Podcasts about Union Army

At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls' heroism, and material aid for the Union, made national headlines and influenced Lincoln's decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics' Star Wars: Doctor Aphra)—details Smalls' childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago. Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls' heroism, and material aid for the Union, made national headlines and influenced Lincoln's decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics' Star Wars: Doctor Aphra)—details Smalls' childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago. Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls' heroism, and material aid for the Union, made national headlines and influenced Lincoln's decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics' Star Wars: Doctor Aphra)—details Smalls' childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago. Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls' heroism, and material aid for the Union, made national headlines and influenced Lincoln's decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics' Star Wars: Doctor Aphra)—details Smalls' childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago. Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textAlbert Cashier With (Will Davis-Coleman & Patrick Courtney)In this episode of American Civil War & UK History podcast, host Daz is joined by Will Davis-Coleman and Patrick Courtney, the hosts of The Cloak and Dagger Podcast. Together, they discuss a Union soldier named Albert Cashier.Albert D. J. Cashier (December 25, 1843 – October 10, 1915), born Jennie Irene Hodgers, was an Irish-born American soldier who served in the Union Army during the American Civil War. Cashier adopted the identity of a man before enlisting, and maintained it until death. Cashier became famous as one of at least 250 soldiers who were assigned female at birth and enlisted as men to fight in the Civil War.The Cloak and Dagger Podcast.https://linktr.ee/cloakanddaggerpodcastACW & UK History's Website.https://darrenscivilwarpag8.wixsite.com/acwandukhistoryACW & UK History's Pages.https://linktr.ee/ACWandUKHISTORYSupport the show

This is the VIC 4 VETS, Honored Veteran, during Veterans Month in America. SUBMITTED BY: Allison Schottenhaml ____________________________________________________________ I am a grateful patriot and thank God every day for every Veteran that has and will serve this great Nation! I have many family members, friends and community members who have served in the military and every Veteran deserves to be honored I would like to honor the oldest known Veteran in my family history. Lt. Nelson Williams my Great Great Grandfather born November 9, 1840 on the family farm in Grafton Illinois on September 8, 1862 he Mustered with the 97th Illinois Infantry Company K which served the Union Army during the American Civil War. Company K was instrumental in the Unions efforts to regain control of the Mississippi River and participated in key battles and campaigns including the siege of Vicksburg then moving down River retaking key positions along the way to retake Mobile Bay in the Bloody Battle of Fort Blakeley hours after General Lee's surrender at Appomattox. Company K Mustered out July 1865 almost 3 years of Hell! After the war Nelson returned to his family's large farm in Grafton Illinois where he died August 24, 1927 at the age of 86 surrounded by a large family! This is why I pledge alliance to one flag the American flag and to one Nation under God! Thank you for honoring Real American Heroes who have shaped our great history and continue to inspire its future with their acts of valor, humanity, patriotism and sacrifices the American Soldiers! ________________________________________________________________ This is today’s VIC 4 VETS, Honored Veteran, during Veterans Month in America on NewsTalkSTL. With support from our friends at: DG FIREARMS - PATRIOT HEATING AND COOLING - BEST BUY FLOORINGSee omnystudio.com/listener for privacy information.

This is the VIC 4 VETS, Honored Veteran, during Veterans Month in America. SUBMITTED BY: Allison Schottenhaml ____________________________________________________________ I am a grateful patriot and thank God every day for every Veteran that has and will serve this great Nation! I have many family members, friends and community members who have served in the military and every Veteran deserves to be honored I would like to honor the oldest known Veteran in my family history. Lt. Nelson Williams my Great Great Grandfather born November 9, 1840 on the family farm in Grafton Illinois on September 8, 1862 he Mustered with the 97th Illinois Infantry Company K which served the Union Army during the American Civil War. Company K was instrumental in the Unions efforts to regain control of the Mississippi River and participated in key battles and campaigns including the siege of Vicksburg then moving down River retaking key positions along the way to retake Mobile Bay in the Bloody Battle of Fort Blakeley hours after General Lee's surrender at Appomattox. Company K Mustered out July 1865 almost 3 years of Hell! After the war Nelson returned to his family's large farm in Grafton Illinois where he died August 24, 1927 at the age of 86 surrounded by a large family! This is why I pledge alliance to one flag the American flag and to one Nation under God! Thank you for honoring Real American Heroes who have shaped our great history and continue to inspire its future with their acts of valor, humanity, patriotism and sacrifices the American Soldiers! ________________________________________________________________ This is today’s VIC 4 VETS, Honored Veteran, during Veterans Month in America on NewsTalkSTL. With support from our friends at: DG FIREARMS - PATRIOT HEATING AND COOLING - BEST BUY FLOORINGSee omnystudio.com/listener for privacy information.

Gerri Willis, anchor and personal finance reporter for FOX Business, has dedicated recent years to researching remarkable American women whom her younger colleagues can admire. In her exploration, she discovered Elizabeth Van Lew, a young spymaster for the Union Army during the Civil War.   Gerri and Kennedy discuss her new book, Lincoln's Lady Spymaster, sharing the inspiration behind her decision to share this story and what's next!  Follow Kennedy on Twitter: ⁠⁠@KennedyNation⁠⁠   Kennedy Now Available on YouTube: ⁠ ⁠https://link.chtbl.com/kennedyytp⁠  Follow on TikTok: ⁠https://www.tiktok.com/@kennedy_foxnews⁠ Join Kennedy for Happy Hour on Fridays! ⁠https://youtube.com/playlist?list=PLWlNiiSXX4BNUbXM5X8KkYbDepFgUIVZj Learn more about your ad choices. Visit podcastchoices.com/adchoices

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Happy Asian American & Pacific Islander Heritage Month! Even though the Trump Administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion here at APEX Express and KPFA. We believe in lifting up people's voices and tonight on APEX Express the Powerleegirls are focusing on “Asian American Children's book authors”. Powerleegirl hosts Miko Lee and daughter Jalena Keane-Lee speak with: Michele Wong McSween, Gloria Huang, and Andrea Wang   AAPINH Month Children's Books part 1 transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:49] Happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, the PowerLeeGirls are focusing on Asian American Children's book authors. PowerLeeGirl hosts Miko Lee and daughter Jalena Keane-Lee. Speak with Michele Wong McSween, Gloria Huang and Andrea Wang. Thanks for joining us tonight on Apex Express. Enjoy the show.   Miko Lee: [00:01:21] Welcome, Michele Wong McSween to Apex Express.    Michele Wong McSween: [00:01:26] Thank you, Miko. It's nice to be here.    Miko Lee: [00:01:28] I'm really happy to talk with you about your whole children's series, Gordon & Li Li, which is absolutely adorable. I wanna start very first with a personal question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   Michele Wong McSween: [00:01:45] I would say my people are really my family starting with, my great, great grandparents who came here down to my grandparents, my parents, and onto my children because, to me family is. The reason why I created Gordon & Li Li in the first place, it was really to bridge that connection for my children. I didn't grow up feeling that connected with my culture because as a fourth generation Chinese American, I was really in the belief that I'm American. Why do I need to know anything about my culture? Why do I need to speak Chinese? I never learned. As a sidebar to that, I never learned to speak Chinese and it didn't really hit me until I had my own kids that I was really doing a disservice to not only my kids, but to myself. my people are my family. I do this for my kids. I do this to almost apologize to my parents for being so, Disrespectful to my amazing culture and I do it for the families who really want to connect and bridge that gap for their own children and for themselves.    Miko Lee: [00:02:53] And what legacy do you carry with you?    Michele Wong McSween: [00:02:55] Again, my family. My, great grandparents. Really. Started our family's legacy with the hard work and the prejudices and all the things that they endured so that we could have a better life. And I've always felt that it is my responsibility to teach my own kids about the sacrifices that were made and not to make them feel guilty, but to just make them appreciate that we are here. Because of the the blood, sweat, and tears that their ancestors did for them. And so we are, eternally grateful for that. I think it's important for us to continue that legacy of always doing our best, being kind and doing what we can do to further the experience of not just our family, but the people in our community that we connect with and to the greater world.    Miko Lee: [00:03:43] when you were growing up, were your parents speaking with you in Chinese and did you hear about your great grandparents and their legacy? Was that part of your upbringing?    Michele Wong McSween: [00:03:52] I heard about my great grandparents in the stories that my mom told us, but to be quite honest, I wasn't receptive to really digging deep in my cultural understanding of. my great-grandfather and what he went through. I know mom, I know he came over in 19 whatever. I know he brought over all these young sons from his village, but I really didn't fully take it in and. No, I didn't hear Chinese spoken in the house much. The only time my parents spoke it was to each other so that we didn't know what they were talking about. They had like this secret code, language. My experience with my language was not, That positive. we did attempt to go to Chinese school only to be teased by all the other kids because we didn't speak it. It didn't end up well. my mom ended up pulling us out and so no, we were really not connected all that much to the language.   Miko Lee: [00:04:48] I can really relate to what you're saying. As a fifth generation Chinese American, and my parents their ancestors came from different provinces, so their dialects were so different that they even spoke to each other in English. 'cause they couldn't understand each other in Chinese. So it happens so often. Yeah. Yeah. And so I really relate to that. I'm wondering if there was an epiphany in your life or a time where you thought, oh, I. I wish I knew more of those stories about my ancestors or was there some catalyst for you that changed?   Michele Wong McSween: [00:05:17] All of this really kind of happened when I moved to New York. I, you know, raised in Sacramento, went to college in the Bay Area, lived in San Francisco for a while with a job, and then I eventually moved to New York. And it wasn't until I came to New York and I met Asians or Chinese Americans like me that actually spoke Chinese and they knew about cool stuff to do in Chinatown. It really opened my eyes to this new cool world of the Chinese culture because I really experienced Chinatown for the first time when I moved to New York. And it was just so incredible to see all these people, living together in this community. And they all looked the same. But here's the thing, they all spoke Chinese, or the majority of them spoke Chinese. So when I went to Chinatown and they would look at me and speak to me in Chinese and I would give them this blank stare. They would just look at me like, oh my gosh, she doesn't even speak her own language. And it kind of made me feel bad. And this was really the first time that it dawned on me that, oh wow, I, I kind of feel like something's missing. And then it really hit me when I had my kids, because they're half Chinese and I thought, oh my gosh, wait a minute, if I'm their last connection to the Chinese culture and I don't speak the language. They have no chance of learning anything about their language they couldn't go that deep into their culture if I didn't learn about it. So that really sparked this whole, Gordon & Li Li journey of learning and discovering language and culture for my kids.    Miko Lee: [00:06:51] Share more about that. How, what happened actually, what was the inspiration for creating the Children's book series?    Michele Wong McSween: [00:06:58] It was really my children, I really felt that it was my responsibility to teach them about their culture and language and, if I didn't know the language, then I better learn it. So I enrolled all of us in different Mandarin courses. They had this, I found this really cute kids' Mandarin class. I went to adult Mandarin classes and I chose Mandarin because that was the approved official language in China. I am from Taishan, My parents spoke Taishanese, but I thought, well, if Mandarin's the official language, I should choose that one probably so that my kids will have at least a better chance at maybe some better jobs in the future or connecting with, the billion people that speak it. I thought Mandarin would be the way to go. When I started going to these classes and I just realized, wow, this is really hard, not just to learn the language, but to learn Mandarin Chinese, because we're not just talking about learning how to say the four different tones. We're talking about reading these characters that if you look at a Chinese character, you have absolutely no idea what it sounds like if you're, if you're learning Spanish or French or German, you can see the letters and kind of sound it out a little bit. But with Chinese characters. No chance. So I found it extremely difficult and I realized, wow, I really need to support my kids more because if I am going to be the one that's going to be bridging this connection for them, I need to learn more and I need to find some more resources to help us. when we would have bedtime story time, that whole routine. That was always the favorite time of my kids to be really, quiet and they would really absorb what I was saying, or we would talk about our days or just talk about funny things and I realized, wow, these books that they love and we have to read over and over and over again. this is the way that they're going to get the information. And I started searching high and low for these books. back in 2006, they didn't exist. and so I realized if they didn't exist and I really wanted them for my kids, then I needed to create them. That's the impetus, is there was nothing out there and I really wanted it so badly that I had to create it myself.   Miko Lee: [00:09:09] Oh, I love that. And I understand you started out self-publishing. Can you talk a little bit about that journey?    Michele Wong McSween: [00:09:15] I'm glad I didn't know what I know today because it was really hard. luckily I had, A friend who used to work for a toy company, it was all through connections. there was nothing really on Google about it. there was no Amazon print on demand. There were none of these companies that provide these services like today. So I just kept asking questions. Hey, do you know a toy manufacturer in China that maybe prints books? Do you know a company that could help me? get my books to the states. Do you know an illustrator that can help me illustrate my books? Because I had gone to fashion design school, but I had not learned to illustrate characters or things in a book. So asking questions and not being afraid to ask the questions was really how I was able to do it because, Without the help of friends and family, I wouldn't have been able to do this. I had all my friends look at my books, show them to their kids. I had my kids look at them, and I kind of just figured it out as I went along. Ultimately when I did publish my first book, I had so much support from my kids' schools. To read the books there, I had support from a local play space for kids that we would go to. I really leaned on my community to help me, get the books out there, or actually it was just one at the time. Two years later I self-published two more books. So I had three in total. no one tells you that when you self-publish a book, the easy part is actually creating it. The hard part is what comes after that, which is the pr, the marketing, the pounding, the pavement, knocking on the doors to ask people to buy your books, and that was really hard for me. I would just take my books in a bag and I would explain my story to people and I would show them my books. sometimes they would say, okay, I'll take one of each, or Okay, we'll try it out. and slowly but surely they would reorder from me. I just slowly, slowly built up, a whole Roster of bookstores and I kept doing events in New York.    I started doing events in Los Angeles and San Francisco, and through that I gained some following, some fans and people would tell their friends about me. they would give them to their nieces they would give them to their cousin's kids, or, things like that. I knew that I had to do it because my ultimate goal was to have Scholastic be my publisher. That was my ultimate goal. Because they are the publisher that I grew up with, that I love that I connected with, that I was so excited to get their book club, little flyer. I would check off every book that I wanted. And my mom never said no. She always let me get every single book I wanted. I realize now that that's what really Created the love of books for me is just having access to them and, going to the libraries and seeing all these books on the bookshelves and being able to take them out and read them on the spot. And then if I loved them enough, I would check them out and take them home and read them over and over. So it was really, my experience, having that love for books that I thought, oh gosh, it would be a dream. To have Scholastic become my publisher. So after 10 long years of events and community outreach and selling to these bookstores, I finally thought, okay, I've sold, about 17,000, 18,000 books. Maybe, maybe now I can take my series to them. I also had created an app. Maybe I can take this to them and show them what I've done. Maybe they'll be interested in acquiring me. And I got an appointment with the editor and I pitched my books on my app and within a couple of days they offered to acquire my books, which was my dream come true. So anyway, that was a very long story for how self-publishing really is and how ultimately it really helped my dream come true.    Miko Lee: [00:13:08] Now your books are on this Scholastic book, fair Circuit, right?    Michele Wong McSween: [00:13:13] Yes, they are. Well, it's actually just one book. They took the three books, which were everyday Words. Count in Mandarin and learn animals in Mandarin. They took all three books and they put them in one big compilation book, which is called My First Mandarin Words with Gordon & Li Li. So it's a bigger book. It's a bigger board book. Still very, very sturdy and it's a great, starter book for any family because it has those three first themes that were the first themes that I taught my own boys, and I think. It just, it's very natural for kids to want to learn how to count. animals were, and my kids were animal lovers, so I knew that that's what would keep them interested in learning Mandarin because they actually loved the topic. So, yes, my first mandarin words with Gordon & Li Li does live on Scholastics big roster.   Miko Lee: [00:14:01] Fun. Your dream come true. I love it. Yeah. Thanks. And you were speaking earlier about your background in fashion design. Has there been any impact of your fashion design background on your voice as a children's book author?   Michele Wong McSween: [00:14:14] I don't know if my background as a fashion designer has had any impact on my voice. I think it's had an impact on how I imagined my books and how I color my books and how I designed them because of working with, you know, color palettes and, and putting together collections I can visually see and, can anticipate. Because I have that background, I can kind of anticipate what a customer might want. And also, you know, speaking with people at my events and seeing what kids gravitate to, that also helps. But I think there's so much more to being an author than just writing the books. You know, when I go to my events, I have a table display, I have setups, I have props, I have, I actually now have a, a small. Capsule of merchandise because I missed designing clothes. So I have a teeny collection of, you know, sweaters, hoodies, onesies, a tote bag, and plushies   Miko Lee: [00:15:04] they're super cute by the way.    Michele Wong McSween: [00:15:06] Oh, thank you. So, you know, fashion has come in in different ways and I think having that background has really helped. kind of become who they are    Miko Lee: [00:15:17] Can you tell us about the latest book in the series, which is Gordon and Li Li All About Me. Can you tell a little bit about your latest?   Michele Wong McSween: [00:15:25] Gordon & Li Li All About Me is really, it's, to me, it's. I think my most fun interactive book because it really gets kids and parents up and out of their chairs, out of their seats and moving around. And you know, as a parent, I always would think about the kind of books that my kids would gravitate towards. What would they want to read and what as a parent would I want to read with my kids? Because really reading is all about connection with your kids. That's what I loved about books is it gave me a way to connect with my kids. And so a book about body parts to me is just a really fun way to be animated and get up and move around and you can tickle and, and squeeze and shake it around and dance around. And, you know, having three boys, my house was just like a big energy ball. So I knew that this book would be a really fun one for families and I have two nieces and a nephew, and I now, they're my new target market testers, and they just loved it. They had so much fun pointing to their body parts and the book ends with head, shoulders, knees, and toes in English and in Mandarin. And so of course. Every kid knows head, shoulders, knees, and toes in English. So we sing that. We get up, we point to our pottered parts, we shake it around, we dance around. And then the fun part is teaching them head, shoulders, knees, and toes in Mandarin because they're already familiar with the song. It's not scary to learn something in Mandarin. It just kind of naturally happens. And so I think the All About Me book is just a really fun way to connect with kids. I've actually launched it at a couple of events already and the response to the book has been overwhelming. I was at the Brooklyn Children's Museum and even the president of the museum came and did the head shoulders. Knees and toes, songs with us. It was so much fun. Everybody was dancing around and having a great time. So I'm just really, really excited for people to pick up this book and really learn about the body. It's, you know, body positivity, it's body awareness, and it's just a great way to connect with your kids.   Miko Lee: [00:17:31] So fun. I, I saw that you're recently at the Asian American Book Con. Can you talk a little bit about that experience?    Michele Wong McSween: [00:17:38] Oh, that was great. That was the first of its kind and. I led the entire author segment of it. I would say individual authors. There were, there were, publishing companies that brought in their own authors, but I was responsible for bringing in the independent authors. And so I think we had about eight of us. There were Indian, Korean, Chinese, Taiwanese, and we all came together for this one really special day of celebrating our voices and lifting each other up. And there was so much energy and so much positivity in that event, and I. Actually was just thinking about reaching out to the organizers last year and seeing if we could maybe do, part two? So, I'm glad you brought that up. It was a really positive experience.    Miko Lee: [00:18:27] So we're celebrating the end of Asian American Pacific Islander Native Hawaiian month. Can you tell us why this month is important to you?    Michele Wong McSween: [00:18:36] When you have something designated and set aside as, this is the month that we're going to be celebrating Asian American Native Hawaiian Pacific Islander heritage all month long, I think it kind of perks up. People's ears and they think, oh wow, this is a great opportunity for me to see what's happening in my community. I think it just brings the awareness to. The broader community and ultimately the world. And I think when we learn about each other and each other's cultures, it brings us closer together and makes us realize that we're really not that different from each other. And I think when there are so many events happening now it peaks the interest of people in the neighborhood that might otherwise not know about it and it can, really bring us closer together as a community.   Miko Lee: [00:19:27] Michelle Wong McSween, thank you so much for joining me on Apex Express. It's great to hear more about you and about your latest book Gordon & Li Li and the entire series. Thank you so much.    Michele Wong McSween: [00:19:39] Thank you, Miko   Jalena Keane-Lee: [00:19:40] Thank you all so much for joining us. I'm here with Gloria l Huang, author of Kaya of the Ocean. Thank you so much for joining us, Gloria.    Gloria Huang: [00:19:48] Oh, thanks so much for having me here.    Jalena Keane-Lee: [00:19:50] So first off, one question that we're asking all of our guests on our show tonight is, who are your people? However you identify, you know, your community, your ancestors, and what legacy do you carry with you?    Gloria Huang: [00:20:01] Oh, that's such a good question. So I am my heritage is Chinese. My parents were born in China and then grew up in Taiwan. And I myself was actually born in Canada. But then moved the states pretty young and and American Canadian dual citizen and now, but I, my heritage plays a lot into my. Kind of my worldview. It really shaped, how I grew up and how I saw things. And so it features very prominently in my writing and in my stories as you could probably tell from Kaya the ocean.    Jalena Keane-Lee: [00:20:34] Yes. And I love the book so much. It was such a    Gloria Huang: [00:20:37] thank you,    Jalena Keane-Lee: [00:20:38] amazing read. And I'm also half Chinese and love the ocean. Just love the beach so much and have always felt such a connection with the water. I don't wanna give away too much things about the book, but I was wondering if you could talk about your inspiration for writing it and a little bit about, setting and everything.   Gloria Huang: [00:20:56] Of course. So the inspiration for the book actually started I came up with the idea when the world was first emerging from the pandemic and I was seeing a lot of people obviously experiencing a lot of anxiety, but a lot of children very close to me in my life. And they were experiencing it for the first time, which was can be so difficult. I remember when it happened to me and there's just this tendency to. Worry that there's something wrong with you or that you've done something and you feel so alone. And so I remember standing by the ocean one night actually and thinking that I'd really love to write a book about a girl who is struggling with. The anxiety just to be able to send a message to all these kids that there's nothing wrong with them. They're not alone and really all parts of who they are. Even the parts they might not love so much are important parts of these amazing, beautiful, complicated people. They are. So that was the inspiration for that part of the story, the setting. I was very inspired. As you mentioned, the ocean is a huge inspiration to me. It actually comes into my mind, a lot of my stories and someone pointed that out once and I was like, you're right, it does. And I think part of it is that I love the ocean. I love the beach. I love being there, but I'm also so in awe of this powerful thing that, you know, where we know so little about it. It is. There's so much mystery to it. It can look so beautiful on the surface and be so dangerous underneath. I love it as a metaphor. I love it as a part of nature. So I think that was a huge part of why I wanted to incorporate that, especially because I think it also plays well into the metaphor for how some people experience anxiety and you can be calm on the surface, but so much is happening underneath.    Jalena Keane-Lee: [00:22:29] Absolutely. Yeah. Those interplay with each other and are metaphors for each other in such a beautiful way, mirror the experience. Yeah. I wanted to talk a little bit more about anxiety and particular, as a young Asian American girl the cultural specificity of having anxiety as a young Asian American woman.    Gloria Huang: [00:22:46] Yes I definitely think it's no coincidence. I think that anxiety often goes hand in hand with perfectionism and pressure and I, many people feel that kind of pressure, but certainly a young Asian girl especially with immigrant parents, will feel specific kind of pressure. And so I was really trying to portray that, Somebody once said to me, they were like, oh, I really like how Kaya on the surface seems so put together. She's, got really good grades. She works really hard at school. She's close to her parents, but there's all this going on underneath. And I actually think that's not unusual in terms of that experience for Asian American children of immigrants, and especially if you're female I was really trying to. Tease that out. And then in addition I think there's a tendency, and this might exist in other cultures as well, but in Asian culture, at least in my family history there's a tendency not to really want to talk about mental health. There was a, there's a joke in my family that my parents thought anything could be solved with good sleep and good nutrition, like anytime you had any problem. And I think that there is a, there's a. resistance to feeling like your child can be struggling in a way you can't help them. So I, really wanted to touch on that, part of the cultural pressures at play in kaya's life.    Jalena Keane-Lee: [00:23:59] And you did so beautifully and it was very relatable, as a anxious Asian girly. And also just, the discussion of big feelings and somehow, having inklings that you may be more powerful than you even realize, but the kind of like emotions that come with that too.    Gloria Huang: [00:24:15] Yes. I think that's a huge part of it is that like when you experience these huge feelings they feel powerful, know, in a negative way. But what I was really trying to get at was, there is also power in accepting these parts of yourself and realizing that They can make up this powerful being that you are, even if you might not love them in that moment.    Jalena Keane-Lee: [00:24:34] Yeah. I felt very seen by the book and I, couldn't help but wonder wow, what would it have been like if I had read this when I was, 13 or 12 or kind of Closer to the age of the characters in the book.   Gloria Huang: [00:24:45] Thank you so much for saying that it actually means a lot because a lot of my motivation when I do write these books is to write for people who are either of that age or, wish they had a book like that at that age, which is also how I feel a lot about books nowadays and oh, I, I'm so glad that exists. I wish that had been around when I was that age.    Jalena Keane-Lee: [00:25:03] Yes. Were there any books that really set an example for you that either you read, maybe when you were, in the young adult. Age range or that you've read now as an adult where you're like, okay, this is definitely the audience that I wanna be writing for.   Gloria Huang: [00:25:17] Definitely. I actually love this question 'cause I'm a big reader and so I love talking about books . When I was a kid, middle grade books were my gateway into my love of reading. So I still remember a lot of my favorite books, but I would say a recent book, it's actually maybe not that recent now, it's maybe a couple years old, but a book that really. Had an effect on the middle grade book was when you trap a tiger by Tae Keller and it explores. The kind of Korean experience, but also through the prism of kind of understanding generational grief. And it was just so beautifully done and really made an impact on me. So that was one recently that I thought was really powerful. And, I was like, this is an important book. This is definitely a book I would've loved as a child. When I was younger and I was reading books, there were three books that meant a lot to me. One was called the true confessions of Charlotte Doyle, and it was like a swashbuckling adventure story starring a girl, which was, at that time not very common. And it was, it meant, it was so earth shattering to me to be able to see a female character in that role. So that was great. There's a book called. Homecoming by Cynthia Voigt. And it's an adventure story and it also stars. The main character is a very strong female character and Tuck everlasting, which I just think is a beautiful book. It's also female characters. Now I'm saying it out loud. They are all female main characters. And all about, existentialism and adventure and things that, it was important for me to see. Female characters exploring. But I did also wanna say that when I was reading middle grade books, some of my favorite books included a series called, babysitters Club, which I think that they've redone now as a graphic novel. And that was actually really important, not necessarily for the stories, but because there's a character named Claudia Kishi who. Was a Japanese American character and she absolutely shattered the minds of, I think all kids that age were Asian descent and female in reading these books because there just wasn't a character like her before that, she was so cool and artistic but she had immigrant parents and she had a sister who was very good at math and they didn't get along and she loved junk food and she was. So incredibly nuanced and it was just not something that we saw back then. So that really inspired me, I think, to want to add to the diversity of voices. And thankfully there are many more diverse voices now than when I was reading.    Jalena Keane-Lee: [00:27:30] I love that. And I also feel like books that you read at that age, they stay with you forever.   Gloria Huang: [00:27:35] They really do.    Jalena Keane-Lee: [00:27:35] And they shape so much of like your worldview and your friendships. And I'm curious, 'cause I know the book was released this year in January. Mm-hmm. So what has it been like for you on your book tour and what's been some other responses that you've heard? I.    Gloria Huang: [00:27:48] It's been really great. It was so exciting to do the book launch and then just the amount of support from the writing community from, my, my kind of network, my agents and my publisher and editor. And also just readers. It's been really great. But one thing I think I wasn't expecting to love quite so much, not because I was expecting to not love it. I just said, it occurred to me that I would feel this way is getting feedback from, child readers is amazing because, I think as writers we love feedback no matter what. And if it's positive feedback, that's even better. But having a child reach out and as some of my friends will send a video of their. Children reacting to the book or they'll, their, let their child type out a text messages and just to hear how the book hits with them and to hear their excitement or to hear that they were moved or to have them want to know what happens next. It meant so much to me because it was, they're the target audience and to have them feel seen in that way was just, it's just the ultimate kind of powerful feeling.    Jalena Keane-Lee: [00:28:51] That is so sweet. Oh my gosh. I can only imagine. And so you're talking about the young readers. Yes. But I'm also curious if you have any advice or thoughts for young writers who might be wanting to share and get similar stories out to the world?   Gloria Huang: [00:29:05] Yeah I definitely do. And one of the. Experiences I've had that's been great is I've been doing, some school visits and I go and I talk about the book, but I actually talk about the writing process. And when I do that, I really talk to the kids. As if they're writers. The one of the first questions I ask is, hold up your hand. If you love writing or you think you want me, you might wanna be a writer someday. And a lot of hands go up and I tell them like, what the publishing process is, what are, the different genre options, what you might wanna consider, how you come up with an idea, how you sit down and write it, how you reach out to an agent. And I am surprised at how. Intensely, they're hanging onto every word and they're insightful questions after it. It shows me that a lot of them are really thinking about this. I think for one of the school visits, I remember someone held up her hand and she said what is the youngest age I. Someone has been able to be published. And I thought that was great. Because they're so inspired and you can tell that, that they're thinking for the first time this is a possibility. I have all kinds of advice during the school visits, the main piece of advice is really. Just that it can be a tough industry. writing is a very isolated process usually. There's a lot of kind of obstacles and there's a lot of gatekeeping. And so I tell 'em that the most important thing they can do is just keep pushing through and not to let any, setbacks stop them, because the ultimate goal is to reach even just one person.    Jalena Keane-Lee: [00:30:24] Absolutely. And what kind of advice do you give around learning how to hone your own voice and also having discipline when it comes to an artistic practice?   Gloria Huang: [00:30:33] Yeah, I think that's such a great question. And I was gonna say this piece of advice is probably more for I. Older writers, but adult writers, I guess I should say. The one thing that I've really been thinking about having published a middle grade book is the very specific and unique experience of writing for middle grade audiences. I think a lot of my friends who write for older audience groups, young adults, adults, They have their own challenges, but one of the things that is different is when they're writing, they are writing for the same target audience. That's also the decision makers. So generally, adults and young adults are picking their own books, and they're speaking to someone who will. Ultimately be the ones to pick up the books where when you're writing for middle grade audiences they're not usually the decision makers. at bookstores, they may or may not be in charge of which book they buy, in. Schools, usually it's a librarian or a teacher. So in some ways you're writing for one audience, but you're also writing a subject matter that you're hoping the decision makers will decide is worthy to put in front of your ultimate readers. So that's one challenge. And then the other challenge is I think middle grade audiences are so. fascinating because they're going through this amazingly unusual time in their lives, whether it's eventful and there's new experiences and that can be exciting, but also scary. So there's a lot to mind in terms of topics, but they are also a mixture of being very sophisticated readers who are on the cusp of being teens. And so there's a healthy dose of, skepticism, but they're still young enough that they. Believe in magic, at least in the literary world. So you, there's a lot of room to play with that. But they also. They sound different. They speak differently than adults. So it's important to get the dialogue, for me I, turn to children in my life, including my own, just to do a check to make sure that the dialogue sounds authentic and something that, people, that kids would say. So a lot of thoughts there, but I think, I've been thinking a lot about middle grade and writing for middle grade, and what a unique experience it is.   Jalena Keane-Lee: [00:32:26] Yeah, that's such a good point about the decision maker and having the multiple audiences, and I'm sure sometimes the decision makers are reading the books too, right? Or reading it with their kids or what have you. For your personal writing practice, are there any upcoming projects that you can share with us? And how do you stay inspired for what I imagine is like the long haul of writing something.    Gloria Huang: [00:32:45] I'm happiest when I have like several projects in the pipeline. So as soon as I am done a book or it's, outta my hands, it's with my agents or my editors. I'm looking to write another book. And I think sometimes I probably overwhelm my amazing book before agents. 'cause I'm like, I'm ready to start another story. And they're like, we're still looking at the book you just sent us. But I, that's very much how. I am happiest. I would definitely say that everybody finds their own rhythm. I'm in some writers groups and some people are incredibly fast drafters and just need multiple projects at a time. And some people are like, no, I need to work on one project and I need to have it to perfection and I'm gonna work on it for a year or two. And I think whatever works for the individual artist, I think is the best kind of process for them. But yes, for me it's very much about having multiple projects. I think I'm most inspired when I have different projects going at the same time. finding your own rhythm, I think is my advice.    Jalena Keane-Lee: [00:33:40] kaya of the ocean has, strong themes and storylines about, myths, mythology, Chinese mythology, and goddesses. I'm curious if you wanna talk any more about that and then also if that shows up in any of the other projects you're working on    Gloria Huang: [00:33:54] Yes, the Chinese mythological water goddess that features. Pretty prominently in Kaya of the Ocean is Matsu. And I find her to be such a fascinating character. She is a real goddess who's worshiped still in Asia. I think. Fishermen often will, pray to her for safe passage when they go out on the water. And my father told me about her when I was younger he told me like the side stories and I thought that was really interesting. But it was only when I started thinking about this book that I thought, I'd love to, I'd love to incorporate her. I hadn't heard about her too much in, in the fictional world, even though I knew she was still like a revered goddess. But I thought it was so cool that she was this strong. I. Strong female figure in a space that didn't always have that, hundreds of years ago. And so I dove into her story a little bit and found out, the story is that she was once a human child who loved to read and then she was afraid of swimming in water until she was older and then she drowned, saving, trying to save some relatives and it was interesting 'cause I'd already started plotting out Kaya and writing Kaya. And so much of her story wove easily into what I had already come up with. Like there, I think she has two sidekicks that were one time enemies that she, made into her friends and I'd already had Kaya written with two friends, Naomi and Ana. So I, there was just so much that I felt was kismet. And it was really fun to be able to weave that story together and fictionalize it. But I think it was also meaningful for me to be able to do that because. When I was younger, I loved reading Greek mythology. the stories are beautiful and they've been redone in beautiful ways, but it definitely was an area where I didn't necessarily see myself reflected. As part of my goal to add to the diversity of voices, I really wanted to feature Chinese mythology and bring those stories in so that. Kids can either see themselves reflected in those stories and or understand a new kind of set of mythology and learn about a new culture.   Jalena Keane-Lee: [00:35:46] Yes. I'm so glad you put it that way because it is, it's such a privilege to have access to, our own I. Cultural stories and knowledge through these, like fun and modern interpretations. Definitely. So I'm so glad that this can provide that.    Gloria Huang: [00:36:00] Oh, thank you. I did realize I didn't answer your other question, which is does it feature my other works? Which so I have sold another middle grade novel and I'm, it's not announced yet. I'm hoping to announce it soon. And I have some other. Books. I'm working on a young adult novel so far. They have not featured Chinese mythology, but I do definitely have a type that my most of my books tend to be contemporary settings, but with elements of speculative. Fantasy, just like the light touch of that and sometimes a little bit of historical elements as well. So they, they definitely all have that similar motif, but so far chi of the ocean is the only one to feature a Chinese mythological goddess.   Jalena Keane-Lee: [00:36:43] Thank you so much for sharing that. I love that. And I really love the relationship that Kaya had with her two friends and just and then also like the cousin that comes and just capturing like the banter amongst, amongst the girls.    Gloria Huang: [00:36:56] Thank you so much. that was really important to me, I think because at the stage that Kaia is in her life the loves of her life really are her two friends, Naomi and Ana, and they feature very prominently in how she learns to cope with her anxiety and her symptoms of anxiety. And so I really, I think that I really wanted to center her their friendship as much as possible. So I'm I'm glad that you saw it that way too.    Jalena Keane-Lee: [00:37:19] Yeah. And I feel like, I mean, it truly is the most important relationship. And so it's nice when works of fiction and yeah, works of fiction, can reflect that in such a beautiful way. I know you mentioned that you have daughters or have children?    Gloria Huang: [00:37:32] I do, yes. I have a son and a daughter. And my daughter actually was quite involved because when I first started writing Kaya, I think she was exactly of the age that she would be the target reader group. And so she actually helped Beta read it. She provided a lot of feedback. She became like a cheerleader. She was definitely involved in the process and I think that was really exciting for her. my son became of the reading age once it came out, so he reads it and he's a big fan too,   Jalena Keane-Lee: [00:38:00] that's so sweet. I love that your daughter was part of the editing process too. That's amazing.    Gloria Huang: [00:38:04] Yeah. Yeah. She loves writing and always says she wants to be a writer herself, so it was really special that she got to be part of this and see it up close.    Jalena Keane-Lee: [00:38:13] Oh wow. Do you think you would do any collaborative projects with her in the future?   Gloria Huang: [00:38:16] It's so funny that you say that. She always suggests that. And then sometimes they'll actually start a Google doc and they'll say, let's write a story together. And we all have, of course, very different writing styles. And then at some point they both actually usually just start reading what I'm writing. And at that point I'm like, this is not collaborative. You have to write as well. So we've had a couple of false starts, but that's always a joke that we're gonna do that together.    Jalena Keane-Lee: [00:38:39] that's so sweet. What else is upcoming for you? I know this is, Asian American and native Hawaiian Pacific Islander month right now, and the episode will come out towards the end of May. So if there's anything else coming up from you for this month or for June or the summer. Yeah. We'd love to hear what you have going on.    Gloria Huang: [00:38:57] Oh, yeah. Today actually Kaya's audio book was released people can listen to it. It was narrated by this amazing, narrator, Cindy K. And so anywhere you find audio books is available. And that was really cool. I've listened to a little bit of it and you, when you write, you hear the words in your head one way, and then it's amazing to hear like another artist do their take on it. So that's really cool. I will be at the Bay Area book Festival at the end of the month of May. There. Doing like different panels and I'll be on a panel. it's about Fantastical Worlds. I'm really excited about that. hopefully we'll be able to announce this other book soon. As you, you may know publishing is a very long lead time it will be a while before it's released, but I think the hope is to release it during, a API month as well just not this year. And working on a young adult novel that hopefully we can go on submission with at some point. But it's an exciting time for sure.    Jalena Keane-Lee: [00:39:51] Wow, that does sound so exciting. I can't wait to hear about your new projects and to continue to read the work that you put out into the world. Is there anything else that you'd like to discuss or talk about?   Gloria Huang: [00:40:01] I think just to say a thank you to you for, having me on here and reading Kaya of the Ocean and really anyone who's been interested in joining Kaya and her friends on their journey. It's just, it's so amazing, I think, to create these characters that become real to you, and then have them become real to other people. I don't have the words to describe how meaningful it is to me, but thank you.    Jalena Keane-Lee: [00:40:24] Thank you for letting us join into the world of Kaya for a little bit 'cause it was very fun and healing and all of the amazing things. And thanks so much for joining us today on Apex Express.    Gloria Huang: [00:40:36] For sure. Thanks so much.   Miko Lee: [00:40:38] Welcome, Andrea Wang, award-winning children's book author to Apex Express.    Andrea Wang: [00:40:43] Thank you, Miko. I'm so happy to be here.    Miko Lee: [00:40:46] Happy to have you. I'd love to start first with a personal question, which is, who are your people and what legacy do you carry with you?   Andrea Wang: [00:40:57] My people are from China. My mother's family belonged to an ethnic minority, called the Haka or the Kaja people, and she and her siblings were. A military family, and we're each born in a different province. And when the Chinese Civil War ended in 1949, they went to Taiwan where she grew up and immigrated to the United States in 1965 or 1966. My father's family are from Guangdong Province, and so I'm Cantonese on that side, although I don't speak any Cantonese. And he went to Hong Kong after the Chinese Civil War. So I am the daughter of Chinese immigrants, second generation Chinese American.    Miko Lee: [00:42:01] And what legacy do you carry with you?   Andrea Wang:[00:42:03]  I carry the legacy of their stories, both the ones that I know and the ones that I don't know yet.    Miko Lee: [00:42:12] Ooh. It sounds like there's lots of juicy things for you still to discover. That is fun.    Andrea Wang: [00:42:16] Yes.    Miko Lee: [00:42:17] Today we're talking about your new book, watercress, can you share what the audience, what the book is about, and then what is your inspiration for this book?    Andrea Wang: [00:42:25] So the book is about a Chinese American girl who is growing up in rural Ohio and her parents spot watercress growing in a ditch by the side of the road, and they immediately pull over and make her enter older brother, get out of the car and get down into the ditch with them and collect this. Vegetable, but to her it's a weed. And so when they serve it to her and her family at dinner, she really is unhappy about this and. For her, picking food out of a ditch has a really different meaning than it does to her parents who survived a lot of hardship in China. And it's not until her mom tells her a story about her childhood growing up in China and spoiler alert, loses a sibling to the famine that the girl begins to understand and better appreciate her parents, her culture, and her heritage.   Miko Lee: [00:43:29] And the inspiration for this book.    Andrea Wang: [00:43:32] So the inspiration is largely my own life. this is a semi autobiographical story. The memory of picking watercress by the side of the road was just something that I couldn't forget, I don't know why this memory continued to haunt me into adulthood. And then after my mom passed away, I started writing down, memories and stories of being with my family in order to maintain a connection to her. When I wrote this, at first it was a personal essay and it just wasn't working. I would put it away and I would occasionally take it out and I would put it away and take it out and work on it again. And it wasn't until I decided to pursue writing for young people that I completely changed the manuscript from a personal essay into a picture book. But at that point it still wasn't working. It was in third person and it wasn't very personal It took me several more years to figure out the heart of the story for me. So it was largely based on my own memories and my mother's childhood stories that she shared with me.   Miko Lee: [00:44:39] Can you share more about the power of memory and the artistic process? 'cause you've written many books and in different genres as well, but can you talk a little bit more about memory and its impact on your work?   Andrea Wang: [00:44:52] Yeah, that's a great question. I tend to write primarily for myself. And to figure out how I felt about certain experiences, how they've changed me, to try and process things I feel like I remember a lot about my childhood. parts of it are very vivid and I like to go back to those. Moments that have stuck with me all these years and explore what it means to me. Like I'm just very curious about why I remember certain things watercress was largely my way of processing my childhood feelings of shame about my family and my culture. I have leaned into that and am still writing stories about identity and the struggle to find our identity. Memory has a lot to do with it. I put myself in every single book.    Miko Lee: [00:45:45] Ooh, that's so interesting. And you're talking a little bit about shame and overcoming that. I'm wondering if you could speak more on, if you feel like memories hold the power to heal.    Andrea Wang: [00:45:56] I firmly believe that memories hold the power to heal. I think that writing watercress and talking about these feelings has really helped me, , heal from, that sort of trauma of not feeling like I belonged as a kid and also that I may have been. Not the nicest kid to my parents, not the most filial, right? And so writing this story was, as I say in the author's note, sort of an apology and a love letter to my parents. So it's been very healing and healing to hear about from all the. People who have read the book and had it resonate with them, the things that they regretted in their lives and hoped to, heal as well.    Miko Lee: [00:46:42] Oh, have you heard that story a lot from adult readers?   Andrea Wang: [00:46:46] I have. They will often tell me about the things that their parents did that embarrassed them. A lot of foraging stories, but also stories about, relatives and ancestors who were sharecroppers or indigenous peoples. And it's just been fascinating how many people connect to the story on different levels. There is that theme of poverty. I think recognizing. That's not often talked about in children's books, I think makes people feel very seen.   Miko Lee: [00:47:14] Yeah. That feeling of shame is really showcased by the illustrator Jason Chin. I mean your young you character kind of has a grumpy look on their face. And it was just so fun. Even in the book notes, Jason Chin, the illustrator, writes about how he combined both the western and eastern style of art, but also his similar cross-cultural background. I'm wondering when you very first saw the artwork and this was kind of young you did anything surprise you by it?    Andrea Wang: [00:47:42] I mean, it's amazing, gorgeous artwork and I was really struck by how he dealt with the flashbacks because when I sold this manuscript, I. Had no idea how an illustrator would deal with how interior it is and, , and how they would tackle those flashbacks. And there's one spread where on the left hand side of the page, it shows the main character's current time and then it morphs across the gutter of the book into. The moms past and her childhood memories in China, and it was just exquisite is really the only way to describe it. It was, it's just brilliant, and amazing. We don't, as picture book authors typically get to work with our illustrators. We often do not have contact with them through the making of a picture book. But in this case. Our editors said since it was such a personal story for me, that he, , felt that Jason and I should collaborate. And so I provided photos, family photos, photos of Ohio, lots of different, , source materials to Jason and would talk to him about the feelings that young me in the book went through. And so the fact that, he was able to take all of that and put it on the page, it was just. Spectacular.    Miko Lee: [00:49:01] Oh, that's so fun. I also understand that you love mythical creatures as you I, and one of your children's books is the Nian Monster, which I love. I'm wondering what is your favorite mythical creature and why?   Andrea Wang: [00:49:15] I. Have been sort of fascinated with the qilin, the, or they call it the Chinese unicorn. Right. Although it looks very different from what we think of a, a European unicorn looks like. Yes. And I think it's because they're supposed to be this really benevolent, creature and Have all sorts of powers and I would love to do more research about the qilin and, you know, incorporate that into a book someday.   Miko Lee: [00:49:42] Ooh, fun. Next book. I love it. you have so many books and I'm really curious about your upcoming book Worthy about Joseph Pierce. I love these as Helen Zia talks about these. MIH moments that are missing in history. And Joseph Pierce was the highest ranking Chinese American man who fought in the Civil War. Some people might recognize this picture of this Chinese American guy in a kind of civil war, uniform. Can you tell us one, when is the book being released and a little bit more about it?    Andrea Wang: [00:50:11] Sure. The book is being released on September 9th, 2025, and it is. A picture book, which we typically think of as for younger readers, but it is 64 pages. So you know, it's an all ages picture book. I think my editor and I would like to say, and it is the story of a Chinese boy born in the, First half of the 18 hundreds in China in Guangdong province, and was sold by his father to an American ship captain named Amos Peck. the reasons for that are, lost to time, right? He left no primary sources behind, there was so much going on in China at the time. Famine war, you know, all of these, Difficult things that his father probably sold him in order to keep the rest of the family alive and as well as give him the opportunity to have a better life. And he did end up in Connecticut. He was raised with the captain's, siblings and sent to school and treated almost like a member of the family except for the fact that he was. Clearly Chinese and there were very few Chinese people in, Connecticut at that time. he joined the Union Army when he came of age and was able to leverage his service into gaining citizenship, which really people of color, weren't really able to do successfully back then. And so. He gained a citizenship. He married, he had a family. He was able to own property and accomplish all these amazing things. Sort of right before the Chinese exclusion Act was, enacted. So he was a very brave guy.    Miko Lee: [00:51:45] It's a wild story and you sent me on a little bit of a rabbit hole, which is fun. Just, looking at Ruth Ann, McCune's. historical piece that there were 10 different Chinese American men in the Civil War, but he was exceptional because he rose to such high ranks. And I just think it's so interesting that, in the 1880 census, he registered as Chinese. But then after the Chinese Exclusion Act in 1882, he listed his race as Japanese in the 1890 census. but he was racialized as white so that he could buy property and everything. Yeah. Can you just talk a little bit about that, like talk about code switching? He like literally changed his race,    Andrea Wang: [00:52:26] right. And people at that time could not tell the difference. Similar to now, people often can't tell different Asian, ethnicities apart. Right. I found actual newspaper articles where Joseph Pierce was interviewed about the battles, that the United States was having with Japan or the battles that Japan was having. He was asked his opinion on what the Japanese government was doing because he told these reporters he was Japanese and that was really the only clue that I had that he, Was code switching that after the Chinese exclusion Act was passed, he felt like he needed to protect himself and his family and he must have cut off his cue because otherwise, you know, that would've identified him immediately as Chinese. So that went into the book. I think it's a powerful moment, right, where he's doing what he has to do to survive and ensure his protection and his family's safety,   Miko Lee: [00:53:25] You have a, a really interesting background. Just having No really, I mean, having done all these different things and I, you know, I think you have a science background too, right? Can you talk about the times that we're living in right now, the political times that we're living in, where our government is banning books that don't align with certain conservative ideologies, where right now certain words are forbodden suddenly. And can you talk a little bit about how that impacts you as a children's book author?    Andrea Wang: [00:53:59] it is very disheartening and discouraging that the current climate is against, people who look like me or other people of color. And as a children's book author, we are experiencing a huge decrease in the number of teachers and librarians who are asking us to come and visit schools, to talk to students, which is horrible because. These young people are the ones who need to learn from books, right? Knowledge is power. And if we are not keeping them informed, then we are doing them a disservice. I think the attacks on our freedom to read are really unjust. and. personally as an author of color, I understand that books like Worthy may end up on some of these banned book lists because it does talk about racism. but these are the stories that we need now, and I'm going to continue writing these stories about the Hidden History, And to talk about these difficult subjects that I think kids understand on some level. but if they're not reading about it in books, then it's hard to spark a conversation with, educators or adults about it. So I think these books that I'm writing, that many of my friends and other children's book authors are writing are providing that. Sort of gateway to talk about, the topics that are so important right now.    Miko Lee: [00:55:29] Thank you so much for sharing, and thank you so much for being on Apex Express today. We appreciate your voice and the work that you're putting out there in the world. Is there anything else you'd like to say?   Andrea Wang: [00:55:39] you know, there's so much to say, I think just to. Stand up for what we all believe in and to, I encourage people to stand up for their intellectual freedom and that of their children.   Miko Lee: [00:55:56] Thank you, Andrea Wang. I appreciate hearing from you and hearing your voice and seeing your work out there in the world.    Andrea Wang: [00:56:03] Thank you so much, Miko. It was a pleasure.   Miko Lee: [00:56:05] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 5.29.25 AAPI Children's Books appeared first on KPFA.

Learn about the industrial and labor history of 19th-century Troy in this introduction to the Burden Iron Works Museum. Susan Ouellette, Executive Director, talks about how entrepreneurs in Troy developed a machine for creating horseshoes that won them a no-bid contract to make shoes for the six million (!) horses and mules in the Union Army during the 1860's. She also highlights the importance of capturing the labor history of South Troy, including the efforts of people who worked at the Burden Ironworks (which smelted the iron ore) and the Mahoney Iron Works (which fabricated that iron into decorative wrought iron railings and other architectural details). Susan explains how local activists formed the Hudson Mohawk Industrial Gateway to purchase the then-decrepit administrative building of the Burden Iron Company. The renovated museum is now open for tours. Also hear about a descendant of the Burdens who will be coming to Troy to talk about her work as the first woman ferrier to put shoes on horses at major race tracks. For more information, visit https://hudsonmohawkgateway.org/. Produced by Brea Barthel for Hudson Mohawk Magazine.

In honor of Military Appreciation Month, this inspiring episode of Big Blend Radio's “Women Making History” podcast shines a spotlight on the untold and often overlooked stories of women in wartime —from espionage to frontline heroism. Featured Guests: Glynn Burrows shares the legacies of nurse Edith Cavell and WWII's Jeannie MacIntosh.

Rob Edwards is a thirty-year veteran of movies and television who wrote and produced shows including The Fresh Prince of Bel-Air, Full House, and In Living Color before writing two classic animated films for Walt Disney Feature Animation: the Academy Awards and Golden Globe nominated The Princess and The Frog, and the Academy Awards nominated Treasure Planet. His new project is the graphic novel Defiant: The Story of Robert Smalls. Rob Edwards reflects on being creative for a living, the difference between tourists and pretenders and being a real professional, and how he feels obligated to both teach and entertain in his work. He also shares what it was like working on such iconic TV shows as Roc and The Fresh Prince of Bel-Air and managing the pressure and responsibility of being one of the few Black creative workers with his range and depth of experience in Hollywood. Rob Edwards also does some sharing about his approach to writing the new Marvel film Captain America: Brave New World and how Anthony Mackie's character “Sam Wilson” (who is now the new “Captain America”) reflects the much deeper history of the long Black Freedom Struggle and the pressure to always succeed in the face of the (near) impossible. On this special Memorial Day episode of the podcast, Chauncey DeVega continues with his annual tradition of reading an account of the first such remembrance day that took place at the end of the Civil War when now free Black Americans buried Union Army war dead in Charleston, South Carolina and honored their sacrifice and victory over the Confederacy with a huge parade. Chauncey also reads an account written by a member of the United States Colored Troops about his experience(s) in the Civil War and doing battle against the forces of the Confederacy who were determined to keep Black people in bondage. And Chauncey DeVega goes on a journey around his neighborhood and has a surreal series of experiences where he was lucky to not be shot by street pirates, learned from a wise honored elder on the bus, and then encountered a young man who claimed to be a time traveler. WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com: Patreon: https://www.patreon.com/thechaunceydevegashow   https://www.patreon.com/TheTruthReportPodcast

William W. Mayo immigrated in 1846, married and moved to Minnesota Territory. He was a surgeon in the Union Army in Rochester, Minnesota. In 1864 he opened his first medical practice. He was joined by both sons. They cared for survivors of a tornado, and with the help of Mother Alfred Moes and two hospitals formed the Mayo Clinic. Now, over 7,300 physicians and scientist, they saw 1.3 million patients in 2022. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Most people don't know that Harriet Tubman was nicknamed the Black Moses and spent several years in South Carolina or that she was a nurse, spy and scout for the Union Army. Her invaluable work in Beaufort County, South Carolina led to the largest emancipation event of the Civil War, the Combahee River Raid, where around 750 enslaved people were rescued. That's just one more of Tubman's amazing accomplishments that she achieved outside of the work that she did on the Underground Railroad.

Deputy Marshal John Sellers of Shelby was killed in the line of duty in 1897, but nearly 130 years later, his sacrifice is finally being formally recognized. At this year’s Ohio Peace Officers Memorial Ceremony, Sellers was one of two historical honorees whose names were added to the Fallen Officers Memorial Wall. In this episode, we revisit his remarkable life, from enlisting in the Union Army as a teenager to serving his small town with quiet dedication, and explore why remembering officers like Sellers still matters today.Support the show: https://richlandsource.com/membersSee omnystudio.com/listener for privacy information.

“The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.”―George Orwell,1984It isn't that one crazy, alleged animal-abusing Democrat who just introduced articles of impeachment against Trump who will define Resistance 2.0.It's the more serious threat that looms ahead should the Democrats take the House next year.Steve Bannon has become the harbinger. He predicted it in 2018, and he's predicting it now.He's right. They have no other plan for America, not in the four years Trump was in power the first time, not for Biden's four years, and not now. They have one directive: to purge Trump and MAGA from utopia.It's beginning to look a lot like 2016, only this time I'm watching from the other side of the door. I escaped, but only just barely. I sometimes look back at who I was then and scratch my head. How could I have been that easily manipulated? How could I have believed them?I believed it all. I read every book on Putin. I hung on every word that came out of Rachel Maddow's mouth. I believed the New York Times had our best interests at heart. I could not believe or even imagine that the people I trusted would eventually expose themselves as weaponized, partisan propaganda machines.I try to connect with the Democratic centrist I used to be because that is still where most of my friends and family are, not to mention all of American culture and most institutions. They live in a completely separate reality, and I live in this one.The only comparison I can make takes us back to just before the last Civil War. One reality not only justified slavery but also existed inside a utopian Antebellum paradise of Southern Belles and wealthy plantations, but also believed ending slavery was an existential crisis they could not survive. How else to convince so many to go fight and die for a cause?The pre-war propaganda whipped both sides into a frenzy that would eventually take them to war. From War History Online:In the decade prior to the Civil War, the American press began flourishing and evolved rapidly in terms of technology, output, and distribution. Meanwhile, the number of newspapers expanded and a new style of weekly pictorial publications filled with comics and illustrations became popular and widespread in northern and southern states.This mass distribution of picture-based media was eagerly and voraciously consumed by the American public. It also proved ideal for distributing and disseminating propaganda and successfully pushed divisive ideologies from both sides of the divide.Sound familiar?When the Union Army won the war, however, their utopian paradise in the South was upended, which kicked off episodes of mass hysteria that would eventually lead to Jim Crow laws, the KKK, segregation, and worse.It's easy, especially for the modern-day Left, to see those crimes against humanity as a disease that lives inside of white people, the sin of racism, a war they believe they're still fighting today.The side that suddenly had all of the wealth and power after the rise of Silicon Valley and the marriage between the Obama coalition and culture was lacking only one thing: spiritual reliefI was part of it. I was a “woke” blogger, though we did not use that word then, and many don't dare use it now. What mattered to me was elevating non-whites and other marginalized groups in the film industry. That gave me, a white woman, a sense of purpose, a deeper meaning for my work and my life, something I'd never felt before.But to be “woke” as translated for white people means believing you share your country and your culture with racists afflicted with “white fragility.” At first, it was an idea that spread, but by 2020, it was mandated.It makes sense when you consider our country expanding onto the new frontier of the internet, where the free market, cities, towns, and demographic groups mattered less than this giant swirling soup of humanity we suddenly had to make sense of. What better way than to divide us up into easily recognizable categories?2016 was, to all of us, a sign that the Confederacy had returned, especially since Trump was now a prominent figure on Twitter, just like Obama had been. We saw his win as an act of war. We were to obstruct, block, shun, attack, or resist. He was not to be allowed to govern, which would ensure his destruction, or so we thought.What we didn't do, however, was listen to the voters. They were invisible to us because we wrote them off as angry white deplorables clinging to their guns and religion. They don't deserve representation. No, it wasn't we who failed. It was Trump who invaded us and is now oppressing us.We couldn't see things any other way. Because we were the “good” side and those people over there had to be the “bad side.” The nation's first Black president, we believed, was hated by white Americans, and now, they were coming to dismantle his legacy, our utopia, and Make America White Again. They still believe that. It is existential to them, which explains the ongoing need to purge their utopia of threatening people.Those same realities that decided who got to stay and who had to go also existed in George Orwell's 1984. What is “cancel culture” anyway, but virtual gulags?Anyone who didn't agree with the reversed hierarchy was out. You couldn't just go along with it; you had to believe it. You had to love Big Brother.Orwell had it so right when he wrote in that last paragraph, “He was in the public dock, confessing everything, implicating everybody.”I could feel it, the mass dehumanization. It didn't sit right with me. I was disgusted by how my side was behaving, but it wasn't until I walked in the shoes of Trump supporters that I knew for sure that this really was a Civil War.No, Trump supporters were not getting lynched or put in concentration camps or a gulag. But the mechanisms at play are the same. I've never seen people in America feel emboldened to attack another group this way, but no doubt it has happened many times throughout our history.To justify that they are the “good” side, they must continue to find victims of oppression based on skin color or gender identity. They don't seem to care that much about the hollowed-out, torn-down neighborhoods in the middle of the country, where people of all skin colors are suffering. No, it has to be those who come from other countries, helpless and faceless, defined only by one thing: the color of their skin. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe

Join us for a compelling exploration of one of America's most remarkable hidden histories. In this episode, we delve into the extraordinary life of Albert Cashier, an Irish soldier who served valiantly in the Union Army during the Civil War. Beyond the battlefield heroics and military achievements, this episode uncovers the deeper story of identity, courage, and authenticity in an era of rigid gender norms. This episode examines Cashier's journey from his early life, his distinguished military service, and his unwavering commitment to living authentically. Content warning: This episode contains discussions of mental health struggles.----------------------------------------------------------@translessonplan@mariiiwrldMerch:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://trans-lesson-plan.printify.me/products⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our newsletter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://mailchi.mp/a914d2eca1cf/trans-lesson-plan⁠⁠⁠⁠⁠⁠⁠⁠⁠----------------------------------------------------------References:Albert Cashier - immigrant, Civil War soldier, Comrade-in-Arms | Veteran Stories. (n.d.). Veteran Stories. https://veteranstories.kennesaw.edu/items/show/17Albert Cashier aka Jennie Hodgers. (n.d.). American Battlefield Trust. https://www.battlefields.org/learn/biographies/albert-cashierAlbert Cashier (U.S. National Park Service). (n.d.). https://www.nps.gov/articles/000/albert-cashier.htmAlbert D. J. Cashier: Woman warrior, insane civil War veteran, or transman? · Challenging Gender Boundaries: A Trans Biography Project by students of Catherine Jacquet · OutHistory. (n.d.). OutHistory. https://outhistory.org/exhibits/show/tgi-bios/albert-cashierPhoenix, A. (2024, August 30). For a trans kid, “Civility of Albert Cashier” was a life saver  - Los Angeles Times. Los Angeles Times. https://www.latimes.com/entertainment-arts/story/2024-08-27/civility-of-albert-cashier-trans-soldier-musical-colony-theatreThe Civility of Albert Cashier | TheColonytheatre. (n.d.). Thecolonytheatre. https://www.colonytheatre.org/thecivilityofalbertcashier

APPOMATTOX  COURTHOUSE WAS NOT THE END OF THE WAR:   1/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell   Chttps://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1834 DC

"Preview: Author Ronald C. White, "On Great Fields," paints the extreme conditions on Little Round Top for 20th Maine and Chamberlain as they rushed to hold on to the extreme left flank of the Union Army, the second day of Gettysburg. More later." 1863 LITTLE ROUND TOP

The only sitting U.S. president to ever be arrested was Ulysses S. Grant, who was busted THREE TIMES for the same crime: speeding. The first was 9th April, 1886, when he tore through Washington, D.C. in a horse-drawn buggy. General Grant scoffed at the idea of getting arrested and simply rode off: the 1860s version of flipping the bird. Grant's love for fast horses wasn't just a reckless hobby—it was part of his identity. Even at West Point, he was known more for his exceptional riding skills than his military prowess, and his ability to charge fearlessly into battle on horseback had made him an unstoppable force in the Civil War, leading the Union Army to victory. But back in peacetime D.C., his speed-demon tendencies weren't quite as heroic. The streets were packed with pedestrians, and reckless buggies had already caused serious injuries, so law enforcement was cracking down. Just three months later, he was caught speeding again. This time, he played it cool, paid the fine, and didn't cause a scene. But the real kicker came in 1872, when Grant—now a sitting U.S. president—was arrested yet again. This time, the officer in question was William West, a Black Civil War veteran turned policeman. The encounter was almost poetic: a president known for fighting for African American rights being held accountable by a Black officer who had once fought for the Union. In this episode, Arion, Rebecca and Olly review the veracity of Officer West's account, given it wasn't published for many decades; consider why twenty women reportedly turned up to court the next day to testify against the President's mates; and reveal how the arrests were reported very differently in the South… Further Reading: • ‘Has a U.S. President Ever Been Arrested Before? | When Ulysses S. Grant Was Arrested for Speeding' (Smithsonian Magazine, 2023): https://www.smithsonianmag.com/smart-news/when-president-ulysses-s-grant-was-arrested-for-speeding-in-a-horse-drawn-carriage-180981916/ • ‘Was General Grant Arrested for Speeding in Washington, D.C.?' (U.S. National Park Service) https://www.nps.gov/articles/000/was-general-grant-arrested-for-speeding-in-washington-d-c.htm • ‘Civil War Hero: Ulysses S. Grant was a Horse Whisperer?! | Told By Macey Hensley | History at Home' (History, 2020): https://www.youtube.com/watch?v=yOj0qUGpksg #Funny #Black #Crime #1800s Love the show? Support us!  Join 

Send us a textThe Battle & Surrender At Appomattox Court House with (Bert Dunkery)In this episode of the American Civil War & UK History podcast, host Daz is joined by author and historian Bert Dunkerly to discuss the battle and surrender of Appomattox Court House.The Battle of Appomattox Court House, fought in Appomattox County, Virginia, on the morning of April 9, 1865, was one of the last and most consequential battles of the American Civil War (1861–1865). It marked the final engagement of Confederate General in Chief Robert E. Lee and his Army of Northern Virginia before they surrendered to the Union Army of the Potomac, commanded by Ulysses S. Grant, the Commanding General of the United States Army.ACW & UK History's Website.https://darrenscivilwarpag8.wixsite.com/acwandukhistoryACW & UK History's Pages.https://linktr.ee/ACWandUKHISTORYSupport the show

The Port of Los Angeles is all around us. Objects we use on a daily basis pass through it: furniture, apparel, electronics, automobiles, and much more. The busiest container port in the Western hemisphere, it claims one-sixth of all US ocean shipping. Yet despite its centrality to our world, the port and the story of its making have been neglected in histories of the United States. In A Machine to Move Ocean and Earth: The Making of the Port of Los Angeles and America (WW Norton, 2024), historian Dr. James Tejani corrects that significant omission, charting the port's rise out of the mud and salt marsh of San Pedro estuary—and showing how the story of the port is the story of modern, globalized America itself. By the mid-nineteenth century, Americans had identified the West Coast as the republic's destiny, a gateway to the riches of the Pacific. In a narrative spanning decades and stretching to Washington, DC, the Pacific Northwest, Civil War Richmond, Southwest deserts, and even overseas to Europe, Hawaii, and Asia, Tejani demonstrates how San Pedro came to be seen as all-important to the nation's future. It was not virgin land, but dominated by powerful Mexican estates that would not be dislodged easily. Yet American scientists, including the great surveyor George Davidson, imperialist politicians such as Jefferson Davis and William Gwin, and hopeful land speculators, among them the future Union Army general Edward Ord, would wrest control of the estuary, and set the scene for the violence, inequality, and engineering marvels to come. San Pedro was no place for a harbor, Dr. Tejani reveals. The port was carved in defiance of nature, using new engineering techniques and massive mechanical dredgers. Business titans such as Collis Huntington and Edward H. Harriman brought their money and corporate influence to the task. But they were outmatched by government reformers, laying the foundations for the port, for the modern city of Los Angeles, and for our globalized world. Interweaving the natural history of San Pedro into this all-too-human history, Dr. Tejani vividly describes how a wild coast was made into the engine of American power. A story of imperial dreams and personal ambition, A Machine to Move Ocean and Earth is necessary reading for anyone who seeks to understand what the United States was, what it is now, and what it will be. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

rWotD Episode 2886: Charles A. Hunt (Wisconsin politician) Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Saturday, 29 March 2025 is Charles A. Hunt (Wisconsin politician).Charles A. Hunt (April 17, 1829 – August 24, 1899) was an American miller, Republican politician, and Wisconsin pioneer. He was a key figure in the attempted removal of the Winnebago people from Wisconsin in the 1870s, and was a founder of Clinton, Vernon County, Wisconsin, and Melvina, Wisconsin. He was also a member of the Wisconsin State Assembly, representing Monroe County during the 1868 and 1870 sessions, and served as a Union Army officer during the American Civil War.This recording reflects the Wikipedia text as of 00:56 UTC on Saturday, 29 March 2025.For the full current version of the article, see Charles A. Hunt (Wisconsin politician) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Jasmine.

On this week's Behind The Battles we cover one of the most Union Generals, George B. McClellan! Commander of the Army Of The Potomac and, for a time, the Union Army altogether, he was heavily criticized for his failure to pursue the enemy and take out the Confederates. We will take a look at his early life and military years, his Civil War years, and of course his life after the war up to his death.  Subscribe to our YouTube! https://www.youtube.com/@bangdangnetwork

The Port of Los Angeles is all around us. Objects we use on a daily basis pass through it: furniture, apparel, electronics, automobiles, and much more. The busiest container port in the Western hemisphere, it claims one-sixth of all US ocean shipping. Yet despite its centrality to our world, the port and the story of its making have been neglected in histories of the United States. In A Machine to Move Ocean and Earth: The Making of the Port of Los Angeles and America (WW Norton, 2024), historian Dr. James Tejani corrects that significant omission, charting the port's rise out of the mud and salt marsh of San Pedro estuary—and showing how the story of the port is the story of modern, globalized America itself. By the mid-nineteenth century, Americans had identified the West Coast as the republic's destiny, a gateway to the riches of the Pacific. In a narrative spanning decades and stretching to Washington, DC, the Pacific Northwest, Civil War Richmond, Southwest deserts, and even overseas to Europe, Hawaii, and Asia, Tejani demonstrates how San Pedro came to be seen as all-important to the nation's future. It was not virgin land, but dominated by powerful Mexican estates that would not be dislodged easily. Yet American scientists, including the great surveyor George Davidson, imperialist politicians such as Jefferson Davis and William Gwin, and hopeful land speculators, among them the future Union Army general Edward Ord, would wrest control of the estuary, and set the scene for the violence, inequality, and engineering marvels to come. San Pedro was no place for a harbor, Dr. Tejani reveals. The port was carved in defiance of nature, using new engineering techniques and massive mechanical dredgers. Business titans such as Collis Huntington and Edward H. Harriman brought their money and corporate influence to the task. But they were outmatched by government reformers, laying the foundations for the port, for the modern city of Los Angeles, and for our globalized world. Interweaving the natural history of San Pedro into this all-too-human history, Dr. Tejani vividly describes how a wild coast was made into the engine of American power. A story of imperial dreams and personal ambition, A Machine to Move Ocean and Earth is necessary reading for anyone who seeks to understand what the United States was, what it is now, and what it will be. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Port of Los Angeles is all around us. Objects we use on a daily basis pass through it: furniture, apparel, electronics, automobiles, and much more. The busiest container port in the Western hemisphere, it claims one-sixth of all US ocean shipping. Yet despite its centrality to our world, the port and the story of its making have been neglected in histories of the United States. In A Machine to Move Ocean and Earth: The Making of the Port of Los Angeles and America (WW Norton, 2024), historian Dr. James Tejani corrects that significant omission, charting the port's rise out of the mud and salt marsh of San Pedro estuary—and showing how the story of the port is the story of modern, globalized America itself. By the mid-nineteenth century, Americans had identified the West Coast as the republic's destiny, a gateway to the riches of the Pacific. In a narrative spanning decades and stretching to Washington, DC, the Pacific Northwest, Civil War Richmond, Southwest deserts, and even overseas to Europe, Hawaii, and Asia, Tejani demonstrates how San Pedro came to be seen as all-important to the nation's future. It was not virgin land, but dominated by powerful Mexican estates that would not be dislodged easily. Yet American scientists, including the great surveyor George Davidson, imperialist politicians such as Jefferson Davis and William Gwin, and hopeful land speculators, among them the future Union Army general Edward Ord, would wrest control of the estuary, and set the scene for the violence, inequality, and engineering marvels to come. San Pedro was no place for a harbor, Dr. Tejani reveals. The port was carved in defiance of nature, using new engineering techniques and massive mechanical dredgers. Business titans such as Collis Huntington and Edward H. Harriman brought their money and corporate influence to the task. But they were outmatched by government reformers, laying the foundations for the port, for the modern city of Los Angeles, and for our globalized world. Interweaving the natural history of San Pedro into this all-too-human history, Dr. Tejani vividly describes how a wild coast was made into the engine of American power. A story of imperial dreams and personal ambition, A Machine to Move Ocean and Earth is necessary reading for anyone who seeks to understand what the United States was, what it is now, and what it will be. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's Dakota Datebook is about Charles Alexander Reynolds. Charles was born on this date in 1842 in Illinois. The son of a doctor, Reynolds attended prep school before moving to Kansas with his family at 17. Seeking adventure, he left his family to work as a teamster on a wagon train. A year later, he joined the Union Army to fight in the Civil War.

The Port of Los Angeles is all around us. Objects we use on a daily basis pass through it: furniture, apparel, electronics, automobiles, and much more. The busiest container port in the Western hemisphere, it claims one-sixth of all US ocean shipping. Yet despite its centrality to our world, the port and the story of its making have been neglected in histories of the United States. In A Machine to Move Ocean and Earth: The Making of the Port of Los Angeles and America (WW Norton, 2024), historian Dr. James Tejani corrects that significant omission, charting the port's rise out of the mud and salt marsh of San Pedro estuary—and showing how the story of the port is the story of modern, globalized America itself. By the mid-nineteenth century, Americans had identified the West Coast as the republic's destiny, a gateway to the riches of the Pacific. In a narrative spanning decades and stretching to Washington, DC, the Pacific Northwest, Civil War Richmond, Southwest deserts, and even overseas to Europe, Hawaii, and Asia, Tejani demonstrates how San Pedro came to be seen as all-important to the nation's future. It was not virgin land, but dominated by powerful Mexican estates that would not be dislodged easily. Yet American scientists, including the great surveyor George Davidson, imperialist politicians such as Jefferson Davis and William Gwin, and hopeful land speculators, among them the future Union Army general Edward Ord, would wrest control of the estuary, and set the scene for the violence, inequality, and engineering marvels to come. San Pedro was no place for a harbor, Dr. Tejani reveals. The port was carved in defiance of nature, using new engineering techniques and massive mechanical dredgers. Business titans such as Collis Huntington and Edward H. Harriman brought their money and corporate influence to the task. But they were outmatched by government reformers, laying the foundations for the port, for the modern city of Los Angeles, and for our globalized world. Interweaving the natural history of San Pedro into this all-too-human history, Dr. Tejani vividly describes how a wild coast was made into the engine of American power. A story of imperial dreams and personal ambition, A Machine to Move Ocean and Earth is necessary reading for anyone who seeks to understand what the United States was, what it is now, and what it will be. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

The Port of Los Angeles is all around us. Objects we use on a daily basis pass through it: furniture, apparel, electronics, automobiles, and much more. The busiest container port in the Western hemisphere, it claims one-sixth of all US ocean shipping. Yet despite its centrality to our world, the port and the story of its making have been neglected in histories of the United States. In A Machine to Move Ocean and Earth: The Making of the Port of Los Angeles and America (WW Norton, 2024), historian Dr. James Tejani corrects that significant omission, charting the port's rise out of the mud and salt marsh of San Pedro estuary—and showing how the story of the port is the story of modern, globalized America itself. By the mid-nineteenth century, Americans had identified the West Coast as the republic's destiny, a gateway to the riches of the Pacific. In a narrative spanning decades and stretching to Washington, DC, the Pacific Northwest, Civil War Richmond, Southwest deserts, and even overseas to Europe, Hawaii, and Asia, Tejani demonstrates how San Pedro came to be seen as all-important to the nation's future. It was not virgin land, but dominated by powerful Mexican estates that would not be dislodged easily. Yet American scientists, including the great surveyor George Davidson, imperialist politicians such as Jefferson Davis and William Gwin, and hopeful land speculators, among them the future Union Army general Edward Ord, would wrest control of the estuary, and set the scene for the violence, inequality, and engineering marvels to come. San Pedro was no place for a harbor, Dr. Tejani reveals. The port was carved in defiance of nature, using new engineering techniques and massive mechanical dredgers. Business titans such as Collis Huntington and Edward H. Harriman brought their money and corporate influence to the task. But they were outmatched by government reformers, laying the foundations for the port, for the modern city of Los Angeles, and for our globalized world. Interweaving the natural history of San Pedro into this all-too-human history, Dr. Tejani vividly describes how a wild coast was made into the engine of American power. A story of imperial dreams and personal ambition, A Machine to Move Ocean and Earth is necessary reading for anyone who seeks to understand what the United States was, what it is now, and what it will be. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Port of Los Angeles is all around us. Objects we use on a daily basis pass through it: furniture, apparel, electronics, automobiles, and much more. The busiest container port in the Western hemisphere, it claims one-sixth of all US ocean shipping. Yet despite its centrality to our world, the port and the story of its making have been neglected in histories of the United States. In A Machine to Move Ocean and Earth: The Making of the Port of Los Angeles and America (WW Norton, 2024), historian Dr. James Tejani corrects that significant omission, charting the port's rise out of the mud and salt marsh of San Pedro estuary—and showing how the story of the port is the story of modern, globalized America itself. By the mid-nineteenth century, Americans had identified the West Coast as the republic's destiny, a gateway to the riches of the Pacific. In a narrative spanning decades and stretching to Washington, DC, the Pacific Northwest, Civil War Richmond, Southwest deserts, and even overseas to Europe, Hawaii, and Asia, Tejani demonstrates how San Pedro came to be seen as all-important to the nation's future. It was not virgin land, but dominated by powerful Mexican estates that would not be dislodged easily. Yet American scientists, including the great surveyor George Davidson, imperialist politicians such as Jefferson Davis and William Gwin, and hopeful land speculators, among them the future Union Army general Edward Ord, would wrest control of the estuary, and set the scene for the violence, inequality, and engineering marvels to come. San Pedro was no place for a harbor, Dr. Tejani reveals. The port was carved in defiance of nature, using new engineering techniques and massive mechanical dredgers. Business titans such as Collis Huntington and Edward H. Harriman brought their money and corporate influence to the task. But they were outmatched by government reformers, laying the foundations for the port, for the modern city of Los Angeles, and for our globalized world. Interweaving the natural history of San Pedro into this all-too-human history, Dr. Tejani vividly describes how a wild coast was made into the engine of American power. A story of imperial dreams and personal ambition, A Machine to Move Ocean and Earth is necessary reading for anyone who seeks to understand what the United States was, what it is now, and what it will be. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textOn this episode we are joined by Author & Historian Matt Borders.  Matt has become one of the resident historians for The Three Guys Podcast.  Matt joins us to discuss one of the most well-known Generals of The American Civil War - Willima T. Sherman.  He talks Sherman's "March to Sea", his rise-up in the Union Army, bond with Ulysses S. Grant, and much more.Support the show***Please note all opinions expressed on The Three Guys Podcast do not represent any Group, Company or Organization***Episode Produced by The Three Guys ProductionsInstagram: The Three Guys Podcast (@the_three_guys_podcast_) • Instagram photos and videosTwitter: The Three Guys Podcast (@TheThreeGuysPo1) / TwitterYouTube: Three Guys Podcast - YouTubeLinkedIn the-three-guys-podcastDerek: Derek DePetrillo (@derekd0518) • Instagram photos and videosBrian: Brian Nazarian (@the_real_brian_nazarian) • Instagram photos and videosBrett: Brett J. DePetrillo @78brettzky - Instagram

Today I speak Once again with Dave Schwartz and his take on Classic Horror in the Confederate South that begs the question: What if the South was losing so bad that they resorted to drastic measures in taking Igor the famous assistant of Dr. Frankenstein hostage to rebuild their ranks with corpses of the Undead. In Issue 5, the gang is all back together Victor Frankenstein, Igor, The Bride and Frankenstein's Monster are now trying to escape to alert President Lincoln of what is approaching to take on the Union Army and that its the Undead.Support this podcast at — https://redcircle.com/the-faqs-project-hosted-by-james-grandmaster-faqs-boyce/donations

In part two of our series on Robert Smalls, Robert proves that his ballsy escape from slavery was just part of his story. In this episode, Robert builds wealth, becomes the Captain of a Union ship, and helps persuade the government to allow Black soldiers to enlist in the Union Army. Remember, kids, history hoes always cite their sources! For this episode, Norm pulled from: Lineberry, Cate. Be Free or Die: The Amazing Story of Robert Smalls' Escape from Slavery to Union Hero. St. Martin's Press, 2017. Miller Jr., Edward. Gullah Statesman: Robert Smalls from Slavery to Congress, 1839-1915. University of South Carolina Press, 2008. Are you enjoying An Old Timey Podcast? Then please leave us a 5-star rating and review wherever you listen to podcasts! Are you *really* enjoying An Old Timey Podcast? Well, calm down, history ho! You can get more of us on Patreon at patreon.com/oldtimeypodcast. At the $5 level, you'll get a monthly bonus episode (with video!), access to our 90's style chat room, plus the entire back catalog of bonus episodes from Kristin's previous podcast, Let's Go To Court.

As soon as they walked into the barracks at Fort Sisseton, they were handed muskets - heavy Springfield 63s from the Civil war era - given a uniform and told to march.    Presenter Brian Thacker and producer Jason Paton thought they were just covering the annual Sisseton historical festival, in South Dakota, as spectators.    Turns out they were getting enlisted in the army. The Union Army that is.    Join us as we march back in time today to 1864 where cavalry, artillery and infantry reenactors come together each year to bring this piece of history to life with period accurate food and music, military demonstrations, dances and much more. Including a few ghosts in a haunted old hospital where they had to spend the night.  Thank you to everyone who featured in this episode: -  Ali Tonsfeldt from Fort Sisseton -  Captain Bruce Bekkering and Amy from the Cavalry troop -  Captain Kevin Ganz and the rest of the 13th Sioux Falls regiment   If you feel like joining the Union Army at Fort Sisseton next year, you can. Find out more at www.travelsouthdakota.com If you enjoyed this episode, check out the full series on the Travel South Dakota Stories podcast Apple Podcasts Spotify Produced by Armchair Productions, the audio experts for the travel industry. Brian Thacker wrote and presented the episode, Jason Paton did the field recording and audio production. www.armchair-productions.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we stroll down the corridors of power in high heels, paint the White House pink and take up residence in the OVARY Office. We' tell the story of women attempting to enter the White House via the Electoral College and the trouble that brings.We've got special guest star appearances from the likes of Harpers Weekly, Thomas Nast, Victoria Woodhull, Marx and Engel's, Demosthenes, Fredrick Douglass, President Grant, The Equal Rights Party, Anthony Comstock, United States Postal Inspector, Union Army, Civil War, Confederates, The Comstock Act of 1873, Mifepristone, US Mail, Donald Trump, Project 2025, Bernie Sanders, Democrats, Hillary Clinton, North Carolina, Public Policy Polling, Republicans, Obama, Rapture, Americans, Floridians, Ted Cruz, Zodiac Killer, Up Front in the Prophetic Radio Show, Allen Fodsick, Francine Fodsick, Pokémon, Michelle Obama, J.K. Rowling, Alex Jones, Nancy Pelosi, John McCain, January 6th, Capitol Building, Mike Pence, MAGA, Republican Lieutenant Governor of North Carolina Mark Robinson, Martin Luther King,  #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Satanism #Satanist #Skeptic #Debunk #Illuminati #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird #leftist #SatanIsMySuperhero  

Happy Black History Month! Today we explore the life of Harriet Tubman, who every American school child learns a LITTLE about. Her life was much more complex and grittier than typical textbooks will lead one to believe; her work on the Underground Railroad is just the tip of our proverbial iceberg. During the Civil War, Tubman risked her life to scout and spy for the Union Army as well as worked tirelessly to provide social services for recently-freed slaves. Join me as we unpack the mythologies, bust them open as usual, and give thanks for those historical figures who have spoken loudly and acted with purpose.Here's Dorothy Wickendon's book: https://bookshop.org/a/80949/9781476760742Consider buying it via my Bookshop link above to support the pod.Support the showSupport Unsinkable on Patreon for as little as $1/month: https://www.patreon.com/unsinkablepodOr buy me a coffee!: https://www.buymeacoffee.com/labeadlesBuy Unsinkable shirts here!: https://www.bonfire.com/unsinkable-the-first-t-shirt/Support the pod via my Bookshop Storefront: https://bookshop.org/shop/unsinkablepodFind me on Instagram: https://www.instagram.com/unsinkablepod/

At the start of every month, host Aaron Millar and producer Jason Paton preview what's coming up on Armchair Explorer, play their favorite clips, and reveal the stories they're most excited to share.   A cross between a highlight reel, an interview, and two people telling travel tales down the pub, our Pathways episodes are your guide to choosing your adventures with us.   February episodes:   ADVENTURE: Long Rider Filipe Masetti takes us on a two-and-a-half-year journey riding his horse from Canada, where he emigrated, to his home in Brazil. Making friends with the cartel, hiding out from gun shots, becoming a local hero, and finding the love of his life. @filipemasetti   RED BULL RHINO RUN: We've partnered with Red Bull's How to be a Superhuman podcast to bring you the first episode of their new series. In it, we follow extreme endurance rider Abdullah Zeinab on the Rhino Run, a 1,700-mile bike packing race across South Africa and Namibia, one of the hardest rides in the world. Check out the full series, it's awesome: How to be a Superhuman.   IMMERSION: Producer Jason Paton and presenter Brian Thacker get unwittingly drafted into the Union Army for A civil war re-enactment in front of thousands of people. They survive hours of marching drills, musket firing lessons and a spooky stay in the old hospital. Part of our Travel South Dakota Stories series.   JOURNEY: To celebrate Black History Month, we're bringing back one of our all-time favorite episodes. Eric Cedeño, aka the Bicycle Nomad, rides 1,900-miles from Montana to Missouri to recreate a journey taken by the 1897 all-black infantry unit known as the ‘Buffalo Soldiers'. @bicycle_nomad   ***   If you enjoy the show, please subscribe on whatever podcast player you're reading this on right now. Go on, do it. It means you get to choose what episodes you listen to, rather than the algorithm guess (wrongly) and kick us off your feed.    Reviewing the show helps other people discover it and helps us continue to produce it. If you like episode, please consider a quick review on your favorite podcast platform. You don't have to write anything just click those five (hopefully) stars!   Following the show on socials will definitely maybe bring you good travel karma!   Facebook: @armchairexplorerpodcast Instagram: @armchairexplorerpodcast   Armchair Explorer is produced by Armchair Productions. Aaron Millar and Jason Paton presented the show, Charles Tyrie did the audio editing and sound design. Our theme music is by the artist Sweet Chap. Learn more about your ad choices. Visit megaphone.fm/adchoices

Early in the Civil War, General George McClellan’s Union Army was poised for a decisive victory over Confederate forces.

CEASELESS VIOLENCE AND  BRUTALITY:  1/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell  (Author) https://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1861 DC

CEASELESS VIOLENCE AND  BRUTALITY:  2/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell  (Author) https://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1862 CEDAR MOUNTAIN VA

  CEASELESS VIOLENCE AND  BRUTALITY:  3/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell  (Author) https://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1863 ARMY OF THE POTOMAC

CEASELESS VIOLENCE AND  BRUTALITY:  4/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell  (Author) https://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1863 ARMY OF THE POTOMAC

CEASELESS VIOLENCE AND  BRUTALITY:  5/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell  (Author) https://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1863 GETTYSBURG

CEASELESS VIOLENCE AND  BRUTALITY:  6/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell  (Author) https://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1863 CONFEDERATE LEADERSHIP

CEASELESS VIOLENCE AND  BRUTALITY:  7/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell  (Author) https://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1863 10TH MASS.

CEASELESS VIOLENCE AND  BRUTALITY:  8/8: The Unvanquished: The Untold Story of Lincoln's Special Forces, the Manhunt for Mosby's Rangers, and theShadow War That Forged America's Special Operations Hardcover – by  Patrick K. O'Donnell  (Author) https://www.amazon.com/Unvanquished-Lincolns-Special-Americas-Operations/dp/080216286X At the heart of this groundbreaking narrative is the epic story of Lincoln's special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby's Confederate Rangers from the middle of 1863 up to war's end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other's uniform, risking penalty of death if captured. Clashing violently on horseback, theunconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war's direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. 1896

While working for the Treasury Department, Ely S. Parker met someone who would become a big part of much of the rest of his life – Ulysses S. Grant. It was through this connection that Parker gained a good deal of power, and cemented a controversial legacy. Research: · Adams, James Ring. “The Many Careers of Ely Parker.” National Museum of the American Indian. Fall 2011. · Babcock, Barry. “The Story of Donehogawa, First Indian Commissioner of Indian Affairs.” ICT. 9/13/2018. https://ictnews.org/archive/the-story-of-donehogawa-first-indian-commissioner-of-indian-affairs · Contrera, Jessica. “The interracial love story that stunned Washington — twice! — in 1867.” Washington Post. 2/13/2019. https://www.washingtonpost.com/history/2019/02/13/interracial-love-story-that-stunned-washington-twice/ · DeJong, David H. “Ely S. Parker Commissioner of Indian Affairs (April 26, 1869–July 24,1871).” From Paternalism to Partnership: The Administration of Indian Affairs, 1786–2021. University of Nebraska Press. (2021). Via JSTOR. https://www.jstor.org/stable/j.ctv2cw0sp9.29 · Eves, Megan. “Repatriation and Reconciliation: The Seneca Nation, The Buffalo History Museum and the Repatriation of the Red Jacket Peace Medal.” Museum Association of New York. 5/26/2021. https://nysmuseums.org/MANYnews/10559296 · Genetin-Pilawa, C. Joseph. “Ely Parker and the Contentious Peace Policy.” Western Historical Quarterly , Vol. 41, No. 2 (Summer 2010). Via JSTOR. https://www.jstor.org/stable/10.2307/westhistquar.41.2.0196 · Genetin-Pilawa, C. Joseph. “Ely S. Parker and the Paradox of Reconstruction Politics in Indian Country.” From “The World the Civil War Made. Gregory P. Downs and Kate Masur, editors. University of North Carolina Press. July 2015. · Ginder, Jordan and Caitlin Healey. “Biographies: Ely S. Parker.” United States Army National Museum. https://www.thenmusa.org/biographies/ely-s-parker/ · Hauptman, Laurence M. “On Our Terms: The Tonawanda Seneca Indians, Lewis Henry Morgan, and Henry Rowe Schoolcraft, 1844–1851.” New York History , FALL 2010, Vol. 91, No. 4 (FALL 2010). https://www.jstor.org/stable/23185816 · Henderson, Roger C. “The Piikuni and the U.S. Army’s Piegan Expedition.” Montana: The Magazine of Western History. Spring 2018. https://mhs.mt.gov/education/IEFA/HendersonMMWHSpr2018.pdf · Hewitt, J.N.B. “The Life of General Ely S. Parker, Last Grand Sachem of the Iroquois and General Grant's Military Secretary.” Review. The American Historical Review, Vol. 25, No. 4 (Jul., 1920). Via JSTOR. https://www.jstor.org/stable/1834953 · Historical Society of the New York Courts. “Blacksmith v. Fellows, 1852.” https://history.nycourts.gov/case/blacksmith-v-fellows/ Historical Society of the New York Courts. “Ely S. Parker.” https://history.nycourts.gov/figure/ely-parker/ · Historical Society of the New York Courts. “New York ex rel. Cutler v. Dibble, 1858.” https://history.nycourts.gov/case/cutler-v-dibble/ · Hopkins, John Christian. “Ely S. Parker: Determined to Make a Difference.” Native Peoples Magazine, Vol. 17 Issue 6, p78, Sep/Oct2004. · Justia. “Fellows v. Blacksmith, 60 U.S. 366 (1856).” https://supreme.justia.com/cases/federal/us/60/366/ · Michaelsen, Scott. “Ely S. Parker and Amerindian Voices in Ethnography.” American Literary History , Winter, 1996, Vol. 8, No. 4 (Winter, 1996). https://www.jstor.org/stable/490115 · Mohawk, John. “Historian Interviews: John Mohawk, PhD.” PBS. Warrior in Two Worlds. https://www.pbs.org/warrior/content/historian/mohawk.html · National Parks Service. “Ely Parker.” Appomattox Court House National Historical Park. https://www.nps.gov/people/ely-parker.htm · Parker, Arthur C. “The Life of General Ely S. Parker: Last Grand Sachem of the Iroquois and General Grant’s Military Secretary.” Buffalo Historical Society. 1919. · Parker, Ely S. “Report of the Commissioner of Indian Affairs.” December 23, 1869. Parker, Ely. Letter to Harriet Converse, 1885. https://teachingamericanhistory.org/document/letter-to-harriet-converse/ PBS. “A Warrior in Two Worlds: The Life of Ely Parker.” https://www.pbs.org/warrior/noflash/ · Spurling, Ann, producer and writer and Richard Young, director. “Warrior in Two Worlds.” Wes Studi, Narrator. WXXI. 1999. https://www.pbs.org/video/wxxi-documentaries-warrior-two-worlds/ · Vergun, David. “Engineer Became Highest Ranking Native American in Union Army.” U.S. Department of Defense. 11/2/2021. https://www.defense.gov/News/Feature-Stories/Story/Article/2781759/engineer-became-highest-ranking-native-american-in-union-army/See omnystudio.com/listener for privacy information.

Silas Soule moved to Kansas as a teenager. He and his family helped out with the underground, and when it came time to arm up against the border ruffians, Silas didn't hesitate. Later, during the Civil War, he was commissioned as an officer in the Union Army and served with distinction during the battle of Glorietta Pass. Afterward, he did all he could to protect the Colorado frontier from hostiles. At least, he did until Colonel Chivington ordered him to attack the peaceful village of Black Kettle at Sand Creek. Silas Soule may not be a household name or the subject of movies, but I think you'll be pleasantly surprised and inspired by his story. So please, join me today as we recognize a true American Hero, one who wasn't afraid to spill a little blood but at the same time was willing to sacrifice it all for what was right. And in the end, this integrity cost him his life. Also discussed are Bleeding Kansas, John Brown and the raid on Harpers Ferry, the Colorado gold rush, Tom Tobin and the murderous Espinosa brothers, the Cheyenne and Arapaho, and finally, the Sand Creek massacre.  Check out the website for more true tales from the Old West https://www.wildwestextra.com/ Email me! https://www.wildwestextra.com/contact/ Buy me a coffee! https://www.buymeacoffee.com/wildwest Free Newsletter! https://wildwestjosh.substack.com/ Join Into History for ad-free and bonus content! https://intohistory.supercast.com/ Join Patreon for ad-free and bonus content! https://www.patreon.com/wildwestextra Silas Soule: A Short, Eventful Life of Moral Courage by Tom Bensing - https://a.co/d/6K9IyRh Learn more about your ad choices. Visit megaphone.fm/adchoices

Ely S. Parker was instrumental in both the creation of President President Ulysses S. Grant's “peace policy." Parker was Seneca, and he was the first Indigenous person to be placed in a cabinet-level position in the U.S. and the first Indigenous person to serve as Commissioner of Indian Affairs. Research: ·       Adams, James Ring. “The Many Careers of Ely Parker.” National Museum of the American Indian. Fall 2011. ·       Babcock, Barry. “The Story of Donehogawa, First Indian Commissioner of Indian Affairs.” ICT. 9/13/2018. https://ictnews.org/archive/the-story-of-donehogawa-first-indian-commissioner-of-indian-affairs ·       Contrera, Jessica. “The interracial love story that stunned Washington — twice! — in 1867.” Washington Post. 2/13/2019. https://www.washingtonpost.com/history/2019/02/13/interracial-love-story-that-stunned-washington-twice/ ·       DeJong, David H. “Ely S. Parker Commissioner of Indian Affairs (April 26, 1869–July 24,1871).” From Paternalism to Partnership: The Administration of Indian Affairs, 1786–2021. University of Nebraska Press. (2021). Via JSTOR. https://www.jstor.org/stable/j.ctv2cw0sp9.29 ·       Eves, Megan. “Repatriation and Reconciliation: The Seneca Nation, The Buffalo History Museum and the Repatriation of the Red Jacket Peace Medal.” Museum Association of New York. 5/26/2021. https://nysmuseums.org/MANYnews/10559296 ·       Genetin-Pilawa, C. Joseph. “Ely Parker and the Contentious Peace Policy.” Western Historical Quarterly , Vol. 41, No. 2 (Summer 2010). Via JSTOR. https://www.jstor.org/stable/10.2307/westhistquar.41.2.0196 ·       Genetin-Pilawa, C. Joseph. “Ely S. Parker and the Paradox of Reconstruction Politics in Indian Country.” From “The World the Civil War Made. Gregory P. Downs and Kate Masur, editors. University of North Carolina Press. July 2015. ·       Ginder, Jordan and Caitlin Healey. “Biographies: Ely S. Parker.” United States Army National Museum. https://www.thenmusa.org/biographies/ely-s-parker/ ·       Hauptman, Laurence M. “On Our Terms: The Tonawanda Seneca Indians, Lewis Henry Morgan, and Henry Rowe Schoolcraft, 1844–1851.” New York History , FALL 2010, Vol. 91, No. 4 (FALL 2010). https://www.jstor.org/stable/23185816 ·       Henderson, Roger C. “The Piikuni and the U.S. Army's Piegan Expedition.” Montana: The Magazine of Western History. Spring 2018. https://mhs.mt.gov/education/IEFA/HendersonMMWHSpr2018.pdf ·       Hewitt, J.N.B. “The Life of General Ely S. Parker, Last Grand Sachem of the Iroquois and General Grant's Military Secretary.” Review. The American Historical Review, Vol. 25, No. 4 (Jul., 1920). Via JSTOR. https://www.jstor.org/stable/1834953 ·       Historical Society of the New York Courts. “Blacksmith v. Fellows, 1852.” https://history.nycourts.gov/case/blacksmith-v-fellows/ Historical Society of the New York Courts. “Ely S. Parker.” https://history.nycourts.gov/figure/ely-parker/ ·       Historical Society of the New York Courts. “New York ex rel. Cutler v. Dibble, 1858.” https://history.nycourts.gov/case/cutler-v-dibble/ ·       Hopkins, John Christian. “Ely S. Parker: Determined to Make a Difference.” Native Peoples Magazine, Vol. 17 Issue 6, p78, Sep/Oct2004. ·       Justia. “Fellows v. Blacksmith, 60 U.S. 366 (1856).” https://supreme.justia.com/cases/federal/us/60/366/ ·       Michaelsen, Scott. “Ely S. Parker and Amerindian Voices in Ethnography.” American Literary History , Winter, 1996, Vol. 8, No. 4 (Winter, 1996). https://www.jstor.org/stable/490115 ·       Mohawk, John. “Historian Interviews: John Mohawk, PhD.” PBS. Warrior in Two Worlds. https://www.pbs.org/warrior/content/historian/mohawk.html ·       National Parks Service. “Ely Parker.” Appomattox Court House National Historical Park. https://www.nps.gov/people/ely-parker.htm ·       Parker, Arthur C. “The Life of General Ely S. Parker: Last Grand Sachem of the Iroquois and General Grant's Military Secretary.” Buffalo Historical Society. 1919. ·       Parker, Ely S. “Report of the Commissioner of Indian Affairs.” December 23, 1869. Parker, Ely. Letter to Harriet Converse, 1885. https://teachingamericanhistory.org/document/letter-to-harriet-converse/ PBS. “A Warrior in Two Worlds: The Life of Ely Parker.” https://www.pbs.org/warrior/noflash/ ·       Spurling, Ann, producer and writer and Richard Young, director. “Warrior in Two Worlds.” Wes Studi, Narrator. WXXI. 1999. https://www.pbs.org/video/wxxi-documentaries-warrior-two-worlds/ ·       Vergun, David. “Engineer Became Highest Ranking Native American in Union Army.” U.S. Department of Defense. 11/2/2021. https://www.defense.gov/News/Feature-Stories/Story/Article/2781759/engineer-became-highest-ranking-native-american-in-union-army/  See omnystudio.com/listener for privacy information.

On today’s show: The Wall Street Journal’s Vivian Salama shares what we know so far about who will be in Trump’s Cabinet. Jake Bittle of Grist outlines five important issues to track at the COP29 climate conference this year. CNN’s Betsy Klein explains how President Biden is racing to Trump-proof his legacy. Plus, a New York judge is set to decide today whether the president-elect’s 34-count conviction for falsifying business records can stand. Maryland posthumously declared abolitionist Harriet Tubman a one-star general for her role in the Union Army. And the complicated story of lab monkeys that escaped from a research facility. Today’s episode was hosted by Shumita Basu.