Podcast appearances and mentions of Robbie Ryan

The Brutalist tells the story of László Tóth (Adrian Brody) a Hungarian-Jewish architect who survives the Holocaust and emigrates to the United States. He meets a wealthy industrialist, Harrison Lee Van Buren (Guy Pierce), who recognizes his talent, and commissions him to design a grand community center. The opportunity presents both a chance for redemption and a descent into a dangerous power dynamic. Cinematographer Lol Crawley, BSC is currently nominated for an Academy Award for his stunning work on The Brutalist. He and director Brady Corbet chose to shoot on VistaVision, which uses 35mm film horizontally instead of vertically, significantly increasing the image area and resolution. Corbet was always interested in shooting on a larger format in order to capture the landscapes and architecture in the film. VistaVision proved to be a less expensive way to shoot on large format, especially since many rental companies were reluctant to rent their 65mm cameras to a modestly budgeted, independent feature. Lol knew fellow cinematographer Robbie Ryan had also used VistaVision for parts of Poor Things. He was able to use the same technicians Robbie used while The Brutalist shot in Budapest. The choice of VistaVision was not just about technical specifications. For The Brutalist, set in the early late 1940s and early 1950s, Lol felt it was appropriate to use a camera and film stock that evoked the era. Even the photochemical process of film itself added a unique character. “What we have chosen to do with the Kodak stock is to abuse the stock slightly, to underexpose it, to push process it, to come up with a more painterly image or something that we feel depicts a certain era,” says Lol. “And we've found that by underexposing the stock and distressing the dye layers, then forcing the image back up, you're dragging up colors within the shadows that we find to be very pleasing, interesting and more impressionistic or painterly image.” One of the most striking sequences in The Brutalist is the opening scene, a single continuous take following László through a ship as he disembarks in America. Lol, who also operated the camera in most of the film, used a smaller handheld camera for the scene. To accentuate the disorientation as László gets off the boat, the editor decided to flip the images around. “The idea is supposed to be that he comes to America, and it's a new hope,” says Lol. “But the fact that it's untethered and disorientating and flipped on its head is a really ingenious way of representing that László's time in the US is not going to be all he imagined.” Lol's approach to cinematography emphasizes a balance between documenting reality and fiction. “I've always thought that my cinematography was about responsiveness,” he says. "Cinematography is about light, camera movement, and composition. If I had to get rid of one or let one of those things go, it would be the lighting. What I like to do is to have one foot in documentary and one foot in fiction, and be open to respond. So I tend to shotlist less, I tend to storyboard less.” The cinematographer Christopher Doyle told him once, “In Western cinema, you say, 'Here's the frame, how do we fill it?' In Asian cinema we say, 'Here's the world, how do I frame it?'” You can see The Brutalist in theaters. Find Lol Crawley: https://lolcrawley.com/ Instagram: @crawleylol Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://aputure.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Llegan las nominaciones a los premios en serio, en esta quinta edición para ayudarnos a encontrar a los mejores películas en su categoría hemos contado con los votos de Rocio Muñoz, Miguel Ángel Tomás, Ivo Delgado y Hector de los tres amigos. En un par de días nos juntamos para decidir cuales son las afortunados al galardón más prestigioso del cine (al menos para nosotros) ¿Preparados? ¿Cuál ha sido vuestra película favorita de 2024? ........................................ Lista de nominaciones: PEOR PELÍCULA 1- ¿Todo bien? 2- Intruso 3- Justicia Artificial 4- Los Feos 5- Strange Darling MEJOR PELICULA 1- All of us Strangers 2- Anora 3- I saw the tv glow 4- La sustancia 5- La Zona de Interés 6- Pobres Criaturas 7- Siempre nos quedará mañana 8- Wicked MEJOR DIRECCION 1- Sean Baker, Anora 2- Coralie Fargeat, La sustancia 3- Jonathan Glazer, La Zona de Interés 4- Yorgos Lanthimos, Pobres Criaturas 5- Denis Villeneuve, Dune Parte 2 MEJOR GUIÓN 1- Sean Baker, Anora 2- Andrew Haigh, All of us Strangers 3- David Hemingson, Los que se quedan 4- Yorgos Lanthimos, Pobres Criaturas 5- Peter Straughan, Conclave MEJOR ACTRIZ 1- Mikey Madison, Anora 2- Mia McKenna-Bruce, How to have sex 3- Demi Moore, La sustancia 4- Zoe Saldaña, Emilia Pérez 5- Emma Stone, Pobres Criaturas MEJOR ACTOR 1- Ralph Fiennes, Conclave 2- Paul Giamatti, The Holdovers 3- Andrew Scott, All of us Strangers 4- Justice Smith, I saw the tv glow 5- Jussi Vatanen, Fallen Leaves MEJOR FOTOGRAFÍA 1- Alice Brooks, Wicked 2- Greig Fraser, Dune parte 2 3- Benjamin Kracun, La sustancia 4- Robbie Ryan, Pobres Criaturas 5- Eric Yue, El Brillo de la televisión MEJOR BANDA SONORA 1- Hans Zimmer, Blitz 2- Trent Reznor & Atticus Ross, Challengers 3- Jerome Rebotier, El conde de montecristo 4- Alberto Iglesias, La habitación de al lado 5- Kris Bowers, Robot Salvaje MEJOR ACTRIZ SECUNDARIA 1- Ariana Grande, Wicked 2- Da'Vine Joy Randolph, The Holdovers 3- Brigette Lundy-Paine, I saw the tv glow 4- Margaret Qualley, La sustancia 5- Natasha Lyonne, Las Tres Hijas MEJOR ACTOR REPARTO 1- Yura Borisov, Anora 2- Paul Mescal, All of us Strangers 3- Jesse Plemons, Civil War 4- Mark Ruffalo, Pobres Criaturas 5- Jeremy Strong, The Apprentice

SEASON 2 - EPISODE 117 - Rachel Clark - Cinematographer Cinematographer Rachel Clark (EDGE OF SUMMER, QUEENIE, I AM RUTH) joins us on this episode of the Team Deakins Podcast. Hailing from northeast England, Rachel, far-removed from the film industry, nonetheless found her way into the camera department and has since worked her way up the grades to helm the department herself. We discuss the challenges and obstacles in her journey to becoming a cinematographer, and she reflects on the stubbornness that pushed her through them all. We also discuss how her approach to working as a DP has evolved, and she reflects on her experiences shooting I AM RUTH within the bounds of director Dominic Savage's unique vision. Rachel also shares her experience shooting EDGE OF SUMMER with children and her yearning to film as much as possible on location in a nearby tin mine. Plus, we learn about Rachel's fortuitous early-career run-in with cinematographer Robbie Ryan dancing in a field at a music festival. - This episode is sponsored by Aputure

In the second part of our interview with Strange Darling cinematographer Giovanni Ribisi, he delves into his meticulous approach to testing, collaboration with director JT Mollner, and the creative muscles he uses for both acting and cinematography. Strange Darling is a puzzle box of a movie, with seven different chapters mixed up to tell the story. It became the actors' playground, where they could explore the thriller's themes and characters, translating their ideas into tangible visual elements. Giovanni's approach to the cinematography was guided by a desire to create a simple yet elegant aesthetic, emphasizing shape, lighting, camera movement and composition. Together, Giovanni and JT Mollner found the film's visual style. They tested several different film stocks and explored various lighting setups and color palettes using a dummy head as a stand in. “(Testing on film) doesn't need to be expensive-you could do tests on 16 millimeter and answer questions that you have as part of the creative process,” he says. Giovanni also used an older ARRI Alexa digital camera for trying out some lenses before testing them on film. Giovanni finds that cinematography uses some of the same processes as acting: imagination, creativity, and a willingness to take risks. Cinematography, like acting, requires preparing and practice. “You develop instincts to answer and solve problems and challenges,” he says. “It becomes an instinctual thing to frame the shot, for it to fall in line with what you prepped for. As an actor, you see it in the outcome of your work, attention, and focus.” When comparing acting to cinematography, Giovanni finds acting much more difficult. “It never ends up being what you're trying to do because it's a hard thing.You watch it the next day and you're like, oh my God, I really got into self-expression there... So much of acting is about humiliation, trying not to embarrass yourself. I always find that it takes a lack of self-consciousness. If you're too self-conscious, you just get up in your head and you can't do it.” About eight years ago, Giovanni was invited by cinematographer-turned director Reed Murano to be part of a panel at CameraImage. It provided valuable opportunities to connect with other professionals such as Sal Totino, Matty Libatique and Ellen Kuras. He also admires Robbie Ryan's work on Poor Things and Kinds of Kindness. Strange Darling is currently in theaters. Sponsored by Hot Rod Cameras www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Season 4 Episode 24 - Swirls & Spirals. Today's Bringing It All Back Home Podcast explores the inspiration behind purchasing the legendary Helios 44-2 lens, how it influenced three different camera systems - as well as a shout out to American Cinematographer magazine. Explored: Helios 44-2, M42 mount, Mamiya Sekor 1000 DTL, Poor Things, cinematographer Robbie Ryan, 58mm and 85mm [Lomography] Petzvals, and why swirls & spirals look astounding - even more than stills - on cinema. Article about Poor Things cinematography: https://theasc.com/articles/life-anew-poor-things?fbclid=IwZXh0bgNhZW0CMTAAAR3wZLutkHJbSTubBReHByt5qkQm5jVE5xOlnAIyVEqhVOsJmbwZ42vErd0_aem_ARBRY-g_1V5Xw-xU4WPxbjsWhXbyhhJ08u5rPU6Srx6_mj1SIxesWD9nRpyYAi19G_ms7nPrA4gKm6WxRGNB4HX1 --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

On this episode, Barry and Mike head to Victorian England to discuss Yorgos Lanthimos' crazy Frankenstein-fueled, feminist sex-romp Poor Things, starring Academy Award winning Best Actress Emma Stone. Topics discussed include the astonishing brilliance of Emma Stone, the misery of miscast Mark Ruffalo, and the originality, skill and talent of Lanthimos and cinematographer Robbie Ryan. 

Robbie Ryan, Oscar Nominee joins Ray as he makes his way to Hollywood, we have our fingers and toes crossed!!!

Our coverage of the 2024 Oscars continues in this episode with our guest, Robbie Ryan, BSC, ISC. Robbie is a two-time Academy Award® nominee for Cinematography. In today's episode, he discusses his second collaboration with director Yorgos Lanthimos on the film "Poor Things," following their acclaimed work together on "The Favourite," which earned Robbie his first nomination for Best Cinematography. This year, "Poor Things" boasts 11 Academy Award nominations, including Best Director for Lanthimos and Best Picture. In this wide-ranging conversation, Robbie explains how he crafted the film's unique, almost dreamlike look, which was mostly captured in-camera, and on film, without post-production effects:“[Yorgos] wanted to have a kind of porthole, vignetted, wide angle [aesthetic]… And I'd kind of done a bit of photography lately where there's a lot of lenses [that] don't fit on the large format sensor, so you get this vignette. So I said, ‘well, hang on — if we use a 16 mil lens on a 35 mil negative, that might happen.' And it worked out really perfect. We had this 4mm lens for 16 mil, that when you put it on 35 mil, just had that perfect circle… You get these aberrations around the very edges of it and it has this organic quality to it, which was very sweet… None of that was post. That was all real.“—Robbie Ryan, BSC, ISC, Director of Photography, “Poor Things”Be sure to check out “Poor Things” ahead of the Academy Awards, live from the Dolby Theatre® on March 10th!For more awards season coverage, please subscribe to The Dolby Creator Talks Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Poor Things is a brilliantly imaginative, comedic and visually stunning film about Bella Baxter, a young woman who is brought back to life by mad scientist Godwin Baxter. She experiences a personal and sexual awakening as she travels the world, discovering what it means to be a confident woman free of societal constraints. Director Yorgos Lanthimos and cinematographer Robbie Ryan had previously worked together on The Favourite. They wanted to push the boundaries of how Poor Things looked in every possible way. “He's so prolific with ideas that you go, 'Okay, you want to try that? Okay, let's try that!' And, he gives me a lot of challenges that I go off and find a lens that he's trying to talk about,” says Robbie. Robbie shot Poor Things in a variety of different formats and with a range of unusual lenses. The film is a period piece, so he and Lanthimos decided to use the 1:6:6 aspect ratio, which is closer in composition to portraiture. They also chose to shoot entirely on film, using KODAK 35mm black and white, color negative and Ektachrome Reversal film stocks. For Bella's reanimation sequence, Robbie used a Vista Vision camera, which is a special widescreen format from the 1950's. The 35mm film stock is turned on its side, so that the picture is ultra-widescreen and high resolution. The film is energized with purposefully intrusive cinematography, lenses and zooms. Robbie selected a Petzval lens once used on old projectors. He also placed a 4mm lens, made for 16mm cameras, onto a 35mm camera, to create an extreme fish-eye, vignetted frame. “Yorgos wanted even wider fish eye lenses that created a vignette, with a dreamy focus bokeh on it. We wanted another era feeling to it, with a painterly quality to it, and to have a lot of character. You're jumping between so many different lens choices that would, they would definitely jar, but that's what the attempt is- to jar the audience.” On set, Lanthimos prefers to be able to use all 360 degrees of the entire space. He also didn't want any lights on the set, so it had to be completely built and lit with every direction shootable. It was more freeing for the actors and for the camera, but it did present a challenge for shooting on film, which needs a lot more light to make images. Robbie had to use many practical lights throughout the set, with sky lighting in the ceiling, especially for the outdoor scenes. Robbie is very proud of Poor Things, and he thinks it's funny and more accessible than some of Lanthimos' other work. “The universe that Yorgos has created is the one you want to enjoy and get into with this film,” he says. Find Robbie Ryan: https://www.imdb.com/name/nm0752811/?ref_=fn_al_nm_1 Listen to our previous interview from 2019 with Robbie Ryan on The Favourite and his other work. https://www.camnoir.com/ep32/ Sponsored by Hot Rod Cameras www.hotrodcameras.com Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

|| Intro - (0:00) || The Kang Dynasty - (1:12) || Furiosa Trailer - (7:58) || Godzilla X Kong - (12:54) || House of the Dragon - (18:45) || Fallout Series - (20:56) || Halo S2 - (26:27) || True Detective S4 - (29:32) || Oceans Prequel Update - (34:04) || Godzilla Minus One Review - (37:58) || Holdovers Review - (55:28) || Christmas Character Draft - (1:15:10)You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool

Film reviews: Anatomy of a Fall; Dream Scenario; The Marvels, and Ó Bhéal. Cinematographer Robbie Ryan on Poor Things, Yorgos Lanthimos; Coinciding with the 25th anniversary of his solo career, Robbie Williams has a new four-part Netflix documentary

After it's record-breaking, $1-billion-plus worldwide run, we are looking back on Barbie's success this summer and take a look back at our Around the Table interview with director/co-writer Greta Gerwig, and stars Margot Robbie, Ryan Gosling, America Ferrera, Kate McKinnon, Issa Rae, and Michael Cera. Plus, Awardist host Gerrad Hall and EW's resident Oscars expert Joey Nolfi break down the movie's Oscar chances and which categories we think they'll be nominees. Learn more about your ad choices. Visit megaphone.fm/adchoices

We were happy to have director Yorgos Lanthimos back at the New York Film Festival to discuss Poor Things, a Main Slate selection of this year's festival, as well as cinematographer Robbie Ryan, costume designer Holly Waddington, composer Jerskin Fendrix, and production designers James Price & Shona Heath, with NYFF programmer Rachel Rosen. In his boldest vision yet, iconoclast auteur Yorgos Lanthimos, previously featured in NYFF with The Lobster (NYFF57) and The Favourite (NYFF56), creates an outlandish alternate 19th century on the cusp of technological breakthrough, in which a peculiar, childlike woman named Bella (Emma Stone) lives with her mysterious caretaker, the scientist and surgeon Godwin Baxter (Willem Dafoe). At once poignant and grotesque, Poor Things, based on a 1992 novel by Alasdair Gray, is a punkish update of the Frankenstein story that becomes a deeply feminist fairy tale about women taking back control of their own bodies and minds. A Searchlight Pictures release. Listen to the conversation with Lanthimos and his team as they discuss Poor Things. Don't forget to mark your calendars: Poor Things opens in theaters on December 8. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix

Interview with part of the creative team of "Poor Things". It portrays a childish and naive woman trapped in the body of an older one. The post “Poor Things”, interview with director Yorgos Lanthimos and cinematographer Robbie Ryan appeared first on Fred Film Radio.

Interview with part of the creative team of "Poor Things". It portrays a childish and naive woman trapped in the body of an older one. The post “Poor Things”, interview with director Yorgos Lanthimos and cinematographer Robbie Ryan appeared first on Fred Film Radio.

Interview with part of the creative team of "Poor Things". It portrays a childish and naive woman trapped in the body of an older one. The post “Poor Things”, interview with director Yorgos Lanthimos and cinematographer Robbie Ryan appeared first on Fred Film Radio.

Interview with part of the creative team of "Poor Things". It portrays a childish and naive woman trapped in the body of an older one. The post “Poor Things”, interview with director Yorgos Lanthimos and cinematographer Robbie Ryan appeared first on Fred Film Radio.

Interview with part of the creative team of "Poor Things". It portrays a childish and naive woman trapped in the body of an older one. The post “Poor Things”, interview with director Yorgos Lanthimos and cinematographer Robbie Ryan appeared first on Fred Film Radio.

Interview with part of the creative team of "Poor Things". It portrays a childish and naive woman trapped in the body of an older one. The post “Poor Things”, interview with director Yorgos Lanthimos and cinematographer Robbie Ryan appeared first on Fred Film Radio.

本期是（迟到的）骄傲月特别策划！她乡电台与不关门播客联动，向大家倾情安利姬片！ 《宠儿》成功在哪里，失败在哪里？《惊世狂花》有多惊艳？《超感猎杀》只是尺度大吗？代表了英美剧集制作最高水准的《杀死伊芙》和《女子监狱》，好看在哪里？经典《拉字至上》还值得看吗？我们想要看怎样的同性题材影视作品？ 【⚠️】因为嘉宾都长期工作生活在英语环境中，在本期播客的语言表达中会有大量中英文夹杂的情况。介意的朋友请不要点开。 Timestamps： 00:41 《宠儿 The Favourite》影片介绍 02:36 我们对《宠儿》的印象 06:55 幼稚的宫斗戏，是《宠儿》的最大败笔 08:54 韩国宫廷情色片《霜花店》，床戏专业名词启蒙片，床戏好看！ 10:21 《宠儿》中的两个角色：两小无猜的感情败给了权力关系的变化 14:53 《宠儿》中荒淫无度、唯唯诺诺的男性丑角 17:39 《惊世狂花 Bound》影片介绍 19:42 《惊世狂花》主演 Jennifer Tilly 迷倒所有人 20:17 早年女性影片片名翻译吐槽 21:13 《超感猎杀 Sense8》最有名的群P戏 22:35 变异新物种与智人的战斗，《超感猎杀》的设定类似《X战警》 23:03 沃卓斯基姐妹在《超感猎杀》中为 LGBTIQA+ 群体发声 28:11 《杀死伊芙 Killing Eve》与《女子监狱 Orange Is the New Black》：英美剧集制作最高水准代表 28:57 《杀死伊芙》剧情介绍 31:51 互相吸引、难以抗拒、不能明说、相爱相杀，危险暧昧又迷人 36:00 《女子监狱》剧情介绍，成功的群像剧 37:10 群像塑造非常成功，每个人距离监狱只有一步之遥 37:59 《拉字至上 The L Word》剧情介绍 40:55 在洛杉矶下午的阳光下的咖啡馆里畅聊感情、婚姻、生育、职业烦恼，世界很大，想要去看看 42:22 性少数群体可以像主流异性恋一样正常生活，性取向是一件很平常的事情 44:19 《小美人鱼》选角引发争议，我们觉得选角没毛病，但片子本身烂 45:47 弱势群体在影视作品里被代表、展现更多的可能性，能够产生鼓励和解放的作用 47:22 迪斯尼的创新：《冰雪奇缘 Frozen》妹妹的真爱是姐姐，《沉睡魔咒》公主的真爱是女巫养母 50:26 《面子》=《饮食男女》+《喜宴》 54:01 《真心半解》青春校园爱情片 55:12 《卡罗尔》有颜值有演技，但是感情戏有点牵强 56:46 《莫茜 My Days of Mercy》有颜值有剧情有床戏 本期提到的其他作品：《我是布莱克》《吉米的舞厅》《呼朋引伴 C'mon C'mon》《婚姻故事》《爱乐之城》《鸟人》《超凡蜘蛛侠》，《木乃伊》系列，《蓝莓之夜》《康斯坦丁》《可爱的骨头》《龙虾》《黑寡妇》《王冠》《神秘博士》《伦敦生活》《小镇疑云》《热血警探》《夜班经理》《霜花店》，《X战警 X-Men》系列，《实习医生格蕾》《最后的决斗》《指匠情挑》《同志亦凡人》《欲望都市》《老友记 Friends》《寻 Looking》《冰雪奇缘 Frozen》《沉睡魔咒》《美女与野兽》《睡美人》《阿拉丁》《饮食男女》《喜宴》《推拿》《致命女人 Why Women Kill》《纸牌屋》 本期提到的部分关键词：欧格斯·兰斯莫斯，奥利维娅·科尔曼，艾玛·斯通（Emma Stone, “石头姐”），蕾切尔·薇姿，Robbie Ryan, 肯洛奇，华金·菲尼克斯，斯嘉丽·约翰逊，Emma Watson, 赵寅成，沃卓斯基姐妹，Jennifer Tilly, 吴珊卓 Sandra Oh, 朱迪·科默 Jodie Comer, 雷德利·斯科特，Katherine Moennig, 安格拉·默克尔，陈冲，伍思薇，刘玉玲，凯特·布兰切特（“大魔王”），鲁妮·玛拉（“小白兔”），凯特·玛拉，Elliot Page 【不关门】播客：在这里，椒椒和烧酒一起闲聊书、影和游戏。欢迎大家在各大平台订阅、收听我们的节目。 主持、后期：竹淡刻骨 文案：烧酒 嘉宾：不关门 - 椒盐豆豉、烧酒 音乐：Strange Effects（截取自Killing Eve 原声） 欢迎更多自我认同为女性和non-binary的朋友加入WomenOverseas她乡论坛，和海内外华人女性/non-binary共同探索广阔的世界，成为更好的自己。

Tune in every Friday for more WOW Report. 10) Tom's Take: Barbie @00:38 9) James's Vacation: A Trumpian Encounter @05:16 8) We're in Our Cult Era @10:09 7) Only Murders in the Building Season 3 @17:28 6) ChatGPT Hits Home for James @21:31 5) Hot ‘N' Streamy: Hijack on Apple+ @25:57 4) Let's Talk About Lizzo @33:21 3) Musicals!: The Warriors & Here Lies Love @39:23 2) The New Chelsea Hotel @44:43 1) The Wildfires in Hawaii @49:52

Writer, Director Greta Gerwig joins the show to discuss her new film Barbie (starring Margot Robbie, Ryan Gosling). We learn about the F-bomb removed from the film featuring Helen Mirren and historical figure Marie Curie (naturally), working with cinematographer Rodrigo Prieto, America Ferrera's brilliant monologue, and more. After the interview, we give our spoiler-free review of the film, as well as Christopher Nolan's Oppenheimer. ReelBlend PremiumSign up for a bi-weekly newsletter from Sean, and ad-free episodes at bit.ly/reelblendpremium.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form.Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnellJake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsTimestamps (approx. only)00:00:00 - Intro00:05:03 - Greta Gerwig Interview | Barbie, Kubrick & More00:42:33 - ‘Barbie' Review (Spoiler-Free)00:54:44 - ‘Oppenheimer' Review (Spoiler-Free)01:08:29 - ‘Oppenheimer'01:21:26 - OutroSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hey Barbie! Hey Ken! Margot Robbie (Barbie herself) and Ryan Gosling (just Ken) speak to Ali Plumb about Greta Gerwig's Barbie, touching on such hot button topics as the Barbie slide, the Barbie wave, Barbie memes, Ken's rollerskates, Ken's tricky-to-say fashion pieces and Ken's totally unimportant t-shirts. Oh, and those times Margot and Ryan dressed up as a cigarette and a hamster (respectively). And that's not forgetting Greta herself, as well as America Ferrera, Simu Liu and Issa Rae, who are all on fine, fine form.

USA Directed by Greta Gerwig

It's the moment cinema-goers have been waiting for - Barbenheimer!On this week's Backstage, we hear from Margot Robbie and Ryan Gosling from the pink carpet at the European premiere of Barbie. Cillian Murphy and Christopher Nolan chat to us about Oppenheimer and Elle Fanning talks about using "dark humour" in season three of The Great. Plus, who was snubbed and who was honoured as the 2023 Emmy's nominations were revealed?Join host Claire Gregory, Sky's Arts & Entertainment reporter Bethany Minelle and TV and film reviewer Stevie Wong.Timecodes:00.01.02 - SAG-AFTRA writer's strikes00.06.00 - 2023 Emmy nominations00.11.17 - Timothée Chalamet in new Wonka trailer00.14.15 - Barbie - interviews with Margot Robbie, Ryan Gosling and Greta Gerwig00.23.59 - Oppenheimer - interview with Cillian Murphy and Christopher Nolan00.33.03 - Mission: Impossible Dead Reckoning Part One review00.37.20 - Lionsgate+'s The Great - interview with Elle Fanning00.44.45 - Paramount +'s Quantum Leap - review

Tune in every Friday for more WOW Report. 10) The 2023 Emmy Nominations @01:54 9) Karen's Dramatic Exit from Plane @08:56 8) Charlie Puth at the Greek! @11:38 7) RuPaul's Drag Race Live Celebrates 500 Shows! @19:16 6) Hot Social Media App: Threads @24:22 5) This Week In Barbie News… @29:26 4) Rest in Perfection: Reverend Steve Pieters @36:22 3) Trailer Park: Wonka & Napoleon @39:41 2) The Vegas Streaker @45:24 1) Madonna Delays Celebration Tour @48:57

Check out the Barbie trailer reaction by Kathy and Mark! They share their thoughts on the highly anticipated full trailer for the upcoming film directed by Greta Gerwig. The star-studded cast includes Margot Robbie, Ryan Gosling, and Will Ferrell.Support the show

Barbie Trailer Reaction! Margot Robbie | Ryan Gosling | Greta Gerwig! Kathy and Burk react to the bonkers new trailer for Barbie, the new film directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling. Don't beach off anyone!Join this channel to get access to fun perks like exclusive content and private Discord channel!:https://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/join#TrailerReactions #barbie #margotrobbie New videos daily!!Official Swag https://shop.spreadshirt.com/cinemondoSubscribe for the latest movie reviewshttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA?sub_confirmation=1

Tune in every Friday for more WOW Report. 10) Hot Drama: Succession @00:51 9) Trailer Park: Barbie & Blue Beetle @05:46 8) Word of Wonder: Petrichor @09:19 7) Mr Brainwash Art Museum @15:08 6) MGT on 60 Minutes @20:09 5) Damien Hirst's Spin on Spin Art @24:57 4) Pre-Code Movies on TCM @32:13 3) Rest in Perfection: Heklina @38:19 2) My Pet Robot @42:52 1) That Orange Dude Got Arrested! @48:20

"It's all about that creative spark that births a new visual language or idea that maybe could live on its own."

"It's all about that creative spark that births a new visual language or idea that maybe could live on its own."

Are you looking to build a career as a film editor? Maybe you just want to learn a few new tricks of the trade. Well,  today Leslie sits down with film editor Matthew C. Hall to talk about everything from how to be a true partner with your director to how to break into the business.   Don't miss this jam packed episode.More About Matthew:Matthew Hart is a British/American feature film editor living in New York.He has worked across genres on intense character studies, comedies, revenge thrillers, non-binary sexual awakenings and cerebral horror,and his films have screened at festivals including Sundance, Cannes, Toronto and Berlin.He also edits documentaries, most recently working with director Andrew Dominik and cinematographer Robbie Ryan on the Nick Cave/Warren Ellis performance film, “This Much  I Know to be True"

Edgar Estrada nos cuenta todo sobre el mundo del entretenimiento; espectáculos, cultura, cine, televisión, teatro y muchas recomendaciones a tu alcance. ¡Estamos "Del Tingo al Tango"!Una producción original de Audio Centro

EPISODE 148 - ROBBIE RYAN - Cinematographer Team Deakins enjoys an interesting talk with cinematographer, Robbie Ryan (MARRIAGE STORY, I, DANIEL BLAKE, THE MEYEROWITZ STORIES). We talk about his teaming up with director Andrea Arnold and their relationship. We go into details on the film FISH TANK. Robbie shares Andrea's approach, the experience of working with street actors, and why a lot was handheld. He also talks about the differences between working with Andrea and Ken Loach. We also touch on his experience of working with Noah Baumbach as well as Yorgos Lanthimos on THE FAVOURITE. And we had questions about the technical challenges on THE LAST DAYS ON MARS. A fun and interesting conversation! RECOMMENDED EPISODE VIEWING: Fish Tank

Special: The Cinematography Podcast- War Stories Vol. 7 In our seventh War Stories Special, we feature eleven guest's harrowing, hilarious, heartbreaking or heartwarming stories they had while on set, or a formative career experience that led them to the film industry. Find full interviews with each of our featured guests in our archives! Both cinematographers Wally Pfister, ASC and Phedon Papamichael, ASC have war stories about working on Roger Corman films in their early careers; Ross Emery, ACS talks about the groundbreaking experience of shooting bullet time for The Matrix; Shane Hurlbut, ASC on how he was convinced to shoot Drumline; Alice Brooks on how she made her decision to become a DP; Robbie Ryan, BSC, ISC reflects on experiencing personal tragedy while working on The Favourite; Christian Sebaldt, ASC had to get extremely creative with lighting a dim military barracks; Lachlan Milne, ACS, NZCS, on shooting Minari in extreme summer heat; Armando Salas, ASC also has a story on filming in high temperatures; cinematographer Jas Shelton talks about working with actor John C. Reilly on Cyrus; and finally, director and cinematographer Brandon Trost's story about meeting Lorne Michaels in a pre-production meeting for MacGruber. Do you have a War Story you'd like to share? Send us an email or reach out to us on Facebook, Twitter, or Instagram! Find out even more about this episode, with extensive show notes and links: http://camnoir.com/warstories7/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Instagram: @thecinepod Facebook: @cinepod Twitter: @ShortEndz

Fim Çıkışını'na bu hafta görüntü yönetmeni Meryem Yavuz konuk oldu. Yavuz 15 yaşından beri görüntü yönetmeni olmayı hayal ettiğini ve eğitim hayatının da bu hedef doğrultusunda geliştiğini söyledi. Yavuz, görüntü yönetmeninin bir filme hazırlanırken hangi aşamaları izlediğini, filmin yönetmeni başta olmak üzere film ekibiyle ilişkisini nasıl kurduğu anlattı. Yönetmenin filmografisinde öne çıkan filmer ise şöyle: Bilmemek (2019), Borç (2018), Görülmüştür(2019), Aydede(2018), Toz Bezi(2015), Kumun Tadı(2014), F Tipi Film(2012). Meryem Yavuz yer aldığı projelerin hepsinin kendisi için çok özel deneyimler olduğunu ve her birinden çok şey öğrendiğini söyledi. Neslihan Siligür'ün yönetmenliğini yaptığı, görüntü yönetmenliği alanında kadınların azınlıkta olduğuna ilişkin belgesel Kameralı Kadınlar'da (2018) röportajı yer alan Yavuz, filmin çekildiği tarihten bugüne kadarki süreçte kadınların bu alandaki eşitlik mücadelesinin ilerleyişini ve görüntü yönetmenliği yapan kadınların artık daha kolay kabul gördüğünü anlattı. Agnes Godard, Rachel Morrison, Reed Morano, Robbie Ryan, Anthony Dod Mantle, Yavuz'un ilham aldığı görüntü yönetmenleri arasında. Yavuz, salgınla birlikte yoğun bir şekilde dizi ve film alanında içerikler üreten dijital platformlardaki işlerin kalitesinin git gide düştüğünü söyledi.

In this episode the panel are joined by former left-back Robbie Ryan.The Irishman chats to Wall Talk about his upbringing in the game, the 2000/01 season - in which The Lions romped to the Division Two title - the infamous FA Cup run of 2004 (and subsequent marking of a young man named Cristiano Ronaldo in the Final) and his departure from football to work on the London Underground.

Robbie Ryan and Barry Cogan both played in the biggest game in Millwall History the 2004 FA Cup. They are next into The Lions Den to discuss that FA Cup run and their Millwall careersSupport this podcast at — https://redcircle.com/that-millwall-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week’s guest is Malinda Kaur, a second assistant director whose recent credits include Clio Barnard’s upcoming film Ali & Ava, HBO & Sky Atlantic’s TV series The Third Day, British independent dramas Rocks and Monsoon and a little show calling Killing Eve.  Malinda started out as a floor runner working on Andrea Arnold’s Wuthering Heights, before becoming a third assistant director. We discuss in-depth that particular hierarchy and how her responsibilities change depending on both the role, and the project.  Malinda is also a writer-director in her own right, having made two short films, Amishi in 2016, which was shot by Robbie Ryan and Blind in 2019 which was shot by former podcast guest Rachel Clark. Malinda was selected as a mentee on the 2019 Women in Film & TV mentoring programme for writing & directing and she is currently preparing to shoot her third short.  It was really heartening to hear how Malinda has balanced her creative ambitions with the need to get full-time work, and how the practical elements of her roles on set have gone on to inform her own filmmaking process.

Support this show http://supporter.acast.com/lions-lounge-lockdown. See acast.com/privacy for privacy and opt-out information.

Eamonn Barclay hosted Patricia Maslin Jeff Burnige and Stan Godwin in our Covid-19 podcasts. Featuring a blast from the past with Robbie Ryan, The challenges to the Millwall Community Trust in the current pandemic with CEO Sean Daly, Legend, Hero or Thank You - Andy Frampton. Plus the current Millwall issues are discussed.

Eamonn Barclay hosted Patricia Maslin Jeff Burnige and Stan Godwin in our Covid-19 podcasts. Featuring a blast from the past with Robbie Ryan, The challenges to the Millwall Community Trust in the current pandemic with CEO Sean Daly, Legend, Hero or Thank You - Andy Frampton. Plus the current Millwall issues are discussed.

Eamonn Barclay hosted Patricia Maslin Jeff Burnige and Stan Godwin in our Covid-19 podcasts. Featuring a blast from the past with Robbie Ryan, The challenges to the Millwall Community Trust in the current pandemic with CEO Sean Daly, Legend, Hero or Thank You - Andy Frampton. Plus the current Millwall issues are discussed.

Sally Potter joins Scott Tallal and Jenny Curtis on to discuss her new film, Sally explains what her goal was for exploring this subject matter (0:53) and her personal experience with dementia (1:50).Hollywood Unscripted The Roads Not Taken. They discuss the character of Molly (4:16) and the character’s similarities to Sally’s work-caretaker balance (4:57). Sally reveals the challenge of finding investors versus the ease of signing on actors (5:46). Sally reviews her process of casting and developing the characters further (7:13). She reveals how Selma Hayek and Javier Bardem’s friendship affected their behavior on set (8:26). She raves about Elle Fanning, having worked with her as a child and an adult (9:25). Sally then reveals why she does not write with specific actors in mind for roles (10:00). Sally dissects the feelings behind her personal experiences in grief and loss (11:09), how that did or did not affect her during the making of the film (12:22) and how she does not use her work to process those feelings (13:22). Sally describes her collaboration with cinematographer Robbie Ryan (15:25) and the production designer of the film, Carlos Conti (17:06). She discusses the transitional gestures written into the script (18:08). She explains how she came to be credited as an editor on the film (18:54) and how she faced challenges in communicating the story to audiences (19:54). She reviews her process in composing the music for the film (22:10) and then explains why she changed from the original title, Molly (23:44). Sally also explains her takeaway from (25:19) and how she lets her films reveal to her how they need to be told (28:10).The Roads Not Taken Learn more about Hollywood Unscripted: https://www.curtco.com/hollywoodunscripted And Follow Us: Facebook: https://www.facebook.com/curtcomedia Instagram: https://www.instagram.com/curtcomedia Twitter: https://www.twitter.com/curtcomedia A CurtCo Media Production https://www.curtco.com

Para hablar de Marriage Story, la nueva película de Noah Baumbach producida por Netflix invitamos a la actriz mexicana Johanna Murillo (Soy tu fan, Las niñas bien) Luis Pablo Beauregard y Trino Camacho platicaron con ella de la trama, las actuaciones, los homenajes y las diferentes lecturas que se puede tener de una de las películas favoritas del año.Escrita y dirigida por Noah Baumbach y co-producida por David Heyman. Protagonizada por Scarlett Johansson y Adam Driver, acompañados de Laura Dern, Alan Alda, Ray Liotta, Julie Hagerty, Azhy Robertson y Merritt Wever entre otros. La fotografía de Robbie Ryan homenajea a Ingmar Bergman, música de Randy Newman y la edición a cargo de Jennifer Lame.

Cinematographer Robbie Ryan chats about the cinematographer Robby Müller after a screening of Living the Light: Robby Müller at the 31st Galway Film Fleadh. At the post-screening discussion, filmmaker Paul Duane chats with collaborator and cinematographer Robbie Ryan about Müller, shooting road movies, working with directors like Andrea Arnold and Ken Loach, and Netflix vs. […]

Cinematographer Robbie Ryan chats about the cinematographer Robby Müller after a screening of Living the Light: Robby Müller at the 31st Galway Film Fleadh. At the post-screening discussion, filmmaker Paul Duane chats with collaborator and cinematographer Robbie Ryan about Müller, shooting road movies, working with directors like Andrea Arnold and Ken Loach, and Netflix vs. […] The post S02E13: Robbie on Robby appeared first on Galway Film Fleadh.

The club is back with ray sean phil and debutante Robbie Ryan. We talk Liverpools win over arsenal, the commentary conundrum, genius and loving mo salah, the burnley game, regens, Var and more.

The club is back with ray sean phil and debutante Robbie Ryan. We talk Liverpools win over arsenal, the commentary conundrum, genius and loving mo salah, the burnley game, regens, Var and more.

This week I speak to cinematographer Rachel Clark. Rachel’s CV is incredibly impressive. She started out in the industry over ten years ago, working as a runner on the likes of This Is England (2006), and progressed into the camera department where she worked as a trainee on Control (2007). In the years after that Rachel worked as clapper loader on lots of British indie films such as Bronson, Fish Tank and Wuthering Heights as well huge blockbusters such World War Z and Captain America: Civil War. As a first assistant camera assistant she travelled across the US with Cinematographer Robbie Ryan and director Andrea Arnold for the road movie American Honey (2016) and has worked around the world on many 2nd Unit action sequences: Fantastic Beasts & Where to Find Them (2016), & Black Panther (2018) among them. Rachel was the 2nd Unit Director of Photography on director Sarah Gavron’s latest film Rocks and has just completed photography on the feature film Concrete Plans. I felt very honoured to lure Rachel away from the camera to the microphone and basically ask lots of basic questions about what cinematography actually is. We cover lots of interesting topics such as the physicality and energy the role requires, what Rachel does in her downtime between jobs and how she stays motivated, and what she learnt from working with Robbie Ryan. I hope you enjoy the interview.

The Cinematography Podcast Episode 32 - Robbie Ryan, BSC, ISC “Cinematographer's cinematographer" Robbie Ryan, BSC, ISC discusses his Academy Award nominated work on “The Favourite.”  He breaks down using natural light to compose shots and the love of making shorts. Find Robbie Ryan on IMDBBen's Short End is Blackmagic Design DaVinci ResolveIllya's Short End is Too Funny To Fail: The Life and Death of The Dana Carvey Show, a documentary onHuluPodcast Credits:Editor in Chief:  Illya FriedmanHost: Ben RockProducer: Alana KodeComposer: Kays Al-AtractchiEditor: Ben Katz Episode SponsorsHot Rod Cameras       Subscribe to the Podcast on iTunes or click on the link below to listen here

Jason Solomons speaks to Oscar and BAFTA nominees Richard E Grant and Robbie Ryan and meets rising star KiKi Layne

Within minutes of him getting his nomination, The Muireann O'Connell show spoke to Robbie Ryan about his nomination for Best Cinematography for The Favourite. Robbie told Muireann he is "delira and excited" as his Mam would say! Question is, who is he bringing? And does he have a tux ready!? Here is the trailer for the flick. It has been getting incredible reviews. To catch the full chat press the play button on the image on the top of the screen

Sarah Cook talks to actor Mark Gatiss about his role in Yorgos Lanthimos's new movie, The Favourite. The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers. What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.The Favourite is in cinemas now. 

"Aren't the Big 4 in finance?" That's exactly the stereotype that Robbie and his team at KPMG are breaking down as they expand into the Engineering and Asset Management field. In this sit down with Robbie Ryan learnt about the importance of your network, mentors and where they can take you in the lifelong pursuit of career happiness.

I'd like to shout out a thank you to Dan Austin, who sent in a few topics for us to look at , the first of which is the classic New Order track Blue Monday, drummers who could play tight, then we're on to the reformation of Yazoo with Vince and Alison back on stage "like salmon", Robbie Ryan posts us a comment, the Wizard Master Control program- a funky sequencer, Melloman Walkman based Mellotron from Mike Walters via Tara Busch, Compact Flash for scsi samplers and then we're done...

I'd like to shout out a thank you to Dan Austin, who sent in a few topics for us to look at , the first of which is the classic New Order track Blue Monday, drummers who could play tight, then we're on to the reformation of Yazoo with Vince and Alison back on stage "like salmon", Robbie Ryan posts us a comment, the Wizard Master Control program- a funky sequencer, Melloman Walkman based Mellotron from Mike Walters via Tara Busch, Compact Flash for scsi samplers and then we're done...