Podcasts about petzval

Nachrichten, Tagesthema, Magazin - Frauen in der Wissenschaft: Die Astrobiologin und Marsonautin Michaela Musilova. Das Museum des Mathematikers, Physikers und Erfinders Jozef Maximilián Petzval.

The second season of the Amazon Prime horror anthology series THEM takes place in 1989 and 1991 Los Angeles. LAPD detective Dawn Reeve is investigating a horrifying murder. As she gets closer to the truth, a dark and menacing force threatens her and her family. THEM: The Scare explores themes of fear, dark family secrets and the supernatural. Cinematographer Brendan Uegama was a fan of season 1 of THEM, and got a call from his agent to meet with writer, creator and showrunner Little Marvin about shooting season 2. As an anthology series, each season is its own standalone story. Brendan and Little Marvin's guiding idea was not to make the show look exactly like it took place in the early 1990's, and discussed how to create a feeling of warmth, contrasted with the feeling of terror in the shadows. Brendan decided to use just two lenses and two focal lengths on an ARRI Alexa Mini LF, with everything drastically changing look and tone for episode 7. On Episode 7, “One of Us is Gonna Die Tonight” of THEM: The Scare, Brendan had the opportunity to fully unleash his creativity. Little Marvin decided to direct this episode, and he wanted it to feel utterly horrific, using all of the tools they had at their disposal: lighting, camera effects, and sound. They embraced using as much red lighting as they possibly could throughout the episode. “We had lights in different areas, and we had red from the toy store.” says Brendan. “We had red flares, red cop lights. And Little Marvin's like, 'Man, it would be cool if it was even MORE red.' So I started adding red lights behind all the cop cars and uplighting things, really going heavy with the red. And once we started looking at that, we're like, 'Oh, yeah, now it feels like this is a hellscape.'” Brendan chose to use a 4:3 aspect ratio exclusively for episode 7 to make it feel like the walls are literally closing in. After strictly using the same lenses and focal lengths throughout the series, Brendan changed it up for almost half the episode with a Petzval lens, which creates a unique, swirly bokeh in the center of the frame. Along with the red lighting and aspect ratio shift, it helped create a distorted, nightmarish look. (Hear Robbie Ryan's discussion of using a Petzval lens on Poor Things https://www.camnoir.com/ep248/) Brendan enjoyed the creative opportunity to work on THEM: The Scare. “A huge part of it was the overall excitement to make something great,” he says. “It was exciting to push boundaries and not do formulaic television of any kind.” Find Brendan Uegama: Instagram @brendanuegama_dp Hear our interview with THEM season 1 cinematographer Checco Varese, ASC. https://www.camnoir.com/ep136/ Sponsored by Hot Rod Cameras www.hotrodcameras.com Sponsored by Aputure: https://www.aputure.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

In this episode, I share a breakdown of some amazing and unconventional lens choices on the feature film Poor Things.While many lenses were used throughout production, there were 4 in particular that I believe contributed most critically to the distinct look of this film - Including a pair of Lomography Petzval lenses, and a 4mm lens adapted from Super 16. Throughout the episode, I cover each lens in depth, explore how they were used, and share other key takeaways from the film.Sign up for my newsletter for exclusive filmmaking insight each Sunday.

Poor Things is a brilliantly imaginative, comedic and visually stunning film about Bella Baxter, a young woman who is brought back to life by mad scientist Godwin Baxter. She experiences a personal and sexual awakening as she travels the world, discovering what it means to be a confident woman free of societal constraints. Director Yorgos Lanthimos and cinematographer Robbie Ryan had previously worked together on The Favourite. They wanted to push the boundaries of how Poor Things looked in every possible way. “He's so prolific with ideas that you go, 'Okay, you want to try that? Okay, let's try that!' And, he gives me a lot of challenges that I go off and find a lens that he's trying to talk about,” says Robbie. Robbie shot Poor Things in a variety of different formats and with a range of unusual lenses. The film is a period piece, so he and Lanthimos decided to use the 1:6:6 aspect ratio, which is closer in composition to portraiture. They also chose to shoot entirely on film, using KODAK 35mm black and white, color negative and Ektachrome Reversal film stocks. For Bella's reanimation sequence, Robbie used a Vista Vision camera, which is a special widescreen format from the 1950's. The 35mm film stock is turned on its side, so that the picture is ultra-widescreen and high resolution. The film is energized with purposefully intrusive cinematography, lenses and zooms. Robbie selected a Petzval lens once used on old projectors. He also placed a 4mm lens, made for 16mm cameras, onto a 35mm camera, to create an extreme fish-eye, vignetted frame. “Yorgos wanted even wider fish eye lenses that created a vignette, with a dreamy focus bokeh on it. We wanted another era feeling to it, with a painterly quality to it, and to have a lot of character. You're jumping between so many different lens choices that would, they would definitely jar, but that's what the attempt is- to jar the audience.” On set, Lanthimos prefers to be able to use all 360 degrees of the entire space. He also didn't want any lights on the set, so it had to be completely built and lit with every direction shootable. It was more freeing for the actors and for the camera, but it did present a challenge for shooting on film, which needs a lot more light to make images. Robbie had to use many practical lights throughout the set, with sky lighting in the ceiling, especially for the outdoor scenes. Robbie is very proud of Poor Things, and he thinks it's funny and more accessible than some of Lanthimos' other work. “The universe that Yorgos has created is the one you want to enjoy and get into with this film,” he says. Find Robbie Ryan: https://www.imdb.com/name/nm0752811/?ref_=fn_al_nm_1 Listen to our previous interview from 2019 with Robbie Ryan on The Favourite and his other work. https://www.camnoir.com/ep32/ Sponsored by Hot Rod Cameras www.hotrodcameras.com Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Vintage cameras and analog film have grown to be unprecedented media darlings within our crowded digital landscape. With a superstar status fueled by insatiable demand amid a limited supply, in this week's podcast we investigate both the beauty and quirks of these trending tools. Joining us in conversation are photographer / vintage camera buff Bill Bain, and expert camera technician / repair wizard Shlomo Weinberger from B&H Photo's Used Department. Whether you cut your teeth on old school tech or you're an analog adopter in the digital age, there's a topic of interest for everyone, plus plenty of DYI tips to be had, including our favorite—liquid electrical tape! How many of you dedicated camera buffs knew about that? Guests: Bill Bain and Shlomo Weinberger Top Shot © Jill Waterman For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/vintage-cameras-with-bill-bain-and-shlomo-weinberger Guest Bios: Bill Bain has loved photography since his teenage years, when all his earnings went towards buying gear and paying for film and development. During a long career as an engineer, photography was a constant thread—particularly documenting his family and their extensive travels. Now living a post-corporate life in the Canadian Rockies, Bain devotes much of his time to photography. In addition to being fully immersed in digital imaging, he continues to make good use of his extensive collection of vintage cameras, many dating from the early 1900s. Bain's analog and digital fine-art images have been featured in Black & White magazine, and his photos of Olympic-style wrestlers have been published internationally. Shlomo Weinberger is a gifted technician who developed a specialty in repairing vintage cameras and lenses over nearly 25 years at B&H Photo. After learning his trade from an old-world technician steeped in the analog age, Weinberger currently operates a special repair shop within B&H Photo's Used Department, where he patiently inspects, calibrates, lubricates, and otherwise assesses the condition of the cameras and lenses that pass through his hands before they are offered to customers. Stay Connected: Bill Bain's Website: https://www.bainphotos.com/Film-Photography-page Bill Bain's Instagram: https://www.instagram.com/bainphotos/ B&H Photo Used Department: https://www.bhphotovideo.com/c/browse/Used-Equipment/ci/2870/N/4294247188 B&H Photo Vintage Film Equipment: https://www.bhphotovideo.com/c/browse/Cameras-Photo-Gear/ci/2871/N/4294247179 Episode Timeline 2:47: Bill Bain's tips when shopping for a vintage camera 3:30: Inspect the lens for mildew or mold and actuate the shutter 4:45: Making use of vintage lens fungus for creative portraits 6:53: Bain's preferred vintage camera formats: Folding bellows and box cameras 8:05: Bain's new vintage camera—60-year-old Mamiya C330 twin lens reflex 9:08: How many cameras are in Bill Bain's collection? 10:19: Black and white or color film, and various emulsions 12:28: Discontinued film formats and a nod to 2016 podcast—Dick Haviland: Last of the Classic Film Re-Spoolers 13:57: Bain's DYI modification for unavailable film stocks: Plastic wall anchors! 15:34: Different film sizes and determining if a camera will accept a currently available stock 17:42: 120 format film—the most easily adaptable film format 18:18: The difference between 120- and 220-format film 19:12: 127 film and smaller formats 20:20: DYI tip—Use a cigar cutter to trim readily available films to fit smaller formats 22:54: Vintage cameras with interchangeable lenses vs fixed lens cameras 23:14: The Petzval lens—19th-century classic and Lomography's 2015 redesign and release 24:00: Bill Bain's favorite vintage camera—His mother's Kodak Jiffy 620 25:02: The poor man's Leica—the Argus C3 26:42: Read the manual! Plus, finding user manuals for vintage cameras online 28:38: Making minor repairs, and when to pass vintage camera repair off to a skilled technician 29:16: DYI camera repair discovery—Liquid Electrical Tape! 32:06: Episode break 34:00: Shlomo Weinberger's advice when shopping for a vintage camera 34:34: Evaluating lens scratches—front vs rear element, edges vs center of glass 35:05: The most popular vintage cameras in B&H's Used Department 36:50: The most common vintage camera problem / repair—stuck aperture blades 38:11: Weinberger's most respected vintage cameras—Leica M3, Hasselblad system, Rolleiflex 35:32: Leica M3 has the best rangefinder—you can shoot with both eyes open 41:44: Weinberger's weekly workload of vintage cameras and lenses 42:28: Repair quirks to an original Nikon F 43:02: What to look for when repairing a twin lens Rollieflex 44:26: Flash photography with vintage cameras that synchronize at all shutter speeds 44:58: Pro tip for evaluating a twin lens camera—ensure all four sides of the lens board focus straight 46:34: Process for overhauling a vintage camera shutter   48:48: B&H Photo's used department museum display 50:32: Jeff Berliner's Petzvel lens collection from the Penumbra Foundation 51:15: Lubrication of vintage cameras—don't try it yourself! 52:44: Things to know before contacting B&H with a vintage camera inquiry 55:45: How to find Bill Bain online and in social media 

This weeks show was masterminded by Bad Dad Sidey who would have pleased the many protective headgear enthusiasts in our audience by nominating the Top 5 Helmets for us to discuss. Will we manage to talk about this subject without a lot of puerility and giggling? I wouldn't have thought so.THE LIGHTHOUSE (2019) was director Robert Egger's sophomore effort after debut THE VVITCH polarised the horror community with its emphasis on tone and atmosphere at the expense of shocks and sees Willem Dafoe's Thomas Wake and Robert Pattinson's Ephraim Winslow as wickie's tasked with tending and caring for a lighthouse for a month on a small isolated island. Shot using a rare 1:19:1 aspect ratio using authentic Petzval and Bauch & Lomb lenses on black and white film which induces a sense of claustrophobia to go along with the anxiety created by the constant oppressive droning of the foghorn, this is in some ways a very conventional A24 movie, as it veers from tense period pscyhological drama to lovecraftian horror via fart jokes and Promethean allegories. I enjoyed this one more in retrospect than when I was actually watching it.Sidey has been a big fan of THE MAGIC ROUNDABOUT since his teens so thought we should finally give this the Bad Dads treatment. The episode "Dougal's Glasses" sees the disconsolate dog moaning and generally being a bit nasty as he fears his eyes have gone for good. Does this still hold up? Absolutely not.We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Not all bokeh is made the same. Some kinds are clearly superior to others in the way that the bourgeoisie snubs their nose at the proletariat. Of course, I'm kidding about that; it's all personal preference. But objectively speaking, there are many different types of bokeh out there. Luckily, we've studied and used the most lenses in real-world environments of any website. So we dove into our Reviews Index to look at bokeh shapes. Are there more? There could be, but these are more than sufficient for the modern photographer. This post may contain affiliate links. When you make a purchase, we may receive affiliate revenue at no extra cost to you. The Phoblographer has a 100% transparency policy with our audience, and everything presented here is as factual as our Editors can research. Table of Contents Swirly Bokeh How to Get the Look Shaped Bokeh How to Get the Look Onion Bokeh How to Get the Look Smooth Bokeh How to Get the Look Donut Bokeh How to Get the Look Soap Bubble Bokeh How to Get the Look Swirly Bokeh Swirly bokeh is fascinating! I honestly wish it were available in more lenses. Of all the types of bokeh, it's often the most unique. It's typically associated with petzval style lenses. In a nutshell, it's making the center very sharp and the outer edges less in focus. So, if you're shooting with this style of lens, you can't expect the edges to be in focus. Instead, you'll have to always center your subject. It works best at wider open apertures. And the more you stop down, the lessened the effect becomes. Because of this, swirly bokeh is one of the types of bokeh that will appeal to portrait photographers. Combine it with some sort of sepia preset and you'll get an old-timey look. How to Get the Look Some of the best ways to get it are to reach for a Lomography Petzval lens or a Lensbaby Twist for less than $200 for just the optic. Lomography's Petzval lenses can be had easily on eBay. And various vintage optics can do this, like some from Helios. Shaped Bokeh Shaped bokeh is different. It takes the bokeh and literally turns it into a shape. Ever seen Scott Pilgrim vs. the world? It's used often there. It's an amusing look, but it can also be limiting. You need to use a very wide-open aperture at all times to get the results to pop. They're fun to use for portraiture, and they'll be fantastic with modern lenses as they're super sharp wide open. How to Get the Look Years ago, SLRMagic used to make this lens called the Bokehmorphic. I can't even find it anymore for the record, and it was hard to use, but fun. But you can also score these little stencils to put over your lens to shape the bokeh. Onion Bokeh For many years, this was just known as bokeh. Of all the types of bokeh, this is one of the weirdest to me. It's so odd because of just how it came to be called this. Basically, onion bokeh is when you look at a bokeh ball and there are little circles in it. It happens with the vast majority of optics made before 2018. Someone, somewhere on the internet, decided that it was awful because they were pixel-peeping. Sony hyper-inflated it out of control. It was a problem if you want to call it that, with the way the optics were polished. And now, manufacturers have changed the polishing technique so that the optics are more smooth. Personally speaking, I liked the onion bokeh look. It made the bokeh balls pop and gave images a more fascinating look. How to Get the Look Basically, pick up any lens made prior to 2018. It's bound to have onion bokeh. Make sure there are bright bokeh balls behind your subject. That's it; it's that simple. Smooth Bokeh Continuing from the onion bokeh trend, smooth bokeh occurs when the optics are polished differently. The bokeh balls are smooth and don't have an onion character. It's bound to make you not cry if you can't handle a bit of heat in the kitchen. How to Get the Look Sony G Master lenses are enormous on this look. Lots of Canon modern RF L lenses and Nikon Z S lenses are big on ...

References: Telescope - Wikipedia https://en.wikipedia.org/wiki/Telescope Refracting (Refractor) Telescope - Wikipedia https://en.wikipedia.org/wiki/Refracting_telescope Reflecting (Reflector) Telescope - Wikipedia https://en.wikipedia.org/wiki/Reflecting_telescope Catadioptric Telescope - Wikipedia https://en.wikipedia.org/wiki/Catadioptric_system Schmidt-Cassegrain Telescope (extra telescopes that give examples of catadioptric telescopes) - Wikipedia https://en.wikipedia.org/wiki/Schmidt%E2%80%93Cassegrain_telescope Dobsonian Telescope (type of Newtonian telescope) - Wikipedia https://en.wikipedia.org/wiki/Dobsonian_telescope Telescope Focal Length - starlust https://starlust.org/telescope-focal-length/ Achromatic Lens - Wikipedia https://en.wikipedia.org/wiki/Achromatic_lens Apochromatic Lens - Wikipedia https://en.wikipedia.org/wiki/Apochromat Gregorian Telescope - Wikipedia https://en.wikipedia.org/wiki/Gregorian_telescope Newtonian Telescope - Wikipedia https://en.wikipedia.org/wiki/Newtonian_telescope Petzval Field Curvature - Wikipedia https://en.wikipedia.org/wiki/Petzval_field_curvature Comatic Aberration - Wikipedia https://en.wikipedia.org/wiki/Coma_(optics) Distortion - Wikipedia https://en.wikipedia.org/wiki/Distortion_(optics) Schmidt Corrector Plate - Wikipedia https://en.wikipedia.org/wiki/Schmidt_corrector_plate Ritchey-Chrétien Telescope - Wikipedia https://en.wikipedia.org/wiki/Ritchey%E2%80%93Chr%C3%A9tien_telescope Telecompressor (Focal Reducer) - Wikipedia https://en.wikipedia.org/wiki/Telecompressor Barlow Lens - Wikipedia https://en.wikipedia.org/wiki/Barlow_lens

Imagine having only six weeks to prep for an entire movie trilogy, each one having its own distinct look. That was exactly the reality for cinematographer Caleb Heymann with Netflix's Fear Street trilogy. Caleb and Go Creative Show host, Ben Consoli, discuss relying on candles and sunlight for the 1666 movie, creating that incredible bread machine kill scene, how to deal with the challenges of neon colored lighting, and more! Subscribe Now! What you will learn in this episode Having only 6 weeks to prep 3 films (01:01) Adapting quickly as a cinematographer (08:43) Relying on candles and sunlight for 1666 (11:00) Using filtration with the Alexa Mini for 1666 (17:17) Filming 1666 without practical lights (22:35) 1994's horror movie inspiration (28:38) Creating the bread machine kill scene (35:20) Challenges of using neon lighting on set (42:24) Characteristics you get with vintage lenses (49:50) HALLOWEEN style visual approach for 1978 (53:45) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links FEAR STREET PART 1: 1994 on Netflix FEAR STREET PART 2: 1978 on Netflix FEAR STREET PART 3: 1666 on Netflix FEAR STREET trilogy trailer Petzval lens Titan Tube | Film Lighting Tube, Softlight, Cinema Effect light | photo light Follow Our Guest Caleb Heymann's Instagram Caleb Heymann's IMDb Caleb Heymann's website Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Dave Siegel (sound mixer) Dave Siegel's website Dave Siegel's Instagram Follow Connor Crosby (producer) Ignition Visuals' website Ignition Visuals' Instagram

Bloc d'actualités. Inventeurs et inventions slovaques: Jozef Maximilian Petzval. Pandémie du nouveau coronavirus. Sport slovaque.

So you think you know about lenses? Come and have a go at the Classic Lenses Podcast Pub Quiz! Quizmaster Perry Ge puts hosts Johnny & Simon against each other and the might of uber photo gnome, Mike Novak. Who will take the gold? More importantly, who's going home with a sad silver medal face?MIKE NOVAKflickr | Instagram | Beautiful Grainy Mush________ LISTEN TO THE PODCAST
 Pobean | iTunes | Stitcher ________ CLASSIC LENSES PODCAST PUB QUIZ #1 ROUND 1:GENERAL LENS KNOWLEDGE1. Which camera company made Sekor lenses?2. What is the significance of the following 3 places: Midland, Solms, Wetzlar? 3. How many elements are there in the original Petzval lens? 4. What do the following lenses all have in common? Zeiss 50mm f1.4 Planar, Super Takumar 55mm f1.8, Canon 35mm f2 LTM, Olympus Pen 38mm f1.8, Leica 50mm Summicron 5. The Canonet QL17 is one of world’s most beloved fixed lens rangefinders. What do the QL and 17 stand for? (Need both) 6. Who was Ludwig Bertele? 7. Taylor Hobson & Cooke, in all their brand iterations, are as we know legendary British lens manufacturers. Name two other relatively prominent British lens manufacturers (not camera) that were not part of the Taylor Hobson/Cooke companies. 8. Which lens design was reportedly so admired by Japanese Emperor Hirohito that he would only allow his picture to be taken with lenses of that design? 9. Which lens brand/rebrand was sold by the American camera company Ritz Camera? 10. What is the lens on the Yashica MAT-124G? 11. Ernst Ludwig made a 50mm Meritar lens for Exakta and M42 mount. What is the maximum aperture of that lens? 12. How many different max apertures were there of 50mm Minolta MD lenses? 13. What was the only LTM lens made by Olympus. 14: Which French company is widely credited with making the first wide angle retrofocus lens? 15. This lens is an extremely fast medium format normal lens made for a Japanese medium format SLR. In the USA, the camera was sold co-branded with a legendary maker of large format cameras. Name the camera and lens. 16. This ultra-rare monstrously huge lens is one of the rarest and most expensive lenses ever made. Introduced in 1972, it has a 220 degree angle of view, weighs 5.2 kilos, and produces a circular image on a standard 135 film negative. 17. This lens manufacturer was one of many that produced lenses for the Vivitar brand. Vivitar lenses made by this company had 37 as the first two digits of their serial number. It still exists today. 18. (4 points) Soviet lens factories - in which city is their factory located?a) LOMO    b) Arsenal    c) KMZ    d) FED ROUND 2:CATEGORIES 1. German lens manufacturers. 2. Which Nikkor lenses were made natively in Nikonos Mount? ROUND 3:LINKS 1. Which Japanese beer shares a name with a lens and camera company? 2. Which camera company shares a name with a type of Apple? 3. Which famous astrophysicist shares a first name with a famous German lens manufacturer? 4. Which UN weapons inspector shares a name with a film development chemical? 5. Laika was a famous dog that shared a name, phonetically at least, with the camera company. Why was Laika the dog famous? BONUS ROUND 1. This Japanese lens manufacturer was purchased by Yashica in 1968 and became part of the Kyocera group in 1983 after the merger of Kyocera and Yashica. 2. Sears sold a rebranded TLR called the Trumpfreflex. What camera was this a copy of? 3. Who was the designer of the Bolex Camera and Alpa-Reflex Camera? 4. What is the focal length and aperture of the Helios 65 lens? 5. What was the lens on the original Zeiss Ikon Nettar 510 folder?________ EPISODE 116 LINKS Nice Cup of Tea and a Sit Down Raspberry Pi Asian Pears A Pencil of Rays Laika the Cosmonaut Dog Carl Sagan Snoop Dogg Nails Plinko Wheel of Fortune Best Spin Ever Miss Teen USA South Carolina OMFG Silver Medal Face: The saddest-looking second-place finishers in Olympic history________ EPISODE 116 TAGS#CLP116 #ClassicLensesPubQuiz #AsianPears #Laika #Novakian #SadSilverMedalFace________ SUPPORT THE PODCAST
 Donate on Ko-fi  ________ CONTACT Send ideas & questions for the podcast EMAIL LIST Sign-up to receive an email when each podcast goes live INSTAGRAM
 BestVintageLens | #classiclenses | #bestvintagelens ________ FOLLOW THE HOSTS
 Simon Forster Website | Ebay | Flickr | Facebook | Instagram | Twitter | LFPP Perry GeWebsite | Flickr | Instagram Johnny Sisson Instagram | Central Camera Company ________ BE LIKE KARL Karl Havens The Karl Havens Excellence Endowment | Flickr | Instagram ________ PODCAST THEME
 Octoblues Royalty Free Music by Kevin Macleod ________ Classic Lenses Podcast is (not) Sponsored by Jeppson's Malört Chicago's fine hand sanitizerFuckyoswag Chicago media production  

Not content to bring one special lens to the party, Perry brings three absolute stunners with him, while Simon’s back shooting his Sony. We also catch up on Johnny in the darkroom (yes he did say he was done with that), and catch up on the emails we ran out of time to discuss last week. A show packed to the gills with lens talk in an attempt hold on to those listeners we alienated in show #100… So buckle up for some serious Zeiss, Pentax, Petzval, Industar, Taylor Hobson and Olympus action! ________ LISTEN TO THE PODCAST
 Pobean | iTunes | Stitcher  ________ #102 LINKS Industar-22 New Petzval 58 Bokeh Control Art Lens Leitz 9cm f4 Elmar The Bokeh Factory - Palecwnosie Taylor, Taylor & Hobson Cooke Ivotal Anastigmat 1 inch f/1.4 Made (C-Mount) Converted Contax G Lenses Early Takumar Lenses in M42 Basic Photographic Sensitometry Intro by Kodak Characteristic Curve by NFSA ________ EPISODE 101 TAGS#CLP102 #Industar22 #NewPetzval58mm #9cmElmar #BokehFactory #CookeIvotalAnastigmat1inch #ContaxGConverted #Takumar83mm #ContactPrints #CharacteristicCurve #Sensitometry________ SUPPORT THE PODCAST
 Donate on Ko-fi  ________ CONTACT Send ideas & questions for the podcast EMAIL LIST Sign-up to receive an email when each podcast goes live INSTAGRAM
 BestVintageLens | #classiclenses | #bestvintagelens ________ FOLLOW THE HOSTS
 Simon Forster Website | Ebay | Flickr | Facebook | Instagram | Twitter | LFPP Perry GeWebsite | Flickr | Instagram Johnny Sisson Instagram | Central Camera Company ________ BE LIKE KARL Karl Havens The Karl Havens Excellence Endowment | Flickr | Instagram ________ PODCAST THEME
 Octoblues Royalty Free Music by Kevin Macleod ________ Classic Lenses Podcast is (not) Sponsored by Jeppson's Malört Chicago's very own fine bitter Swedish liquor

On this episode of Photo Geek Weekly, Jpeg2RAW host Mike Howard joins the discussion about the latest computer hardware and what you should look for, what compression of RAW data could look like if you throw information away, novelty hipster lenses and something refreshing: a simple innovation that makes a lot of sense with filters. [...]

On this episode of Photo Geek Weekly, Jpeg2RAW host Mike Howard joins the discussion about the latest computer hardware and what you should look for, what compression of RAW data could look like if you throw information away, novelty hipster lenses and something refreshing: a simple innovation that makes a lot of sense with filters. [...]

Just when Karl, Johnny, and Simon started to think they knew about lenses, Jason Lane comes along and makes them realize how little they actually know. Why does a Petzval swirl? Why do new high resolution lenses have a gazillion elements? Why is field of view is more important than focal length to a designer? These, and many more questions, are answered in this highly technical episode. Plus, the latest news on glass plate photography!________ LISTEN TO THE PODCAST
 Pobean | iTunes | Stitcher  ________ Jason Lane Pictoriographica, home of J. Lane Dry Plates | Instagram LINKS Photographic Lens Design Photographic Dry Plates Dioptrique Photographique Zemax OpticStudio College of Optical Sciences, The University of Arizona Patents by Paul Rudolph Prof. Jose Sasian: Tessar and Dagor Lenses Oldlens.com ________ SUPPORT THE PODCAST
 Donate on Ko-fi  CONTACT Send ideas & questions for the podcast EMAIL LIST Sign-up to receive an email when each podcast goes live INSTAGRAM
 BestVintageLens | #classiclenses | #bestvintagelens FOLLOW THE HOSTS
 Karl Havens Flickr | Instagram Johnny Sisson Instagram | Central Camera Company Simon Forster Website | Ebay | Flickr | Facebook | Instagram | Twitter | LFPP PODCAST THEME
 Octoblues Royalty Free Music by Kevin Macleod

We took our mics to a basement laboratory on East 30 Street, in Manhattan, where legend tells of a scientist and his cohort who perform ungodly experiments, attempting to bring life to subjects long considered dead. What we found rattled the nerves of even our steely host Allan Weitz, and brought us to a new consideration of what can be done when modern Prometheans fuse technologies from diverse eras to create extraordinary tools for their photographic purposes. On this week’s episode of the B&H Photography Podcast, we speak with Geoffrey Berliner, Executive Director of the Penumbra Foundation, and Frank Rubio, the Camera Doctor, about the many “frankencameras” they have created together. In fact, they displayed six examples of their work for us. We talk about each one, most being antique view cameras modified with brass portrait lenses, modern flash systems, or for digital capture. We explain the provenance of the cameras and lenses, the process of “repurposing” them, and the practical applications for these modifications. Each of these cameras is put into regular use at Penumbra, primarily in their tintype studio, and we discuss Scovill, Graflex, and stereo carte de visite cameras; Cooke, Fox, and Hermagis lenses, and even Sony a7 cameras and Canon Selphy printers. For images of the cameras and lenses, go to our landing page. We also speak with Berliner about his impressive lens collection, with Rubio about learning camera repair in the Army, and about their motivations and collaboration. Rubio, having worked in some of the best camera houses in New York, has established a reputation as a skilled and meticulous craftsman, trusted by artists, pros, and collectors alike, and Berliner is a walking encyclopedia of camera and photography history. Join us for this insightful conversation, which leaves only one question unanswered—which of the two is the true Dr. Frankencamera? Guests: Frank Rubio and Geoffrey Berliner Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables

On this episode #11 of the “We Shoot Mirrorless” podcast for February 2018, Marco and Scott discuss these new products and mirrorless topics:   This show is sponsored by: COSYSPEED - The fastest camera bags in the world. and PhotoShelter - Where photographers get work done!   Scott tells us what he has been up to and at which photography events he can be seen in the next couple of weeks.   We are giving away one COSYSPEED CAMSLINGER Streetomatic + camera bag on this show. Listen to find out who has won it.   Fuji announced their new top model camera the X-H1. This camera is a hybrid between a photo and video camera and Marco has received a lot of questions regarding this camera and he’ll give his honest opinion regarding some of the features and changes that Fuji has implemented in this camera. B&H: https://bhpho.to/2FnzbjP   Olympus has announced the entry-level mirrorless PEN E-PL9 camera. Amazon DE: http://amzn.to/2ogogRB   Panasonic has announced the compact GX9 camera with a 20MP m4/3 sensor and 90° tilting EVF. This could be a very nice street photography camera. B&H: https://bhpho.to/2CAPlTJ   Panasonic has also announced the ZS200/TZ200 which features a 20MP 1” sensor, 5-Axis Image-Stabilization, and a 24-360mm equivalent field of view super zoom lens. B&H: https://bhpho.to/2EHTXxk   Lensbaby announced the Burnside 35mm lens with variable vignetting. This lens introduces the Petzval lens features to a relatively wide 35mm f2.8 lens. It is supposed to be bright and sharp in the center with a nice color rendition - while a slider can introduce a variable amount of swirling bokeh and vignetting to the outer area of the frame. The Burnside 35mm is rendered for full-frame DSLR cameras, but it also comes in mirrorless mounts for Micro Four Thirds, Sony E, Fujifilm X and Samsung NX mount. B&H: https://bhpho.to/2CBdF7U   DJI has announced yet another very desirable drone. The new DJI Mavic Air fits right in between the entry-level Spark and the top compact model Mavic Pro. B&H: https://bhpho.to/2FjFFjy   Sony has developed a backlit CMOS sensor with global shutter, and Scott and Marco discuss if and how this could change the future of photography.   Scott will be at the Skylum booth at WPPI. Check out the Skylum LUMINAR 2018 software. Link: http://bit.ly/2CzlC2g (use the discount code “PHOTOPODCASTS” at checkout for extra savings) Mirrorless question of the month: Dear Marco, dear Scott, As a big fan of your show I know that you are in favor of Fuji (Marco) and Olympus (Scott). Currently, I have the opportunity to test the Olympus om-d e-m1 mark ii for four weeks and I have to say this is a very nice camera. I like it very much. Now I would be very much interested to compare the Olympus with the Fuji X-T2 and I thought this would be a nice topic for your show as you know both cameras very well. I'm not so much interested in specs comparison but rather in daily practice and image quality etc. I would be very grateful if you could cover this topic in one of your next show. Thanks in advance and best regards Helmut (from Munich) We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Peter Weckesser - Back to the Beginning (click here). Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review about our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam For more information on Scott Bourne follow him on Twitter: @ScottBourne   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks on their workflow.

An internationally published and award winning photo artist from Ukraine now based in New York, Anya Anti has been into photography since 2009. She’s always been a creative person – as a child she was good at painting and crafts. As her passion for art grew she fell in love with photography and started shooting the world around her. As a self-taught photographer, she gained all her knowledge and inspiration through social media and online photography communities. A year-and-a-half later, she started creating fine art surrealistic female portraits, which became her preferred genre and a hallmark of her work. Installations, costumes and Photoshop manipulation help her to embody her fantasies into a finished piece of art. She shoots mostly with old vintage manual lenses like Helios and Petzval. Their imperfections help her be more creative and achieve that dreamy effect. As a workshop instructor, she has already taught in different countries. She has showcased her work at exhibitions and been published all around the globe. In 2015 she was the lucky winner of a Broncolor GenNEXT sponsorship. Anya is a dreamer. Photography is not only what she loves and what she does, it’s also a gentle and romantic side of her. It's a reflection of her deep emotions, passion for unknown and craving for beauty. Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Másfél óra hibajavítás.

Here’s episode 64 of the PetaPixel Photography Podcast. You can also download the MP3 directly and subscribe via iTunes or RSS! Leave a comment in this post, or use our voicemail widget for feedback/questions for the show. In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Sponsor:  FreshBooks. Get your FREE 30 day trial at FreshBooks.com/PetaPixel and enter PetaPixel in the “How Did You Hear About Us?” section. Photographer and The Photo Brigade podcast host Robert Caplin opens the show. Thanks Robert! Now that it's been out for a little bit now, my thoughts on the Sony a6300 with some additional thoughts from the awesome Gordon Laing of CameraLabs.com and "All About the Gear". A survey of about 15,000 brides show the amount spent on wedding photography is on the rise. (#) Strong rumors suggest a full-frame Canon mirrorless body which takes their current EF lenses is coming in 2016. (#) Lensbaby announces a lens which give you a looking approximating that iconic Petzval effect. (#) Hasselblad releases its new H6D, but is it relevant anymore at such a steep price? (#) A service guarantees your client doesn't get their photos until they pay. (#) GoPro announces the Omni for creating 360 degree and VR experiences. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

This week, an article sent in by a listener gets us discussing the idea of doing what you love. Is it a fantasy or can you really love doing something and still call it work? If everyone does only what they love, who does the work that nobody loves? Also, we talk a little about gear, including the allure of Petzval and Helios lenses and the new DxO One add-on camera for iPhone. Another suggestion from a listener is this week's Photographer of the Week, cinematographer Christopher Doyle.

This week, an article sent in by a listener gets us discussing the idea of doing what you love. Is it a fantasy or can you really love doing something and still call it work? If everyone does only what they love, who does the work that nobody loves? Also, we talk a little about gear, including the allure of Petzval and Helios lenses and the new DxO One add-on camera for iPhone. Another suggestion from a listener is this week’s Photographer of the Week, cinematographer Christopher Doyle.