Podcasts about pixar animation studios

On this episode of Behind The Geeks, we go behind the scenes of Disney and Pixar's Toy Story 5 with the filmmakers helping bring Woody, Buzz, Jessie, and the gang back to the big screen. We sit down with Director Andrew Stanton, Co-Director Kenna Harris, Producer Lindsey Collins, Production Designer Bob Pauley, and VFX Supervisor Thomas Jordan to discuss the film's themes, visual evolution, technological innovations, and the creative process behind one of animation's most beloved franchises. We also explore the toys that inspired their imaginations growing up, the role technology plays in children's lives today, and the invaluable lessons they've taken away from their time at Pixar. Disney & Pixar's Toy Story 5 opens exclusively in theatres June 19, 2026. Watch the full interview on YouTube Here Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

On this episode of The Movie Podcast, we head back to Pixar Animation Studios in Emeryville, California, to sit down with Tom Hanks and Tim Allen, the legendary actors behind Woody and Buzz Lightyear in Toy Story. We also speak with Co-Director Kenna Harris and returning friend of the show, Producer Lindsey Collins. The toys are back in Disney and Pixar's Toy Story 5, and this time it's toy meets tech. Woody, Buzz Lightyear, Jessie, and the rest of the gang have their roles challenged when they come face-to-face with Lilypad, a brand-new tablet device with her own disruptive ideas about what's best for their kid, Bonnie. Will playtime ever be the same? Toy Story 5 releases in theatres June 19, 2026. This episode of The Movie Podcast is brought to you by BenQ. Use our affiliate link to help support our show: ⁠⁠https://benqurl.biz/4eiSeMX⁠⁠ Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

After more than 15 years as a Lead and Senior Technical Director of Lighting and Creative Services Marketing at PIXAR Animation Studios, Jesse launched a new venture. His goal: to reimagine the animation studio model by leveraging AI from the ground up, ushering in a new era of cinematic animated entertainment. His latest venture, ILLUMINAI Studios, operates on the ethos that while technology evolves, the "soul" of animation remains uniquely human.Jesse and his team are committed to the ethical sourcing and implementation of AI throughout our development and production pipelines. To ILLUMINAI, AI is a powerful brush, not the artist. They take deliberate steps to ensure human creative ownership remains the heartbeat of every frame.By integrating AI ethically, Jesse and his team can expedite the technical complexities of production without ever sacrificing the exceptional quality and emotional depth that families expect. Their mission is to empower creators, not replace them, ensuring that the artists who build our worlds are respected, protected, and inspired to deliver the highest standards of family entertainmentBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Garry "G" Cobb (sports media host & former NFL linebacker) calls in with thoughts on the recent A.J. Brown trade, select 2026 Eagles draft picks, former teammate (and roommate) Reggie White, with bonus chat on G's new granddaughter and Garry III (her 4-year old big brother :)). Jesse Weglein (founder of Illuminai Studios) joins the show regarding his new short film "Roar" and his thoughts and approach concerning the use of A.I. in the creation of the work his studio produces. Weglein spent over 15 years with Pixar as a Lead & Senior Technical Director of Lighting & Creative Services Marketing and was connected with multiple films including Up, Lightyear, Toy Story 3 and 4, Cars 2 and 3, and The Incredibles 2. Sports clip: Don Mattingly (Philadelphia Phillies manager) (MLB.com)See omnystudio.com/listener for privacy information.

After more than 15 years as a Lead and Senior Technical Director of Lighting and Creative Services Marketing at PIXAR Animation Studios, Jesse launched a new venture. His goal: to reimagine the animation studio model by leveraging AI from the ground up, ushering in a new era of cinematic animated entertainment. His latest venture, ILLUMINAI Studios, operates on the ethos that while technology evolves, the "soul" of animation remains uniquely human.Jesse and his team are committed to the ethical sourcing and implementation of AI throughout our development and production pipelines. To ILLUMINAI, AI is a powerful brush, not the artist. They take deliberate steps to ensure human creative ownership remains the heartbeat of every frame.By integrating AI ethically, Jesse and his team can expedite the technical complexities of production without ever sacrificing the exceptional quality and emotional depth that families expect. Their mission is to empower creators, not replace them, ensuring that the artists who build our worlds are respected, protected, and inspired to deliver the highest standards of family entertainmentBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In the latest episode of Boz To The Future, Meta CTO, Head of ATA and Reality Labs, and host Andrew "Boz" Bosworth talks to Ed Catmull—co-founder of Pixar Animation Studios, former president of Walt Disney Animation Studios, Turing Award laureate, and author of the bestselling book Creativity, Inc.Ed spent 20 years turning an impossible dream—making a feature film entirely with computers—into reality with Toy Story. Along the way, he invented foundational computer graphics techniques, built one of the most innovative companies in entertainment history, and worked alongside Steve Jobs for over two decades.Together, they explore how Ed built a culture of sustained creativity at Pixar, the mechanics of the Braintrust, why failure is an investment and not a verdict, and what it was like to work with Steve Jobs. They also discuss what the intersection of technology and art means for the future of creative tools and AI.Leave Boz feedback on Instagram, X, and Threads. 

Halo sobat kreatif! Dulu kamu sering nonton film film animasi Pixar yang ditayangin di TV nggak? Rasanya kangen banget deh nonton film film animasi Pixar Studios yang nemenin kita grew up sampe dewasa!

What does it take to bring a Pixar film to life for audiences around the world? In this episode, host Bill Connolly sits down with John Trauscht, Senior Graphic Designer at Pixar Animation Studios, to explore the craft behind adapting films for global audiences and the creative mindset that makes it all possible. From designing band posters to shaping global Pixar films, John's career has been consistently artistic but not exactly linear. He shares how collaboration, critique, and "creative surfing" help bring stories to life across languages and why humans are still central to storytelling. You can find blog posts for this and other episodes at monotype.com/podcast.

Currently in theaters, Hoppers is the 30th feature-length film by Pixar Animation Studios. That seemed like an important enough number for us to turn to one of the evergreen questions: what's going on with Pixar, exactly? Tim is joined by Zev and Cameron to reminisce about the studio's history and mull over its recent run of films that mostly haven't lit the world on fire at the box office or in reviews. Before getting to Pixar, Zev brings Agnès Varda's very first film, La Pointe Courte, to our movie roundtable, while Cameron revisits a childhood favorite, Return to Oz. At the behest of Patreon supporter Hallvarður, Tim checks out the 1996 Icelandic dark comedy Devil's Island.

Cosa succede davvero quando usciamo da una stanza e chiudiamo la porta? E se i nostri giocattoli prendessero vita?In questo episodio di Favole nel Traffico vi porto nella cameretta di Andy, dove il cowboy Woody e il nuovo arrivato Buzz Lightyear imparano una lezione importante: non serve essere il preferito per essere importanti… basta esserci davvero.Tra gelosie, avventure rocambolesche e fughe all'ultimo secondo, questa storia racconta ai più piccoli (e ricorda ai grandi) il valore dell'amicizia, della collaborazione e del trovare il proprio posto nel mondo.Una favola moderna piena di cuore, perfetta da ascoltare insieme, in macchina o prima della nanna. ❤️⚠️ Nota sui dirittiQuesta storia è una rielaborazione narrativa a scopo ricreativo ispirata all'universo di Toy Story.Tutti i diritti, i personaggi e i marchi originali appartengono a Disney e Pixar Animation Studios.Il presente contenuto non è ufficiale, non è affiliato né sponsorizzato, ed è realizzato esclusivamente con finalità di intrattenimento e senza alcuno scopo di lucro.#FavoleNelTraffico #PodcastPerBambini #ToyStory #DisneyPixar #StoriePerBambini #Audiostorie #Fiabe #EducazioneEmotiva #AmiciziaVuoi mandare il tuo messaggio a Lettere al Semaforo?Fallo subito! - 353/4453010 (Vi ascolto tutti e tutte!)Illustrazioni di Ludovica Sodano.Musica della sigla di Marcelo.Buon ascolto e a presto!Maestro Lorenzo

Kensington Tallman Talks Voice Acting, Inside Out 2 & Finding Her Creative Voice | The Brett Allan Show In this episode of The Brett Allan Show, host Brett Allan sits down with rising star Kensington Tallman to talk about her breakout role in Inside Out 2, her journey into voice acting, and what it's like stepping into a beloved franchise from Pixar Animation Studios. Kensington opens up about bringing new emotions to life, the pressures and excitement of joining such an iconic animated world, and how she prepares for emotionally driven performances. She also shares insights into her acting journey, creative inspirations, and what's next in her career. This is a fun, inspiring conversation with one of Hollywood's brightest young talents! Landing a role in Inside Out 2 Working with Pixar and honoring the original film The art of voice acting and emotional storytelling Behind-the-scenes moments from recording sessions Growing up in the industry Advice for aspiring actors Kensington Tallman is a talented young actor and voice artist best known for her role in Inside Out 2. With a natural ability to convey emotion and authenticity, she is quickly becoming one to watch in the entertainment industry. Subscribe for more exclusive interviews with actors, filmmakers, and creatives from around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vous avez dit "bizarre" ? C'est bien normal. Voici la première série de Baleine sous Gravillon consacrée à des espèces animales extraordinairement étranges.Dans cette deuxième série "Bizarres", Marc et Marie-Juliette se penchent sur 5 animaux qui, étonnamment, ont perdu ou n'ont jamais possédé une partie anatomique essentielle et/ou voyante comme le nez au milieu de la figure chez d'autres espèces.Si vous êtes fan de cétacés, vous connaissez sans doute les Tursiops, ces grands dauphins tout gris à l'aileron en croissant de lune.Mais avez-vous déjà entendu parler de leurs cousins les Lissodelphis ?Également connus sous en tant que "Dauphins aptères", ces deux espèces (l'une boréale, l'autre australe) sont des plus particulières : elles tiennent leur nom scientifique et commun du fait qu'elles ne possèdent PAS de nageoire dorsale !Pourquoi ces splendides animaux noir et blanc ont-ils perdu cette appendice ? Ces espèces étant peu étudiées, seules des hypothèses pas vraiment vérifiées ont été proposées : la principale serait que ces fusées auraient troqué leur aileron (qui génère des frottements dans l'eau) pour plus d'hydrodynamisme, leur faisant atteindre des pointes à plus de 40 km/h.Les Dauphins aptères ne sont pas les seuls cétacés sans aileron. Parmi les plus célèbres, se trouvent également les Monodontidés, c'est-à-dire les Bélugas et les Narvals. Ces animaux polaires ont le dos lisse afin de pouvoir casser des trous dans la banquise pour pouvoir respirer à l'air libre. Autre fonction : une réduction de la surface de leur corps, ce qui leur permet de conserver davantage la chaleur, et d'éviter ainsi de se transformer en glaçons...---SOURCES :Vignette : Dauphin aptère boréal (©chicanoticias.com)Extraits :04'15 : Clics de chasse d'Orques (©ocr.org)05'32 : Le Monde de Nemo, Andrew Stanton & Lee Unkrich, 2003 (©Pixar Animation Studios & Walt Disney Pictures)11'04 : Chants de bélugas, enregistrement supervisés par Pr Christopher W. Clark (Bioacoustics Research Program, Cornell Laboratory of Ornithology)12'31 : Publicité pour les gaufrettes de la marque Verkade, 1984Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Petit poisson deviendra... pinnipède ! Après une série dédiée aux manchots, nous partons à la rencontre de ces mammifères marins moustachus et aux pattes en forme de pagaie, à nouveau en compagnie de Mathilde Chevallay.Mathilde est docteure en biologie marine, vulgarisatrice scientifique et photographe animalière. Spécialiste des comportements de prédation des Otaries à fourrure, des Éléphants de mer du Sud et des Manchots royaux, elle a pu les rencontrer au sein d'immenses colonies lors d'expéditions menées aux Îles Kerguelen, juste au dessus de l'Antarctique.___

Axel Geddes ACE, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes The Hoppers editing team of Axel, Tony, Chloe, Geoff and Ayesha understand better than anyone, that in the world of animation, creating a captivating film involves more than just drawing and animating characters. It requires a deep understanding of storytelling, editing, and collaboration.  Not to mention the occasional party in the cutting room. Hoppers follows a young woman named Mabel Tanaka, an animal lover whose mind is transferred into a lifelike robotic beaver, allowing her to communicate with animals and save their habitat from human destruction, while inadvertently starting an uprising in doing so.   AXEL GEDDES, ACE Axel Geddes joined Pixar Animation Studios in February 1999 as an assistant editor on the Academy Award®-nominated feature "Toy Story 2." Geddes went on to work as a second assistant editor on "Monsters, Inc.," first assistant editor on Oscar®-winner "Finding Nemo" and second film editor on Oscar®-winning feature film "WALL•E."  He continued as a lead editor on two Toy Story Toons, the studio's Halloween television special "Toy Story of TERROR!" and "Finding Dory." He more recently served as Editor on the Academy AwardÆ-winning film "Toy Story 4," in addition to working on Pixar's "Lightyear." Geddes recently completed cutting Pixar's latest feature "Hoppers". Geddes was born and raised in the San Francisco Bay Area. He studied filmmaking with an emphasis on editing at The Academy of Art University in San Francisco. He resides in the East Bay with his wife and their three children. TONY GREENBERG Anthony Greenberg (call him Tony) joined Pixar in 2002 as a Second Assistant Editor for The First Incredibles. His subsequent credits include serving as First Assistant Editor on WALL•E, and Second Editor on both The Good Dinosaur and Incredibles 2. Most recently, he served as the Lead Editor for Lightyear and as a Second Editor for Hoppers. Prior to his time at Pixar, Tony began his career as an Intern at Industrial Light & Magic, where he eventually rose to the position of Assistant VFX Editor. CHLOE KLOEZEMAN Chloé Kloezeman was hired as a temporary assistant editor in 2012 for the TV special, Toy Story of Terror. What was supposed to be 3 months turned into 14 years, and she's hoping that no one has noticed. She has Second Assistant Editor credits on Finding Dory, Coco, Toy Story 4 (and said TV Special), and two credits as a Second Editor (Lightyear and the new Hoppers). Working on Hoppers has been a highlight of her career. Kloezeman was born and raised in the San Francisco Bay Area and is a UC Berkeley graduate. She lives in Oakland with her partner and two kids. GEOFF SLEDGE Geoffrey Sledge previously worked on live action features in New York, mainland China and Hong Kong. After returning to the States, he started at Pixar in 2013, first as an assistant on Coco. He transitioned into the Second Editor role while working on Hoppers. AYESHA JOHANNES Ayesha Johannes joined Pixar in the spring of 2016 as an Editorial Intern on Cars3. She then went on to become a second assistant editor on Luca and then Lightyear.  She also worked as an assistant editor on two spark shorts at Pixar, PURL and LOOP. On Hoppers she was promoted to a first assistant editor and it has been her most favorite time at Pixar so far. Prior to her time at Pixar, Ayesha studied at the Academy of Art University and while there worked with a director on a Filipino short film called Christmas Bonus. She was born and raised in Mumbai, India and now lives in Oakland, California with her family. Visit Extreme Music for all your production audio needs Listen to past interviews with 2026 ACE Eddie Winners, Michael Shawver (Sinners), Andy Jurgensen (One Battle After Another), Mark Strand (The Pitt), Nathan Schauf (KPop Demon Hunters) and Eric Kissack (The Studio) Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Regni animali uniti contro l'asfalto: Avengers ma con più peli e meno tute. Jumpers - Un salto tra gli animali, regia di Daniel Chong, prodotto da Pixar Animation Studios, distribuito da The Walt Disney Company Italia.

Hoppers (2026) is an animated science-fiction comedy from Pixar Animation Studios and Walt Disney Pictures. Directed by Daniel Chong and written by Jesse Andrews, the film features voice performances from Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco. The story centers on Mabel Tanaka, an animal lover whose mind is transferred into a lifelike robotic beaver so she can communicate with wildlife and stop the destruction of their habitat—accidentally sparking an animal uprising in the process. Chong began developing the project at Pixar in late 2020, with the film officially announced in August 2024 after six years of development. The score was composed by Mark Mothersbaugh, and SZA wrote and performed the end-credits song “Save the Day.” Hoppers premiered at the El Capitan Theatre on February 23, 2026, screened at the New York International Children's Film Festival on February 28, and opened in U.S. theaters on March 6. The film received positive reviews and has earned about $88 million worldwide, making it one of the year's top-grossing releases.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

On this episode of The Movie Podcast, Daniel and Shahbaz visit Pixar Animation Studios in Emeryville, California to meet the humans behind Disney and Pixar's HOPPERS, including Director Daniel Chong, Producer Nicole Grindle, Story Supervisor John Cody Kim, Story Artist Margaret Spencer, Production Designer Bryn Imagire, and Visual Effects Supervisor Beth Albright. Daniel and Shahbaz also reflect on their 2016 attempt to visit Pixar and what it was like returning to the studio nearly a decade later for this unforgettable experience. Later in the episode, they're joined by some Canadian hometown heroes working at Pixar, including John Cody Kim (Story Supervisor), Andreas Deutz (Animator), Scott Edelman (Simulation Artist), and Eddy Okbata (Animator), who share their journeys to the studio and what it's like bringing Pixar films to life. Hoppers follows animal lover Mabel (voiced by Piper Curda) who seizes the opportunity to test groundbreaking new technology that allows her to “hop” her consciousness into a lifelike robotic beaver—giving her the ability to communicate directly with animals. As she uncovers mysteries within the animal world beyond anything she could have imagined, Mabel befriends a charismatic beaver named King George (voiced by Bobby Moynihan). Together, they must rally the entire animal kingdom to confront a looming human threat: smooth-talking local mayor Jerry Generazzo (voiced by Jon Hamm). The all-star voice cast also includes Kathy Najimy, Dave Franco, and Meryl Streep. Hoppers releases exclusively in theatres on March 6, 2026. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. EXCLUSIVE NordVPN Deal ➼ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nordvpn.com/moviepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Try it risk-free now with a 30-day money-back guarantee! ⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to The Kristian Harloff Show — your go-to source for the biggest breaking stories in movie news, DC, Marvel, Star Wars, and box office updates. Today's episode dives deep into major shakeups, franchise futures, and early review reactions that could shape the industry in 2026 and beyond. DC Studios In Turmoil? Could James Gunn Exit After WBD/Paramount Deal? Speculation is heating up that James Gunn could potentially leave DC Studios amid ongoing discussions surrounding a possible Warner Bros. Discovery and Paramount Global deal. What would this mean for the DCU slate, including Superman, The Brave and the Bold, and the long-term roadmap Gunn and Peter Safran have been building? Kristian breaks down the rumors, industry implications, and whether this is smoke or real fire. Star Wars: Starfighter – Ryan Gosling Explains Why He Joined Star Wars Ryan Gosling officially stepping into the galaxy far, far away? The Starfighter star reveals why he joined the iconic Star Wars franchise. Is this a one-off standalone, or something bigger for Lucasfilm's evolving slate? Kristian discusses what Gosling's involvement signals for the future of Star Wars films and how it fits into Disney's theatrical strategy. Pirates of the Caribbean – Is Johnny Depp Really Coming Back? A Pirates producer says Johnny Depp will return as Captain Jack Sparrow — if he has his way. But how realistic is that? With Disney navigating franchise reboots and legacy sequels, Kristian analyzes whether a Depp comeback is likely, what it would mean for the box office, and how Pirates could evolve moving forward. Hoppers Early Reviews – Pixar Back On Top? Early reviews for Pixar's Hoppers are overwhelmingly positive. Are we looking at another major win for Pixar Animation Studios? Kristian reviews the first reactions and discusses whether this could be Pixar's next critical and commercial breakout hit. If you're a fan of DC Studios news, Star Wars updates, Pirates of the Caribbean rumors, Pixar reviews, and weekly box office analysis, this is the show for you. Make sure to subscribe for daily movie news, trailer breakdowns, industry rumors, and deep-dive discussions. SPONSOR: RUGIET:  For a limited time only, head to https://www.Rugiet.com/KRISTIAN to get 15% off your order.

Hoppers | Pixars neuer Animationsfilm: Kann das Studio vor "Toy Story 5" wieder an alte Erfolge anknüpfen? Bevor im Sommer mit "Toy Story 5" ein nahezu garantierter Kassenerfolg auf Pixar Animation Studios wartet, bringt das Traditionsstudio am 5. März mit "Hoppers" zunächst eine originäre Geschichte in die deutschen Kinos. Im Mittelpunkt steht Mabel, die einen idyllischen Teich davor bewahren will, dem Bau einer Umgehungsstraße zum Opfer zu fallen. Klassische Maßnahmen wie Protestaktionen oder das Sammeln von Unterschriften erweisen sich jedoch als weitgehend wirkungslos, sodass die Tage des Gewässers gezählt scheinen – zumal sich dort seit geraumer Zeit keine Tiere mehr angesiedelt haben. Für Mabel steht fest: Die Tierwelt muss zurückkehren, sonst ist der Teich verloren. Durch eine streng geheime Technologie und eine Portion Zufall gelingt es ihr schließlich, ihren Geist in den Körper eines synthetischen Bibers zu transferieren – eine Art "Avatar"-Prinzip im Miniaturformat. Als Biber-Mabel nimmt sie Kontakt zur umliegenden Tierwelt auf und stößt dabei auf die wahre Ursache für das rätselhafte Verschwinden der Tiere. Welche Enthüllungen sie dabei erwarten, soll hier nicht vorweggenommen werden. Auch im Podcast mit Schlogger, Stu und Johannes steht weniger das Spoilern konkreter Handlungsdetails im Vordergrund, sondern vielmehr die Frage, ob "Hoppers" endlich wieder jene unverwechselbare Pixar-Magie entfacht, die das Studio einst auszeichnete, oder ob sich der Animationsfilm eher in die jüngere Reihe solider, aber nicht restlos begeisternder Beiträge einordnet. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen. Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Daniel and Shahbaz review Daniel Chong's HOPPERS from Disney and Pixar. In the film, animal lover Mabel (voiced by Piper Curda) seizes the opportunity to test groundbreaking new technology that allows her to “hop” her consciousness into a lifelike robotic beaver—giving her the ability to communicate directly with animals. As she uncovers mysteries within the animal world beyond anything she could have imagined, Mabel befriends a charismatic beaver named King George (voiced by Bobby Moynihan). Together, they must rally the entire animal kingdom to confront a looming human threat: smooth-talking local mayor Jerry Generazzo (voiced by Jon Hamm). The all-star voice cast also includes Kathy Najimy, Dave Franco, and Meryl Streep. Hoppers releases exclusively in theatres on March 6, 2026. Stay tuned for tons more from our time at Pixar Animation Studios. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. EXCLUSIVE NordVPN Deal ➼ ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nordvpn.com/moviepod⁠⁠⁠⁠⁠⁠⁠⁠⁠ Try it risk-free now with a 30-day money-back guarantee! ⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Stop putting off those doctors appointments and go to https://Zocdoc.com/NOSTALGIA to find and instantly book a doctor you love today. Thanks Zocdoc for sponsoring this message. With the FIFTH movie on it's way, Nostalgia Critic remembers the days when a Toy Story sequel really meant something. Let's take a look at Pixar's Toy Story 2. Come see us at Cedar Falls Comic Con - https://www.cedarfallscomiccon.com/ Come see Doug & Brad March 13th-15th - https://gameonexpo.com/ Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/CURGUGr-iBQ Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Toy Story 2 is a 1999 American animated adventure comedy film produced by Pixar Animation Studios for Walt Disney Pictures. It is the second installment in Pixar's Toy Story franchise and the sequel to the original 1995 film. The film was directed by John Lasseter from a screenplay by Andrew Stanton, Rita Hsiao, Doug Chamberlin, and Chris Webb. Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts, R. Lee Ermey, John Morris, Laurie Metcalf and Jeff Pidgeon reprise their roles from the first Toy Story film, with newcomers Joan Cusack, Kelsey Grammer, Wayne Knight, Estelle Harris, and Jodi Benson joining the cast. In the film, Woody is stolen by a greedy toy collector, prompting Buzz Lightyear and his friends to save him, but Woody is then tempted by the idea of immortality in a museum. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome To The Real Oshow,0:00 Intro1:00 Charles Barkley on How to Stop Tanking in the NBA4:30 Netflix Most Watched Movies All Time6:50 Ronda Rousey Fighting on Netflix11:20 Olympic Coaches Don't Get Medals12:50 Toy Story Almost Got Cancelled16:00 Closing Thoughts On this episode of The Real O Show, brothers Joshua and Zachary say it's time to change one Olympic rule that makes no sense — Olympic coaches don't receive medals when their athletes win. When Team USA wins gold at the Olympic Games, the players stand on the podium… but the coach who built the system walks away empty-handed. We argue they don't need multiple medals in sports like gymnastics, where one athlete racks up several, but at least give them one medal or the highest medal their team earns.We also break down how Netflix's biggest movie ever, K-Pop Demon Hunters, reportedly hit a 110% watch-through rate compared to subscribers. The film clearly exploded with kids, the songs went viral, and repeat views pushed it into streaming history.And finally, the wild story of how Toy Story was almost canceled because Woody was originally written as mean. Pixar Animation Studios had to beg Walt Disney Company to let them rewrite the script, and that decision turned it into one of the biggest franchises of all time.Check out our YouTube page - https://www.youtube.com/channel/UCoqz3s_B_VYHuQtuVIDxpiQTikTok - https://www.tiktok.com/@therealoshow?is_from_webapp=1&sender_device=pcTweet @zacharyowings2 with your thoughts about the podcast or suggestions for future shows.Music by Leno Tk - Greatness (Streaming on all platforms)

Episode SummaryErin and Rachel discuss Toy Story 3 (2010), the third and allegedly final installment in the Toy Story franchise. Despite some minor misogyny and heteronormativity, the film manages to delight (and emotionally devastate) the hosts.  Episode BibliographyBianculli, D. (2011, February 4). The People Behind Pixar's 'Toy Story 3'. NPR. https://www.npr.org/transcripts/133471041?storyId=133471041?storyId=133471041Daly, S. (2007, February 19). A happy ending for ''Toy Story 3''? Entertainment Weekly. https://ew.com/article/2007/02/19/happy-ending-toy-story-3/Davidson Sorkin, A. (2010, July 20). Faith, hope, and Barbie. The New Yorker. https://www.newyorker.com/news/amy-davidson/faith-hope-and-barbieDisney Circle Seven Animation (partially lost production material of cancelled Pixar sequel films; 2004-2006). (2026). Lost Media Wiki. https://lostmediawiki.com/Disney_Circle_Seven_Animation_(partially_lost_production_material_of_cancelled_Pixar_sequel_films;_2004-2006)Ebert, R. (2010, June 16). These toys may be traumatized for eternity movie review (2010). Roger Ebert. https://www.rogerebert.com/reviews/toy-story-3-2010Finklea, B. W. (2014). Examining masculinities in Pixar's feature films: What it means to be a boy, whether human, fish, car, or toy. [Doctoral dissertation, The University of Alabama]. Gleiberman, O. (2010, June 21). Summer Entertainment Guide Jun 21 2010 02:58 PM ET Share Permalink ComMessage to men: Yes, it's okay to cry at 'Toy Story 3'. Entertainment Weekly. https://web.archive.org/web/20100624080328/http://movie-critics.ew.com/2010/06/21/its-okay-for-men-to-cry-at-toy-story-3/Gleiberman, O. (2012, July 31). Toy Story 3. Entertainment Weekly. https://ew.com/article/2012/07/31/toy-story-3-5/Hammond, P. (2010, November 17). OSCAR: Disney's Rich Ross Says “We're Going For The Best Picture Win” For ‘Toy Story 3′. Deadline. https://web.archive.org/web/20140223064924/http://m.deadline.com/2010/11/oscar-disneys-rich-ross-says-were-going-for-the-best-picture-win-for-toy-story-3/Harrison, M. (2017, May 18). Toy Story 3 and Its Horror Movie Undertones. Den of Geek. https://www.denofgeek.com/movies/toy-story-3-and-its-horror-movie-undertones/Koelsch, D. (2010, December 28). Toy Story 3 Oscar Campaign Gets Noticed. Movieviral.com. https://movieviral.com/2010/12/28/toy-story-3-oscar-campaign-gets-noticed/McLean, T. J. (2011, January 11). The Making of “Toy Story 3”. The Hollywood Reporter. https://www.hollywoodreporter.com/movies/movie-news/making-toy-story-3-69726/Moore, R. (2010, June 16). Movie Review: Toy Story 3. Orlando Sentinel. https://web.archive.org/web/20121024002505/http://blogs.orlandosentinel.com/entertainment_movies_blog/2010/06/movie-review-toy-story-3.htmlNess, M. (2017, November 30). Facing the End: Toy Story 3. Reactor. https://reactormag.com/pixar-rewatch-toy-story-3/Phillips, M. (2010, June 17). 'Toy Story 3' brims with style, confidence, Pixar magic. Chicago Tribune. https://web.archive.org/web/20100902204747/http://www.chicagotribune.com/entertainment/sc-mov-0615-toy-story-3-20100617,0,7968852.columnSampson, M. (2013). A look at the Toy Story 3 you didn't see... JoBlo. https://www.joblo.com/a-look-at-the-toy-story-3-you-didnt-see/Slotek, J. (2010, June 17). 'Toy Story 3': After the Golden Age. Toronto Sun. https://web.archive.org/web/20100618032337/http://www.torontosun.com/entertainment/movies/2010/06/11/14350796.htmlTheCoolBrotherhood. (2012, January 6). The Making Of Toy Story 3. YouTube. https://www.youtube.com/watch?v=_hlw-SzNvygToy Story 3. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Toy_Story_3Toy Story 3 (2010). (n.d.). Box Office Mojo. https://www.boxofficemojo.com/title/tt0435761/?ref_=bo_se_r_1Toy Story 3 IRL. (2020, January 25). Toy Story 3 In Real Life | Full-length Fan Film. YouTube. https://www.youtube.com/watch?v=YfduDq5gLnEToyStoryFR. (2023, August 21). Toy Story 3 - Behind the scenes - Designing new toys. YouTube. https://www.youtube.com/watch?v=vJtXhfrCdcMToy Story's Randy Newman: 'I just don't like directors'. (2015, February 13). Classic FM. https://www.classicfm.com/discover-music/periods-genres/film-tv/randy-newman-toy-story/Unkrich, L. (Director). (2010). Toy Story 3 [Film]. Pixar Animation Studios.

A DREAM COME TRUE! Garrett and I had the remarkable opportunity to visit where Pixar magic is made! Follow along this journey with us in this week's episode!

Mitch and Lilly from ImagineeringDisney.com join me to discuss our favorite feature length films that Pixar Animation Studios has released over the last 15 years. We each pick our top 5 films (and discuss some films from the bottom of our lists, too). More info at moviespastandpresent.com. Thanks for tuning in! (c) Movies Past and Present. All Rights Reserved.

I had the grand opportunity to cover the 50th Aniversary of the Toronto International Film Festival.  With animation being one of my favourite topics in the world, I am grateful that I was able to join this epic conversation and now share it with you. :) DIALOGUES: Creative Visions in Animated Feature Films is a specific TIFF (Toronto International Film Festival) event/panel where acclaimed directors like Domee Shi (Pixar's Elio), Mamoru Hosoda (Belle, Summer Wars), and Momoko Seto (Dandelion's Odyssey) discuss balancing artistic vision with studio realities, creative authorship, and the future of bold animation, showcasing diverse global perspectives. This dialogue offers insights into the challenges and triumphs of making visionary animated features, featuring both indie and major studio voices.  From intimate, auteur-driven projects to collaborations with major studios, discover how directors Domee Shi (Elio), Momoko Seto (Dandelion's Odyssey), Mamoru Hosoda (Scarlet), and Kid Koala (Space Cadet) balance artistic integrity with industry realities, and what it takes to make animated films that captivate audiences and spark global imaginations. Join us for a candid conversation about creative authorship, industry pressures, and the evolving space for bold, visionary animation. Domee Shi began as a story intern at Pixar Animation Studios in 2011 and was soon hired as a story artist on the Academy Award–winning Inside Out. She went on to work on The Good Dinosaur, Incredibles 2, and Toy Story 4. In 2015, she was greenlit to write and direct Bao, which won the Oscar for Best Animated Short. She made her feature directorial debut with 2022's Oscar-nominated Turning Red and most recently co-directed Elio, released June 2025. Born in Chongqing, China, and raised in Toronto, Shi now lives in Oakland, California. Momoko Seto was born in Tokyo and lives in Paris. She studied at Le Fresnoy - National Studio of Contemporary Arts. Her short film series Planet includes Planet Z (11) and Planet Sigma (15). The winner of the FIPRESCI Award at Cannes Critics' Week, Dandelion's Odyssey (25) is her feature film debut. Mamoru Hosoda was born in Toyama, Japan. He has worked on numerous animated series and directed the features One Piece: Baron Omatsuri and the Secret Island (05), The Girl Who Leapt Through Time (06), Summer Wars (09), Wolf Children (12), The Boy and the Beast (15) which played at the Festival, Mirai (18), and Belle (21). Scarlet (25) is his latest film. Kid Koala (Eric San) is a Montreal-based DJ, composer, and graphic novelist. He directed Space Cadet, his first animated feature based on his graphic novel, which premiered at the Berlinale and will have its North American Premiere at TIFF 50. Known for genre-defying albums and live shows, he has also scored acclaimed films, series, and video games. Moderator Theresa Scandiffio is the Associate Dean of Animation and Game Design at Sheridan College. Prior to joining Sheridan, Scandiffio led archival and curatorial projects at museums, festivals, and universities in Toronto, Chicago, and Orlando. From 2010–2020, Scandiffio was a member of the programming team that launched the Toronto International Film Festival's year-round home, TIFF Lightbox, where she led the Learning, Heritage, and Community Outreach divisions. Scandiffio served as an Ontario delegate for the 2015 Governor General Canadian Leadership Conference and was a 2017 Civic Action DiverseCity Fellow. She received her PhD in Cinema and Media studies from the University of Chicago. Key Participants & Films Mentioned: Domee Shi: Elio (Pixar) Momoko Seto: Dandelion's Odyssey (Indie/Artistic) Mamoru Hosoda: Scarlet (Japan's Studio Chizu) Kid Koala: Space Cadet (Independent)  Themes Explored: Creative Authorship vs. Industry: How directors maintain their unique style within large production environments. Industry Pressures: Navigating financial and commercial demands in animation. Evolving Landscape: The growing space for unique, visionary animation. Global Perspectives: Highlighting both auteur-driven projects and major studio collaborations.  Stay connected with me here:  https://www.instagram.com/shesallovertheplacepodcast

This episode of the Physics World Weekly podcast features Pat Hanrahan, who studied nuclear engineering and biophysics before becoming a founding employee of Pixar Animation Studios. As well as winning three Academy Awards for his work on computer animation, Hanrahan won the Association for Computing Machinery’s A.M. Turing Award for his contributions to 3D computer graphics, or CGI. Earlier this year, Hanrahan spoke to Physics World's Margaret Harris at the Heidelberg Laureate Forum in Germany. He explains how he was introduced to computer graphics by his need to visualize the results of computer simulations of nervous systems. That initial interest led him to Pixar and his development of physically-based rendering, which uses the principles of physics to create realistic images. Hanrahan explains that light interacts with different materials in very different ways, making detailed animations very challenging. Indeed, he says that creating realistic looking skin is particularly difficult – comparing it to the quest for a grand unified theory in physics. He also talks about how having a background in physics has helped his career – citing his physicist’s knack for creating good models and then using them to solve problems.

This year marks the 30th anniversary of a film that completely changed the game. In 1995, Pixar Animation Studios put itself on the map with the release of the fully CG-animated “Toy Story”. In this classic tale, cowboy doll Woody finds his position as Andy's favorite toy threatened by the arrival of popular new action figure Buzz Lightyear. When fate Intervenes, the two of them must come together to get back home. Join us as we travel “to infinity and beyond”!

In this episode of The Growing Readers Podcast, host Bianca Schulze welcomes Academy Award-winning director, animator, and author Alan Barillaro to discuss his middle-grade novel, Bunns Rabbit. Best known for directing Pixar's beloved animated short Piper, Alan brings over 25 years of animation experience to the page with a deeply moving tale about a brave rabbit born with unusually short ears who must find her place in a world that fears her because she's different.What began as a vulnerable leap from the security of animation—where Alan could "hide behind a monster"—became an intimate exploration of belonging, courage, and following your heartsong. Alan shares how his childhood struggles with dyslexia and his habit of reading backwards shaped his creative journey, why Roald Dahl's The Witches became a pivotal moment in his development as a storyteller, and how his personal experiences became woven into Bunns's world. With honesty and warmth, he reveals why he never feels "up to the task" as a creator, how vulnerability is essential to authentic storytelling, and why treating young readers with the same respect as adults creates the most powerful connections.Read the transcript on The Children's Book Review.Highlights:From Animation to Prose: Why Alan's editor had to convince him to write a novel instead of a graphic novelThe Roald Dahl Awakening: How a fourth-grade book report on The Witches changed everythingLearning to Read Backwards: Alan's experience with dyslexia and finding his way to storytellingHide and Seek: Why animators feel like actors and how that prepared (and didn't prepare) Alan for writingPersonal Sketches to Story: How drawings from his son's baseball games and his daughter's monarch butterfly became part of Bunns's worldThe Garden Approach: Alan's method of throwing story "seeds" without knowing which ideas will growColor Scripts and Heartsongs: How film techniques like color scripting and specific music playlists shape his book writingBalancing Dark and Light: Creating illustrations that feel both shadowy and luminousEaster Eggs and Book Two: What's planted in Bunns Rabbit that will pay off in the sequelNotable Quotes:"I think Bunns would ask you to be true to yourself and that she would remind you that everyone feels that way... there isn't a single character in the story that doesn't feel a little different." —Alan Barillaro"I felt like Roald Dahl always spoke to me like you would speak to an adult... the honesty and there's like some truth to what he's saying or cruelty, like he has all these little sides of him that as a young reader I found just really attractive." —Alan BarillaroBooks Mentioned:Bunns Rabbit by Alan Barillaro: Amazon or Bookshop.orgWhere the Water Takes Us: Amazon or Bookshop.orgThe Witches by Roald Dahl, illustrated by Quentin Blake: Amazon or Bookshop.orgRevolting Rhymes by Roald Dahl, illustrated by Quentin Blake: Amazon or Bookshop.orgMadame Badobedah series by Sophie Dahl: Amazon or Bookshop.orgAbout Alan Barillaro:Alan Barillaro is an Academy Award-winning director, writer, and animator who has spent over 25 years at Pixar Animation Studios bringing beloved characters to life. His directorial debut, the animated short Piper, won the Oscar for Best Animated Short Film in 2017. Alan has contributed his animation talents to numerous Pixar classics and now brings his gift for visual storytelling to children's literature with his debut middle-grade novel, Bunns Rabbit.For more: alanbarillaro.comCredits:Host: Bianca SchulzeGuest: Alan BarillaroProducer: Bianca Schulze and Kelly Rink

This week, we discuss the groundbreaking and enduringly popular computer-animated feature film, Toy Story.SPOILER ALERT We will be talking about this movie in its entirety, so if you plan on watching it, we strongly suggest you do so before listening to our takes.A Walt Disney Pictures release from Pixar Animation Studios. Released on November 22, 1995. Directed by John Lasseter. Written by Joss Whedon, Andrew Stanton, Joel Cohen, and Alec Sokolow, based on a story by John Lasseter, Pete Docter, Andrew Stanton, and Joe Ranft. Featuring the voices of Tom Hanks and Tim Allen. Edited by Robert Gordon and Lee Unkrich. Score and original songs by Randy Newman.

Alan Barillaro sits down with me to talk about his fatherhood journey. He shares the values he looks to instill into his kids. We talk about certain things that his kids have taught him as they were growing up. Next we talk about his latest book, Bunns Rabbit. In addition, he shares his creative process and how much his family has been an influence in his career. After that he shares what it was like to win an Oscar for the animated short film Piper. Lastly, we finish the interview with the Fatherhood Quick Five.  About Alan Barillaro Alan Barillaro is the Academy Award–winning writer and director of the animated short film Piper and has been supervising animator on many other popular theatrical releases, including The Incredibles, Incredibles 2, WALL-E, and Brave. In addition, he is the author and illustrator of Where the Water Takes Us and Bunns Rabbit. He has been honored with an ASIFA-Hollywood Award, an ICFF Award for Outstanding Career and was recognized by House Commons of Canada for his artistic and cultural contribution to the city of Niagara Falls, Ontario.  Alan began his career in animation at sixteen years of age, graduated from Sheridan College in 1996, and spent twenty-five years at Pixar Animation Studios. He lives in California with his wife and three children. Make sure you follow Alan on Instagram at @alan.barillaro. Plus go to alanbarillaro.com to learn more about Alan and his work. In addition, pick up his latest book, Bunns Rabbit wherever you purchase books. Kidde Fire Safety Is This Week's Podcast Sponsor Founded by Walter Kidde, a pioneer in early smoke detection and fire suppression, Kidde is a leading manufacturer of fire safety products. Each day, they work to expand upon their legacy of innovation, providing advanced solutions to protect people and property from fire and related hazards. Kidde is a part of Kidde Global Solutions. As North America's #1 home fire safety brand (based on total household installations as of December 2023), Kidde provides you with the confidence to protect what matters most in your life. Kidde's latest smoke and combination smoke + carbon monoxide (CO) detectors are bringing you the next level of fire and CO safety. For more information please go to their website over at kidde.com.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Episode SummaryErin and Rachel wallow through an elderly man's grief journey with Pixar's critically acclaimed Up (2009). They argue the beautiful art and cute sidekicks aren't enough to redeem this (admittedly beloved) film, especially since the (admittedly moving) love story invokes the classic “dead wife” trope. We'll keep sailing our balloon house onto the next one, please and thank you. Episode BibliographyAdler, S. (2008, August 7). 'Up' And Coming: 3-D Pixar Movie Tells A 'Coming Of Old Age' Story, Director Says. MTV. https://web.archive.org/web/20100318060539/http://www.mtv.com/movies/news/articles/1592302/story.jhtmlThe Associated Press. (2009, May 12). Q&A: Pete Docter. The Hollywood Reporter. https://www.hollywoodreporter.com/business/business-news/qampa-pete-docter-83783/Berardinelli, J. (2009, May 26). Up (United States, 2009). ReelViews. https://www.reelviews.net/reelviews/upBlock, A. B. (2009, November 17). Anatomy of a Contender: ‘Up'. The Hollywood Reporter. https://www.hollywoodreporter.com/business/business-news/anatomy-contender-91440/Brooks, X. (2009, March 19). Curtain will go Up on this year's Cannes with 3-D yarn | Cannes 2009. The Guardian. https://www.theguardian.com/film/2009/mar/19/up-first-animation-to-open-cannes-film-festivalChen, D. (2009, May 28). Marketing Up's Asian-American Lead Character. SlashFilm. https://www.slashfilm.com/503927/marketing-ups-asian-american-lead-character/Coconut Press. (2023, August 16). The Making of Up: Pixar Travels to Venezuela 4k. YouTube. https://www.youtube.com/watch?v=jXCHlcrMgLYCorliss, R. (2009, May 7). Going Up. TIME. https://web.archive.org/web/20090513203932/http://www.time.com/time/arts/article/0,8599,1896685-1,00.htmlCorliss, R. (2009, May 28). Up, Up and Away: Another New High for Pixar. Time Magazine. https://time.com/archive/6688401/up-up-and-away-another-new-high-for-pixar/Docter, P. (Director). (2009). Up [Film]. Pixar Animation Studios.DVDFilmBonus. (2023, July 16). Up 2009 ( Pixar ) Making of & Behind the Scenes. YouTube. https://www.youtube.com/watch?v=hPQuzPm73foErikson E.H., & Erikson, J.M. (1982). Life cycle completed. W.W. Norton & CompanyFreer, I. (2009, October 3). Up. Empire Online. https://www.empireonline.com/movies/reviews/movie-2-review/Hartlaub, P. (2009, May 27). Oakland's Fentons Creamery in Pixar film 'Up'. SFGate. https://www.sfgate.com/entertainment/article/Oakland-s-Fentons-Creamery-in-Pixar-film-Up-3297072.phpHauser, T. (2016). The Art of Up. Chronicle Books LLC.Hogan, R. (2009, June 1). Pixar's Up review. Den of Geek. https://www.denofgeek.com/movies/pixars-up-review-2/Horn, J. (2009, May 10). up, up and away. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-may-10-ca-up10-story.htmlHornaday, A. (2009, May 29). Up. The Washington Post. https://web.archive.org/web/20091027073954/http://www.washingtonpost.com/gog/movies/up,1156226.htmlKhoo, I. (2015, July 13). Pregnancy Loss: The Surprising Movie That Understands Miscarriage. HuffPost Canada. https://www.huffpost.com/archive/ca/entry/pregnancy-loss-the-surprising-movie-that-understands-miscarriag_n_7786224King, S. (2009, May 28). Jordan Nagai, 'Up'. Los Angeles Times. https://web.archive.org/web/20121106123435/http://articles.latimes.com/2009/may/28/entertainment/et-jordanpete28The Korean Face of Pixar's Latest Star. (2009, June 3). The Chosun Daily. https://www.chosun.com/english/people-en/2009/06/03/NXQOOEMZNUTRQNAZ7NTDTTGBUU/Ksieh, K. (2009, May 29). Jordan Nagai as Russell in UP. Channel APA. https://web.archive.org/web/20121110102130/http://www.channelapa.com/2009/05/jordan-nagai-as-russell-in-up.htmlMedia Action Network for Asian Americans. (2009, September 2). ASIAN AMERICAN MEDIA WATCHDOG GROUP PRAISES DISNEY/PIXAR'S "UP" FOR CREATING ASIAN AMERICAN PROTAGONIST. MANAA. https://web.archive.org/web/20090902105114/http://www.manaa.org/up_press_release.htmlMeinel, D. (2014). Empire is out there!?: The spirit of imperialism in the Pixar animated film ‘Up'. Traces. NECSUS. https://necsus-ejms.org/empire-spirit-imperialism-pixar-animated-film/#_edn12Meinel, D. (2016). Pixar's America. Palgrave MacMillan. DOI: 10.1007/978-3-319-31634-5_7Morgenstern, J. (2009, May 14). Reaching for the Sky, 'Up' Fails to Soar - WSJ. The Wall Street Journal. https://www.wsj.com/articles/SB124226358415817813Piane, C. (2010, April 9). EWP Honors Pixar Films And Jordan Nagai At 44th Anniversary Visionary Awards 4/19. Broadway World. https://www.broadwayworld.com/los-angeles/article/EWP-Honors-Pixar-Films-And-Jordan-Nagai-At-44th-Anniversary-Visionary-Awards-419-20100409Press Release. (2009, November 8). Interview: Pete Doctor on Disney/Pixar's UP. Major Spoilers. https://web.archive.org/web/20100208140509/http://www.majorspoilers.com/archives/27376.htm/Rechtshaffen, M. (2009, May 12). Up - Film Review. The Hollywood Reporter. https://web.archive.org/web/20120315171219/http://www1.hollywoodreporter.com/hr/film-reviews/up-film-review-1003972156.storySchilling, V. (2019, September 15). Boy Scouts ‘have been one of the worst culprits' of cultural appropriation. ICT. https://ictnews.org/news/boy-scouts-have-been-one-of-the-worst-culprits-of-cultural-appropriation/Tell Me More Staff. (2013, September 9). Angry Asian Man Not So Angry : Code Switch. NPR. https://www.npr.org/sections/codeswitch/2013/09/09/219725276/angry-asian-man-not-so-angryUp (2009 film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Up_(2009_film)Wooden, S.R., & Gillam, K. (2014). Pixar's boy stories: Masculinity in a postmodern age. Rowman & Littlefield Publishers. Young, S. (2020, January 16). Exploring the dead wives in family movies trope. Nerdist. https://nerdist.com/article/dead-wives-family-movies-dolittle/Zacharek, S. (2009, May 29). Up. Salon. https://www.salon.com/2009/05/29/up_review/

It's the head to head nobody was asking for in 2025. Once again our cultural timing is spot on. This week the boys revisit Antz and A Bug's Life to see which truly is the quintessential CGI-bug movie of the late 90s.Antz is a 1998 American animated adventure comedy film directed by Eric Darnell and Tim Johnson from a screenplay written by Todd Alcott and the writing team of Chris and Paul Weitz. Produced by DreamWorks Pictures, the film stars the voices of Woody Allen, Sharon Stone, Jennifer Lopez, Sylvester Stallone, Christopher Walken, Dan Aykroyd, Anne Bancroft, Danny Glover and Gene Hackman.A Bug's Life (stylized in all lowercase) is a 1998 American animated comedy film produced by Pixar Animation Studios for Walt Disney Pictures. It is Pixar's second feature-length film, following Toy Story (1995). The film was directed by John Lasseter and co-directed by Andrew Stanton, from a screenplay written by Stanton. It stars the voices of Dave Foley, Kevin Spacey, Julia Louis-Dreyfus, and Hayden Panettiere.

Chad Brown shares his journey from running a "successful" but personally destructive film business to completely redesigning his work to serve his life, offering powerful insights about the specific reflection processes that can help video professionals build profitable businesses without sacrificing what matters most. Key Takeaways The results in your life reveal the truth about your priorities - if you say family is important but your calendar and bank account tell a different story, you're living a lie Get extremely specific about what you want (not just "more time off" but when, where, how long, with whom) because vague goals prevent you from taking real action Your business doesn't have to look any particular way to be successful - question industry norms and design a model that actually serves your life priorities About Chad Brown Chad Brown is a scaling strategist and coach. He founded a media production studio called Shade Tree Films in 2008 that has serviced global companies such as Volkswagen, Target, and Pixar Animation Studios. This is where his love and passion for leadership and business was developed. Over the last 7 years he has trained and developed creative entrepreneurs who want to increase their profit and work less. When he is not helping others create more freedom in their business, you will find (or won't be able to find) Chad on a wild adventure in the mountains with his family. He resides at the foot of the Rocky Mountains in Orem, Utah, with his wife Katie and three children (Addison, Kenya, and Milo). In This Episode [00:00] Welcome to the show! [04:07] Meet Chad Brown [05:37] Chad's Filmmaking Experience [10:58] Are You Fulfilled? [13:29] Prioritizing Family [21:00] Identify What You Want [27:30] Prices Verses Benefits Exercise [30:20] Connect with Chad [34:22] Outro Quotes "When I hired my coach...he just looked at me and said, 'You're lying to yourself. You may like the idea of being a family man, but look at the results that you have in your life right now. The results are the truth. The story you tell, unfortunately at this moment is a lie.'" - Chad Brown "If I say one thing's important, but my calendar and my bank account say something different, then I'm living a lie. And until those two things align, it's gonna be despair." - Chad Brown "Most people build their life around their business rather than building their business around their life...You can do that. People build all types of businesses, it doesn't have to look a single way." - Chad Brown "It's a psychological principle that our mind will generalize things so that they're not actionable because action takes energy...If I get really specific about something, my brain goes, 'Okay, this is real. Now I've got to take action.'" - Chad Brown Guest Links Find Chad Brown online Get Chad's FREE Business Scaling Masterclass Links Learn more about the Video Blueprint Starter Kit Join the Grow Your Video Business Facebook Group  Follow Ryan Koral on Instagram Follow Grow Your Video Business on Instagram Check out the full show notes

In this episode of the Production and Distribution stream of the Self-Publishing with ALLi podcast, ALLi nonfiction adviser Anna Featherstone speaks with Brad Andalman, co-founder of Vellum, the popular book formatting software used by thousands of indie authors. They discuss Vellum's origins, its evolution, and how it fits into the book production process—especially for authors looking to maintain control, streamline workflow, and update files efficiently. Brad also shares insights on how authors use Vellum in unexpected ways, recent feature updates, and how the team prioritizes new tools based on author feedback and publishing trends. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Brad Andalman is the co-founder of 180g, the company behind Vellum—the Mac-based software that simplifies professional-grade book formatting for indie authors. He launched the company in 2012 alongside Brad West after more than a decade at Pixar Animation Studios, where he helped build next-generation animation and rendering tools.

We present our review of Elio (2025) from Disney and Pixar!Elio is a 2025 American animated science fiction adventure film produced by Pixar Animation Studios for Walt Disney Pictures. Directed by Madeline Sharafian, Domee Shi, and Adrian Molina[b], and written by Julia Cho, Mark Hammer, and Mike Jones, from a story by Molina, Sharafian, Shi, and Cho, the film stars the voices of Yonas Kibreab, Zoe Saldaña, Remy Edgerly, Brandon Moon, Brad Garrett, and Jameela Jamil. It follows an eleven-year-old boy named Elio Solís (Kibreab) who accidentally becomes the intergalactic ambassador of planet Earth after being beamed up to the Communiverse by aliens for making contact. He must form new bonds with eccentric alien lifeforms and navigate a crisis of intergalactic proportions that involves the warlord father of an alien he befriended.Elio was conceived by Molina as a story about childhood and social isolation and was inspired by growing up at a military base and his eventual enrollment at the California Institute of the Arts. The film was officially announced in September 2022, with Molina attached to direct. Molina later left the project to work on Coco 2 (2029), and in August 2024, it was announced that Shi and Sharafian would replace him as the lead directors. The production team devised a process, titled the "College Project", to create the look of the space setting, Communiverse. The film was shot with a virtual anamorphic lens and Pixar's new Luna lighting toolset was used to quickly define lighting and the overall aesthetic. Its musical score was composed by Rob Simonsen.Elio premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 10, 2025, and was theatrically released internationally on June 20, 2025.[5][6] The film has received positive reviews from critics and has grossed $34.8 million.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

On this episode, we review the new Pixar Animation Studios film, "Elio"! Pixar is back with their new film and we chat about the film in this "out of this world" episode! We also give you some resources for you to get started in animation!  Download — blender.org We also touch upon entertainment news such as "Wicked", "Toy Story 5", upcoming Marvel films, and "How to Train Your Dragon".  Saturday Morning Serial Podcast Website Follow Amanda here: https://linktr.ee/cowgirlamanda95 Podcast Essentials: https://www.amazon.com/shop/influencer-cbcbb9a8/list/2G6SRYLHD5IUH?ref_=cm_sw_r_cp_ud_aipsflist_aipsfinfluencer-cbcbb9a8_5PA5YCVDJWB2AF1ZZGV0 Enjoy 30 days of Hulu for FREE!! - https://tr.ee/uyHT3SoHfD Get yourself a safe, affordable VPN with SafeShellVPN! 38% OFF- Only $49.99/year https://safeshellvpn.pxf.io/K0gM0n

This is our spoiler-free review of Disney and Pixar's Elio. Join us as we share our thoughts on this brand-new original story from directors Madeline Sharafian, Domee Shi, and Adrian Molina — a film brimming with charm and fresh perspectives on loneliness, family, and belonging.Disney & Pixar's Elio releases in theatres June 20, 2025. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

GET YOUR MULTIVERSE NEWS MERCH HERE:https://multiverse-news-shop.fourthwall.com/In a peek behind the curtain, James Gunn shared with Rolling Stone this week that the Milly Alcock-lead film Supergirl: Woman of Tomorrow will now just be called Supergirl. This is similar to July's Superman, which started out with the title Superman: Legacy. Gunn shared that he and his team do what he calls “premortems,” where they attempt to suss out issues with projects prior to release rather than reacting on the back end. The shortening of titles has come out of those discussions. In the same article, Gunn got candid about the state of Batman in the DCU and the complexities of navigating the character with Matt Reeves' adaptation in consideration or making it his own. Lastly, Gunn announced today that actor Tom Rhys Harries will play Basil Karlo/Clayface in the film set to be released in September 2026.Live action remakes continue to rule at the box office, with this weekend's How to Train Your Dragon capturing the top spot opening to a global $197 million. A24's romantic comedy Materialists starring Dakota Johnson, Chris Evans, and Pedro Pascal, opened to a modest $11 million domestically, but goes down in studio history as A24's third highest debut at the box office. Next weekend Sony gives us 28 Years Later and Pixar releases Elio.Nosferatu director Robert Eggers is tackling the classic Charles Dickens story, A Christmas Carol. Eggers is on record as never wanting to make a film set in a modern age, and the ghost story that is A Christmas Carol seems right up his alley. Though unconfirmed, Willem Dafoe is likely set to play the main character of Ebenezer Scrooge as Dafoe has been in three of Eggers films.Tommy Wirkola will return to direct Violent Night 2, the sequel to the Christmas-themed action movie released in 2022, sources tell The Hollywood Reporter. David Harbour, who starred in the first film, will also return. The sequel is currently dated for December 4, 2026.Bill Pullman and Rick Moranis are set to reprise their respective roles as Lone Starr and Dark Helmet in the new Spaceballs movie from Amazon MGM Studios, with Keke Palmer and Lewis Pullman also joining the cast. The original film's director and star, Mel Brooks - who will turn 99 this month - will also feature in the cast once again, reprising his role as Yogurt. The film is currently set to release in 2027.On the animation side of DC Studios, Warner Bros. announced a new series called Mister Miracle, based on the comic series written by renowned writer Tom King who will also be the showrunner. Mister Miracle is an escape artist character who is a celebrity in the comic book world he lives in.Paramount+ has renewed Star Trek: Strange New Worlds the series for a fifth and final six-episode season. Production on the upcoming season will begin later this year.Pixar Animation Studios offered an exclusive first look at its upcoming features — including Hoppers and Toy Story 5 — and announced a brand-new original production, Gatto, during a studio presentation on Friday at the Annecy international animation film festival as part of a broader showcase that also included extensive footage from Pixar's 2025 release Elio.Gatto will be directed by Luca filmmaker Enrico Casarosa, follows Nero, a water-hating black cat living in the picturesque city of Venice, Italy, who befriends Maya, a lonely street musician.Glenn Close and Billy Porter have joined the cast of Hunger Games: Sunrise on the Reaping. Close will play Drusilla Sickle, the cruel escort to the District 12 Tributes, while Porter snagged the role of Magno Stift, her estranged husband and the Tributes' uninspired designer. Today, Jhaleil Swaby was also added to the cast as Panache, a career tribute from District 1.

This week on the No Film School Podcast, GG Hawkins sits down with Pete Docter, Chief Creative Officer at Pixar Animation Studios and the visionary behind films like Monsters, Inc., Up, Inside Out, and Soul. The conversation dives deep into the creative process behind Pixar's latest original feature Elio, and how Pixar's iterative storytelling model has evolved over the years. Pete shares actionable insights on how filmmakers—whether working at a major studio or independently—can embrace change, vulnerability, and creative discovery to build resonant stories. In this episode, No Film School's GG Hawkins and guest Pete Docter discuss... How Pete Docter chose Pixar over Disney and The Simpsons early in his career The iterative story process at Pixar and how it has shaped Elio The importance of balancing imaginative worlds with relatable emotional storytelling How Pixar greenlights projects by betting on people rather than ideas The evolving leadership strategies that support creativity and collaboration Why vulnerability is key to character empathy and story resonance How emerging filmmakers can use these Pixar principles in their own work Memorable Quotes: "Go to a small place where one person has a huge effect." "Every idea is good until you have to tell it to somebody else." "At some point, it is more about tenacity than talent." "Don't try to make and analyze at the same time." Guests: Pete Docter Resources: Pixar's Elio Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

What causes a well-intentioned, capable leader to become the kind of boss that leaves employees feeling disengaged or demoralized? That's the central question of this episode of The Leadership Habit podcast. Host Jenn DeWall sits down with Jamie Woolf—CEO of Creativity Partners and former Director of Culture at Pixar Animation Studios—to explore the concept of […] The post Why Good Humans Become Bad Bosses with Jamie Woolf appeared first on Crestcom International.

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Inside Out 2, es una película animada estadounidense de 2024 sobre la transición a la adultez, producida por Pixar Animation Studios para Walt Disney Pictures. Secuela de Inside Out (2015), dirigida por Kelsey Mann y producida por Mark Nielsen, a partir de un guion escrito por Meg LeFauve y Dave Holstein, y una historia concebida por Mann y LeFauve. Plot: Una secuela que presenta a Riley entrando en la pubertad y experimentando emociones nuevas y más complejas. Mientras Riley intenta adaptarse a su adolescencia, sus antiguas emociones intentan adaptarse a la posibilidad de ser reemplazadas. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

Episode SummaryErin and Rachel travel 700 years into the future to discuss WALL-E (2008), Pixar's robot romance with an unintentionally anti-capitalist message. Fatphobia and misogyny make this dystopian tale unwatchable despite its endearing protagonist, striking animation, and moments of nostalgia. Episode BibliographyThe 81st Academy Awards | 2009. (2009, February 22). Oscars.org. https://www.oscars.org/oscars/ceremonies/2009Akers, D. (2008, June 9). Wall-E: A Movie With a Full Heart, or A Tribute to Justin. Spectrum. https://spectrummagazine.org/news/wall-e-movie-full-heart-or-tribute-justin/Allen, C. (2008, July 13). Wall-E doesn't say anything. Los Angeles Times. https://www.latimes.com/la-op-allen13-2008jul13-story.htmlAnderson, C.T. (2012). Post-apocalyptic nostalgia: WALL-E, garbage, and American ambivalence toward manufactured goods. Literature Interpretation Theory, 23(3), 267-282, DOI: 10.1080/10436928.2012.703598Ball, S. (2009, January 23). Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man. Newsweek. https://web.archive.org/web/20090204034311/http://blog.newsweek.com/blogs/popvox/archive/2009/01/23/breaking-out-of-the-box-wall-e-director-andrew-stanton-on-the-oscars-the-blurring-of-the-line-between-animation-and-film-and-writing-strong-female-characterBandyk, M. (2009, January 22). Academy Awards Controversy: Wall-E Gets Snubbed For Best Picture Oscar. USNews. https://web.archive.org/web/20110717180938/http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscarBarbagallo, R. (2009). Design With a Purpose, an interview with Ralph Eggleston. Animation Art Conservation. https://www.animationartconservation.com/design-with-a-purpose%2c-an-interview-with-ralph-eggleston.htmlBeck, B. (2009). Don't make me laugh: People are funny in WALL-E and Tropic Thunder.  Multicultural Perspectives, 11(2), 90-93. DOI: 10.1080/15210960903028768Bold, K. (2008, July 23). ‘WALL-E' and the professor. Today@UCI. https://web.archive.org/web/20080726230400/http://today.uci.edu/Features/profile_detail.asp?key=369Bose, M. (2017). Immaterial thoughts: Brand value, environmental sustainability, and WALL-E. Criticism, 59(2), 247-277. DOI: 10.13110/criticism.59.2.0247Caraway, K., & Caraway, B.R. (2020). Representing ecological crises in children's media: An analysis of The Lorax and Wall-E. Environmental Communication, 14(5), 686-697, DOI: 10.1080/17524032.2019.1710226Coconut Press. (2022, July 1). The Making of WALL-E: The Imperfect Lens (Disney Pixar video). YouTube. https://www.youtube.com/watch?v=G8tlVs4r7zgDesowitz, B. (2009). Hello, WALL•E!: Pixar Reaches for the Stars. Animation World Magazine. https://web.archive.org/web/20090720073659/http://mag.awn.com/article_view.php?id=3682&page=allDisney Enterprises, Inc./Pixar. (2008, June 12). WALL-E Press Kit. Disney. https://web.archive.org/web/20110711103245/http://adisney.go.com/disneyvideos/animatedfilms/wall-e/media/downloads/WALLEProductionNotes.pdfEbert, R. (2008, June 26). Droid Story. Roger Ebert. https://www.rogerebert.com/reviews/wall-e-2008Film Review: WALL-E. (2008, October 1). BBC. http://news.bbc.co.uk/cbbcnews/hi/newsid_7500000/newsid_7504500/7504559.stmFlaig, P. (2016). Slapstick after Fordism: WALL-E, automatism and Pixar's fun factory. Animation: An Interdisciplinary Journal, 11(1), 59-74. DOI: 10.1177/1746847715625017Frick, A. (2008, July 1). Right-Wing Apoplectic Over Pixar's WALL-E: ‘Malthusian Fear Mongering,' ‘Fascistic Elements'. Think Progress. https://archive.thinkprogress.org/right-wing-apoplectic-over-pixars-wall-e-malthusian-fear-mongering-fascistic-elements-92e1523a8a6e/Gaffey, A.J. (2018). Flip the switch: Virtue, programming, and the prospect of automatic agency in Wall-E. Southern Communication Journal, 83(1), 41-56. DOI: 10.1080/1041794X.2017.1399434Glint, J.M.S., & Bhuvaneswari, G. (2025). Memory, Social Identity and Technology at Odds: The Implication on Physical Well‑Being in Wall‑E. Human Arenas. DOI: 10.1007/s42087-024-00471-wHill, J. (2008, June 17). When it comes to the retail world, Speed Racer whomps WALL-E. Jim Hill Media. https://jimhillmedia.com/when-it-comes-to-the-retail-world-speed-racer-whomps-wall-e/Hobbes, M., & Gordon, A. [Hosts]. (2022, May 31). MP Watch Part: Wall-E and Spy [Audio podcast episode]. In Maintenance Phase. https://www.maintenancephase.com/Horn, S., & Moro, E. (2008, April 7). Wall•E Preview. IGN. https://web.archive.org/web/20080411234805/http://movies.ign.com/articles/865/865021p4.htmlHuxley, T. (2008, November 13). Q&A With WALL•E's Ben Burtt. Pixar Planet. https://pixarplanet.com/blog/qa-with-walles-ben-burtt/Justin Wright. (n.d.). Wikipedia. Retrieved April 13, 2025, from https://en.wikipedia.org/wiki/Justin_WrightKorfiatis, K., Photiou, M., & Petrou, S. (2020). Effects of ecoanimations on nine and twelve year old children's environmental conceptions: How WALL-E changed young spectators' views of earth and environmental protection. The Journal of Environmental Education, 51(5), 381-394. DOI: 10.1080/00958964.2020.1747965 Lloyd, A. (2023, December 1). Counteracting Bone and Muscle Loss in Microgravity. NASA. https://www.nasa.gov/humans-in-space/counteracting-bone-and-muscle-loss-in-microgravity/Mattie, S. (2014). WALL-E on the problem of technology. Perspectives on Political Science, 43(1), 12-20. DOI: 10.1080/10457097.2013.784576Murray, R.L., & Heumann, J.K. (2011). That's all folks? Ecocritical readings of American animated features. University of Nebraska Press. Ness, M. (2017, September 28). Robots in Love: WALL-E. Reactor. https://reactormag.com/robots-in-love-wall-e/Pixar. (2016a, October 16). Robo-Everything | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=gqquKFkH-iI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=9Pixar. (2016b, October 19). Captain's Log | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=PRUoIOkp9AU&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=5Pixar. (2016c, October 19). Live Action | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=FQh4z-j0ScI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=15Pixar. (2016d, October 19). Trash Planet | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=UmnSYmqpIEY&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=14Pixar. (2016e, October 19). WALL•E and EVE | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=m-AYOhIYZlQ&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=12Potokar, S. (2017, March 8). Wall-E Animation Foley and Sound Design. YouTube. https://www.youtube.com/watch?v=0IPxIvbc_csPrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Recording Academy. (2025). 51st Annual GRAMMY Awards. GRAMMY.com. https://www.grammy.com/awards/51st-annual-grammy-awardsRoberts, S. (2008). Andrew Stanton Interview, Wall-E. Movies Online. https://web.archive.org/web/20080626061223/http://www.moviesonline.ca/movienews_14899.htmlRobinson, T. (2008, June 26). Andrew Stanton. A.V. Club. https://web.archive.org/web/20080908045321/http://www.avclub.com/content/interview/andrew_stantonStanton, A. (Director). (2008). WALL-E [Film]. Pixar Animation Studios.Suellentrop, C. (2008, June 30). Another Brick in the ‘WALL-E'. The New York Times. https://archive.nytimes.com/opinionator.blogs.nytimes.com/2008/06/30/another-brick-in-the-wall-e/Tranter, P., & Sharpe, S. (2012). Disney-Pixar to the rescue: Harnessing positive affect for enhancing children's active mobility. Journal of Transport Geography, 20, 34-40. DOI: 10.1016/j.jtrangeo.2011.04.006van Oosterwijk, I., & McCarthy, W. (2023). Once upon a dystopian time: The portrayal and perception of environmentalism in Pixar's Finding Nemo and WALL-E. Quarterly Review of Film and Video, 40(7), 848-873. DOI: 10.1080/10509208.2022.2049181 WALL-E. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/WALL-EWALL-E. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3615065601/Willman, C. (2008, July 14). 'WALL-E': How he found 'Hello, Dolly!' Entertainment Weekly. https://ew.com/article/2008/07/14/wall-e-how-he-found-hello-dolly/Yates, M. (2015). Labor as “nature,” nature as labor. Interdisciplinary Studies in Literature and Environment, 22(3), 525-543.

Al is transforming what it means to do church ministry, and this podcast dives deep into the new and challenging world of artificial intelligence for churches.Hosts Jeff and Dave Leake, along with marketing expert Will, explore how Al can help sermon preparation, create personalized Bible plans, and improve church communications.They discuss the potential benefits and ethical considerations of using Al in spiritual contexts, from generating content to translating sermons into multiple languages. The conversation tackles tough questions about technology's role in faith, including whether Al can truly lead someone to Christ.Hear candid insights from church leaders navigating this cutting-edge technological landscape and learn practical ways Al might impact ministry.Clip from The Bible Al: https://youtu.be/zzDZeNhmqeg?si=LxnwHqTg_WISZT3qImage from "WALL-E" produced by Pixar Animation Studios for Walt DisneyWelcome to Season 6 Episode 9 of the podcast. Subscribe to the Allison Park Leadership Podcast for more culture-creating conversations.LinkTree:https://linktr.ee/AllisonParkLeadershipNetworkEmail:Jeffl@allisonparkchurch.comDavel@allisonparkchurch.comInstagram:@Jeffleake11@Dave.Leake

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Inside Out, es una película animada estadounidense de 2015, producida por Pixar Animation Studios para Walt Disney Pictures. Fue dirigida por Pete Docter a partir de un guion que coescribió con Meg LeFauve y Josh Cooley. Plot: Después de que la joven Riley es arrancada de su vida en el Medio Oeste y se muda a San Francisco, sus emociones (alegría, miedo, ira, disgusto y tristeza) entran en conflicto sobre cuál es la mejor manera de desenvolverse en una nueva ciudad, casa y escuela. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

Another bonus episode as we bring you another Reel Roundtable discussion for your listening enjoyment.  Ian, Liam, Megan, and KevDog and revisit the filmography of Pixar Animation Studios.  Comments, banter, and an appreciation of crying as adults can be found as we discuss: The seal of quality that Pixar Animation used to stand for and why has that depreciated over time How much of a marvel was Toy Story and why can't they let it go Did the success of Pixar result in the death of traditional hand-drawn animation? Are Pixar films meant for adult audiences over child audiences? We present the audience and BFE Top 10 lists for the best Pixar films ever ever If you have any ideas about future actors/actresses or topics for future roundtables, we'd love to hear from you.  Hit us up at @BestFilmEverPod on Twitter, Facebook and Instagram.  

Join Mark for a fascinating look back at one of the most visionary conversations from our archives, featuring Steve Jobs, then Chairman and CEO of Pixar Animation Studios and interim CEO of Apple. In this rare dialogue, Steve shares his reflections on building Pixar into what he described as "the second great animation studio in the world." He dives into the power of blending creative genius with technical innovation, the art of storytelling, and how Pixar pioneered a new era of digital filmmaking — all while balancing leadership at both Pixar and Apple. Key moments include: Pixar's approach to merging Silicon Valley's technology with Hollywood's storytelling tradition. Steve's insights on scaling creativity, finding the right talent, and fostering a collaborative culture. The vision for digital cinema and building evergreen revenue streams through beloved characters and franchises. Steve's relentless focus on quality and his belief in the longevity of great storytelling offer timeless lessons for every leader striving to leave a lasting impact. Don't miss this incredible conversation, hosted by Mark.

 This week, the ladies are stepping up to the plate for an animated home run! In this episode, our hosts enthusiastically review Win or Lose, Pixar Animation Studios' first-ever original long-form animated series. Following the Pickles, a co-ed middle school softball team, the series takes a fresh and heartfelt approach by showcasing each episode from a different character's perspective. With its unique visual storytelling, funny and emotional moments, and deeply relatable themes, Win or Lose knocks it out of the park. So grab your gloves, step into the batter's box, and join the discussion as they celebrate this innovative and heartfelt series! Spoiler Alert! If you haven't watched Win or Lose, and don't want it spoiled, hit pause and come back after you've experienced this animated gem! Cheers!

We all fall prey to power blindness." - Jamie Woolf In this episode, Ana Melikian sits down with Jamie Woolf, the first Director of Culture at Pixar Animation Studios, to delve into why good people often become bad bosses. Drawing from her TED Talk and rich experience with companies like Pixar and Google, Jamie explains the concept of "power blindness" that plagues many leaders once they rise to authority. Throughout their conversation, Ana and Jamie discuss how this loss of perspective can stifle creativity and innovation within organizations. They explore the essential need for leaders to maintain self-awareness, practice honest reflection, and foster environments where open dialogue and dissent are encouraged. Jamie shares insights from her own journey, shedding light on the importance of diverse perspectives in cultivating true innovation. The episode also touches on the role of artificial intelligence and its impact on leadership and creativity, with Jamie emphasizing the unique human skills of analytical thinking and emotional intelligence that AI cannot replicate. She stresses the importance of blending technology with the heart—just as she witnessed during her time at Pixar—to create magic in leadership and organizational culture. Let's dive in! This week on the MINDSET ZONE: 00:00 Understanding Power Blindness 00:29 Introduction to the Mindset Zone 01:07 Meet Jamie Wolfe: Innovation Expert 02:10 The Impact of Bad Bosses on Creativity 04:45 Personal Experiences with Leadership 07:11 Red Flags and Self-Reflection for Leaders 09:54 The Importance of Diverse Perspectives 20:47 AI's Role in Leadership and Creativity 24:11 Conclusion and Resources About The Guest Jamie Woolf, CEO of Creativity Partners, is a renowned innovation cultivator, speaker, and founder of Creativity Partners. She was the first Director of Culture at Pixar Animation Studios where she was recruited to be a force for “constructive disruption.” With 30+ years of experience practicing organizational psychology and certifications in executive coaching, Jamie has inspired thousands worldwide to embrace innovation as a catalyst for personal and organizational transformation. Drawing on her impactful work with organizations like Google, Dreamworks, Gilead, University of California, and Pixar Animation, Jamie brings a contagious passion for empowering others to lead with creativity and innovation. When not working, eating or sleeping, Jamie can be found on a tennis court or hiking trail. She lives in the Bay Area with her partner, Dave, and she's proud of her two grown kids, Anna and Leah. Jamie Woolf quote Connect with: Jamie Woolf on LinkedIn Creativity-partners.com Related Content: Expand What's Possible

Jamie Woolf is Co-Founder and CEO of Creativity Partners, a renowned innovation cultivator, speaker, and the first Director of Culture at Pixar Animation Studios where she has inspired thousands worldwide to embrace innovation as a catalyst for personal and organizational transformation. Mike Petrusky asks Jamie about her time at Pixar and they explore how physical environments and organizational culture can facilitate or hinder creative thinking and collaboration. Jamie believes that infusing play and creativity into the workplace can enhance problem-solving and overall well-being as we move away from a strict focus on efficiency and profitability. Good ideas can come from anyone, regardless of their position in the organization, and leaders should be curious and open to all ideas. Mike and Jamie discuss how the physical work environment can facilitate casual collisions and interactions between different departments to foster creativity and they offer the inspiration you need to be a Workplace Innovator in your organization! Connect with Jamie on LinkedIn: https://www.linkedin.com/in/jamie-woolf-a41416b/ Learn more about Creativity Partners: https://www.creativity-partners.com/ Watch Mike's “On My Way To Work” video series on YouTube: https://www.youtube.com/playlist?list=PLSkmmkVFvM4E39sM-pNaGhLoG0dkM947o Discover free resources and explore past interviews at: https://www.workplaceinnovator.com/ Learn more about Eptura™: https://eptura.com/ Connect with Mike on LinkedIn: https://www.linkedin.com/in/mikepetrusky/