Podcasts about Dessner

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (1/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (2/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (3/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (4/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (5/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

PROGRAMACIÓN DICIEMBRE 12 1. Renee Rosnes - Crossing Paths - Caminhos Cruzados 2. Brad Shepik Human Activity - Dream of the Possible - All Hands 3. Fabio Rojas - Perseverance - Ni Un Paso Atras 4. Koppel·Colley·Karlzon·Öström - PORTABLE INFINITY - Sun After Rain (Somewhere in the Galaxy) 5. Labèque·Labèque·Dessner·Chalmin - Sonic Wires - Chalmin- Distant Places- Pt. II 6. Thierry Lang - Stars On The Lake - Stars On The Lake 7. MTB - Solid Jackson - Ditty For Dewey 8. Out Of/Into - Motion I - Synchrony 9. Oz Noy - Fun One - Milestones /////////////////////////////////////// CORTINAS The Story Of Neptune Tony Williams Blue Note | Marzo 30, 1992 /////////////////////////////////////// Tony Williams ::: Dic 12, 1945 ///////////////////////////////////////

Jim from Film Rage joins Nicole and Ryan to talk about John Crowley's 2024 film, We Live in Time. The score is handled by Bryce Dessner (The National, Big Red Machine), and this is Dessner's 2nd score for 2024, the other being for Sing Sing, which was released earlier this year. Dessner's non-traditional score is very front and center in this non-linear romance film.(Pre)Order the soundtrack here:Chapters0:00:000 - 04:22/259 Show / Guest Intro04:22.260 - 12:34.674 Bryce Dessner Bio / Initial Soundtrack Thoughts12:34.675 - 25:59.154 Thoughts on We Live in Time25:59:155 - 38:13:526 Bryce's work with the National vs this score 38:13:527 - 52:20:787 The Film Rage Review of We Live in Time and Critiques52:20:788 - 58:09.034 Needle drops and the soundtrack supervisor58:09.135 - 1:01:50.061 Odds and Ends1:01:50.061 - End: ClosingFor More info about Film Rage:Website: https://www.filmrageyyc.comTwitter: https://twittter.com/filmrageyycInstagram: https://www.instagram.com/filmrageyycPlease support Soundtrack Your Life on Patreon! Receive quarterly bonus episodes and ad-free episode downloads!

durée : 00:59:09 - Autour du dernier album de Bryce Dessner " Solos " - par : Sébastien Llinares - "Solos" un album qui contient entre autre deux solos de guitare. Bryce Dessner a étudié la guitare classique, avant d'être le grand compositeur qu'il est devenu, ainsi que le guitariste plutôt électrique cette fois-ci, du groupe de rock indé The National, de Cincinnati, en Ohio." Sébastien Llinarès - réalisé par : Patrick Lérisset

durée : 00:10:12 - Bryce Dessner : Solos - Le disque contemporain de la semaine est celui de Bryce Dessner "Solos" paru chez Sony Classical en août dernier.

durée : 00:59:12 - En pistes, contemporains ! du dimanche 15 septembre 2024 - par : Emilie Munera - Cette semaine, dans En Pistes, Contemporains !, mise à l'honneur de l'instrument soliste avec les solos de Bryce Dessner, et plongée dans l'exploration des formes de vie sonore avec le travail de Bastien David. - réalisé par : Céline Parfenoff

durée : 00:10:12 - Bryce Dessner : Solos - Le disque contemporain de la semaine est celui de Bryce Dessner "Solos" paru chez Sony Classical en août dernier.

durée : 00:10:12 - Bryce Dessner : Solos - Le disque contemporain de la semaine est celui de Bryce Dessner "Solos" paru chez Sony Classical en août dernier.

durée : 00:59:12 - En pistes, contemporains ! du dimanche 15 septembre 2024 - par : Emilie Munera - Cette semaine, dans En Pistes, Contemporains !, mise à l'honneur de l'instrument soliste avec les solos de Bryce Dessner, et plongée dans l'exploration des formes de vie sonore avec le travail de Bastien David. - réalisé par : Céline Parfenoff

durée : 00:59:12 - En pistes, contemporains ! du dimanche 15 septembre 2024 - par : Emilie Munera - Cette semaine, dans En Pistes, Contemporains !, mise à l'honneur de l'instrument soliste avec les solos de Bryce Dessner, et plongée dans l'exploration des formes de vie sonore avec le travail de Bastien David. - réalisé par : Céline Parfenoff

This episode was recorded live at the Indiana History Center, where one of their current exhibits is about Gene Stratton-Porter, a best-selling writer, illustrator, nature photographer, naturalist, and film producer. Research: Aalto, Kathryn. "THE LEGEND OF LIMBERLOST: A PATCH OF INDIANA WILDERNESS FULFILLS THE VISION OF AN OVERLOOKED AMERICAN NATURALIST, GENE STRATTON-PORTER." Smithsonian, vol. 50, no. 10, Mar. 2020, pp. 56+. Gale In Context: U.S. History, link.gale.com/apps/doc/A617619457/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=1e942034. Accessed 8 July 2024. Aldridge, Ann and Nancy B. Carlson, editors. “Gene Stratton-Porter: Voice of the Limberlost.” Ball State University. 1996 and 2001. https://www.youtube.com/watch?v=kvOWDOfxbLw Armitage, Kevin. “On Gene Stratton Porter's Conservation Aesthetic.” Environmental History , Jan., 2009, Vol. 14, No. 1 (Jan., 2009). https://www.jstor.org/stable/25473331 Asian American Riverside. “Her Father's Daughter and anti-Japanese Legislation.” California Council for the Humanities. https://aar.ucr.edu/HerFathersDaughter/index.html Benett, Pamela J., editor. “Gene Stratton-Porter.” The Indiana Historian. September 1996. Caywood, Carolyn. “Bigotry by the Book,” School Library Journal (December 1992). Davis, Cooper. “Gene Stratton-Porter: A Hoosier Renaissance Woman.” Indiana Historical Society. https://indianahistory.org/blog/gene-stratton-porter-a-hoosier-renaissance-woman/ Dessner, Lawrence Jay. "Class, Gender, and Sexuality in Gene Stratton-Porter's 'Freckles.'(early 20th-century best-seller)(Critical Essay)." Papers on Language & Literature, vol. 36, no. 2, spring 2000, p. 139. Gale General OneFile, link.gale.com/apps/doc/A63045310/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=ffcf7ac3. Accessed 8 July 2024. "Gene Stratton-Porter." St. James Encyclopedia of Popular Culture Online, Gale, 2013. Gale In Context: U.S. History, link.gale.com/apps/doc/K2419201172/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=db957024. Accessed 8 July 2024. Green, Amy S. “Two Women Naturalists and the Search for Autonomy: Anna Botsford Comstock and the Producer Ethic; Gene Stratton-Porter and the Gospel of Wealth.” Women's Studies Quarterly, Vol. 29, No. 1/2, Earthwork: Women and Environments (Spring - Summer, 2001). Via JSTOR. https://www.jstor.org/stable/40004614 Indiana Historical Bureau. “Gene Stratton-Porter.” https://www.in.gov/history/state-historical-markers/find-a-marker/gene-stratton-porter/#_edn3 Indiana Historical Society. “Gene Stratton-Porter.” https://indianahistory.org/education/education-resources/educator-resources/famous-hoosiers/gene-stratton-porter/ Indiana Historical Society. “Gene Stratton-Porter.” https://www.in.gov/governorhistory/mitchdaniels/3324.htm W.L. “Her Father's Daughter.” Cincinnati Inquirer. 9/4/2021. Long, Judith Reick. “Gene Stratton-Porter: Novelist and Naturalist.” Indianapolis : Indiana Historical Society. 1990. Meehan, Jeanette Porter. “The Lady of the Limberlost;: The life and letters of Gene Stratton-Porter.” Doubleday. 1928. https://archive.org/details/bwb_P8-AIO-567/mode/1up Morrow, Barbara Olenyik. “Nature's Storyteller: The Life of Gene Stratton-Porter.” Indiana Historical Society Press. 2016. Patterson, Tom. “Japanese in Riverside area: new mystery about old tragedy.” The Press-Enterprise, February 21, 1971. https://asianamericanriverside.ucr.edu/HerFathersDaughter/TomPatterson.html Renslow, Jessica. “After Limberlost: Gene Stratton-Porter's Life in California.” Documentary. 2013. Stratton-Porter, Gene. “Gene Stratton-Porter: A Little Story of The Life and Work and Ideals of ‘The Bird Woman.'” Edited by Eugene F. (Eugene Francis) Saxton. New York: Doubleday, Page & Company, 1926. https://digital.library.upenn.edu/women/stratton/gene/gene.html Stratton-Porter, Gene. “Moths of the Limberlost.” Garden City, N.Y, Doubleday, Page & company, 1912. https://doi.org/10.5962/bhl.title.56100 Stratton-Porter, Gene. “What I have done with birds; character studies of native American birds which, through friendly advances, I induced to pose for me, or succeeded in photographing by good fortune, with the story of my experiences in obtaining their pictures.” Indianapolis, The Bobbs-Merrill Company. 1907. https://archive.org/details/whatihavedonewit00strarich/page/5/mode/1up See omnystudio.com/listener for privacy information.

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. The conclusion to the story, for now. Big Red Machine has been a rejection of the music industry's expectations weighing upon Dessner and Vernon, but also a place of solace for the pair amongst their sometimes painful struggles with mental health. The pair take turns grounding each other through their successes and supporting during their lows, while writing songs like “Brycie” and “Hutch” that pay tribute to close-knit family and friends. The pool of collaborators ripples out ever-further, and new methods of working to complement each others' contributions carry on the experimental spirit of Big Red Machine.   Links:  Secretly Society Podcast Link Secretly Society Podcast Store Link Secretly Society General Information Link   Big Red Machine:  Big Red Machine on Instagram Big Red Machine on Facebook

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. Part Two finds Vernon and Dessner working out just what Big Red Machine was, and should be; exactly what role it should play in their respective musical lives was proving hard to pin down. Making their second record, more voices were added to bring Dessner and Vernon's songs to life, expanding the Big Red Machine identity and sound, and discovering that the defining quality of the group was something intentionally experimental.

Linktree: https://linktr.ee/AnalyticNotorious Mass Effect: Deep Dive on Gracie Abrams' "Us." ft. Taylor SwiftBackground & CollaborationThis segment explores the unlikely pairing of Gracie Abrams, a rising star deeply influenced by Taylor Swift, and her idol herself. We'll delve into the origins of their collaboration on the title track "Us." from Abrams' sophomore album, The Secret of Us.Writing ProcessEver wonder how magic gets made? We uncover the story behind the co-writing process of "Us." Was it meticulously planned or a stroke of creative brilliance? Join us as we dissect the inspiration behind the song and the now-legendary fire extinguisher incident at Taylor's apartment.Song Theme & Lyrics"Us." tackles a relatable theme: the bittersweet aftermath of a short-lived but intense relationship. We'll analyze the lyrics, exploring the emotional turmoil and lingering questions about what might have been. Does Taylor's background advice in the pre-chorus offer clues about the song's deeper meaning?ProductionThis segment dissects the sonic landscape of "Us." We'll identify the signature touches of Aaron Dessner and Jack Antonoff, frequent collaborators with Taylor Swift. Expect to hear about Dessner's trademark finger-picking intros and the song's evolution into a powerful ballad.Album Context & Fan ReceptionWhy is "Us." placed as the fifth track on the album? We'll explore the significance of this track position in Taylor Swift's discography and how it impacts the overall listening experience of The Secret of Us. We'll also dive into fan reactions, including Abrams' dream come true moment and the song's rise to popularity.Speculation & InterpretationThe internet loves a good mystery! Join us as we analyze lyrical details that might hint at the real-life inspiration behind "Us." Could it be a reference to Abrams' rumored relationship with Dylan O'Brien?SummaryThis segment ties it all together. We'll recap the journey of "Us." from the blossoming friendship between Abrams and Swift to the song's creation and critical acclaim. We'll explore how the collaboration reflects Abrams' growth as an artist and how "Us." stands out as a powerful track on The Secret of Us.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, we kick off with the show everyone's talking about right now: Richard Gaad's Baby Reindeer. The dark Netflix drama is being praised for its nuanced characters, also attracting criticism for causing speculation about the real life people who inspired them. We also take on The Tortured Poets Department: The Anthology. Taylor's 31 track odyssey sparks debate about the merits and the cringe-factor of her lyricism, Antonoff vs Dessner and how corporate greed is depriving the 2020s of classic albums. So does Taylor's chart-domination make her the biggest gangster in music right now? Drake thinks so. For anyone who's not up-to-date with the whole Drake vs Kendrick, Cole, Rocky, Ross, Future, Metro and Ye situation, we conveniently break that down for your water cooler conversations.  Oh, and for the all the Ewan Mitchell fans out there who follow us – we share a little insight into how the House of the Dragon star was on set for his photo shoot with THE FACE. If you like what you hear, please feel free to like, Subscribe or leave us a review.

Aaron Dessner's Grammy-winning band the National has been one of the mainstays of rock 'n roll for a quarter-century now. But when most musicians were taking a time-out early in the pandemic, Dessner got called in by Taylor Swift to help create her perception-changing “Folklore” album, soon followed up that same year by “Evermore.” Ever since, he's been one of the most sought-after producer/co-writers in the business — even as the National has gotten busier with the resumption of touring, and two albums of their own in 2023. His 2023 production efforts have included two new albums with superstar Ed Sheeran, and a breakthrough album with up-and-comer Gracie Abrams that led to her getting a best new artist Grammy nomination.How does Dessner juggle these demanding roles? Partly by working with artists in his own home-adjacent studio (the name of which, Long Pond, has become famous in its own right, due to being the setting for a Swift special). For stars, or would-be stars, who want to establish themselves with a more homegrown-sounding approach — either as first-timers, like Abrams, or veterans making a left turn, like Swift and Sheeran — Dessner is the man. At least for as long as he can keep his band's tour bus at bay.See omnystudio.com/listener for privacy information.

Joe Rainey is a Pow Wow singer. He is not used to singing solo, because pow wow is inherently communal, but this debut is every bit as powerful. The album is Niineta, released on Justin Vernon and the Dessner brothers' 37d03d label, showcases his command of the style - faithful to tradition - accompanied by cinematic, bass-heavy production from Andrew Broder. ⁠ Join Sonosphere as we dive into the sounds of contemporary pow wow fused with vast experimental and electronic oceans of sound. Joe Rainey lent his voice and experience to this episode and I think him for sharing his story through his learning of, preservation of and lifting up of pow wow and indigenous music. For more visit www.sonospherepodcast.com

P6 BEAT elsker The National giver dig mere end seks timers podcast om et af årtusindets største indiebands. Et band, der over de sidste 20 år er gået fra at være 'endnu et Brooklyn-band,' der måske stod lidt i skyggen af New York'er-bølgen, til at være et af verdens største bands. The National, der består af Dessner- og Devendorfbrødrene samt frontmanden Matt Berninger, har siden debuten været leveringsdygtige i de bedste melankolske indie-numre og har næsten uafbrudt turneret verden rundt - heriblandt Danmark et utal af gange, endda på deres egen festival! P6 BEAT elsker The National hylder bandet i anledning af udgivelsen af bandets 9. studiealbum "First Two Pages of Frankenstein" og giver dig hele historien om bandets vej fra de tomme spillesteder til i dag, hvor bandet har headliner-status og bl.a. associeres med et af verdens bedst sælgende navne; Taylor Swift. Undervejs dedikerer vi en hel time til The Nationals album "Boxer" og slutter som altid programmet af med lytternes Top 10. Og helt eksklusivt her i podcasten, så har The National lavet et eksklusivt DJ-set til P6 BEAT. Scott Devendorf fra The National fortæller og præsenterer de bedste sange, som alle har det til fælles, at The National har lavet coverversioner af dem. Vært: Mads Gundersen. Medvært: Jacob Ege Hinchely. Producer: Mikkel Bagger. Reporter: Holger Møller Dybro. SoMe: Simone Kofod Nørgård. Medvirkende; Scott Devendorf (The National), Selina Gin, Goodluck Casper, Claus Meyer, Sandie Westh, Andreas Birch og Christian Vium (Go Go Berlin).

Today we're kicking off a two-part series of interviews with members of The National, who just released their ninth album, First Two Pages of Frankenstein. Today's conversation is with Aaron Dessner, The National's guitarist and oftentimes lead composer. Outside of The National, Aaron is also a prolific producer, having worked with a slew of artists, including, most famously, Taylor Swift. During the pandemic Dessner and Swift teamed up to write music that would eventually become Taylor's critically acclaimed indie-leaning albums Folklore and Evermore. On today's episode Broken Record producer Leah Rose talks to Aaron Dessner about how an invitation to open an arena tour for Bon Iver led to him writing the music that he would eventually share with Taylor Swift. Aaron also talks about how The National almost came to a breaking point after a grueling tour schedule, and he opens up about his battle with depression as a teenager and how his twin brother Bryce carried him through it. You can hear a playlist of some of our favorite songs from Aaron Dessner and The National HERE.See omnystudio.com/listener for privacy information.

Wise Music Group CEO Dave Holley and Creative Director Gill Graham beam out to the south of France in this latest episode of Composing Myself, to chat to American composer, performer and founding member of The National Bryce Dessner. Stops on this week's conversational journey include:- learning how to play at a school with no music department, utilising the musical skills of a rebellious English teacher- why taking time off is as critical for creativity as the creative process itself- the fascinating genesis of Mari, conceptualised and created during the COVID-19 pandemic- what it's like living with another singer-songwriter, his wife Mina Tindle, and how they leverage their co-existence to influence and hone their works- the inspiration behind The National's latest album The First Two Pages of FrankensteinAs ever, a thoroughly riveting and illuminating listen.https://brycedessner.com/Bryce Dessner is a vital and rare force in new music. He has won Grammy Awards as a classical composer and with the band The National, of which he is founding member, guitarist, arranger, and co-principal songwriter. He is regularly commissioned to write for the world's leading ensembles, from Orchestre de Paris to the Los Angeles Philharmonic, and is a high-profile presence in film score composition, with credits including The Revenant, for which he was Grammy and Golden Globe nominated, Fernando Mereilles's The Two Popes and Mike Mill's C'mon C'mon.Dessner collaborates with some of today's most creative and respected artists, including Philip Glass, Katia and Marielle Labèque, Paul Simon, Alejandro González Iñárritu, Sufjan Stevens, Fernando Mereilles, Thom Yorke, Bon Iver, Nico Muhly, and Steve Reich, who named Dessner “a major voice of his generation.” Dessner's orchestrations can be heard on the latest albums of Paul Simon, Bon Iver and Taylor Swift. Hosted on Acast. See acast.com/privacy for more information.

Chris Towers of CBS joins the podcast to count down our rankings of the full-length albums by the band The National in anticipation of a new National album in April.  Jason Bemis Lawrence is the host and once had his parody song played on Chris' podcast, as Jason mentions. You can hear Chris and his colleagues listening to it and commenting here at 39:50 into the podcast. (It's a Spotify link, but hey if you can easily find that episode in their extensive backlog elsewhere, please let us know) Chris and Jason talk through how they got introduced to The National and what the band means to them before discussing the band's catalog and ranking their albums worst to best.  Subscribe, rate and review wherever you listen to podcasts. Email: beforethestreampodcast@gmail.com Twitter: beforethestream Instagram: beforethestream

Welcome to Indexed.On this episode we dive into the discography of The National. Some folks think this band is a real snoozer, but we disagree.Don't like our rankings? Think we nailed it? Reach out on social media to let us know where you stand.Instagram: @indexed_podFacebook: IndexedShow Email: indexedpodcast@gmail.comIntro / Outro Music by VHX (https://soundcloud.com/djvhx)

This episode originally aired on December 16, 2021. We've hosted some incredible Talkhouse Podcast conversations in 2021, and for our final brand-new episode of the year, we've got two people responsible for some of the best records of this year: Julien Baker and Aaron Dessner. Baker released her third album, Little Oblivions, back in February, and it's a doozy. Expanding her sonic palette massively, Baker delivered her powerful, vulnerable songs with much bigger sounds. That might have felt like a gamble, but it paid off massively—she produced it herself and pushed herself into new spaces. Dessner is of course a founding member of the National, with whom he's played for the past 20+ years. While his main band slowed down over the past couple of years, Dessner has been operating at hyperspeed. He was one of the main co-writers and producers on Taylor Swift's Folklore and Evermore albums. He won an Album of the Year Grammy for the former, and was nominated for five more Grammys for the latter. He somehow also found time to release a new album with Bon Iver's Justin Vernon under the name Big Red Machine called How Long Do You Think It's Gonna Last? In addition to loads of guest singers, that record features Dessner on occasional lead vocals. These two have a fantastic conversation about creativity and, specifically, production: Aaron has done a lot of producing for other artists, and Julien is just getting into it. Julien talks about what it's like to have a full live band backing her, rather than being a quote-unquote masochist and playing alone. They talk about what it was like to be deprived of live audiences for so long, and Aaron gets into how his studio setup has changed over the years. Also, they both know what it's like when music can make you cry—that's the kind of thing we love here at Talkhouse. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Julien Baker and Aaron Dessner for having such a wonderful chat. If you liked what you heard, please follow Talkhouse on your favorite podcasting service and social media channels--we're everywhere. This episode was produced by Melissa Kaplan and Keenan Kush, and the Talkhouse theme is composed and performed by the Range. See you next time!

Ihr Debütalbum «Echo» nahm sie zusammen mit ihrer Ex-Partnerin Adrianne Lenker von Big Thief auf. Nun hat die Australierin, die Mitten in der Pandemie nach «Upstate New York» gezogen ist, für ihr zweites Album erneut einen dicken Mitstreiter an Land ziehen können: Aaron Dessner von The National. Im Interview erzählt uns Sparke, wieso es sich mit Dessner, der zuletzt als Co-Autor von Taylor Swifts letzten beiden Studioalben mit dem Grammy für das «Beste Album des Jahres» ausgezeichnet wurde, so gut zusammenarbeiten lässt – und wieso sie ihr intimes, sehr entzückendes Album selbst gerne als Fiebertraum umschreibt. Wer keine Zeit für die ganze Sendung hat: Vielleicht einfach kurz «Pressure in My Chest » hören? Ein Song, geschrieben in totaler Einsamkeit, der die ganze Welt umarmen möchte.

Dr. Daniel A. Dessner, Continued.

Dr. Daniel A. Dessner is a retired radiologist in Toledo, Ohio. He is a member of Do No Harm. Why it's dangerous for Michigan to assume I'm biased against my patients

Pow Wow singer Joe Rainey, of the Ojibwe community in Minneapolis. fuses traditional melodies and “vocables” (Philip Sherburne, Pitchfork) with the producer Andrew Broder in something of an avant-hip hop partnership, although in addition to beats, there are field recordings, industrial-sounding processed drums, string arrangements, and vocal processing. He describes his music as being on the same river, but a different boat from other pow wow singers and groups. Rainey's album Niineta—the title means “Just Me” in Ojibwe, and which he further explains is “my contribution to contemporary indigenous music” – was released on Justin Vernon and the Dessner brothers' 37d03d label, to which Rainey is signed. The music is rooted in traditional drum and dance music, where for years Rainey always had a hand-held recorder or voice memo rolling, even recording calls from incarcerated family members singing. These field recordings became part of the whole album's unique woven fabric of voice-as-instrument pieces, combined with samples and sometimes with altered by electronic processing, all layered with Rainey's own singing, which can celebrate or console, and “conveys a clear message: We're still here. We were here before you were, and we never left”, (Bandcamp.) Joe Rainey and Andrew Broder perform remotely. - Caryn Havlik Set list: “Bezhigo”, “Can Key”, “No Chants” Watch "Bezhigo": Watch "Can Key": Watch "No Chants": Niineta by Joe Rainey: Niineta by Joe Rainey

Muziek van Aaron en Bryce Dessner voor de film C'mon C'mon, een film van Mike Mills over de alleenstaande radiojournalist Johnny, die op zijn negenjarige neefje Jesse moet passen wanneer z'n zus haar handen vol heeft aan haar overspannen ex. Johnny (Joaquin Phoenix) neemt de vroegwijze Jesse mee naar zijn werk, wat hen in Detroit, New York en New Orleans brengt. De film is in zwart-wit geschoten en soms wel erg melancholiek, maar met een fantastische chemie tussen Phoenix en Woody Norman (die de rol van het neefje Jesse). De muziek voor C'mon C'mon werd gemaakt door de tweelingbroers Aaron Dessner, Bryce Dessner, die vooral bekend zijn geworden van hun internationaal succesvolle band The National. Eerder maakten de twee ook al de muziek voor Transpecos, voor de film Big Sur (een film op basis van een boek van Jack Kerouac). De stijl van de broers Dessner kun je ingetogen, bijna minimalistisch noemen, en de muziek bij deze film heeft een soort nostalgie en lieflijkheid die mooi aansluit bij de warme band tussen de volwassen man en zijn negenjarig neefje.

On this week's edition we travel back in our archive and re-discover one of the centres most ambitious festivals. At a time when musical genres were in flux and people were hungry for something new - the Barbican celebrated Steve Reich with a marathon weekend of music entitled Reverberations.On May 7 & 8 2011 we celebrated Steve Reich's 75th birthday. Reverberations included the European premiere of his string quartet WTC 9/11; the UK premiere of his Mallet Quartet by the Amadinda Quartet; and the UK premiere of the Pulitzer Prize-winning piece Double Sextet by Eighth Blackbird and the London premiere of 2x5 by Bang on a Can. It was a busy weekend.From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

Min 4: FILTRANDO AL NUEVO CYRANO Más de dos décadas después del Cyrano de Bergerac que nos enamoró, el solvente cineasta británico Joe Wright se atreve con la traslación a la pantalla del musical que convierte al enano más famoso de la televisión en la nueva versión del espadachín y poeta francés. Peter Dinklage (Tyrion Lannister en Juego de Tronos) muta en un Cyrano cantante y versátil para llevar el peso de una obra que ha despertado un pronunciado choque de posturas entre nuestros críticos. ¿Será Alberto Luchini el más contrariado por esta reinvención del mítico personaje literario? ¿o será Raquel Hernández la más decepcionada con esta conversión en musical por la que ha apostado el director de “Orgullo y Prejuicio” o “Expiación”? Salimos de dudas en un Filtro Luchini en el que además comentamos los estrenos de la comedia española “Malnazidos”, de la aclamadísima cinta noruega “La peor persona del mundo” y de “Red” (lo último de Disney Pixar) sólo estrenada en Disney Plus. Min 30. ESPECIAL BSO EL CYRANO QUE CANTA Pero más allá de la puntuación y del balance de virtudes y defectos del nuevo Cyrano, lo cierto es que su aportación musical y la actualización del libreto que han hecho los hermanos Dessner merece un buen especial BSO. Ángel Luque se ha empapado en los temas de esta prolífica banda sonora para ofrecernos una exquisita selección que nos ayudará a descubrir por qué el gusto por la voz de Leonard Cohen y la apuesta por Peter Dinklage como el Cyrano cantante no es mera casualidad. Programa de contrastes a la vista. Gracias por elegirnos. Feliz escucha.

We've hosted some incredible Talkhouse conversations in 2021, and for our final brand-new episode of the year, we've got two people responsible for some of the best records of this year: Julien Baker and Aaron Dessner. Baker released her third album, Little Oblivions, back in February, and it's a doozy. Expanding her sonic palette massively, Baker delivered her powerful, vulnerable songs with much bigger sounds. That might have felt like a gamble, but it paid off massively—she produced it herself and pushed herself into new spaces. Dessner is of course a founding member of the National, with whom he's played for the past 20+ years. While his main band slowed down over the past couple of years, Dessner has been operating at hyperspeed. He was one of the main co-writers and producers on Taylor Swift's Folklore and Evermore albums. He won an Album of the Year Grammy for the former, and was nominated for five more Grammys for the latter. He somehow also found time to release a new album with Bon Iver's Justin Vernon under the name Big Red Machine called How Long Do You Think It's Gonna Last? In addition to loads of guest singers, that record features Dessner on occasional lead vocals. These two have a fantastic conversation about creativity and, specifically, production: Aaron has done a lot of producing for other artists, and Julien is just getting into it. Julien talks about what it's like to have a full live band backing her, rather than being a quote-unquote masochist and playing alone. They talk about what it was like to be deprived of live audiences for so long, and Aaron gets into how his studio setup has changed over the years. Also, they both know what it's like when music can make you cry—that's the kind of thing we love here at Talkhouse. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Julien Baker and Aaron Dessner for having such a wonderful chat. If you liked what you heard, please follow Talkhouse on your favorite podcasting service and social media channels--we're everywhere. This episode was produced by Melissa Kaplan and Keenan Kush, and the Talkhouse theme is composed and performed by the Range. See you next time!

The National's Dessner brothers worked with Taylor Swift last year on her Folklore and Evermore records, and we now see them scoring a major new movie, Cyrano. We talk to Bryce Dessner about working on this huge production that stars Peter Dinklage and Haley Bennett, and the news that the film's soundtrack will also feature the latest single from The National.

Big Red Machine - "Phoenix (feat. Fleet Foxes & Anaïs Mitchell)" from the 2021 album How Long Do You Think It's Gonna Last? on 37d03d. Last month, The National's Aaron Dessner and Bon Iver's Justin Vernon released their second album under the name Big Red Machine, titled How Long Do You Think It's Gonna Last?. The album features a heavyweight line-up of guests, including Taylor Swift, Sharon Van Etten, This Is The Kit, Ben Howard, Naeem, Lisa Hannigan, My Brightest Diamond's Shara Nova, and on today's Song of the Day, Robin Pecknold of Fleet Foxes and Tony Award-winning singer/songwriter Anaïs Mitchell.  "'Phoenix' was one of the last songs we wrote for this record," Dessner says via a press release. "I was thinking about The Band and the Grateful Dead... maybe imagining this Big Red Machine album was some version of The Last Waltz. Justin first heard it while driving and immediately the chorus melody came into his head. I shared the sketch with Robin Pecknold, who I've been a fan of forever and who I'd been dreaming would join us on this record. Robin wrote the verses and pre chorus as a kind of dialogue with Justin, recalling a conversation they once had backstage in Phoenix. Later Anais wrote words to the chorus and The Westerlies added their magic to the instrumental. JT Bates rumbles around in rare form on the drums on this song. I think it's what I always imagined Big Red Machine would sound like." Pecknold adds, “It was a high, high honor to work on this song, and beyond that it was a really interesting creative challenge. Justin's vocals and the beautiful chorus were already in place before I got my hands on it, so I felt my job melodically and lyrically was to set his entrance up in the best possible way. I felt like a pilgrim putting questions to an elusive sage, not needing clear answers, but happy for the chance to ask.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

On August 27th Big Red Machine, the joint musical project of Justin Vernon and Aaron Dessner - artists known for their work as Bon Iver and in the rock band The National, respectively - returned with new music. You've most definitely heard Dessner's production work elsewhere, like on Taylor Swift's pandemic albums evermore and folklore. The Big Red Machine album, titled How Long Do You Think it's Going to Last, celebrates the fruits of creative partnership and the importance of family and community. At least, that's what we took from our conversation with Dessner. “A lot of my favorite music - usually there's something elusive about it, in that whatever is elusive is coming from this weird cocktail of different people's input. There's just this weird, swampy alchemy, and you can't easily put your finger on why it's so moving.”  Dessner told us he draws much of his creative inspiration from the kinetic energy generated by multiple musical brains working in tandem, which makes sense given the list of features on this album - everyone from Swift to Sharon van Etten to Anaïs Mitchell to The Fleet Foxes' Robin Pecknold. “I'm such a born collaborator. I'm definitely interested in this exchange where you make something and you send it out into the ether and then it comes back slightly changed or radically changed. Then you work on it and send it again. I like this handoff, this communal approach to music making.” The musical collective fostered by Vernon and Dessner on How Long Do You Think It's Going to Last is a testament to the power of musical communities in a year of intense isolation. We're so pleased to bring you Nate's conversation with Aaron Dessner in this week's episode. Songs Discussed Big Red Machine - Birch, feat. Taylor Swift Big Red Machine - Phoenix, feat. Fleet Foxes & Anaïs Mitchell Big Red Machine - Magnolia Big Red Machine - Renegade, feat. Taylor Swift Big Red Machine - Mimi, feat. Ilsey Big Red Machine - The Ghost of Cincinnati Learn more about your ad choices. Visit podcastchoices.com/adchoices

Big Red Machine is the collaborative project between The National's Aaron Dessner and Bon Iver's Justin Vernon. Their new album, How Long Do you Think It's Gonna Last?, features contributions from other artists, many of whose albums Dessner has produced, such as Taylor Swift, Ben Howard, and Sharon Van Etten. Dessner joins us for a Listening Party.

Aaron Dessner catches up with Kyle Meredith to discuss How Long Do You Think It's Gonna Last, the sophomore record with Bon Iver's Justin Vernon in the band Big Red Machine. The producer/songwriter takes us through the process of bringing in more friends for this album, including Sharon Van Etten and Taylor Swift, and how the set came to focus on themes of mental health, depression, and family dynamics, especially on a song written for the late Frightened Rabbit frontman Scott Hutchinson. On working with T-Swift, Dessner talks about the process of collaborating with the mega-star and how her lyrical universe finds its way into the songs they write together. As a co-founder of The National, we also get a glimpse into that band's future, when they may reconvene, and how much he considers them his main project these days. Don't forget to subscribe to Kyle Meredith With…, and be sure to follow the Consequence Podcast Network for updates on all our series. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

durée : 01:00:02 - En pistes, contemporains ! du dimanche 14 mars 2021 - par : Emilie Munera - Au programme ; 18 études pour piano de György Ligeti, des pièces chorales et un concerto pour clarinette basse du compositeur estonien Tonu Korvits, les quatuors d'Ana Sokolović et de Bryce Dessner et une oeuvre de Nono pour pour pour violon solo et huit bandes magnétiques... - réalisé par : Claire Lagarde

durée : 00:59:44 - En pistes, contemporains ! du dimanche 22 novembre 2020 - par : Emilie Munera - Au menu : Le nouveau disque du clarinettiste Nicolas Baldeyrou fait dialoguer Pierre Boulez, Bruno Mantovani et Michael Jarrell ; les œuvres pour flûte et piano des compositeurs suisses Reto Stadelmann and Joseph Lauber ; des berceuses contemporaines sous les doigts du pianiste Bertrand Chamayou... - réalisé par : Claire Lagarde

Just when I thought the pandemic took out this podcast, Taylor Swift drops a new album and brings the FANGIRL FORUM out of its coronavirus slumber! My friend, Jasmine Carr, is back to review & break down Taylor Swift's eighth album, folklore. Plus, we rank all of Taylor's albums so far. Where does folklore rank? Which albums top our lists? There's only one way to find out. Wrap yourself up in your favorite cardigan and let's get back to doing what we do best: fangirling! At FANGIRL FORUM, Black lives matter and so does mental health. Therapy for Black Girls is a space that was developed to present mental health topics in a way that feels more accessible and relevant when so often the stigma surrounding mental health issues and therapy prevents Black women from taking the step of seeing a therapist. Please check out https://therapyforblackgirls.com/ how you can help support the work they encourage mental wellness to Black women & girls. **Disclaimer: Throughout the episode, Taylor Swift's collaborator on folklore, The National's Aaron Dessner, is mentioned a few times. Unfortunately after recording, I realized I said Dressner instead of Dessner. This was a mistake. I mean no disrespect to Aaron Dessner. I think he and The National are amazing. Seriously, their album is High Violet is a work of art. Follow Meredith on Twitter/Instagram: @MeredithLoftus Don't forget to subscribe, rate, comment, and share with the masses!

C'est une voix plutôt inconnue dans le paysage musical français, et pourtant. Et pourtant, Thousand a tout pour que sa carrière décolle : des textes percutants, des mélodies lancinantes et dansantes, des potes zicos qui ne sont pas les 1ers venus. A l'aube de la sortie de son nouvel album "Au Paradis", retour sur la très courte carrière de cet artiste musical ô combien intéressant. Abonnez-vous au podcast pour ne rater aucune épisode du Plan Q Une oeuvre à nous suggérer ? Laissez-nous un commentaire !

Nick interviews both Bianca and Sarah

durée : 01:00:25 - En pistes, contemporains ! du dimanche 27 octobre 2019 - par : Emilie Munera - Musique = Clapping de Steve Reich Voix = Coco Bonnier - réalisé par : Claire Lagarde

durée : 01:00:07 - Bryce Dessner, ou quand le rock croise la musique contemporaine - par : Thomas Vergracht - A l’occasion de la création française, le 25 octobre à la Maison de la Radio, de la Symphonie n°12 de Philip Glass, « Lodger », inspirée par l’album éponyme de David Bowie, Thomas Vergracht explore ce soir avec Bryce Dessner les liens parfois ténus qui unissent musique contemporaine et rock. - réalisé par : Claire Lagarde

Mary Hickson is the director of Sounds From A Safe Harbour festival, which returns to Cork city for its third edition from September 10-15, 2019, featuring the likes of Feist, Damien Rice, Efterklang, Thomas Bartlett and Caoimhin O Raghallaigh, and lots more. It's curated by Mary, alongside the Dessner brothers Aaron and Bryce, Enda Walsh and Cillian Murphy. I talked to Mary about the new Bon Iver album (she's worked with him on festivals and he appeared at Sounds From A Safe Harbour 2017), Cillian Murphy's musical potential, 37d03d festival in Berlin and beyond, and what to expect at Safe Harbour this year.

The National guitarist Bryce Dessner sits down with Kyle Meredith to discuss I Am Easy To Find and how the new album meditates on the limitations and possibilities of a band. The two also dive into the details of how filmmaker Mike Mills played a crucial role in the LP, producing and writing alongside the band while creating a short movie to accompany the record. Dessner also talks a bit about his most recent solo offerings and how all of this opens the door wide open for what the band does from here on out. For information regarding your data privacy, visit acast.com/privacy

durée : 01:00:10 - Bryce Dessner, compositeur et guitariste - par : Arnaud Merlin - pour le concert " Minimalist Dream House " à la Philharmonie de Paris dimanche 7 avril 19 - https://philharmoniedeparis.fr/fr/activite/concert/19214-minimalist-dream-house Katia et Marielle Labèque dévoilent un programme pour deux pianos et en quartet, avec les guitaristes et compositeurs Bryce Dessner (membre du groupe The National) et David Chalmin, des concerts qu'elles donneront en avril 2019. " Minimalist Dream House " réunira des oeuvres nouvelles des américains Caroline Shaw, David Lang, Timo Andres mais aussi de Bryce Dessner et David Chalmin, ainsi qu'une pièce du répertoire de Max Richter. - réalisé par : Patrick Lérisset

About the Performance: This production contains extreme sexually explicit images from the Robert Mapplethorpe collection that may be inappropriate for attendees under 18. Discretion is advised. Thirty years after the death of Robert Mapplethorpe, we still cannot turn away from what his photos reveal. Composer Bryce Dessner, Librettist Korde Arrington Tuttle, and director Kaneza Schaal in collaboration with Roomful of Teeth and a musical ensemble of 12 players explore the ways Mapplethorpe's works compel an audience's complicity and characterizes them in the act of attention. As a young man growing up in Cincinnati, Dessner's own exposure to the protests surrounding this galvanizing artist rooted a lifelong kinship to his pivotal body of work. Mapplethorpe's pictures both unite and divide viewers, provoking a consideration of perceived opposites–their literal as well emotional and cultural meanings – Black/White, Male/Female, Gay/Straight, Art/Porn, Classical/Contemporary. His pictures seduce, shock, offend, excite, intrigue and scare us all at once.  Single images take our breath away through the classic capture of everyday acts of nature and the beauty of their composition. On the other hand, a single image has the power to reveal our fears and our desires and the razor-thin line between the two. We confront this work privately, flipping through coffee table books or seeing the work in a museum gallery. But in Triptych (Eyes of One on Another), Dessner, Tuttle & Schaal ask an audience to experience these reactions collectively. Through music, projection of Mapplethorpe's images, and the poetry of Tuttle, Essex Hemphill and Patti Smith, the work puts the audience inside the artist's view finder, inside his beautiful, bold, voracious view of how nature and humans look, touch, feel, hurt and love one another. Co-produced by Los Angeles Philharmonic, Gustavo Dudamel Music and Artistic Director. Produced in Residency with and Commissioned by University Musical Society, University of Michigan, Ann Arbor, MI. TRIPTYCH was co-commissioned by BAM; Luminato Festival, Toronto, Canada; Stavros Niarchos Foundation Cultural Center, Athens, Greece; Cincinnati Opera, Cincinnati, OH; Cal Performances, UC Berkeley, Berkeley, CA; Stanford Live, Stanford University, Stanford, CA; Adelaide Festival, Australia; John F. Kennedy Center for the Performing Arts for performance as part of DirectCurrent 2019; ArtsEmerson: World on Stage, Emerson College, Boston, MA; Texas Performing Arts, University of Texas at Austin, Austin, TX; Holland Festival, Amsterdam; Barbican Centre, London; Wexner Center for the Arts, Ohio State University, Columbus, OH; and Celebrity Series, Boston, MA. Residency development through MassMOCA, North Adams, MA. Photo credits: Alistair Butler, 1980 © Robert Mapplethorpe Foundation. Used by permission. Bryce Dressner photo by Shervin Lainez Korde Arrington Tuttle photo courtesy of the artist Roomful of Teeth photo by Bonica Ayala Produced in cooperation with The Robert Mapplethorpe Foundation Program: Bryce DESSNER : Triptych (Eyes of One on Another) Artists: LA Phil New Music Group Sara Jobin conductor Bryce Dessner composer Korde Arrington Tuttle featuring words by Essex Hemphill & Patti Smith librettist Roomful of Teeth Kaneza Schaal director Simon Harding video Yuki Nakase lighting design Carlos Soto costume design Talvin Wilks dramaturgy ArKtype / Thomas O. Kriegsmann co-producers TUE / MAR 5, 2019 - 8:00PM Upcoming concerts: www.laphil.c

On episode 13 Dina Dessner talks about her career in radio and how she ended up writing and hosting trivia for a geek trivia!

Im Oktober geben die Programmverantwortlichen der Elbphilharmonie das Zepter aus der Hand und bieten mit der Reihe „Reflektor“ erstmals einem Künstler die Gelegenheit, sich ein Wochenende lang musikalisch im Kleinen und Großen Saal auszutoben. Als Erster darf dies Bryce Dessner, der zum einen als Gitarrist der US-amerikanischen Indie-Rock-Band The National bekannt ist, sich in den vergangenen Jahren aber auch im Bereich der Filmmusik und Klassik einen Namen gemacht hat. Den Auftakt des von ihm kuratierten Programms bildet am 20. Oktober die „Dessner Symphony“, bei der Bryce Dessner mit Unterstützung der Hamburger Symphoniker, seinem Zwillingsbruder Aaron Dessner sowie den Schwestern Katia und Marielle Labèque Kompositionen von Philip Glass interpretieren wird. Wie groß die Dessner’sche musikalische Bandbreite ist, zeigt sich auch beim Blick auf die anderen Gäste und Freunde, mit denen der Komponist sein Programm bestreitet: Zu ihnen gehören die irische Singer-Songwriterin Lisa Hannigan, das Ensemble Resonanz und seine Band The National, die das Dessner-Wochenende beschließen wird. Was ihm bei der Zusammenstellung wichtig war, hat er unserer Moderatorin Jil Hesse im Vorfeld im Interview erzählt. Ebenfalls Thema dieses Elbphilharmonie Mixtapes sind The Rocket Men – ein Sextett aus Hamburg, das zusammen mit dem Visual Artist Lamaboy Jazz mit Samples, Zitaten, Projektionen und persönlichen Geschichten vermengt und so die Unendlichkeit des Universums auf die Bühne des Großen Saals bringt. Zu ihrer „Musical Journey Through Space“ brechen The Rocket Men am 16. Oktober auf. Außerdem gibt Jil Hesse einen Ausblick auf das Greatest Hits Festival, das im November zeitgenössische Musik in den Fokus rückt und in diesem Jahr gleich drei Schwerpunkte hat. Dazu gehört das Werk des ungarischen Komponisten Peter Eötvös, dessen Opern zu den meistgespielten der Moderne zählen: weniger sinnlich als Eötvös ging der Franzose Gérard Grisey in den 1970ern zu Werke, der Töne im Labor zerlegte und aus ihren Bestandteilen die kristalline „Spektralmusik“ fügte. Einen noch radikaleren Weg wählte einige Jahre zuvor Harry Partch, der gleich eigene Instrumente baute, um den beschränkten Tonvorrat der westlichen Musik zu sprengen. Das Programm des Greatest Hits Festivals wird sowohl in der Elbphilharmonie als auch auf Kampnagel zu sehen sein.

tracklist comizio 203 ..Pier Paolo Pasolini - Comizi D'Amore..Alberto Lattuada - Venga A Prendere Il Caffè Da Noi..Martin Rev - Vision Of Mari..Alberto Lattuada - Venga A Prendere Il Caffè Da Noi..Surly - Thirteen..Carlo Lizzani - La Vita Agra..Goldie feat. José James - Truth..Charlie Chaplin - Un Re A New York..Stevens, Dessner, Muhly e McAlister - Kuiper Belt..Charlie Chaplin - Il Grande Dittatore..Cigarettes After Sex - John Wayne..Charlie Chaplin - Il Grande Dittatore..Clara Rockmore- Valse Sentimentale..Charlie Chaplin - Luci Della Ribalta..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We're All Leaving

tracklist comizio 203 ..Pier Paolo Pasolini - Comizi D’Amore..Alberto Lattuada - Venga A Prendere Il Caffè Da Noi..Martin Rev - Vision Of Mari..Alberto Lattuada - Venga A Prendere Il Caffè Da Noi..Surly - Thirteen..Carlo Lizzani - La Vita Agra..Goldie feat. José James - Truth..Charlie Chaplin - Un Re A New York..Stevens, Dessner, Muhly e McAlister - Kuiper Belt..Charlie Chaplin - Il Grande Dittatore..Cigarettes After Sex - John Wayne..Charlie Chaplin - Il Grande Dittatore..Clara Rockmore- Valse Sentimentale..Charlie Chaplin - Luci Della Ribalta..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We’re All Leaving

tracklist comizio 203 ..Pier Paolo Pasolini - Comizi D’Amore..Alberto Lattuada - Venga A Prendere Il Caffè Da Noi..Martin Rev - Vision Of Mari..Alberto Lattuada - Venga A Prendere Il Caffè Da Noi..Surly - Thirteen..Carlo Lizzani - La Vita Agra..Goldie feat. José James - Truth..Charlie Chaplin - Un Re A New York..Stevens, Dessner, Muhly e McAlister - Kuiper Belt..Charlie Chaplin - Il Grande Dittatore..Cigarettes After Sex - John Wayne..Charlie Chaplin - Il Grande Dittatore..Clara Rockmore- Valse Sentimentale..Charlie Chaplin - Luci Della Ribalta..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We’re All Leaving

tracklist comizio 199 replica..Pier Paolo Pasolini - Comizi D'Amore..Mario Monicelli - Amici Miei..Hampshire e Foat - Galaxies Like Grains Of Sand..Mario Monicelli - Amici Miei..S. Stevens B. Dessner, N. Muhly J. McAlister - Mercury..Mario Monicelli - Amici Miei..Can - Hunters And Collectors..Woody Allen - Manhattan..Mount Kimbie feat. Micachu - Marilyn..Woody Allen - Manhattan..Ryuichi Sakamoto e David Sylvian - Life, Life..Woody Allen - Io E Annie..Visible Cloaks - Moon..Martin Ritt - Il Prestanome..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We're All Leaving

tracklist comizio 199 replica..Pier Paolo Pasolini - Comizi D’Amore..Mario Monicelli - Amici Miei..Hampshire e Foat - Galaxies Like Grains Of Sand..Mario Monicelli - Amici Miei..S. Stevens B. Dessner, N. Muhly J. McAlister - Mercury..Mario Monicelli - Amici Miei..Can - Hunters And Collectors..Woody Allen - Manhattan..Mount Kimbie feat. Micachu - Marilyn..Woody Allen - Manhattan..Ryuichi Sakamoto e David Sylvian - Life, Life..Woody Allen - Io E Annie..Visible Cloaks - Moon..Martin Ritt - Il Prestanome..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We’re All Leaving

tracklist comizio 199 replica..Pier Paolo Pasolini - Comizi D’Amore..Mario Monicelli - Amici Miei..Hampshire e Foat - Galaxies Like Grains Of Sand..Mario Monicelli - Amici Miei..S. Stevens B. Dessner, N. Muhly J. McAlister - Mercury..Mario Monicelli - Amici Miei..Can - Hunters And Collectors..Woody Allen - Manhattan..Mount Kimbie feat. Micachu - Marilyn..Woody Allen - Manhattan..Ryuichi Sakamoto e David Sylvian - Life, Life..Woody Allen - Io E Annie..Visible Cloaks - Moon..Martin Ritt - Il Prestanome..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We’re All Leaving

tracklist comizio 199..Pier Paolo Pasolini - Comizi D'Amore..Mario Monicelli - Amici Miei..Hampshire e Foat - Galaxies Like Grains Of Sand..Mario Monicelli - Amici Miei..S. Stevens B. Dessner, N. Muhly J. McAlister - Mercury..Mario Monicelli - Amici Miei..Can - Hunters And Collectors..Woody Allen - Manhattan..Mount Kimbie feat. Micachu - Marilyn..Woody Allen - Manhattan..Ryuichi Sakamoto e David Sylvian - Life, Life..Woody Allen - Io E Annie..Visible Cloaks - Moon..Martin Ritt - Il Prestanome..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We're All Leaving

tracklist comizio 199..Pier Paolo Pasolini - Comizi D’Amore..Mario Monicelli - Amici Miei..Hampshire e Foat - Galaxies Like Grains Of Sand..Mario Monicelli - Amici Miei..S. Stevens B. Dessner, N. Muhly J. McAlister - Mercury..Mario Monicelli - Amici Miei..Can - Hunters And Collectors..Woody Allen - Manhattan..Mount Kimbie feat. Micachu - Marilyn..Woody Allen - Manhattan..Ryuichi Sakamoto e David Sylvian - Life, Life..Woody Allen - Io E Annie..Visible Cloaks - Moon..Martin Ritt - Il Prestanome..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We’re All Leaving

tracklist comizio 199..Pier Paolo Pasolini - Comizi D’Amore..Mario Monicelli - Amici Miei..Hampshire e Foat - Galaxies Like Grains Of Sand..Mario Monicelli - Amici Miei..S. Stevens B. Dessner, N. Muhly J. McAlister - Mercury..Mario Monicelli - Amici Miei..Can - Hunters And Collectors..Woody Allen - Manhattan..Mount Kimbie feat. Micachu - Marilyn..Woody Allen - Manhattan..Ryuichi Sakamoto e David Sylvian - Life, Life..Woody Allen - Io E Annie..Visible Cloaks - Moon..Martin Ritt - Il Prestanome..Angel Ros - Storia Di 2 Guerrieri..Jean Luc Godard - 2 o 3 cose che so di lei..Arcade Fire - We’re All Leaving

The National Concert Hall and New York Label Brassland have collaborated to curate a weekend of music entitled ‘Brassland@NCH’ on 13 and 14 December 2014. In this podcast Ben Eshmade talks to label founders Alec Hanley Bemis and Bryce Dessner of The National as well as Kate Staples from This Is the Kit.