Podcasts about mia hansen l

Vi närmar oss slutet på vår historiska genomgång och har kommit fram till förra decenniet, 2010-talet. Ännu mer nostalgi, ännu mer franchises, ännu mer kreativ torka. Eller? Vi diskuterar bl a produktionsbolag som de nya auteurerna och skillnaden mellan bra skräckfilmer och bra filmer som är skräck. Med svansen mellan benen efter att nästan uteslutande gett manliga regissörer utrymme i vår historiska genomgång så har vi nu försökt kompensera. Felix har sett Eden av Mia Hansen-Løve om Paris musikscen på 90-talet i Daft Punks skugga. Krille har sett On Body and Soul av Ildikó Enyedi, en ungersk film om drömmar och relationer som för tankarna till Kaurismäki. Hille har sett House of Hummingbird, koreanska regissören Kim Boras coming of age-film om tonårsbekymmer i Seoul 1994. Och såklart tipsar Krille om några andra hidden gems från 2010-talet.

In this half of the episode, we look at Bergman Island (2021), written and directed by Mia Hansen-Løve. It stars Tim Roth and Vicky Krieps as a couple who have come to Faro Island as fans of Ingmar Bergman and want to take the tourist view while they complete their own work in a house they've rented. Like some Bergman films, as the characters move deeper into the story, the line between the audience and the actors begins to dissolve, and we're reminded that we're watching a movie starring these actors-as-characters. It's hard to describe in writing but Bergman fans will understand instantly when they see the film. COMING ATTRACTIONS: Next time around, the directorial inspiration is Howard Hawks, with a couple of fairly recent films: Speed (1994) directed by Jan de Bont, and The Martian (2015), directed by Ridley Scott. Join us, won't you? --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

Per l'episodio speciale “Summer Edition '24”, tre film e tre cocktail per serate estive tutte da gustare: 


"Il cinema è una perenne messa in discussione dell'esistenza. Cos'è la bellezza. Perché vivo. E ne ho bisogno, penso" E' giunto il turno di una regista e sceneggiatrice che ha fatto tanto parlare di sé con il suo cinema filosofico e interessato a raccontare (o perlomeno ci prova) il mistero della vita e dell'essere umano. Costei è Mia Hansen-Løve e questo è la sua arte, pronta a colpirvi e a farvi riflettere. --- Send in a voice message: https://podcasters.spotify.com/pod/show/madmike3/message

Thu, 18 Jan 2024 09:45:39 +0000 https://efm-industry-insights.podigee.io/47-international-film-sales-the-now-and-the-next 0cdd42704e4406bd8556a9ff9998a62b Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by journalist, moderator and film festival consultant Wendy Mitchell, it delves deep into the rapidly evolving film industry. This episode explores the dynamic world of film sales as three industry experts delve into the post-pandemic landscape. Gain valuable insights into the evolving business in the theatrical and digital space, hear success stories in the realm of Arthouse cinema, and discover the pivotal role of a strong relationship to filmmakers. Guest speakers Alice Lesort, Katarzyna Siniarska and Jean-Christophe Lamontagne explore the importance of data, converse about regional nuances, and shed light on the growing interest of a new generation for Arthouse films. Tune in for a captivating discussion on current developments and the future of film sales! Katarzyna Siniarska is a sales agent and producer, a Co-President of Europa International, European sales agents association (2021 -) and a frequent collaborator of ACE, EPI and First Cut Lab+ programmes. Since January 2013, she has been a part of Warsaw-based boutique world sales agency New Europe Film Sales; first as a sales executive then the head of sales and a partner at the company. Jean-Christophe J. Lamontagne is passionate about promoting cinema and founded h264 in 2015. His goal: to increase the influence of works by forging close links between audiences and creators. He also directs and co-founds the Festival Plein(s) Écran(s), the first festival in the world to take place on Facebook. h264 is diversifying its activities and in 2019 launched a new aggregation service offering in a bid to improve the accessibility and distribution of works on digital platforms. 2021 marks a new stage for h264, which launches into feature film distribution following the acquisition of Fragments, with the aim of offering an innovative, integrated distribution model. Alice Lesort started her career as a sales agent at Le Pacte. Since 2018, she is Head of the International Sales department at the production, distribution, and sales company Les Films du Losange, which supports filmmakers from all over the world through a vast catalogue of over 300 films (including the works of Eric Rohmer, Barbet Schroeder, Jacques Rivette, Jean Eustache, Michael Haneke, Mia Hansen-Løve, Alain Guiraudie, Nicolas Philibert…). On top of managing the sales team, she oversees sales in America, French and German speaking Europe, the United Kingdom and for multinational platforms. Alice Lesort is co-president of Europa International (European organization for films' international distributors) since 2021, and is also part of the Advance on Receipts committee of the CNC. The host Wendy Mitchell is a journalist, moderator and film festival consultant. She is a contributing editor and Nordic correspondent at Screen International, the producer of the Sundance London film festival, the UK and Nordic delegate for San Sebastian, consultant for San Sebastian's Creative Investors' Conference, curator at Lübeck Nordic Film Days and frequent moderator for Cannes Marché du Film and Berlinale's European Film Market. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. full no Film Sales,EFM,Film Market,Industry Insights,Wendy Mitchell,Katarzyna Siniarska,Distribution,Jean-Christophe Lamontagne,Alice Lesort,Berlinale European Film Market

"Il cinema è una perenne messa in discussione dell'esistenza. Cos'è la bellezza. Perché vivo. E ne ho bisogno, penso" E' giunto il turno di una regista e sceneggiatrice che ha fatto tanto parlare di sé con il suo cinema filosofico e interessato a raccontare (o perlomeno ci prova) il mistero della vita e dell'essere umano. Costei è Mia Hansen-Løve e questo è la sua arte, pronta a colpirvi e a farvi riflettere. Il nuovo e (al momento) ultimo film di Mia Hansen-Løve è un sofferto e profondo racconto sul tempo che non ci lascia scampo, sulle scelte che possono determinare il nostro futuro e sull'importanza di stabilire quali sono i rapporti per cui vale la pena vivere. "Un bel mattino" è qui per ricordarci tutto questo. Link per iscriversi ai servizi di Amazon: http://www.amazon.it/amazonprime?tag=pendente90-21   https://www.amazon.it/music/unlimited?tag=pendente90-21   https://www.primevideo.com/offers/ref=atv_nb_lcl_it_IT?tag=pendente90-21   https://www.amazon.it/kindle-dbs/hz/signup?tag=pendente90-21   http://www.amazon.it/joinstudent?tag=pendente90-21   https://www.primevideo.com/offers/nonprimehomepage/ref=atv_nb_lcl_it_IT?_encoding=UTF8&tag=exampleAssociateStoreID-21?tag=pendente90-21 --- Send in a voice message: https://podcasters.spotify.com/pod/show/madmike3/message

"Il cinema è una perenne messa in discussione dell'esistenza. Cos'è la bellezza. Perché vivo. E ne ho bisogno, penso" E' giunto il turno di una regista e sceneggiatrice che ha fatto tanto parlare di sé con il suo cinema filosofico e interessato a raccontare (o perlomeno ci prova) il mistero della vita e dell'essere umano. Costei è Mia Hansen-Løve e questo è la sua arte, pronta a colpirvi e a farvi riflettere. A questo giro Mia Hansen-Løve vuole parlare principalmente di un tema ricorrente del suo cinema ma finora affrontato in maniera approssimativa: il rapporto tra la vita e l'arte e, perché no, il processo creativo. E solo "Sull'isola di Bergman" potremo forse trovare una risposta concreta a una domanda alquanto annosa: la vita e l'arte possono essere due entità separate? Link per iscriversi ai servizi di Amazon: http://www.amazon.it/amazonprime?tag=pendente90-21   https://www.amazon.it/music/unlimited?tag=pendente90-21   https://www.primevideo.com/offers/ref=atv_nb_lcl_it_IT?tag=pendente90-21   https://www.amazon.it/kindle-dbs/hz/signup?tag=pendente90-21   http://www.amazon.it/joinstudent?tag=pendente90-21   https://www.primevideo.com/offers/nonprimehomepage/ref=atv_nb_lcl_it_IT?_encoding=UTF8&tag=exampleAssociateStoreID-21?tag=pendente90-21   https://www.amazon.it/tbyb/huc?pf=1&tag=AssociateTrackingID?tag=pendente90-21 --- Send in a voice message: https://podcasters.spotify.com/pod/show/madmike3/message

"Il cinema è una perenne messa in discussione dell'esistenza. Cos'è la bellezza. Perché vivo. E ne ho bisogno, penso" E' giunto il turno di una regista e sceneggiatrice che ha fatto tanto parlare di sé con il suo cinema filosofico e interessato a raccontare (o perlomeno ci prova) il mistero della vita e dell'essere umano. Costei è Mia Hansen-Løve e questo è la sua arte, pronta a colpirvi e a farvi riflettere. La regista torna a raccontare la storia d'amore tra due anime apparentemente distanti eppure unite da un senso di estraniamento. Mia Hansen-Løve torna a parlare di crescita e amore alla sua maniera con il suo "Maya". Link per iscriversi ai servizi di Amazon: http://www.amazon.it/amazonprime?tag=pendente90-21   https://www.amazon.it/music/unlimited?tag=pendente90-21   https://www.primevideo.com/offers/ref=atv_nb_lcl_it_IT?tag=pendente90-21   https://www.amazon.it/kindle-dbs/hz/signup?tag=pendente90-21   http://www.amazon.it/joinstudent?tag=pendente90-21   https://www.primevideo.com/offers/nonprimehomepage/ref=atv_nb_lcl_it_IT?_encoding=UTF8&tag=exampleAssociateStoreID-21?tag=pendente90-21   https://www.amazon.it/tbyb/huc?pf=1&tag=AssociateTrackingID?tag=pendente90-21 --- Send in a voice message: https://podcasters.spotify.com/pod/show/madmike3/message

Con su acostumbrada delicadeza y tranquilidad para explorar la complejidad de las emociones humanas en momentos de crisis, la directora Mia Hansen-Løve nos presenta en Una linda mañana (Un beau matin, 2022), la vida de Sandra, una intérprete francesa que malabarea la crianza de su hija con la preocupación de cuidar a su padre enfermo y la posibilidad de un nuevo y complicado romance. Hosted on Acast. See acast.com/privacy for more information.

Little White Lies editor David Jenkins joins Mia and Ella to celebrate the 100th edition of London-based cinema magazine, and chat about the films behind his four favorite illustrated LWL covers: Volver, Attack the Block, Eden and Licorice Pizza. We dig into the magical realism of Pedro Almodóvar, why we're all so drawn to the thoughtful dramas of Mia Hansen-Løve, a perfectly logical reason as to why Daft Punk and Greta Gerwig should collab, the magnetism of Alana Haim and more. Cheers to 100 issues of Little White Lies! Sponsor: Bottoms Chapters: Opening credits (00:00:00) Issue 100 (00:10:01) Volver (00:12:31) Attack the Block (00:21:28) Eden (00:32:23) Licorice Pizza (00:42:14) Closing credits (00:52:25) Credits: Recorded in Los Angeles and London. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show is a TAPEDECK production. Lists & Links: Volver cover Attack the Block cover Eden cover Licorice Pizza cover patmacri13's Attack the Block review Evan's Eden review Will Menaker's Licorice Pizza review Josh Lewis' Licorice Pizza review

Back for one fine bonus episode discussing One Fine Morning (2022) from director Mia Hansen-Løve. This might just be our love story of the year. We dissect the film's realistic portrayal of womanhood and unusual handling of infidelity and analyse the value of intimacy coordinators in our industry.Plus, Han's got a special announcement.In the film, Léa Seydoux is Sandra, a young, widowed mother who juggles her job with caring for her young daughter and elderly father, who suffers from a degenerative illness. Her life is further complicated when she embarks on a passionate affair.One Fine Morning is now exclusively streaming on MUBI, a curated streaming service dedicated to elevating great cinema from around the globe. This episode is a paid partnership with MUBI. To claim your free 30-day MUBI trial with Frank Film Club please click here: https://mubi.com/frankfilmclub Hosted on Acast. See acast.com/privacy for more information.

Léa Seydoux is a stand-out in Mia Hansen-Løve's new film One Fine Morning, and Melbourne filmmaker David Easteal discusses his wonderful road movie The Plains.

Léa Seydoux is a stand-out in Mia Hansen-Løve's new film One Fine Morning, and Melbourne filmmaker David Easteal discusses his wonderful road movie The Plains.

Hosted on Acast. See acast.com/privacy for more information.

Semana con muchos estrenos potentes y algunas películas que se quedaron rezagadas en la temporada de premios, como la vuelta de Sam Mendes a su adolescencia en ‘El imperio de la luz' o la comedia gore ‘Oso vicioso'. Nuestra recomendación del cine de autor es ‘Una bonita mañana', la preciosa exploración el duelo, los cuidados y la pasión de Mia Hansen-Løve. Repasamos también lo mejor del cine español y las nueva series que hay que ver. 

Abrimos con una propuesta diferente que nos traslada a 1981, Terror, humor y religión. Tin y Tina una de las cintas más esperadas, el salto al largo de Rubin Stein, que se estrena con la adaptación de su propio cortometraje y lo hace de la mano de un elenco encabezado por Jaime Lorente y Milena Smit, ambos y su director Rubin Stein comparten micrófonos con de película. Con una nominación en los Oscar y tres en los BAFTA llega a la cartelera El imperio de la luz, la última película de Sam Mendes, su particular carta de amor a modo de homenaje al fascinante y mágico mundo del cine y lo hace entre otros de la mano de la siempre espectacular Olivia Colman. Hablamos del último trabajo de Matías Bice. El castigo, todo un viaje a la maternidad y relación de pareja que se desencadena tras el castigo de Ana y Mateo a su hijo al que después de haberlo dejado unos minutos solo como castigo en la carretera no encuentran. 86 minutos grabados en un único y largo plano secuencia con una carga psicológica muy importante. Una premisa tan absurda como un príncipe queriendo ser bombero es de la que parte el último trabajo del director portugués João Pedro Rodrígues con él que charlamos de esta comedia musical fantástica que transcurre en un futuro donde el rey de Portugal, sin corona, rememora su pasado. Una bonita mañana, es otra de las cintas que llega a las salas, la última película de la actriz y directora Mia Hansen-Løve, en la que no cesan de pasar cosas. Una historia que escribió tras la muerte y la enfermedad de su padre durante los primeros días de la pandemia y dónde nos encontramos con una Léa Seydoux que llena la pantalla, su mejor trabajo desde ‘La vida de Adèle. Una película que explora los sentimientos más humanos sin caer en la sensiblería y que nos acerca nuestra colaboradora Ángeles González Sinde. Este viernes llegaba a la cartelera la película póstuma de Agustí Villaronga, una cinta muy diferente a las que nos tenía acostumbrados, su último trabajo divertido y muy humano. Una comedia cargada de sentimiento protagonizada por Susi Sánchez y con rostros tan conocidos como Celso Bugallo Fernando Esteso y Pepa Charro. Otra cinta española que nos llega al corazoncito es 19. Solos frente a la verdad. Pasó por la Seminci y allí hablamos con ellos, esta semana llega a las salas y la recordamos, 19. Solos frente a la verdad, es un documental en el que Javier Kuhn reúne por primera vez en una misma película a un impresionante reparto, Luis Tosar, Imanol Arias, Alicia Borrachero, Javier Gi preestablecido, sin límites. Todo esto además del resto de la cartelera, las mejores series con Pedro Calvo, las secciones habituales y su participación. Escuchar audio

Artisten The Weeknd har blivit den första att ha över 100 miljoner lyssnare per månad på Spotify och så recenserar vi regissören Mia Hansen-Løves nya film "En vacker dag" Producent: Minna GrönforsProgramledare: Maria Askerfjord Sundeby

Hosts Bill Ackerman and Jim Laczkowski were asked to talk with two filmmakers about their latest work - both of which has received awards consideration and acclaim. First up, Jim speaks with Lukas Dhont about his coming-of-age tale CLOSE which is opening on February 3rd here in Chicago. Then, Bill had the opportunity to interview Mia Hansen-Løve about her latest drama ONE FINE MORNING. Incredibly grateful to both directors for taking the time to talk with us. 00:00 - 02:39 - Intro 02:40 - 16:45 - Jim's Interview With Lukas Dhont (CLOSE) 16:46 - 43:43 - Bill's Interview With Mia Hansen-Løve (ONE FINE MORNING) Order Tickets In Advance For Close (Chicago):  https://musicboxtheatre.com/films-and-events/close Order Tickets For One Fine Morning (NYC): https://www.filmlinc.org/films/one-fine-morning

This week on the Film at Lincoln Center podcast, we're revisiting a conversation from the 60th New York Film Festival with Mia Hansen-Løve on One Fine Morning, moderated by NYFF Artistic Director Dennis Lim, followed by our recent conversation with Jordan Peele, Keke Palmer, and more on the making of NOPE. Few filmmakers are as adept at exploring the contours of modern love and grief as Mia Hansen-Løve, whose intensely poignant and deeply personal latest drama stars Léa Seydoux as Sandra, a professional translator and single mother at a crossroads. Her father, rapidly deteriorating from a neurological illness, will soon require facility care, and her new lover is a married dad whose unavailability only seems to draw her nearer to him, despite—or because of—the fact that she's going through an overwhelming time in her life. Hansen-Løve, so finely observant of the small nuances of human interaction, creates, in harmonious concert with a magnificent Seydoux, a complicated portrait of a woman torn between romantic desire and familial tragedy that is a marvel of emotional and formal economy. One Fine Morning opens Friday, January 27, in our theaters. Get showtimes and tickets: filmlinc.org/morning Following a special 70mm screening of NOPE during our Jordan Peele curated series, The Lost Rider: A Chronicle of Hollywood Sacrifice, NOPE director Jordan Peele, lead Keke Palmer, producer Ian Cooper, editor Nicholas Monsour & composer Michael Abels joined FLC Programmer Tyler Wilson to discuss the making of the sci-fi-horror.

Saiba quais são os filmes estrangeiros que mais queremos ver em 2023, incluindo apostas do Oscar, Marvel e DC, blockbusters e novos trabalhos de grandes diretores. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Nesta edição, o podcast cinematório café lista os filmes estrangeiros mais esperados de 2023: - as apostas para a temporada de premiações ("Os Fabelmans", "Babilônia", "Tár", "Os Banshees de Inisherin", "Triângulo da Tristeza", entre outros); - as grandes produções que devem ser sucesso de bilheteria (filmes da Marvel e da DC, o quinto "Indiana Jones", o sétimo "Missão: Impossível", o live-action de "A Pequena Sereia", a "Barbie" de Greta Gerwig...); - e os novos trabalhos de diretores e diretoras renomados (Martin Scorsese, Sofia Coppola, Hayao Miyazaki, Mia Hansen-Løve, David Fincher, Kelly Reichardt, Michael Mann, Christopher Nolan e muito mais). Confira em nosso site a listagem com todos os filmes citados e suas respectivas previsões de estreia. Lembrando que as datas estão sujeitas a alterações. O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br. A sua mensagem pode ser lida no podcast!

We meet French writer-director Mia Hansen-Løve who discusses her English language debut Bergman Island, and Joanna Hogg on the sequel to The Souvenir.

We meet French writer-director Mia Hansen-Løve who discusses her English language debut Bergman Island, and Joanna Hogg on the sequel to The Souvenir.

This is an excerpt of a members only episode. To listen to the full episode, become a member at http://seventh-row.com/join Editor-in-Chief Alex Heeney and Executive Editor Orla Smith discuss the highlights of the fall film festival circuit, the new and troubling dominance of Netflix (and other streamers') films, and exciting (or not-so-exciting) first features. We discuss favourites like The Eternal Daughter, Saint Omer, Other People's Children — many of which will get a full-length episode of their own in the coming months. We also discuss some of the biggest disappointments. Orla shares her experience at the London Film Festival. Alex shares her experience attending the Toronto International Film Festival. Follow Seventh Row on Twitter and Instagram @SeventhRow. Follow Alex Heeney @bwestcineaste and Orla Smith @orlamango on Twitter.  On this episode excerpt: 00:00-5:24 - Intro to the episode and the festivals we've covered 5:24-18:55 Rebecca Zlotowski's Other People's Children and a new film grammar for women as multitaskers in Other People's Children, Mia Hansen-Løve's One Fine Morning, and Joanna Hogg's The Eternal Daughter  FREE EXCERPT ENDS HERE Become a member to listen to the rest o the discussion, which includes: 18:55-20:55 How many films we saw, and some of the downsides 20:55-25:45 Orla's favourites including Laura Poitras's All the Beauty and the Bloodshed, Lucien Castaing-Taylor and  Verena Paravel's De Humani Corporis Fabrica, Jamie Dack's Palm Trees and Power Lines 25:45-31:14 Alex favourites including Alice Winocour's Paris Memories and Darlene Naponse's Stellar 31:14-50:34 The dominance of Netflix and streamers, Matthew Warchus's Matilda, Causeway 50:34-56:50 The festival circuit: great festival films from earlier this year that disappeared (My Small Land, Lullaby, 32 Sounds), screened only at local festivals (Nelly and Nadine, Framing Agnes) and films that keep coming back. We also discuss the London Film Festival's problematic approach to programming and why we love the Berlinale's programming. 56:50-1:00:24 The lack of live cinema experiences at festivals (like 32 Sounds) in a year when we are being forced to return to cinemas for festivals. 1:00:24-1:05:50 Directors' first features, Charlotte Wells's Aftersun, the rise of Paul Mescal, Georgia Oakley's Blue Jean 1:05:50-1:16:15 Depressing trends in British cinema and the British film industry and how that relates to the country's funding practices. We also draw comparisons to the Canadian film industry. Why is it so hard to get a second feature made? And why do first features have to conform so much to industry standards? We discuss Francis Lee's films, Hope Dickson Leach's film, and several Canadian filmmakers. 1:16:15-1:25:29 Thinking about National Cinema at film festivals, especially Canadian cinema and British cinema 1:25:29-1:31:36 Plan 75, Palm Trees and Power Lines, and other great under-seen first features that keep screening everywhere 1:31:36 Sign offs and related episodes Related episodes Women at Cannes Season: Listen to our five-episode 2022 season on the history of Women directors at the Cannes Film Festival. We highlight some of the best films by women and women filmmakers to screen at the festival. We also discuss the festival's ongoing poor track record of programming films directed by women. Ep. 125: Berlinale 2022: On this omnibus episode, we discuss the highlights of the Berlin Film Festival screening in the festival's under-discussed and under-appreciated (but excellently programmed) sidebars. Ep. 109: TIFF 2021 Part 1: In last year's counterpart to this episode, we discussed the highlights of the 2021 Toronto International Film Festival (TIFF), including Terence Davies's Benediction and Joachim Trier's The Worst Person in the World Ep. 111: TIFF 2021 Part 2: Continuing our discussion on the fall film festivals in 2021, with a focus on TIFF, we discussed Power of the Dog, Ali & Ava, and more highlights from TIFF. Ep. 49: Split screen storytelling in Lungs and Conversations with Other Women: Listen to our episode on Matilda director Matthew Warchus's fantastic live-recorded theatre production of Lungs, (Members only) Ep 60: Old Vic In Camera Productions: Three Kings and Faith Healer: Listen to our podcast on Matthew Warchus's two follow-up live-broadcasted productions of Three Kings and Faith Healer (Members only) Show Notes Read all of our TIFF 2022 coverage Read all of our film festival coverage from this fall here Read Alex Heeney's review of Matilda: The Musical on stage Read Alex Heeney's review of Stellar Read Alex Heeney's review of Eo Read our review of Matilda director Matthew Warchus's Pride Read Alex Heeney's review of Palm Trees and Power Lines Read Alex Heeney's interview with Sam Green on his live documentary 32 Sounds Read Alex Heeney on Canadian immigration stories at TIFF 2022.

As longtime admirers of Mia Hansen-Løve's body of work here on the podcast, producer Elliot hosts a very candid and revealing conversation with the French director. In her latest film Un Beau Matin, Mia describes it as her most auto-biographical film to date. Mia shares how she is able to explore such existential questions from such an intimate portrait. Find out what moves Mia to make films and why cinema for her is a tool for understanding her life's journey. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lab111/message

This week on the Film at Lincoln Center podcast, we're featuring a conversation from the 60th New York Film Festival, moderated by Film Comment Co-Deputy Editor Devika Girish. This talk brought together the directors behind two stunning works of autofiction in the NYFF60 lineup. One Fine Morning by leading French filmmaker (and NYFF staple) Mia Hansen-Løve and Aftersun, the debut feature by Charlotte Wells, both center on father-daughter relationships drawn from the directors' own lives, exploring tenderness and trauma, love and loss with formal ingenuity and emotional force. Both films also feature powerhouse performances—Paul Mescal in Aftersun and Léa Seydoux in One Fine Morning—that challenge and reinvigorate routine cinematic portrayals of femininity, masculinity, and intimacy.  Hansen-Løve and Wells partook in an extended conversation about the process of making art out of one's life, giving filmic shape to the workings of memory and time, reimagining the contours of “women's cinema,” and more. NYFF Talks were presented by HBO. Charlotte Wells's Aftersun is now playing daily in our theaters. For showtimes and tickets, go to filmlinc.org/aftersun.

If Isabelle Huppert is not your favorite actor, she's the favorite actor of someone you know. Guaranteed. There's something about her that is unlike any other actor that has ever been on film. But it's really hard to talk about what that “something” is. In each performance, in every film she's made, she has such a command of the character, the text, the frame, that we place her in equal authorship with the directors she's worked with, who happen to be some of most interesting and important in the last half-century—Jean Luc-Godard, Michael Haneke, Claude Chabrol, Michael Cimino, Claire Denis, Joachim Trier, Mia Hansen-Løve, Hong Sang-soo, to name a few. She always found a way to play complex, multi-dimensional, often morally questionable characters, even in a time when the female variety were in short supply. In this woefully short episode, she talks about some of the important, yet somewhat mysterious, aspects of her approach to the craft—curiosity, collaborating with the director, the present moment, listening to the language of the camera, and much more.  A retrospective of 29 of Isabelle Huppert's best films begins Friday October 7th at Film Forum in New York City.  Follow Back To One on Instagram Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. No small talk, no celebrity stories, no inane banter—just the work.

durée : 00:46:59 - Par les temps qui courent - Nous recevons la réalisatrice Mia Hansen-Løve à l'occasion de la sortie de son film "Un beau matin", en salles le 5 octobre. - invités : Mia Hansen-Løve Réalisatrice

durée : 00:46:59 - Par les temps qui courent - Nous recevons la réalisatrice Mia Hansen-Løve à l'occasion de la sortie de son film "Un beau matin", en salles le 5 octobre. - invités : Mia Hansen-Løve Réalisatrice

Guest host Bill Ackerman invites writer Gianna D'Emilio to discuss the work of Mia Hansen-Løve, the acclaimed writer/director of films like THINGS TO COME, BERGMAN ISLAND, EDEN and GOODBYE, FIRST LOVE. In anticipation of her latest effort, ONE FINE MORNING, they take a close look at her first seven features. Read “Girlhood, Postfeminism and Contemporary Female Art-House Authorship: The “Nameless Trilogies” of Sofia Coppola and Mia Hansen-Løve” by Fiona Handyside https://www.alphavillejournal.com/Issue10/HTML/ArticleHandyside.html Read Mia Hansen-Løve in conversation with Elena Lazic on MAYA: https://elenalazic.wordpress.com/2019/03/11/my-films-are-portraits-i-try-to-make-my-characters-live-mia-hansen-love-on-maya/ Read “All Is Forgiven” by James King: https://animusmagazine.com/2021/11/26/all-is-forgiven/ Read “In Praise Of Mia Hansen-Løve's ‘Things To Come'” by Joanna Biggs: https://www.anothergaze.com/praise-mia-hansen-loves-things-come/ Read “The Cinema of Mia Hansen-Løve Candour and Vulnerability” by Kate Ince: https://edinburghuniversitypress.com/book-the-cinema-of-mia-hansen-love.html Buy a Mia Hansen-Løve T-shirt: https://www.girlsontopstees.com/shop/mia-hansen-lve-t-shirt Watch the THINGS TO COME Press Conference with Isabelle Huppert & Mia Hansen-Løve: https://www.youtube.com/watch?v=wRO-DR-9V-c

La autoficción, ya sea en el cine o la literatura, es un fino hilo entre la realidad y las posibilidades de la imaginación. A eso juega Mia Hansen-Løve en ‘La isla de Bergman', un relato sobre la creación artística, el amor y la fascinación con el director sueco. Y de autoficción sabe mucho Nora Ephron, que utilizó su vida para hacer comedia, para reírse de todo y darle la vuelta a la historia. En este episodio repasamos su obra, con títulos clásicos como ‘Cuando Harry encontró a Sally' y 'Algo para recodar', y comentamos los estrenos de cine y series que hay que ver. Al día de todo en 30 minutos 

This week: ahhhhhhhhhhh! It's Alex Garland's surrealist horror MEN (04:50), director Rob Savage takes us on a wild ride in horror DASHCAM (25:25), Vicky Krieps takes a journey into the world of patriarchal filmmaking in Mia Hansen-Løve's BERGMAN ISLAND (39:25), and Jane Austen's Pride and Prejudice is given a modern-day, LGBTQ+ spin in romcom FIRE ISLAND (58:02) Plus, in our HOT take, we tackle racism in the Star Wars fandom, after Obi-Wan Kenobi star Moses Ingram opened up about her experiences on social media (01:07:40). If you'd like to join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannaflint If you like the show do subscribe, leave a review and rate us too!

This week on Truth & Movies we travel to Bergman Island for Mia Hansen-Løve's latest, we ask whether Men is worth your time and we have an intro to Ingmar with Summer Interlude in our film club. Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by Little Dot Studios See acast.com/privacy for privacy and opt-out information.

Anthony Joseph – poet, musician, and academic – joins us to talk about his new poetry collection, Sonnets for Albert, which considers the personal impact of his absent father, and performs a selection of pieces. Tracey Emin talks to Natasha Raskin Sharp at Jupiter Artland sculpture park near Edinburgh, where her new exhibition includes a giant bronze female figure lying down in the woods, paintings of beds, and other work reflecting on the possibility of love after hardship. Director of Film at the British Council Briony Hanson reviews Bergman Island a new film from director Mia Hansen-Løve about a film making couple who visit the home of Ingmar Bergman to find inspiration. Presenter: Tom Sutcliffe Producer: Harry Parker Main image: I Lay Here For You by Tracey Emin Photo credit: Alan Pollok Morris, Courtesy Jupiter Artland

Léa Seydoux had an enviable and prolific 2021 with standout turns in Cary Fukunaga's No Time to Die, Wes Anderson's The French Dispatch, Ildikó Enyedi's The Story of My Wife, Bruno Dumont's France, and Arnaud Desplechin's Deception. At this year's Cannes, she continued her streak with starring roles in two excellent, very different movies: One Fine Morning by Mia Hansen-Løve, where Seydoux plays a young mother grieving the cognitive decline of her father; and Crimes of the Future by David Cronenberg, where the actress is a dystopian performance artist alongside Viggo Mortensen. For our latest podcast, Film Comment Co-Deputy Editor Devika Girish sat down with Seydoux for a windswept conversation on a rooftop on the Croisette (with a surprise cameo by Viggo Mortensen!). Seydoux discussed her experiences working with Hansen-Løve and Cronenberg, the intricacies of being an object versus a subject as an actor, her thoughts on beauty in cinema, and more.

À l'occasion du 75e Festival de Cannes, CHANEL célèbre ceux qui font le septième art et devient partenaire exclusif d'ARTE et de la série « Conversations avec… ». Écoutez Olivier Père, Directeur du Cinéma d'ARTE, en conversation avec Mia Hansen-Løve dont le film « Un beau matin » est sélectionné par la Quinzaine des Réalisateurs. La réalisatrice et scénariste se confie sur sa volonté de donner à ses films une dimension universelle ainsi que le potentiel cathartique de son cinéma.

A screenwriter couple’s stay on Ingmar Bergman’s home island of Fårö inspires an honest look at how women are represented in movies, in the latest thoughtful film from Mia Hansen-Løve. French director Mia Hansen-Løve is a real cinephile. She loves to think and talk about film history and the works of famous filmmakers. Although she's partly of Danish heritage, she grew up in France. Even so, she's been influenced, like so many others, by the films of the great Swedish director Ingmar Bergman. Like him, she often examines relationships between the sexes, and conflicts in personal life. Unlike Bergman, her films generally avoid heightened dramatic events. Instead she focuses steadily on everyday life, and the ordinary changes occurring in people's emotions and viewpoints over time. She also likes to portray the inner lives of women, although not exclusively. This comparison and contrast with Bergman has resulted in her latest film, entitled Bergman Island. It concerns two screenwriters, who also happen to be a couple, Chris and Tony, played by Vicky Krieps and Tim Roth. They've decided to visit Fårö, the island off the coast of Sweden where Bergman had lived, renting a little house and hoping that being there for a few weeks will inspire them to finish their separate screenplays. Hansen-Løve and her two lead actors deftly portray the mundane details of getting used to a new vacation place, with Roth in particular showing how relaxed and believably casual a performer he can be. They decide to watch a Bergman film, settling on Cries and Whispers, and the experience, as you might expect if you're familiar with that movie, is intense. Krieps's character, Chris, is especially conflicted. She comprehends the great artistry, but doesn't really like the way Bergman portrays women. As the film goes on, we start to understand that Hansen-Løve intends to present us with an alternative version of how women might more realistically behave than in a Bergman film. It's a clever strategy in which she honors the famous director while criticizing him through her own different stylistic choices. But soon it stops being a commentary on Bergman and goes in its own direction. The film's centerpiece occurs when she asks Tony to listen to her ideas about where to go with her screenplay. As she narrates, we are taken to a film within the film, starring Mia Wasikowska as a filmmaker who runs into an old lover on Fårö that she broke up with long ago and had children with someone else, but then finds the sparks flying between them again. Where does life end and art begin? Of course there are echoes of Chris's relationship with Tony, hints of trouble in their intimacy, but the correspondence is not exact. There's quite a bit of humor around the way Bergman has been commodified on the island. Roth's character even goes on what they call a “Bergman safari,” a bus tour to various sites of Bergman films. This is a real thing. Hansen-Løve's sly regard for the commercialized aspect of film is endearing. Her movie, Bergman Island, is more than just a treat for cinephiles, though; it's a provocative look at the way women could be, should be portrayed in film, and preferably by women directors. It's both a challenge and a delight.

We kick off our #WomenAtCannes podcast season with an episode on the history of women at Cannes. We examine how Cannes works and uncover a number of surprising stats. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Associate Editor Brett Pardy. Get the box set of books about women directors — Kelly Reichardt, Céline Sciamma, and Lynne Ramsay — who have screened films in the Cannes Competition. Sign up for updates on the podcast and other news about women directors at Cannes this year.  On this episode: How Cannes works (2:55) Running the numbers on women at Cannes (10:47) Chantal Akerman and Agnès Varda at Cannes (21:10) The importance of the Cannes sidebars (23:37) Learn more about the Women in the Cannes Competition Box Set (33:14) How Cannes markets itself (34:46) Cannes awards (38:05) The lack of intersectionality in this conversation (42:45) A case study on Cannes 2021 (46:58) Conclusion (55:39) Coming soon (1:00:25) Related episodes: Bonus 28: Portraits of female artists: Part 2 (Members' Only) Ep. 114: Mia Hansen-Løve's Things to Come and Bergman Island (Members' Only) Ep. 102: Cannes 2021 (Members' Only) Ep. 90: Jeanne Dielman and Les Rendez-vous d'Anna: A Chantal Akerman mother's day (Members' Only) Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

We're joined by Lindsay Pugh to continue our ongoing conversation around films about female artists, and how the way these stories are being told is changing, including The Souvenir, Mothering Sunday, Bergman Island, and more. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Contributing Editor Lindsay Pugh Show notes and related episodes: Ep. 44: Shirley and portraits of female artists (Member's Only) Ep. 122: Joachim Trier's The Worst Person in the World Ep. 121: Ninjababy & Obvious Child: Unwanted pregnancies in romantic comedies Ep. 118: The Souvenir Part I and II Ep. 114: Mia Hansen-Løve's Things to Come and Bergman Island (Member's Only) Ep. 92: Sugar Daddy and An Easy Girl: Commodifying women (Member's Only) Ep. 89: Spinster and The Forty-Year-Old Version: Coming of age at forty (Member's Only) Ep. 54: I Used to Go Here and Unexpected: Kris Rey's thirtysomethings (Member's Only) Ep. 45: The films of Anne Émond, from Nuit #1 to Nelly (Member's Only) Ep. 30: Céline Sciamma's Portrait of a Lady on Fire (Member's Only) Ep. 15: Vita & Virginia and the author biopic (Member's Only) Ep. 14: The Souvenir and the films of Joanna Hogg (Member's Only)

Lisa Kovacevic and is joined by Will Cox and Stuart Richards as they chat with Danny Cohen about his new Courtney Barnett documentary ANONYMOUS CLUB. They also review Mia Hansen-Løve's BERGMAN ISLAND and Steven Soderbergh's KIMI.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Movie Mingler proudly presents: ‘The Movie Mingle' #135 This week: Nick reveals his top 10 movies of 2021. Download Podcast Below is the full top 10 list: (Click on highlighted entry to be taken to the feature podcast for that particular movie) NICK'S TOP 10 10. Bergman Island – dir. Mia Hansen-Løve (0:02:39) 9. Licorice […]

French writer-director Mia Hansen-Løve on her English language debut Bergman Island, a film that engages with the legacy of Ingmar Bergman as a couple retreat to the pristine Swedish island of Fårö where the filmmaker shot some of his most famous films, looking to find inspiration, and, British director Joanna Hogg on the sequel to The Souvenir, her lauded 2021 film. The Souvenir II continues to follow an ambitious film student in 1980's Britain, this time in the aftermath of the turbulent relationship at the centre of the first film, with a magnetic and manipulative older man.

Popcorn Podcast chats to Bergman Island writer and director Mia Hansen-Løve about her new film, giving ghosts of the past a second life, and how Bergman Island explores the mechanics of inspiration and helped her to understand her own creative processes as a filmmaker. It's a fascinating and insightful interview that we hope you enjoy.Know someone who loves movies? Please share Popcorn Podcast with your friends.Visit popcornpodcast.com for more movie reviews, celebrity interviews and news.Popcorn Podcast interviews the biggest stars, including Hugh Jackman and more, on YouTube: Popcorn Podcast

Neste podcast conversamos sobre A Filha Perdida (The Lost Daughter, 2021), primeiro filme dirigido por Maggie Gyllenhall, que estreou na Netflix e que está indicado ao Oscar de Melhor Roteiro Adaptado (da própria cineasta), Atriz Coadjuvante (Jesse Buckley) e Atriz (Olivia Colman). Nessa transposição do livro de mesmo nome escrito por Elena Ferrante, vemos uma mulher que é mãe e professora, em suas férias, e as lembranças de seu passado relacionadas à infância de suas filhas. Conversamos sobre a relação entre ser mãe e o trabalho acadêmico, as cobranças sociais por uma maternidade romantizada e o trabalho de adaptação do roteiro e a direção. O programa é apresentado por Isabel Wittmann, Rosana Íris e Bianca Zasso. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-160-a-filha-perdida Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann, Rosana Íris e Bianca Zasso Produção: Isabel Wittmann Edição: Domenica Mendes Arte da capa: Isabel Wittmann Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata e Tiago Maia Assine nosso Padrim http://www.padrim.com.br/feitoporelas Assine nosso Patreon http://www.patreon.com/feitoporelas Assine nosso Catarse https://www.catarse.me/feitoporelas Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [LIVRO] Amiga Genial, de Elena Ferrante https://amzn.to/3sxXLZl [LIVRO] Dias de Abandono, de Elena Ferrante https://amzn.to/3IATERD [LIVRO] A Vida Mentirosa dos Adultos, de Elena Ferrante https://amzn.to/3tqcPY2 [LIVRO] A Filha Perdida, de Elena Ferrante https://amzn.to/3psk80s [SITE] Formiga Elétrica https://formigaeletrica.com.br/ [YOUTUBE] Bia na Toca https://www.youtube.com/c/TocaAudiovisual [FILME] Tubarão (Jaws, 1975), dir. Steven Spielberg [FILME] As Virgens Suicidas (The Virgin Suicides, 1999), dir. Sofia Coppola [FILME] Um Verão Escaldante (Un Été Brûlant, 2011), dir. Philippe Garrel [FILME] A Esposa (The Wife, 2017), dir. Björn Runge [FILME] A Favorita (The Favourite, 2018), dir. Yorgos Lanthimos [FILME] Meu Pai (The Father, 2020), dir. Florian Zeller [FILME] Ataque dos Cães (The Power of the Dog, 2021), dir. Jane Campion [FILME] King Richard: Criando Campeãs (King Richard, 2021), dir. Reinaldo Marcus Green [FILME] Belfast (2021), dir. Kenneth Branagh [FILME] Amor, Sublime Amor (West Side Story, 2021), dir. Steven Spielberg [FILME] Mães Paralelas (Madres Paralelas, 2021), dir. Pedro Almodóvar [FILME] Spencer (2021), dir. Pablo Larraín [FILME] Apresentando os Ricardos (Being the Ricardos, 2021), dir. Aaron Sorkin [FILME] Os Olhos de Tammy Faye (The Eyes of Tammy Faye, 2021), dir. Michael Showalter [SERIADO] Broadchurch (2013- 2017), criado por Chris Chibnall [SERIADO] O Gerente da Noite (The Night Manager, 2016), dir. Susanne Bier [SERIADO] Fleabag (2016-2019), criada por Phoebe Waller-Bridge [SERIADO] Normal People (2020), dir. Lenny Abrahamson e Hettie Macdonald [CRÍTICA] Tudo sobre nossas mães, por Bianca Zasso https://claudemirpereira.com.br/2022/01/tudo-sobre-nossas-maes-por-bianca-zasso/ Relacionados: [PODCAST] Feito por Elas #47 Mia Hansen-Løve https://feitoporelas.com.br/feito-por-elas-47-mia-hansen-love/ [PODCAST] Feito por Elas #58 Lynne Ramsay https://feitoporelas.com.br/feito-por-elas-58-lynne-ramsay/ [PODCAST] Feito por Elas #108 A Favorita https://feitoporelas.com.br/feito-por-elas-108-a-favorita/

Como cada viernes en nuestro Página 13 de cine, Iván Valenzuela, junto a Ascanio Cavallo y Antonio Martínez, analizan algunos de los nuevos estrenos y aniversarios que se cumplen en el mundo audiovisual. En esta ocasión, “Spencer” de Pablo Larraín, “El porvenir” de Mia Hansen-Løve, y “El caballero del desierto” de William Wyler, son algunas de las cintas que estuvieron bajo su escrutinio.

Como cada viernes en nuestro Página 13 de cine, Iván Valenzuela, junto a Ascanio Cavallo y Antonio Martínez, analizan algunos de los nuevos estrenos y aniversarios que se cumplen en el mundo audiovisual. En esta ocasión, “Spencer” de Pablo Larraín, “El porvenir” de Mia Hansen-Løve, y “El caballero del desierto” de William Wyler, son algunas de las cintas que estuvieron bajo su escrutinio.

This week we present a double feature with actors Vicky Krieps (Phantom Thread) and Melanie Lynskey (Yellowjackets)! To begin, Krieps shares the story behind making Bergman Island (6:00), what it meant to work with director Mia Hansen-Løve (7:30), how she separates herself from her characters (10:30), the epiphany in Mozambique that changed her course (12:59), and a reunion with director Paul Thomas Anderson (17:10). To close, she plays an original song inspired by her character in Old (28:10). On the back half, Melanie Lynskey rejoins us since her first appearance in 2016! We discuss how motherhood enters her work on-screen (33:00), her role in the new Showtime series, Yellowjackets (34:50), embracing unapologetic characters (38:28), memories of her first role alongside Kate Winslet in the 1994 film Heavenly Creatures (41:00), the trajectory of her career while growing up in New Zealand (43:20), her support of the IATSE movement (44:00), and the evolving conversation around working conditions in film and television (47:55). Before we go, Lynskey reflects on our first talk on the show and how she hopes to remember this moment, as an artist and parent, in the years to come (57:57). Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.

Writer and director Mia Hansen-Løve on how cinema saved her life.

Mia Hansen Løve présente dans la sélection officielle du 74ème Festival de Cannes, en compétition, son huitième film : Bergman Island. She Cannes est un podcast qui porte la voix de celles et de ceux qui, par leur filmographie, leurs engagements, accélèrent le changement devant et derrière la caméra. Pour plus de parité, et d'inclusion. Présenté par Marie Labory. Avec le soutien de Google et d'Audiens. En partenariat avec le collectif 5050, CNC Talents et la Queerpalm. Pardi Productions. Tous droits réservés. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Gay homosexuals Nick and Joseph discuss what it means to be a critic. Other topics discussed: Rupaul's Drag Race All Stars 6, the Cannes Film Festival; new projects from Mia Hansen-​Løve, Wes Anderson, John Trengove, and The Zellner Brothers; the film No Sudden Move. Check them out on YouTube: https://www.youtube.com/channel/UChVV6ezEYnPv9XaLZtUlZdw Nick's IG: ragingbells Joseph's IG: joroyolo --- Support this podcast: https://anchor.fm/fish-jelly/support