Podcast appearances and mentions of Ray Romano

The Indiana Pacers are on to the Final and we talk about their big win Saturday night, how they got here and where the Knicks go from here. Jerry O'Connell calls Hank randomly and its the death of the Bing Bong (00:00:00-00:41:55). National Sports podcast and Scottie Scheffler is unstoppable and we talk some baseball (00:41:55-00:51:09). Who's back of the week including Taylor Swift and Rebecca Romijn (00:51:09-01:11:15). Alex Caruso joins the show to talk about the Thunder's run to the Finals, what it will be like to play in front of fans for a Finals, playing relentless defense, Jokic and tons more (01:11:15-01:41:08). Ray Romano joins the show to talk about upcoming golf tournament in Tahoe, sports fandom, and his kids growing up (01:41:08-02:12:19). We finish with lottery ball (02:12:19-02:18:02).You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/pardon-my-take

Willie sits down with Lisa Kudrow to talk about her starring role in the new Netflix series, "No Good Deed," alongside Ray Romano. She also reflects on her time starring in “Friends,” one of the most popular and enduring shows in the history of television. (Original broadcast date January 5, 2025)

In the 889th episode of the PokerNews Podcast, Chad Holloway, Mike Holtz, and [Kyna England talk about the recent drama involving, you guessed it, Maurice Hawkins and Denise Pratt. The latter claims to be owed $11,200 after backing the former, and things boiled over when she confronted him at the payout desk at the WSOP Circuit Horseshoe Tunica stop. What's more, the crew reacts to an interview Hawkins gave on his own podcast, him agreeing to come on the PokerNews Podcast before not responding, and then goes one-on-one with Denise Pratt to hear her side of the story. Mike then shares his experience as the last guest on the final episode of the Only Friends Podcast (they were kind enough to gift a piece of their set to the PokerNews Podcast set), Kyna joins Team Hotdog at the LIPS Spring Festival, and Chad headed up to the NFL Draft in Green Bay, Wisconsin. Oh, and Connor was busy at PokerGO Studio interviewing Jennifer Tilly, Mike Matusow, and comedian Ray Romano during the One Step Closer Foundation's "All in for CP" charity event. Other stories include Pennsylvania online poker joining the MSIGA merged player pool, Mori Eskandani interviewing PA Governor Josh Shapiro, and Robbie Strazynski & others voicing concern over YouTube's algorithm crackdown on poker content. Check out all those stories and more on the latest episode of the PokerNews Podcast! The podcast is sponsored by the #1 free-to-play WSOP app. Remember to use the bonus code "POKERNEWS" if you download and play for an extra 1,000,000 in chips! A new PokerNews Podcast will drop weekly every Thursday at 8a PT / 11a ET / 4p UK time. Remember to subscribe to our YouTube channel so you do not miss an episode! Time Stamps *Time | Topic* 00:15 | Welcome Kyna England & Mike Holtz 01:00 | Maurice Hawkins does a podcast defending himself 06:25 | Maurice wins 19th WSOP Circuit gold ring 07:29 | Denise Pratt confronts Maurice Hawkins in Tunica 09:05 | Was it backing or buying action? 12:05 | Maurice invited to appear on PokerNews Podcast 14:35 | Interview w/ Denise Pratt 25:28 | Sponsor – WPT Global 26:15 | OnlyFriends ends after 719 episodes – Mike the final guest 27:54 | Adding a part of the OnlyFriends set to the PokerNews Podcast set 28:549 | Kyna heads to LIPS Spring Festival at South Point 30:43 | Video – Highlights from the Ladies Tag Team Event 31:44 | Chad attends Round 1 of the NFL Draft in Green Bay 33:00 | Video – Highlights from the “All in for CP” charity event 35:15 | Sponsor – WSOP Free-to-Play App 35:47 | Pennsylvania finally joins MSIGA 37:07 | WSOP releases online bracelet schedule 38:12 | PokerGO scores interview with PA Governor Josh Shapiro 39:37 | Recent Tournament Winners Presented by WPT Global 41:37 | Poker content under fire from YouTube algorithm 42:19 | CardPlayer Lifestyle's Robbie Strazynski speaks out 47:37 | Mixed Game Festival XI coming to Bellagio June 8-19 48:25 | Kyna headed to MSPT in San Diego

This week on Seriously, Dad?, Jay and Al sit down with Nick Bruce, the man behind Wisecrackers Comedy Club, to talk about running a comedy club, growing up with a stand-up comic dad, and the fine line between clean and dirty comedy.Nick shares what it was like never seeing his dad as a kid, then later running sound for his shows—a journey that eventually led him to owning and operating his own club. They dive into PA's Funniest contest, working with comedians, and the art of giving feedback, plus some wild road stories featuring Ray Romano, Tim Allen, and Darrell Hammond.FOLLOW GUEST: Nick Bruce

Screenwriting legend Zak Penn talks about how he got so savvy in the business of show.  We talk about how coming to LA and scouting out the city geared him up for his big move after college and his sale of “The Last Action Hero” started him on a 35 year journey of being one of Hollywood's most sought after writers. We talk about the good times with Speilberg, JJ Abrams, Shawn Levy, Ryan Reynolds, & Dwayne Johnson and we talk about the bad times with others. Bio: Zak Penn's career began as a screenwriter when he sold his first script, LAST ACTION HERO, at the age of twenty-three. Since then, Penn has become known for his work on numerous films based on Marvel comics, including X-MEN 2 and X-MEN: THE LAST STAND, ELEKTRA, THE INCREDIBLE HULK and THE AVENGERS. He has also dabbled in other genres, writing scripts for disparate films such as P.C.U., BEHIND ENEMY LINES and SUSPECT ZERO.Penn's shift into independent cinema began when he collaborated with his idol, Werner Herzog, on the script for RESCUE DAWN. Penn directed and co-starred with Herzog in INCIDENT AT LOCH NESS, his award-winning “hoax” documentary about the legendary director's attempts to make a film about the equally legendary monster. THE GRAND, Penn's second completely improvised film, was his third film with Herzog, and featured an eclectic cast including Woody Harrelson, David Cross, Ray Romano, Cheryl Hines, Dennis Farina and Gabe Kaplan.In addition, Penn co-wrote the original story for ANTZ and produced the animated film OSMOSIS JONES. He has also acted in a number of independent films, including STAR MAPS and CHUCK & BUCK. His first foray into television was the critically acclaimed original series ALPHAS starring David Strathairn. Penn directed the documentary ATARI: GAME OVER for Xbox Entertainment Studios.More recently, Penn adapted the New York Times bestselling novel READY PLAYER ONE for Warner Bros. Directed by Steven Spielberg, the film was released in 2018. Penn also co-wrote the script for the action comedy FREE GUY, starring Ryan Reynolds and Jodie Comer. The film is directed by Shawn Levy and was released in August of 2021.

Gene Hackman is a name that stands out in Hollywood for his sheer talent and range. Known for his extraordinary ability to embody a wide array of characters, Hackman's career spanned decades, and he became one of the most respected and versatile actors of his generation. However, his career was not without its ups and downs, and his personal experiences often influenced his professional choices. In this video, Robert McCune offers a deep dive into Hackman's career choices, the complexities of his acting journey, and how personal life events shaped some of the roles he took on.Gene Hackman is often celebrated for his remarkable performances in iconic films like The French Connection, Unforgiven, and The Conversation, but his career was not always marked by consistently lauded projects. As Robert McCune explains, Hackman was, at times, willing to take roles that he didn't necessarily believe in—roles that, while commercially successful, didn't necessarily align with his artistic ambitions. According to McCune, Hackman's decision to take these roles was influenced by personal circumstances, especially during a period of financial strain.Robert highlights interviews with some of Hackman's co-stars, such as Kevin Costner and Morgan Freeman, who praise his talent, describing him as one of the best actors they ever worked with. Both actors have expressed admiration for Hackman's ability to elevate any film he was a part of, and they emphasize his professionalism on set. But McCune points out that Hackman himself was not always thrilled with some of the roles he was doing, revealing that he sometimes took on movies simply for the paycheck.During his career, Hackman faced personal difficulties, notably a high-profile divorce, which led him to take on projects primarily for financial reasons. McCune explains that, at one point, Hackman openly admitted to accepting roles just to meet his alimony payments. While these roles were often not creatively fulfilling, they were necessary for him to support his personal life.Robert delves into this period of Hackman's career, explaining how financial pressures sometimes led him to choose projects that were less than memorable. However, McCune emphasizes that even during this time, Hackman's professionalism never faltered. Despite the circumstances, he brought his trademark skill and intensity to every project, regardless of its quality.Despite the occasional paycheck role, Hackman also delivered some of the most memorable performances in cinematic history. Robert McCune takes a moment to discuss some of Hackman's greatest career achievements. His roles in The French Connection, Unforgiven, and The Conversation stand out as some of his finest moments on screen. In these films, Hackman's versatility was on full display, from his gritty portrayal of Popeye Doyle in The French Connection to his quiet, morally complex performance in Unforgiven. These roles cemented Hackman's status as one of the greatest actors of his generation.According to McCune, Hackman's ability to navigate between villainous and heroic roles with equal skill was one of the reasons why he was so highly regarded by his peers. Actors like Morgan Freeman and Kevin Costner have pointed out that Hackman's performances were never about the material but about how he brought depth and authenticity to every character. This consistency in his craft is one of the hallmarks of Hackman's career, and it's a reason why he continues to be remembered as one of Hollywood's greats.Unfortunately, Hackman's final film role was far from a fitting send-off to his storied career. McCune highlights Welcome to Mooseport, a comedy starring Ray Romano, as one of Hackman's least successful films. The film, which was critically panned, didn't come close to showcasing Hackman's talents in the way his previous work had.

Joe Conklin has been a constant in Philadelphia radio for more than 30 years. He's known for his spot-on impressions of Donald Trump, Mitch McConnell, Barack Obama, Elizabeth Warren, Allen Iverson, and Charles Barkley, among others. Conklin is also one of the most sought after corporate banquet speakers in the area. His stand-up routine is legendary, as he's skewered some of the country's top politicians, pro athletes, sports executives, and film stars, sometimes to their faces. And each time he is fearless, uncanny, and hilarious. Joe is a twelve-time AIR award winner for Excellence in Broadcasting and his work has been recognized by the Mid-Atlantic Emmy Awards. He's worked with some of the nation's most recognized performers including Kevin Hart, Tim Allen, and Ray Romano. His TV credits include: NFL Films Presents, NBC Sports, Entertainment Tonight, NBA on TNT, ESPN: Baseball Tonight, Good Day Philadelphia, The Q Show, Comcast Sportsnet, Finder's Keepers, America's Funniest People.

The White Lotus is finally back, and so is novelist and Variety columnist Dan D'Addario to talk about a new locale for familiar hateful-richies storylines. We also talked about who we think gets killed, the most and least successful guest storylines, David Lynch, and what happens when a pandemic lark breaks big for premium cable, before going Around The Dial with Cobra Kai, Yellowjackets, and Lorne Michaels. Dan couldn't help but wonder if his And Just Like That... Canon pitch would succeed; Queens won and Ray Romano lost (guess everybody DIDN'T love him back in the day); and a familiar Game Time had us flipping through the PICI-to-English dictionary. Before you pass out at the dinner table, have a listen! GUESTS

Phil Rosenthal is checking in on the state of his friendship with Ted Danson after a hot and heavy start! The “Everybody Loves Raymond” creator discusses how his late parents influenced him, the time he met a young Ray Romano, and why he doesn't consider “Somebody Feed Phil” a food show. Bonus: Phil offers some tips on traveling and eating well.To help those affected by the Southern California wildfires, make a donation to World Central Kitchen today. Like watching your podcasts? Visit http://youtube.com/teamcoco to see full episodes. 

In this episode we discuss some major pop debacles, My Strange Addiction strawberry applesauce edition, the scent notes of an elementary school gym closet, putting pillows in a blanket box every night, Nemo's aka the other lead character, wearing stockings in your own house and SO MUCH MORE!!!

If you thought buying a house was stressful, wait until you watch No Good Deed. Netflix's new dark comedy series dives into the cutthroat world of real estate, where three families battle it out for their dream home—a stunning 1920s Spanish-style villa in Los Angeles. But this isn't your typical bidding war. As secrets unravel and personal drama takes center stage, these desperate buyers quickly learn that no good deed goes unpunished. With a star-studded cast featuring Ray Romano, Lisa Kudrow, Linda Cardellini, and Denis Leary, No Good Deed blends laugh-out-loud moments with jaw-dropping twists. It's like Desperate Housewives meets Big Little Lies, but with even more backstabbing and fewer white picket fences. We're breaking it all down TruVue style—spoilers, NSFW jokes, and our signature barbershop banter. If you've ever wondered just how far people will go to get the perfect house, this episode is for you. We bring the barbershop talk to the box office, because it's not about the review—it's the conversation with the crew. We keep it real on the reels, so grab your open house flyer and let's get into "Desperate House Buys".

Introduction 00:00:25 – 00:02:12 Hosts Chris Horwedel and Matt Crone open the episode with casual banter. Matt jokingly claims he's “too busy” to participate. Chris jokingly prepares for a 30-minute monologue in Matt's absence. Gaming & Pop Culture Discussion 00:02:12 – 00:09:33 Matt shares that he's been playing Donkey Kong Country Returns HD, which was just released on the Nintendo Switch. They discuss the Wii U, a system Matt claims "no one else owned." Chris suggests a Kevin James-voiced Donkey Kong movie, which leads to a Kevin James tangent. Matt mentions a 2006 movie, "Grilled", starring Kevin James and Ray Romano as door-to-door meat salesmen. They discuss the absurd plot, involving mafia entanglements and a young Sofia Vergara. Matt didn't finish the movie, but plans to. A.J. Brown and the Viral Book Trend 00:07:34 – 00:11:22 A.J. Brown was seen reading a book on the Eagles' sideline, which led to a massive 53 million percent increase in sales. The book, Inner Excellence by Jim Murphy, became the #1 bestseller on Amazon overnight. They joke that the author “hit the lottery” without even trying. Matt shares that people in his personal life purchased the book just because of the viral moment. Chris discusses how publicity like this could be a marketing goldmine. NFL Divisional Round Game Analysis Chris and Matt break down each game in the upcoming Divisional Round of the NFL Playoffs. 1. Houston Texans vs. Kansas City Chiefs 00:30:50 – 00:34:42 Chiefs are favored by 8 points. Matt emphasizes the Texans' defense, which forced four interceptions against Justin Herbert in the Wild Card game. Discussion of C.J. Stroud's performance, noting his return to early-season form. Chris compares Herbert's regular-season (3 INTs in 17 games) vs. playoff game (4 INTs in one game). They analyze the Chiefs' playoff history and Mahomes' dominance. 2. Washington Commanders vs. Detroit Lions 00:35:01 – 00:39:29 Lions favored by 9 points. Matt chooses the Commanders and expresses confidence in them. They discuss Jared Goff's efficiency and Detroit's offensive firepower. Analysis of Washington's inconsistency throughout the season. 3. Los Angeles Rams vs. Philadelphia Eagles 00:39:29 – 00:42:30 Eagles favored by 6 points. Chris is concerned about the matchup but feels better knowing it will be a cold, snowy game. Matt highlights how bad weather benefits the Eagles' run-heavy offense. Discussion of the Eagles' home-field advantage and defensive strengths. Breakdown of Rams' difficulties in bad-weather games. 4. Baltimore Ravens vs. Buffalo Bills 00:47:57 – 00:50:45 Bills are 1-point underdogs at home. Chris and Matt agree that this is the best game of the weekend. They discuss how this could be an MVP-deciding matchup between Lamar Jackson and Josh Allen. Chris praises Lamar Jackson's underappreciated career, highlighting how teams missed out when he was available in free agency. Major League Baseball: International Signing Period 00:03:39 – 00:04:15 Discussion on the MLB's international signing period. Japanese pitcher Roki Sasaki is the most coveted free agent. Chris states that Sasaki will likely sign with either the Dodgers or Padres. Wrexham AFC and English Football Discussion 00:14:27 – 00:17:12 Discussion of Wrexham AFC's rise in English football. Wrexham had a chance to reach first place in their league but lost to a weaker team (Shrewsbury Town). Chris explains why Wrexham needs to make roster moves to keep their promotion hopes alive. Matt jokes about Rob McElhenney starting a fencing and roofing business to fund Wrexham's success. California Wildfires & Insurance Crisis 00:17:44 – 00:21:53 Chris and Matt discuss the devastating wildfires in Malibu. Rob McElhenney and Kaitlin Olson (of "It's Always Sunny in Philadelphia") lost their home. Chris reflects on how California's fire season has become a year-round problem. The discussion shifts to rising insurance costs forcing residents to leave the state. Weird Delivery Guy Incident 00:21:53 – 00:24:09 Chris shares a hilarious Ring doorbell video of a delivery driver struggling with three small steps. The driver dramatically climbs the steps on his hands and knees. Matt jokes that Chris should immortalize the moment with a statue. The hosts debate whether the guy had back issues or was just exaggerating. Dog Ownership and Neighbor Issues 00:24:30 – 00:29:07 Matt complains about cleaning up after his dog in the backyard before snowfall. Chris shares how his dogs only use one area of the yard, which is both a blessing and a problem. Matt vents about neighbors who don't pick up after their dogs. In retaliation, Matt once placed dog waste on his neighbor's porch as a message. Chris calls it super aggressive and suggests having a conversation first. Dental Office Mishap & Open-Concept Dentistry 00:41:03 – 00:44:16 Matt shares a story about showing up to his dentist only to find they moved locations without informing him. Chris and Matt criticize the trend of open-concept dentistry, where patients have no privacy. Matt overheard a woman casually discussing swallowing her own tooth. Chris would have asked follow-up questions if he were there. Closing Thoughts 00:47:45 – End Chris and Matt discuss game-day weather forecasts. Snowy conditions could heavily impact the Eagles-Rams game. They reflect on how betting odds shift based on weather and game conditions.

I could be Ray Romano's daughter-in-law right now. Life's complicated. Wine shouldn't be. Quality, single-serve wine for people who don't take themselves too seriously. basiccellars.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

I could be Ray Romano's daughter-in-law right now. Life's complicated. Wine shouldn't be. Quality, single-serve wine for people who don't take themselves too seriously. basiccellars.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week Andrew and Ted sat down and binged, because all 8 episodes dropped at once, Netflix's original series "No Good Deed". The episodes averaged between 30 - 35 minutes in length so it was a quick watch. The series stars Ray Romano and Lisa Kudrow with recurring roles from Luke Wilson, Denis Leary, Linda Cardellini, Poppy Liu, Teyonah Parris, and O-T Fagbenle. Three couples vie to purchase the home owned by Ray Romano and Lisa Kudrow as they figure selling the home is the answer to their problems. Each couple vying to purchase has issues that they need to come to terms with during this positioning to purchase. Tune into Streaming Without A Paddle to find out what Andrew and Ted thought of this Netflix original dark comedy.

Ooh, girl! Have you seen No Good Deed on Netflix? It's like a 90's television dream cast, including Ray Romano, Lisa Kudrow, and Linda Cardellini. If you liked The Perfect Couple and Dead to Me, you will LOVE No Good Deed. Check out our recap, available now!Hosted by: Kahla & L.B.Executive Producer: L.B. BallardProducer: Kahla PoczatekEdited: L.B. BallardTheme Song: L.B. BallardEmail: oohgirlpodcast1@gmail.comInstagram: oohgirl_podcast

Willie sits down with Lisa Kudrow to talk about her starring role in the new Netflix series, "No Good Deed," alongside Ray Romano. She also reflects on her time starring in “Friends,” one of the most popular and enduring shows in the history of television.

Diane chats with NO GOOD DEED Showrunner/EP Liz Feldman about crafting the dark comedy, working with an all-star cast, and all the TWISTS. Diane and Andy review their Top 10 Shows of 2024 - what a year it's been for TV!

National short girl appreciation day. Entertainment from 1967. Pan Am flight 103 Lackabie bombing, 1st basketball game played, 1st crossword puzzle printed. Todays birthdays - Phil Donahue, Jane Fonda, Frank Zappa, Samuel L. Jackson, Nick Gilder, Jane Kaczmarek, Lee Roy Parnell, Ray Romano, Keifer Sutherland. George S. Patton died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Short girls - Don ArndtDay dream believer - The MonkeesFor loving you - Bill Anderson    Jan HowardBirthdays - In da club - 50 Cent      http://50cent.com/Don't eat the yellow snow - Frank ZappaSamuel L. Jackson in Snakes on a planeHot child in the city - Nick GilderWhat kind of fool do you think I am - Lee Roy ParnellExit - It's not love - Dokken      http://dokken.net/

Aaron Rodgers gives details on what drove his family apart. The NFL star dropping bombshell after bombshell from using psychedelic drugs to his list of Hollywood exes. Then, Jessica Simpson stuns fans with a new look. Plus, Lady Gaga's gigantic engagement ring. Our best look at her 8-carat rock and how much it's worth. And, will comedian Nikki Glaser turn the Golden Globes into a roast? We're with the first time host and first time nominees. Then, we crash Keanu Reeves' date night as the “Sonic 3” stars shut down Hollywood Boulevard. Plus, our safari park sit down with the cast of “Mufasa”. Billy Eichner details the hilarious way he met Taylor Swift and Travis Kelce. And, getting rETrospective with Ray Romano. Untold stories from his many movie and TV roles. And why he recently rewatched every single episode of “Everybody Loves Raymond”. Then, a new chapter for “The Karate Kid”. How Ralph Macchio and Jackie Chan are teaming up to bring the franchise back to the big screen with Joshua Jackson along for the ride.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nobody ever said the housing market was easy. In the new Netflix ensemble dark comedy No Good Deed, a couple played by Lisa Kudrow and Ray Romano, along with several other couples and families, get tangled up in the sale of a home that holds a secret.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Thanks to the success of the beloved Comedy Central series, Broad City, Abbi Jacobson is widely known as a comedic force in film and television. But, as of late, she's busy uniting her comedy skillset with more dramatic performance opportunities, and the power of her ability to do both is undeniable. After soaring in the canceled-too-soon Prime Video series, A League of Their Own, Jacobson joins the ensemble of yet another brilliant comedy and drama combo, Netflix's No Good Deed.At the center of Liz Feldman's (Dead to Me) latest for the streamer, we find Lisa Kudrow and Ray Romano as Lydia and Paul Morgan, a couple gearing up to sell their gorgeous 1920s Spanish-style Los Feliz villa. The appeal of the property sparks a bidding war, a war Jacobson's Leslie finds herself right smack in the middle of. Leslie and her wife Sarah, played by Poppy Liu, are ready to do just about anything to snag the house, but then they start to suspect there might be some dark and dangerous secrets tied to the property — secrets that'll test how far they're truly willing to go to get their dream home. As we now come to expect from a Liz Feldman show, No Good Deed is a laugh-out-loud romp that's also brimming with heart and pathos. Jacobson is especially adept at achieving a pitch-perfect blend of the two qualities, further cementing the fact that she's not only a hugely talented comedic actress, but a dramatic star, too. In celebration of No Good Deed's release on Netflix, Jacobson swung by for a Collider Ladies Night chat to revisit her choice to leave the Atlantic Theater Company for the The Upright Citizens Brigade, and how, all these years later, she's finally come to accept that she didn't have to study at an acting conservatory to take on dramatic roles. Hosted on Acast. See acast.com/privacy for more information.

It's our week before the week before Christmas episode, which as we all know if the most meaningful of them all. This week on the podcast we look at the film everyone is too embarrassed to buy a ticket to: Kraven The Hunter. There's also the quietly excellent Steven Moffatt series Douglas Is Cancelled. And hen there's Ray Romano and Lisa Kudrow's new Netflix comedy No Good Deed.

Desperate for a new series to binge-watch or heading to the cinema for date-night? Gayle Edmunds shares her top picks of things to watch on the big and small screen.  This week we’re watching: No Good Deed. Cast:  Lisa Kudrow, Ray Romano, Linda Cardellini Plot: The sale of a couple’s Los Angeles home forces them to face painful family secrets — and hide them. See omnystudio.com/listener for privacy information.

This week on episode #241 of New Release … house hunters Ashley and Drew try to untangle the most twisted of suburban murder plots. No Good Deed stars, uh, loads of people … and … they're all freaking liars. What are you hiding, Ray Romano? Huh?! Linda Cardellini … more like, Linda CardeLIAR! Anyway, listen to find out what we thought of this dark comedy and, as always, whether or not we want more. ⏩ Feature presentation starts at (10:25).Want MORE? Search ‘New Release' on Spotify or Apple and hit subscribe. Did I mention we're also on YOUTUBE!? Leave a comment

The co-hosts share their reactions to "TIME" Magazine picking President-elect Trump Thursday as their person of the year. Plus, after "TIME" chose Clark as their athlete of the year, the co-hosts question if her comments about the impact of Black women on the WNBA are being misunderstood. Lisa Kudrow joins to discuss teaming up with Ray Romano in her new series "No Good Deed," and shares why she only recently starting watching herself as Phoebe Buffay in “Friends.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Daily Comedy News, Johnny Mac discusses Nikki Glaser's feature in Rolling Stone. The episode also touches on her upcoming role as the Golden Globes host and the challenges she faces. Additional segments include Ray Romano's stand-up advice to his son, Russell Peters' career reflections, and Jerry Seinfeld's latest car purchase. There's also a heartwarming story about Jeff Foxworthy's down-to-earth personality. The show wraps up with details about Sam Wiles' new comedy album release and the starting salaries for SNL cast members. 00:59 Nikki Glaser's Personal Struggles03:51 Ray Romano's Stand-Up Advice04:27 Russell Peters and Industry Challenges05:10 Jerry Seinfeld's New Car05:42 SNL Cast Member Salaries08:41 Jeff Foxworthy's Down-to-Earth NatureTAGS 5 Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!    This podcast supports Podcasting 2.0 if you'd like to support the show via value for value and stream some sats! https://linktr.ee/dailycomedynews Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media Thoughts  is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

- SKOR North's Judd Zulgad talks with the crew about what he's unusually good at, the group talks about some of the most annoying songs they've ever heard, and Tom and Judd chat about old Chucker bits. Plus a preview of what's on the Minnesota Sports schedule over the next couple of days.- KSTP's Chris Egert has a brief update on Luigi Mangione with some more details being released by authorities, and why he's doing his hit from in his car and where he's getting breakfast this morning.- Actor Brandon T. Jackson joins the show to chat about his work on his new independent film, Trap City, the film will do a limited release in theaters nationwide on December 13!- Carlos and Alexa PenaVega join the show and have a great Christmas movie called GET HIM BACK FOR CHRISTMAS which premieres on Great American Family on 12/21 at 8! Carlos wrote a soundtrack for and sings a number of songs in the film. Carlos' character plays Jack who works for The Salvation Army having stayed behind in Nashville while former girlfriend Bella played by Alexa becomes an international singing sensation. Music brings the pair back together. In real life, Carlos and Alexa are perennial partners of The Salvation Army.- Kristyn Burtt finds out with the crew what the most hated Christmas songs are, talks about their own that makes them turn the music off every time. Kristyn recommends the new comedy series starring Ray Romano and Lisa Kudrow called No Good Deed. Plus some other stories from the entertainment world!Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

- SKOR North's Judd Zulgad talks with the crew about what he's unusually good at, the group talks about some of the most annoying songs they've ever heard, and Tom and Judd chat about old Chucker bits. Plus a preview of what's on the Minnesota Sports schedule over the next couple of days. - KSTP's Chris Egert has a brief update on Luigi Mangione with some more details being released by authorities, and why he's doing his hit from in his car and where he's getting breakfast this morning. - Actor Brandon T. Jackson joins the show to chat about his work on his new independent film, Trap City, the film will do a limited release in theaters nationwide on December 13! - Carlos and Alexa PenaVega join the show and have a great Christmas movie called GET HIM BACK FOR CHRISTMAS which premieres on Great American Family on 12/21 at 8! Carlos wrote a soundtrack for and sings a number of songs in the film. Carlos' character plays Jack who works for The Salvation Army having stayed behind in Nashville while former girlfriend Bella played by Alexa becomes an international singing sensation. Music brings the pair back together. In real life, Carlos and Alexa are perennial partners of The Salvation Army. - Kristyn Burtt finds out with the crew what the most hated Christmas songs are, talks about their own that makes them turn the music off every time. Kristyn recommends the new comedy series starring Ray Romano and Lisa Kudrow called No Good Deed. Plus some other stories from the entertainment world! Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jamie Lee Curtis stops by to discuss her role in the new Amazon Prime series ‘The Sticky' and the latest on the sequel to ‘Freaky Friday.' Also, Lisa Kudrow and Ray Romano talk about teaming up for the new Netflix show ‘No Good Deed,' where they play a husband and wife trying to sell a house full of secrets. Plus, YouTube star Danielle Kartes shares a few of her favorite food-themed gifts to give this holiday season.

Jimmy addresses the latest news, like the U.S. Postal Service issuing an official warning about text scams, before speaking with Ray Romano and ROSÉ.

Jessica Shaw and Henry Goldblatt share all of the great series, films, and actors who received Golden Globe nominations this year. Plus, they preview the newly nominated biopic Maria which stars Angelina Jolie as the infamous opera singer Maria Callas. Finally, they talk about No Good Deed, a new series from Dead to Me creator Liz Feldman that features an all-star cast including Lisa Kudrow, Linda Cardellini, Ray Romano, and more. Follow Netflix Podcasts for more and read about all the titles featured on today's episode exclusively on Tudum.com.

Q&A on the Netflix series No Good Deed with cast Lisa Kudrow, Ray Romano, Linda Cardellini, Abbi Jacobson, O-T Fagbenle, and Teyonah Parris, and creator & showrunner Liz Feldman. Moderated by Mara Webster, In Creative Company. It tells the story of three very different families vying to buy the very same 1920s Spanish style villa that they think will solve all their problems.

The major thing about Netflix's No Good Deed that appealed to Ray Romano was that it was unlike anything he'd done before. “I read about three scripts, and at the end of each there was a little twist, a little turn, [and] it was funny.” The dramedy series follows families looking to buy a home owned by Paul and Lydia Morgan (Romano and Lisa Kudrow). “You can tell a person's good or bad, not from one incident, [but] from overall. We get to see that these are good people going through bad situations.” The series uses comedic actors in sometimes-dramatic situations (yet still humorous). “You know both of us, Lisa and I, from sitcoms—her sitcom was much more well-known than ours, but we have our fans, too. If they allow us to show this other [heavier] side, I think it's very effective.” Romano, who shot to fame with Everybody Loves Raymond, says he still gets intimidated working with celebrities like Kudrow. “You imbue this persona to these people that are celebrities and icons and whatnot, and then after you get to spend time with them, they're just people.” See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"No Good Deed” star Lisa Kudrow joins the show. Over tagliatelle and scallops, Kudrow tells me the origin story of her "Friends" character Phoebe Buffay, how “The Comeback” was inspired by reality TV, and we get into her new Netflix series “No Good Deed” opposite Ray Romano. This episode was recorded at Novikov in Beverly Hills, CA. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Influencers are finally suing each other for making seemingly identical content. Should we be laughing or crying (hint: we're doing both)? Ben Affleck thinks that AI will never replace movies. Is he hot and wrong, or just hot? And how is everybody not depressed? Also: if Ray Romano and Dan Le Batard became one person, cryptic births, Clean Girls, Ding Dong Primple Pants, and Michael's finest career credit. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Influencers are finally suing each other for making seemingly identical content. Should we be laughing or crying (hint: we're doing both)? Ben Affleck thinks that AI will never replace movies. Is he hot and wrong, or just hot? And how is everybody not depressed? Also: if Ray Romano and Dan Le Batard became one person, cryptic births, Clean Girls, Ding Dong Primple Pants, and Michael's finest career credit. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Interview with stars Lisa Kudrow and Ray Romano regarding their new Netflix series No Good Deed. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinexpress/support

Send us a textMy guest is legendary drummer, composer, producer and occasional house guest, Rick Marotta! A spontaneous LFMDR and TrackTalk episode where Rick and I do a deep dive into some of his iconic recordings including, Jackson Browne's "Boulevard," Warren Zevon's "Lawyers, Guns and Money" and Jim Croce's "I Got a Name." Rick gives us insights into these iconic songs as only Rick Marotta can, so come along for the ride and please subscribe to my YouTube channel!  Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor! https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Johnny Mac delves into the highlights of SketchFest, including appearances by Bill Murray, Tim Curry tributes, and anniversary celebrations for 'Airplane' and The Groundlings. He also criticizes Hulu publicists for not reaching out and covers various comedy news, including upcoming specials from Matthew Broussard and Gary Goleman, and updates on shows and movies featuring stars like John Mulaney, Ray Romano, and Lisa Kudrow. Johnny shares his thoughts on Greg Gutfeld's joke about John Krasinski and discusses Theo Von's podcast story about J.D. Vance's security detail. Additionally, he mentions that T.J. Miller is open to returning to Deadpool movies and expresses his ongoing frustration over Taylor Swift's snub of Jo Koy.00:55 SketchFest Highlights03:11 Hulu Publicist Rant03:20 John Mulaney's Recognition by GQ03:49 Greg Gutfeld's Controversial Joke04:55 Gary Goleman's Off-Broadway Debut05:31 Ray Romano and Lisa Kudrow's New Netflix Series06:55 Theo Vaughn's Story about J.D. Vance07:12 Matthew Broussard's Upcoming Special08:23 TJ Miller's Potential Return to DeadpoolUnlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!   This podcast supports Podcasting 2.0 if you'd like to support the show via value for value and stream some sats!https://linktr.ee/dailycomedynewsHEY HULU PUBLICIST Contact John at john@thesharkdeck dot com John's free substack about the media:  Media Thoughts is mcdpod.substack.comDCN on Threads: https://www.threads.net/@dailycomedynewsYou can also support the show at www.buymeacoffee.com/dailycomedynews Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

00:01 - Tolu Kolade (Ad) Hi Anne, my name is Tolu Kolade. I am a Nigerian and I love your podcast. I listen every week and I discovered it last year and I must say it has been an incredible eye-opener for me, helping guess what. You inspired me to also create my own podcast, which is also based on voiceovers. So I love what you do and keep doing what you do, thank you.  00:35 - Anne Ganguzza (Host) Hey bosses, are you struggling with that ever elusive, real, conversational, authentic, like you're talking to your best friend, Reed Book? Coaching with me and I'll help you take your voice over to a real and believable place. Find out more at anneganguzacom.  00:54 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  01:13 - Anne Ganguzza (Host) Hey everyone, Welcome to the VO Boss Podcast and the Boss Superpower Series. I'm your host, Anne Ganguzza, and I am here with the lovely Lau Lapids. Hey, Annie. Always happy to be back in the sack Lau. You are so lovely. You know what this week I've been thinking there are so many of my students and I'm quite sure that this happens to you frequently, being an agent and being a coach is that people are always trying to put on these particular voices right, that they feel like should be the voiceover voice right, and I know we've done episodes on this and we sound like maybe a broken record or maybe bosses out there.  01:54 You've heard this before. We really love your original voices. I think there's so many people that get into voiceover because they feel like they've got these great voices in their head, they can do great imitations and then when they get behind a mic, they perform and in reality, what most people want, I think, and what I demand from my students is give me your voice, because that pretty voice just is super boring. What are your?  02:21 - Lau Lapides (Guest) thoughts on that Lau. Yeah, we were just talking about this just a moment ago that casting directors and agents are really, really now looking for the real voice, the real sound, and we've been doing some animation in-house workshops and talking to animation casting directors who are saying 80% of the talent that they are hiring now for big feature film and TV series are their voices. It's their voices, real voices, their real voices. It reminds me of when we saw the earlier animations of like the 90s and the 2000s, when we saw the Ice Age and all of that. We'd see the A-list actor personalities Queen Latifah and Ray Romano and all of that, and they were them and they of that and they were them and they were recognizable and they were them and you thought, wow, why aren't they putting on a character? They're actors, they can put on a character. Well, why would they? They have a huge following. We want to hear their voice.  03:17 We want to know who they are. So I think some of those trends started with some of the A-listers, the Tom Hanks that came in and really provided their everyday sound for these heightened, larger-than-life characters in commercial as well.  03:34 - Anne Ganguzza (Host) You know, I always wonder, like, what is it about voiceover, when I get my students in?  03:39 - Intro (Announcement) What is it?  03:40 - Anne Ganguzza (Host) about when people first start, when they think that we don't want to hear their voice. They're always like and now I'm going to read a medical narration and I'm like no, like, no, I don't want to hear it like that. I want to hear your voice telling me or educating me about it in a confident way, but I don't want to hear this hi, this kind of air that they have and that they put on their voice. And I think a lot of times people like listen to what they hear out there. There's a lot of that out there and that's kind of unfortunate because that gives people preconceived notions of what is the right way to sound. There is no right way to sound. I think there's really just your way and your genuine way to sound, and that's what we find so intriguing, it's true.  04:25 - Lau Lapides (Guest) And many of us too, at least in our generation. We grew up on Disney and we grew up on programming where we did hear those sounds. That was in our heads. As little kids. We were imprinted with those sounds and we had the bedtime story when we heard Snow White and Cinderella. And when we grew up with the fairy tales, the folklore, we heard those exaggerated character and sometimes even caricature sounds in our cartoons as well. Many of our cartoons as well were over the top, larger than life, over the top unrecognizable to who that person was. So there was a style of those times that doesn't translate quite as well to these times. These times are much more real, authentic, down to earth, relatable. All the things that you see in the specs of your breakdown, of your auditions for like a commercial, you're also going to see the heightened characters as well. So be prepared for that Like. Start to be at home with what your authentic sound is.  05:29 - Anne Ganguzza (Host) And then I'm going to add on top of that right, be comfortable with your voice, embrace your voice, and embrace your voice in all levels of emotion and point of view, because that's where I think a lot of times people will think but I sound so flat and I sound so boring and I'm like but you're not when you talk to me right in this session that we're having right here. When you talk to me, you're not boring, you're not flat at all. There's a dynamic to your voice, there's emotion, there's point of view, and I think that's the real key right there is bring you with that point of view and that emotion that really brings the story to life.  06:04 I talk to my students all the time and I say we all, we tell stories all the time and when we do that, we have evolving points of view that happen throughout the story, right From maybe the beginning of your sentence starts in one point of view and then it ends up in another because, oh my God, you're not going to believe what I did last night and let me tell you.  06:25 And so, in reality, like you can be excited, you're not going to believe what I did last night and let me tell you. And so, in reality, like you can be excited, you can be exaggerated and then mysterious, and then like, well, first of all, this unfortunate thing happened, but then, oh my gosh, right. And so your emotion is evolving as you tell the story and I feel like that can be in your voice, and it allows your voice to have many different textures and many different sounds that are very much authentic and not character-y, that's right and the truth is is like when we're in a conversation, whatever that conversation is, it would be the last thing that comes to our mind Oftentimes what we sound like or what we look like Because we're thinking of other things.  07:02 - Lau Lapides (Guest) We're connecting to the person. We're thinking of where we're going. Next we're talking of other things. We're connecting to the person. We're thinking of where we're going. Next, we're talking about our cat. We're doing whatever we're doing, but we stop the action, we stop the authentic doing. When we go into process and start looking at critiquing, criticizing, ripping apart whatever action verbs you want to use, when we look at ourselves and listen to ourselves, that's when we break the chain of the actual connection. So if a casting director says to you after an audition disconnected, you aren't connected that means you were in your head, you were thinking about lines, copy, or what you sound like or the mechanics right, like you're not at that last final destination yet You're not with me, yet You're not in the room with me, you're inside of yourself, and so that, to me, is a quick indication.  07:51 If you're saying what did that sound like? Did I sound real? I already know you didn't sound real. You didn't sound real because we wouldn't be thinking about sounding real. We would be thinking about persuading that person to get the prescription medication that they really need so that they don't die. Right, we're not thinking about did I sound authentic?  08:11 - Anne Ganguzza (Host) talking to them about the medication.  08:13 And I think a lot of it is. When we get those words in front of us. That's what throws everybody off right, because all our lives we've been trained to read out loud, right, to read out loud. I say that three times again read out loud, which is nothing like acting, right, reading out loud is nothing like acting. And so I have so many people are like but I don't understand, like, how do I connect to it? I would never say that.  08:35 And again, that is our job is to make those words sound believable and create the scenes in which those words would come out of our mouths in a believable and authentic way. And so you have to stop looking at the words as if they are words. There has to be so much more beyond those words on the page Right, and I think a lot of times I emphasize what's almost more important is it's easy to figure out who you are if you're just you, right, you're you. You're representing a company, you're trying to convince somebody that this is a great product or whatever it is you're trying to do, but really thinking about the person you're talking to. Like, have empathy. I say this so many times is that empathy is like number one rule, I think, for being really engaging and understanding who it is that you're talking and being able to connect with them, because having empathy and understanding what are their pain points, how is it that your product is going to help them? Is going to really, I think, help you to tell that story or be more authentic sounding.  09:32 - Lau Lapides (Guest) Yes, no question about it, and you and I have that sensitivity about the word read. Read is kind of like it's not in our realm to read. We don't read for a living. We read scripts. We have to read scripts. Not in our realm to read, we don't read for a living. We read scripts. We have to read scripts.  09:46 Yes, the brain process is the reading of it, first for comprehension's sake, yes, and then, once you're comprehending what is being done, you're processing it. You don't want to go into auditions and you don't want to go into recording sessions. Processing it, that's before. And then, as you process it, you get to your interpretation. Then now we're talking, now we're talking, then you want your interpretation to start, come out into your delivery. So, allowing that time, allowing the brainpower to happen, allowing that, to say my reading is at the beginning of the process. It is not when I'm auditioning or when I'm working on a gig. I'm not reading. In fact, I should even know the copy is the truth. Really, great actors who are doing voiceover copy half of them are not even reading it. They're just already interpreting it and memorizing it because they're actors for on camera, so they're taught to memorize.  10:39 - Anne Ganguzza (Host) Yeah, and memorization is helpful if you've got a short script. However, a lot of the genres that I deal with it's not a short script and it's not practical necessarily to memorize. However, I will say that you're doing something similar. Not necessarily you're not memorizing, but you're reading far enough ahead, right, so that you understand where did the story go. Right, Because you got to know where the story ends up, so that you can like formulate how it begins. It's like you can't tell a good story unless you know that story, and so you can't evolve a point of view unless you know, like, where you're going with it. Really, you can discover it along the way if you have really well-written script. Really you can discover it along the way if you have really well-written script, right, or if you have easy-to-understand script.  11:20 And I'll tell you a lot of times, in commercial copy or corporate narration copy or e-learning copy, it's not the easiest script. A lot of times it's not a dialogue between two people, which I think is the easiest to understand. Right, and to be the most comfortable with sounding like you're talking to someone is if you're actually reading copy that's written that people are talking to someone. When you have copy that's written in any other kind of format like second or third person, then it becomes a whole different story. How are you making that sound like you're actually talking to someone? Because it's not written in a dialogue format. And so that's where I think the disconnect comes for a lot of people, when they don't know where they are in the scene and they don't know who they're really talking to. They haven't thought about it or researched it or analyzed it. They then just read the words and then it becomes very neutral.  12:08 - Lau Lapides (Guest) It becomes neutralized, and that's fascinating. In your daily conversations too, I think you'll notice that people stop speaking when they're processing information, and a lot of times I'll have people. My husband says this to me all the time. He said stop bulleting thoughts at me, I'm still processing what you said earlier. I can't. I can't interpret what you're doing right now. It's too fast for me, so would you say stop bullying.  12:30 - Anne Ganguzza (Host) Did he say stop bullying?  12:31 - Lau Lapides (Guest) your points at me no bulleting, bulleting, Like shooting it at me, like boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, that kind of thing. But in the daily conversation of many people you're actually not processing quite as fast, especially new information or technical information.  12:48 - Anne Ganguzza (Host) And so it would be unfair.  12:49 - Lau Lapides (Guest) It would be unfair to say, well, give me emotion about it, give me a feeling about it, which I do to him all the time. Tell me how you feel. He said I don't know how I feel, I'm still processing it. So that's the lesson of the day. Is like. That makes sense. If you're not emoting authentic feeling, it's because you're still processing it and you've got to do that first. You've got to get through that first. That is not the end, though.  13:12 - Anne Ganguzza (Host) That's not the outcome. The top layer is your emotion, is your point of view. That is what brings your unique perspective and your unique read and what casting directors are looking for, usually all of the time right, they're looking for that All of the time.  13:25 Bring you to the copy. What does that really mean? Well, that means bring a point of view to that copy, and bring a point of view that makes sense. I mean, obviously, if you're championing a product, you want to make sure you're championing a product and you're not like angry or miserable about it unless the dialogue calls for it. So you need to get to that last layer, which is that evolving point of view, which makes the connection and really allows people to also comprehend what you're saying easier.  13:53 Because if you're neutral, if your point of view is just like hi, I'm going to read the words really nicely and very consistently and I'm not really going to put any sort of emotion on it, and I'm going to do this for the next two minutes, right, and I sound like a voiceover artist, right, but in reality you haven't told the story, you haven't allowed anyone to hear that and then process it. You haven't helped them in their comprehension, typically like as you and I are talking today. Right, I'm like well, I don't go. Well, we've got this right, I don't go well, we've got this Annie that sounds excellent to me.  14:31 - Lau Lapides (Guest) Yes, yes, it does.  14:33 - Anne Ganguzza (Host) And it helps really people to hear and comprehend and understand what you're saying so much better than a simple like run-of-the-mill, medium, neutral kind of a read which most people seem to do on long-format narration copy. They tend to think it's like a documentary, but in reality, the focus of you, if you're actually doing a documentary and I always tell people like what's the difference, it's written like a documentary. Why should I not sound like a documentary? Well, typically with a documentary and those of you that love documentaries, such as myself, you're watching a video which completes a story. For you, there's a visual right and there's also music maybe, which also helps in the story right.  15:10 Your voice is simply supporting the documentary. So you need to just be able to tell the story, no matter what the media is underneath you, and the best kind of story to tell is one that's real and authentic. And that's why I think so many casting directors and correct me if you think I'm wrong, but I think so many people ask for that real read, because you can put any kind of music under a real read. You can put any kind of video under a real read and it will work. You can put any kind of video under a real read and it will work. You put something really dramatic and if somebody's like hey, this is the story and I'm going to tell it to you, like it really is Right, you can put dramatic music behind that, you could put dramatic visuals and it works. And you can also put something that's very soft and not dramatic and that storyline still works.  15:50 But if you're dramatic and you're fighting with other dramatic elements of a production that doesn't always work.  15:56 - Lau Lapides (Guest) Nope, doesn't always work. Doesn't always work. That's a good little formula to think about. And then I want to take a couple steps back and say, okay, here we go to the tough stuff. And that is before you even do anything meaning reading, prospect, audition or copy how do you feel about yourself? How do you feel? Ooh, we're getting deep. How?  16:15 - Anne Ganguzza (Host) do you feel about yourself?  16:16 - Lau Lapides (Guest) How do you feel we're getting deep? How do you feel about what you have to say, how you say it, how you feel about it, how you feel in your life, because that is also going to be transmitted as well through all of this. You lack confidence, you lack self-esteem, you lack your know-how about who you are as a person. The more you're going to be freaking out about the work that you're doing, you're just always going to feel like you're never bringing it. You're never bringing it to the table and you're going to start to become super biased and super, super, highly critical about yourself, where you can no longer trust your self-direction.  16:54 - Anne Ganguzza (Host) Yeah, yeah, I hear that a lot from some students that come into the industry and they try to sound a particular way, right, and they think do I have what it takes? I get that question probably on a daily basis, right, do I have what it takes? Well, do you have what it takes to be brave enough to bring you yourself to the party?  17:11 - Intro (Announcement) right.  17:12 - Anne Ganguzza (Host) And if you do, if you have the courage to do that right. There's a lot of people that don't have the courage and they hide behind that voice, they hide behind that persona. That is hi, I'm the voiceover voice and that is almost like a. It's almost like a false confidence, right?  17:26 lau or it's like oh, it's a mask I'm sounding it's a mask, it's a mask which is how interesting I always say a lot of character actors are very confident, right, and it's always really like when we listen to character acting, it's easy to become more emotional, right, because we are a character, it's a dialogue and we can formulate those emotions. They're kind of written into the copy for us. But when we're talking about some other type of copy, which may not be obvious, right, may not be, you know, a commercial, oh, I don't want to sound too selly, right, that's what I know about being selly, right, be a real person, don't sound announcer-y. Well then, that's my emotional like. I guess starting point, right, but in reality you've got to do more work to figure out that story, to figure out where your emotion lies. If all you know is that you can't be announcer-y and you can't sell and you need to sound, you're talking to your best friend. You need more work than that. You need to do more work than that to tell the story, right, lau.  18:23 - Lau Lapides (Guest) No doubt about it. Okay, so that's the honesty that you need, and sometimes you don't possess it. So that's where we always say circle yourself with great people to help you figure out what your most authentic you. And delivery is and connection is, because sometimes we don't see it, we don't know what it is, we don't know how to reach it We've never heard it and it takes years sometimes to get to, and that's OK.  18:48 Have patience, but you really do, as you said, have to have the courage, the bravery, to say I need to feel something about this, I need to care about something, I need to connect with who I'm talking to, because I was just working with a client yesterday, coaching, and they were literally what was it about? Oh, it was an adult acne product. It was like an infomercial type thing and this talent is so talented, it's like so gifted, so wonderful, was not connecting in any way. And I turned that into her sister having adult acne and, surely enough, the onion peeled. And then all of a sudden it came to her after almost an hour. She said I think I'm just going to talk to her because she really does have this problem actually and it really does bother her.  19:32 And I'm like you have to think about what's at stake for the people or person that you're talking or discussing with. Anytime you're going to sit down and have coffee or go to your diner and have breakfast. You're going to talk about a lot of stuff with your people and there's always something at stake. What's at stake? Are you talking?  19:50 - Intro (Announcement) about politics?  19:51 - Lau Lapides (Guest) Are you talking about religion? Are you talking about sexuality? Are you talking about finances? High stakes on all of those. High stakes on all of those. Your kids going to school high stakes on all of those. So why would we not think about that and connect with all the scripts that become in front of us Because there's stakes to those scripts, right, Absolutely.  20:13 - Anne Ganguzza (Host) I love the way that you phrase that that there's stakes to that. There is. There's a reason why the words are there in front of you and you have to discover there is. There's a reason why the words are there in front of you and you have to discover really what those stakes are Like. Why, why are you talking? Purpose is so important, really. I mean, purpose is so important. If you don't understand the purpose of why you're saying something, it's kind of like, well, let me just gloss over the words, then it drives us, it's our lives.  20:35 - Lau Lapides (Guest) It's like that's why so many actors will say who are career actors? They'll say what else would you have liked to do? They say I don't know. I do what I have to do, I do what I love to do and I do what I need to do. So there is the authenticity. It's not I'm doing this because I want to sound a certain way.  20:53 - Anne Ganguzza (Host) I'm doing this because I want to look a certain way Right.  20:58 - Lau Lapides (Guest) We don't want a doctor that looks good and sounds good, we want a doctor that can help us with our health.  21:01 - Anne Ganguzza (Host) Yeah, you know, I like that analogy because we don't want a doctor to look or sound good Like. When I go to a doctor and I connect with a doctor, I want him to help me, I need him to cure me, right, and that is the underlying reason as to why I'm listening to him in the first place, right, and if he's not addressing my needs, if he is all concerned about how he looks and or how he sounds when he's telling me about it, I'm not going back to that doctor. And so guess what? That's why we need that in advertising. We need you to be able to connect with that potential client when you're talking about that product, because there is, there are high stakes I love how you put that. There are stakes and what are they and understand your purpose for telling somebody about this product or talking about this product, or communicating with someone and empathizing, right, empathizing yes, I know that you're upset that you have. You know what I mean. Adulterated acne is not fun. I had it.  21:54 It was just like shouldn't I have been over this by now? You know, I mean it is just a thing.  21:59 - Lau Lapides (Guest) It's devastating actually, and acne of all ages is devastating to the people who are experiencing it. It's stigmatizing, it's all of those things. So it's like when you think for a moment of what that's like to go through, that will help you connect in a really personalized way. I think personalization is a part of it too. Personalization is a part of it too. So even if it's a business read of some kind or maybe it's a how-to, like how do I organize my closet, there's a personalization about that, like how do I go through the process, how do I feel about it, what does it do for me? And it's a truly deeply psychological process. We see that in all the shows, from hoarders to organizing to everything.  22:38 We have a lot of emotion, a lot of memories, a lot of psychology in our closet as an example, right. So there is almost nothing that I can think of that doesn't have high stakes to it for someone who is involved with it. It may not for me, but it will for someone else.  22:56 - Anne Ganguzza (Host) And I want to reiterate that that applies across the board, really for any script. It applies for medical narration, it applies for corporate narration. Again, people have such misguided thoughts about what is corporate narration or what is medical narration. Well, I'm just going to deliver the information articulately and clearly and teach somebody. In reality. No, there are stakes. Companies have products to help people to solve a problem and you've got to understand what that is.  23:23 Medical narration is all about either education or you're selling to solve a problem, that somebody needs to come to the hospital because you have the latest technology to help with their recent cancer diagnosis. You know that's high stakes. You're educating young doctors about the process of electrocardiograms because you may save a life right. There's high stakes to all of that and in getting to understand the purpose and what those stakes are is going to be what helps you connect and what helps you be the better reader, even if you've never heard it that way before. You're not coming to myself or Lau to be coached to give a pretty read. You can do that all on your own and, as a matter of fact, I don't want you if that's. All you want to do is a pretty read.  24:07 - Lau Lapides (Guest) No, I don't want it either. It's not authentic?  24:09 - Anne Ganguzza (Host) No, it's not authentic and that's not what I can help you with the most, because you don't need me. I'm not going to have you give. Give me your money for that. Give me your money if you want to really sound connected and really understand how to evaluate your scripts and analyze your scripts and understand those stakes and then bring that script meaningfully to your audience Right and, if a talent says well, I don't know much about this industry or I don't know if I feel anything about it.  24:35 - Lau Lapides (Guest) I'd say two things to that. I'd say three things to that. Number one you can train with us and become an actor, and an actor should be able to connect to every world in the world. And number two if you don't think you can connect, go to a big building downtown in the area you live in and just walk in the lobby. Don't look scary or creepy, just walk in the lobby and just like, have a cup of coffee in your hand and sit in the lobby and watch the people, listen to them. How do they feel?  25:13 How do they dress? Are they moving fast? Are they on their cell phones? Are things busy for them? Are they moving and shaking? Try to capture that as you're looking at your script, because that's the organization, that's the industry, that's the thing you're talking about and the people you're connecting either to or you are posing as right. Do that little bit of work. I know Johnny Depp did that for years and years as an actor.  25:39 - Anne Ganguzza (Host) He would physically like go live in the culture and you couldn't talk to him for like a month until he figured it out right and, in addition to that, go ahead and research the product, Research the company, Sign up for their mailing list. You're going to find out a lot. Go to their YouTube channel or just talk to someone.  25:56 - Lau Lapides (Guest) How about talk to someone. Annie, just talk to someone and say hey, I'm not a solicitor and I don't want to freak you out. Can I talk to you for five minutes? Because I'm an actor actually and I might be hired by this organization and I kind of just want to hear what your life is like when you work in the office in the day.  26:11 - Anne Ganguzza (Host) How do you feel about this company? How do you feel about?  26:12 - Lau Lapides (Guest) the product that you offer. That's going the extra mile. Why not?  26:16 - Anne Ganguzza (Host) I guarantee you you might have somebody who would actually enjoy talking about it.  26:20 - Lau Lapides (Guest) Oh my God, They'd be excited. They'd say how do I know you?  26:24 - Anne Ganguzza (Host) But yeah, especially if you say look, I'm not here to freak you out, I just I'm an actor and I might be hired. So I just I'm curious to get your opinion. What is life like at this company? Are you stressed? I mean, do you love the product?  26:43 - Lau Lapides (Guest) Do product. What can you share with me? That's a good idea. I like that. Isn't that a great idea? By the way, annie, we just did one on podcasts, and when you're talking about self-promotion, you're talking about self-producing, you're talking about becoming a business Like why not be the guy or gal on the street that does a one-minute interview with someone who's on the street coming out from the building, right? Some of our biggest podcasts and some of our biggest programs were built out of kids that said hey, I want to talk to entrepreneurs, let's go around and let's just drive around, let's just talk to them and put the best ones on.  27:09 Oh, we love that stuff, we love that stuff, right?  27:12 - Anne Ganguzza (Host) Yep, in business, people love to talk about them. They do, they do. For the most part, they love to talk about themselves, right, especially if you make them feel important and guess what? Guess what our entire job is as voice actors, right.  27:23 - Lau Lapides (Guest) They love it.  27:24 - Anne Ganguzza (Host) To make our potential clients or whoever it is we're talking to right about that product, to make them feel important. It's all about them. It's not about us or how pretty we sound when we talk about it. It's about them and how we're going to help them be better, look better, make more money, do all the things and make them the richest, most popular adults. I mean honestly, if you think about it, it's all about them. That's why we listen.  27:44 When we put our attention towards anything, it's kind of egocentrical. It's like what do I need? What am I going to get out of this? Am I going to learn something? Is this going to give me a sale on a product that I've been looking to buy, or is it going to give me information about the product that I've been meaning to find out what's in it for me? Yeah Right, what's in it for me? And so you need to, as the voice actor representing you need to tell them, like, here's what's in it for you. I'm here to help. I'm here to deliver this information to help you. I'm not here to sound good, necessarily Well, maybe I will sound great while I do it, but I'm more sincere about wanting to help you.  28:16 - Lau Lapides (Guest) So we just gave like a ton of tips about how you can actually sound authentic, and that is to live the authentic. And I like to say too go to lunch, go to dinner, go to coffee, go to tea. It's not about spending money, it's about going to places where you can sit with people and really talk to them. Talk with them and to them and about them, with them and to them and about them. And that's how you learn. How to talk authentically is to really be in conversation with people that you're fascinated by, you're interested in, or you want to help, or you want them to help you right.  28:50 We're not just the end-all, be-all helpers. We get a lot of help from them as well, so we get a lot of information from them that is very usable for us.  28:59 - Anne Ganguzza (Host) I love how this conversation went. I mean, it's just really brought up some really great new ideas for you know, you guys, and how you can really continue to develop as an actor and continue developing your authenticity and making those words really come alive.  29:14 - Lau Lapides (Guest) It's a conversation about conversation.  29:17 - Anne Ganguzza (Host) There you go, all right. Well, I'm going to have a conversation about my sponsor, ipdtl. You, too, can connect and communicate like bosses. Find out more at IPDTLcom. You guys have an amazing week, lau. Thank you so much, and we'll see you guys next week. Bye, see you next week.  29:36 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Phil and David are not acting at all as they happily welcome more great actors to "Naked Lunch" starting with Oscar-winner and great dude Jeff Bridgers. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

Today on the Woody and Wilcox Show: Anniversary of Woody's Ray Romano impression; Election texts and coverage statistics; Federal Trade Commission has finalized the “Time Is Money” rule which makes canceling subscriptions easier; Woody's review of Are You Smarter Than a Celebrity; Women resigns from job and takes her office chair; Frito-Lays to put 20% more chips in bags; And more!

In the latest Talking Strange, host Aaron Sagers (28 Days Haunted, Paranormal Caught on Camera) talks with executive producers Mark Duplass and Joshua Rofé about their new true crime/paranormal series Out There: Crimes of the Paranormal, debuting on Hulu with eight episodes on Sept. 24, 2024. More About Out There: Out There: Crimes of the Paranormal takes you inside eight true crime cases with shocking encounters with the paranormal world - through eyewitness accounts, expert interviews, and all-new investigations. In each case, amidst an agonizing search for answers, one rumor emerges from the pack: something inhuman is afoot. These in-depth investigations transport us to towns and cities across North America where we speak to individuals with eyewitness accounts and first-person details about the extraordinary, supernatural events that changed their lives forever. A six-year-old boy in the Smoky Mountains disappears forever after being snatched by a mysterious ape-like beast. A UFO crash in Long Island sparks an assassination attempt and illuminates a massive political conspiracy. An occult coven of Satanic witches is implicated in a decades-old New Jersey murder. Lonely ghosts in San Francisco's Chinatown threaten to steal the lives of the unmarried. In these stories and more, “Out There” tracks down fresh leads and uncovers new evidence amid a labyrinth of twists and turns. At the end of the road, the investigations unearth new truths – about the power of mythology, the allure of the paranormal, and the monsters among us. About the Guests: Joshua Rofé directed and executive produced the acclaimed Hulu series SASQUATCH, which premiered at the 2021 SXSW Film Festival. Previously, he directed and executive produced the four-part Amazon Prime documentary series LORENA, which premiered at the 2019 Sundance Film Festival, and the Netflix Original Documentary BOB ROSS: Happy Accidents, Betrayal, and Greed. Mark Duplass is an award-winning actor, filmmaker and producer. As an actor, Mark has appeared in a wide range of film and television projects including the Apple+ series THE MORNING SHOW for which he received two Emmy nominations and a 2022 Golden Globe nomination for Best Supporting Actor. Mark was also one of the stars of the acclaimed HBO show TOGETHERNESS, a series he co-created with his brother Jay. Mark's many on-screen feature film credits include: THE PUFFY CHAIR, which he also co-wrote and co-directed, the indie-sensation HUMPDAY, the Gotham award-winning YOUR SISTER'S SISTER, the Oscar-winning ZERO DARK THIRTY, the contemporary classic sci-fi films THE ONE I LOVE and SAFETY NOT GUARANTEED, BOMBSHELL opposite Charlize Theron, PADDLETON with Ray Romano and the CREEP horror franchise. _______________________________________________________________ Talking Strange Paranormal Show with Aaron Sagers is a weekly paranormal pop culture podcast featuring celebrity and author interviews, as well as learned experts in all things strange and unexplained. Sagers is a paranormal journalist and researcher who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel/Discovery+, and Talking Strange is part of the Den of Geek Network. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. For more paranormal pop culture, head to Den of Geek, and follow @TalkStrangePod on Twitter. Email us with episode ideas, and guest suggestions, or for a chance to have your letter read on a future episode: TalkingStrange@DenOfGeek.com Follow Host Aaron Sagers: Twitter.com/aaronsagers Instagram.com/aaronsagers Facebook.com/AaronSagersPage tiktok.com/@aaronsagers Patreon.com/aaronsagers (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

June 30 - July 1, 2001 This week Ken welcomes comedian behind the album "America's Uncle Dad", Sean Keane to the show. Ken and Sean discuss the Bay Area, Oakland, Jawbreaker, doing stand up at video stores, how stand up comedy is the hobo of the performing arts world, Nash Bridges, Midnight Caller, everybody's one acting credit, the world right before 9/11, launching a comedy show on 9/11, Everybody Loves Raymond, confusing Brad Garret and Ray Romano, Hulk Hogan's Rock N Wrestling, Jay Leno's never happening dramatic turn third act, sexy M&Ms, Big Brother, soft vinyl Vanna White Dolls for $150, loving Lucy too much, The Franklin Mint, backyard wrestling, MaxX, The Real World, America's Most Wanted, BET Music Awards, The Chris Isaak Show, playing emulators, the weird lost to time TV show era of the early 00s, The Family Channel, Night of the Twisters, E! True Hollywood Story, Baywatch, Hotel Iguana, Pentathlon, Dolph Lundgren, West Coast unauthorized car shows, fireworks, Fear Factor, eating worms, when THE BAG is an unwed father, how THE BAG is really JTT, Snoop Dog, Loose and Control, David from Real World Seattle, PAX TV, never having heard of the show "Doc" even though it went on forever, Billy Ray Cyrus, Resurrection Blvd, when Carlos lands a boot, You Don't Know Jack, E!'s Top Ten Wild Party Spots, the mind blowing world of 4th of July spectaculars, dramatic readings, stealing space valor, forgetting you just played somebody in the military in a movie and weren't actually in the military, breaking your own rules, Sub Fest 94, Avery Brooks, athletes who have bands, ESPN, 5 for 5 vs 30 for 30, The Sleepwalker Killing, The San Diego Chicken, Making the Band, Runaway Train, and tasteful coverage of being being given the death penalty. 

Laughter is the main course for many of Phil & David's favorite episodes. Here's Part One of some of their greatest conversations yet with some of their funniest friends who happen to be comedy icons from a few generations. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

Bill Maher and Ray Romano on vices, Bill's first bit at an open mic, Ray's acting career post Raymond, how many times Ray quit comedy before starting his career, Ray's hilarious encounter while playing a cruise ship, Bill on how begging a woman to take you back is a huge turn off, Ray's roughest gig ever, the desire to wash a city off of you after a bad show, how Ray downplays his achievements, and much more. Sponsor Club Random: https://public.liveread.io/media-kit/clubrandom Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate Presidents' Day, we're revisiting interviews that would EASILY win the popular vote, including Ray Romano, Rosie Perez, Steve Earle, and more!Get access to bonus episodes, sponsor-free listening, and the chance to participate in a quiz with Peter Sagal when you sign up for Wait Wait... Don't Tell Me!+ at plus.npr.org/waitwait.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy