Podcast appearances and mentions of Lee Unkrich

Jim Hill and Drew Taylor unpack the biggest stories in the animation world, including Drew's visit to Pixar for an exclusive look at Elio. The upcoming original film continues to evolve creatively, now led by Madeline Sharafian and Domee Shi, and features bold technical advances and emotional storytelling. The duo also confirms Coco 2 is officially on the way—with directors Lee Unkrich and Adrian Molina returning—though its release date may be in flux. They also dive into the mixed reactions to Disney's live-action Lilo & Stitch, including fan frustrations over missing characters and deeper critiques from Hawaiian viewers. Other topics include: The legacy of Destino and its unlikely connection to a Coronado Springs hotel The controversy surrounding the live-action Lilo & Stitch ending and themes of colonialism Streaming stats for Bluey and the puzzling world of animation metrics Updates on the King of the Hill reboot and Rick & Morty Season 8 Remembering Alf Clausen's musical legacy on The Simpsons Plus, Drew shares behind-the-scenes insights from Elio, including a surprise reference to The Shining, its Epcot-like opening scene, and the technical feat that is the Communiverse. Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hill and Drew Taylor unpack the biggest stories in the animation world, including Drew's visit to Pixar for an exclusive look at Elio. The upcoming original film continues to evolve creatively, now led by Madeline Sharafian and Domee Shi, and features bold technical advances and emotional storytelling. The duo also confirms Coco 2 is officially on the way—with directors Lee Unkrich and Adrian Molina returning—though its release date may be in flux. They also dive into the mixed reactions to Disney's live-action Lilo & Stitch, including fan frustrations over missing characters and deeper critiques from Hawaiian viewers. Other topics include: The legacy of Destino and its unlikely connection to a Coronado Springs hotel The controversy surrounding the live-action Lilo & Stitch ending and themes of colonialism Streaming stats for Bluey and the puzzling world of animation metrics Updates on the King of the Hill reboot and Rick & Morty Season 8 Remembering Alf Clausen's musical legacy on The Simpsons Plus, Drew shares behind-the-scenes insights from Elio, including a surprise reference to The Shining, its Epcot-like opening scene, and the technical feat that is the Communiverse. Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

En apportant sa touche singulière à la BO d'un film Disney d'abord délaissé par son propre studio, Elton John ne pensait pas une seconde que ses nouvelles compositions allaient traverser le temps et marquer des générations entières. Débarquement immédiat pour la Terre des lions !

The director Steven Soderbergh has just released his second film of 2025: the spy thriller "Black Bag," starring Michael Fassbender and Cate Blanchett. In January 2024, Soderbergh spoke with host Gilbert Cruz about some of the more than 80 books that he read in the previous year. (This episode is a rerun.)Books discussed:"How to Live: A Life of Montaigne," by Sarah Bakewell"Stanley Kubrick's 'The Shining,'" by Lee Unkrich and J.W. Rinzler"Cocktails with George and Martha," by Philip GefterThe work of Donald E. Westlake"Americanah," by Chimamanda Ngozi Adichie"Pictures From an Institution," by Randall Jarrell"Determined: A Science of Life Without Free Will," by Robert M. Sapolsky Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Disney and Pixar have just unveiled plans for Coco 2, returning to the enchanting Land of the Dead with a fresh take on a beloved story. Set for a 2029 release and led by director Lee Unkrich alongside co-director Adrian Molina, this sequel promises the same warmth, humor, and heart that made the original a cultural sensation. Fans can look forward to another magical journey celebrating family, tradition, and adventure.#Coco2 #DisneyPixar #AnimatedMagic

Today on Script Apart, a sneak peek at something new. We're going to be running exclusive episodes this year for our Patreon supporters, in which – breaking away from the usual Script Apart format – Al Horner and a guest focus in on the screenwriting tips and tricks to be learned from a film that both adore. Today, Lee Unkrich – director of Toy Story 3, Coco and other towering achievements in animation – returns to the show, to talk about what screenwriters might take and apply to their own work from Stanley Kubrick's The Shining. You know how people are often like, “I wrote the book on X subject” as a way of claiming authority over a topic? Well, Lee literally wrote the book on The Shining. As you'll have heard on our Script Club episode of Script Apart in 2022, breaking down everything Lee knows about the first draft of that timeless movie, the last few years have seen Lee take a break from filmmaking to assemble the most exhaustive, definitive take on the iconic horror, full of never-before-seen photos discovered in Kubrick estate's vaults. Basically, on every page you're being hit with a flood of amazing information about the film, rushing at you like blood from red elevator doors. The book – called simply Stanley Kubrick's The Shining – is soon to be re-released at an affordable new price point after 2022's limited edition run, which was all the excuse we needed to catch up with Lee about the reaction to it, before getting into five screenwriting takeaways from the film. Lessons like: why it's important to be patient if you can't find your ending; the ending to your script will eventually find you. We talk about how physical space can be used as a storytelling tool; something Kubrick does brilliantly with the Overlook, which dimensionally makes zero sense, contributing to the viewer's sense of disorientation as they watch. And why sometimes the scariest thing to do in constructing a horror is to veer away from the hallmarks of the genre entirely (The Shining features barely any gore. And even less shadow and darkness). Listen to the full episode now, and subscribe to our Patreon for more Writing Tips episodes coming soon. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.Support the show

Hello and welcome to the 129th episode of Film Freakz, the podcast about movies! In this episode we talk about the movie Coco from 2017. This podcast features YemmytheFerret (Yemmy), RaeofPositivity (Rae), Taymation Studios (Tay), and GreedyWaffle (Nick). This movie was recommended by Rae who really really really really loves it. Despite his family's generations-old ban on music, young Miguel dreams of becoming an accomplished musician like his idol Ernesto de la Cruz. Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead. After meeting a charming trickster named Héctor, the two new friends embark on an extraordinary journey to unlock the real story behind Miguel's family history. Directed by Adrian Molina and Lee Unkrich. Thanks for listening on all platforms! We want YOUR recommendations for the FAN VOTE! Send them in by commenting on the YouTube version, messaging us on our social medias, or sending us an email! Twitch: https://www.twitch.tv/yemmytheferret Twitter: https://twitter.com/YemmyTheFerret Join my Discord: https://discord.gg/b9NaNgp

It's All Hallows Eve and we're closing out spooky season with a legendary Halloween treat. Director and Shining historian Lee Unkrich joins Kristen to discuss Stanley Kubrick's 1980 adaptation of The Shining. The pair discuss the nature of adaptation, Shelley Duvall's performance (RIP), and why it still holds up today. This episode was created thanks to our Patrons: Ali Moore Amy Hart Danny David Floyd Donna Hill Gates Jacob Haller McF Rachel Clark Shawn Goodreau A Button Called Smalls BadGuyRants Chris McKay Debbi Lynne Jeffrey Joseph Kayla Ewing Peter Blitstein Peter Bryant Peter Dawson Susannah Burger Brittany Brock Cat Cooper Daniel Tafoya David Baxter Diana Madden Emily Edwards Emily Frederichs Harry Holland Helena Pickup Lucy Soles Nick Weerts Paul Rosa

Welcome Back Everyone! Thank You for joining us once again! Join the STF crew as they journey back into the wizarding world and Tim takes us on a magical musical journey into a movie everyone enjoys...or do they?   1st Film: Tim's Pick  CoCo  (2017) Co-Directed by Lee Unkrich and Drian Molina Featuring the voices of Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt and Alanna Ubach 2nd Film: Harry Potter and the Deathly Hallows: Part 1 (2010) Directed by: David Yates Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, Bill Nighy, Alan Rickman and Ralph Fiennes Thanks for Listening! Email:   Strangerthanflicktion@gmail.com Twitters:  Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l Time Stamps: CoCo -  Rate and Review - 38:01 Harry Potter and the Deathly Hollows: Part 1  - Review and Rate  -  1:21:15 Music Credits:  Remember Me by Benjamin Bratt Hedwigs Theme - John Williams https://www.youtube.com/watch?v=QrTrmnpTNwY

Hoy hablaremos de la exitosa vida, hasta que Kubrick, el del cubo no, otro, apareció en su camino: Shelley Alexis Duvall, el boceto americano de Rossy de Palma. La pequeña Shelley nació en Texas el 7 de julio de 1949. Su madre era Bobbie Ruth Crawford, sí, como la supermodelo pero sin el luná, sin la cara y sin el cuerpo. Bobbie era realtora inmobiliaria que es cómo llaman allí a los de Technocasa. Su padre, Robert Duvall, el actor no, otro, era subastador de ganado convertido en abogado porque no tenía que cuidar de los 4 niños y pudo estudiar, porque si no te dise a ti Kike qué abogado. Y es que nuestra querida protagonista fue la mayor de sus 3 hermanos: Scott, Shane y Stewart, que quiero imaginar que tendría losojito de su hermana y no desaprovecharían la oportunidad de llamarlo “Stewie”. La pequeña Shelley pasó sus primeros años de Coria a Mairena y de Tomares a Espartinas por el trabajo de su padre hasta que al cumplir los 5 años su familia se estableció en Houston, tenemos un problema. La pequeña era muy artística y enérgica, por lo que se ganó el apodo de “Manic Mouse” por parte de su madre, un apodo que usan los americanos y que es como Mickey Mouse pero con los guantes y los botones amarillos, una mihita de hiperactividad y que na más que se le ocurren cosas como cagarse y pintarte la pared del pasillo como las cuevas de Altamira. Desde chica se interesó por la ciencia y en la adolescencia aspiraba a convertirse en científica, pero se estaría quedando sin batería que aspiró flojito. En 1967 se graduó en el High School, que es donde ellos hacen el BUP, y mientras se hacía un FP de nutrición y dietoterapia se metió de vendedora de AVON porque quería comprarse el Motorola ese que se abría. Alrededor de los 70 estaba Shelley en un cervezá de Química (también llamada fiesta de la primavera en los sitios donde no se hacían en medio el campo) y conoció al director Robert Altman que estaba rodando una película, corto de personal y de presupuesto, y que le pidió que saliera en el largometraje. Shelley se subió por primera vez a un avión, que la pobre había viajao menos que Jesús Puente, se bajó en Hollywood y apareció en la película, convirtiéndose en la fija discontinua de Altman. En 1970 se casó con uno que se puso celosito del éxito de su mujer y lo acabó mandando a por los avíos de la berza. Luego en 1976 conoció en Nueva York a Paul Simon, el de Simon&Garfunkel que no es Garfunkel y empezaron una relación hasta que se lo presentó a su amiga Carrie Fisher que se ve que amiga, amiga tampoco era. Durante toda esa década rodó más películas que Marisol, incluida “Nashville”, que es mu buen nombre pa una casa de robá y matá gente. También se la pudo ver con frecuencia en el Saturday Night Live con José Luis Moreno, que tiene una mansión que no se llama “Nashville” pero que por lo visto no es muy difícil de entrar. Las interpretaciones de Shelley siempre eran muy elogiadas aunque la película fuera más mala que “Anaconda”. Ganó el premio a mejor actriz en el festival de Cannes en 1977, la nominaban a los LAFCAS, los BAFTAS y los AFTAS, que la dentadura le dejaba el laito del labio de abajo como los pies de un peregrino del camino Santiago. En esta época Shelley tenía los ojos como Don Pimpon, la frente como Cortadura con marea baja y un canijaso que eso sólo se solucionaba echándole tocino al puchero. En 1980 Shelley obtuvo el reconocimiento internacional gracias a su interpretación de Wendy Torrance en “El Resplandor”, una película de Stanley Kubrick que agobió a nuestra Shelley más que Edwin a Daniel Sancho. El director le hizo repetir la escena del bate de baseball 127 veces, que ahora entiendo porque en la peli se la ve moviendo el bate con más malage que Tamara Falcó. Durante los últimos meses de rodaje tenía que estar llorando 12 horas al día 5 o 6 días a la semana, por lo que Duvall le dijo al director que “era muy difícil estar histérica durante tanto tiempo”, que ella no era Lidia Lozano. Altman, que desde un principio quedó fascinado por la alegría que desprendía Shelley veía que el tirano éste se la iba a cargar como actriz, así que la eligió para interpretar a Olivia en su adaptación cinematográfica de Popeye junto a Robin Williams. Anda, que tuvo menos ojo que Millán-Astray. A inicios de los 80 quiso dar un giro dedicándose al público infantil. Interpretó y produjo series y programas infantiles hasta 1992 que llegaron a ser nominados a los Emmy, y es que Shelley Duvall tenía una jartá de talento que nunca supimos valorar como se merecía. En 1989 conoció al músico Dan Gilroy y mira, como no roncaba y no se peía mucho, ya no cambió más. Con él se retiró a un rancho de Texas porque le salieron 3 seis seguidos. En 2016 la gente se asustó una mihita porque fue a un programa y la pobre mía no sabía dónde tenía el pie izquierdo. Pero el director de Toy Story 3, Lee Unkrich, vio el cielo abierto porque estaba haciendo un libro de “El resplandor” y llevaba años buscándola en tos laos menos en su casa. Unkrich confirmó que tenía la cabeza mejor Iñaki Gabilondo. En el 2022 regresó a la actuación con The Forest Hills y con menos dientes que el que se llevó el mecherazo de la Sole. Su estreno estaba previsto para el 2024. Desgraciadamente, el 26 de julio de este mismo año, Shelley Duvall nos dejaba a los 75 años de edad pero ustedes siempre podrán recordarla cada vez que conozcan a una fija discontinua o le echen un trocito de tocino al puchero.

For a film built around a song titled Remember Me, Pixar's Coco sure has proven absolutely unforgettable in the seven years since its release. Directed by past Script Apart guest Lee Unkrich, the animation told the story of Miguel – a young boy voiced by Anthony Gonzalez who is accidentally transported to the Land of the Dead, where he seeks the help of his deceased musician great-great-grandfather to return him to his family and reverse their ban on music. It's quite simply one of the richest and boldest family movies of all time, confronting ideas around death, legacy and remembrance in a way that moved the needle culturally in this way that only Pixar can. Much like how Inside Out gave parents a framework for talking to their kids about emotions, Coco is renowned today as a text that helps facilitate conversations with children about what it means when someone passes away. In the conversation you're about to hear, co-writer Matthew Aldrich drops by to break down the film in detail. We discuss the musical version of the film that was in development before he joined the project. We get into how the film's villain, Ernesto Del La Cruz, represents the folly of chasing the wrong sort of remembrance: a remembrance of celebrity and fame, rather than family. And you'll hear about what makes Remember Me such a beautiful part of Coco – the genesis of that astounding piece of music, that lands like a gut punch when we hear it for the final time in act three.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

In 2021, our good friend David Constantine reached out to Stephen with exciting news—he was heading to Texas to meet Shelley Duvall, the wonderful actress made famous for her portrayal of Wendy Torrance in Stanley Kubrick's "The Shining.” Stephen suggested that David record the meeting and conduct an informal interview with Shelley. David agreed, and that December, he and his nephew Joe drove to Texas to meet Shelley at a local restaurant in her hometown. Recorded: December 2021 We caught up with David recently to chat with him about his time with Shelley. Recorded: 17th July 2024 We also spoke with Shining super-fan Lee Unkrich to reminisce and remember his own fond and special memories of Shelley Duvall. Recorded: 23rd July 2024 Hosted by Jason Furlong / Written by Stephen Rigg, Mark Lentz  and Jason Furlong  / Produced and edited by Stephen Rigg Please support us at : www.patreon.com/user?u=67509795 Kubrick's Universe Podcast (KUP) - Facebook Page : www.facebook.com/KubricksUniverse Kubrick's Universe Podcast (KUP) - Youtube Channel : https://www.youtube.com/channel/UCnGFwtfJ5IuGAGpbrKjMQ9g The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : www.youtube.com/c/TheStanleyKubrickAppreciationSociety1 The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact : stephenrigg.skas@gmail.com

Director John Lasseter, co-directors Lee Unkrich and Ash Brannon, and co-writer Andrew Stanton

Sehr geehrte Damen & Herren, in der heutigen Rückblicks-Folge von Wir labern nett, wir reden klar, kommt nicht nur Gutes von oben, dafür ziehen viele Gute gen Himmel. Egal ob sich der Iran und Israel auf dem Luftweg austauschen, oder OJ Simpson seinen letzten Lauf in die Endzone macht, die heutige Folge geht hoch hinaus. Die Erde wackelt, die Sonne verschwindet und ein himmlischer Brotaufstrich feiert ein Jubiläum. Auch vor 20 Jahren war der Luftraum hart umkämpft. Neue Fluggesellschaften veränderten nachhaltig das Kräfteverhältnis in der zivilen Luftfahrt und ein Typhoon bringt frischen Wind in die Deutsche Luftwaffe. Über allem breitet der Mannheimer Adler seine Schwingen aus, vorgetragen von Marci, der damit seine Wettschuld begleicht! Bis zum nächten mal, wie immer an dieser Stelle und gleicher Welle, Laudator Marci und Luftikus Heiko   Feedback: Wir_labern@gmx.net Insta: wir_labern Film: Dawn of the Dead (USA 2004, Zack Snyder, Sara Polley, Ving Rahmes) Coco – Lebendiger als das Leben! (USA 2017, Lee Unkrich, Anthony Gonzáles, Benjamin Bratt) Musik: Mr. President – Up`n Away Quellen: Wikipedia.de Stern.de Chroniknet.de Tagesschau.de

What are the Pros and Cons of Movies/Film - narrated by Louy and Mink —-> Works Cited Coco. Directed by Adrian Molina and Lee Unkrich, Walt Disney Studios Motion Pictures, 2017. Dillon, Kelly P., and Brad J. Bushman. “Effects of Exposure to Gun Violence in Movies on Children's Interest in Real Guns.” JAMA Pediatrics, vol. 171, no. 11, 2017, pp. 1057-62, https://doi.org/10.1001/jamapediatrics.2017.2229. Erasmus, Frederick. “What Lessons Can Be Learned from Cinema?” Medium, Medium, 24 Jan. 2020, medium.com/@fredrik_erasmus/what-lessons-can-be-learned-from-cinema- 9cc604b2ff40. Gahagan, Jacqueline, and Lois Jackson. “Perspectives on ‘Pornography': Exploring Sexually Explicit Internet Movies' Influences on Canadian Young Adults' Hollistic Sexual Health.” The Canadian Journal of Human Sexuality, vol. 23, no. 3, 2014, pp.148-58, https://doi.org/10.3138/cjhs.2732. Kidnap. Directed by Luis Prieto, Aviron Pictures, 2017.

Every January on his website Extension765.com, the prolific director Steven Soderbergh looks back at the previous year and posts a day-by-day account of every movie and TV series watched, every play attended and every book read. In 2023, Soderbergh tackled more than 80 (!) books, and on this week's episode, he and the host Gilbert Cruz talk about some of his highlights. Here are the books discussed on this week's episode:"How to Live: A Life of Montaigne," by Sarah Bakewell"Stanley Kubrick's 'The Shining,'" by Lee Unkrich and J.W. Rinzler"Cocktails with George and Martha," by Philip GefterThe work of Donald E. Westlake"Americanah," by Chimamanda Ngozi Adichie"Pictures From an Institution," by Randall Jarrell"Determined: A Science of Life Without Free Will," by Robert M. Sapolsky

Le Calendrier de l'après, une série d'émission de l'Apéro Ciné Volume 13 : Le monde de Nemo, réalisé par Andrew Stanton et Lee Unkrich. Plus d'infos sur le film : https://m.imdb.com/title/tt0266543/ Pour voir le film : https://www.justwatch.com/fr/film/le-monde-de-nemo. Pour retrouver l'Apéro Ciné sur Picar : https://youtu.be/nJ6FXwyuYZw?si=bwVQT8u0Qz_A3AbF Un podcast Apéro Ciné, en collaboration avec Galaxie Pop.

In our final episode of 2023, Michael Arndt – the acclaimed writer of films like Little Miss Sunshine and Star Wars: The Force Awakens – drops by for a two-hour dissection of his script for Toy Story 3 –a Pixar sequel that went to infinity and beyond when it came to thrills, laughter and emotion.  Directed by past Script Apart guest Lee Unkrich, the 2010 film could have repeated the formula that made past the franchise's previous films a global phenomenon, making instant icons out of Woody, Buzz and their found-family of fellow play-things. Instead, it leapt forward in time to find Andy, the toys' owner, all-grown up and about to head to college, heaping huge existential questions on fans' beloved characters. If a toy is retired to an attic, never to be played with again, what is their reason to be? What does it mean to be outgrown by people you love, who no longer love you in return?If that sounds heavy for what is ostensibly a kids' tale, wait till we remind you that Toy Story 3 was a movie set mostly in a brutal toy internment camp that ends with our heroes about to be incinerated. That boldness is why many regard the film as being “peak Pixar” – and can you blame them? Toy Story 3 capped a remarkable run of hits for the animation studio that included Ratatouille in 2007, Wall-E in 2008 and Up in 2009. No wonder Michael and co felt emboldened to take risks on this third instalment of the franchise – risks that reaped incredible storytelling rewards.Michael was picked by Pixar – presumably via email or a phone call, rather than a giant mechanical claw like the ones in Pizza Planet – because few storytellers do grounded emotion and dysfunctional families like he does. At the onset of his career, across three days in May 2000, he'd written a screenplay about a family on a road trip to New Mexico that became a monster hit. Little Miss Sunshine earned the Virginia-born screenwriter a Best Original Screenplay Oscar in 2006 and catapulted him onto the radar of Pixar, whose brain trust would soon begin cooking up a story for a third movie in their Toy Story franchise.In the conversation you're about to hear, Michael breaks down the many early iterations of this movie, including an abandoned Toy Story 3 from before his time on the project, in which the toys travel to Taiwan after Buzz is shipped there following a global product recall on the toy. We get into the machinations of Lotso Huggin' Bear, how the story is deep down one about parenthood and of course, that traumatising moment our heroes hold hands, staring down certain death. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

The boys talk about life, death, what their alebrijes would be, and the importance of family in this new episode about the 2017 film, Coco. Written by Lee Unkrich, Jason Katz, & Matthew Aldrich and Directed by Lee Unkrich & Adrian Molina. Instagram: https://www.instagram.com/thefilmbrospodcast Youtube: https://www.youtube.com/channel/UC4g9YbMBwRIKzDTV4uXt5Eg The bros Letterboxd's: @_isaiahlucas @lilabey @NickGowinPlaces

Let's talk about this amazing book and movie with one of the co-authors of the Taschen limited edition.With Gourley And Rust bonus content on PATREON and merchandise on REDBUBBLE.With Gourley and Rust theme song by Matt's band, TOWNLAND.And also check out Paul's band, DON'T STOP OR WE'LL DIE. Hosted on Acast. See acast.com/privacy for more information.

A Ghost Story (2017) ​ A Ghost Story is a 2017 American supernatural drama film written and directed by David Lowery. It stars Casey Affleck, Rooney Mara, Will Oldham, Sonia Acevedo, Rob Zabrecky, Liz Franke and Kesha. Affleck plays a man who becomes a ghost and remains in the house he shares with his wife (Mara).  The film had its world premiere at the Sundance Film Festival on January 22, 2017, and was released by A24 on July 7, 2017. A Ghost Story received positive reviews from critics. Coco (2017)   Coco is a 2017 American computer-animated fantasy film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on an original idea by Lee Unkrich, it is directed by him and co-directed by Adrian Molina. The film's voice cast stars Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Renée Victor, Ana Ofelia Murguía and Edward James Olmos. The story follows a 12-year-old boy named Miguel who is accidentally transported to the Land of the Dead, where he seeks the help of his deceased musician great-great-grandfather to return him to his family among the living and to reverse his family's ban on music.  The concept for Coco is inspired by the Mexican holiday Day of the Dead. The film was scripted by Molina and Matthew Aldrich from a story by Unkrich, Jason Katz, Aldrich, and Molina. Pixar began developing the animation in 2016; Unkrich and some of the film's crew visited Mexico for research. Composer Michael Giacchino, who had worked on prior Pixar animated features, composed the score. With a cost of $175–225 million, Coco is the first film with a nine-figure budget to feature an all-Latino principal cast.   Opening Credits; Introduction (1.05); Background History (25.56); A Ghost Story (2017)  Trailer (27.08); The Original (29.19); Let's Rate (1:17.37); Introducing the Double Feature (1:23.44); Coco (2017) Film Trailer (1:25.58); The Attraction (1:28.07); How Many Stars (1:53.14); End Credits (2:02.33); Closing Credits (2:04.10)   Opening Credits– Epidemic Sound – copyright 2021. All rights reserved   Closing Credits:  Proud Corazon by Anthony Gonzalez/Remember Me (Duo) by Miguel.  Taken from the soundtrack Coco.  Copyright 2017 Disney Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved. Used with Kind Permission.   All songs available through Amazon Music.

Einer der witzigsten Filme ever und Timon findet ihn nicht lustig? Was ist hier los? Dafür gibt es Unterhaltsames bei Netflix und eine Serie mit VIEL Potential. Zum Glück überzeugt unser Bestenlisten-Film...nicht so wie diese eine Kultserie, die jetzt neu aufgelegt wurde und irgendwie gar nicht mehr so kultig ist wie früher.... Schickt uns euer Feedback: https://www.instagram.com/42podcast/ - - -

Dom and Q are on mics while toni is behind the cam on this one and again we have Jusdowntown on set with us for this pixar 10 year old movie our first pixar and amination movie i hope you enjoy this revisit like we did enjoy making it.Monsters University is a 2013 American computer animated monster comedy film produced by Walt Disney Pictures and Pixar Animation Studios and released by Walt Disney Studios Motion Pictures.[5] It was directed by Dan Scanlon (in his feature directorial debut), produced by Kori Rae, and written by Scanlon and the writing team of Dan Gerson and Robert L. Baird.[a] John Lasseter, Pete Docter, Andrew Stanton, and Lee Unkrich served as the film's executive producers. The music for the film was composed and conducted by Randy Newman, making it his seventh collaboration with Pixar. It is a prequel to Monsters, Inc. (2001), making it the only time Pixar has made a prequel film. It is the first Pixar film to measure computer animation with the live action photography in the doors.[6] Monsters University tells the story of the main characters of Monsters, Inc., James P. Sullivan and Mike Wazowski, and their time at college, where they start off as bitter rivals, but slowly become best friends. During the time, they must learn to work together, along with Oozma Kappa members, in order to make their dreams reality and things right. John Goodman, Billy Crystal, Steve Buscemi, Bob Peterson, and John Ratzenberger reprise their roles as James P. Sullivan, Mike Wazowski, Randall Boggs, Roz, and the Abominable Snowman, respectively, while the new cast were joined by Helen Mirren, Alfred Molina, Peter Sohn, Joel Murray, Sean Hayes, Dave Foley, Charlie Day, Nathan Fillion, and Aubrey Plaza. Bonnie Hunt, who voiced Ms. Flint in the original film, voices Mike's teacher Mrs. Karen Graves.DONT GET LEFT BEHIND YOU CAN FIND THE PREVIOUS VIDEO https://www.youtube.com/watch?v=uumqiMrxInIIF YOUR EVER BORED PLEASE CHECK OUT https://youtu.be/4Y4D8oN4GTkLIKE WHAT YOU WATCHED ? PLEASE Subscribe here: https://www.youtube.com/channel/UCqbcaf6NSUrElozRGqsiORAREVIEWING REBELS Podcast: https://linktr.ee/reviewinrebelsLOCATE DOM CRUZE THOUGHTS Twitter - https://twitter.com/itzdomcruzehoeInstagram - https://instagram.com/itzdomcruzehoe?igshid=YmMyMTA2M2Y= LACED RHYMES CHANNEL - https://www.youtube.com/@LacedRhymesREVIEWIN REBELS CHANNEL - https://www.youtube.com/channel/UCqbcaf6NSUrElozRGqsiORALOCATE Q THOUGHTS TWITTER-https://twitter.com/king_quisemoe?s=21&t=5Za3tXoDFCF10bAN71ZhnwInstagram -https://instagram.com/king_quisemoe?igshid=YmMyMTA2M2Y=CHECK Q PODCAST AND EVERYTHING ELSE HE IS DOING -https://instabio.cc/208309BQ3Ka?fbclid=PAAaZKNpF7Czdl_TUYFPh_uRwZUB0JhQ9NpyziUKGSvGlrv7hHfdYukzaW-_oI HOPE YOU ENJOY THE VIDEO AND WHAT WE ARE DOING HERE AT REVIEWIN REBELSTHANKS FOR THE WATCH AND I HOPE WE HAVE MADE YOU FANS OF OURS !#podcast #MOVIES #LOVEYOU CAN ALOS FIND TONIIBANKZEpisode 44 is here! Tonii talks about Jenna Ortega & Wednesday, YEs recent outbursts, Fortnite Chapter 4, CDL Online Qualifiers Week 1 & much, much more!Want to be apart of the show ? Email Us! Email - askthebankzcast@gmail.comMake sure to follow the podcast socials! Twitter - @TheBankzcastPod - https://bit.ly/3dJXgUDInstagram - @thebankzcastpod - https://bit.ly/3nfHMLfCheck out my YouTube Channels! Main Channel - ToniiBankz - http://bit.ly/2Li1hQPCOD Gaming Channel - ToniiBankz 2 - http://bit.ly/2ko94myEverything Gaming Channel - More ToniiBankz - http://bit.ly/2kOwRfyToniiBankz VODs Channel - https://bit.ly/3F7hsfuEnjoy watching live gameplay ? Come hang out with me on stream! Twitch - ToniiBankz - Twitch.tv/toniibankz Want to stay up to date with me ? Follow me on social media and get updated as soon as something happens!Tiktok - @ToniiBankz - https://bit.ly/3dfvvpFTwitter - @ToniiBankz - https://bit.ly/2QwtD02Instagram - @toniibankz - http://bit.ly/2J13BKzSnapchat - @toniibankz - https://bit.ly/3M3m1cJBusiness inquires: domcruzemi@gmail.com

Music Month continues with 2017's Coco! Ben, Greg, Ray, and Robbie discuss Disney & Pixar's Día de los Muertos-inspired, musical trip to the land of the dead. For kids! Directed by Lee Unkrich, voice cast stars Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Renée Victor, Ana Ofelia Murguía and Edward James Olmos.

Heute geht es um völlig bescheuerte Monster-Trash-Filme in denen wilde Tierkombinationen gegen einander kämpfen. Timon schaut überhypte Filme über die mexikanische Mafia und eine Serie, in der zwei Fremde Streit miteinander anfangen. Marcel guckt lieber wie Menschen versuchen bei -25 Grad Außentemperatur zu überleben. Außerdem ein Film der Bestenliste: Viel Musik, bunte Farben, ganz viel Herz und ein traurig-schönes Ende! Schickt uns euer Feedback: https://www.instagram.com/42podcast/ - - -

Director Pete Docter, co-director Lee Unkrich, writer Andrew Stanton, and executive producer John Lasseter

David and Ryan are joined by Pixar director and The Shining aficionado to discuss his masterwork, Taschen's Stanley Kubrick's The Shining, a massive, limited edition collector's trove of "Making Of" material about The Shining, including the definitive story of the making of the Kubrick classic. Lee regales the guys with stories from decades of running TheOverlookHotel.com, the once and future definitive fan site for all things The Shining. He also talks about the curiosities, mysteries, and wonders he discovered while working inside the Stanley Kubrick archives while bringing the book to life with the late, great JW Rinzler. And it wouldn't be a Stuff episode without props - lots of Shining props! Now - heeeeeeeere's Lee!

Episode 60 :The Shining with Lee Unkrich A few episodes ago, we spoke to Howard Berry, about a new book that has just been released, called Stanley Kubrick's The Shining. It was produced and written by Lee Unkrich and Johnathan Rinzler. Well now, we speak to Lee Unkrich himself about his new book, which was ten years in the making. Lee worked at Pixar Animation for 25 years in various departments. His films include; A Bug's Life, Cars, Monsters Inc., Finding Nemo, Wall-E, UP!, Brave, Monsters University, Inside Out, The Good Dinosaur and all four Toy Story films. Lee won Oscars AND Baftas for Best Animated Feature Film for his work directing Toy Story 3 and Coco, but it's Lee's love and fascination for Stanley Kubrick's The Shining that places him firmly in 'Kubrick's Universe'. Production Credits : Hosted by Stephen Rigg /  Written by Stephen Rigg and Jason Furlong / Original music written and performed by Jason Furlong / Produced and edited by Stephen Rigg. Music : Various We'll Meet Again by Jason Furlong Links : Please support us at : www.patreon.com/user?u=67509795 Kubrick's Universe Podcast (KUP) - Facebook Page : www.facebook.com/KubricksUniverse Kubrick's Universe Podcast (KUP) - Youtube Channel : https://www.youtube.com/channel/UCnGFwtfJ5IuGAGpbrKjMQ9g The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : www.youtube.com/c/TheStanleyKubrickAppreciationSociety1 The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact : stephenrigg.skas@gmail.com

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 95 Sam is joined Lee Unkrich, director of Pixar's Coco and Toy Story 3. Lee has co-authored a new book Stanley Kubrick's The Shining, out now from Taschen. Lee has chosen Toy Story (81 mins), a film he worked on as an editor at Pixar. The first entirely computer-animated feature film features the voices of Tom Hanks, Tim Allen, John Ratzenberger, Annie Potts, and Laurie Metcalf. Sam and Lee discuss the lasting appeal of Stanley Kubrick's iconic horror, how he first got a job at Pixar and just how many references to The Shining you can spot in his film work.   Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by buying us a coffee at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @leeunkrich. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey.

Folyatódik az animációs évadunk, elérkeztünk az ezredfordulóhoz. A CGI véglegesen átvette az uralmat a hagyományos, kézzel rajzolt animáció fölött. A Pixar stúdió, amely ekkor még nem volt a Disney tulajdonában, kiemelkedően fontos szerepet játszott ebben a folyamatban. Technológiai fejlesztéseik, valamint forradalmi történetmesélésük lenyűgözte a szakmát és a nézőket egyaránt. A 2001-es Szörny Rt. (Monsters, Inc.) sok szempontból az addigi legkiforrottabb alkotásuk volt, a főbb szerepekben olyan nevekkel, mint Billy Crystal, John Goodman és Steve Buscemi. A rendezők Pete Docter, Lee Unkrich és David Silverman voltak. Péter távollétében az adás két házigazdája Huszár András és Nagy Szabolcs.  Hol foglal helyet a Pixar-kánonban a Szörny Rt.? Az alapművek egyike, vagy az Egy bogár életével együtt kikopott a köztudatból? Mi a Pixar-titok, amivel dominálják a jegyeladásokat és az animációs filmeknek osztott Oscar-díj kategóriáját idestova húsz éve? Milyenek a film szereplői, működik-e Mike Wazowski humora, mennyire szerethető Sully? Milyen Billy Crystal és John Goodman a szerepében? Hogy sikerült a film magyar szinkronja? Mi működteti a film humorát, és hogyan épít világot a Pixar? Miért rezonál jól ma a Szörny Rt. premisszája, és a milyen komoly, felnőttes üzeneteket hordoz az energiagazdálkodásról és a szülői felelősségről?  Ha tetszett az adásunk, támogass bennünket a Patreonon! Csatlakozz a Facebook-csoportunkhoz is! A Facebook-csoportunkban elkezdődött a March Madness játék, szálljatok be! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak András a Twitteren: @gaines_ Péter a Twitteren: @freevo Szabolcs a Twitteren: @sznagy_ Keresztény Kultúra, Szabolcs hírlevele Emailen is elértek bennünket: feedback@vakfoltpodcast.hu  

In 1966 Stanley Kubrick told a friend that he wanted to make “the world's scariest movie.” A decade later Stephen King's The Shining landed on the director's desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1966 Stanley Kubrick told a friend that he wanted to make “the world's scariest movie.” A decade later Stephen King's The Shining landed on the director's desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1966 Stanley Kubrick told a friend that he wanted to make “the world's scariest movie.” A decade later Stephen King's The Shining landed on the director's desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In 1966 Stanley Kubrick told a friend that he wanted to make “the world's scariest movie.” A decade later Stephen King's The Shining landed on the director's desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In 1966 Stanley Kubrick told a friend that he wanted to make “the world's scariest movie.” A decade later Stephen King's The Shining landed on the director's desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For episode 66, I have an Oscar winning director. But I don't talk to him about his films at all. Instead I talk to him about a book he's written. Lee Unkrich is probably best known by film fans as the director of Toy Story 3 and Coco. He of course won an Oscar for both of those movies. What you might not know is that he is a lifelong fan of Stanley Kubrick's The Shining. For many years he has run a website “the overlook hotel”, which he fills with everything and anything he can about his favourite film.After ten years or so in the making, he is just about to release his book, published by Taschen and limited to 1000 copies (in the collector edition at least). It's called Stanley Kubrick's The Shining. I spoke to Lee just after Christmas 2022. So here's our conversation. I hope you enjoy it.Taschen's new "Stanley Kubrick's The Shining"

Lee Unkrich is the Academy Award-winning director of Toy Story 3 and Coco. He's also the foremost expert in all things related to Stanley Kubrick's The Shining. His brilliant three-volume set on the film is now available through Taschen publishing. Click here for more information and to purchase this extraordinary set.

Lee Unkrich is the Academy Award-winning director of Toy Story 3 and Coco. He's also the foremost expert in all things related to Stanley Kubrick's The Shining. His brilliant three-volume set on the film is now available through Taschen publishing. Click here for more information and to purchase this extraordinary set.

Today on Script Apart – something new! For a while, we've wondered how to cover great screenplays by writers who are not able to come on the show or are sadly no longer with us. Which led us to the idea of Script Club – a book club, but for screenplays. We'll be inviting great storytellers onto the show in the coming months to discuss scripts they adore by screenwriters who are not able to come on the show themselves. Kicking off this intermittent series of bonus episodes is an icon of modern animation – Lee Unkrich, director of films like Toy Story 3 and Coco.Lee was an integral creative force at Pixar for over 25 years before stepping down in 2019 following the incredible success of Coco two years earlier. That film told the tale of a 12-year-old boy named Miguel who is accidentally transported to the Land of the Dead. Lee's favourite movie, a film that he's poured a decade of his life into quite literally writing the book on, is similarly inhabited by ghosts and apparitions from the great beyond, in a very different way. Since he was a teenager, Lee has been obsessed with The Shining – Stanley Kubrick's seminal horror, co-written with novelist Diane Johnson. It's an obsession that recently culminated in a genuinely epic three volume book for publishing house Taschen, full of brand new interviews with all sorts of creatives who worked on the movie, as well as unseen photos from the film's creation.During his research, Lee – who was granted unheralded access to the Kubrick archives – read draft after draft of the film, gaining an astonishing insight into Kubrick's writing process. On the episode, recorded in early December in London's Picturehouse Central, he recounts some of the biggest changes across those different iterations of the Shining screenplay – including a subplot involving a scrapbook that would drastically change the feel of the film, and a more blood-soaked ending that saw practically every character meeting a grisly end. Yes, even poor little Danny.Lee also weighs in on the film's unique place in our film culture as this subject of constant speculation and theorising about its hidden meanings, sharing some of his own interpretations of the script, and breaks down key scenes and characters. This was a fun experiment to record. If you like it, and want to see us record more in this bonus format, let us know! We'd love to hear your feedback. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Christmas is coming, folks, and that means that the Empire Podcast's sack is simply heaving with guests this week. First, Toy Story 3 and Coco director, Lee Unkrich, pops into the booth for a bit to talk about his new, definitive book about the making of Stanley Kubrick's The Shining, and tackle this week's listener question (about Christmas songs in movies). Then Chris Hewitt chats with Resurrection star Rebecca Hall and Emancipation director Antoine Fuqua, and Amon Warmann gets to the heart of The Silent Twins' silent twins, Letitia Wright and Tamara Lawrance. And yes, he asks about Black Panther: Wakanda Forever. Then, in the podbooth, Chris is joined by Helen O'Hara and James Dyer to talk about the week's movie news, including the possible demise of Wonder Woman 3, and review Emancipation, Guillermo del Toro's Pinocchio and Resurrection. Bumper-sized! Jampacked! Ho ho ho! Enjoy!

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 232: Toy Story 3 Released 2 November 2022 For this episode we watched the 2010 Pixar sequel Toy Story 3, one of a handful of animated movies to be nominated for Best Picture. The screenplay is by Michael Arndt, from a story by John Lasseter, Andrew Stanton and Lee Unkrich, who also directed. Returning to their familiar characters are voice actors Tom Hanks, Tim Allen, Joan Cusack and John Morris and the guest cast includes Ned Beatty, Michael Keaton and Timothy Dalton. The film cost $200 million to make and took over five times that at the box office. It has a Rotten Tomatoes score of 98%. Thom Tuck Goes Straight to DVD https://www.gofasterstripe.com/cgi-bin/w.cgi?showfull=36670 https://www.thedisneyclassics.com/blog/toy-story-real-toys BEST PICK – the book is out now from all the usual places, including… From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Alison Sandy, Amanda Grey, Andrew Jex, Andrew Straw, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Joerschke, Anthea Murray, Ben Squires, Carlos Cajilig, Cathal McGuire, Catherine Jewkes, Charlotte, Charlotte M, Christopher Turner, Craig Boutlis, Daina Aspin, Dave Kloc, Della, Drew Milloy, Elis Bebb, Elizabeth McClees, Emily Binns, Esther de Lange, Evelyne Oechslin, Fiona, Flora, frieMo, Gavin Brown, Helen Cousins, Helle Rasmussen, Henry Bushell, Jane Coulson, Joel Aarons, Jonquil Coy, Joy Wilkinson, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katie Hammonds, Katy Espie, Katy Treanor, Kurt Scillitoe, Lawson Howling, Lewis Owen, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Mary Traynor, Matheus Mocelin Carvalho, Matt Price, Michael Walker, Mike Evans, Peter, Rae Lawrence, Richard Ewart, Robert Heath, Robert Orzalli, Sally Grant, Sam Elliott, Sequoia Hearne, Sharon Colley, Simon Ash, Sladjana Ivanis, Tim Gowen, Tom Stockton, Wayne Wilcox.

Notes:The Verbivore mentions a TED Talk on Ghost stories that explored why we tell them. That presentation was made by Coya Paz under the title “Hauntings, Histories, & Campfire Tales: What Ghost Stories Tell Us”.Also, we want to acknowledge that the creatures from I Am Legend the novel are more like vampires and the Darkseekers from I am Legend the film are like a vampire and zombie hybrid. We're talking about them here in relation to the infection that's the catalyst that causes them to change. Here are a few articles and videos we referenced for this conversation:- Monster Complex Article “Zombie Q&A—Jonathan Maberry: “Zombie Stories Are Not About Zombies”- Youtube Video “How (Not) To Tell a Meaningful Zombie Story | Like Stories of Old”- Youtube Video “Hauntings, Histories, & Campfire Tales: What Ghost Stories Tell Us | Coya Paz | TEDxDePaulUniversity”- Youtube Video “The dark history of zombies - Christopher M. Moreman | TED-Ed”- Youtube Video “How to make your writing suspenseful - Victoria Smith | TED-Ed”- YouTube Video “Lessons from a terrified horror researcher | Mathias Clasen | TEDxAarhus”- YouTube Video “What horror films teach us about ourselves and being human | Dr. Steven Schlozman | TEDxNashville”We touch on several of our previous podcast episodes. They are as follows:- Episode 161: Monster In The House Stories- Episode 162: Setting as a Monster- Episode 163: Vampires and WerewolvesBooks and Films Mentioned: - The Beauty and the Beast by Marie Le Prince de Beaumont - Shaun of the Dead – Directed Edgar Wright - World War Z: An Oral History of the Zombie War by Max Brooks - Crimson Peak – Directed by Guillermo del Toro - Coco – Directed by Lee Unkrich and Adrian Molina - The Dead Romantics by Ashley Poston - I am Legend by Richard Matheson - I am Legend – Directed by Francis Lawrence - Warm Bodies by Isaac Marion - Warm Bodies – Directed by Jonathan Levine - The Others – Directed by Alejandro Amenábar - The Turn of the Screw by Henry James - Rebecca by Daphne du MaurierMusic from: https://filmmusic.io ‘Friendly day' by Kevin MacLeod (https://incompetech.com) Licence: CC BY (https://creativecommons.org/licenses/by/4.0/)

In this special, supersized episode we take a peek behind the curtain to examine Pixar's unique editorial process. It's often messy and non-linear, with shots and sequences constantly being re-worked... and this might just be the secret to why their films end up feeling so cinematic and have the emotional impact that they do. At Pixar, the editor has much more authority and responsibility than their live-action and traditional cell animation counterparts. How did this come to be? It's all outlined in a new book by authors Bill Kinder and Bobbie O'Steen, "Making the Cut at Pixar: The Art of Editing Animation." Bill and Bobbie join us today to discuss the history of editing at Pixar, and explain the origins of Pixar's groundbreaking editorial process. "If you look at Pixar short films, before they had an editor — all of the ones before 'Toy Story' had no editor, really, they [just] had someone assembling things — they're very classic proscenium, 2D animation... You don't see shot/reverse shot in classic Disney animation. It's just not the way the grammar really worked. Whereas if you watch 'Toy Story,' and that was my memory when I first saw that film — it felt like a movie! And I think that difference, that turning point has to do with the editor saying, 'Wait, we can create shots here. There's a certain language we can use. We're not stuck with the storyboards.' So storyboards are telling us a lot about character and performance and plot and clarity, but now we can up the whole game with what we know about the language of camera." — Bill Kinder, Co-Author, "Making the Cut at Pixar: The Art of Editing Animation" Joining the discussion are couple of legendary filmmakers — both of whom had been there since the very early days — multiple Academy Award® winning director Pete Docter and another multiple Academy Award® winning director and editor, Lee Unkrich. Rounding out this conversation we also hear from longtime collaborator and editor of Pete Docter's, Kevin Nolting, and editor Edie Ichioka, who worked on "Toy Story 2," to give their perspectives. You can find https://www.routledge.com/Making-the-Cut-at-Pixar-The-Art-of-Editing-Animation/Kinder-OSteen/p/book/9780367766146 ("Making the Cut at Pixar: The Art of Editing Animation") wherever books are sold. https://www.amazon.com/Making-Cut-Pixar-Bill-Kinder/dp/0367766140 (Amazon) https://www.barnesandnoble.com/w/making-the-cut-at-pixar-bill-kinder/1140559047 (Barnes & Noble) To check out many of the Pixar films discussed in today's episode, https://www.disneyplus.com/ (subscribe to Disney+). Please https://linktr.ee/dolbyinstitute (subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts). You can also https://youtube.com/dolby (check out the video for this episode). Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

Dive into a world of water with 2003's Finding Nemo. Directed by Andrew Stanton and Lee Unkrich, Finding Nemo follows Marlin, voiced by Albert Brooks, and his companion Dory, voiced by Ellen DeGeneres, as they scour the ocean in hopes of delivering on the title of the movie. Disney and Pixar deliver 100 minutes of cinema, packed to the gills with colorful characters from vegetarian sharks and lobsters with Boston accents to surprising voice cameos from your favorite prime-time television shows. Does this critical darling hold up after nearly two decades, or is this fish a flop? It's time to “grab some shell” and surf the East Australian Current as we find out.

This week, Chelsea makes Victoria watch a PIXAR movie.Shop the Store: http://tee.pub/lic/bvHvK3HNFhkTheme Music "A Movie I'd Like to See" by Al Harley. Show Art: Cecily Brown Follow the Show @freshmoviepod YouTube Channel abreathoffreshmovie@gmail.com

What do, a spirited but giftless girl from a family of magical people, and a musically talented boy from a home that forbids all music, have in common? This week on, THE MOVIE CONNECTION: Jacob Watched: "ENCANTO" (3:53) (Directed by, Byron Howard & Jared Bush. Starring, Stephanie Beatriz, Maria Cecilia Botero, John Lequizamo...) KC Watched: "COCO" (35:37) (Directed by, Lee Unkrich & Adriana Molina. Starring, Anthony Gonzalez, Gael Garcia Bernal, Alanna Ubach...) Talking Points include: Wait, Benjamin Bratt voices WHO??? Celebrations of South American Culture Magical realism and more!! Send us an email to let us know how we're doing: movieconnectionpodcast@gmail.com Follow us on Instagram Rate and Review on Apple Podcasts Check out more reviews from Jacob on Letterboxd Cover art by Austin Hillebrecht, Letters by KC Schwartz

¿Te gustaría mejorar la calidad de lo que haces? ¿Te gustaría tener o formar parte de un equipo efectivo? ¿Quieres sacar tu lado creativo?Ese es el tema principal del programa de este mes, donde aprenderás cómo crear equipos de alto rendimiento a mano del libro «Creatividad, S.A.» de Ed Catmull.Valoración Quique: ★★★★½ Valoración Jeroen: ★★★★½Notas de programa(Las notas del programa están disponibles en https://kenso.es/episodio/213-ed-catmull-creatividad)Índice de la reseña(00:00) Bienvenid@ a KENSO Círculo(01:58) ¿Qué vas a encontrar en este libro?(05:32) 1 | Animación(11:53) 2 | Ha nacido Pixar(20:27) 3 | Una meta precisa(27:26) 4 | Estableciendo la identidad de Pixar(31:59) 5 | Honestidad y sinceridad(37:12) 6 | Miedo y fracaso(40:56) 7 | La Bestia Hambrienta y El Niño Feo(46:45) 8 | Cambio y azar(49:41) 9 | Lo oculto(54:16) 10 | Ampliar nuestra vision(1:02:59) 11 | El futuro no realizado(1:05:53) 12 | Un nuevo desafío(1:07:55) 13 | El Día de las Notas(1:13:36) El Steve que nosotros conocimos(1:13:55) Ideas para gestionar una cultura creativa(1:14:18) Estilo y valoración(1:18:07) El siguiente libro(1:19:41) ¡Nos escuchamos muy pronto!Recursos mencionadosLibro: Creatividad S.A. de Ed CatmullLibro: Work Simply de Carson TateEpisodio 5: El artesano de la innovación con Humberto MatasPersona: Steve JobsPersona: George LucasPersona: John LasseterVídeo: A computer animated hand (1972) de Ed Catmull y Fred ParkePelícula: Toy Story de John LasseterPelícula: Toy Story 2 de John LasseterPelícula: Toy Story 3 de Lee UnkrichPelícula: Buscando a Nemo de Andrew Stanton y Lee UnkrichPelícula: Shrek de Andrew Adamson y Vicky JensonLibro: Steve Jobs de Walter IsaacsonPelícula: Monstruos, S.A. de Pete Docter, Lee Unkrich y David SilvermanLibro: Lo único de Gary Keller y Jay Papasan See acast.com/privacy for privacy and opt-out information.

Latino USA takes a look back at Disney's relationship with Latin America. We start in the 1940s when Walt Disney and a group of animators were deployed by the U.S. government to Latin America in efforts to curb Nazi influence there. Then we hear from a Chilean writer who wrote a book called How to Read Donald Duck, critiquing Disney comics' American imperialism in the 1970s. His book would later be burned in Chile. Finally, we talk with the directors of Coco, Lee Unkrich and Adrian Molina. This podcast was originally broadcast by Latino USA on November 17, 2017.

Netflix can make some great movie.  Interceptor is kind of the opposite of that.  Who knew? 0:08:45 - Box Office and upcoming releases. 0:23:20 *** What's Streaming  *** DISNEY+ DISNEY PIXAR BEYOND INFINITY, Dir Tony Kaplan – Documentary TOY STORY 1-4, Dirs. John Lasseter (1995), Same (1999), Lee Unkrich (2010), Josh Cooley (2019).  Familiar cast RON'S GONE WRONG, Dir Sarah Smith, Jean-Philippe Vine – Zach Galifianakis, Jack Dylan Grazer, Ed Helms, Justice Smith, Rob Delaney, Kylie Cantrall 0:28:00 - Trailers - PREY / BLACK ATOM / THE FORGIVEN 0:38:10 - INTERCEPTOR, Dir. Matthew Reilly ( Grayson 1.5 / Roger 2 / Chris 2 ) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Guest appearance by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com Thank you for Listening!  Netflix is certainly a mixed bag.  

Derek and Doug are joined this month by Stephania to talk about Coco, Pixar's critically-adored love letter to Mexico. Look, Coco's really good. Like really, really good. But what about Pixar's not-quite-a-musical made it such a beloved story and massive success? How'd Lee Unkrich end up making a movie about Día de Muertos, and what's the story behind Adrian Molina becoming co-director? And what can creators learn about getting stories like Coco right? We dig into it all. Film Release: November 22, 2017 Discord Patreon E-mail us: pixarpodcast@gmail.com Doug on Twitter: @ickybooley Derek on Twitter: @DerekBGayle Theme song features: “Stasis” by Eagle-Eyed Tiger | Source Closing song: “Jálale - Instrumental” by Mexican Institute of Sound For more by Derek & Doug, check out Walloping Websnappers: A Spider-Man Podcast on the Four-Eyed Radio Network! --- Send in a voice message: https://anchor.fm/fallingwithstyle/message