to stories we haven't heard about. Now, there are characters in this that, you know, if I threw a party, you'd go, Really? I've never heard of that. The Monkey King. I don't know what you're talking about, but are very popular in Asian culture. And it's a way of trying to introduce an American audience to some of these characters with a very simple story of a boy trying to fit in in a high school. And we'll talk to the young actor who plays the boy and what he what he has to say about the big stars. So we'll talk about the show a little bit more. Fill you in on that next week, American born Chinese, and we'll have an interview for you as well. Thank you for listening to streamed and screened.See omnystudio.com/listener for privacy information.

Take 23: John Wick 4, Shazam! Fury of the Gods, & and The Jonathan Majors Scandal. 00:00- Open 02:12- Trailer Roundup 02:21- Big Shark 05:49- One Day as a Lion 07:47- You Hurt my Feelings 12:56- Biosphere 15:54- Praying for Armageddon 18:46- What We've been Watching 18:50- John Wick: 4 32:46- The Devil's Advocate 44:00- Pirates of the Caribbean: Curse of the Black Pearl 52:49- Grind 56:48- The Boston Strangler 1:01:21- The Good Dinosaur 1:04:33- Dinosaur 1:07:34- Howls Moving Castle 1:09:34 Shazam! Fury of the Gods 1:17:40- Shrinking 1:27:01- Yellowjackets 1:32:51- The News 1:32:58- Tommy Wiseau has a new film….Big Shark! 1:34:06- The Jonathan Majors Scandal 1:40:46- The Aristocats is getting the live action treatment 1:43:12- The “Scrubs” reunion film is “Inevitable” 1:46:02- Zachary Levi's Cringe TikTok about Shazam and John Wick 1:48:22- A Vertigo remake is coming 1:51:57- Jordan Peele's new movie is coming Christmas 2024 1:53:38- Ghosts of Tsushima director is promising a visual spectacle for the film adaptation. 1:55:39- Jon Hamm is set to star in the Mean Girls movie 1:56:34- Adam McKay's new film is loaded with talent 2:01:21- Close

Happy Magical Monday friends! This week we are talking about Pixar's the Good Dinosaur

Happy Magical Monday! This week we are talking about Tarzan

Episode 60 :The Shining with Lee Unkrich A few episodes ago, we spoke to Howard Berry, about a new book that has just been released, called Stanley Kubrick's The Shining. It was produced and written by Lee Unkrich and Johnathan Rinzler. Well now, we speak to Lee Unkrich himself about his new book, which was ten years in the making. Lee worked at Pixar Animation for 25 years in various departments. His films include; A Bug's Life, Cars, Monsters Inc., Finding Nemo, Wall-E, UP!, Brave, Monsters University, Inside Out, The Good Dinosaur and all four Toy Story films. Lee won Oscars AND Baftas for Best Animated Feature Film for his work directing Toy Story 3 and Coco, but it's Lee's love and fascination for Stanley Kubrick's The Shining that places him firmly in 'Kubrick's Universe'. Production Credits : Hosted by Stephen Rigg /  Written by Stephen Rigg and Jason Furlong / Original music written and performed by Jason Furlong / Produced and edited by Stephen Rigg. Music : Various We'll Meet Again by Jason Furlong Links : Please support us at : www.patreon.com/user?u=67509795 Kubrick's Universe Podcast (KUP) - Facebook Page : www.facebook.com/KubricksUniverse Kubrick's Universe Podcast (KUP) - Youtube Channel : https://www.youtube.com/channel/UCnGFwtfJ5IuGAGpbrKjMQ9g The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : www.youtube.com/c/TheStanleyKubrickAppreciationSociety1 The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact : stephenrigg.skas@gmail.com

We discuss the 'Bad' Pixar films which include THE GOOD DINOSAUR, MONSTERS UNIVERSITY and CARS 3. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's other podcast MICHAEL AND US (@michael-and-us)

Mousetalgia's Best Ear Ever No. 36: MouseCon; Disneyland Paris's crisis response from Nov. 23, 2022 Contact us at comments@mousetalgia.com. This week, Mousetalgia takes you behind the scenes at MouseCon 2015, the first annual Northern California Disney fan convention. We share some exclusive conversations with the special guests - Tommy Kirk on Walt Disney, Floyd Norman on WED and the origins of the Haunted Mansion, and C. Andrew Nelson on putting on the mask of Sith Lord Vader - plus we collect some thoughts from fans at the convention. Then, Dave and Becky report on Disneyland Paris, and offer their first-hand account of Disney's response to the recent terror crisis, and how the cast members and guests responded to the confusing, chaotic events. We also present part one of Mousetalgia's review of the Disneyland Paris resort by discussing the various hotels and lodging options available, and next week we'll follow up with a report on the attractions, dining, and holiday celebrations at the resort. Plus - a surprising Paris/Orlando/Anaheim price comparison, and a listener report from a preview screening of The Good Dinosaur on the Pixar campus.

Rumination Analysis on The Good Dinosaur

Peter Sohn is a filmmaker, animator, story artist and voice over. He's worked on Pixar films like Luca, The Incredibles, Wall-E, Up dating back to Finding Nemo. Sohn directed the film The Good Dinosaur and is directing the upcoming film Elemental. During his time at Pixar, Sohn has not only gotten to work creating films, but he's become a popular favorite for voicing characters. He played Emile in Ratatouille and Squishy in Monsters University. Most recently Sohn gave a scene stealing performance as Sox the robot comfort cat in the film Lightyear. Lightyear is now available in 4K Ultra HD, Blu-ray and DVD as well as for streaming on Disney Plus. Learn more about your ad choices. Visit megaphone.fm/adchoices

No. 31: The 2015 D23 Expo - a look back from August 30, 2015 Get in touch with us at comments@mousetalgia.com Note: See Jeff, Dave and Becky live at the D23 Expo this week on Saturday, Sept. 10 from 5:00 - 5:30 p.m. Come say hi and take home a classy plastic Mousetalgia pen! We'll be by the giant "A" on Katella, in front of the Anaheim Convention Center. Join Team Moustalgia on another in-depth look at the 2015 D23 Expo, including a closer look at the Walt Disney Archives exhibition and a few of the panels and presentations. First, we talk about "Disneyland: The Exhibit," an extensive display of memorabilia, props and ephermera from Disneyland's 60 year history. We also have exclusive commentary on the exhibit from Disney Legend Tony Baxter and Walt Disney Archives Director Becky Cline. Next, Dave and Kristen talk us through the "Magic Behind the Muppets" panel and the "Pixar and Walt Disney Animation Studios" presentation, featuring the upcoming slate of features including Gigantic, Moana, The Good Dinosaur, Toy Story 4 - and more. We also briefly discuss the "Walt Disney Parks and Resorts" presentation, and also visit "Safari So Go - 60 Years of the World Famous Jungle Cruise," "Disney in Concert: A Silly Symphony Celebration," and "It's Game Time: Disney Interactive Takes the Stage." 

Alex, Bridget and Philip discuss 2015's 'The Good Dinosaur' from Pixar Animation Studios. This film was the directorial debut of Peter Sohn, and the second Pixar film release of its year following 'Inside Out.' While it underperformed at the box office, it was a stunning technical achievement in combining Pixar stylization with hyper-realistic environments and physics simulations. The film is set in an alternate reality where humans and dinosaurs co-exist and possess similar intelligence. The dinosaur protagonist, Arlo, is the smallest member of his family and struggles to keep up with chores. He eventually gets separated from his father when the two of them attempt to track down a critter who has been stealing their food. Severely lost following a bad thunderstorm, Arlo finds the critter, a human boy, and the two attempt to make their way back to the dinosaurs' farm. Article via SlashFilm: https://www.slashfilm.com/540349/making-of-the-good-dinosaur/ Follow The ThawedCast: Conversations About Animation: twitter.com/thawedcast and instagram.com/thawedcast. instagram.com/ayeedeezy, instagram.com/elysiumskyy, instagram.com/bridget5246, instagram.com/philipehlke. Visit thawedcast.com

In this episode of Searching for McGuffin; George, Gabe, and Link take a look at Pixar films and the emotional terror they create. Pixar creates deep and emotional stories that everyone can relate to. They have a rich library of films that will take you from laughter to tears; and now its more accessible than ever on Disney Plus.. Forgive me as I sell out for the algorithm. Toy Story, A Bug's Life, Toy Story 2, Monsters, Inc., Finding Nemo, The Incredibles, Cars, Ratatouille, WALL-E, UP, Toy Story 3, Cars 2, Brave, Monsters University, Inside Out, The Good Dinosaur, Finding Dory, Cars 3, Coco, Incredibles 2, Toy Story 4, Onward, Soul, Luca, Turning Red, and Light Year. I'm sad I'll never find a love like Wall-E did. Also regarding what was said in the patreon content, my top 5 is NOT Lightyear, Onward, Cars 2, Brave, and The Good Dinosaur. The others I can accept as a joke, but do not disrespect me by putting The Good Dinosaur in my top 5. Greetings from New Zealand! - The Producer Make sure to check out our Patreon for all new bonus content! https://www.patreon.com/S4MPodcast Also, a friendly reminder that our merch store is live! https://www.teepublic.com/stores/s4mpodcast?ref_id=26424 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/s4mpodcast/support

In preparation for Lightyear, Arun and Patricia decide to bring PixMinis back where they look back on a Pixar short every day until July 12. In this episode, they discuss about the 2015 Pixar short Sanjay's Super Team which paired up with The Good Dinosaur. Sanjay is watching his favorite superhero show while his dad wants him to kneel and pray to the Hindu gods Vishnu, Durga, and Hanuman. When he accidentally fans the flames away from the candle, he imagines the smoke as the demon Ravana and the gods as superheroes. The short, while being nominated for an Annie and an Academy Award for Best Animated Short Film, has since been overlooked compared to other Pixar shorts. It hasn't helped that it was paired up with The Good Dinosaur, the lowest grossing Pixar film ever and one of the most disliked films of the lineup. Does the short follow the same or is it an overlooked gem? Listen and find out. --- Support this podcast: https://anchor.fm/old-school-lane/support

Arlo has a brave birthday celebration.

Welcome Domee Shi and Lindsey Collins to talk about first crushes, embarrassing teenage stories, complicated family dynamics, and of course their new Pixar film: Turning Red. More about Turning Red Young actress Rosalie Chiang lends her voice to Mei Lee, a 13-year-old who suddenly “poofs” into a giant red panda when she gets too excited (which is practically ALWAYS). Sandra Oh voices Mei Lee's protective, if not slightly overbearing mother, Ming, who is never far from her daughter—an unfortunate reality for the teenager. More about Domee Shi Domee began as a story intern at Pixar Animation Studios in June 2011, and was soon hired as a story artist on the Academy Award®–winning feature film “Inside Out.” Since then she has worked on the feature films “The Good Dinosaur,” “Incredibles 2” and the Academy Award–winning “Toy Story 4.” In 2015 she began pitching ideas for short films, and soon was green-lit to write and direct “Bao,” which won an Academy Award for best animated short film. In her role as a creative VP, Shi is involved in key creative decision-making at the studio and consults on films in both development and production. Shi was born in Chongqing, China, and resided in Toronto, Canada, for most of her life. She currently lives in Oakland, Calif., and notes that her love of animation is only rivaled by her love of cats. More about Lindsey Collins Lindsey joined Pixar Animation Studios in May 1997. She has since worked in various capacities on a number of Pixar's feature films. Collins' film credits include “A Bug's Life,” “Toy Story 2” and the Academy Award®–winning “Finding Nemo” and “Ratatouille.” Collins also provided the voice of the character Mia in Pixar's 2006 release “Cars.” Collins co-produced the Golden Globe®– and Oscar®-winning feature “WALL•E” with producer Jim Morris and director Andrew Stanton and was a producer on the Walt Disney Studios feature “John Carter of Mars.” You can watch the film streaming now on Disney+. Find us at www.werewatchingwhat.com Domee can be found at instagram.com/domeeshi THEDHK can be found at instagram.com/thedhk , twitter.com/thedhk, and facebook.com/thedhkmovies --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Welcome back to Season 2 and a special episode of the Asian Hustle Network Podcast! We are very excited to have Domee Shi on this week's show. We interview Asian entrepreneurs around the world to amplify their voices and empower Asians to pursue their dreams and goals. We believe that each person has a message and a unique story from their entrepreneurial journey that they can share with all of us. Check us out on Anchor, iTunes, Stitcher, Google Play Music, TuneIn, Spotify, and more. If you enjoyed this episode, please subscribe and leave us a positive 5-star review. This is our opportunity to use the voices of the Asian community and share these incredible stories with the world. We release a new episode every Wednesday and Saturday, so stay tuned! DOMEE SHI (Directed by/Story by/Screenplay by) began as a story intern at Pixar Animation Studios in June 2011, and was soon hired as a story artist on the Academy Award®-winning feature film “Inside Out.” Since then, she has worked on the feature films “The Good Dinosaur,” “Incredibles 2” and the Academy Award®-winning “Toy Story 4.” In 2015 she began pitching ideas for short films, and soon was greenlit to write and direct “Bao” which won the Academy Award® for best animated short film. In her role as a creative VP, Shi is involved in key creative decision-making at the studio and consults on films in both development and production. Shi graduated from the animation program at Sheridan College where she was fueled by her love of anime/manga, Disney, and Asian cinema influences that can be seen in her work to this day. Shi was born in Chongqing, China, and resided in Toronto, Canada most of her life. She currently lives in Oakland, Calif., and notes that her love of animation is only rivaled by her love of cats. TURNING RED is an endearing coming-of-age story that follows Mei Lee (voice of Rosalie Chiang), a confident, dorky 13-year-old torn between staying her mother's dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughter—an unfortunate reality for the teenager. And as if changes to her interests, relationships and body weren't enough, whenever she gets too excited (which is practically ALWAYS), she “poofs” into a giant red panda! To stay connected within the AHN community, please join our AHN directory: bit.ly/AHNDirectory --- Support this podcast: https://anchor.fm/asianhustlenetwork/support

We rank, review, and recap Pixar's 16th movie, The Good Dinosaur. Time Stamps - 00:00:00 - Start 00:23:50 - Plot 01:18:40 - Haiku in review