Podcasts about indiana historical bureau

This episode was recorded live at the Indiana History Center, where one of their current exhibits is about Gene Stratton-Porter, a best-selling writer, illustrator, nature photographer, naturalist, and film producer. Research: Aalto, Kathryn. "THE LEGEND OF LIMBERLOST: A PATCH OF INDIANA WILDERNESS FULFILLS THE VISION OF AN OVERLOOKED AMERICAN NATURALIST, GENE STRATTON-PORTER." Smithsonian, vol. 50, no. 10, Mar. 2020, pp. 56+. Gale In Context: U.S. History, link.gale.com/apps/doc/A617619457/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=1e942034. Accessed 8 July 2024. Aldridge, Ann and Nancy B. Carlson, editors. “Gene Stratton-Porter: Voice of the Limberlost.” Ball State University. 1996 and 2001. https://www.youtube.com/watch?v=kvOWDOfxbLw Armitage, Kevin. “On Gene Stratton Porter's Conservation Aesthetic.” Environmental History , Jan., 2009, Vol. 14, No. 1 (Jan., 2009). https://www.jstor.org/stable/25473331 Asian American Riverside. “Her Father's Daughter and anti-Japanese Legislation.” California Council for the Humanities. https://aar.ucr.edu/HerFathersDaughter/index.html Benett, Pamela J., editor. “Gene Stratton-Porter.” The Indiana Historian. September 1996. Caywood, Carolyn. “Bigotry by the Book,” School Library Journal (December 1992). Davis, Cooper. “Gene Stratton-Porter: A Hoosier Renaissance Woman.” Indiana Historical Society. https://indianahistory.org/blog/gene-stratton-porter-a-hoosier-renaissance-woman/ Dessner, Lawrence Jay. "Class, Gender, and Sexuality in Gene Stratton-Porter's 'Freckles.'(early 20th-century best-seller)(Critical Essay)." Papers on Language & Literature, vol. 36, no. 2, spring 2000, p. 139. Gale General OneFile, link.gale.com/apps/doc/A63045310/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=ffcf7ac3. Accessed 8 July 2024. "Gene Stratton-Porter." St. James Encyclopedia of Popular Culture Online, Gale, 2013. Gale In Context: U.S. History, link.gale.com/apps/doc/K2419201172/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=db957024. Accessed 8 July 2024. Green, Amy S. “Two Women Naturalists and the Search for Autonomy: Anna Botsford Comstock and the Producer Ethic; Gene Stratton-Porter and the Gospel of Wealth.” Women's Studies Quarterly, Vol. 29, No. 1/2, Earthwork: Women and Environments (Spring - Summer, 2001). Via JSTOR. https://www.jstor.org/stable/40004614 Indiana Historical Bureau. “Gene Stratton-Porter.” https://www.in.gov/history/state-historical-markers/find-a-marker/gene-stratton-porter/#_edn3 Indiana Historical Society. “Gene Stratton-Porter.” https://indianahistory.org/education/education-resources/educator-resources/famous-hoosiers/gene-stratton-porter/ Indiana Historical Society. “Gene Stratton-Porter.” https://www.in.gov/governorhistory/mitchdaniels/3324.htm W.L. “Her Father's Daughter.” Cincinnati Inquirer. 9/4/2021. Long, Judith Reick. “Gene Stratton-Porter: Novelist and Naturalist.” Indianapolis : Indiana Historical Society. 1990. Meehan, Jeanette Porter. “The Lady of the Limberlost;: The life and letters of Gene Stratton-Porter.” Doubleday. 1928. https://archive.org/details/bwb_P8-AIO-567/mode/1up Morrow, Barbara Olenyik. “Nature's Storyteller: The Life of Gene Stratton-Porter.” Indiana Historical Society Press. 2016. Patterson, Tom. “Japanese in Riverside area: new mystery about old tragedy.” The Press-Enterprise, February 21, 1971. https://asianamericanriverside.ucr.edu/HerFathersDaughter/TomPatterson.html Renslow, Jessica. “After Limberlost: Gene Stratton-Porter's Life in California.” Documentary. 2013. Stratton-Porter, Gene. “Gene Stratton-Porter: A Little Story of The Life and Work and Ideals of ‘The Bird Woman.'” Edited by Eugene F. (Eugene Francis) Saxton. New York: Doubleday, Page & Company, 1926. https://digital.library.upenn.edu/women/stratton/gene/gene.html Stratton-Porter, Gene. “Moths of the Limberlost.” Garden City, N.Y, Doubleday, Page & company, 1912. https://doi.org/10.5962/bhl.title.56100 Stratton-Porter, Gene. “What I have done with birds; character studies of native American birds which, through friendly advances, I induced to pose for me, or succeeded in photographing by good fortune, with the story of my experiences in obtaining their pictures.” Indianapolis, The Bobbs-Merrill Company. 1907. https://archive.org/details/whatihavedonewit00strarich/page/5/mode/1up See omnystudio.com/listener for privacy information.

Join the intellectual odyssey with our guest, Justin Clark, public historian and director of digital initiatives at the Indiana Historical Bureau, as we weave through a labyrinth of political ideologies, historical narratives, and the evolution of secular humanism. Unlock the mysteries of midwestern republicanism, dissect the transformation of political legacies from Robert Ingersoll to the Clintons, and explore the intricate dance of ideas across the spectra of socialism and atheism. With an ear to the past and an eye on the present, we navigate through controversial waters, challenging assumptions and redefining the landscape of modern discourse.Our discussion spans a remarkable range of subjects, from the clash of atheism and postmodernism to the funding intricacies behind political movements. We scrutinize prominent thinkers like Christopher Hitchens and Noam Chomsky, critique the New Atheists' scientific missteps, and delve into the utopian traditions that thread through American history. As a co-host of Red Reviews, I bring a unique perspective on Marxist humanism, inviting listeners to join a conversation that dares to question and seeks to understand the complexities of our shared political tapestry.As we conclude this thought-provoking episode, we celebrate the critical minds that have shaped our understanding of American culture and politics, from Sidney Hook to Gore Vidal. Reflecting on the nation's imperialist endeavors and its revolutionary aspirations, we honor the dichotomous nature of the American spirit. Engage with us on this riveting exploration of historical and political narratives that promises to enlighten, provoke, and inspire. Support the Show.Crew:Host: C. Derick VarnAudio Producer: Paul Channel Strip ( @aufhebenkultur )Intro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @skepoetYou can find the additional streams on Youtube

From a massive former factory on the eastside of Indianapolis that's been repurposed into two charter schools to a 1950s-style diner in Plainfield and a former Masonic Temple in Greenfield, sites along U.S. 40 in Indiana will be in Hoosier History Live's spotlight. We also will explore a bygone barbershop that was owned by a formerly enslaved African American entrepreneur as well as two early automobile manufacturing plants , one of which is set to become a music venue. Stretching from Richmond to Terre Haute, U.S. 40 bisects the state and follows the route of the National Road, which was completed across the Indiana wilderness during the 1830s. Its designation as U.S. 40 came in the 1920s. That's also when P.R. Mallory opened a massive factory on the highway (which enters Indianapolis as East Washington Street) that eventually employed thousands of Hoosiers who made electronic components and dry cell batteries. After sitting vacant and decaying for more than 30 years, the plant (the birthplace of the Duracell battery) has been repurposed as the home of Purdue Polytechnic High School and Paramount Englewood Middle School. It's among the historic sites – current, bygone or repurposed – that Nelson and his guests will "cruise by", although they won't leave the radio station. He will be joined by two board members of the Indiana National Road Association: David Steele of Indianapolis, a business and civic leader who has crusaded for six Indiana Historical Bureau markers. Along those lines, the Indiana National Road Association has erected 15 interpretive panels along the U.S. 40 route in Indiana. And Bob Hunt of Greenfield, who is retired from Eli Lilly & Co. With his wife Beverly, Bob renovated a former Masonic Temple that was considered one of the largest lodges in the state when it opened in 1895. The historic building on U.S. 40 now is a banquet and event center in Greenfield owned by Bradley Hall Events.

The Indiana Historical Bureau is excited to announce a BRAND NEW season of our award-winning Talking Hoosier History podcast. We have a new host, new stories, and a new format. We'll still be bringing you exciting and lesser-known tales from Indiana's past, but we'll also be talking about how we do history. And we're serving up some shorter episodes in response to requests from teachers who want to use THH in the classroom. Find us wherever you get your podcasts and subscribe now. New season begins August 1!

One of Peoria's foremost historical figures was the topic of a presentation by a member of the Indiana Historical Bureau, speaking at the GAR Hall in Downtown Peoria earlier this year.

Amid predictions that a recession is possible next year, Hoosier History Live will time travel to the Great Depression and explore one of the two most consequential governors in Indiana history. Paul V. McNutt, who was elected in 1932 (the same year that Franklin D. Roosevelt won the presidency), was even considered as a possible Democratic nominee eight years later for the nation's top office if FDR had decided not to seek an unprecedented third term. During the early 1930s, McNutt spoke out early on in support of Jews during rise to power of Nazis in Germany, notes our guest, Justin Clark of the Indiana Historical Bureau. Not only will Justin share insights about that during our show, he also will discuss McNutt's lifelong rivalry with Hoosier Wendell Willkie (who, coincidentally, became the Republican nominee for president in 1940) as well as criticisms that McNutt filled state government jobs only with Democrats while governor and clashed with organized labor. McNutt (1891-1955), who also served as the country's first ambassador to the Philippines after World War II, was named one of the two most consequential governors in Indiana's history by Linda Gugin and James St. Clair, authors of "The Governors of Indiana" when they were Hoosier History Live guests . We explored the life of the other "most consequential" governor, Oliver P. Morton, a Republican who held the state's top office during the Civil War, during a Hoosier History Live show in 2019. And we put the spotlight on Willkie when his grandson, David Willkie, was our guest in 2015.

David Heighway: You can find more about Hamilton East Public Library's work in history (County Historian David Heighway's organization) here: https://www.hepl.lib.in.us/indiana-room/   Order your copy of David's book “Hidden History of Hamilton County, Indiana” here: https://www.arcadiapublishing.com/Products/9781467150170   Sources: David Heighway. “The Mystery of Noblesville's First Settler: Pete Smith,” Hamilton East Public Library. Accessed at: https://www.hepl.lib.in.us/the-mystery-of-noblesvilles-first-settler-pete-smith/.    Jeannie Regan-Dinius, “With Bodily Force and Violence: The Escape of Peter,” Indiana Historical Bureau, 2005 (State of Indiana, 2022). https://www.in.gov/history/for-educators/all-resources-for-educators/resources/underground-railroad/with-bodily-force-and-violence-the-escape-of-peter-by-jeannie-regan-dinius/  

We had guests this episode! The long awaited visit from Stickers and Chuck joined us as well. Tori regales us with the story of Alcatraz. She's been keeping this one in her pocket for awhile folks. From the discovery of Alcatraces in 1775 by Juan Manuel de Ayala to the present day iteration as a national park. A military fort, military prison, prison, and then a place of protest from indigenous people, the Rock has seen much history. The prison's prison, the Rock was used to get unruly prisoners from other prisons to behave. Through many escape attempts and famous prisoners, this has been ground zero for many legends and ghost stories. Krysti follows up with the answer to a question that was asked when Stickers got into town. “What is a Hoosier?” The answer is pick an answer, any answer. From asking “Who's there?” at folks knocking on doors to river men beating the snot out of folks to “hush” them, there are too many answers to count. Most likely it's because of “hill folk” from England. Our Sources: bop.gov, graylineofsanfrancisco.com, legendsofamerica.com, In.gov - Indiana Historical Bureau, Indianahistory.org, History.com, Atlasobscura.com, Library.brown.edu Our theme music: “Danse Macabre - Busy Strings"Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/Support our show on Patreon: https://www.patreon.com/trendylobotomypodcastFind us at FB/Instagram @TrendyLobotomyPod and at Twitter @TrendyPod as well as our blog trendylobotomypodcast.blogspot.comSupport the show (https://www.patreon.com/trendylobotomypodcast?fan_landing=true)

Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America's most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby's mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby's founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino's Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America's most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby's mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby's founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino's Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America's most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby's mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby's founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino's Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America's most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby's mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby's founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino's Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America's most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby's mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby's founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino's Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America's most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby's mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby's founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino's Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America's most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby's mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby's founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino's Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America's most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby's mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby's founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino's Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Later this year, a historic marker is planned for the birthplace in Brazil, Ind., of Jimmy Hoffa, the controversial labor leader whose disappearance in 1975 remains one of the country's major missing persons cases. Hoffa, the powerful, long-time president of the International Brotherhood of the Teamsters, met with Rev. Martin Luther King Jr. in 1965 to make a donation to social justice work. Even so, Hoffa had "a complicated relationship with the civil rights movement," according to our guest, Justin Clark, digital initiatives director for the Indiana Historical Bureau. For the historical bureau, a division of the Indiana State Library, Justin has produced and written a video essay about Hoffa's meeting with Rev. King, as well as other aspects of the life of the labor leader, who was convicted of jury tampering in 1964 and served nearly four years in prison. He vanished after going to a restaurant in Detroit to meet with men connected to organized crime. Despite extensive investigations for several years, Hoffa's body never has been found; he was declared legally dead in 1982. Our guest Justin Clark, who has researched labor history, notes that during Hoffa's 14 years as president of the Teamsters, the union's membership greatly expanded. Hoffa crusaded to improve "the lives and working conditions of its members," Justin says. Born in 1913, Hoffa grew up in a hard-scrabble family of four children in Brazil. When Hoffa was 7 years old, his father died, so his mother took a series of jobs, including as a cook in a local restaurant and as a laundry service operator. In 1924, the Hoffas moved to Detroit; he dropped out of school after the eighth grade to seek full-time work. Although Hoffa primarily was based out of Detroit for the rest of his life, he periodically returned to his Indiana hometown, sometimes to support community endeavors. During the early 1960s, the Teamsters made a significant donation to Clay County Hospital. His meeting with Rev. King also involved a donation, although the session seemed to be an "unlikely pairing" of two newsmakers, Justin notes. "One [was] a slick-haired, brash and controversial labor leader, and the other [was] a measured, eloquent and inspirational pastor." During the meeting, Hoffa handed Rev. King a $25,000 check to support efforts for racial equality. Even so, Hoffa's history with civil rights was decidedly uneven. In the late 1950s, newspapers reported that he had discriminated against African-Americans in a local union chapter, according to Justin's research. In 1963, Hoffa did not support the March on Washington in which Rev. King was the final speaker, delivering his historic "I have a dream" speech.

We Hoosiers are known to be self-effacing, so there hasn't been much inclination to toot our own horn about the state's heritage of musical instrument making. Consider this, though: the largest maker of drums and percussion equipment in the world during the early 1900s was located in Indianapolis. And for most of the 20th century, Elkhart was known as the "musical instrument capital" of the country. Elkhart-based companies in the music instrument business include C.G. Conn, Armstrong Flutes, Bach Brass, Selmer Woodwinds, Buescher Band Instruments, Gemeinhardt Flutes and others. For nearly 30 years beginning in 1903, Leedy Manufacturing Company in Indianapolis produced drum and percussion instruments. By the time the company was sold to C.G. Conn and moved to Elkhart in 1930, Leedy had a line of more than 900 products and was known for many "firsts" in percussion design. The company held more than 20 patents, including one for the vibraphone, which now is used in jazz bands. Two guests will share details about the rich heritage of musical instrument-making in the Hoosier state: David Steele, an Indianapolis businessman and civic leader who owns The Steele Group, a management consulting business. A lifelong drummer, David is leading a crusade to have a historic marker placed on the former site of Leedy's factory on the near-southside of Indy. And Jim Catalano of Elkhart, a professional musician who is the retired marketing director for Ludwig Drum Company, which has had multiple changes in its corporate ownership. He also is an adjunct instructor at the University of Notre Dame and St. Mary's College. According to Jim, C.G. Conn has the most storied history of the Elkhart-based musical instrument businesses. Founded in 1876 by Charles Gerard Conn, who went on to win election as mayor of Elkhart and eventually as a U.S. congressman, the company became the largest maker of band instruments in the world. Because of C.G. Conn's success, other band instrument companies relocated to Elkhart. They came "to take advantage of the training and expertise that workers in Elkhart had acquired," Jim notes. The Selmer Company, which began in Elkhart in 1920, initially made only flutes and clarinets. But in 1965, Selmer bought Bach Brass, which had been based in Mount Vernon, N.Y. Today, according to Jim Catalano, it is the country's largest maker of professional trumpets and trombones. The drum-making heritage in Indianapolis had its origins with Ulysses G. Leedy (1867-1931), who toured as a percussionist across the country in the 1890s. He began making drum and percussion instruments in his apartment before starting his factory, according to David Steele. In 1921, Leedy Manufacturing created an enormous, distinctive bass drum for the Purdue University All-American Marching Band. The original drum - which, when finished, was displayed in the rotunda of the Indiana State Capitol before being transported to West Lafayette - is the eye-catching instrument still used today by Purdue's marching band In addition to drums and vibraphones, Leedy made tympani, xylophones and other percussion instruments at its Indianapolis factory. The 80,000-square-foot building, which was touted as "The World's Largest Drum Factory" during the early 1900s, still stands at Palmer Street and Barth Avenue; today, it houses Sense Charter School. In addition to acquiring Leedy and moving its operations to Elkhart, Conn indirectly launched Buescher Band Instruments; its founder made saxophones at Conn before starting his own company in 1894. By 1901, Buescher also was making cornets. German immigrant Karl Gemeinhardt came to Elkhart in 1928 to make flutes for Selmer, according to Jim Catalano. In the late 1940s, Gemeinhardt left to establish a flute company under his own name to compete with Selmer, Conn and Armstrong. Today, the company makes flutes and piccolos for student musicians as well as professionals. By the 1970s, about 40 percent of the world's band instruments were being made in Elkhart, according to the Indiana Historical Bureau. The annual Elkhart Jazz Festival was started more than 30 years ago in part as an outgrowth of the city's instrument-making heritage.

Following the recent dismantling in an Indianapolis park of a Confederate monument that originally marked the graves of prisoners of war who died at a Union Army camp, Hoosier History Live will explore the historic context of various aspects of the controversy. Several guests will participate during the show: an expert on Civil War history, including the former Camp Morton and Confederate sympathizers in Indiana during the war; an IUPUI professor who has researched the history of the monument that was moved from a former cemetery to Garfield Park on the city's south side; and a civic leader who oversees presentations about African-American history in the state. Civil War historian Steve Towne, the author of Surveillance and Spies in the Civil War (Ohio University Press) and other books and award-winning articles about the Civil War, is an archivist at IUPUI. His colleague Paul Mullins, an anthropology professor, has researched the Confederate monument, which he notes was placed initially at Greenlawn Cemetery in 1909.  Greenlawn, the first major public cemetery in Indianapolis, was located near the White River and Kentucky Avenue, a site that was prone to flooding and later became increasingly industrialized. The monument, funded by the federal government, was a mass marker for 1,616 Confederate POWs whose remains could not be identified individually. Their remains were moved to Crown Hill Cemetery, Greenlawn's successor as the city's major graveyard; the reburial site at Crown Hill is known as Confederate Mound. According to Paul Mullins, the POWs' remains were reburied at Confederate Mound in 1931. Along with Steve Towne and Paul Mullins, our guests during the show will include Ophelia Wellington, founder of Freetown Village, a living history museum she created in 1982 to teach African-American history. During our show, Steve Towne will share insights about conditions at Camp Morton, which was created for the induction and training of Union Army soldiers on a site near 19th and Alabama streets that previously had served as the state fairgrounds. During the course of the war, Camp Morton primarily served as a POW camp for Confederate soldiers and sailors; by the end of the war, about 1,700 had died there. Today, much of the Herron-Morton Place Neighborhood is on the site of Camp Morton. With the moves of the POWs' remains, many could not be identified. The relocation of the federally-funded monument (with a metal plate at the base that lists the names of the POWs) from Greenlawn to Garfield Park was advocated by the Southern Club of Indianapolis, which Paul Mullins will describe during our show. The placement of the monument in a public park in the late 1920s has been controversial for several years. Since the June 8 dismantling, it has been stored at an undisclosed location. It is not the only Confederate monument, memorial or marker in Indiana. According to the Indiana Historical Bureau, a state historic marker in the Franklin County town of Laurel, birthplace of a Confederate brigadier general, is under review for "misleading and inaccurate statements" as well as the lack of proper historic context on the signage. In Terre Haute, an obelisk at Woodlawn Cemetery memorializes eleven Confederates who died in a POW camp in the city. The phone lines will be opened earlier than usual during our show for listeners' questions and comments.  

Leroy and Margaret Cobb were two of the 26 people who fought severe housing discrimination in order to build a safe, stable, and wonderful neighborhood. The organization was called the Better Homes of South Bend. Read more about Better Homes from Gabrielle Robinson’s book, _Better Homes of South Bend_. Check out a copy at any of the libraries listed below, or purchase your own copy here: https://www.arcadiapublishing.com/Products/9781467118651. CRHC Library: https://crhc.libib.com/#14428744X St. Joseph County Public Library: https://sjcpl.bibliocommons.com/item/show/2117410099_better_homes_of_south_bend For more on the historic marker dedicated in the Better Homes neighborhood, visit the Indiana Historical Bureau’s site: http://www.in.gov/history/markers/4365.htm Learn more of South Bend’s History from Michiana Memory: http://michianamemory.sjcpl.org/. Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.

Learning about the Indiana Historical Bureau with Lindsey Beckley

In this episode, Kelly and Sophy talk about the Politics of Indiana with guests: Lindsey Beckley, from the Indiana Historical Bureau and host of the Talking Hoosier History Podcast (1:05-25:36); Jim Harper, Democratic candidate for Indiana Secretary of State (26:23-47:00); Courtney Tritch, Democratic candidate for Congress from the 3rd Congressional District of Indiana (47:43-1:03:42).

In this episode, Kelly and Sophy talk about the Politics of Indiana with guests: Lindsey Beckley, from the Indiana Historical Bureau and host of the Talking Hoosier History Podcast (1:05-25:36); Jim Harper, Democratic candidate for Indiana Secretary of State (26:23-47:00); Courtney Tritch, Democratic candidate for Congress from the 3rd Congressional District of Indiana (47:43-1:03:42).

Today we're joined by a team that provides publications, programs, and other opportunities for Indiana citizens of all ages to learn and teach about the history of their communities, the State of Indiana, and their relationships to the nation and the world - that's the Indiana Historical Bureau. Then we're drinking WINE - at least, Brittany is. We'll be joined but the state's only mobile wine bar - that's Vino Mobile Bar. Sponsor Edge of Indy is brought to you by Site Strategics, a digital marketing agency located in downtown Indianapolis. As the title sponsor of the program, they are offering you a chance to save 30% on their Digital Marketing ROI Report. This report will tell you the return on investment your SEO, content, social media, and PPC are bringing. To get your digital marketing ROI report, visit: http://offers.edgeofindy.com/roi/ Indiana Historical Bureau Are you a fan of the Talking Hoosier History podcast? Well, this week we're joined by the group behind this show, the Indiana Historical Bureau. Casey Pfeiffer, the Historical Marker Program Director, and Lindsey Beckley, Historian, are on the show this week to talk to us about their organization and how they are helping Hoosiers learn more about the history of our great state. To learn more about the Indiana Historical Bureau, visit: http://www.in.gov/history/ To listen to the Talking Hoosier History, visit: http://www.in.gov/history/TalkingHoosierHistory.htm Paul Poteet on the Edge - Placenta Smoothie Edition The most-banned songs from wedding receptions. Die, chicken dance! - https://www.goodhousekeeping.com/life/entertainment/news/g4508/banned-wedding-songs/ This woman married a tree. - https://nypost.com/2018/03/26/woman-marries-100-year-old-tree-so-it-wont-be-cut-down/ This Mom made a delicious placenta smoothie! - https://nypost.com/2018/03/29/mom-blends-her-placenta-into-smoothie-and-feeds-it-to-family/ Vino Mobile Wine Bar Did you know you there is a mobile wine bar? We tracked it down and invited it to our studio to learn more about this great idea! Jenn Kampmeier is the founder of the Vino Mobile Bar and it is the first independent 'Wine Truck' in the State of Indiana. If you are looking for a unique twist to your next party or corporate event, then be sure to reach out to them! To learn more about the Vino Mobile Bar, visit: http://www.vinomobilebar.com/

Leroy and Margaret Cobb were two of the 26 people who fought severe housing discrimination in order to build a safe, stable, and wonderful neighborhood. The organization was called the Better Homes of South Bend.  Read more about Better Homes from Gabrielle Robinson’s book, _Better Homes of South Bend_. Check out a copy at any of the libraries listed below, or purchase your own copy here: https://www.arcadiapublishing.com/Products/9781467118651.  CRHC Library: https://crhc.libib.com/#14428744X St. Joseph County Public Library: https://sjcpl.bibliocommons.com/item/show/2117410099_better_homes_of_south_bend For more on the historic marker dedicated in the Better Homes neighborhood, visit the Indiana Historical Bureau’s site: http://www.in.gov/history/markers/4365.htm Learn more of South Bend’s History from Michiana Memory: http://michianamemory.sjcpl.org/.  Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/. 

In a career spanning half a century, the radical Hoosier politician George Washington Julian worked to end slavery in the United States. Working through various political parties, he maintained his abolitionist views in the face of adversity and helped push the Lincoln administration toward the 13th Amendment. Learn more about Julian in Episode Three of the Indiana Historical Bureau's podcast, Talking Hoosier History. See the show notes and music credits here.

During her prestigious career, Hoosier physicist Melba Phillips developed a key quantum theory with J. Robert Oppenheimer, worked for peace in the new atomic age following WWII, and was persecuted as an alleged communist during the McCarthy Era. Learn more about her story in Episode Two of the Indiana Historical Bureau's official podcast, Talking Hoosier History. This episode features music from the award-winning musician Moby! See the full music credits and read the show notes here. 

In 1948, African American Hoosier Bill Garrett made his varsity debut at Indiana University, directly challenging the Big Ten ban on black players. Learn more about his story in the first episode of the Indiana Historical Bureau's official podcast, Talking Hoosier History. Read the show notes here.