Podcasts about Computer animation

For this second archive episode, Chris and Alex revisit Episode 81 of the podcast that gave listeners a quickfire journey through Sub-Saharan African animation with Paula Callus, a Professor in the National Centre for Computer Animation at Bournemouth University and an expert in Sub-Saharan African animation. The films covered in this instalment were Moustapha Alassane's Bon Voyage Sim (1966), Ng'endo Mukii's Yellow Fever (2013), Iwa (2009) from Nigerian filmmaker, illustrator and art director Kenneth (Shofela) Coker, the British/Kenyan animated television series Tinga Tinga Tales (2010-2012), and the science-fiction allegory Pumzi (2009) from writer and director Wanuri Kahiu. Lots here on the cultural and historical specificity of fantasy storytelling, global animation practices, and the post-colonial legacies that guide how African animation has been culturally and critically understood. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

ABOUT THE EPISODE In this episode SIGGRAPH Spotlight, SIGGRAPH 2025 Computer Animation Festival Director Dawn Fidrick chats with Marina Antunes, Kalina Borkiewicz, Tim Cheung, John Kalaigian. These past, present, and future Computer Animation Festival directors reveal what reviewers and juries value in submissions, tease this year's exciting program, and provide a behind-the-scenes glimpse into computer animation at SIGGRAPH. Whether you're a veteran or a newcomer, this episode is packed with must-hear insights for submitting to the Computer Animation Festival or attending the show! MUSIC Podcast theme, "SIGGRAPH," composed by Julius Dobos. || LINKS *Episode* https://www.linkedin.com/in/marina-antunes-dias/ | https://www.linkedin.com/in/timc28/?originalSubdomain=hk | https://www.linkedin.com/in/dawnfidrick/?originalSubdomain=ca | https://www.linkedin.com/in/jkalaigian/ | https://www.oscars.org/oscars/rules-eligibility | https://asia.siggraph.org/2025/ | https://s2025.siggraph.org/program/computer-animation-festival/ *Social Media* http://blog.siggraph.org/ | https://www.facebook.com/SIGGRAPHConferences | https://twitter.com/siggraph | https://www.youtube.com/user/ACMSIGGRAPH | https://www.instagram.com/acmsiggraph/ | https://www.linkedin.com/company/acm-siggraph/ | https://www.linkedin.com/in/tmcgraw/ *Conference Website* https://s2025.siggraph.org/

Yes Chef! Michelle and Seth are heading to Paris for their first Pixar film, Ratatouille! They discuss the one food Seth has never tried and the part of this film that made Michelle tear up, and the part that made her sob. Also: Janeane Garofalo is doing an accent! Emile is a star! Pitching a Cyrano style sequel! Willingly eating rat food! All this and much more on today's episode of Movie Friends! WOW!  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

On this episode of Below the Radar, we're joined by Miwa Matreyek, an animator, designer, performer and Assistant Professor in Theatre Production and Design at SFU's School for the Contemporary Arts. Am and Miwa discuss how she got into making interdisciplinary artwork and some of her recent projects that combine animation and live performance. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/252-miwa-matreyek.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/252-miwa-matreyek.html Resources: Miwa Matreyek: https://miwamatreyek.com/ SFU Theatre Production and Design: https://www.sfu.ca/sca/programs/theatre-production---design.html Infinitely Yours: https://miwamatreyek.com/#/infinitelyyours/ Cloud Eye Control: https://www.latimes.com/entertainment/arts/la-et-cloud-eye13-2009oct13-story.html Bio: Miwa Matreyek is an animator, designer, and performer. Coming from a background in animation, Matreyek creates live, interdisciplinary performances that integrate projected animations at the intersection of cinematic and theatrical, fantastical and physical, and the hand-made and digital. Her work exists in a dreamlike visual space that makes invisible worlds visible, often weaving surreal and poetic narratives of conflict between humanity and nature as embodied performed experiences. She has presented her work internationally, including animation/film festivals, theater/performance festivals, art museums, science museums, tech conferences, and universities. A few past presenters include TED, MOMA, SFMOMA, New Frontier at Sundance Film Festival, PUSH festival, Lincoln Center, Walker Art Center, and many more. Her newest solo piece, Infinitely Yours, was awarded the grand prize for Prix Arts Electronica's Computer Animation category. She is a 2013 Creative Capital award recipient. She is the co-founder and core collaborator of Cloud Eye Control. Cite this episode: Chicago Style Johal, Am. “Infinitely Yours — with Miwa Matreyek.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, October 1, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/252-miwa-matreyek.html.

Bruno Pedroza é Chief Executive Engineer Officer e um dos sócios da produtora Broders, além de membro fundador da Associação Brasileira de X-Reality (XRBR). Já trabalhou em projetos de VR para Ford, Chevrolet, Iveco, Mercedez-Benz, Netflix, Skol, 99, Twitter, entre outras, vários deles premiados e reconhecidos internacionalmente. Já palestrou sobre a temática de mídias imersivas e realidade virtual em diversos eventos e festivais, como Rio2C, PathFestival, Clube de Criação, Hype VR e Digital House. Formadol com honras em Computer Animation pela Full Sail University e Administrador de Empresas pela UFG.   Broders: https://broders.com.br/ Bruno no LinkedIn: https://www.linkedin.com/in/brunopedroza/

In der Pforzheimer Ausstellung „Der Raum des Unbehagens“ steht eines der bekanntesten Möbel der Zeitgeschichte: Der überlange Tisch, an dem Putin Staatsgäste empfängt, nachgebaut von Julian Kirschler im Maßstab 1:3. Zur Installation gehört eine Computeranimation, die zeigt, wie der Tisch explodiert.

Two years before William Gibson's novel Neuromancer coined the term “cyberspace” the Disney corporation unleashed a bold and daring vision of anthropomorphic distributed computing gone wild. Featuring a young and wildly talented Jeff Bridges, and more dance belts and BMX armor than you can shake a data disc at, Steven Lisberger's ground-breaking proto-CGI extravaganza, Tron,  is a bizarre and beautiful vision of a future that never came to pass! Join Javi, Paul, and -  needless to say - Producer Dumont as they get digitized into the gaming grid to marvel at Syd Mead's generation-defining production design, do battle with the nefarious Master Control Program, and struggle to make sense of the movie's plot!

And Down the stretch we come for Season 6...Presenting the first of Three shows from one of the most formative years of my life. "The Wrecks of '98" begins with a simple question...did the world REALLY Need a poorly computerized Ed Sullivan to introduce novelty acts, or was this just a case of Digital Grave Robbing? SPONSORED BY Dave's archives Retrocirq Kier's Nostalgia Corner And our Patrons

Diesmal geht es um Old Dads, politische Korrektheit, überflüssige Liebesgeschichten, Kammerspiele, Computeranimation in Kinofilmen, die Geschichte um WarDogs, Mann Stop Wirkung, Fahrradfahren, Asis, Young Sheldon und konstruktive Kritik. Bald ist es wieder so weit! Es ist 2024 und AAA Live steht vor der Tür: 05.03.24 Frankfurt 08.03.24 Berlin Karten gibt es ab sofort bei [Eventim!](https://www.eventim.de/eventseries/bastian-bielendorfer-reinhard-remfort-alliteration-am-arsch-aaa-podcast-3447644/) Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/AlliterationAmArsch

Merry Christmas, Barbie! Travel back in time with us to an era before Barbenheimer and well before computer animation could truly render human expression successfully. The person most confused by the film this week was: Marzipan when the animators made her snack on fucken dirt.See omnystudio.com/listener for privacy information.

Der Disney Konzern gehört zur amerikanischen Kultur wie Hamburger und Coca-Cola. Micky Maus und Co. sind Exportschlager; Disneyparks gibt es auf der ganzen Welt. Der Medienkonzern ist groß, mächtig, beliebt, aber auch umstritten. Schließlich hat uns Disney mit einer ganz eigenen Ästhetik versorgt, hat Märchen verändert, vielleicht sogar unser Verständnis von Romantik und Liebe? In 100 Jahren hat sich Disney dem Wandel stellen müssen: vom gezeichneten Trickfilm zur Computeranimation. Und gerade jetzt muss der Konzern vor allem finanziell kämpfen und sich fragen, wie er die nächsten Jahre überstehen kann. Die Streaming-Revolution hinterlässt auch bei Micky Maus ihre Spuren.

*The poooooood* Fly to infinity (and beyond!) for confrontational cowboys, peeved-off potatoes, distressed dinos, stumped space rangers, awestruck aliens, and kreative kids. The person most confused by the movie this week was: the crane with the legs of a woman?See omnystudio.com/listener for privacy information.

Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry. In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible. Tom Sito has been a professional animator since 1975. One of the key players in Disney's animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry. In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible. Tom Sito has been a professional animator since 1975. One of the key players in Disney's animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry. In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible. Tom Sito has been a professional animator since 1975. One of the key players in Disney's animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry. In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible. Tom Sito has been a professional animator since 1975. One of the key players in Disney's animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry. In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible. Tom Sito has been a professional animator since 1975. One of the key players in Disney's animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry. In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible. Tom Sito has been a professional animator since 1975. One of the key players in Disney's animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry. In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible. Tom Sito has been a professional animator since 1975. One of the key players in Disney's animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Heute reden wir über einen CIA-Whistleblower und das Rätsel mit den Aliens, darüber wie & ob man ihre Existenz beweisen könnte, über unseren Masterplan wie wir einen Freund hinters Licht führen könnten & über krasse Getränke.. enjoy

Tom Sito is a master animator and a walking encyclopedia of animation—not only for his credentials, which range from Who Framed Roger Rabbit to Scooby-Doo—but for seeking out pioneers and masters of the art form and telling their stories. He's a teacher, a scholar, a union leader, an author and also a terrific guy who used to drop in to Leonard's animation class at the New School for Social Research in NYC back in the 1970s! Jessie marvels at the longevity of their friendship, which shows no sign of ceasing anytime soon. Tom's books include Drawing the Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson, Moving Innovation, A history of Computer Animation, and Eat, Drink, Animate: An Animator's Cookbook.

Welcome back to the Digital Doha Podcast, our Qatar-based interview series exploring the cutting-edge of emerging media happening in Doha and the greater Middle East. Hosted by Spencer Striker, PhD Digital Media Professor at Northwestern Qatar, and creator of the award-winning History Adventures digital learning series. For the sixth episode, we are excited to bring you exclusive coverage of SIGGRAPH Asia 2022, the world's leading conference on computer graphics and interactive media, which took place in Daegu, South Korea, December 6-9. Celebrating the theme ‘Colorful World', the finest minds redefining the future of cutting-edge technologies gathered to inspire an audience of thousands from around the world. Today's guest, Dan Sarto, is Program Chair of SIGGRAPH Asia's Computer Animation Festival. From short films to scientific visualizations to AI-enhanced deepfakes, this year's festival showcased an expansive and compelling program, including entertaining and thought-provoking world-class CG animation. Dan Sarto is a world-renowned expert on computer animation and founder of the Animation World Network - AWN.com - one of the largest, most respected sources for animation news on the Internet. Now in his 21st year, Dan and AWN have stayed true to their passion to provide a cohesive assembly of the best animation, visual effects and related resources that exist today, in an interactive and enjoyable environment. We hope you enjoy our special event coverage of SIGGRAPH Asia 2022, and our conversation with Dan Sarto, Computer Animation Chair, and one of the world's leading authorities on the cutting edge of emerging media techniques in computer animation. Hosted by: Spencer Striker, PhD Special Guest: Dan Sarto NU-Q Research & Production Assistants: Shaikha Alkubaisi; Ayah Mohamedain; Samson Mbogo; Laiba Mubashar; Xingyu Qin; Tasmia Belal. Emerging Media Research Team: Venus Jin, PhD; Greg Bergida, PhD; John Pavlik, PhD, Justin Gengler, PhD; Farina Amir; and Christopher Fwalanga Artwork: Fernanda Jimenez Music and Sound Effects: Courtesy of Epidemic Music Official links for SIGGRAPH Asia 2022 & Special Guest, Dan Sarto https://sa2022.siggraph.org/en/ https://youtu.be/GcwMaL5RXPw (Dr. Striker's favorite film of the festival: Crush On by SHU-YU CHU) https://sa2022.siggraph.org/en/full-program/?filter1=sstype106&date=all (Computer Animation, Full Program) https://www.awn.com/users/dan-sarto (Dan Sarto | Animation World Network) Official website and social media links for the Digital Doha Podcast https://www.qatarpodcasts.com/digital-doha https://www.facebook.com/DigitalDoha https://www.instagram.com/digitaldoha https://twitter.com/doha_digital The Digital Doha Podcast is supported by funding from the Qatar National Research Foundation, Grant ID #: NPRP12S-0227-190165

What is the uncanny valley? What causes that feeling of uneasiness we get when we see certain robots or CGI characters? What makes them creepy?See omnystudio.com/listener for privacy information.

Travel back in time with us as we break down Dinosaur, Disney's only prehistoric adventure, which combined incredible technological advances with an excellent score and still somehow ended up lackluster. Don't miss: The strong visual elements of the film that unfortunately couldn't save its story How the character development absolutely tanks this film's score A discussion of the sheer power of James Newton Howard's score in this film Our final score, which mirrors the beginning of the Digital Age PLUS, we talk through all the thoughts our audience had when they watched the movie, including some of our good friends on Twitter who love this movie despite its flaws.    Links for you: Our website has our ranking spreadsheet for all the movies we've rated so far Become a Ko-fi member for exclusive content and access to your hosts and our team Join our ‘Ohana to be among the first to know about new content we're developing Follow us on Twitter @definingdisney and let us know your thoughts on Dinosaur When our transcription is available, we'll link it here Don't forget to SUBSCRIBE so you don't miss a single episode, and if you enjoyed this one, please leave us a rating and review. Thanks for listening and we'll see ya real soon!  

We've got more entertainment this week than a drunk dude driving around Walmart in a scooter AND we even have a drunk guy driving around Walmart in a scooter. But beyond that we discuss the trailer for Spirit Halloween, the deaths of several celebrities including Star Trek's Nichelle Nichols.  Our topics include the Lincoln Lawyer (show), DC's League of Superpets, Jordan Peele's Nope and our usual hijinks. The question of the week is "what are the best closing arguments in film and TV?" The Give Me Five Podcast is on Patreon. For just $5 you could join the fun in our patron only chat, and get early warning of our movie of the week and our top 5 list. There are other benefits too, so check it out here:  https://www.patreon.com/Givemefivepodcast   Remember if you use our link (https://amzn.to/2KxR8OU) we get a little bit of money towards server costs at no extra cost to you. So go ahead and buy that Nicholas Cage Mermaid Pillow you definitely need.   Check out our website at givemefivepodcast.com We have a store! Check out our shirts, mugs, bags and phone cases here: Buy cool crap! We record using Squadcast. Squadcast is an easy to use, stable recording environment that allows you, your cohosts and any guests the ability to record out of the comfort of your own home. Just click the link and start talking with absolutely no lag. You can try it out using our link and it will help us out immensely. https://squadcast.fm/?ref=givemefive And you can always reach us at givemefivepodcast@gmail.com or at our Facebook Page : https://www.facebook.com/givemefivepodcast/  Opening Theme Opening theme: GLOW by DJ Ten (feat LeBrock and ULTRABOSS )

Episode 101 confronts the animated representation of disease and illness via Warner Brothers' 2001 cel-animated/live-action hybrid Osmosis Jones (Peter Farrelly & Bobby Farrelly, 2001), which tells the story of a white blood cell policeman who joins together with a cold pill to stop a deadly virus from destroying their human host. Joining Chris and Alex to talk about the film's imaginative depictions of a body's internal workings is Osmosis Jones' animation director Tom Sito, a veteran of the Hollywood animation industry who has worked on numerous animated fantasy films at the Walt Disney, DreamWorks, and Warner Brothers studios, from Who Framed Roger Rabbit (1988) and The Lion King (1994) to Shrek (2001) and Looney Tunes: Back in Action (2003). Tom is currently Professor of Cinematic Arts at the University of Southern California, and author of the books Drawing the Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson (2006), Moving Innovation, A History of Computer Animation (2013), and, more recently, Eat, Drink, Animate: An Animator's Cookbook (2019) containing the food recipes of famous animators such as Walt Disney and Chuck Jones. Listen as they discuss the production of the animated sequences for Osmosis Jones and the industrial and aesthetic stakes of hybridity; celebrity voice acting, “audio discipline,” and how the film's casting practices feed into its bi-racial buddy cop narrative; the creative representation of human biology as a bustling and hyper-modern urban space; the affordances of animation for shifting scales and fantastical perspectives; and how Osmosis Jones reveals the medium's metaphorical abilities in allowing spectators to grasp the often intangible shape of things. **Fantasy/Animation theme tune composed by Francisca Araujo**

ABOUT: Shay is an Author, Life Coach, and Animator at Walt Disney Animation Studios. She earned her Bachelor's degree in Computer Animation at Full Sail University and has been working, professionally, in the film, television and game industry for over 12 years. In the animation industry, Shay is known for her intangible acting skills which relate to her lifetime obsession with human behavior and psychology. STAY CONNECTED: Instagram: @shaystone.s __________________ Thank you again for joining us today! If you know anybody that would benefit from this episode please share it with them and help spread the knowledge and motivation. Don't forget to show your support for the Rise Up For You Podcast by writing a review on iTunes. Your feedback helps the success of our show and pushes us to continuously be better! Check out www.riseupforyou.com for more podcast episodes, webinars, events, and more to help you get to the next level in your personal and professional life! You can also follow us on Facebook, Instagram, LinkedIn, and Youtube @riseupforyou Looking for more support? Grab your free coaching call with our team completely FREE! Bring your questions about Confidence, Leadership or Business and we will assign you the best coach to provide customizable support. SCHEDULE YOUR FREE CALL HERE calendly.com/riseupforyou/coaching

This week, Misha and Tyler check out the baffling film Meet the Robinsons from 2007.Check out our website! www.muchabuaboutnothing.comGet in touch! muchabuaboutnothing@gmail.comFollow us! @muchabupod on Instagram and TwitterCover Art by Misha. Theme Music: "The Devil's Defiance" by Ritchie Everett. www.epidemicsound.com

Who you callin' a small fry?Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

Katie-Vision, Malfunctoning Robots, and Olivia Colman as the voice of a malicious AI. This joyful animated film has a high joke ratio and a smart approach to representing queerness. Doug the Pug for Best Supporting Player.Theme Music "A Movie I'd Like to See" by Al Harley. Show Art: Cecily Brown Follow the Show @freshmoviepod YouTube Channel abreathoffreshmovie@gmail.com

Ahh paradise...Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

Carl has definitely killed before...Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

Two best friends who share a mutual traumatic experience...awwwFollow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

We are back with Dug and his very special mission!!Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

Psychologist Skip Rizzo conducts research on the design, development and evaluation of virtual reality (VR) systems targeting the areas of clinical assessment, treatment rehabilitation and resilience. This work spans the domains of psychological, cognitive and motor functioning in both healthy and clinical populations. Rizzo, whose work using virtual reality-based exposure therapy to treat PTSD received the American Psychological Association's 2010 Award for Outstanding Contributions to the Treatment of Trauma, is the associate director for medical virtual reality at the USC Institute for Creative Technologies. He also holds research professor appointments with the USC Department of Psychiatry and Behavioral Sciences and at the USC Davis School of Gerontology. Rizzo is working with a team that is creating artificially intelligent virtual patients that clinicians can use to practice skills required for challenging clinical interviews and diagnostic assessments. His cognitive work has addressed the use of VR applications to test and train attention, memory, visuospatial abilities and executive function. In the motor domain, he has developed VR game systems to address physical rehabilitation post stroke and traumatic brain injury and for prosthetic use training. He is currently designing VR scenarios to address social and vocational interaction in persons with autistic spectrum disorder. Rizzo is currently examining the use of VR applications for training emotional coping skills with the aim of preparing service members for the stresses of combat. He is senior editor of the MIT Press journal, Presence: Teleoperators and Virtual Environments. He also sits on a number of editorial boards for journals in the areas of cognition and computer technology (Cognitive Technology; Journal of Computer Animation and Virtual Worlds; Media Psychology) and is the creator of the Virtual Reality Mental Health Email Listserve (VRPSYCH).

She's a top-notch Animator at Walt Disney Animation Studios. She's a life coach. She's an author. Any one of those would be career enough, but my guest today does them all and does them exceptionally well! Her fascination with human behavior and psychology is a key strength that she utilizes in her animation work as well as in her coaching and writing, and I'm thrilled that she's bringing her wisdom and experience to you. In today's episode, Shay Stone talks about: How her journey to become an animator started when she was 7 Her experience at the highly competitive Full Sail University and how she learned more about herself through it Why it's important to utilize one's own weaknesses Why she focuses on “perception” over “mindset” Passion and purpose Her desire to bring insight and liberation to those who feel powerless Listening to and understanding your intuition How her experience as an animator makes her a better coach Her new book, Be Better Than You About Shay Stone: Shay is an Author, Life Coach, and Animator at Walt Disney Animation Studios. She earned her Bachelor's degree in Computer Animation at Full Sail University and has been working, professionally, in the film, television and game industry for over 11 years. In the animation industry, Shay is known for her intangible acting skills which relate to her lifetime obsession with human behavior and psychology.  To learn more about and follow Shay, and to get her new book… https://www.bebetterthanyou.com/ https://www.instagram.com/shaystone.s/ We're changing the world one woman at a time. Go to Apple Podcasts and leave a 5-star review and subscribe so you never miss an episode!

Podcasting isn't hard when you have the right partners, and the team at Buzzsprout is passionate about helping you succeed. Join over a hundred thousand podcasters already using Buzzsprout. Following the link in the show notes let's Buzzsprout know we sent you, gets you a $20 Amazon gift card if you sign up for a paid plan, and helps support our show. Click the link below to get started for FREE.https://www.buzzsprout.com/?referrer_id=399292Today I'm joined by 3D Animator Oscar Torres. Oscar has a degree in Computer Animation, with over 7 years of technical and artistic experience as a 3D modeler for Animation, Game design, Gobile app creation and Gd printing. He has a strong grasp on  various tools Maya, MudBox, SpaceClaim ,  Zbrush, and Photoshop. Oscar has worked on various arenas in the 3d realm. From mobile asset creation for ios and Android. To creating of assets for fabrication and manufacturing. He's also very capable of creating 3D objects for  3d printing as well. He has recently had an opportunity to work with Augmented Reality experiences.Here's what listeners can learn:- How To Get Started With 3D Animation- Types Of 3D Printing- Resources For Learning Online- 3D Fabrication IdeasGuest: Oscar Torres - Instagram (@creaturefactory54)Website: https://oscartorres9.wixsite.com/oscartorres-3dYouTube: https://www.youtube.com/user/OscarTorresWork/videosPodcast: Hardwood Rod Podcast (@hardwoodrod)Host: Rodrigo Roque IV (@rodrigo.filmmaker) My Website: RodrigoRoque4.comSubscribe and Share on all platforms.  Follow us on Instagram & Facebook @hardwoodrodInterested in Sponsoring or being on the Podcast? Contact us at info@relionmedia.comCheck out the new merch!www.HardwoodRod.comBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.buymeacoffee.com/hardwoodrod)

Oh, so Mater went to the moon...yeah right!Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

Wall-E is the ultimate simp!!Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

Poor poor Burn-E...Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

Remember guys...do not get caught neuken in de keuken.Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw

We raided Area 51 for this...Follow our social media!Instagram: https://www.instagram.com/luxoscorner/Twitter: https://twitter.com/luxoscornerFacebook: https://www.facebook.com/luxoscorner/Instagram, Twitter, and Facebook @luxoscornerFind something interesting? Email us at luxoscorner@gmail.comTrey's Social MediaInstagram: https://www.instagram.com/treymadera1992/Brianna's Social MediaInstagram: https://www.instagram.com/beewalker2000/Twitter:  https://twitter.com/beewalker2000Youtube: https://www.youtube.com/channel/UCSrTEnu_qfjgwG-O9btzPVw 

Act One Podcast - Episode 23 - Interview with Filmmaker, Kirby Atkins.Kirby Atkins has written feature film scripts for Robert De Niro, MIRAMAX, and 20th CENTURY FOX. He has worked with some of the most recognizable names in cinema across animation and visual effects such as Sony Animation, Weta Digital, and Steven Spielberg. His short film "Mutt" won BEST ANIMATED SHORT at the HOLLYWOOD FILM FESTIVAL and he has directed the TV show "The Adventures of Jimmy Neutron, Boy Genius" for NICKELODEON. In 2019 Kirby wrote and directed the first New Zealand/China Film Group co-production of MOSLEY which was nominated for “Best Animated Feature Film” at the 2019 Asia Pacific Screen Awards, The Burbank International Film Festival, The Festival of Cinema, NYC, and the 2020 Ottawa International Animation Festival.  MOSLEY won the Golden Dolphin Award for Best Animated Feature Film at China's 13th Xiamen International Animation Festival. The film will be released worldwide 2021. Kirby wrote the screenplay and plays the title role, starring with the all Kiwi cast of John Rhys-Davies (LOTR), Lucy Lawless (Xena, Warrior Princess), Rhys Darby (Flight of the Conchords), and Termuera Morrison (Star Wars).The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show (https://actoneprogram.com/donate/)

If you're an artist, sometimes looking back on your earliest work can be – well – somewhat embarrassing. But as Edinboro University professor Karabo Legwaila explains in today's episode of “Tartan Talks,” that's one of the best ways to improve as an artist. Karabo Legwaila joined the Art Department in the fall of 2016 as a professor of Computer Animation. Prior to that, he spent 10 years as a lead technical animator and dynamics specialist. Originally from Botswana, Karabo received his Master of Fine Arts degree in Computer Animation at the Rochester Institute of Technology. He discusses what it's like seeing your work in front of millions of people and how the field of animation has come a long way with inclusive culture. Hear the entire episode at www.edinboro.edu/tartantalks or wherever you listen to podcasts.

Last week of history for at least a little while!! This time we delve into computer animation! Learn the bizarre path alongside Will and Aedric as they take you through to the modern day of commercial computer animation. No I did not put anything in here for the intro joke Theme music: Miles Morkri Original art: Bernadette Meeker Edit: Miles Morkri

One more week of history - this time we delve into computer animation! Learn the bizarre path alongside Will and Aedric as they take you through to the beginnings of commercial computer animation. Theme music: Miles Morkri Original art: Bernadette Meeker Intro Music: How it Begins by Kevin MacLeod Link: https://filmmusic.io/song/3887-how-it-begins License: https://filmmusic.io/standard-license

In this episode, Emmerance has a special guest, Shay Stone, who shares how you can be better than you. There are times in our lives where we need to stop asking and start finding. Finding answers within ourselves only occurs when we know who we are, not the superficial stuff nor labels, but who we really are. In this episode, Shay shares exactly how you can do just that. Shay is an Author, Life Coach and Animator at Walt Disney Animation Studios. She earned her Bachelor's degree in Computer Animation at Full Sail University and worked professionally in the film, television, and game industry for over 11 years. She's worked on popular features like Hotel Transylvania III, Smurfs: The Lost Village, The Emoji Movie, The Last of Us, and The Sims 4, to name a few. Shay is known for her intangible acting skills in the animation industry, which relate to her lifetime obsession with human behaviour and psychology. Key Discussion points from this episode include: Why did Shay write Be Better Than You? 2:39How to believe that you can achieve anything in life? 6:03Where does be better than you come from? 11:42A technique to learn about human behaviour. 16:00Why it's important to know who you are? 20:18Self-reflection exercise. 27:35It's okay to cut family ties. 37:24The difference between misconception of you and bias (favouritism). 46:32When did you realize that it was time to put yourself first? 49:45LINKS:Follow Shay Stone on Instagram : https://www.instagram.com/shaystone.s/?hl=enPurchase Shay's Be Better Than You bookFreebie promotion: Grab the free Ebook: The Beauty of Self-Love: How to Find Love In Your Singleness. http://emmerance.com/free-ebookAbout Emmerance:Emmerance Victoria Odia Ndala is a Self-Empowerment Coach, personal development blogger and Transformational speaker. She has been helping people with their self-love and personal development journey by being their coach or accountability partner.If you have any questions, reach out to Emmerance @TheEmmerance or send an email to Victoria@Emmerance.com.Instagram: @TheEmmerance Telegram: T.me/EmmeranceWebsite: Emmerance.comMusic Credits: @sakionthebeat

World-renowned professor Dr. Gino Yu unlocks the science of consciousness and presents his vision for the next stage of human evolution. He shares his personal awakening experience that led him from computer science and digital entertainment to exploring the world of mysticism and consciousness. His amazing work over decades draws together neuroscience, developmental and humanistic psychology, phenomenology, epistemology and eastern spiritual practices and philosophies. He explains the five stages of consciousness from how we first form our world view, to moving beyond prescribed roles and beliefs, to having existential crises as we break out of consensus reality (and its physiological challenges), to ego death and rebirth, and finally connecting back to wonderment, gratitude and our innate joy of being. As humanity collectively goes through the ascension, Gino offers his inspiring vision for how to support and guide this developmental process through his innovative projects - cutting edge as well as deeply humane and compassionate, they recognize entrepreneurship as a spiritual path, nurture future growth and evolution, and engender much needed community for people having awakening experiences around the globe. About Gino: Dr. Gino Yu's research spans Design Automation, Computer Animation, Video Games, Creativity, and Consciousness with over 60 publications. Currently, his main research interests involve the application of media technologies to cultivate creativity and promote enlightened consciousness (meaningful media). He is an Associate Professor and Director of Digital Entertainment and Game Development at the School of Design at the Hong Kong Polytechnic University (PolyU). He is co-founder of the PolyU M-Lab, a commercially oriented digital entertainment laboratory that provides services to industry. He has also developed programs at the Hong Kong University of Science and Technology, the Hong Kong Polytechnic University, where he created the Multimedia Innovation Centre (www.mic.polyu.edu.hk), and the University of Southern California, where he was instrumental in establishing multimedia initiatives in the Engineering School including the Integrated Media Systems Center. Dr. Gino Yu is also Chairman and co-founder of the Hong Kong Digital Entertainment Association. He received his BS and PhD in Electrical Engineering and Computer Science at the University of California at Berkeley in 1987 and 1993 respectively. He is a composer and father of three. Learn more at http://www.ginoyu.com/ Follow at https://www.facebook.com/gino.yu Watch Gino at Davos: https://www.youtube.com/watch?v=Y7oKJWlj43c Watch his TedTalk: https://www.youtube.com/watch?v=zEKTKxLshsA

Have a movie recommendation?DM me on Instagram or Facebook: @themoviecommentarypodcastEmail me: themoviecommentarypodcast@yahoo.comTrivia time!!What is the only Pixar film produced before 2006 that does NOT have a sequel/prequel/franchise? Well it's the movie of today's episode, A Bug's Life. Released in 1998, A Bug's Life tells the story of an oddball ant named Flik who only wants to help his colony. When they are harassed by a gang of grasshoppers, Flik will go out of his way to find "warrior" bugs to help fight off the grasshoppers. Will he find these "warriors"? Will he fight off the grasshoppers? Will hilarity ensue?A Bug's Life was the sophomore effort from the upstart animation studio. They set out to prove that they were not just a one-shot wonder, and boy did they prove it.  Not only did Pixar expand the technical bounds of what was possible with computer animation, they also set out to do a more complex story with more complex characters than had ever been seen with computer animation. The result was (and still to this day is) one of the best looking computer animated films of all time.Listen along as we dive into this film that has largely taken a back seat to Pixar's subsequent films, but that still holds a dear place in the hearts of those who know of its greatness...Apple Podcasts:https://podcasts.apple.com/us/podcast/the-movie-commentary-podcast/id1526950957 Spotify: https://open.spotify.com/show/1RLQAkNzaWQoVBLBZITNSCYoutube: https://www.youtube.com/channel/UCRxehtzRCZ4qjfLTMDIClbw/Soundcloud: https://soundcloud.com/user-347499519hGoogle Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8zMDExNGVmYy9wb2RjYXN0L3Jzcw?sa=X&ved=0CAIQ4aUDahcKEwjol9z975HrAhUAAAAAHQAAAAAQBQStitcher: https://www.stitcher.com/podcast/the-movie-commentary-podcastiHeart Radio: https://www.iheart.com/podcast/1248-the-movie-commentary-podc-71326635/Instagram/Facebook: @themoviecommentarypodcast

Have a movie recommendation?DM me on Instagram or Facebook: @themoviecommentarypodcastEmail me: themoviecommentarypodcast@yahoo.comPixar Animation Studios was built from their successful short films. In our last Pixar Shorts episode, we explored how Pixar built their animation techniques and technology that led them to an unprecedented run of success in the late 90's and the 2000's. For a while after the studio made their short film Knick Knack, they paused the production of short films to eventually make the feature-length hit Toy Story. They picked up production in 1998 when they released the short film Geri's Game. Thus, a tradition was born. Pixar has released a short film with every feature length film release starting with Geri's Game and A Bug's Life in 1998 and continues to do so to this day.For this episode, we are going to pick were we last left the Pixar short films. Starting with Geri's Game in 1998 to Day and Night in 2010, we are going to watch the wonderful short films Pixar has produced. From interesting behind the scenes stories, to interesting directors who got their start at Pixar by creating one of these great films. It's a short one but a good one!! Listen along anywhere you get Podcasts!!Apple Podcasts:https://podcasts.apple.com/us/podcast/the-movie-commentary-podcast/id1526950957 Spotify: https://open.spotify.com/show/1RLQAkNzaWQoVBLBZITNSCYoutube: https://www.youtube.com/channel/UCRxehtzRCZ4qjfLTMDIClbw/Soundcloud: https://soundcloud.com/user-347499519hGoogle Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8zMDExNGVmYy9wb2RjYXN0L3Jzcw?sa=X&ved=0CAIQ4aUDahcKEwjol9z975HrAhUAAAAAHQAAAAAQBQStitcher: https://www.stitcher.com/podcast/the-movie-commentary-podcastiHeart Radio: https://www.iheart.com/podcast/1248-the-movie-commentary-podc-71326635/Instagram/Facebook: @themoviecommentarypodcast