Podcasts about pixar animation studios

Jay Ward is Creative Director of Franchise at Pixar Animation Studios and was responsible for making the ‘Cars' films that we all love. As a Jury member at the Concorso d'Eleganza Villa d'Este, he also has a second dream job. And his (crazy) collection of vehicles includes a BMW R 90 superbike.Jay Ward on Instagram @eastbay_jBMW Group Classic on Instagram ⁠@bmwclassic⁠JP Rathgen and Classic Driver on Instagram ⁠@jprathgen⁠ and ⁠@classicdriverDo you have an exciting story about a classic BMW car or motorcycle? We'd love to hear it! Send us an email to bmwgroup-classic@shot-one.de with a brief introduction and of those memorable experiences.

Another bonus episode as we bring you another Reel Roundtable discussion for your listening enjoyment.  Ian, Liam, Megan, and KevDog and revisit the filmography of Pixar Animation Studios.  Comments, banter, and an appreciation of crying as adults can be found as we discuss: The seal of quality that Pixar Animation used to stand for and why has that depreciated over time How much of a marvel was Toy Story and why can't they let it go Did the success of Pixar result in the death of traditional hand-drawn animation? Are Pixar films meant for adult audiences over child audiences? We present the audience and BFE Top 10 lists for the best Pixar films ever ever If you have any ideas about future actors/actresses or topics for future roundtables, we'd love to hear from you.  Hit us up at @BestFilmEverPod on Twitter, Facebook and Instagram.  

Join Mark for a fascinating look back at one of the most visionary conversations from our archives, featuring Steve Jobs, then Chairman and CEO of Pixar Animation Studios and interim CEO of Apple. In this rare dialogue, Steve shares his reflections on building Pixar into what he described as "the second great animation studio in the world." He dives into the power of blending creative genius with technical innovation, the art of storytelling, and how Pixar pioneered a new era of digital filmmaking — all while balancing leadership at both Pixar and Apple. Key moments include: Pixar's approach to merging Silicon Valley's technology with Hollywood's storytelling tradition. Steve's insights on scaling creativity, finding the right talent, and fostering a collaborative culture. The vision for digital cinema and building evergreen revenue streams through beloved characters and franchises. Steve's relentless focus on quality and his belief in the longevity of great storytelling offer timeless lessons for every leader striving to leave a lasting impact. Don't miss this incredible conversation, hosted by Mark.

Chris and Alex are back in the warm embrace of Pixar Animation Studio, looking at their tenth computer animated film Up (Pete Docter, 2009) - a real high point in the company's run of critically and commercially successful animated features, and a film that comes almost at the midway point between Pixar today their debut with Toy Story (John Lasseter, 1995) 30 years ago. To discuss whether adventure really is ‘out there,' Chris and Alex are joined by special guest Dr Tom Brown, Senior Lecturer in Film Studies at Kings College London. Tom is the author of the monographs Spectacle in “Classical” Cinemas: Musicality and Historicity in the 1930s (2016) and Breaking the Fourth Wall: Direct Address in the Cinema (2012), as well as co-editor of The Biopic in Contemporary Film Culture (2014), Film Moments: Criticism, History, Theory (2010) and Film and Television After DVD (2008). Topics for this episode include how Pixar's computer-animated work can be understood according to a “classical” register via its meaningful construction and solidity of animated space; computer-animated staging and how meaning is carried in the studio's expressive use of mise-en-scène; Up as a stylistic ‘sweet spot' between photorealism and caricature; links between Pixar and both Classical Hollywood filmmakers like Frank Capra and the category of the middlebrow; what it means to be imprisoned by time in fantasy storytelling; and what Up's particular combination of the silly and the profound has to say about the weight of grief. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

 This week, the ladies are stepping up to the plate for an animated home run! In this episode, our hosts enthusiastically review Win or Lose, Pixar Animation Studios' first-ever original long-form animated series. Following the Pickles, a co-ed middle school softball team, the series takes a fresh and heartfelt approach by showcasing each episode from a different character's perspective. With its unique visual storytelling, funny and emotional moments, and deeply relatable themes, Win or Lose knocks it out of the park. So grab your gloves, step into the batter's box, and join the discussion as they celebrate this innovative and heartfelt series! Spoiler Alert! If you haven't watched Win or Lose, and don't want it spoiled, hit pause and come back after you've experienced this animated gem! Cheers!

Episode SummaryErin and Rachel discuss Ratatouille (2007), a Pixar film about a French rat who wants to be a chef. Their discussion includes a fine stew of food politics, meritocracy, and sexism with a garnish of fatphobia. Bon appetit! Episode BibliographyBaker, J. (2005, January 17). Dan Lee. James Baker. https://www.james-baker.com/news/dan-lee/Bird, B. [@BradBirdA113]. (2020, July 13). The “Guarantee” was my idea, not Pixar's. It had zero to do with CARS or HAPPY FEET. It was a [Tweet]. Twitter. https://x.com/bradbirda113/status/1282845727446765568Bird, B. (Director). (2007). Ratatouille [Film]. Pixar Animation Studios.Booth, M. (2007, June 27). Oui! A rich foodie treat, with a great view. The Denver Post. https://www.denverpost.com/2007/06/27/oui-a-rich-foodie-treat-with-a-great-view/Brandes, S., & Anderson, T. (2011). Ratatouille: An animated account of cooking, taste, and human evolution. Ethnos, 76(3), 277-299. DOI: 10.1080/00141844.2011.569559Chang, J. (2007, June 18). Film Review: Ratatouille. Variety. https://variety.com/2007/film/reviews/ratatouille-2-1200558501/Daly, S. (2010). Summer Movie Q&A; Top Chef. EW.com. htps://web.archive.org/web/20100222021712/http://www.ew.com/ew/article/0,,20166944_20166964_20043277,00.htmlDan Lee (animator). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Dan_Lee_(animator)Desowitz, B. (2007, April 25). Brad Bird Offers an Early Taste of 'Ratatouille'. Animation World Network. https://www.awn.com/animationworld/brad-bird-offers-early-taste-ratatouilleDesowitz, B. (2007, May 11). Ratatouille to Kick Off With 'Big Cheese Tour'. Animation World Network. https://www.awn.com/news/ratatouille-kick-big-cheese-tourDockterman, E. (2020, December 30). How the Ratatouille Musical Went From TikTok Sensation to All-Star Broadway Production. Time. https://time.com/5925560/ratatouille-tiktok-musical/Eric ArtPassion. (2019, December 10). The Making of Ratatouille. YouTube. https://www.youtube.com/watch?v=tjYmGqYgVxAEstiloz, T. (2007, July 3). Ratatouille: Behind the Scenes at Pixar & Film's Stars Chat. YouTube. https://www.youtube.com/watch?v=KTvOilSDCgcFerguson, P. (2014). Word of mouth: What we talk about when we talk about food. University of California Press.Finn, S.M. (2017). Discriminating taste: How class anxiety created the American food revolution. Rutgers University Press.Gagné, M. (n.d.). Taste Visualization for Pixar's Ratatouille. Gagne International. https://www.gagneint.com/Final%20site/Animation/Pixar/Ratatouille.htmGleiberman, O. (2007, July 6). Ratatouille (2007). Entertainment Weekly. https://web.archive.org/web/20141108232303/http://www.ew.com/ew/article/0,,20044993,00.htmlGraser, M. (2007, June 15). Pixar hopes auds find ‘Ratatouille' tasty. Variety. https://variety.com/2007/film/features/pixar-hopes-auds-find-ratatouille-tasty-1117967050/Hammond, W. (2007, October 8). Ratatouille 2007, directed by Brad Bird | Film review. Time Out. https://www.timeout.com/movies/ratatouilleHarrap, C. (2022, April 13). Still in the Dark Ages: Are French Kitchens Sexist? France Today. https://francetoday.com/food-drink/still-in-the-dark-ages-are-french-kitchens-sexist/Harris, D.A., & Giuffre, P. (2015). Taking the heat: Women chefs and gender inequality in the professional kitchen. Rutgers University Press. Hayhurst, D. (2007, August 9). Record breaking ‘Ratatouille'. Variety. https://variety.com/2007/film/box-office/record-breaking-ratatouille-1117969958/Herhuth, E. (2017). Pixar and the aesthetic imagination: Animation, storytelling, and digital culture. University of California Press.Hill, J. (2007, September 3). Toon Tuesday: Why “Ratatouille” ‘s good-but-not-great box office numbers are now causing problems for Disney's marketing department. Jim Hill Media. https://jimhillmedia.com/toon-tuesday-why-ratatouille-s-good-but-not-great-box-office-numbers-are-now-causing-problems-for-disneys-marketing-department/Holzer, L. N. (2007, June 29). Pixar cooks up a story. The Reporter. https://web.archive.org/web/20070702164407/http://www.thereporter.com/billboard/ci_6260970Lindenfeld, L., & Parasecoli, F. (2016). Feasting our eyes: Food films and cultural identity in the United States. Columbia University Press.The Los Angeles Times. (2007, June 30). Disney faces a challenging stew in trying to sell ‘Ratatouille'. Chicago Tribune. https://www.chicagotribune.com/2007/06/30/disney-faces-a-challenging-stew-in-trying-to-sell-ratatouille/Nominees & Winners of the 80th Academy Awards. (2013, October 12). The Academy of Motion Picture Arts and Sciences. https://web.archive.org/web/20131012045551/http://www.oscars.org/awards/academyawards/oscarlegacy/2000-present/2008/winners.htmlNoyer, J. (2008, February 28). Jan Pinkava reveals “les ropes” of Ratatouille. Animated Views. https://animatedviews.com/2008/pinkava-on-pixar-projects/Parasecoli, F. (2008). Bite me: Food in popular culture. Bloomsbury Publishing.Phillips, M. (2007, July 15). Movie review: 'Ratatouille'. Metromix. https://web.archive.org/web/20070715125627/http://metromix.chicagotribune.com/movies/mmx-070629-movies-review-ratatouille%2C0%2C3953295.storyPixar. (2016a). Behind the Swinging Doors | Ratatouille | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=RjOKRDiUc8IPixar. (2016b). Care & Feeding of Your CG Rat | Ratatouille | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=1tMroyERYMMPixar. (2016c). Something New | Ratatouille | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=e13d9w_zItQPixar. (2025). Ratatouille. Pixar. https://www.pixar.com/ratatouillePrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Ratatouille. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl846038529/Ratatouille (film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Ratatouille_(film)Rea, S. (2007, June 29). You'll smell a . . . terrific 'toon, starring a rat. Philly.com. https://web.archive.org/web/20160304071441/http://articles.philly.com/2007-06-29/entertainment/24994660_1_remy-sous-chef-auguste-gusteauRodriguez, R. (2007, June 29). A delightful stew offers a treat for all ages. Miami Herald. https://archive.ph/20070623044747/http://ae.miami.com/entertainment/ui/miami/movie.html#selection-897.85-909.108Scott, A.O. (2007, June 29). Voilà! A rat for all seasonings. The New York Times. https://www.nytimes.com/2007/06/29/movies/29rata.htmlSublette, C.M., & Martin, J. (2013). Let them eat cake, caviar, organic, and whole foods: American elitism, white trash dinner parties, and diet. Studies in Popular Culture, 36(1), 221-43. 

Send us a textDr. Ilke Demir, Ph.D ( https://ilkedemir.weebly.com/ ) works at the intersection of computer vision and machine learning and her research focuses on generative models for digitizing the real world, deep fake detection and generation techniques, analysis and synthesis approaches in geospatial machine learning, and computational geometry for synthesis and fabrication ( https://scholar.google.com/citations?user=6837MdMAAAAJ&hl=en ).Most recently Dr. Demir served as a Senior Staff Research Scientist at Intel Corporation, leading Intel's Trusted Media team.  She established the research foundations of the world's largest volumetric capture studio at Intel, bridging the gap between the creative process and AI approaches.Prior to joining Intel, Dr. Demir had startup experience at DeepScale, working on perception for autonomous vehicles (with a successful acquisition by Tesla), and she was also a visiting scholar at UCLA.Dr. Demir earned her Ph.D. and M.S. in Computer Science from Purdue University advised by Prof. Daniel Aliaga, and her B.S. in Computer Engineering from Middle East Technical University in Ankara, Türkiye with a minor in Electrical Engineering. Afterwards, Dr. Demir joined Facebook as a Postdoctoral Research Scientist working with Prof. Ramesh Raskar from MIT, where their team developed the breakthrough innovation on generative street addresses. Her research further included deep learning approaches for human behavior understanding in next generation virtual reality headsets, geospatial machine learning for map creation, and 3D reconstruction at scale.At the intersection of art and science, Dr. Demir also contributed to several animated feature and VR/AR short films in Pixar Animation Studios and Intel Studios, respectively.In addition to her publications in top-tier venues, Dr. Demir has organized workshops, competitions, and courses in deep learning, computer vision, and graphics such as DeepGlobe, SkelNetOn, WiCV, SUMO, DLGC, EarthVision, and OpenEDS, to name a few. Dr. Demir received numerous awards and honors such as Jack Dangermond Award, Bilsland Dissertation Fellowship, and IEEE Industry Distinguished Lecturer, in addition to her best paper/poster/reviewer awards. Her scientific articles received significant attention from researchers and media outlets around the world, such as The Independent, VentureBeat, MIT Tech Review, and Liberation. She has been invited to present over 120 talks and panels worldwide, on the wide range of topics that her work spans. Dr. Demir has been actively involved in women in science organisms, always being an advocate for women and underrepresented minorities. #IlkeDemir #ComputerVision #MachineLearning #DeepFakes #ComputerScience #ComputerEngineering #Intel #Meta #Facebook #3DVision #ComputationalGeometry #GenerativeModels #RemoteSensing #DeepLearning #PixarAnimationStudios #Purdue #MiddleEastTechnicalUniversity #Türkiye #GazeTracking #SyntheticFaceDetection #PatternRecognition #MyBodyMyChoice #ProgressPotentialAndPossibilities #IraPastor #Podcast #Podcaster #ViralPodcast #STEM #Innovation #Technology #Science #ResearchSupport the show

We all fall prey to power blindness." - Jamie Woolf In this episode, Ana Melikian sits down with Jamie Woolf, the first Director of Culture at Pixar Animation Studios, to delve into why good people often become bad bosses. Drawing from her TED Talk and rich experience with companies like Pixar and Google, Jamie explains the concept of "power blindness" that plagues many leaders once they rise to authority. Throughout their conversation, Ana and Jamie discuss how this loss of perspective can stifle creativity and innovation within organizations. They explore the essential need for leaders to maintain self-awareness, practice honest reflection, and foster environments where open dialogue and dissent are encouraged. Jamie shares insights from her own journey, shedding light on the importance of diverse perspectives in cultivating true innovation. The episode also touches on the role of artificial intelligence and its impact on leadership and creativity, with Jamie emphasizing the unique human skills of analytical thinking and emotional intelligence that AI cannot replicate. She stresses the importance of blending technology with the heart—just as she witnessed during her time at Pixar—to create magic in leadership and organizational culture. Let's dive in! This week on the MINDSET ZONE: 00:00 Understanding Power Blindness 00:29 Introduction to the Mindset Zone 01:07 Meet Jamie Wolfe: Innovation Expert 02:10 The Impact of Bad Bosses on Creativity 04:45 Personal Experiences with Leadership 07:11 Red Flags and Self-Reflection for Leaders 09:54 The Importance of Diverse Perspectives 20:47 AI's Role in Leadership and Creativity 24:11 Conclusion and Resources About The Guest Jamie Woolf, CEO of Creativity Partners, is a renowned innovation cultivator, speaker, and founder of Creativity Partners. She was the first Director of Culture at Pixar Animation Studios where she was recruited to be a force for “constructive disruption.” With 30+ years of experience practicing organizational psychology and certifications in executive coaching, Jamie has inspired thousands worldwide to embrace innovation as a catalyst for personal and organizational transformation. Drawing on her impactful work with organizations like Google, Dreamworks, Gilead, University of California, and Pixar Animation, Jamie brings a contagious passion for empowering others to lead with creativity and innovation. When not working, eating or sleeping, Jamie can be found on a tennis court or hiking trail. She lives in the Bay Area with her partner, Dave, and she's proud of her two grown kids, Anna and Leah. Jamie Woolf quote Connect with: Jamie Woolf on LinkedIn Creativity-partners.com Related Content: Expand What's Possible

So who, exactly is government. It's the question that Michael Lewis and an all-star team of writers address in a particularly timely new volume of essays. Who is Government? According to the Montana based Sarah Vowell, author of “The Equalizer”, an essay in the volume about the National Archives, government enables all American citizens to find stories about themselves. Vowell praises the modesty of most government employees. But she warns, the work of public servants like the National Archives' Pamela Wright is anything but modest and represents the core foundation of American democracy. Vowell's message is the antidote to the chainsaw. Essential listening in our surreal times.Here are the five Keen On America takeaways in this conversation with Vowell:* The National Archives as a democratic resource: Pamela Wright's work at the National Archives focused on digitizing records (over 300 million so far) to make them accessible to all Americans, regardless of where they live. This democratization of access allows people to bypass intimidating physical buildings and access their history from anywhere.* Public servants are often modest and unsung: Sarah describes how government workers like Wright tend to be modest, team-oriented people who focus on doing their job rather than seeking recognition. This stands in contrast to more visible or self-promoting public figures.* Personal connections to national archives: The conversation reveals how Americans can find their own family stories within government records. Sarah discovered her own family history, including her grandfather's WPA work and connections to the Cherokee Nation's Trail of Tears through archival documents.* Government's impact on opportunity: Sarah emphasizes how government programs like the Higher Education Act of 1965 created opportunities that changed her family's trajectory from poverty to professional careers through access to public education and financial assistance programs.* The interconnectedness of government services and American life: The conversation concludes with Sarah's observation about how government services form an "ecosystem of opportunity" that impacts everything from education to outdoor recreation jobs in Montana, with each part connected to others in ways that aren't always visible but are essential to how society functions.Sarah Vowell is the New York Times bestselling author of seven nonfiction books on American history and culture. By examining the connections between the American past and present, she offers personal, often humorous accounts of American history as well as current events and politics. Her book, Lafayette in the Somewhat United States, explores both the ideas and the battles of the American Revolution, especially the patriot founders' alliance with France as personified by the teenage volunteer in George Washington's army, the Marquis de Lafayette. Vowell's book, Unfamiliar Fishes is the intriguing history of our 50th state, Hawaii, annexed in 1898. Replete with a cast of beguiling and often tragic characters, including an overthrown Hawaiian queen, whalers, missionaries, sugar barons, Teddy Roosevelt and assorted con men, Unfamiliar Fishes is another history lesson in Americana as only Vowell can tell it – with brainy wit and droll humor. The Wordy Shipmates examines the New England Puritans and their journey to and impact on America. She studies John Winthrop's 1630 sermon “A Model of Christian Charity” and the bloody story that resulted from American exceptionalism. And she also traces the relationship of Winthrop, Massachusetts' first governor, and Roger Williams, the Calvinist minister who founded Rhode Island – an unlikely friendship that was emblematic of the polar extremes of the American foundation. Throughout she reveals how American history can show up in the most unexpected places in our modern culture, often in poignant ways. Her book Assassination Vacation is a haunting and surprisingly hilarious road trip to tourist sites devoted to the murders of presidents Lincoln, Garfield and McKinley. Vowell examines what these acts of political violence reveal about our national character and our contemporary society. She is also the author of two essay collections, The Partly Cloudy Patriot and Take the Cannoli. Her first book Radio On, is her year-long diary of listening to the radio in 1995. She was guest editor for The Best American Nonrequired Reading 2017. Most recently she contributed an essay for Who Is Government? The Untold Story of Public Service by Michael Lewis (Riverhead, March 18, 2025). Vowell's thirty years as a journalist and columnist began in the freewheeling atmosphere of the weekly newspapers of the 1990s, including The Village Voice, the Twin Cities' City Pages and San Francisco Weekly, where she was the pop music columnist. An original contributor to McSweeney's, she has worked as a columnist for Salon and Time, a reviewer for Spin, a reporter for GQ, and a contributing opinion writer for the New York Times, where she covered politics, history, education and life in Montana. She was a contributing editor for the public radio show This American Life from 1996-2008, where she produced numerous commentaries and documentaries and toured the country in many of the program's live shows. Her notable side projects have included a decade as the founding president of 826NYC, a nonprofit tutoring and writing center for students aged 6-18 in Brooklyn; producing a filmed oral history series commemorating the fiftieth anniversary of the Montana Constitutional Convention of 1972; and occasional voice acting, including her role as teen superhero Violet Parr in Brad Bird's Academy Award-winning The Incredibles, and its sequel, Incredibles 2, from Pixar Animation Studios.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this episode of 'The Wisdom Of' Show, host Simon Bowen speaks with Ed Catmull, co-founder of Pixar Animation Studios and former president of Walt Disney Animation Studios and Disneytoon Studios. With five Academy Awards® including an Oscar for Lifetime Achievement and the prestigious Turing Award for his work in computer graphics, Ed shares profound insights on creative leadership, innovation, and building world-class organizations. From pioneering 3D animation to leading the creation of beloved films that have grossed over $14 billion worldwide, Ed's journey offers valuable lessons on fostering creativity, navigating change, and building sustainable success.Ready to unlock your leadership potential and drive real change? Join Simon's exclusive masterclass on The Models Method. Learn how to articulate your unique value and create scalable impact: https://thesimonbowen.com/masterclassEpisode Breakdown00:00 Introduction and Ed's pioneering journey in animation05:18 Merging art and science: The power of interdisciplinary thinking12:36 Company culture and collective ownership beyond shares18:52 The inversion of business values: Product, People, Profit25:44 Navigating change and innovation in fast-evolving industries33:29 Pixar's 5-step decision-making framework for creative excellence38:22 Truth-finding mechanisms in organizations45:36 The CEO's role in facilitating collaborative genius52:12 Shifting from achievement to effectiveness: "Is this working?"58:43 Future implications and conclusionsKey InsightsWhy combining seemingly incongruous disciplines (science, art, math) creates richer innovationHow most businesses conflate collective ownership with shares or control, missing true ownershipThe dangerous mismatch between stated values and actual priorities in business decision-makingWhy understanding the accelerating rate of change is fundamental to business survivalThe 5-step framework Pixar uses to make all critical creative decisionsWhy most CEOs incorrectly believe they have effective error detection mechanismsHow shifting focus from "What am I achieving?" to "Is this working?" transforms leadershipThe CEO's role in fostering collaboration rather than providing all the answersWhy judging the creation, not the creator, is essential for innovationAbout Ed CatmullEd Catmull is a pioneer in computer graphics and animation who co-founded Pixar Animation Studios. Under his leadership, Pixar produced groundbreaking animated films including Toy Story, Finding Nemo, The Incredibles, and many more. After Disney acquired Pixar in 2006, Ed served as President of both Pixar and Walt Disney Animation Studios, overseeing hits like Frozen, Tangled, and Wreck-It Ralph.His numerous accolades include five Academy Awards®, the Turing Award from the Association for Computing Machinery, and the prestigious Gordon E. Sawyer Award for lifetime contributions to computer graphics in film. Ed's book "Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration" is considered essential reading on creative leadership.With a Ph.D. in computer science and an initial passion for animation that led him through physics to pioneering computer graphics, Ed's career exemplifies the power of combining art and science to create revolutionary innovation.Connect with Ed CatmullLinkedIn: https://www.linkedin.com/in/edwincatmull/X:...

Jamie Woolf is Co-Founder and CEO of Creativity Partners, a renowned innovation cultivator, speaker, and the first Director of Culture at Pixar Animation Studios where she has inspired thousands worldwide to embrace innovation as a catalyst for personal and organizational transformation. Mike Petrusky asks Jamie about her time at Pixar and they explore how physical environments and organizational culture can facilitate or hinder creative thinking and collaboration. Jamie believes that infusing play and creativity into the workplace can enhance problem-solving and overall well-being as we move away from a strict focus on efficiency and profitability. Good ideas can come from anyone, regardless of their position in the organization, and leaders should be curious and open to all ideas. Mike and Jamie discuss how the physical work environment can facilitate casual collisions and interactions between different departments to foster creativity and they offer the inspiration you need to be a Workplace Innovator in your organization! Connect with Jamie on LinkedIn: https://www.linkedin.com/in/jamie-woolf-a41416b/ Learn more about Creativity Partners: https://www.creativity-partners.com/ Watch Mike's “On My Way To Work” video series on YouTube: https://www.youtube.com/playlist?list=PLSkmmkVFvM4E39sM-pNaGhLoG0dkM947o Discover free resources and explore past interviews at: https://www.workplaceinnovator.com/ Learn more about Eptura™: https://eptura.com/ Connect with Mike on LinkedIn: https://www.linkedin.com/in/mikepetrusky/  

Five years ago, AKAPAD The Film Buff attempted to watch Pixar's Soul—but things didn't go as planned. Today, he revisits the film, sharing his thoughts on whether his experience has changed. This episode offers a fascinating deep dive into Soul and a unique experiment that only The Film Buff could pull off! The 2020 animated film Soul was produced by Pixar Animation Studios and directed by Pete Docter, with co-direction by Kemp Powers. The film features the voice talents of Jamie Foxx as Joe Gardner, Tina Fey as 22, Graham Norton as Moonwind, Rachel House as Terry, Alice Braga and Richard Ayoade as Counselors Jerry, and Angela Bassett as Dorothea Williams. The film's production credits include Dana Murray as the producer, with a screenplay written by Pete Docter, Mike Jones, and Kemp Powers. Trent Reznor and Atticus Ross composed the score, while Jon Batiste contributed original jazz compositions. The film was edited by Kevin Nolting, with cinematography by Matt Aspbury and Ian Megibben.

Five years ago, AKAPAD The Film Buff attempted to watch Pixar's Soul—but things didn't go as planned. Today, he revisits the film, sharing his thoughts on whether his experience has changed. This episode offers a fascinating deep dive into Soul and a unique experiment that only The Film Buff could pull off!The 2020 animated film Soul was produced by Pixar Animation Studios and directed by Pete Docter, with co-direction by Kemp Powers. The film features the voice talents of Jamie Foxx as Joe Gardner, Tina Fey as 22, Graham Norton as Moonwind, Rachel House as Terry, Alice Braga and Richard Ayoade as Counselors Jerry, and Angela Bassett as Dorothea Williams.The film's production credits include Dana Murray as the producer, with a screenplay written by Pete Docter, Mike Jones, and Kemp Powers. Trent Reznor and Atticus Ross composed the score, while Jon Batiste contributed original jazz compositions. The film was edited by Kevin Nolting, with cinematography by Matt Aspbury and Ian Megibben.

Repaso a los estrenos de las principales plataformas de streaming de la tercera semana de febrero. Como todos los viernes toca hablar del streaming de video, en este caso con los lanzamientos de esta semana. Esta semana no hay demasiados estrenos ni grandes lanzamientos, pero si algunos contenidos destacados que merece la pena repasar. Netflix 17/02 El caso Gabby Petito: Un viaje sin retorno | 1 temporada | Documental. ¿Qué pasó en los últimos días de vida de Gabby Petito? En esta apasionante serie de crímenes reales, sus allegados cuentan la historia inédita de su trágico asesinato. 18/02 La cancha de oro | 1 temporada | Deportes. Imágenes inéditas de los principales aspirantes a conseguir una medalla en baloncesto masculino mientras luchan por el oro y la gloria en los Juegos Olímpicos de 2024 en París. 18/02 Amor analógico | 1 temporada | Reality. Un grupo de jóvenes solteros y solteras pasan diez días en el extranjero, confiando en el destino para encontrar el amor. ¿Serán capaces de dar con su otra mitad sin el móvil? 20/02 Día cero. Película Thriller. Encomiendan a un expresidente de Estados Unidos jubilado encontrar el origen de un ciberataque mortal, pero se encuentra con una gran red de mentiras y conspiraciones. Max 16/02 INFIDELIDADES LETALES. Nuevo programa. Las sórdidas historias de triángulos amorosos se convierten en misteriosos whodunits, cuando uno de los tres enredados en una aventura fatal acaba muerto. En este arriesgado juego de amor ilícito y sexo secreto, ¿quién acabará pagando el precio más alto?. 16/02 Películas: ALIEN. EL OCTAVO PASAJERO y ALIENS: EL REGRESO 17/02 THE WHITE LOTUS. Temporada 3. En esta nueva temporada, la sátira social se desarrolla en un exclusivo resort tailandés y sigue las hazañas de varios huéspedes y empleados a lo largo de una semana. Disney+ 19/02 En la victoria o en la derrota. Serie original de Pixar Animation Studios. Cuenta las historias entrelazadas de ocho personajes distintos mientras se preparan para la final de un campeonato de sóftbol. En la serie se muestra cómo es la vida de cada uno de los personajes —niños inseguros, padres sobreprotectores y hasta un árbitro enamorado— desde perspectivas distintas, divertidas, emotivas y únicas. 19/02 Como defender a un asesino. Temporadas 1-6. La inteligente, carismática y seductora profesora Annalise Keating se ve envuelta en un caso con cuatro estudiantes de Derecho de su clase. Lo que no saben es que deberán aplicar en la vida real todo lo que aprenden en clase. 21/02 Mil golpes. Serie original. Hezekiah y Alec, dos amigos de Jamaica, se ven inmersos en los bajos fondos del East End de Londres. Allí, conocen a Mary Carr, reina de una banda criminal formada íntegramente por mujeres conocida como las Cuarenta Elefantas, y a Sugar Goodson, capo criminal y famoso boxeador AppleTV+ 21/02 Apariencias. Serie. Temporada 2. La historia de Sophie (interpretada por Gugu Mbatha-Raw, de «The Morning Show»), una mujer de la clase alta de San Francisco que ha sufrido un traumatismo craneal que le ha provocado una profunda amnesia. La causa más probable, un intento de suicidio. Mientras Sophie trata de reunir las piezas rotas de su vida con la ayuda de su marido y sus amigos, comienza a preguntarse si lo que le cuentan sobre su vida es cierto o no. 21/02 Major League Soccer: más allá del césped. Documental. Conoce a los ídolos de la MLS con acceso excusivo a jugadores, entrenadores y equipos. Esta serie destaca los momentos y las historias más impactantes que hicieron de la 2024 una temporada inolvidable.

This is our spoiler-free review of Pixar Animation Studios' original series Win or Lose. Join us as we share our thoughts on Pixar's first original long-form series and how they flex their creativity, giving us something completely original while still doing what they do best: finding even more ways to convey complex emotions and themes. With a fantastic cast, a fire soundtrack, and a fresh, anthology-style approach to storytelling, this series truly knocks it out of the park!“Win or Lose” begins streaming on Disney+ Feb. 19, 2025. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

Cet épisode de Chronique Disney - Le Live est une captation de l'épisode du mercredi 12 février 2025 de l'émission diffusée sur Twitch : il vous est ainsi présenté, en replay audio, dans son intégralité, sans coupe ni montage. Il est par ailleurs possible de le retrouver en vidéo, disponible sur la chaîne YouTube de Chronique Disney.Cette émission est présentée par Romain qui reçoit Marine et Laurent tous deux membres de l'équipe de Chronique Disney et Disney Central Plaza pour parler de la représentation de l'amour chez Disney au travers des couples emblématiques formés par les personnages nés chez les Walt Disney Animation Studios et Pixar Animation Studios mais aussi via leurs transpositions ou non dans les Parcs à thèmes.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Episode SummaryIn this episode about Cars (2006), Erin and Rachel take a road trip to Radiator Springs, discussing Pixar history, environmentalism, and masculinity and masculinity along the way. Ka-chow! Episode BibliographyThe Amazing Double Life of Jorgen Klubien. (2013, October 15). FLIP. https://flipanimation.blogspot.com/2013/10/the-amazing-double-life-of-jorgen.htmlArnold, W. (2006, June 8). Cars is a joyous ride. Seattle PI. https://www.seattlepi.com/entertainment/movies/article/cars-is-a-joyous-ride-1205659.phpCars. (n.d.). Box Office Mojo. Retrieved January 17, 2025, from https://www.boxofficemojo.com/release/rl1195935233/Cars (2006) - Awards. (n.d.). IMDb. https://www.imdb.com/title/tt0317219/awards/Cars (2006) - Full Cast & Crew. (n.d.). IMDb. https://www.imdb.com/title/tt0317219/fullcreditsCars (film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Cars_(film)Cars — Pixar Animation Studios. (2025). Pixar Animation Studios. https://www.pixar.com/carsCars Production Information. (n.d.). https://web.archive.org/web/20070308104817/http://adisney.go.com/disneypictures/cars/us/bios/CARSProdNotes.pdfCulbreth, S., & Huber, R. J. (2015). Cars and social interest. The Journal of Individual Psychology, 71(3), 327-336.Ebert, R. (2006, June 8). NASCAR + Pixar = Pixcars movie review (2006). Roger Ebert. https://www.rogerebert.com/reviews/cars-2006Gillam, K., & Wooden, S. R. (2008). Post-princess models of gender: The new man in Disney/Pixar. Journal of Popular Film and Television, 36(1), 2-8. doi: 10.3200/JPFT.36.1.2-8Hill, J. (2011, July 6). The Roads Not Taken With Pixar's Cars Films. HuffPost. https://www.huffpost.com/entry/disney-cars-films_b_890538Hott, L. R., & Lewis, T. (Directors). (1997). Divided Highways: The Interstates and the Transformation of American Life [Film]. https://www.youtube.com/watch?v=PLr-8QPbiAYJoe Ranft. (n.d.). Wikipedia. Retrieved January 18, 2025, from https://en.wikipedia.org/wiki/Joe_RanftJørgen Klubien. (n.d.). Pixar Cars Wiki. https://pixarcars.fandom.com/wiki/J%C3%B8rgen_KlubienKinzler, K. D., & DeJesus, J. M. (2013). Northern = smart and Souther = nice: The development of accent attitudes in the United States. The Quarterly Journal of Experimental Psychology, 66(6), 1146-1158. DOI: 10.1080/17470218.2012.731695Klubien, J. (2024). Story Development. Jorgen Klubien. https://jorgenklubien.com/portfolio/story%20developmentLasseter, J. (Director). (2006). Cars [Film]. Pixar Animation Studios.Lowry, B. (2006, June 4). Film Review: Cars. Variety. https://variety.com/2006/film/reviews/cars-3-1200515758/Malouf, M. (2017). Behind the closet door: Pixar and petro-literacy. In S. Wilson, A. Carlson, & I. Szeman (Eds.), Petrocultures: Oil, politics, culture (pp. 138-161). Ness, M. (2017, July 27). Driving Without Wonder: Pixar's Cars. Reactor. https://reactormag.com/driving-without-wonder-pixars-cars/Price, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Rahayu, N. (2019). The portrayal of gender and race in the Cars trilogy. Atavisme, 22,(1), 75-87. doi: 10.24257/atavisme.v22i1.532.75-87Reaves, J. (2006). Movie Review: 'Cars'. Metromix. https://web.archive.org/web/20060613101342/http://metromix.chicagotribune.com/movies/mmx-060609-movies-review-cars%2C0%2C997014.storyTenzek, K. E., & Nickels, B. M. (2019). End-of-life in Disney and Pixar films: An opportunity forengaging in difficult conversation. OMEGA-Journal of Death and Dying, 80(1), 49-68. doi: 10.1177/0030222817726258Travers, P. (2006, June 1). Cars. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/cars-119316/Wilonsky, R. (2006, May 30). Running on Fumes. The Village Voice. https://web.archive.org/web/20140107215214/http://www.villagevoice.com/2006-05-30/film/running-on-fumes/WonderLand. (2020, November 8). Pixar Cars 2006 Behind The Scenes. YouTube. https://www.youtube.com/watch?v=uF40QwDZtXo

Did you know that daydreaming is one of the most underrated superpowers you already have? In this captivating episode of “The Abundance Journey,” Elaine Starling sits down with internationally acclaimed ukulele virtuoso and author, Derick Sebastian, to explore how daydreaming can help you unlock your true potential and transform your passion into purpose. Born and raised in Maui, Derick's journey of faith, resilience, and creativity has inspired audiences worldwide. From mastering the ukulele to traveling the globe as a celebrated performer, Derick shares the challenges he's overcome and how he turned adversity into opportunities through the power of daydreaming. In this episode, you'll discover: · How daydreaming can fuel creativity and clarity. · Why following your passion connects you to The Divine. · The importance of embracing joy and gratitude to amplify abundance. The story behind Derick's new book, “Daydreaming with Purpose” Join Elaine and Derick as they dive into the art of using daydreaming as a tool for self-leadership, manifestation, and creating a life full of joy and meaning. Tune in now to discover how YOU can start daydreaming with purpose and unlock your limitless potential! #DaydreamWithPurpose #UkuleleVirtuoso #AbundanceJourney #PodcastEpisodes #DivineCreativity About the Guest:(bio, personal links, resource links)A Maui-born local sensation, Derick Sebastian has woven a remarkable journey of musical excellence through unwavering faith and relentless hard work. As an internationally acclaimed ukulele virtuoso, he has captured the hearts of audiences worldwide.Derick has shared the stage with singer/songwriter pop star Jason Mraz, the melodic Raining Jane, powerhouse Trombone Shorty, contemporary Christian music legendaries Michael W. Smith, Natalie Grant and Bernie Herms, country star icons Lukas Nelson, Lily Meola, Chris Young, Randy Houser, Mitchell Tenpenny, Kameron Marlowe, Thompson Square and Sara Evans, fellow ukulele ace Jake Shimabukuro and R&B sensations, Boyz II Men and Brian McKnight, and a highlighted private performance and ukulele lesson with Oprah Winfrey. Derick has notable performances at Crypto Arena, Dodger Stadium, Chase Field, Oracle Park, T-Mobile Park, Sloan Park, Peoria Sports Complex, Salt River Field, TEDx Santa Cruz, PIXAR Animation Studios, ABC's Grey's Anatomy, and professional sports industry's MLB, NBA, PGA, NCAA, ESPN and EA SPORTS. He has also toured full-fledged around the globe to Australia, Thailand, Philippines, Korea, China, Canada, Germany, Finland and Estonia. Recently, Derick's musical path has taken a slight twist, embarking on a 'new' direction that explores uncharted waters in songwriting, composing, and producing music for Film, TV, Advertisements, and Media. His ukulele releases continue to gain traction, opening doors to composing for global campaigns by ROXY and Hyatt. He's inked deals with major music libraries, including Warner Chappell PM, Sky Urbano, and Atrium Music, and even founded his own publishing company, 'Sounds of Sebastian Publishing.'Derick's journey is a testament to dedication and the power of dreams, but it doesn't stop with his own success—he's passionate about helping others achieve theirs. With a heart dedicated to making a meaningful difference, Derick warmly invites you to join him on the next chapter of his journey.Announcing His Upcoming Book: Daydreaming with PurposeDerick's debut book, Daydreaming with Purpose: An Inspirational Memoir of the Aloha...

Are you wondering how to be more creative in your business and life? In this episode, Jamie Woolf, Pixar's first Director of Culture and Co-Founder and CEO of Creativity Partners, shares her journey at one of the most creative companies in the world. Jamie offers actionable insights to help leaders and entrepreneurs infuse creativity into their work and lives, from cultivating innovation to breaking traditional molds. With real-life examples and practical tips, this conversation dives deep into the art of leadership, overcoming workplace challenges, and the power of constructive disruption. Tune in to discover how to unlock your creativity and take your business to the next level. About the Guest: Jamie Woolf is a renowned innovation cultivator, speaker, and founder of Creativity Partners. She was the first Director of Culture at Pixar Animation Studios, where she was recruited to be a force for “constructive disruption.” With 30+ years of experience practicing organizational psychology and certifications in executive coaching, Jamie has inspired thousands worldwide to embrace innovation as a catalyst for personal and organizational transformation. — Episode Chapter Big Ideas (timing may not be exact) — [00:00] Introduction to Jamie Woolf and the episode [02:35] Jamie's passion for tennis and hiking as creative outlets [03:10] How Jamie became Pixar's first Director of Culture [04:52] Constructive disruption and why breaking the status quo matters [06:01] Creativity vs. Innovation: What's the difference? [10:34] Founding Creativity Partners: Bringing Pixar's creativity into new industries [17:08] The importance of constructive disruption in business [27:00] The art of real listening for leaders [39:52] Why power can erode empathy—and how leaders can resist this [46:41] Jamie's legacy and message for future generations [48:54] Closing thoughts: Staying creative and the power of using your voice Key Quotes from Jamie Woolf: "Constructive disruption is about asking good questions, adapting to changes in society, and seeing things in new ways." "Creativity isn't just for artists. It's problem-solving—whether you're a parent or a finance professional, creativity lies in finding what doesn't yet exist and building a path forward." "If you don't disrupt the status quo, someone else will, and you'll lose your competitive edge." — Connect with Jamie Woolf — Website: https://www.creativity-partners.com/ LinkedIn: https://www.linkedin.com/in/jamie-woolf-a41416b/ — Connect with Julian and Executive Health — LinkedIn — https://www.linkedin.com/in/julianhayesii/ X — https://x.com/thejulianhayes Ready to take your health, leadership, and performance to the next level? Book a complimentary executive health chemistry meeting with Julian Hayes II. Link below. https://calendly.com/julian-exechealth/chemistry Website — https://www.executivehealth.io/

A Musical Christmas with Mariachi Alegria de Disneyland & Miguel complete performance.On Monday through Friday evenings, “A Musical Christmas with Mariachi Alegría de Disneyland & Miguel!” celebrates the spirit of the holidays through heartfelt stories and timeless songs in an enchanting street performance on Buena Vista Street. The celebration closes with a special appearance by Miguel from Pixar Animation Studios' “Coco” for a beautiful rendition of “Silent Night.”Recorded on Tue., 12/17/24 at approximately 8:45PM. --------------------Donate to the Show:Help keep Park Sensory going with a one-time donation. Your support goes a long way.Interact:Email - podcast@offharborandmain.comTwitter/X - @Park_SensoryInstagram - @offharbor

This is our interview with Canadian Animator Rob Gennings from Pixar Studios' Dream Productions. We discussed Rob's role as an animator, his take on the Canadian references in the series and what he loves about creating at Pixar.Dream Productions is streaming now on Disney+. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

Welcome to Strategy Skills episode 509, an interview with a renowned innovation cultivator, speaker, and founder of Creativity Partners, Jamie Woolf.   In this episode, Jamie shared her remarkable experience working at Pixar under Ed Catmull's leadership and explained its unique culture that combines art and technology to drive innovation. She explained the concept of “constructive disruption” at work and how leaders can build healthy, innovative, and creative workplaces where everyone feels free to speak up, be heard, and support employees in bringing their authentic selves to work.   Jamie Woolf was the first Director of Culture at Pixar Animation Studios where she was recruited to be a force for “constructive disruption.” Jamie has 30+ years of experience practicing organizational psychology and draws on her impactful work with organizations like Google, Dreamworks, University of California, and Pixar Animation. Visit Jamie's blog here: https://www.creativity-partners.com/blog    Here are some free gifts for you: Overall Approach Used in Well-Managed Strategy Studies free download: www.firmsconsulting.com/OverallApproach   McKinsey & BCG winning resume free download: www.firmsconsulting.com/resumepdf   Enjoying this episode? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo  

This is our interview with the cast and crew from Pixar Animation Studios' Dream Productions. We caught up with Paula Pell (Paula Persimmon) and Ally Maki (Janelle) to learn about their connection to their characters and how the series resonates with their own experiences in the film and television industry. We also had a chat with Jaclyn Simon (Series Producer), Valerie LaPointe (Director of Episodes 1 and 2), and Austin Madison (Director of Episode 3) about the creation of this show, and how they drew inspiration from their own dreams and the dreams of those closest to them to bring the imaginative world of this comedic mockumentary mini-series to life.Pixar Animation Studios' Dream Productions is streaming now on Disney+. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

This is our spoiler-free review for Disney & Pixars' Dream Productions. We dive into this heartfelt and hilarious mockumentary-style miniseries, its fantastic cast, and the joy it brings as it gives us another glimpse inside Riley's mind, revealing what her dreams are truly made of.Dream Productions is streaming now on Disney+. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

Focus More to Work Less is covered in this podio, along with the following subjects: - Work-life integration (not balance) - Managing Your Focus - Boost your productivity *************************************** When it comes to maximizing your time and achieving a better work-life integration, managing your focus is key. By honing in on what truly matters and prioritizing tasks that align with your goals, you can reclaim more time for the things that bring you joy and fulfillment. Instead of striving for a perfect work-life balance, consider aiming for work-life integration, where you seamlessly blend your professional and personal responsibilities in a way that works best for you. Remember, focusing on what's most important to you can help you work smarter, not harder, and ultimately lead to a more balanced and fulfilling life. I'll be talking with Chad Brown about Focus More to Work Less. Chad Brown is a leadership engagement expert. He coaches founders and executives in the art and science of leadership for themselves, their teams, and clients to create new, unprecedented results and experience fulfillment in their work. Chad founded a media production studio called Shade Tree Films in 2008 that has serviced global companies such as Volkswagen, Target, and Pixar Animation Studios. This is where his love and passion for leadership and causing results through others was ignited. He sold that company in 2021. He thrives in extreme environments and difficult conversations. Over the last 7 years, Chad has trained and developed leaders at globally recognized brands like Lulu Lemon, and Ironclad Document Services along with many burgeoning start ups. When he is not engaging in meaningful conversations with leaders, you will find (or won't be able to find) Chad on a wild adventure in the mountains with his family. He resides at the foot of the Rocky Mountains in Orem Utah with his wife Katie and three children Addison, Kenya, and Milo.

Jamie Woolf discusses ways to foster innovation, creativity, and resilience within organizations. Jamie was the first Director of Culture at Pixar Animation Studios and is now the founder of Creativity Partners. Listen as she explores her impactful work with organizations like Google, Dreamworks, and Pixar Animation and embrace innovation as a catalyst for personal and organizational transformation. Host, Kevin Craine Do you want to be a guest? https://Everyday-MBA.com/guest This episode is supported by the Naveen Jindal School of Management   

The Fantasy/Animation podcast continues its involvement with the work of Pixar Animation Studios in this closer look at the computer-animated film Monsters, Inc. (2001) featuring Chris and Alex's first guest of the new season John Airlie, Associate Lecturer in Film and Media at Birkbeck University in London. Not only has John has taught courses across higher education related to gender and sexuality, but has, in his own words, also toiled in the world of publishing and book distribution. He now works for one of the major U.S. film companies in London, where he specialises in post production (localisation/dubbing) for international markets. Topics include the role of the voice in character animation and international dubbing practices as a form of adaptation; the interplay between the dubbed voice and stardom, and what it means for culturally-specifically stars to ‘match' the physicality of an ‘original' animated body; contemporary Hollywood animation and celebrity voicework; the politics of the animated cameo; and what Monsters, Inc. has to say about the power of the child's voice. **Fantasy/Animation theme tune composed by Francisca Araujo**

Sinikka Waugh and Chad Brown discuss The Two Types of Trust. Join in and explore the two types of trust: blind trust, where we overlook potential risks, and mature trust, which acknowledges the possibility of betrayal while fostering deeper connections. Sinikka and Chad discuss how blind trust can lead to confusion and chaos, while mature trust provides meaningful feedback and minimizes the impact of breakdowns. They will share practical tips for cultivating mature trust in your relationships, including the importance of detailed conversations, attentive follow-ups, and tuning into your instincts.   Chad Brown is a leadership engagement expert. He coaches founders and executives in the art and science of leadership for themselves, their teams, and clients to create new, unprecedented results and experience fulfillment in their work. Chad founded a media production studio called Shade Tree Films in 2008 that has serviced global companies such as Volkswagen, Target, and Pixar Animation Studios. This is where his love and passion for leadership and causing results through others was ignited. He sold that company in 2021. He thrives in extreme environments and difficult conversations. Over the last 7 years, Chad has trained and developed leaders at globally recognized brands like Lulu Lemon, and Ironclad Document Services along with many burgeoning start ups. When he is not engaging in meaningful conversations with leaders, you will find (or won't be able to find) Chad on a wild adventure in the mountains with his family. He resides at the foot of the Rocky Mountains in Orem Utah with his wife Katie and three children Addison, Kenya, and Milo.

Creating Clarity   In this episode of Richer Soul, we dive into the world of leadership engagement with Chad Brown, a seasoned expert in coaching founders and executives. Chad has a unique approach to helping leaders unlock their full potential by mastering both the art and science of leadership. Through his coaching, he empowers his clients to achieve unprecedented results while also finding fulfillment in their work. Let's explore Chad's fascinating journey, the insights he's gained from his experiences, and the lessons he shares about leadership, growth, and living a purpose-driven life.   Takeaways: Leadership as a Balance of Art and Science: Chad explains that effective leadership is both an art and a science. While technical skills and knowledge are important, emotional intelligence, trust-building, and personal fulfillment are equally critical in becoming a successful leader. Work-Life Integration, Not Balance: Chad challenges the traditional notion of work-life balance, calling it a myth. Instead, he advocates for work-life integration, where professional and personal lives are aligned to bring purpose and fulfillment across all areas of life. The Power of Trust in Leadership: Chad highlights two types of trust: one that can accelerate team performance and one that can be devastating. Understanding and fostering the right kind of trust in your team and clients can significantly boost the effectiveness and success of a leader. Creating New Results through Leadership: Leadership, according to Chad, is about guiding teams and clients to create unprecedented results. This requires constant development, tough conversations, and a willingness to push beyond comfort zones.   Money Learnings: Lessons from Financial Struggles: Chad's early experiences with money were marked by financial instability, particularly from his father's work as a drywall contractor. These struggles taught him about the scarcity of money, and the whiplash effect financial issues can have on family plans and emotions, like a canceled family trip to Disneyland that left a lasting impact. Work Ethic from a Young Age: Chad started working at the age of 12, helping in his father's drywall business. This experience gave him a strong work ethic but also ingrained some less-than-ideal money habits that he later had to overcome. His experience taught him that hard work doesn't necessarily equate to smart money management. Changing the Money Narrative: Chad discusses the importance of rethinking how we view money. By shifting away from unhealthy habits and beliefs that were picked up during childhood, it's possible to form a healthier relationship with money and create financial stability. Financial Coaching in Leadership: Chad shares how leaders often need to develop their financial understanding to be better managers and decision-makers. His coaching includes guiding leaders to overcome their limiting financial beliefs, thereby unlocking new possibilities for both personal and professional growth.   Bio: Chad Brown is a leadership engagement expert and the founder of Chad L. Brown Coaching & Consulting. He coaches leaders to create new, unprecedented results through a combination of leadership science and personal fulfillment. His passion for leadership ignited while running a media production company, Shade Tree Films, which serviced global brands like Volkswagen, Target, and Pixar Animation Studios. After selling the company in 2021, Chad focused on coaching full-time, working with founders and executives to help them navigate the challenges of leadership. When not working with clients, Chad enjoys embarking on wild adventures in the Utah mountains with his family.   Key Discussion Points: Early Experiences with Money and Work: Chad shared that his early experiences with money were not ideal. Growing up in a small town in Utah, his family struggled financially. His father, a drywall contractor, worked hard but often faced financial instability, which left a lasting impression on Chad. One particularly painful memory was a canceled family trip to Disneyland due to unexpected financial troubles. This experience shaped Chad's perspective on money, hard work, and the importance of financial stability. From Shade Tree Films to Leadership Coaching: Chad's journey into leadership coaching began with the founding of Shade Tree Films in 2008. The media production company quickly grew, servicing major global brands. While running this business, Chad discovered his passion for leadership and achieving results through others. After selling the company in 2021, he transitioned to coaching full-time, working with founders and executives to help them navigate the challenges of leadership. The Art and Science of Leadership: Chad emphasizes the importance of balancing the art and science of leadership. He coaches leaders to not only focus on results but also to find fulfillment in their work. He discusses how effective leadership requires understanding both the technical aspects of managing a team and the emotional intelligence to foster trust and connection within an organization. Work-Life Balance vs. Work-Life Integration: Chad challenges the idea of work-life balance, calling it a myth. Instead, he advocates for work-life integration, where personal and professional lives are harmonized. He believes that leaders should focus on integrating their passions and purpose into both their work and personal lives to create a more fulfilling experience. Free Resources for Founders: Chad shares his free assessment, the "4 Pillars of Founder Freedom," which helps leaders identify key areas for growth and scalability. He also offers access to his resource, "5 Critical Founder Beliefs That Kill Scalability," which outlines common beliefs that hold back leaders and how to overcome them.   Conclusion: Chad Brown's insights into leadership and personal growth offer valuable lessons for anyone looking to improve their effectiveness as a leader. His focus on integrating purpose into leadership, embracing difficult conversations, and achieving fulfillment in both work and life makes his coaching approach unique and impactful. If you're a leader or aspiring entrepreneur, Chad's lessons are a must-learn for achieving lasting success and satisfaction.   Links: 4 Pillars of Founder Freedom Assessment:https://www.founder-freedom.com/ LinkedIn:https://www.linkedin.com/in/chad-brown-founder-coach-477a7015/     Richer Soul Life Beyond Money. You got rich, now what? Let's talk about your journey to more a purposeful, intentional, amazing life. Where are you going to go and how are you going to get there? Let's figure that out together. At the core is the financial well being to be able to do what you want, when you want, how you want. It's about personal freedom!   Thanks for listening!   Show Sponsor: http://profitcomesfirst.com/   Schedule your free no obligation call: https://bookme.name/rockyl/lite/intro-appointment-15-minutes   If you like the show please leave a review on iTunes: http://bit.do/richersoul   https://www.facebook.com/richersoul http://richersoul.com/ rocky@richersoul.com   Some music provided by Junan from Junan Podcast   Any financial advice is for educational purposes only and you should consult with an expert for your specific needs.

Why are the parks execs only looking at Walt Disney Pictures and Pixar Animation Studio content for their park inspiration when there's a whole pantheon of technically-Disney content to plumb: Touchstone Pictures! --- Support this podcast: https://podcasters.spotify.com/pod/show/disney-dependent/support

Episode SummaryFamily superhero saga, The Incredibles (2004), was another smash hit for Pixar. Although fun to watch, the focus on a middle aged male protagonist leads Erin and Rachel to ask once again, who is this movie really for?Episode BibliographyAl-Jbouri, E., & Pomerantz, S. (2020). A new kind of monster, cowboy, and crusader? Gender hegemony and flows of masculinities in Pixar animated films. Boyhood Studies, 13(1), 43-63. doi: 10.3167/bhs.2020.130104Barrier, M. (2005, February 27). Brad Bird. Michael Barrier. http://www.michaelbarrier.com/Interviews/Bird/Bird_Interview.htmBird, B. (Director). (2004). The Incredibles [Film]. Pixar Animation Studios. D, S. (2004, November 4). Michael Giacchino Interview. IGN. https://www.ign.com/articles/2004/11/04/michael-giacchino-interviewDesowitz, B. (2004, November 5). Brad Bird & Pixar Tackle CG Humans Like True Superheroes. Animation World Network. https://www.awn.com/animationworld/brad-bird-pixar-tackle-cg-humans-true-superheroesDVDXtras. (2024, February 7). The Incredibles (2004) | Behind the Scenes + Deleted Scenes. YouTube. https://www.youtube.com/watch?v=iimbuPBVrvYEbert, R. (2004, November 4). The Incredibles movie review & film summary (2004). Roger Ebert. https://www.rogerebert.com/reviews/the-incredibles-2004Edelstein, D. (2004, November 4). Reality Bytes. The Incredible Incredibles. https://slate.com/culture/2004/11/the-incredible-incredibles.htmlGillam, K., & Wooden, S. R. (2008). Post-princess models of gender: The new man in Disney/Pixar. Journal of Popular Film and Television, 36(1), 2-8. doi:  10.3200/JPFT.36.1.2-8Hill, J. (2023, June 28). That Little Old Lady Bears an "Incredibles" Resemblance to ... Jim Hill Media. https://jimhillmedia.com/that-little-old-lady-bears-an-incredibles-resemblance-to/The Incredibles. (n.d.). Box Office Mojo. Retrieved July 12, 2024, from https://www.boxofficemojo.com/title/tt0317705/The Incredibles. (2005). Entertainment Magazine. https://web.archive.org/web/20170617231818/http://www.emol.org/film/archives/incredibles/index.htmlLee, M. J. (2004, October 17). Brad Bird, The Incredibles. RadioFree. https://movies.radiofree.com/interviews/theincre_brad_bird.shtmlMacaluso, M. (2018). Postfeminist masculinity: The new Disney norm?. Social Sciences, 7, 221-231. doi: 10.3390/socsci7110221McCarthy, T. (2004, October 31). The Incredibles. Variety. https://variety.com/2004/film/awards/the-incredibles-3-1200529884/Michael Giacchino. (n.d.). Wikipedia. Retrieved July 12, 2024, from https://en.wikipedia.org/wiki/Michael_GiacchinoMiller, G. E. (2018, June 14). 'Incredibles' Edna Mode is based on these fashion mavens. New York Post. https://nypost.com/2018/06/14/incredibles-edna-mode-is-based-on-these-fashion-mavens/Moriarity. (2004, November 5). AICN Animation Double-Header! Moriarty Interviews Brad Bird!! Ain't It Cool News. https://web.archive.org/web/20140415053240/http://www.aintitcool.com/node/18753Ocwieja, J. (2015, June 10). Exceptionalism and “The Incredibles” | by Jeff Ocwieja. Medium. https://medium.com/@jeffocwieja/exceptionalism-and-the-incredibles-3b0764f4de07Otto, J. (2004, November 4). Interview: Brad Bird. IGN. https://www.ign.com/articles/2004/11/05/interview-brad-birdPatrizio, A. (2005, March 9). An Interview with Brad Bird. IGN. https://www.ign.com/articles/2005/03/10/an-interview-with-brad-birdPrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Rao, H., Sutton, R., & Webb, A. P. (2008, April 1). Innovation lessons from Pixar: An interview with Oscar-winning director Brad Bird. McKinsey. https://www.mckinsey.com/capabilities/strategy-and-corporate-finance/our-insights/innovation-lessons-from-pixar-an-interview-with-oscar-winning-director-brad-birdRouner, J. (2014, June 23). 5 Ways The Incredibles Is Ayn Randian Propaganda. HoustonPress. https://www.houstonpress.com/arts/5-ways-the-incredibles-is-ayn-randian-propaganda-6364574Sonnack, M. (2021, December 19). The Incredibles' Rejected Villain Xerek, Explained. CBR. https://www.cbr.com/xerek-incredibles-rejected-villain-explained/Travers, P. (2004, November 3). The Incredibles. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/the-incredibles-255640/Winter, J. (2004, October 26). Full Metal Racket. The Village Voice. https://web.archive.org/web/20110604015209/https://www.villagevoice.com/2004-10-26/film/full-metal-racket/Wooden, S.R., & Gillam, K. (2014). Pixar's boy stories: Masculinity in a postmodern age. Rowman & Littlefield Publishers. 

This message features short clips from the critically acclaimed film Inside Out 2, which was released in 2024 by Pixar Animation Studios for Walt Disney Pictures. No copyright is claimed for Inside Out 2, and we assert that use of the short clips within this sermon is permissible under fair use principles in U.S. copyright law. Liquid Church is a 501(c)3 non-profit organization, specifically, a non-denominational Christian Church, and the purpose of using this media is non commercial in nature.  Inside Out 2 continues the story of a little girl named Riley as she navigates the challenges of adolescence. With new emotions like Anxiety and Envy joining the core group—Joy, Sadness, Anger, Fear, and Disgust—Riley faces the complexities of growing up, including friendships, self-discovery, and emotional changes. The film explores how her emotions adapt to her evolving life, emphasizing the importance of embracing all feelings to maintain emotional balance. What about you? Are you overwhelmed with feelings of anxiety? God offers peace through prayer. Like Riley's emotions, our anxiety must find its place under God's control. By praying, trusting God, and focusing on His plan, we can experience peace that surpasses understanding, even in a world full of worries. Remember, true peace comes from the presence of Christ, not the absence of problems. Watch this message from Pastor Kayra Montañez and discover how to help navigate feelings of anxiety and your place in the world. #LiquidChurch #AtTheMovies #Anxiety 

Drew Taylor & Jim Hill start this week's show by looking back at some of the animation-related news that came out of the D23 Expo. They also discuss a number of the books that event attendees could pick up at this year's eve Over the course of this episode, listeners will learn about: Who now is voicing Elio's aunt in Pixar Animation Studios' big release for June of 2025 Why it's kind of ironic that the Mouse House just decided to make Frank Oz a Disney Legend What's the reported premise for “Hoppers,” Pixar's Spring 2026 What's intriguing about the visual clues that were included in the “Frozen 3” concept art that Jennifer Lee showcases at the Honda Center How many episodes of Pixar's “Dream Productions” did D23 members get to see at this year's Expo Learn more about your ad choices. Visit megaphone.fm/adchoices

Drew Taylor & Jim Hill start this week's show by looking back at some of the animation-related news that came out of the D23 Expo. They also discuss a number of the books that event attendees could pick up at this year's eve Over the course of this episode, listeners will learn about: Who now is voicing Elio's aunt in Pixar Animation Studios' big release for June of 2025 Why it's kind of ironic that the Mouse House just decided to make Frank Oz a Disney Legend What's the reported premise for “Hoppers,” Pixar's Spring 2026 What's intriguing about the visual clues that were included in the “Frozen 3” concept art that Jennifer Lee showcases at the Honda Center How many episodes of Pixar's “Dream Productions” did D23 members get to see at this year's Expo  Learn more about your ad choices. Visit megaphone.fm/adchoices

A few weeks ago, Warren sat down with Jay Ward, Creative Director at Pixar Animation Studios in Emeryville, California to discuss how his passion for cars shaped the Cars franchise, some history of Pixar, and more.

“Jurassic Park,” “Forrest Gump,” “Star Wars,” “Cars,” “Ratatouille,” “WALL•E,” “UP” and “Toy Story 3.”A short list of the most beloved franchises and animated features with magnificent VFX and post-production contributions overseen by today's guest on MOVIES WITH… David H. Tanaka.   David served at Industrial Light & Magic in VFX Production/Editorial and then went on to Pixar Animation Studios as a Special Projects Editor. Currently at Tippett Studio, David's career spans over 35 years in the industry.Join us as David relays his journey growing up in the San Francisco Bay Area, landing VFX and animation gigs with industry legends like George Lucas and Steven Spielberg and launching his cinema program for youths, Cinemabilities.The wonderful David H. Tanaka on this week's MOVIES WITH…Send us a Text Message.Thank you for listening! Please visit our website at www.nrjmediagroup.com to learn more.

In this Showdown episode, Caroline and Conor are keeping things short and sweet as they pit two of Pixar's first short films against one another: 1988's Tin Toy and 1989's Knick Knack. Both of these classic, award-winning shorts were instrumental in building the titan of animation that is the Pixar Animation Studios we know and love today. But which pocket-sized toy story is the most treasured trinket on the shelf?Follow us on Facebook, Instagram, and Twitter for fun content and exciting new updates!Join the Poor Unfortunate Fam, our Facebook Group for listeners who love the podcast and want to keep the discussions going!If you like what you're hearing, help us keep bringing you your favorite Disney content by making a donation to Poor Unfortunate Podcast today!*This podcast is not affiliated with The Walt Disney Company.Support the Show.

Chapter 1:Summary of Book Steve jobs"Steve Jobs" by Walter Isaacson is a comprehensive biography that delves into the life and work of Steve Jobs, the co-founder of Apple Inc., and a key figure in the digital revolution. The book, based on more than forty interviews with Jobs conducted over two years—along with interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—paints a detailed portrait of a complex and visionary leader.The biography traces Jobs' life from his early days in Silicon Valley, where he was raised by adoptive parents, through his co-founding of Apple in the garage of his parents' house with Steve Wozniak. It explores his innovative work in making computers more accessible and visually appealing to the general public, starting with the Apple I and the more successful Apple II.Isaacson discusses Jobs' forced departure from Apple after power struggles with the board and then delves into his ventures during this period, including the founding of NeXT, the purchase of what would become Pixar Animation Studios, and his eventual return to Apple.Upon returning to Apple, Jobs revitalized the struggling company with a series of groundbreaking products, including the iMac, iPod, iPhone, and iPad. Isaacson describes Jobs' hands-on approach to product design and development, his obsession with quality and detail, and his visionary leadership style, which were simultaneously admired and criticized.Jobs' personal life, including his relationships and his battle with pancreatic cancer, is also covered in the book, providing insight into his driven personality and complicated relationships.Throughout, Isaacson explores the contradictions that defined Jobs' character and career—his passion for perfection versus his often harsh treatment of colleagues, his countercultural beliefs paired with a fierce desire for control, and his deep involvement in aesthetics while revolutionizing industries focused on function.The book captures not only the life of Steve Jobs but also the spirit of innovation and the profound influence Jobs had on the world around him.Chapter 2:The Theme of Book Steve jobs"Steve Jobs" by Walter Isaacson is an authorized biography that provides an in-depth look into the life and career of Steve Jobs, co-founder of Apple Inc. This detailed biography was based on more than forty interviews with Jobs over two years, as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues. Here are some of the key plot points, character developments, and thematic ideas explored in the book:Key Plot Points:1. Early Life: The book outlines Jobs's adoption, his early interest in electronics and technology, and the strong influence that his adoptive parents had on his later endeavors.2. Forming Apple: The story transitions into how Jobs, in partnership with Steve Wozniak, founded Apple in his parents' garage, emphasizing the assembly and sale of their first computer model, the Apple I, and later the more successful Apple II.3. Departure from Apple: Isaacson goes into detail about the internal conflicts at Apple that led to Jobs's ousting from the company in 1985, highlighting his struggles and the creation of NeXT and Pixar.4. Return to Apple: Returning to Apple in 1997 after it acquired NeXT, Jobs revitalized the company from near-bankruptcy to profitability by streamlining product lines and introducing innovative products like the iMac, iPod, iPhone, and iPad.5. Battle with Illness: The biography doesn't shy away from describing Jobs's battle with pancreatic cancer, discussing his initial reluctance to undergo conventional medical treatment and how it impacted his health and work.Character Development:1. Driven and Determined: Throughout the biography, Jobs is portrayed as...

Dr. Sam Hubley shares how he is leading a novel collaboration with Pixar Animation Studios to adapt the Disney/Pixar film Inside Out into a social emotional learning program called InsideU. InsideU is a cost-free, web-based application designed for 6–12 year-olds that includes online learning modules on emotional awareness and regulation. InsideU employs the conceptual model of Entertainment Education and includes a series of episodes that are interactive, choose your-own-adventure stories. https://www.colorado.edu/crowninstitute/insideu

“All of our emotions are there for a good reason. They're positive. They want to help. And a little anxiety is good. … All of society is saying, ‘Get rid of emotion. It's awful. It's evil.' It's not true.” In this episode, Mark welcomes Pete Docter, executive producer of Inside Out 2, and the Oscar-winning director of Monsters, Inc., Up, and Inside Out. Pete joined Pixar Animation Studios in 1990 at twenty-one years old as its third animator, and is now Pixar's chief creative officer. Mark and Pete discuss the ins and outs of Inside Out 2, including its themes about emotion, psychology, adolescence, and the discovery and acceptance of who we are. Pete reflects on the power of music to convey unconscious meaning, alongside the subtle and sophisticated animation techniques used by Pixar today. We learn about the new emotion characters (including Anxiety, Embarrassment, and Ennui), as well as those that almost made the cut. And Pete comments on the spiritual and moral dimensions that Inside Out 2 is able to explore. About Pete Docter Pete Docter is the Oscar-winning director of Monsters, Inc., Up, and Inside Out, and chief creative officer at Pixar Animation Studios. He most recently directed Disney and Pixar's Oscar-winning feature film Soul with producer Dana Murray and co-director Kemp Powers, which is now streaming on Disney+. Starting at Pixar in 1990 as the studio's third animator, Docter collaborated on and helped develop the story and characters for Toy Story, Pixar's first full-length animated feature film, for which he also was supervising animator. He served as a storyboard artist on A Bug's Life and wrote initial story treatments for both Toy Story 2 and WALL•E. Aside from directing his three films, Docter also executive produced Monsters University and the Academy Award–winning Brave. Docter's interest in animation began at the age of eight, when he created his first flipbook. He studied character animation at California Institute of the Arts (CalArts) in Valencia, California, where he produced a variety of short films, one of which won a Student Academy Award. Those films have since been shown in animation festivals worldwide and are featured on the Pixar Short Films Collection, volume 2. Upon joining Pixar, he animated and directed several commercials, and has been nominated for eight Academy Awards, including Best Animated Feature–winners Up and Inside Out and nominee Monsters, Inc., and Best Original Screenplay for Up, Inside Out and WALL•E. In 2010, Up also was nominated for a Best Picture Oscar by the Academy of Motion Picture Arts and Sciences. Show Notes Continuity and discontinuity in Inside Out 2 Pete Docter comments on the main character/setting of Inside Out series: Riley and what's going on inside her head. Some psychologists think there are 27 emotions Puberty and adolescence New emotions: Bringing Anxiety, Embarrassment, and Ennui (Boredom) into the picture Anxiety as the new protagonist Changing body and outgrowing an old sweater Riley's pimple: “That was something that Kelsey Mann, the director, was big on from the beginning. He would say, we were so used to seeing characters represented in this perfect, idealized way. And yet, when we look at the mirror, we realize, ‘Hey, I don't measure up to that.' That was kind of the message of the film from the beginning—is learning to accept yourself. You know, the flaws and all, because that's so much of our civilization is measuring ourselves against others. And especially that period in time growing up, you're suddenly socially aware, and where you fit in or don't.” From family to friends as the dominant group “All of our emotions are there for a good reason. They're positive. They want to help. And a little anxiety is good. Lisa L'Amour, who was a consultant on the film, her big thing is like, all of society is saying, ‘Get rid of emotion. It's awful. It's evil.' It's not true.” Researching the psychology of emotion for the film, and experimenting with various emotions as characters Anxiety as subtly controlling Schadenfreude almost made Inside Out and Inside Out 2 as a gag. Anxiety is not directly related to puberty. “Who are we? What are the things that make us who we are? Is it just our experiences, our beliefs, our actions that we take? And all of those start to get folded into the film.” “For me, the creative process is all about the nitty gritty details.” “So really that's just what I'm trying to do is for us in that room, as we're making it: Are we engaged? Are we emotional?” The complexity of guilt and shame Learning that sincerity—the truth of the character—is the key Special Effects work in Inside Out 2 The subtle and sophisticated storytelling device of Riley's eyes. How digital animation works today—more like a puppet than a drawing. Music as an unconscious communicator Dr. Paul Ekman: Emotions are largely under the hood. Soul (2020) and the philosophy of dualism as a Greek concept Embodied souls—a colliding, intertwined, inseparable reality Understanding the instrumentality of the brain The amazing amount of goodness that Pixar has injected into the world Pete Docter on working with Amy Poehler, Tony Hale, and Maya Hawke “Our emotions are really on our team.” Fear as a dominant emotion for the era we live in Joy vs Sadness or Joy vs Fear How Pete Docter's faith informs his approach to Inside Out “One other little bit of research we did that I was shocked by is that there's apparently a part of your brain that lights up especially when you watch animation.”

Robert Winfree, Mark Radulich, Alexis Hejna and Zachary Strobel present their Inside Out 2 2024 Pixar Movie Review!Inside Out 2 is a 2024 American animated coming-of-age film produced by Pixar Animation Studios for Walt Disney Pictures. The sequel to Inside Out (2015), it was directed by Kelsey Mann (in his feature directorial debut) and produced by Mark Nielsen, from a screenplay written by Meg LeFauve and Dave Holstein, and a story conceived by Mann and LeFauve. The film stars Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan reprising their roles from the first film, with Maya Hawke, Kensington Tallman, Tony Hale, Liza Lapira, Ayo Edebiri, Lilimar, Grace Lu, Sumayyah Nuriddin-Green, Adèle Exarchopoulos, and Paul Walter Hauser joining the cast. It tells the story of Riley's emotions as they find themselves joined by new emotions that want to take over Riley's head.Inside Out 2 premiered at the El Capitan Theatre in Los Angeles on June 10, 2024, and was released in theaters in the United States on June 14. The film received positive reviews from critics and has grossed $294 million worldwide. It has the second-biggest opening day debut for an animated film domestically, behind Pixar's Incredibles 2 (2018), and is the eighth-highest-grossing film of 2024.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76

For this week's main podcast review, Nadia Dalimonte, Josh Parham, Cody Dericks, Tom O'Brien, and I are reviewing the latest film from Pixar Animation Studios, "Inside Out 2," starring Amy Poehler, Maya Hawke, Kensington Tallman, Lewis Black, Tony Hale, Liza Lapira, Phyllis Smith & Ayo Edebiri. A sequel to the Academy Award-winning "Inside Out," the film is one not many were asking for, but now that it's here, it has introduced all-new emotions for Riley to deal with as she goes through puberty. What did we think of the animation, the story, and the voice performances? Tune in as we discuss these elements, its awards potential, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 123 Sam is joined by Pete Docter and Kelsey Mann. Pete is Chief creative officer of Pixar Animation Studios and Kelsey is director of the latest Pixar film Inside Out 2. Pete and Kelsey have chosen Snow White and the Seven Dwarfs (83 mins). The movie was released in 1937 and was the first animated feature to be made in the United States. Produced by Walt Disney, with a directing team lead by David Hand, the film stars Adriana Caselotti, Lucille La Verne, and Roy Atwell.  Sam, Pete and Kelsey discuss the different animation styles in Snow White, talk us through their creative process, and Snow White's influences on Inside Out 2.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a top at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest stars Pete Docter and Kelsey Mann. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. 

"Intensamente" es una película de animación producida por Pixar Animation Studios y distribuida por Walt Disney Pictures. La historia se centra en las emociones de una niña llamada Riley. Intensamente a pesar de ser una película animada nos muestra la importancia que tienen todas las emociones en la experiencia humana, la adaptación al cambio, la superación de los desafíos entre otros. Una de las películas que forma parte de las proyecciones a beneficio en el Festival Internacional de Cine en Guadalajara es INTENSAMENTE 2… y que hemos tomado como pretexto para hacer una revisión en torno a las emociones con la compañía de nuestra experta en Inteligencia emocional... escucha en este podcast a la Dra. Norma Ruvalcaba en nuestro primer día de transmisiones desde el Conjunto Santander de Artes Escénicas

Pixar has laid off 14% of its staff ahead of Inside Out 2, citing no need for people to work on Disney Plus series going forward. But will Inside Out 2 be enough to save them, or will Disney drop the other shoe? Could underperforming Pixar just get rolled into Walt Disney Animation Studios soon? ➡️ Tip Jar and Fan Support: http://ClownfishSupport.com ➡️ Official Merch Store: http://ShopClownfish.com ➡️ Official Website: http://ClownfishTV.com ➡️ Audio Edition: https://open.spotify.com/show/6qJc5C6OkQkaZnGCeuVOD1 About Us: Clownfish TV is an independent, opinionated news and commentary channel that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Disney #News #Commentary #Reaction #Podcast #Comedy #Entertainment #Hollywood #PopCulture #Tech

CONTINUING OUR ADVENTURE AT PIXAR ANIMATION! With the long-awaited sequel to Inside Out only a few weeks away, we were allowed a once-in-a-lifetime opportunity to visit Pixar in Emeryville, California for a deep dive into modern Animated Movie Production + An interview with Director, Kelsey Mann as well as Producer Mark Neilsen! Inside Out 2 features the returning voice talents of Amy Poehler as Joy, Phyllis Smith as Sadness, & Lewis Black as Anger along with Tony Hale voicing fear (taking over for Bill Hader) & Liza Lapira as Disgust (taking over for Mindy Kaling) + new Emotions, Anxiety voiced by Maya Hawke, Ennui voiced by Adèle Exarchopoulos, Ayo Edebiri as Envy, and Paul Walter Hauser as Embarrassment. The film picks up a handful of years after the first, with young Riley turning 13 and starting to experience a host of new changes & experiences. Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Chapter 1:Summary of To Pixar And Beyond Book"To Pixar and Beyond: My Unlikely Journey with Steve Jobs to Make Entertainment History" by Lawrence Levy is a captivating memoir that provides an insider's look into the transformation of Pixar from a small graphics department into a groundbreaking animation studio. Levy, who joined Pixar as the CFO, recounts his professional journey alongside Steve Jobs as they navigated the company through various financial and creative challenges to eventually lead it to monumental success.Initially, Pixar was a struggling division of Lucasfilm with uncertain prospects. When Levy was brought on board, the company was facing significant financial difficulties. The book delves into the strategic decisions made by Levy and Jobs to reposition Pixar as a leader in animated films rather than just a technology company selling hardware. Central to the book is the pivotal moment of deciding to take the company public and the success of the initial public offering, which coincided with the release of the groundbreaking film "Toy Story."Levy's narrative provides insights into his working relationship with Jobs and the leadership style that helped to guide Pixar through its transition. The book also reflects on the broader themes of finding one's path in life and balancing personal fulfillment with professional achievements. Throughout, Levy paints a portrait of the complexities and triumphs of managing a creative powerhouse that would redefine an industry.“To Pixar and Beyond” is more than just a business memoir; it is a story of personal growth and the magic that ensues when art and commerce intersect effectively.Chapter 2:the theme of To Pixar And Beyond Book"To Pixar and Beyond: My Unlikely Journey with Steve Jobs to Make Entertainment History" is a book by Lawrence Levy that delves deeply into the behind-the-scenes story of Pixar Animation Studios and its evolution from a struggling startup into a blockbuster studio. The book isn't just about the movies, but more about the challenges and strategies involved in making the company successful. Here are several key plot points, character details, and thematic elements from the book:### Key Plot Points1. **Introduction to Pixar**: Lawrence Levy is approached by Steve Jobs to join Pixar, which at the time was a struggling tech company, mainly known for selling animation hardware and software, but with ambitions in animated films.2. **Strategic Pivots**: One significant plot point involves the strategic shift from a technology company to a film studio. Levy and Jobs made critical decisions on restructuring the company, focusing on the film production side, and navigating through the initial public offering (IPO).3. **Financial Challenges**: The book covers the extensive financial hurdles Pixar faced, from funding issues to negotiating deals with Disney. It details how Pixar dealt with complex contract negotiations and business development to secure its financial footing.4. **"Toy Story" Success**: The release and enormous success of "Toy Story", Pixar's first feature film, marks a pivotal turning point in the book. This success had far-reaching implications for Pixar's future and fundamentally transformed the animation industry.5. **Public Offering**: Pixar's journey to its IPO, becoming a public company, and the complexities involved in this process, including its timing coinciding with the release of "Toy Story", which was an unusual but strategic move.### Character Development- **Lawrence Levy**: The narrator, initially an outsider to the animation industry, Lawrence's development is seen in...

"Drawing from some of the most pivotal points in his life, Steve Jobs, chief executive officer and co-founder of Apple Computer and of Pixar Animation Studios, urged graduates to pursue their dreams and see the opportunities in life's setbacks -- including death itself -- at the university's 114th Commencement on June 12, 2005."In this episode, we're going to analyze the most watched speech on YouTube. Our goal is to assess what Steve Jobs did to have the most shared speech in history. An easy way to send me a message? Click the link here.Have you enjoyed the podcast? If so, follow it, rate it, and share it with three people: Follow on Apple Podcasts Follow on Spotify Follow on Instagram Subscribe on YouTube If you want to share feedback, have a great idea, or have a question then email me: talktopeoplepodcast@gmail.comProduced by Capture Connection Studios: captureconnectionstudios.com

 In a solo show this week, Jim Hill starts things off by recapping what happened at this year's Golden Globe. He shares what he's heard about the lay-offs that are reportedly coming to Pixar Animation Studios later this year. Over the course of this episode, listeners will learn about; When will the Blu-ray version of Disney's “Wish” be hitting store shelves Where did Bill Hanna & Joe Barbera set up their first animation-for-television studio in Hollywood What do Disneyland fans have to say about the “Pixar Fest” marquee / photo-up that weill be set in that theme park later this Spring Which infamous Hollywood mogul from the 1940s & 1940s helped fund the creation of H-B Enterprises, Inc. Why is the “Superman” TV series from the 1950s (i.e., the one that starred George Reeves) sometimes associated with Charlie Chaplin Learn more about your ad choices. Visit megaphone.fm/adchoices