Podcasts about other people's children

Over twenty years Jesse Simon built a MASSIVE career managing the careers of some of the biggest models in fashion including David Friend, Ethan James and Gabriette Bechtel via the leading magazines and fashion houses, including YSL, Dior, Dazed, i-D and Vogue. Considered one of the most innovative talent agents Jesse built a reputation at Ford Models LA for seeing that the future was in killer brand strategy and by redefining the terms of what ‘talent' truly means. Then, two years ago, he jacked it all in to officially transform Other People's Children, the art collective he'd been co-running since 2017 as a side project into a living, breathing management company, representing a roster of musicians, writers, directors, and artist who are excited to help bring creative solutions to the table, in front of the camera as well as behind the scenes. Recorded in his office, with the OPC team working around him, mere hours before our plane back to London was due to take off, Jesse pulled these cards from The Creative Blood Experience question deck.Follow OPC and Jesse on instagramJesse's on a mission to make grappling an Olympic sport and has launched The Grappling Network which is now available to watch wherever you are - P.s. no, we didn't know what grappling was either and so glad we weren't afraid to ask! This episode was created in partnership with the brilliant humans here Creative Blood and Scenery Studios. Say hello @creativebloodagency Music by Ben Tarrant-BrownProducer Lina PrestwoodMixed by Rob Martland

Tina Satter on her film Reality which stars Sydney Sweeney as American whistleblower Reality Winner; and French rom-com Other People's Children, the story of a Parisian social worker who discovers she wants children later in life.

Tina Satter on her film Reality which stars Sydney Sweeney as American whistleblower Reality Winner; and French rom-com Other People's Children, the story of a Parisian social worker who discovers she wants children later in life.

Tina Satter on her film Reality which stars Sydney Sweeney as American whistleblower Reality Winner; and French rom-com Other People's Children, the story of a Parisian social worker who discovers she wants children later in life.

Tina Satter on her film Reality which stars Sydney Sweeney as American whistleblower Reality Winner; and French rom-com Other People's Children, the story of a Parisian social worker who discovers she wants children later in life.

This week, Eric and Josh discuss: Visiting L.A., Kevin Smith, Stephen King landmarks, Beetlejuice, Neil Breen, Drive-Ins, the need for conflict in movies, Virginie Efira, The Mist, Twin Peaks, My Magic Dog, and more! Plus, they mention the movies screening the week of Friday June 23 - Thursday June 29: Polarized, The Rocky Horror Picture Show, Other People's Children, Mad Max: Fury Road - Black And Chrome Edition, Saturday Night Sinema, What's Love Got To Do With It?, Lynch/Oz, and Being BeBe!

Erik Childress and Steve Prokopy owe it to the listeners to play a little catch-up. So they do. With 17 movies covering the past week they missed. They include four documentaries about nature (Wild Life), the culture of Chicago stand-up comedy (Out of the Loop), the fight to take back offensive mascots (Imagining the Indian) and a tribute to a beloved author (Judy Blume Forever). Michelle Williams makes art (Showing Up), Virginie Efira becomes stepmotherly (Other People's Children), Shailene Woodley is hired to do something (TO Catch a Killer) and Toni Collette inherits the mob (Mafia Mamma). Kelvin Harrison Jr. makes music (Chevalier), Ray Romano directs his first movie (Somewhere in Queens) and Broken Lizard tries to get over the hump with laughs (Quasi). Chris Evans and Ana De Armas piss the guys off (Ghosted) and Jake Gyllenhaal tries to save an interpreter (Guy Ritchie's The Covenant). Finally, Russell Crowe is an Italian priest (The Pope's Exorcist), Nicolas Cage is finally a vampire (Renfield), the book of the dead returns on vinyl (Evil Dead Rise) and Joaquin Phoenix channels Ari Aster's mommy issues (Beau is Afraid). 0:00 - Intro 2:29 - Wild Life 8:37 - Other People's Children 14:13 - Chevalier 22:52 - To Catch a Killer 29:23 – The Pope's Exorcist 38:30 - Out of the Loop 48:38 - Judy Blume Forever  58:00 - Imagining the Indian  1:10:08 - Showing Up  1:19:31 - Mafia Mamma 1:29:19 - Renfield 1:40:24 - Somewhere In Queens  1:53:47 - Quasi 2:03:18 - Ghosted 2:16:37 – The Covenant 2:23:51 - Evil Dead Rise 2:37:27 - Beau Is Afraid  2:54:59 - Outro

Welcome to a new episode of the Film at Lincoln Center podcast. This week we're excited to present a Q&A from the 2023 Rendez-Vous with French Cinema premiere of Other People's Children, with director Rebecca Zlotowski and lead actress, Virginie Efira. Other People's Children opens in our theaters on Friday, April 21. Acclaimed writer-director Rebecca Zlotowski (An Easy Girl, 2020 Rendez-Vous with French Cinema) draws from her own life to depict the emotional trajectory of Rachel (Virginie Efira), a schoolteacher whose desire for a biological child seems increasingly unlikely to be fulfilled (as she's informed by her gynecologist in a delightful cameo from Frederick Wiseman). When Rachel enters into a relationship with car designer Ali (Roschdy Zem), he's slow to let her know that he's a single father, but once she finds out she quickly grows to love his precocious daughter, Leila (Callie Ferreira-Goncalves). The stresses and strains of close relationships between adults and children are thoughtfully examined in this drama that's as romantic in its evocation of new love blossoming in Paris as it is clear-headed about the myriad pressures that societal expectations impose on the lives of middle-aged women. A 2023 Rendez-Vous with French Cinema selection. Enjoy the conversation with Zlotowski and Efira, moderated by NYFF Artistic Director Dennis Lim, and don't miss Other People's Children, opening in our theaters on Friday, April 21. Get tickets at filmlinc.org/children

James Cameron-Wilson takes Simon Rose through the box office charts, dismissing new #1 Shazam! Fury of the Gods as lacking suspense or laughs. However, he waxed lyrical about the Alan Bennett adaptation Allelujah at #4 ("the feel-sad movie of the year"), with Judi Dench & Derek Jacobi in a story about old age and the NHS. He was even more taken with love story Rye Lane at #7 which he found funny & exhilarating, a debut which excited him in the way Trainspotting had. In few cinemas but on Apple+ is French drama Other People's Children, which James adored, thinking it moving and involving. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bloody Awesome Movie Podcast focuses on a single film per episode, usually a new release (hopefully theatrically at some point) giving a spoiler-free review. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture-related topics in a series of segments. Review of Millennium Bugs (2020) Directed by Alejandro Montoya Marín Written by Alejandro Montoya Marín Cast: Katy Erin Michael Lovato Micah McNeil Sofia Embid Jamie H. Jung Kenneth McGlothin IMDb.com Synopsis: Set in the days leading up to the year 2000, friends Kelly and Miguel - along with the rest of the world - find themselves facing mounting pressures and the harsh realities of their futures. % RT critic (% audience), Metascore, 7.9 IMDb user score, and /5 on Letterboxd, RELEASE location / DATE: Available on iTunes, Vudu, and more Chuffed Headlines Movie/Pop culture news that caught our attention Matt's Headline: Oscars: Film Academy Declines to Take Punitive Action in Response to Divisive Andrea Riseborough Campaign Jon's Headline: Robert Zemeckis De-Aging Tom Hanks with AI for ‘Here' | IndieWire Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt's consumption Happy Sad Confused - Bella Ramsay The Last of Us E3-9 Jon's consumption Blank Check: Trainspotting Infinity Pool, Onyx the Fortuitous and the talisman of souls, Other People's Children, All Quiet on the Western Front, Knock at the Cabin, Secret Life of Bees Last of Us episode 3 | Andor ep 1 &2 God of War Ragnarok BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.com Berkreviews.com | WhatIWatchedTonight.co.uk --- Send in a voice message: https://podcasters.spotify.com/pod/show/bloody-awesome/message Support this podcast: https://podcasters.spotify.com/pod/show/bloody-awesome/support

In the second episode of the Sundance 2023 podcast season, we discuss Sundance's Spotlight Program, its only feature film program dedicated to films that premiered at other festivals. We discuss the program's history of picking great films and giving them the spotlight they needed (but didn't get at other festivals).  We discuss four of the five films programmed in the Spotlight section: Other People's Children, Joyland, L'Immensità, and The Eight Mountains. Since we already talked about Other People's Children in depth on a previous episode, we only discuss it briefly here. Additionally, we go deep on The Eight Mountains, which Alex loved, and briefly discuss the other two films in the program that we've seen which we weren't too keen on. We've actually written books featuring several of the films that screened in Spotlight, including You Were Never Really Here, Girlhood, and The Worst Person in the World. And several of the films previously programmed in the last decade have made our list of the best films of the 2010s. Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes.  About the Sundance 2023 season This is the second episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). Sundance 2023 Bingo Because the festival loves to program films by slot and quota, we are also introducing our annual Sundance Bingo Card, which you can download here. Play along during the festival (or look at past festival editions and the films you've caught which screened there). You can find this year's bingo card in the show notes on our website. In each expisode we'll track our progress on the Bingo card, individuall and as a Seventh Row team. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Links to articles/books on films that previously screened in Spotlight Read our list of Seventh Row's 50 Favourite Films of the 2010s, which also includes many films that screened in Sundance's Spotlight Program, including Oslo, August 31st (#1), Their Finest, Raw, and You Were Never Really Here. Get our ebook on Lynne Ramsay's most recent Spotlight film: You Were Never Really Here: A Special Issue Get our ebook on the Céline Sciamma, Portraits of resistance: The cinema of Céline Sciamma, which includes an interview with Sciamma on Girlhood conducted in Park City at Sundance in 2015 when the film screened in Spotlight. Read Orla Smith's interview with writer-director Haifaa Al-Mansour on The Perfect Candidate, which previously screened in Spotlight in 2020. Read Alex Heeney's interview with writer-director Rebecca Miller on Maggie's Plan, which previously screened in Spotlight in 2016. Read Alex Heeney's interview with director Lone Scherfig on Their Finest, which previously screened in Spotlight in 2017. Download the Sundance 2023 bingo card to follow along at home. Related episodes to E2: Sundance 2023 Spotlight program Discover all of our past podcast episodes on films that screened at Sundance. To listen to all of these related episodes, become a member. Ep. 116: Virtual film festivals: Taking stock of their past, present, and future (Members Only). Sundance is one of the only festivals in 2023 still offering a virtual component. On this episode, we talked about the advent of virtual film festivals and what we'd like to see in the future. Ep. 129: Highlights of 2022 Fall Film Festivals (Members Only). We discuss the best films that screened on the festival circuit in fall 2022. This includes a free in-depth discussion of Other People's Children. Episodes on Films featured in the Spotlight section Ep. 112: Joachim Trier's The Worst Person in the World (Free). As the world experts on the films of Joachim Trier (our book on his work will be out later this year), we published an episode on his twice Oscar-nominated film The Worst Person in the World (2021), which screened in Spotlight in 2022. Ep. 73: Explorations of rape culture in Promising Young Woman and The Assistant (Members Only). Although The Assistant premiered at Telluride in 2020, it only really started generating buzz after its 2021 screening in the Spotlight Program at Sundance. In this episode, we discuss its depiction of rape culture alongside a bigger Sundance hit (which was also much less nuanced), Promising Young Woman. Ep. 107: Another Round and Oslo, August 31st: Are men OK? Masculinity, mental health, & addiction(Members Only). Joachim Trier first came to Sundance in 2012 with Oslo, August 31st (which premiered at Cannes in 2011), our #1 film of the 2010s. We talk about how the film addresses masculinity, mental health, & addiction and how this compares with the more recent film, a decade later, Another Round. Episodes on genre films featured in the Sundance Spotlight program Ep. 17: The Nightingale (Members Only): Having launched her career in the World Dramatic Competition at Sundance, Jennifer Kent once again returned to the festival with her second feature, The Nightingale, which premiered at Venice to an underwhelming response. We thought the film was rich and excellent in many ways (if flawed), and went deep on it on the podcast. Ep. 112: Raw and Thelma and modern female monsters (Members Only): After receiving rave reviews (and press about vomiting walkouts) at Cannes and TIFF, Julia Ducournau (who later won the Palme d'Or for Titane) screened her first feature, Raw at Sundance in the Spotlight program. We talk about the film in comparison with Joachim Trier's Thelma. Ep. 38 Australian Westerns: The True History of the Kelly Gang, Sweet Country, and The Dressmaker (Members Only): Warwick Thornton's fantastic feature Sweet Country previously screened in the Sundance Spotlight program after premiering (and winning an award) at Venice and TIFF. In this episode, we discuss how Thornton decolonizes the Australian Western, as well as how this compares to Australian Westerns about settler characters (made by settlers).

This is an excerpt of a members only episode. To listen to the full episode, become a member at http://seventh-row.com/join Editor-in-Chief Alex Heeney and Executive Editor Orla Smith discuss the highlights of the fall film festival circuit, the new and troubling dominance of Netflix (and other streamers') films, and exciting (or not-so-exciting) first features. We discuss favourites like The Eternal Daughter, Saint Omer, Other People's Children — many of which will get a full-length episode of their own in the coming months. We also discuss some of the biggest disappointments. Orla shares her experience at the London Film Festival. Alex shares her experience attending the Toronto International Film Festival. Follow Seventh Row on Twitter and Instagram @SeventhRow. Follow Alex Heeney @bwestcineaste and Orla Smith @orlamango on Twitter.  On this episode excerpt: 00:00-5:24 - Intro to the episode and the festivals we've covered 5:24-18:55 Rebecca Zlotowski's Other People's Children and a new film grammar for women as multitaskers in Other People's Children, Mia Hansen-Løve's One Fine Morning, and Joanna Hogg's The Eternal Daughter  FREE EXCERPT ENDS HERE Become a member to listen to the rest o the discussion, which includes: 18:55-20:55 How many films we saw, and some of the downsides 20:55-25:45 Orla's favourites including Laura Poitras's All the Beauty and the Bloodshed, Lucien Castaing-Taylor and  Verena Paravel's De Humani Corporis Fabrica, Jamie Dack's Palm Trees and Power Lines 25:45-31:14 Alex favourites including Alice Winocour's Paris Memories and Darlene Naponse's Stellar 31:14-50:34 The dominance of Netflix and streamers, Matthew Warchus's Matilda, Causeway 50:34-56:50 The festival circuit: great festival films from earlier this year that disappeared (My Small Land, Lullaby, 32 Sounds), screened only at local festivals (Nelly and Nadine, Framing Agnes) and films that keep coming back. We also discuss the London Film Festival's problematic approach to programming and why we love the Berlinale's programming. 56:50-1:00:24 The lack of live cinema experiences at festivals (like 32 Sounds) in a year when we are being forced to return to cinemas for festivals. 1:00:24-1:05:50 Directors' first features, Charlotte Wells's Aftersun, the rise of Paul Mescal, Georgia Oakley's Blue Jean 1:05:50-1:16:15 Depressing trends in British cinema and the British film industry and how that relates to the country's funding practices. We also draw comparisons to the Canadian film industry. Why is it so hard to get a second feature made? And why do first features have to conform so much to industry standards? We discuss Francis Lee's films, Hope Dickson Leach's film, and several Canadian filmmakers. 1:16:15-1:25:29 Thinking about National Cinema at film festivals, especially Canadian cinema and British cinema 1:25:29-1:31:36 Plan 75, Palm Trees and Power Lines, and other great under-seen first features that keep screening everywhere 1:31:36 Sign offs and related episodes Related episodes Women at Cannes Season: Listen to our five-episode 2022 season on the history of Women directors at the Cannes Film Festival. We highlight some of the best films by women and women filmmakers to screen at the festival. We also discuss the festival's ongoing poor track record of programming films directed by women. Ep. 125: Berlinale 2022: On this omnibus episode, we discuss the highlights of the Berlin Film Festival screening in the festival's under-discussed and under-appreciated (but excellently programmed) sidebars. Ep. 109: TIFF 2021 Part 1: In last year's counterpart to this episode, we discussed the highlights of the 2021 Toronto International Film Festival (TIFF), including Terence Davies's Benediction and Joachim Trier's The Worst Person in the World Ep. 111: TIFF 2021 Part 2: Continuing our discussion on the fall film festivals in 2021, with a focus on TIFF, we discussed Power of the Dog, Ali & Ava, and more highlights from TIFF. Ep. 49: Split screen storytelling in Lungs and Conversations with Other Women: Listen to our episode on Matilda director Matthew Warchus's fantastic live-recorded theatre production of Lungs, (Members only) Ep 60: Old Vic In Camera Productions: Three Kings and Faith Healer: Listen to our podcast on Matthew Warchus's two follow-up live-broadcasted productions of Three Kings and Faith Healer (Members only) Show Notes Read all of our TIFF 2022 coverage Read all of our film festival coverage from this fall here Read Alex Heeney's review of Matilda: The Musical on stage Read Alex Heeney's review of Stellar Read Alex Heeney's review of Eo Read our review of Matilda director Matthew Warchus's Pride Read Alex Heeney's review of Palm Trees and Power Lines Read Alex Heeney's interview with Sam Green on his live documentary 32 Sounds Read Alex Heeney on Canadian immigration stories at TIFF 2022.

Opinión de Other People's Children (2022) en TIFF 2022Twitter: https://twitter.com/ElSergioMunozInstagram: https://www.instagram.com/elsergiomunozTwitch: https://www.twitch.tv/elsergiomunozPatreon: https://www.patreon.com/elsergiomunozLetterboxd: https://letterboxd.com/semunozesqu/Website: sergiomunozesquer.com Únete a Patreon para este episodio exclusivo Hosted on Acast. See acast.com/privacy for more information.

In the last episode of Chart Music, we broke down Nationwide's Jubilee Fair - an astonishing melange of forelock-tuggery, Trad Jazz and moaning that things were better when we had an empire and National Service, which offered its viewers both an opportunity to revel in the past and a chance to experience what it was going to be like in the entertainment room of a care home in the future. But we stopped short of mentioning one thing: the ending, where the winner of the Nationwide Jubilee Song Contest got the chance to reprise their tune. And we've seen the final – 15 and a bit minutes of musical astonishment So, let us take you back to the post-teatime haze of Thursday May 17th 1977, as the hundreds of musical tributes to the Queen have been whittled down to five, and a nation – or at least, the part of it who isn't watching Crossroads – baits its breath for a Jubular soundclash of monumental proportions. Eric Smallshaw of Eccles gets the party started with a sultry Lancastro-Cuban call to Rhumbic Bacchanalia. The youth of Hucklow First School, Sheffield, praise the Queen with balalaikas for her ability to get on a massive boat and go around the world. Richard Gwyn and Cameo let an entire Principality down with their 'rocking' music. The Farringdon Infants School of Sunderland produce an indecipherable dirge of xylophone-bonging and recorder-blaring. And the Singing Butcher and the Coventry Kids shout their fealty to the Monarchy in a way that only 70s youths and a ginger meat-man can. But who will win? Only Richard Stilgoe knows...Team ATVLand - Neil Kulkarni, Taylor Parkes and Al Needham - sit down and tuck into one of the most gloriously mental slivers of British TV we've ever come across, breaking off to discuss Other People's Children, the Hexham Heads, the difference between United and City fans, the Asian Jubilee Song Contest, and lifeboat crews rescuing a rugby ball in tribute to the Queen, or summat. SHIMMY AND SHAKE TO THE NUMBER, POP-CRAZED YOUNGSTERS!See all acts - and the voting - HERE Last call for our live show on Sept 17th HERE Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Venice 2022: The Whale, The Eternal Daughter, Lav Diaz, Other People's Children with Guy Lodge Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Venice Film Festival continues to roll out films that are sure to be the subject of discussion this fall, and this time, I talk with critic Guy Lodge of Variety about Darren Aronofsky's The Whale, starring Brendan Fraser; the new Joanna Hogg film, The Eternal Daughter, very much starring Tilda Swinton; Lav Diaz's When the Waves Are Gone; and Rebecca Zlotowski's Other People's Children. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Are you a follower of the Frisbee Lifestyle? Are you allergic to Other People's Children? No matter how you answered, this episode will let you do you, so tune in now!

In today's episode, I chat with Jeff Hoffman about his new book Other People's Children, adoption, and writing. Jeff Hoffman attended Bradley University and then earned an MFA in fiction from Columbia College Chicago. His writing has appeared in Barely South Review, The Sun, Harpur Palate, The Roanoke Review, Booth, and Lunch Ticket. Hoffman is the winner of the Madison Review's 2018 Chris O'Malley Prize in Fiction and a finalist for the Missouri Review's 2019 Jeffrey E. Smith Editors' Prize. Jeff HoffmanOther People's Children, Jeff HoffmanCrossroads, Jonathan FranzenSupport the show (https://paypal.me/TheBookshopPodcast?locale.x=en_US)

People Dnt want kids because of Other People's Children, You cnt Base Other People's Kids Off on How You Think All Kids are or How You're Kids Are Going To Be --- Send in a voice message: https://podcasters.spotify.com/pod/show/jarrett-jackson26/message

Subscribe on YouTube: https://www.youtube.com/channel/UCQX-nWBQWKL3lnx52f3AuCw BOOKS MENTIONED: “Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion” by Tom Beaujour, Richard Bienstockhttps://www.goodreads.com/book/show/54607092-n-thin-but-a-good-time “Summer Fun” by Jeanne Thorntonhttps://www.goodreads.com/book/show/52034695-summer-fun?ac=1&from_search=true&qid=Pk0xDSp3Iw&rank=3 “Horse Girls: Recovering, Aspiring, and Devoted Riders Redefine the Iconic Bond”by Halimah Marcushttps://www.goodreads.com/book/show/55867745-horse-girls?ac=1&from_search=true&qid=3yqsGNftbl&rank=5 “Other People's Children” by R.J. Hoffmannhttps://www.goodreads.com/book/show/54303852-other-people-s-children?ac=1&from_search=true&qid=UMYzpxXsjk&rank=1 “Ghosts” by Dolly Aldertonhttps://www.goodreads.com/book/show/50042494-ghosts?ac=1&from_search=true&qid=2TtSWnONHP&rank=1 THE GREAT ILLUSTRATORS OF EDGAR ALLAN POE W/ TONY MAGISTRALE: https://www.youtube.com/watch?v=8nWgPuNxe1o&t=4s FOLLOW ME ON INSTAGRAM AND GOODREADS @ILIKETOREADPOD TWITTER: @rpolansky77FACEBOOK: https://www.facebook.com/iliketoreadpodMEDIA MAVEN BLOG:https://rpolansky77.wixsite.com/website

Today's Episode is sponsored by Db Journey: https://bit.ly/37cP8YP get 10% off your next purchase by using code POD10Today's Guest is Debbie Ausburn. Debbie Ausburn is a social worker turned lawyer who has worked with youth-serving organizations for more than 40 years. Starting in her teens, she has served as a camp counselor, juvenile court probation officer, group home parent, criminal prosecutor of crimes against children and litigation attorney advising youth-serving organizations throughout the United States. Her most important challenges, however, have been parenting foster children and stepchildren. She has never had biological children, but she has collected seven children and ten grandchildren. She has put the lessons that her children taught her in her recent book Raising Other People's Children: What Foster Parenting Taught Me about Bringing Together a Blended Family.We discuss the concept of Biological clocks and if she felt hers ring. From the trials of being a Foster parent and raising other people's children. Prioritizing needs of children and self-care.You can find her book, Raising Other People's Children on her website as well as Barnes and Nobles and AmazonShe also has a blog called; Other People's Children that you can subscribe and followDebbie is on Instagram, Facebook, Twitter, LinkedinAs always you can follow my blog and on social media as Toitimeblog

Neema Barntette presents BHMD podcast hosted by Whole Body Literacy & Education (WHBLE) founder Ah-Keisha McCants. Her guest is MacArthur “Genius” Award winner Dr. Lisa D. Delpit, the principal of the consulting firm Delpit Learning. Recently retired Felton G. Clark Distinguished Professor of Education at Southern University in Baton Rouge, Louisiana, Dr. Delpit is author of one of the best selling education books of 2013, “Multiplication is For White People”: Raising Standards for Other People's Children. 

Gayle and Nicole have scoured the summer book previews from across the web and found the books that look most exciting. Start making your summer TBR now! They also declare a winner of the 2021 Readerly Report March Madness Tournament. Books mentioned; Other People's Children by R. J. Hoffmann Mirrorland by Carole Johnstone Sing, Unburied, Sing by Jesmyn Ward In The Dream House by Carmen Maria Machado To Sir With Love by Lauren Jayne The Vixen by Francine Prose Goldengrove by Francine Prose That Summer by Jennifer Weiner Something Wild by Hannah Halperin Seven Days in June by Tia Williams Silver Tears by Camilla Lackberg God Spare The Girls by Kelsey McKinney Stolen by Elizabeth Gilpin  The Husbands by Chandler Baker Not A Happy Family by Sheri Lapena One, Two, Three by Laurie Frankel Disappearing Act by Catherine Steadman Mrs. March by Virginia Feito The Next Wife by Kaira Rouda In The Country Of Others by Leila Slimani Support this podcast

Listen to Kaitlin Niedman's review of Lisa Delft's classic 2006 book Other People's Children, and remember, learning is always personal.

Presented and produced by Seán Delaney On this week's programme, Professor Lisa Delpit from Southern University in Baton Rouge, Louisiana and author of Multiplication is for White People: Raising Expectations for Other People's Children talks about her thoughts on raising expectations for students of colour in the United States in light of how they may help Irish educators think about educating traveller children, children from disadvantaged areas, and children whose parents were not born in Ireland.