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2 episodes with jessica ellis
2 episodes with jessica ellis
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It’s been a time of growth at Futuro – we’ve been breaking news and bringing rigorous in-depth journalism at Latino USA, creating ambitious podcasts at Futuro Studios, and sharing some awesome behind the scenes moments and stories at Futuro+ with our subscribers. In this week's special episode, Futuro Studios Executive Editor and host Maria Garcia is joined by Managing Editor of Latino USA Fernanda Echavarri, and Grammy-nominated Senior Producer Jeanne Montalvo to bring you a sneak peak of some of the incredible projects we have in the works! The Futuro Plus Team includes associate producer Liliana Ruiz, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts.See omnystudio.com/listener for privacy information.
It's been a time of growth at Futuro – we've been breaking news and bringing rigorous in-depth journalism at Latino USA, creating ambitious podcasts at Futuro Studios, and sharing some awesome behind the scenes moments and stories at Futuro+ with our subscribers.In this week's special episode, Futuro Studios Executive Editor and host Maria Garcia is joined by Managing Editor of Latino USA Fernanda Echavarri, and Grammy-nominated Senior Producer Jeanne Montalvo to bring you a sneak peak of some of the incredible projects we have in the works!The Futuro Plus Team includes associate producer Liliana Ruiz, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on all our podcasts futuromediagroup.org/joinplus. Hosted on Acast. See acast.com/privacy for more information.
It's been a time of growth at Futuro – we've been breaking news and bringing rigorous in-depth journalism at Latino USA, creating ambitious podcasts at Futuro Studios, and sharing some awesome behind the scenes moments and stories at Futuro+ with our subscribers.In this week's special episode, Futuro Studios Executive Editor and host Maria Garcia is joined by Managing Editor of Latino USA Fernanda Echavarri, and Grammy-nominated Senior Producer Jeanne Montalvo to bring you a sneak peak of some of the incredible projects we have in the works!The Futuro Plus Team includes associate producer Liliana Ruiz, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts futuromediagroup.org/joinplus. Hosted on Acast. See acast.com/privacy for more information.
It's been a time of growth at Futuro – we've been breaking news and bringing rigorous in-depth journalism at Latino USA, creating ambitious podcasts at Futuro Studios, and sharing some awesome behind the scenes moments and stories at Futuro+ with our subscribers.In this week's special episode, Futuro Studios Executive Editor and host Maria Garcia is joined by Managing Editor of Latino USA Fernanda Echavarri, and Grammy-nominated Senior Producer Jeanne Montalvo to bring you a sneak peak of some of the incredible projects we have in the works!The Futuro Plus Team includes associate producer Liliana Ruiz, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on La Brega and all our podcasts futuromediagroup.org/joinplus. Hosted on Acast. See acast.com/privacy for more information.
You've seen the Instagram posts and the headlines of Puerto Rican campeones in all kinds of arenas. For this special bonus episode we talk to Camila Lamerre Estevez, an athlete who competed on the Puerto Rican women's ice hockey team. We share Camila's story, how she turned into a young hockey star, and what she learned about Puerto Ricanness on the ice.The Futuro Plus Team includes associate producer Liliana Ruiz, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on La Brega and all our podcasts. And, to celebrate the first year of Futuro+, from now through Sunday, April 12th go to futuromediagroup.org/joinplus and use code BDAY to get 20% off of Futuro+ yearly memberships! Hosted on Acast. See acast.com/privacy for more information.
It’s been quite the year, for the United States and for Futuro Media. At Latino USA, we’re bringing you in-depth reporting from the front lines. At Futuro Studios, we’re developing ground-breaking shows like La Brega Season 3, which is set to premiere early next year. In this special Giving Tuesday episode, Futuro Media founder Maria Hinojosa reflects on the year behind and the year ahead. She’s joined in conversation by Latino USA Managing Editor Fernanda Echavarri and Futuro Studios Executive Editor Maria Garcia. The Futuro Plus Team includes producer Tasha Sandoval, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on La Brega and all our podcasts. https://bit.ly/joinfuturoplusSee omnystudio.com/listener for privacy information.
It's been quite the year, for the United States and for Futuro Media. At Latino USA, we're bringing you in-depth reporting from the front lines. At Futuro Studios, we're developing ground-breaking shows like La Brega Season 3, which is set to premiere early next year.In this special Giving Tuesday episode, Futuro Media founder Maria Hinojosa reflects on the year behind and the year ahead. She's joined in conversation by Latino USA Managing Editor Fernanda Echavarri and Futuro Studios Executive Editor Maria Garcia.The Futuro Plus Team includes producer Tasha Sandoval, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on La Brega and all our podcasts. https://bit.ly/joinfuturoplusWant to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on all our podcasts. https://bit.ly/joinfuturoplus Hosted on Acast. See acast.com/privacy for more information.
It's been quite the year, for the United States and for Futuro Media. At Latino USA, we're bringing you in-depth reporting from the front lines. At Futuro Studios, we're developing ground-breaking shows like La Brega Season 3, which is set to premiere early next year.In this special Giving Tuesday episode, Futuro Media founder Maria Hinojosa reflects on the year behind and the year ahead. She's joined in conversation by Latino USA Managing Editor Fernanda Echavarri and Futuro Studios Executive Editor Maria Garcia.The Futuro Plus Team includes producer Tasha Sandoval, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on La Brega and all our podcasts. https://bit.ly/joinfuturopluWant to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. https://bit.ly/joinfuturoplus Hosted on Acast. See acast.com/privacy for more information.
It's been quite the year, for the United States and for Futuro Media. At Latino USA, we're bringing you in-depth reporting from the front lines. At Futuro Studios, we're developing ground-breaking shows like La Brega Season 3, which is set to premiere early next year.In this special Giving Tuesday episode, Futuro Media founder Maria Hinojosa reflects on the year behind and the year ahead. She's joined in conversation by Latino USA Managing Editor Fernanda Echavarri and Futuro Studios Executive Editor Maria Garcia.The Futuro Plus Team includes producer Tasha Sandoval, production managers Victoria Estrada and Jessica Ellis, marketing manager Luis Luna, and development manager Danetsy Len. Mixing by Multitude Productions. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on La Brega and all our podcasts. https://bit.ly/joinfuturoplus Hosted on Acast. See acast.com/privacy for more information.
Whether we think about it with excitement or fear (or both), AI has become a part of our daily lives — and, increasingly, it's a force we need to consider in HIV care provision. How can we best adapt to meet the moment? This month, we talk with Sean D. Young, Ph.D., M.S., a University of California-Irvine professor whose recent commentary in The Lancet HIV explores where AI is currently being integrated with HIV-focused work, where it may be utilized in the future, and how we can ensure that our use of AI is wise, well-considered, and ethical. Read the interview transcript: https://www.thebodypro.com/podcast/hiv/future-hiv-care-ai-artificial-intelligence-sean-young-nov-2025 Read Young's commentary: https://doi.org/10.1016/S2352-3018(25)00264-4 Learn more about Young's work at the UC Institute for Prediction Technology: https://predictiontechnology.ucla.edu/ This podcast is hosted and executively produced by Myles Helfand, TheBodyPro's executive editor; our senior production manager is Alina Mogollon-Volk; our senior producer is Lizzie Warren; our associate production manager is Maui Voskova; and our audio editor is Kim Buikema. Extra thanks this month to our digital content producer Jessica Ellis.
On this Thursday bonus episode we are going to play the interview from episode 287 from October 2020 featuring writer director Jessica Ellis. Alrik thought this was a good match for our episode with Nicola Rose from Monday because they are both female feature filmmakers, although Nicola talks to us about her 2nd feature, rather than her first.. After that we play another round of You're the expert, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Happy Halloween! We don't dedicate too many episodes of Watch With Jen to television shows, mostly because of the time & effort involved in rewatching several seasons over a long period of time. But if a TV series touches us enough, if it's beloved, created & executed with a true original vision, raises & sets the bar, has been unfairly overlooked, or if it's something that has impacted an entire generation of fans, then we want to be sure to celebrate its greatness. After all, in every generation, a slayer is born, & in our second of two Halloween episodes, past guests Elizabeth Cantwell, Jessica Ellis, & Roxana Hadadi join me to discuss all seven seasons of the landmark Gen X/Millennial favorite "Buffy the Vampire Slayer." Honoring its legacy, evolution, the creative minds & talents involved, we take you on a journey of the highs & lows of Joss Whedon's Scooby Gang in Sunnydale, California & all seven seasons of episodes of this WB & UPN series. Comprised mostly of a long conversation between myself, Elizabeth, (+ a cameo by her son Cooper) & Jessica, the final segment of this installment includes a great bonus chat/afterward with Vulture TV Critic Roxana Hadadi as well. (Note: We will return in Season 7 with another conversation focused on the spin-off series "Angel.")Originally Posted on Patreon (10/28/25) here: https://www.patreon.com/posts/142276745Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive
In season one, Suave told host Julieta Martinelli about a mixtape he recorded inside SCI Graterford 33 years ago. It remained a mystery lost to time…until today. In this episode, the making of Suave's long-lost mixtape, the music that inspired it, and liner notes for his favorite tracks. Plus, a discussion about the importance of music in prison and the artists Suave and Julieta love. The Futuro+ team includes producer Sam J Leeds, production managers Francis Poon and Jessica Ellis, marketing manager Luis Luna, development manager Danetsy Len, and engineers Gabriela Baez and Stephanie Lebow.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. https://bit.ly/joinfuturoplus Hosted on Acast. See acast.com/privacy for more information.
What if the power to change the world starts with small, intentional acts of kindness—and the courage to uplift those whose voices are pushed to the margins? I'm sharing my conversation with the dynamic Jessica Ellis-Wilson—a passionate leader and community connector with nearly three decades of experience creating inclusive spaces in healthcare, the arts, and beyond.From her early work in the mid-90s developing safe space trainings for queer students during a time of crisis, to leading health centers for HIV/AIDS patients and launching a radically inclusive theater company, Jessica has dedicated her life to lifting up those who rarely stand in the spotlight. Her mission? To leave every place, person, or situation just a little better than she found it—and to empower organizational leaders to do the same.
On this first bonus episode from Suave Season 2, Maria and Suave sit down to reflect on the emotional turning point in episode five, where something happens in Suave's life that sends him on an emotional spiral. Now that the season is complete, Suave shares how distance has given him new insight into his reaction to the incident, and to his mental health. Ojo! There will be spoilers, so make sure you've listened through episode five before tuning in. The Futuro Plus team includes producer Sam J Leeds, production managers Francis Poon and Jessica Ellis, marketing manager Luis Luna, development manager Danetsy Len, and engineers Gabriela Baez and Stephanie Lebow.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Suave and all our podcasts. https://bit.ly/joinfuturoplus Hosted on Acast. See acast.com/privacy for more information.
Il incarne la volonté trumpiste de représenter « l'Amérique oubliée » et son électorat populaire et blanc. J.D. Vance a grandi dans l'Ohio, dans la « rust belt », nom donnée aux régions désindustrialisées, mais sa famille est originaire de l'est du Kentucky dans les montagnes des Appalaches. Dans cette région pauvre et reculée, l'arrivée de J.D. Vance à la vice-présidence suscite la fierté des habitants qui espèrent des retombés économiques. De notre envoyé spécial à Jackson dans le Kentucky,Dans ces vallées qui s'enchaînent, recouvertes de végétation, Jessica Ellis rentre chez elle dans sa maison au bord de cette route sinueuse, à quelques kilomètres de l'ancienne demeure des grands-parents de J.D.Vance et de leur cimetière familial. Jessica, électrice de Donald Trump, explique que tout le monde ici se réjouit de l'arrivée de J.D. Vance à la vice-présidence :« Il comprend la situation ici. Il va pouvoir aider cette région d'une façon qu'on ne peut même pas imaginer. »J.D. Vance a raconté son histoire familiale entre ces montagnes du Kentucky et les plaines désindustrialisées de l'Ohio, à quelques centaines de kilomètres au nord. Dans son livre Hillbilly Elegy, il y revendique fièrement ce terme de « Hillbilly» qui peut se traduire par « péquenaud », terme péjoratif employé pour désigner les gens de cette région plus isolée. « Il y a un cliché qui dit qu'on serait pieds nus et stupides, mais comme vous pouvez le voir, je porte des chaussures, il y a aussi l'idée qu'on ne compte pas, mais J.D. a prouvé qu'on n'est pas stupides », ajoute Jessica.L'espoir d'être mieux représentéVingt-huit pour cent des habitants de ce comté vivent sous le seuil de pauvreté alors que la moyenne nationale est de 12%. Dans le centre du village, la vitrine d'une épicerie affiche un drapeau « Trump, sauvez l'Amérique à nouveau ». Le propriétaire Kenneth Patrick en attend également beaucoup du vice-président : « Il va peut-être nous aider à ramener des usines ici dans le comté de Breathitt, je l'espère, on a besoin de croître, on est en train de devenir un village fantôme et c'est effrayant. »Ici, J.D. Vance c'est l'espoir d'être mieux représenté et écouté à Washington, comme l'explique Stephen Bowling, le directeur de la bibliothèque publique et historien du comté : « Pendant des générations, on a permis aux autres d'écrire notre histoire. Les gens venaient dans les montagnes pour des pratiques économiques extractivistes. Ils ont pris le charbon puis sont partis, ils ont pris le bois puis sont partis, comme pour le sel. Tout ça a retiré le pouvoir, la stabilité économique et la richesse, donc maintenant la possibilité d'avoir une voix à Washington est importante pour les habitants. »Avant son investiture, J.D. Vance est revenu ici en visite, confirmant pour les habitants le dicton local : « Le garçon peut quitter la montagne, mais la montagne ne peut pas quitter le garçon. »À lire aussiPrésidentielle américaine: J.D. Vance, d'anti-Trump à colistier du candidat républicain
Il incarne la volonté trumpiste de représenter « l'Amérique oubliée » et son électorat populaire et blanc. J.D. Vance a grandi dans l'Ohio, dans la « rust belt », nom donnée aux régions désindustrialisées, mais sa famille est originaire de l'est du Kentucky dans les montagnes des Appalaches. Dans cette région pauvre et reculée, l'arrivée de J.D. Vance à la vice-présidence suscite la fierté des habitants qui espèrent des retombés économiques. De notre envoyé spécial à Jackson dans le Kentucky,Dans ces vallées qui s'enchaînent, recouvertes de végétation, Jessica Ellis rentre chez elle dans sa maison au bord de cette route sinueuse, à quelques kilomètres de l'ancienne demeure des grands-parents de J.D.Vance et de leur cimetière familial. Jessica, électrice de Donald Trump, explique que tout le monde ici se réjouit de l'arrivée de J.D. Vance à la vice-présidence :« Il comprend la situation ici. Il va pouvoir aider cette région d'une façon qu'on ne peut même pas imaginer. »J.D. Vance a raconté son histoire familiale entre ces montagnes du Kentucky et les plaines désindustrialisées de l'Ohio, à quelques centaines de kilomètres au nord. Dans son livre Hillbilly Elegy, il y revendique fièrement ce terme de « Hillbilly» qui peut se traduire par « péquenaud », terme péjoratif employé pour désigner les gens de cette région plus isolée. « Il y a un cliché qui dit qu'on serait pieds nus et stupides, mais comme vous pouvez le voir, je porte des chaussures, il y a aussi l'idée qu'on ne compte pas, mais J.D. a prouvé qu'on n'est pas stupides », ajoute Jessica.L'espoir d'être mieux représentéVingt-huit pour cent des habitants de ce comté vivent sous le seuil de pauvreté alors que la moyenne nationale est de 12%. Dans le centre du village, la vitrine d'une épicerie affiche un drapeau « Trump, sauvez l'Amérique à nouveau ». Le propriétaire Kenneth Patrick en attend également beaucoup du vice-président : « Il va peut-être nous aider à ramener des usines ici dans le comté de Breathitt, je l'espère, on a besoin de croître, on est en train de devenir un village fantôme et c'est effrayant. »Ici, J.D. Vance c'est l'espoir d'être mieux représenté et écouté à Washington, comme l'explique Stephen Bowling, le directeur de la bibliothèque publique et historien du comté : « Pendant des générations, on a permis aux autres d'écrire notre histoire. Les gens venaient dans les montagnes pour des pratiques économiques extractivistes. Ils ont pris le charbon puis sont partis, ils ont pris le bois puis sont partis, comme pour le sel. Tout ça a retiré le pouvoir, la stabilité économique et la richesse, donc maintenant la possibilité d'avoir une voix à Washington est importante pour les habitants. »Avant son investiture, J.D. Vance est revenu ici en visite, confirmant pour les habitants le dicton local : « Le garçon peut quitter la montagne, mais la montagne ne peut pas quitter le garçon. »À lire aussiPrésidentielle américaine: J.D. Vance, d'anti-Trump à colistier du candidat républicain
It was such a pleasure to reunite with WHAT LIES WEST writer-director Jessica Ellis for this thoughtful, breezy, good-hearted celebration of three films about women's sexuality onscreen. Diving into two very different, boldly inquisitive bright lights of '90s cinema in CHASING AMY & ANTONIA'S LINE, which bookend this conversation, we also explore 2024's lovely, compassionate, surprisingly bittersweet, highly recommended indie MY OLD ASS, which feels like a throwback to the coming-of-age indie films made in that same era.Originally Posted on Patreon (4/21/25) here: https://www.patreon.com/posts/127082687Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive
We're doing something different! Today, Maria Hinojosa joins listeners for a special message announcing something new from Futuro. Been dreaming of immediate full season access, and behind the scenes chisme from your favorite shows at Futuro? We have too! Listen to hear more about what's next for Futuro. To help us grow the future of journalism go to: futuromediagroup.org/joinplusThe Futuro Plus team includes producer Sam J Leeds, production managers Francis Poon and Jessica Ellis, marketing manager Luis Luna, development manager Danetsy Len, and engineers Gabriela Baez and Stephanie Lebow.
We're doing something different! Today, Maria Hinojosa joins listeners for a special message announcing something new from Futuro. Been dreaming of immediate full season access, and behind the scenes chisme from your favorite shows at Futuro? We have too! Listen to hear more about what's next for Futuro. To help us grow the future of journalism go to: futuromediagroup.org/joinplusThe Futuro Plus team includes producer Sam J Leeds, production managers Francis Poon and Jessica Ellis, marketing manager Luis Luna, development manager Danetsy Len, and engineers Gabriela Baez and Stephanie Lebow.
We're doing something different! Today, Maria Hinojosa joins listeners for a special message announcing something new from Futuro. Been dreaming of immediate full season access, and behind the scenes chisme from your favorite shows at Futuro? We have too! Listen to hear more about what's next for Futuro. To help us grow the future of journalism go to: futuromediagroup.org/joinplusThe Futuro Plus team includes producer Sam J Leeds, production managers Francis Poon and Jessica Ellis, marketing manager Luis Luna, development manager Danetsy Len, and engineers Gabriela Baez and Stephanie Lebow.
Jessica Ellis "Grace To The 5th Power series"
This week, Phil and Emily continue their journey through 2000s cinema with Nights in Rodanthe, the 2008 Nicholas Sparks adaptation that brought Richard Gere and Diane Lane back together for another romantic whirlwind. Joining them is filmmaker and writer Jessica Ellis, who helps unpack why this film leans into peak Sparks melodrama—complete with stormy nights, second chances, and plenty of emotional turmoil.From its sweeping coastal setting to its tearjerker ending, we break down how Nights in Rodanthe fits into the Nicholas Sparks cinematic universe, what makes it stand out from (or get lost among) his other adaptations, and why the 2000s were such a golden era for sentimental romance.Grab your tissues and join us for a deep dive into one of the decade's most Nicholas Sparks-y movies.
Director/Flirt Jessica Ellis stops by the pit to discuss the protean effects of long COVID and the seeming programmed mentality toward sickness we all share (and how that changes over time). Features: Jessica Ellis: https://bsky.app/profile/baddestmamajama.bsky.social Michael Swaim: https://bsky.app/profile/michaelswaim.bsky.social Music by Abe Epperson. Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691
On this episode of Podcast Like It's 1992, Jessica Ellis joins us to talk about The Cutting Edge.Patreon: http://patreon.com/PodcastlikeitsTwitter: http://twitter.com/podcastlikeitsInstagram: http://instagram.com/podcastlikeitsReddit: http://reddit.com/r/podcastlikeits Hosted on Acast. See acast.com/privacy for more information.
[This blog will always be free to read, but it's also how I pay my bills. If you have suggestions or feedback on how I can earn your paid subscription, shoot me an email: cmclymer@gmail.com. And if this is too big of a commitment, I'm always thankful for a simple cup of coffee.]Yesterday, Republican Congressman Josh Brecheen of Oklahoma stood on the floor of the U.S. House in support of his amendment to the National Defense Authorization Act (NDAA), which you probably know best as the legislation that funds our Defense Department.Mr. Brecheen's amendment, which passed the GOP-majority House in a voice vote, would ban any funding in the final version from being used on drag events, in what is clearly a painfully obvious attempt at pandering to anti-LGBTQ hatred.That, alone, I find hilarious given the very long history of drag performance in the U.S. military, notably among the young men of the Greatest Generation — for that, check out this fantastic write-up from none other than the National War War II Museum (!!!).Anyway, Mr. Brecheen, in his floor speech, stated this:"Young men who make up the bulk of our fighting forces are inspired by G.I. Joe. They're not inspired by a Barbie girl in a Barbie world."The anti-drag nonsense is easy enough for me to laugh off given how patently absurd it is, but this is not. It's profoundly disrespectful to women service members and veterans, and I find it more than a little hypocritical coming from this particular guy.Mr. Brecheen was 22 years old on 9/11 and a healthy, able-bodied young man.He could have enlisted that day or in the many years afterward, but he did not. He declined to serve his country in uniform during a time of war.But more than 300,000 women have enlisted since 9/11.More than 9,000 women have been honored for their actions in direct combat.166 women service members have been killed in combat since 9/11 and more than 1,000 have been wounded.Women like Lt. Emily Perez (1983 - 2006), the first female graduate of West Point to die in Iraq when she was killed in a makeshift bomb that exploded near her Humvee during a combat mission.Women like Senator Tammy Duckworth of Illinois, who lost most of both her legs when the Black Hawk she was co-piloting was hit by a rocket-propelled grenade from Iraqi insurgents. Women like Cpl. Jessica Ellis (1983-2008), a combat medic who volunteered a second time for a dangerous mission clearing a route and was killed in a roadside bomb. She was 24.What was Josh Brecheen doing during that whole time?He worked as a political staffer and owned a motivational speaking business called Brecheen Keynotes and Seminars, and then, he ran for office.I kid you not.And now Mr. Brecheen stands there, insulting the memory of women who have died in combat while he was a coward who stayed home and, ironically, sold motivation.Perhaps it's an appropriate moment for the Congressman to reflect on why he so oddly claims to identify as a patriot when he lacked the courage to serve where the women of this country have so faithfully stood in the breach.Sit down, Sir.And by the way, I'd trust Margot Robbie and Greta Gerwig with my life long before I'd ever consider the resignation of settling for your third-rate informercial ass.Charlotte's Web Thoughts is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Charlotte's Web Thoughts at charlotteclymer.substack.com/subscribe
Writer/director Jessica Ellis joins us on this episode of Podcast Like It's 1992, talking about A River Runs Through It.We dive into Robert Redford's directing credits, the unmistakable dad energy, and Brad Pitt in character vs playing Brad Pitt.Patreon: http://patreon.com/PodcastlikeitsTwitter: http://twitter.com/podcastlikeitsInstagram: http://instagram.com/podcastlikeitsReddit: http://reddit.com/r/podcastlikeits Hosted on Acast. See acast.com/privacy for more information.
Returning to the podcast this week, we have the witty and wonderful writer-director Jessica Ellis. A graduate of UCLA and the American Film Institute who made her feature filmmaking debut with the acclaimed coming-of-age movie What Lies West, Jessica is one of the brightest lights on Twitter and never fails to make me smile. In this thoughtful, charming, and nostalgia-filled conversation that's perfect for Halloween, we share amusing stories from our lives and explore the way that magic has been used onscreen in the films Something Wicked This Way Comes, The Illusionist (2006), & Now You See Me. Originally Posted on Patreon (10/23/23) here: https://www.patreon.com/posts/91522593 Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Shop Watch With Jen logo merchandise in Logo Designer Kate Gabrielle's Threadless Shop
Special guest Jessica Ellis (What Lies West) breaks down the film Kenneth Branagh made after Mary Shelley's Frankenstein (1994). What happens when a director airs out their grievances in their films? How do you deal with criticism as a storyteller? Here's some ways that Kenneth Branagh sure did it. Features: Jessica Ellis: https://twitter.com/baddestmamajama Abe Epperson: https://twitter.com/AbeTheMighty Adam Ganser: https://twitter.com/therealganz Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691
The short answer is yes, there is bias present everywhere. The real question is how can patients and providers be better about recognizing their own biases and making the health care experience better? Jessica Ellis Wilson of PMAL Consulting and Watermelon Alligator Theatre Company takes listeners through a deep dive about the biases present in healthcare and how you as a patient can advocate for yourself or a loved one. Practical Management and Leadership Consulting Watermelon Alligator Theatre Company Implicit Bias Test Why address bias in healthcare
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This week on Drama School Dropout I am joined by the amazing Jessica Ellis. We chat missing out on a tour due to COVID, owning VHS tapes equating to you being old, working with Kay Mellor on Fat Friends, toxic primary school parents, studying at Italia Conti, students dry humping in the corner of the room, walking down Clapham High Street in practice skirts and shoes, our elf bar flavours of choice, the scary part of leaving drama school and having no work, auditioning for Hollyoaks in London, stealing joggers from Hollyoaks and getting caught with ‘Hollyoaks' written across the arse of the joggers, nobody being safe in Soap Land, the crazy things you're not allowed to show on TV, the superstar that auditioned for Hollyoaks and didn't get it, refusing to include anything about covid in any media and Jess' new writing project with Kieron Richardson. Host: Ingram Noble Guest: Jessica Ellis Producers: Heather Spiden & Ingram Noble Links: Ingram's Instagram & Twitter: @ingramnoble Jessica's Instagram: @jellis1987 Patreon: www.patreon.com/dramaschooldropout
In the third episode in our podcast series about Lupus, Mel Brooke, Patient and Public Engagement Programme Director (BIRD) talks with expert guest Dr Jess Ellis, Rheumatology Clinical Research Fellow at the RNHRD, Bath about the annual Lupus clinic and exciting news about a collaborative initiative with BIRD to set up a Patient Advisory Group (PAG) within the hospital. If you can please rate our podcasts on your listening platform. Did you know you can also access all our information podcasts direct from BIRDs website? Simply visit www.birdbath.org.uk/podcasts and scroll down the page to find the one you are looking for. Links mentioned in the show: Lupus UK (charity) RUH/RNHRD Bath Please note: All content for BIRD's PPE podcasts are created for information purposes only and not intended to be a substitute for individual medical advice, diagnosis, or treatment. Always seek the advice of your physician or health provider with any questions you may have about your medical condition. Reliance on any information provided by BIRD or any of the expert podcast guests is solely at your own risk. The Patient and Public Engagement Programme is supported by hands-off sponsorships from Eli Lilly and Company Limited, UCB and Amgen - all of whom have provided grant funding but who have had no involvement in the development, content or editorial control of this podcast, nor the subsequent review and approval of these materials or general running of the patient and public engagement programme. We would also like to thank The Arnold Clark Community Fund, The Cumber Family Charitable Trust, Medlock Charitable Trust, The Ray Harris Charitable Trust. Thank you to all our sponsors for helping us to bring you information that supports you and helps to increase your knowledge of rheumatic diseases. To find out more about BIRD and the PPE Programme visit: The Bath Institute for Rheumatic Diseases Please sign up to our mailing list if you would like to stay in touch and be notified about future podcasts via admin@birdbath.org.uk
How does your opening sequence set up your audience? Inspired by her tweet on how subversive an opening OCEAN'S ELEVEN has, Chas and Stu invited amazing writer/director Jessica Ellis onto the show to deep dive into opening sequences. How does a good opening setup character, genre, and theme? In exploring how best to open your story - instead of looking at the almost mandatory studio note of “dropping you in the action” - Stu, Chas and Jess look at the inventive openings of OCEAN'S ELEVEN, LONG SHOT, ARRIVAL and A SERIOUS MAN. Each of these films opens in a way that seems to defy its genre conventions and yet still provide all the set-up it needs to perfectly tell its story. As always: SPOILERS ABOUND. Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3. Thanks to Chris Walker for editing this episode. CHAPTERS 00:00:56 - Intro 00:12:04 - Ocean's Eleven 00:30:26 - Long Shot 01:01:32 - Arrival 01:22:22 - A Serious Man 01:41:17 - Wrap Up 01:46:47 - Patreon thanks LINKS Jessica Ellis: https://twitter.com/baddestmamajama What Lies West: https://linktr.ee/whatlieswest RELATED EPISODES DZ-15: World Building Rules, Okay? DZ-43: Driving Sequences – Character and Plot Intensity DZ-44: Marvel, First Acts and Establishing Characters This episode brought to you by ScriptUp – https://www.scriptupstudio.com – use promo code DZ10 to get 10% off. Thanks to all our patrons, especially Casimir, Lloyd, Eduardo, Jennifer, Leigh, Thomas, Garrett, Bjorn, Randy, Jesse, Sandra, Alex and Khrob. You rule! Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis and @chasffisher on twitter. And you can find @draft_zero on Instagram and Twitter.
Filmmaker Jessica Ellis joins the Podcast Like It's five timers club, after being forced to watch the meandering crime thriller that is GOODBYE LOVER.We talk about the wave of subpar blue collar crime thrillers that has descended upon us here in the dredges of 1999, what makes a successful twist, and how this is the worst Ellen DeGeneres performance of the year.Podcast Like It's 2009: Patreon.com/podcastlikeitsTwitter: twitter.com/podcastlikeitsInstagram: instagram.com/podcastlikeitsReddit: reddit.com/r/podcastlikeits See acast.com/privacy for privacy and opt-out information.
Returning to the podcast this week, we have the witty and wonderful Los Angeles-based writer-director Jessica Ellis. A graduate of UCLA and the American Film Institute who last year made her feature filmmaking debut with the acclaimed coming-of-age movie What Lies West, Jessica is one of the brightest lights on Twitter and never fails to make me smile. Filled with sharp insights into the craft of screenwriting, in taking a closer look at the films The Princess Bride, Joe Versus the Volcano, and Palm Springs, we discuss love and life as it plays out against the backdrop of the fantasy romantic comedy subgenre she's so passionate about.Originally Posted on Patreon (3/28/22) here: https://www.patreon.com/posts/64378129Logo: Kate Gabrielle (KateGabrielle.com)Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive
Writer/Director Jessica Ellis (What Lies West) returns to The West Wing to discuss episode 11, LORD JOHN MARBURY.We talk about the standout performance from Roger Rees as the titular John Marbury, the way the show expertly lays out breadcrumbs that lead to its season finales, and the complexities of CJ's romances and workplace relationships. We also discuss Sorkin's comedy chops, down to his appearance on 30 Rock.Find Jessica at: twitter.com/baddestmamajamaPatreon: patreon.com/podcastlikeits1989Twitter: twitter.com/podcastlikeitsInstagram: instagram.com/podcastlikeitsReddit: reddit.com/r/PodcastLikeIts See acast.com/privacy for privacy and opt-out information.
Writer/Director Jessica Ellis is back on the show to discuss The West Wing's fifth episode, The Crackpots and These Women.We talk about how Sorkin writes women, and how this episode's script airs out a lot of his dirty laundry regarding his own scriptwriting. We also discuss the (strangely) relevant plots surrounding the government's relationship to space aliens, potential world shattering plagues, and a proposed coyote highway, and finally get our first glimpse into the interior lives of our favorite characters. Find Jessica and her new film at: whatlieswest.comPatreon: patreon.com/podcastlikeits1989Twitter: twitter.com/podcastlikeitsInstagram: instagram.com/podcastlikeitsReddit: reddit.com/r/PodcastLikeIts See acast.com/privacy for privacy and opt-out information.
Jessica Ellis is the writer/director of the new indie film What Lies West, which is garnering great reviews and getting a rollout all over the VOD platforms of the world. Paul likes nothing more than indie film stories and Jessica has 'em, from fires to surgery to the pandemic, but you want to tune in for the sheer joy of moviemaking on display here. Jessica had a game cast and a talented crew. Give her a listen, then check out the movie! Like good movie talk? Please subscribe! Website: www.themovieguys.net The Ford Fiesta: https://apple.co/3s3Om9l The TMG Interview: https://apple.co/3c21SEI The Movie Showcast: https://apple.co/3eXSrrW Countdown to Nine: https://bit.ly/38XVDzS YouTube (The Movie Guys): https://www.youtube.com/TheMovieGuys YouTube (The Movie Guys LIVE): Youtube.com/user/TheMovieGuysLIVE Vimeo: https://vimeo.com/themovieguys Twitter: https://twitter.com/TheMovieGuys Facebook: https://www.facebook.com/TheMovieGuys Instagram: https://www.instagram.com/themovieguys/ Tumblr: https://themovieguys.tumblr.com/
Her lovely first feature What Lies West just landed on VOD in North America, so writer-director Jessica Ellis is here to stand up for Ridley Scott’s The Martian, the 2015 drama where Matt Damon gets marooned on the red planet and an all-star international cast rallies to save him … if he can keep himself … Continue reading Jessica Ellis on The Martian →
Living Life, Making Decisions, and Understanding Society, and Parenting by JT
Tune in to hear how an entrepreneur balances life and accomplishes her goals!
Brian interviews filmmaker Jessica Ellis about her directorial debut, "What Lies West," which comes to DVD and VOD on May 11, 2021.
We are delighted to welcome filmmaker Jessica Ellis for an in-depth conversation about her new film What Lies West, a delightful coming of age movie shot in Jessica's hometown Sonoma County. Jessica shares many insights into indie filmmaking, along with some valuable perspectives on Disneyland and the LA sandwich scene. What Lies West comes out May 11th on VOD & DVD. You can learn more about the film at https://www.whatlieswest.com/. Ian's review of the film: https://ianthomasmalone.com/2021/05/what-lies-west-is-a-charming-confident-indie-coming-of-story/
Jessica Ellis is an award-winning screenwriter with degrees from UCLA and AFI. Her debut feature, WHAT LIES WEST, a coming-of-age adventure, is available on DVD on 5/11/21. She lives in LA And can be found giving away free pie on Twitter at @baddestmamajama. Her trailer for What Lies West can be found Here Games: Over/Under Best Buy Weird Habit More about the Rainforest Cafe at the Atlas Obscura Native Candle Company, as mentioned in the show: https://nativecandleco.com/ --- Follow Meryl on Twitter @MerylWilliams and Instagram @merylkwilliams. Subscribe to the Sleeper Hit for more from Meryl! https://thesleeperhit.substack.com/ --- Theme song: "Sleeper Hold," by Saintseneca (@saintseneca) http://www.saintseneca.com/ Editing by Clawson Solutions Group LLC
Jessica Ellis, the writer/director of the soon-to-be-released independent film What Lies West, takes time out of her daily routine of sheltering in place from a raging pandemic to bullshit with Dennis about getting your stuff out there in the world. Later, trusted comrade Michael Ewing pops in to talk about Ultimate Frisbee or something.
Alrik and Liz welcome writer, director and social media queen Jessica Ellis on the show to talk about making her first feature film, What Lies West! Jessica also talks about her life as a working writer, how she is staying motivated during the pandemic and the reality of what 50k twitter followers actually means when you are running a crowdfunding campaign. We also have producer and filmmaking sales consultant Alec Trachtenberg on the show to give us some tips on advertising your film and finally we've got a the short film 'We Are Having Sex' from writer/director Michael Callahan! Where to Find Jessica, Alec and Michael! Jessica Ellis' Website Jessica Ellis on Twitter Alec Trachtenberg's New Book! Alec Trachtenberg on Instagram! Michael Callahan's Website! Contact Liz & Alrik Send us an email You can find Liz Manashil @ www.lizmanashil.com You can find Alrik @ www.alrikbursell.com You can now find MMIH @ mmihpodcast on instagram! Leave a comment on our website Find us on our Facebook Community Page Contact us on Twitter and Facebook
This week Liz and Alrik have directing duo Cary Murnion and Jonathan Milott on the show to talk about how they pitched, packaged and made their third feature film, Becky starring Lulu Wilson, Kevin James and Joel McHale. They talk about how they won the pitch for the film, got the film off the ground and worked with their management to get it packaged and finally get the film in the can. They also talk about the article Liz wrote for Movie Maker Magazine, what you should do when you get into a film festival and we have two stories from our Players of the week Jessica Ellis and Zoe Malhotra on why they got into filmmaking! Listen to this episode now or subscribe to us wherever you find your podcasts: Apple Podcasts, Stitcher, Google Play Contact Liz & Alrik Send us an email You can find Liz Manashil @ www.lizmanashil.com You can find Alrik @ www.alrikbursell.com You can now find MMIH @ mmihpodcast on instagram! Leave a comment on our website Find us on our Facebook Community Page Contact us on Twitter and Facebook
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