Podcasts about tintype

This session of the radio show shares the Town of Franklin Board of Health Meeting held on Wednesday, Dec 4, 2024. The meeting agenda listed it being conducted via Google meet and with no location shown, it was assumed to be virtual. However, the 2 members of the Board (1 absent, Sweet) and Health Dept members apparently were present together. Quick Recap:The meeting audio quality improves considerably after the first minuteMeeting schedule for 2025, motion to approve, second, passes 2-0-1 (1 absent)Oakland Pkwy condemnation discussion, unsanitary conditions, hole in roof, no working bathrooms, etc. House was placarded, owner/occupants refused to leave, multiple agencies worked with them to get them elsewhere. Fire occurred on 2nd floor, insurance provided a trailer. One permit was pulled but work has not yet been started or completed. Been over a year without movement by owner, visit being scheduled, could take track with the Attorney General's office to get movement to get a resolution. Will provide additional info next time. Hard situation as there has been lack of compliance in this case. Insurance money not being used for repairs.Moving on to Kerri, health agent covers report, (hard to hear via bridge) 6 reinspections today.Alecia, health nurse report, only 10 COVID cases, test kits Available at Senior Center, is flu season but only 5 confirmed cases thus far. Food recalls, cucumbers (Sunset brand), Central Park terrace food pantry monthly, clinics, classes, etc. food board illness training for Tri-County; webinar and trainings continued.No citizen commentsMotion to adjourn, second, passes 2-0-1 (1 absent)The meeting runs about 22 minutes. Let's listen to the Board of Health meeting Dec 4, 2024.--------------The Board of Health agenda can be found ->https://www.franklinma.gov/sites/g/files/vyhlif10036/f/agendas/december_4_2024_agenda.pdf My notes collected in a Twitter thread PDF -> https://drive.google.com/file/d/1mTuCZJasT2c3Ys4bAzwnGNiAwP-osNLS/view?usp=drive_link --------------We are now producing this in collaboration with Franklin.TV and Franklin Public Radio (wfpr.fm) or 102.9 on the Franklin area radio dial. This podcast is my public service effort for Franklin but we can't do it alone. We can always use your help.How can you help?If you can use the information that you find here, please tell your friends and neighborsIf you don't like something here, please let me know And if you have interest in reporting on meetings or events, please reach. We'll share and show you what and how we do what we doThrough this feedback loop we can continue to make improvements. I thank you for listening.For additional information, please visit Franklinmatters.org/ or www.franklin.news/If you have questions or comments you can reach me directly at shersteve @ gmail dot comThe music for the intro and exit was provided by Michael Clark and the group "East of Shirley". The piece is titled "Ernesto, manana" c. Michael Clark & Tintype...

This year is the 150th anniversary of the dedication of the Lincoln's Tomb. President of the Old State Capitol Foundation Crystal Boyd and Vice President Alex Smith spoke to Community Voices about the celebration of the 150th anniversary on Oct. 12, which will feature food, a President Grant impersonator and 1800 TinType photography.

Join Maureen Taylor, the Photo Detective, in a solo episode where she delves into the fascinating world of tintypes. This episode covers everything from their historical emergence in 1856 to their resurgence via modern itinerant artists. Discover why tintypes remained popular through the 19th century and explore their unique characteristics, including their affordability, durability, and the fact they are made on iron, not tin. Maureen also shares insights on identifying and preserving these precious pieces of history.Episode Highlights:History and Popularity: Explore the origins of tintypes in 1856, their peak during the 1860s-1870s, and their enduring charm, attributed to their accessibility and affordability.Modern-Day Revival: Learn about the resurgence of tintypes through modern itinerant artists who travel with vans equipped to produce these photographs at events, preserving the traditional methods.Preservation Tips: Maureen provides expert advice on how to preserve tintypes, emphasizing the importance of proper storage and handling to prevent damage from environmental factors like humidity and sunlight.Related Episodes:Episode 116: America and the Tintype with Steven KasherBonus Episode: Tintypes Made for Movies and Television Links:Sign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help preserving your photos? Check out Maureen's Preserving Family Photographs ebook Need help identifying family photos? Check out The Family Photo Detective ebookHave a photo you need help identifying? Sign up for photo consultation.About Maureen Taylor:Maureen Taylor, The Photo DetectiveÒhelps clients with photo related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others.   Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts. I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

Release Date: March 23, 2015A woman shows up at Simon's apartment  threatening to shoot him unless he gives her a photo of her sister which he doesn't have.Original Air Date: November 26, 1950Support the show monthly at https://patreon.greatdetectives.netSupport the show on a one-time basis at https://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Give us a call at 208-991-4783Take the listener survey at https://survey.greatdetectives.netCheck out our social media at https://www.greatdetectives.net

A controversial Texas law that gives police the power to arrest people suspected of crossing the border illegally is on hold until this afternoon. Will the U.S. Supreme Court extend the stay?Harris County is spending millions to outsource jail inmates, sending many out of state. Who’s watching their safety?A developer in Liberty County is facing […] The post Capturing the upcoming eclipse via tintype photograph appeared first on KUT & KUTX Studios -- Podcasts.

With only a few years of experience with film photography under his belt, Jace LeRoy, AKA @analog_astronaut has come a long way in his exploration of film photography. Harnessing the power of the sun, Jace makes sure to get the right exposure in every shot with the help of his light meter.  We chat about his beginnings and what he's been up to with his photography. Be sure to give him a follow and snag one of his prints! https://www.instagram.com/analog_astronaut/ If you enjoyed this episode please consider becoming a guest sponsor! Visit our Patreon for more details.  https://www.patreon.com/phxfilmrevival Don't forget to follow us on our socials!

Something is turning University of Winnipeg students into stone. You might even say it's...some kind of modern Medusa! Thanks to Shayne Plunkett & Jesse Wright of Meadow Vista Media, who created this season's intro theme: www.meadowvistamedia.com Twitter: @MVM_Studio IG: @meadowvistamedia Buy our book, The Ultimate Random Encounters Book: bit.ly/RandomBook Find out more about the show at our website: www.vre.show Show pins and more: shop.vre.show Support us on Patreon: www.patreon.com/VRE Follow us @VRECast

Find out about Dead Fred the genealogy photo archive setup by Joe Bott. Over the past 40 years or so he has collected hundreds of thousands of old photos including daguerrotypes, tintypes, cartes de visite and cabinet cards and even some post mortem photos. Joe shares the stories of how he found some of them, how people share theirs with him and how some are returned to descendants. 

There are times when I see a photographer's work that I have an emotional response, a feeling that I am seeing something special. That's what happened the first time I browsed through Victoria Will's website. Photo after photo there was something.... with impact. That doesn't happen very often. Victoria's career in photography began as a photojournalist, but has now moved to a focus on celebrity portraiture, editorial, and commercial assignments. That beginning, however, is readily obvious. Her images feel spontaneous, like she just happens to be there with a camera while some A List actor, or Hall of Fame musician. happened to be posing. Victoria's portraits just feel honest and authentic. Victoria's images have appeared in the pages of some of the top publications, including Vogue, The New York Times, and Rolling Stone, ESPN and W Magazine. Commercial campaigns for brands like Carhartt, Levis, Netflix, Hulu, Epix, AT&T, Bose, Samsung, Ralph Lauren, and Miller High Life have also used her work. Her About Page says that her approach is "rooted in collaboration and meaningful connection where she seeks intimacy, authenticity, and elegance with a thoughtful eye and composition". I would probably just describe her work as magic, but I guess her wording is probably better for the website. You don't get to this level of success, and talent, without other people noticing, and she has a crazy collection of awards. Victoria has been recognized by American Photography, PDN Photo Annual, and Communication Arts, and her imagery has been the subject of both solo and group exhibitions internationally. Her first monograph, Borne Back, a collection of tintype portraits, was published in 2017 by Peanut Press. Tintype photography is something I know very little about, or more accurately, nothing at all. Luckily for all of us, Profoto has a video on their YouTube channel documenting the process. You can check out "Victoria Will Shoots the Stars at Sundance" here. In 2023, Victoria became one of the newest members of the Canon Explorer of Light program, an honor I will say is so very well deserved. She is one of the best working today. Join Canon Explorer of Light Victoria Will and me as we explore tintype photography, and discuss her tintype image of famed actor Sam Shepard, on this Behind the Shot. Connect with Victoria Website: victoriawill.com Instagram: @victoriawill Twitter: @vwillphoto Victoria's Book Borne Back: peanutpressbooks.com Profoto Video on Victoria Shooting Tintypes Victoria Will Shoots the Stars at Sundance: youtube.com Victoria's Photographer Picks Dana Scruggs: danascruggs.com | @danascruggs Benedict Evans: benedictevans.com | @benedict_evans

Choice Classic Radio presents The Saint, which aired from 1945 to 1951. Today we bring to you the episode titled “The Terrible Tintype.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

Wednesday, July 5, 2023 - The North Dakota Bureau of Criminal Investigation investigates crimes, provides forensic services, maintains a criminal history database, trains law enforcement officers, and provides public safety education. Joining us is Lonnie Grabowska, BCI director. ~~~ The WeFest Country Music Festival is coming up in August. In an excerpt of the Prairie Pulse television show, host John Harris visits with general manager Mark Bjerke. ~~~ Great American Folk Show host Tom Brosseau visits with Fargo tintype photographer Kary Janousek.

This week we soak in the bath with Lindsey Ross, the modern-day woman behind the lens of the 19th-century wet plate photography: The Alchemistress. Over the last few years, you may have encountered her unique style of photography at a few of our events where she is typically covered in her classic overalls with her mobile darkroom van parked nearby and her unique pop-up portrait studio within reach. With nature as a focal point for many of her subjects, Lindsey's work brings a sense of wonder, curiosity, and intrigue especially as the images reveal themselves on the glass plates, changing before our very eyes. There is a sense of slowing down, of patience that comes with her process, something that resonates with what we too create in all of our sensory experiences. With her latest body of work, she has stepped into our dreamy world to play with us and has even brought a few of our own familiar faces to the moody dream world in her latest mushroom series.In this episode, we learn all about her upbringing in Southern California and her discovery of this large-format style of photography. This field of photography had been traditionally dominated by men at the beginning. When she broke into the community of photographers who are still keeping this art form alive, she brought a unique passion for mixing the modern era with the classic lens to shape her own approach. We'll sit in on her story around why she pursued this unique style, her personal discovery of learning how to master this time-consuming and laborious process, and how she is giving new life to this old-world art form. Lindsey creates tintype and ambrotype portraits and landscape images. Most recently, she has been working on a mushroom portrait series, where her subjects seem to be shrunken down to the world of insects lounging about in a mythological setting. You can even find some of our own inner circle members among the mix. Listen now to her artist's journey or go see her large-scale glass photos in person at her studio next time you're visiting the coast of Santa Barbara.To join Secular Sabbath membership, you can find us at secular-sabbath.com/membership. Joining grants you access to our Inner Circle community of sensory-exploring like-minded people, where you can gather with us locally in LA for monthly meet-up experiences, and pop-up events around the globe, and partake in our exclusive ambient online community. Ready to dive into the dialogue deeper? Join us on our Discord channel.See what we get up to at @secularsabbath.

This session of the radio show shares the audio recording of the Economic Development Subcommittee & Steering Committee meeting held on Wednesday, March 22, 2023 in the Council Chambers with 6 members participating; 5 in person in the Council Chambers, 1 remote via Zoom.“Franklin For All” Steering Committee (or EDC Plus)Chair Melanie Hamblen, Cobi Frongillo, Pat Sheridan (Town Council)Greg Rondeau, Beth Wierling (Planning Board) Bruce Hunchard (Zoning Board of Appeals) - RemoteGlenn Jones (absent)Quick recap:A revision to the posted document for discussion was handed out to the committee members (not found on Town page as we go to press)There were effectively three proposals requiring a vote, one on the accessory dwelling unit (ADU) definition, one on the use table and one on additional languageAfter some discussion, motion made to move the three to the Town Council, seconded, during discussion, Frongillo provides language to amend the definition as he is getting two answers to a question and the clarification is required. Amendment get s 3-3 (Frongillo, Hamblen, Sheridan for; Hunchard, Rondeau, Wierling no) vote, meaning it does not passFrongillo makes a second amendment which also get a 3-3 vote (same alignment as prior 3-3 vote) and doesn't passThe vote on all three finally comes and it passes 5-1 (Hunchard no)Motion to adjourn, passes 6-0 via roll callThe recording of the meeting runs just under 2 hours. --------------The agenda doc also includes remote participation info -> https://www.franklinma.gov/sites/g/files/vyhlif6896/f/agendas/edc_agenda_-_march_22_2023.pdfFranklin TV YouTube video -> https://www.youtube.com/live/ozRdixrzzWQ?feature=share My notes captured via Twitter during the meeting (in 1 PDF file)https://drive.google.com/file/d/1wOGwxXtTBfvVfeY8Fct0lcsidm1mMz7A/view?usp=share_link --------------We are now producing this in collaboration with Franklin.TV and Franklin Public Radio (wfpr.fm) or 102.9 on the Franklin area radio dial. This podcast is my public service effort for Franklin but we can't do it alone. We can always use your help.How can you help?If you can use the information that you find here, please tell your friends and neighborsIf you don't like something here, please let me knowThrough this feedback loop we can continue to make improvements. I thank you for listening.For additional information, please visit Franklinmatters.org/ or www.franklin.news/If you have questions or comments you can reach me directly at shersteve @ gmail dot comThe music for the intro and exit was provided by Michael Clark and the group "East of Shirley". The piece is titled "Ernesto, manana" c. Michael Clark & Tintype

On this episode Ian help us with the taste notes of Old Soul Bourbon. This Tintype Series 1 expression has nice and complex notes that has you coming back to it. To know more about OLD SOUL BOURBON and other products visit https://catheaddistillery.com . Be sure to follow Ian on all social media as FB, IG and TIKTOK @barrelproofnerd #whiskey #ryewhiskey #barrelproof #bourbon --- Support this podcast: https://anchor.fm/hoodsom/support

Debbie talks to the owner of Holliday Tintype about how he got started. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlie shares tales of being visited by a giant, sinister, red-eyed rabbit and another weird entity, along with experiences in a haunted house and some possible bigfoot encounters. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliarsIf you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25Our Strange Familiars / Lost Grave etsy shop has art, books, patches, t-shirts, and more ... including original art done for Strange Familiars: https://www.etsy.com/shop/lostgraveStrange Familiars ‘Awoken Tree' shirts, now available in glow-in-the-dark! https://www.etsy.com/listing/1300641744/strange-familiars-podcast-glow-in-theEpisode 362 notes and links:Episode artwork by Timothy:You can purchase this illustration in our etsy shop: https://www.etsy.com/listing/1365500853/red-eyed-rabbit-original-illustration-byChad's etsy shop (10% off knives until December 15, 2022!!!): https://www.etsy.com/shop/RuckRabbitOutdoorsMaynard's gofundme: https://www.gofundme.com/f/maynard-walk-againRiverbend Comics: https://www.riverbendcomics.comDepartment of Truth #15 variant with Timothy's artwork on sale at Riverbend: https://www.riverbendcomics.com/products/dot15?_pos=3&_sid=220198f8e&_ss=rRiverbend Comics Instagram: @riverbendcomicsStrange Familiars Curiosity of the Week #68: Tintype man, cased imageYou can purchase this photograph at our etsy shop: https://www.etsy.com/listing/1365496161/cased-tintype-antique-photograph-strangeTimothy's books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5Strange Familiars ‘Awoken Tree' t-shirts are available in our Etsy shop: https://www.etsy.com/listing/739690857/strange-familiars-podcast-awoken-treeChad's YouTube channel: https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad's channel, Ruck Rabbit Outdoors.)Chad's etsy shop: https://www.etsy.com/shop/RuckRabbitOutdoorsTo help with the Capuchin Day Center's work with the homeless you can donate here: https://www.capuchindaycentre.ieand here: https://www.cskdetroit.orgContact us via email at: strangefamiliarspodcast@gmail.comhttp://www.facebook.com/strangefamiliarsJoin the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/instagram: @strangefamiliarshttp://www.strangefamiliars.comIntro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.comThe closing song is All This and Alice by Stone Breath – from the album Children of Hum: https://stonebreath.bandcamp.com/album/children-of-humSupport this podcast at — https://redcircle.com/strange-familiars/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Season 05 of Perceived Value is all about transitions and begins with host Sarah Rachel Brown in conversation with artist and photographer Helen Maurene Cooper. Sarah and Cooper connected at a time when both women were (and still are) navigating transitions in their professional lives and working towards financial autonomy.The two Philadelphia-based artists sat down in Cooper's 19th century inspired Fishtown Studio to discuss her experience formalizing her commercial and commissioned work under the name Vanity Tintype to begin her own business. Their conversation delves into understanding the value of one's time and properly charging for it, what exactly a tintype is, the pleasure of being a choosy business owner, and Cooper fills Sarah in on what a blue chip artist is. Become a Perceived Value Patron on Patreon. Help Sarah reach her goal of 100 patrons by subscribing with a $1 monthly donation. CLICK HERE to become a Patron. Don't forget to Rate AND Review us on iTunes!Instagram + Facebook: @perceivedvalueFind your Host:sarahrachelbrown.comInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

This episode is the last episode of Vincent Price as The Saint for the month of June. It is called The Terrible Tintype and it aired on Nov.26,1950.

On this weeks show Clare and Graeme are joined by the fabulous Willow Dunn, whose beautiful wet plate portraits were a huge hit at the Analogue Spotlight, about how and why they got into this process, and how they ended up at the event a mere two months after making their first Tintype!   Find Willow here: https://www.instagram.com/wetplatewillow/

I sit with Mike Medhurst who has been actively buying and selling antique photography for more than 35 years. He is currently the President of the Daguerreian Society and an avid collector. On this episode we discuss the pioneers of photography who would document the conflict for ages to come.More from Mike Medhurst here: https://mikemedhurst.com/default.asp?1 See my new project, The Tactical Historian:https://www.youtube.com/channel/UCbekCvEU7ipS5shKt9lJIhgMusic is graciously provided by Craig Duncan.Support the show:(The podcast receives monetary compensation from these options.)Make a one time donation of any amount here: https://www.paypal.me/supportuntoldCWMake a monthly payment through Patreon and get the most up to date news on the podcast! Also, if you choose the 2,3, or 4 tier, you'll be able to ask the experts questions ahead of time!https://www.patreon.com/user?u=51151470&fan_landing=truThis show is made possible by the support of our sponsors. Please check them out below:The Badge Maker, proudly carrying affordable, USA made products for reenactors, living history interpreters, and lovers of history. https://www.civilwarcorpsbadges.com/Civil War Trails is the world's largest 'Open Air Museum' offering over 1,350 sites across six states. Paddle to Frederick Douglass's birthplace, follow the Gettysburg Campaign turn-by-turn in your car, or hike to mountain tops where long forgotten earthworks and artillery positions await you. Follow Civil War Trails and create some history of your own. www.civilwartrails.orgMilitary Images is America's only magazine dedicated solely to the study of portrait photographs of Civil War soldiers. In each quarterly issue of MI, readers find a mix of analysis, case studies, examinations of material culture and personal stories that offer a unique perspective on the human aspect of the Civil War.http://militaryimagesmagazine.com/The Excelsior BrigadeDealers in FINE CIVIL WAR MEMORABILIA.The goal of the "Brigade" is to offer high quality, original items while ensuring the best in service and customer satisfaction. https://www.excelsiorbrigade.com/Check us out on Facebook, Instagram, and Youtube:https://www.facebook.com/untoldcivilwar/ https://www.instagram.com/untold_civil_war/https://www.youtube.com/channel/UCMMWxSupport the show (https://www.patreon.com/user?u=51151470&fan_landing=true)

Will and Greeze address the changes in the way Virginia ABC will be releasing their allocated and limited bourbon and ryes. Many have said this move, which was supposed to make purchasing these items more fair for consumers, did nothing but add confusion and potential chaos.  Then, after the 15, they try Old Soul Tintype series from the Cathead Distillery in Jackson, MS, and give it the buy, bar, pass rating. Support us: patreon.com/thepodcask Shop with us: thepodcask.com/store Join Our Barrel Club: OakandThieves.com

Fun in episode #124 where we smoke the Muestra de Saka Unstolen Valor and pair it with the Tintype Old Soul Bourbon. We dive into The Blues history and so you want to be a bar tender. In the news Miami Judge says how dare cruise ships go to Cuba and you need a job? how about counting pinguins, plus more at www.thegoodcigar.com   

On this episode of Tales from the Albright, Alyssa interviews Rebecca Daniels of the Lackawanna County Tintype Project. Staff members of the Albright Memorial Library were photographed as part of the project in September of 2021. Alyssa and Rebecca discuss how the project began, notable experiences, the interest in the Scranton Public Library, and the process of creating a tintype. Hope you enjoy!

Ron Coddington of Military Images Magazine sits down with us to discuss Civil War Portrait Photography and how modern facial recognition is being used to identify faces from our Civil War past. Learn more on Military Images Magazine here: http://militaryimagesmagazine.com/Music is graciously provided by Will Wellington and Craig Duncan.This show is made possible by the support of our sponsors. Please check them out below.The Badge Maker, proudly carrying affordable, USA made products for reenactors, living history interpreters, and lovers of history. https://www.civilwarcorpsbadges.com/Civil War Trails is the world's largest 'Open Air Museum' offering over 1,350 sites across six states. Paddle to Frederick Douglass's birthplace, follow the Gettysburg Campaign turn-by-turn in your car, or hike to mountain tops where long forgotten earthworks and artillery positions await you. Follow Civil War Trails and create some history of your own. www.civilwartrails.org Support the show:(The podcast receives monetary compensation from these options.)Make a monthly payment through Patreon and get the most up to date news on the podcast! Also, if you choose the 2,3, or 4 tier, you'll be able to ask the experts questions ahead of time!https://www.patreon.com/user?u=51151470&fan_landing=trueCheck out Gentleman's Box! Get all the tools you need as a gentleman delivered to your door! From cuff links, to cologne, to fitness gear, they have it all!http://imp.i121497.net/KaPv7You can also support us by using Instacart! Hauling groceries can be a thing of the past! Have all your groceries delivered to your doorstep. Use the link below to start an account and you will be supporting this show at no extra cost to you!https://instacart.oloiyb.net/PPVYzCheck us out on Facebook, Instagram, and YouTube:https://www.facebook.com/untoldcivilwar/ https://www.instagram.com/untold_civil_war/ https://www.youtube.com/channel/UCMMWxeF5zojtN8_NeWtyULw?view_as=subscriber

I sat down with Robb Kendrick for a live Eazy Does It Podcast here at Eazy's. Robb was a photographer for National Geographic for 32 years. His camera took him around the world, and introduced him to people & places he never thought he'd experience as a kid from small town Texas with aspirations of being a truck driver. • The majority of this podcast focuses on a project Robb did back in 2004 where he photographed cowboy's across the western United States. Robb photographed these individuals utilizing a process known as Tintype. A tintype, also known as a melainotype or ferrotype, is a https://en.wikipedia.org/wiki/Photograph (photograph) made by creating a direct positive on a thin sheet of metal coated with a dark lacquer or enamel. • It is a very intensive process that came with it the respect of the ranch workers, because they recognize hard work. It's beautiful to see how their character is expressed through these photographs. There is a sense of timelessness in this style of photography. You will hear simple stories, and uncomplicated perspectives from men and women that still live peacefully not too far from where we are now. These stories remind me to not over complicate things, or get caught up in the rat race we call life. • Our conversation extended beyond this project, and we heard stories from illegal coal mines to photographing Guantanamo Bay. I hope y'all enjoy Robb's insight and the conversation we dove into. • Bringing the conversation of community & culture to Austin, TX. • Please give us a RATING & REVIEW if you enjoyed the episode & be sure to SUBSCRIBE! • Instagram: @eazy.does.it Studio: @eazys.studio Email: evan.h.duvall@gmail.com Website: eazydoesit.org Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for another themed month. This time it's postcards.  Three guests this month share stories about their personal connections with these mailable images. In this episode, English collector Mark Routh chats about his collection which spans 1869 to the present. He has some museum-quality gems. Did you know that dirigibles mailed items for their passengers?  Neither did I.  You won't believe how many postcards he's accumulated in his lifetime.  It all began with a single card that his father gave him.  Related Episodes:Episode 116: America and the Tintype with Steven KasherEpisode 108: Researching the Ships of Our AncestorsLinks:Picture Postcard MonthlySign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Mark Routh's postcard collection began 50 years ago.  He's a recently retired police officer.  He has a substantial collection from all periods of postcard production (1869 – 2021).He  wrote  a regular postcard article for the international magazine ‘Picture Postcard Monthly' – 1992 to 2020 (the pandemic closed down the magazine)He now writes a monthly article for the new international magazine ‘Picture Postcard Collecting' which started up in 2020 as a replacement for the previously mentioned magazine. About Maureen Taylor:Maureen is a frequent keynote speaker on photo identification, photograph preservation, and family history at historical and genealogical societies, museums, conferences, libraries, and other organizations across the U.S., London, and Canada.  She's the author of several books and hundreds of articles and her television appearances include The View and The Today Show (where she researched and presented a complete family tree for host Meredith Vieira).  She's been featured in The Wall Street Journal, Better Homes and Gardens, The Boston Globe, Martha Stewart Living, Germany's top newspaper Der Spiegel, American Spirit, and The New York Times. Maureen was recently a spokesperson and photograph expert for MyHeritage.com, an internationally known family history website, and also writes guidebooks, scholarly articles, and online columns for such media as Smithsonian.com. Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts

 Included are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots – over 100 years of social history and the development of photography.Related Episodes:Episode 116: America and the Tintype with Steven KasherEpisode 99: Finding Photographs on the Smithsonian Learning LabLinks:Interview with Hugh Nini and Neal TreadwellSign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Hugh Nini and Neal Treadwell are the authors of LOVING A Photographic History and the owners of the Nini-Treadwell Collection which consists of over 3000 photographs of men in love. The Washington Post, Rolling Stone, CNN, and Vogue featured reviews of their book.  About Maureen Taylor:Maureen is a frequent keynote speaker on photo identification, photograph preservation, and family history at historical and genealogical societies, museums, conferences, libraries, and other organizations across the U.S., London, and Canada.  She's the author of several books and hundreds of articles and her television appearances include The View and The Today Show (where she researched and presented a complete family tree for host Meredith Vieira).  She's been featured in The Wall Street Journal, Better Homes and Gardens, The Boston Globe, Martha Stewart Living, Germany's top newspaper Der Spiegel, American Spirit, and The New York Times. Maureen was recently a spokesperson and photograph expert for MyHeritage.com, an internationally known family history website, and also writes guidebooks, scholarly articles, and online columns for such media as Smithsonian.com. Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts

In episode #41, host Brett Stanley chats with experimental photographer Barbara Cole.Barbara's underwater work spans over 20 years and her approach to photography is akin to alchemy, where she pushes the boundaries of what can be done with the tools available – and even creating her own to accomplish the task. She's had great success with vintage processing techniques such as Tin Type and Wet Collodion, and her images are more like paintings than they are photographs.Follow this guest: Website, InstagramDiscuss the episode in our facebook group.Support to the podcast.Support the show (https://www.buymeacoffee.com/brettstanley)

Collecting images is something that I'm familiar with. There are thousands of images in my research collection. It's hard to stop purchasing interesting pictures because each one is a little different. My own collection features a variety of image formats including  tintypes of men fishing off a prop boat with lines and fake fish. Women standing in front of fences and painted backdrops. Children posed in cute outfits in chairs designed for the purpose. The range of props, backdrops, and poses is amazing.  My guest has been collecting tintypes for decades as well. In this conversation we chat about his book on the topic and a wide range of topics that cover the history of this popular image format.  Related Episodes:Episode 102: Recreate Victorian Decor Using Photo CluesEpisode 101: Rediscovering an American Community of ColorLinks:Steven Kasher GallerySign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Steven Kasher is a gallery owner, writer, curator, and publisher. His gallery specializes in (but is not limited to) social, historical, and art photography from the 1950s through the 1980s. He is the author of Abbeville's The Civil Rights Movement: A Photographic History, 1954-68 (1996) and has curated exhibitions about the Movement for more than 20 institutions worldwide. He has made numerous critically acclaimed books with Steidl, among them Mike Disfarmer: Original Disfarmer Photographs (2005), Least Wanted: A Century of American Mugshots (2006), A Maysles Scrapbook: Photographs/Cinemagraphs/Documents (2007), and Chauncey Hare: Protest Photographs (2008). About Maureen Taylor:Maureen is a frequent keynote speaker on photo identification, photograph preservation, and family history at historical and genealogical societies, museums, conferences, libraries, and other organizations across the U.S., London, and Canada.  She's the author of several books and hundreds of articles and her television appearances include The View and The Today Show (where she researched and presented a complete family tree for host Meredith Vieira).  She's been featured in The Wall Street Journal, Better Homes and Gardens, The Boston Globe, Martha Stewart Living, Germany's top newspaper Der Spiegel, American Spirit, and The New York Times. Maureen was recently a spokesperson and photograph expert for MyHeritage.com, an internationally known family history website, and also writes guidebooks, scholarly articles, and online columns for such media as Smithsonian.com. Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts.

There's something about wet plate photography that I can't get out of my head. Maybe it's the process, maybe it's the unpredictable nature of it - Sally Mann calls it “the angel of uncertainty.” Or maybe it's the permanence of the objects themselves. When you look at an image by Matthew Brady or Timothy O'Sullivan, for a moment you're no longer part of the present. And I would argue that that sense of timelessness is one of the reasons a handful of modern photographers still choose to embrace the 170-year-old process.In 2018 there was a Sally Mann show at the National Gallery called A Thousand Crossings. It is by far my favorite show I've ever seen since I've been in DC and, in fact, I went back to see it about a half-dozen times. While I love her entire body of work, it was the wet plate work—both plates and prints—that I found myself gravitating to the most. Far from the pristine edge-to-edge sharpness of modern photos, they exude life, inexorably binding them to the maker.A couple weeks ago, I got an email form Shane Balkowitsch, a wet plate photographer from Bismarck, North Dakota who began shooting wet plate after seeing a plate of a motorcycle. Something about it refused to let go and he reached out to the photographer to ask about the image and the process behind it. 45 days later, he made his first wet plate—an image of his brother. That was 2012. Today, more than 3500 plates later, Shane's work is in collections including the State Historical Society of North Dakota and the National Portrait Gallery. His ongoing project photographing Native Americans and helping to preserve their culture has earned him the name “Shadow Catcher.” LINKSNorthern Plains Native Americans: A Modern Wet Plate Perspective* - https://amzn.to/31SEIvUBalkowitsch (Documentary)* - https://amzn.to/3gBAOvxState Historical Society of North Dakota - https://www.history.nd.gov/archives/manuscripts/inventory/2014-P-025.htmlSally Mann: A Thousand Crossings - https://www.nga.gov/exhibitions/2018/sally-mann-a-thousand-crossings.html CONNECT WITH SHANEWebsite: http://sharoncol.balkowitsch.com/wetplate.htmInstagram: https://www.instagram.com/balkowitschFacebook: https://www.facebook.com/balkowitsch MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0

There's something about wet plate photography that I can't get out of my head. Maybe it's the process, maybe it's the unpredictable nature of it - Sally Mann calls it “the angel of uncertainty.” Or maybe it's the permanence of the objects themselves. When you look at an image by Matthew Brady or Timothy O'Sullivan, for a moment you're no longer part of the present. And I would argue that that sense of timelessness is one of the reasons a handful of modern photographers still choose to embrace the 170-year-old process.In 2018 there was a Sally Mann show at the National Gallery called A Thousand Crossings. It is by far my favorite show I've ever seen since I've been in DC and, in fact, I went back to see it about a half-dozen times. While I love her entire body of work, it was the wet plate work—both plates and prints—that I found myself gravitating to the most. Far from the pristine edge-to-edge sharpness of modern photos, they exude life, inexorably binding them to the maker.A couple weeks ago, I got an email form Shane Balkowitsch, a wet plate photographer from Bismarck, North Dakota who began shooting wet plate after seeing a plate of a motorcycle. Something about it refused to let go and he reached out to the photographer to ask about the image and the process behind it. 45 days later, he made his first wet plate—an image of his brother. That was 2012. Today, more than 3500 plates later, Shane's work is in collections including the State Historical Society of North Dakota and the National Portrait Gallery. His ongoing project photographing Native Americans and helping to preserve their culture has earned him the name “Shadow Catcher.” LINKSNorthern Plains Native Americans: A Modern Wet Plate Perspective* - https://amzn.to/31SEIvUBalkowitsch (Documentary)* - https://amzn.to/3gBAOvxState Historical Society of North Dakota - https://www.history.nd.gov/archives/manuscripts/inventory/2014-P-025.htmlSally Mann: A Thousand Crossings - https://www.nga.gov/exhibitions/2018/sally-mann-a-thousand-crossings.html CONNECT WITH SHANEWebsite: http://sharoncol.balkowitsch.com/wetplate.htmInstagram: https://www.instagram.com/balkowitschFacebook: https://www.facebook.com/balkowitsch MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0Support the show (https://jefferysaddoris.com/#donate)

There's something about wet plate photography that I can't get out of my head. Maybe it's the process, maybe it's the unpredictable nature of it - Sally Mann calls it “the angel of uncertainty.” Or maybe it's the permanence of the objects themselves. When you look at an image by Matthew Brady or Timothy O'Sullivan, for a moment you're no longer part of the present. And I would argue that that sense of timelessness is one of the reasons a handful of modern photographers still choose to embrace the 170-year-old process.In 2018 there was a Sally Mann show at the National Gallery called A Thousand Crossings. It is by far my favorite show I've ever seen since I've been in DC and, in fact, I went back to see it about a half-dozen times. While I love her entire body of work, it was the wet plate work—both plates and prints—that I found myself gravitating to the most. Far from the pristine edge-to-edge sharpness of modern photos, they exude life, inexorably binding them to the maker.A couple weeks ago, I got an email form Shane Balkowitsch, a wet plate photographer from Bismarck, North Dakota who began shooting wet plate after seeing a plate of a motorcycle. Something about it refused to let go and he reached out to the photographer to ask about the image and the process behind it. 45 days later, he made his first wet plate—an image of his brother. That was 2012. Today, more than 3500 plates later, Shane's work is in collections including the State Historical Society of North Dakota and the National Portrait Gallery. His ongoing project photographing Native Americans and helping to preserve their culture has earned him the name “Shadow Catcher.” LINKSNorthern Plains Native Americans: A Modern Wet Plate Perspective* - https://amzn.to/31SEIvUBalkowitsch (Documentary)* - https://amzn.to/3gBAOvxState Historical Society of North Dakota - https://www.history.nd.gov/archives/manuscripts/inventory/2014-P-025.htmlSally Mann: A Thousand Crossings - https://www.nga.gov/exhibitions/2018/sally-mann-a-thousand-crossings.html CONNECT WITH SHANEWebsite: http://sharoncol.balkowitsch.com/wetplate.htmInstagram: https://www.instagram.com/balkowitschFacebook: https://www.facebook.com/balkowitsch MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0

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Grant Foster selects 'The Atrocity Exhibition' by J G Ballard, first published by Jonathan Cape UK, 1970. Both artist and writer embrace in equal measure the freedom, fear and disappointment that results from the individual being a fragmented composition, vulnerable to manipulation and capable of dynamic reconfiguration. In hope and despair, Grant points out that there is the possibility that 'true form' can be found 'beneath the lie; beneath the sludge'. We discuss in detail, works from his exhibitions at Tintype, Lychee One and Transition Galleries, as well as the ideas, concerns and formal observations which shape his paintings.(Mixed Tapes is an introductory series recorded in lockdown with variations in audio quality.)   Notes and Links: GRANT FOSTER - grantfoster.org (website) - foster_grant (instagram) - tintypegallery.com/artists/grant-foster (gallery)   BOOKS / TEXT - 'Ambit' magazine - 'The Cradle of Humanity: How the Changing Landscape of Africa Made us so Smart' by Daniel Lieberman - 'The Picture of Dorian Gray' by Oscar Wilde - 'The Yellow Wallpaper' by Charlotte Perkins Gilman - 'Apollo' magazine, article by Simon Grant - 'Thoughts on Doom' by Eleanor Hartney of AICA (aicainternational.com) - 'The Brothers Karamazov' by Fyodor Dostoevsky - 'Pattern Recognition' by William Gibson   GALLERIES - Lychee One ('I'm not being Funny' solo exhibition, 2019) - Transition Gallery ('A Stone in the Mountain' with Georgia Hayes, 2018) - Tintype Gallery ('Ground Figure Sky' solo exhibition, 2017)   PODCASTS - 'Weird Studies' with Phil Ford and J F Martel - 'Extinction Rebellion and the End of the World' hosted by Rana Mitter on 'BBC Arts & Ideas'   ARTISTS - Georgia Hayes b. 1946, Sigmar Polke 1941-2010, Andy Warhol 1928-1987, Max Ernst 1891-1976, Marcelle Duchamp 1887-1968, Francis Picabia 1879-1953, George Grosz 1893-1959, J W Turner 1775-1851, Albrecht Dürer 1471-1528 

On this episode, we speak with Anton of The Photo Palace about his TinType photography methods. After buying a used New Haven Compact View field camera and refurbishing it, Anton walks us through his experiences using it driving across North American and in Yosemite National Park! You can read the Focal Collective Article here! Hosted by: Mike Lindle, Mark Mackoviak & Drew Folgmann Featured Camera & Film: New Haven Compact View + 8x10 Tintype Focal Collective is a community-driven creative network focusing on the Film Photography revival. For more content, check out our Website and YouTube! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

"I think art for me has always been about giving someone an image that they can get absorbed into, and that takes them to a place that is sort of hyper-real. You know it’s not reality but you also can’t quite pin down what it is or where it came from. I see that in the tintype process as well. It’s quite arresting as a modern person to be photographed in a tintype because it puts you in this other world where you know it’s you and you know it’s modern photograph. But you’ve never seen anything like it and it breaks you out of that pattern of being so well versed at looking at imagery." Adrian Whipp is a passionate and driven photographer who has chosen to pursue more rare, challenging, and unconventional ways of making images. He is probably best known for his family heirloom level of portrait making in the form of tintypes that he captures in his custom mobile photo studio at the back of the French restaurant Justine's Brasserie here in Austin. When not doing that he is full on pursuing the creation of his own version of stereo photography, manifest soon in something called The Daydream Society (https://thedaydreamsociety.com/stereos). What I see is an inherent fascination and generosity in what he creates and shares that is really intriguing and inspiring. I encourage you to tune in and keep and eye on what he is up to. If you make it over to have your tintype made, which I highly recommend, make sure to let Adrain know you heard the podcast. And definitely check out the beautiful work on his website, adrianwhipp.com (https://www.adrianwhipp.com/), and be sure to specifically check out the daydream society and sign up to get email updates. Please enjoy this wonderful conversation with Mr. Adrian Whipp. https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/rF6M6yor.jpg Lumiere Tintype portrait Lumiere Tintype Photography (https://lumieretintype.com/) Studio located behind Justine's Brasserie (https://www.justines1937.com/) 4710 East 5th St, Austin, TX, 78702 Hours - Thursday - Sunday, 6pm until 11pm https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/e5onDlYE.jpg Lumiere Tintype portrait Some of the subjects we discuss: Photography Cathedral of light Fixing images Preserving time Slowing down Finding photography Discovering tintype Portrait studios Ease of digital Losing analog Quick turnaround Lumiere tintype Family tradition Justine’s clients 15,000 so far Out in the world It’s not about me Portrait photogs My domain It’s an experience Stereo photography Mostly forgotten The Aleph 3D images Making glass slides Looking at things Breaking the pattern Cave paintings Translating experience The art world Banksy shred Miami banana Co-creation Generosity The cookie Look at this John Coffer Mexico trip/travel Daydream society Making slides Where to find him https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/We6MBj52.jpg https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/nvPHRqRT.jpg Stereos - The Daydream Society Adrian's bio couitesy of his website. Adrian is a photographic artist based in Austin, Texas. Born in the UK, Adrian received his Bachelor of Arts in Visual Communication before moving to the US in 2007 to pursue photography. In 2013 Adrian founded Lumiere Tintype, the world's only traveling tintype portrait studio. Lumiere serves as an attempt to make honest, timeless portraiture that helps people to reconnect with the lost alchemy of a handmade photograph. In the past six years Adrian has shot over eleven thousand tintype portraits, images that he hopes will be cherished for generations to come. Outside of Lumiere, Adrian’s photographic work plays with the idea that our notions of photography are beginning to detach from the rules of perspective. As digital technologies continue to reshape our understanding of what a photograph can be, we are discovering immersive new ways to become transfixed by the power of an image. For example, in Adrian’s cathedral of light, we see that a photograph can be elusive and ephemeral - impossible to capture or ‘fix’. It can exist only as a luminous play of light and color across ground glass - we meditate upon the image in the same way that we watch time pass. A photograph can also exist without a single, fixed viewpoint. Inspired by Chinese scroll paintings, Adrian built the Aleph - a projected photographic landscape that can never be viewed in it’s entirety, only in sections. Each viewer charts a different course as they explore the image plane, leading to very different interpretations and memories of the same work. Adrian’s latest endeavor - the daydream society, explores the aperspectival realm of stereo photography - a technique that uses the viewer’s own visual cortex to blend two fixed perspectives into one fully dimensional image. These fascinating, three dimensional (four if you include the duration of exposure!) images can only exist in the imagination of the person viewing them - in the material world they are merely two flat photographs, sitting alongside each other on a two dimensional plane. https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/3dm7brc4.jpeg Photo of Adrian by Jonathan Canlas This interview has been edited and condensed for clarity. Intro music generously provided by Stan Killian (http://stankillian.com/main/) Support this podcast. (http://www.austinarttalk.com/supportpodcast)

Victoria Will began her career in the photography industry as a photojournalist and has since transitioned her focus to celebrity portraiture, editorial, and commercial assignments. Her characteristically authentic portraiture has appeared in the pages of Vogue, New York Times, Rolling Stone, ESPN and W Magazine with commercial campaigns for brands such as Levis, Netflix, Hulu, Bose and Ralph Lauren. Victoria’s first monograph, Borne Back, is a collection of tintype portraits.In this episode, Victoria explores the evolution of her career starting as an intern at the NY Post. We learn about falling in love with the tintype process and why her body of work of intimate portraits of celebrities for her book is still emotional. Find out what challenges have become important life lessons, how perfectionism can get in the way and how Victoria's definition of success has changed over time. We talk about the power of therapeutic horseback riding and what she has learned about being human from her brother with down syndrome.This is We Are Photographers with Victoria Will and this is her story.Connect with Victoria Will: victoriawill.com | IG @victoriawillAt CreativeLive we believe there is a creator in all of us. If you’re looking to get fresh perspectives, inspiration or skills to boost your hobbies, business or life head over to creativelive.com and check out both 24/7 free classes and The Creator Pass, our subscription that gives you on anytime demand access to over 1500 classes taught by the world’s top creators and entrepreneurs, including Victoria Will.Connect with your CreativeLive community: creativelive.com | Instagram @creativelive | Twitter @creativelive | YouTube @creativelive | Facebook @creativelive

 Get THE BUNDLE. All of the worksheets and templates I've created for this podcast all in one place so you can get caught up fast: https://jennings.photo/bundle50% off first year of Honeybook: https://jennings.photo/honeybookLeave A Review: https://podcasts.apple.com/us/podcast/photo-business-help/id1462340415Join our FB listener group! Connect with photogs at all places in the journey: https://www.facebook.com/groups/photobizhelp/Follow on IG: https://www.instagram.com/photobizhelp/Contact Natalie: natalie@photobizhelp

Brian Deemy from Spokane Tintype Studio has recieved a Spokane Arts Grant Award, which will allow him to offer classes here in spokane where students and subjects will be able to step through a time capsule, sit in front of a 115 year old camera, and see their image reflected in a process dating back to the Civil War.

Kali Spitzer is Kaska Dena from Daylu (Lower Post, British Columbia) on her father's side and Jewish from Transylvania, Romania on her mother's side. She is from the Yukon and grew up on the West Coast of British Columbia in Canada on unceded Coast Salish Territory. She is a trans disciplinary artist who mainly works with film - 35mm, 120 and wet plate collodion process using an 8x10 camera. Her work includes portraits, figure studies, and photographs of her people, ceremonies, and culture. Her work has been exhibited and recognized internationally. Spitzer recently received a Reveal Indigenous Art Award from the Hnatyshyn Foundation in Canada and was featured in the National Geographic and Photo Life magazine in 2018. At the age of 20, Kali moved back north to spend time with her Elders, and to learn how to hunt, fish, trap, tan moose and caribou hides and bead. Kali documents these practices with a sense of urgency, highlighting their vital cultural significance. She focuses upon cultural revitalization through her art whether in the medium of photography, ceramics, tanning hides or hunting. She views all of these practices as art and as part of an exploration of self. I want to extend my gratitude to all of the people who have trusted me to photograph them in such intimate ways. Mussi Cho "Indigenous Femme Queer Photographer Kali Spitzer ignites the spirit of our current unbound human experience with all the complex histories we exist in, passed down through the trauma inflicted/received by our ancestors. Kali's photographs are intimate and unapologetic and make room for growth and forgiveness while creating a space where we may share the vulnerable and broken parts of our stories which are often overlooked, or not easy to digest for ourselves or society." -Ginger Dunnill, Creator and Producer of Broken Boxes Podcast (which features interviews with indigenous and other engaged artists). Audrey Siegl, 2019, Vancouver, British Columbia, canada,C-print from scanned Tintype Holland Andrews, 2018, Banff, Alberta canada, C-print from scanned Tintype

Antonio Martinez is our guest! Carbondale, IL in tha house! Scale is our challenge! Thanks to Deborah Maris Lader for tha challenge! Rob shows some lurve to tha curve. Antonio shows how to train your basement. Taylor may have formed a new industrial band. You can check out our projects at http://projects.opposablepodcast.com Props to Blondihacks, Nik Kantar, Walter Kitundu, Federico Tobon, Kelly Martin, Luke Noonan, Mike Tully, Adam Mayer, David Bellhorn, Tim Sway and Charlene McBride! They're our top Patreon supporters! Join 'em at: https://www.patreon.com/opposablethumbs Special Guest: Antonio Martinez.

Film cameras? Who shoots film cameras? It turns out an increasing number of people are becoming interested in film as an art medium and as a way to slow down an appreciate photography. Jeremiah Flynn talks about his store where he sells all kinds of film cameras and supplies, from the common to the exotic. We also discuss how he does tintype (or wet plate collodion) photography as a way to supplement his income and keep the business going. Don't miss the part near the end where we discuss how people can create content and lessons that can provide them with a passive income stream.

Dave sits down for a chat with Official Fuji X Photographer, Stocksy United Contributor and all around gentleman, Riley JB. ----more---- Join them as they talk about everything from Riley’s photography work including working as both a Stocksy United Contributor, Fujifilm X Series Ambassador, the world of Stock Photography with Stocksy United, and how he got into Wet Plate Collodion Tin Type photography. It’s a fantastically geeky conversation you won’t want to miss! Check out Riley’s work at:– Instagram– Twitter– Stocksy United – First time buyers can use code “RILEYJB20” for 20% off!– Website 001 – My Agfa Ansco 5×7 Universal View Camera w/ Industar-37 300mm/4.5 lens used for wet plate collodion   002 – 5×7 Tintype portrait | 4 second | f/4.5 | 300mm | Natural Light   003 – 4×5 Tintype still life | 8 second | f/4.5 | 210mm | Natural Light   004 – Police & Offender Stock photo shoot (full series https://www.stocksy.com/rileyjb/shoot/52692)   005 – The First Skate (full series https://www.stocksy.com/rileyjb/shoot/55073)   006 – Gentlemanly barber (full series https://www.stocksy.com/rileyjb/shoot/38342)   008 – Real is always better than posed (full series https://www.stocksy.com/rileyjb/shoot/29306)   Riley’s Music Recommendation:   – Colter Wall Enjoy what I do? If you would like to support me and you enjoy what you are seeing here, there are a couple simple ways to help! First, feel free to use those SHARE/TWEET buttons down below, share with the world what you enjoy! I sincerely appreciate it! How To Catch The Show & Contact Me   Listen anytime on the Official Website of Adventures in Creativity, or in the podcast player of your choice by searching for “Adventures in Creativity”! Have a follow up thought on anything I discussed or have a recommendation of a creative you’d love me to chat with? Shoot me an email and I’ll read it on the show! You can also find me on social media everywhere @davidszweduik, but I’m most active on Twitter so feel free to reach out and chat! Thanks for listening, see you on our next adventure! Additional sound effects from https://www.zapsplat.com   STAY UP TO DATE AND GET NOTIFIED OF NEW ARTICLES AND EPISODES FOR FREE! That’s right, get notified every time I publish a new article or episode so that you’ll never miss out on any of the discussions on the craft of photography, creativity, visual explorations and so much more! Join the fun, just hit the “JOIN THE ADVENTURE” button in the menu above, the footer below, or right here! JOIN THE ADVENTURE!

We took our mics to a basement laboratory on East 30 Street, in Manhattan, where legend tells of a scientist and his cohort who perform ungodly experiments, attempting to bring life to subjects long considered dead. What we found rattled the nerves of even our steely host Allan Weitz, and brought us to a new consideration of what can be done when modern Prometheans fuse technologies from diverse eras to create extraordinary tools for their photographic purposes. On this week’s episode of the B&H Photography Podcast, we speak with Geoffrey Berliner, Executive Director of the Penumbra Foundation, and Frank Rubio, the Camera Doctor, about the many “frankencameras” they have created together. In fact, they displayed six examples of their work for us. We talk about each one, most being antique view cameras modified with brass portrait lenses, modern flash systems, or for digital capture. We explain the provenance of the cameras and lenses, the process of “repurposing” them, and the practical applications for these modifications. Each of these cameras is put into regular use at Penumbra, primarily in their tintype studio, and we discuss Scovill, Graflex, and stereo carte de visite cameras; Cooke, Fox, and Hermagis lenses, and even Sony a7 cameras and Canon Selphy printers. For images of the cameras and lenses, go to our landing page. We also speak with Berliner about his impressive lens collection, with Rubio about learning camera repair in the Army, and about their motivations and collaboration. Rubio, having worked in some of the best camera houses in New York, has established a reputation as a skilled and meticulous craftsman, trusted by artists, pros, and collectors alike, and Berliner is a walking encyclopedia of camera and photography history. Join us for this insightful conversation, which leaves only one question unanswered—which of the two is the true Dr. Frankencamera? Guests: Frank Rubio and Geoffrey Berliner Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables

Todd Welvaert returns to his co-host seat to talk about his new photographic passion - tintype photography. The early form of photography dates back to 1853. Todd talks about how a great deal at a priest's estate auction and his desire to try something new, albeit old, very old, has turned into a full blown obsession to make 100 great tintype portraits. To see a video of Todd making a tintype go to our blog - http://bit.ly/2fNrDup

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The Saint The Terrible Tintype 11-26-50 http://oldtimeradiodvd.com

The Saint The Terrible Tintype 11-16-50 http://oldtimeradiodvd.com 1530

The Saint The Terrible Tintype 11-16-50 http://oldtimeradiodvd.com 1530

Wet-Collodion, Daguerreotype, Tintype, Calotype, Gum Bichromate, Van Dyke Brown. Oh my! On this week’s podcast, we welcome Geoffrey Berliner, Executive Director of the Penumbra Foundation, and photographer Jolene Lupo, to talk about alternative process photography. The Penumbra Foundation is an exceptional organization, dedicated to the art, science, and history of photography and Berliner outlines their history and mission and the workshops and facilities they make available to all photographers, while Lupo discusses her tintype work at Penumbra and her Spirit Photography. This episode is a true education, not just on the various alternative processes, but on the history of photography and on how learning the original pre-film processes will improve your digital photography. Guests: Geoffrey Berliner and Jolene Lupo Photograph by Jolene Lupo

Jason  is a very interesting and super talented photographer in Pittsburgh.  He shoots portraits, head shots, weddings, and is a freelance photographer for Houzz magazine. I know he has all that under his belt, but the main form I wanted to chat with him about is his interest in Tintype Photography.  The moment we met him and heard that he did this form of photos, Phil and I wanted to get one done, and we are in love with the result.  Below, can find some photos below of his work. (along with our finished product)  You should really check him out if you have the chance.

A woman shows up at Simon's apartment  threatening to shoot him unless he gives her a photo of her sister which he doesn't have. Original Air Date: November 26, 1950 Support the show Read more ...

We explore tintype photography with photographers Jeff Howlett and Chris Morgan. They set up a makeshift studio at the Raleigh Convention Center during Hopscotch Music Festival. Chris and Jeff talk about how tintype photography is more about creating an experience than just pressing a button to make an image. Music from Zack Mexico, T0W3RS, and Moog Synthesizers.

This week's guest is Adrian Whipp, owner of Lumiere Tintype. I met Adrian and his wife Loren one Saturday morning after an extremely filling meal at La Barbecue. Adrian met up with us at Hopfields to talk growing up in England, moving to Austin, and of course the art of tintype. Follow them on Twitter @Lumiere_Tintype and check out their website for more details!