Podcasts about lanthimos

Film reviews, festival conversations and special interviews with Yi Wang (Queer East) and Richard Mowe (French Film Festival UK).Episode OverviewIn this November edition of the Cinetopia Radio Show and Podcast, Amanda is joined by contributors Emma and Mariana for a packed episode of reviews and festival conversations.We begin with Jay Kelly, Noah Baumbach and Emily Mortimer's new Hollywood character story starring George Clooney, before diving into Edgar Wright's adrenaline-fuelled The Running Man, Yorgos Lanthimos's wonderfully deranged Bugonia, and Rian Johnson's latest Benoit Blanc mystery, Wake Up Dead Man.We also feature two interviews:• Yi Wang, Director of the Queer East Film Festival, speaking about this year's programme.• Richard Mowe, Director of the French Film Festival UK, discussing the festival's history and its 2025 highlights.Plus, a reminder to explore Cinetopia Recommends — our weekly guide to film events and opportunities across Scotland — and Cinetopia Connect, our free digital platform for screenings, jobs and community listings.[00:00] IntroductionAmanda welcomes listeners, introduces contributors Emma and Mariana, and sets up the films and interviews featured in this month's episode.[03:40] Jay Kelly — dir. Noah Baumbach (co-written by Emily Mortimer)A Hollywood character story starring George Clooney as a man confronting the public version of himself — glossy, charming and tinged with self-reflection.[19:24] The Running Man — dir. Edgar WrightA high-energy, near-future chase thriller faithful to Stephen King's novel, full of commentary on surveillance, spectacle and the machinery of entertainment.[31:20] Bugonia — dir. Yorgos LanthimosA ferocious conspiracy satire starring Emma Stone and Jesse Plemons. Wild, uncomfortable, brutally funny — Lanthimos back in sharp form.[42:43] Wake Up Dead Man: A Knives Out Mystery — dir. Rian Johnson Daniel Craig returns as Benoit Blanc, but Josh O'Connor absolutely steals the show in the third instalment of Rian Johnson's cult mystery franchise. [56:09] Interview: Yi Wang — Director, Queer East Film FestivalVeronica Buccino speaks with Yi Wang about this year's Queer East On The Road programme.[01:23:45] Interview: Richard Mowe — Director, French Film Festival UK - Richard Mowe reflects on the festival's history and its 2025 highlights.

Terwijl Sander en Pim zich laten onderdompelen in de Japanse cultuur aan de andere kant van de wereld, zijn William en JP van Cinemaatjes te gast in podcast #61 om hun lege stoeltjes te vullen! En dat komt goed uit, want met de titels van deze maand staat er genoeg spannends op het programma waarbij hun expertise op dat gebied meer dan nodig is! Zo duiken we in de wereld die Guillermo del Toro heeft geschapen voor Frankenstein, Leggen we Predator: Badlands onder een vergrootglas en valt er natuurlijk genoeg te vertellen over onze klassieker van deze maand: The Fly uit 1986! En alsof dat nog niet genoeg is er ook nog ruimte voor reviews van Bugonia van regisseur Lanthimos, Nuremberg met Russel Crowe, Eternity en uiteraard een kakelverse preview in de vorm van neder-horror Amsterdamned II die aankomende maand in première gaat.Beluister de gehele aflevering via de welbekende podcast-kanalen of bekijk ‘m met beeld via youtube.com/filmerds.00:00 intro02:25 Frankenstein review24:02 predator: Badlands review37:19 Bugonia review56:51 Eternity review01:03:24 Klassieker van vorige maand: The Fly (1986)01:19:28 Nieuwe klassieker van de maand01:26:01 Preview: Amsterdamned 201:35:53 Over horror films

Josh is joined by Yorgos Lanthimos Correspondents Haley Jones and Elijah Howard for a double feature. First, they discuss Lanthimos' latest collaboration with Emma Stone, “Bugonia,” (Beginning-57:48) including how effective he was in telling a story set in something resembling our modern times including its commentary on male isolation and conspiracy theories, the performances from the cast that included Stone and Jesse Plemons, if the film's bold ending paid off and much more! Then, they talk about Lynn Ramsey's “Die My Love” (57:49-End) including its depiction of post-partum depression, if its non-linear style served the story well, Jennifer Lawrence's bold performance and much more!

Teddy, s teorijami zarot obseden čebelar, s pomočjo avtističnega bratranca Dona ugrabi direktorico farmacevtskega podjetja Michelle, za katero verjame, da je Nezemljanka, ki škoduje naravi, izvaja globalni nadzor in načrtuje uničenje planeta. Toda bojevita Michelle se ne prepusti kar tako vlogi žrtve ... Bugonija je novi celovečerni film Yorgosa Lanthimosa, v katerem pionir »grškega čudaškega vala« po fantazijsko-zgodovinski satiri Nesrečna bitja iz leta 2023 ponovno sodeluje z avtorskim izzivom naklonjeno Emmo Stone. Najprej se seveda postavi vprašanje, zakaj sploh delati priredbo popolnega filma – Bugonija namreč s svojim pripovednim lokom, mračnim humorjem in končnim preobratom povsem zvesto sledi južnokorejski znanstvenofantastični mojstrovini Save the Green Planet! (Rešimo zeleni planet) iz leta 2003. Izvirnik je režiral Jang Joon-hwan. Jang je bil resda predviden tudi za režiserja ameriške različice, a je krmilo prevzel Yorgos Lanthimos in snov po svoje pregnetel. Divjaško, punkersko energijo izvirnika, ki se kljub nizkoproračunskemu srcu B-filma ponaša z mojstrskimi režijskimi rešitvami in številnimi cinefilskimi posvetili, je nadomestil s svojim prepoznavnim šik minimalizmom, podmazanim z visokim proračunom. Lanthimosov slog filma je hladen, odmaknjen, nadzorovan, hkrati pa ves čas ustvarja napetost, tako z nelagodno sopostavitvijo slike in glasbe, ki uglajenim mizanscenskim rešitvam nasprotuje, kot s svojim pristopom do likov, ki bi ga lahko v skladu z vodilnim motivom označili za entomološkega – nastopajoče osebe namreč avtor opazuje kot žuželke (z njim pa seveda to počnemo tudi mi kot gledalci). Skratka, filmski organizem v obeh inačicah poganja dinamika nasprotij. Na prvi pogled so očitne družbene razlike med direktorico in delavcem za tekočim trakom v istem podjetju. Lanthimos je spremenil in poudaril spolne vloge – v korejskem izvirniku je šlo za par moškega in ženske, ki ugrabita vzvišenega direktorja; dvajset let pozneje dva moška, sostanovalca iz razreda revnih zaposlenih, ugrabita toksično šefico, pasivno-agresivno ultrabogatašinjo. Toda mojstrstvo filma je v tem, da v resnici nič ni prav zares fiksirano. Domnevno preprost Teddy kot predstavnik dobrega in domnevno sofisticirana Michelle kot predstavnica zla se v dialoškem dvoboju izkažeta za enakovredna borca. »Laž, resnica … kakšna je sploh razlika?« vpraša Michelle in s tem čudovito povzame postresničnostni duh časa. Film vzpostavlja tudi nasprotje med lažnim jezikom korporativnega komuniciranja in osebnim, človeškim aktivizmom, a hkrati sam Teddy priznava, da je »99,9 odstotka tega, čemur rečemo aktivizem, samo osebno izpostavljanje in prikrito vzdrževanje blagovne znamke«. Gre za izjavo leta. V primerjavi s korejskim izvirnikom imajo čebele v Bugoniji precej pomembnejšo vlogo, večpomenski naslov filma namiguje med drugim na antično prepričanje, da se lahko čebele rodijo iz kadavrov goveda. Čebele simbolizirajo ciklično naravo življenja, smrti in ponovnega rojstva, kozmosa in časa, s posnetkom čebel se Bugonija tudi začne in konča. Po eni od teorij naj bi se z njihovim pojavom pred 60 milijoni let evolucijsko uveljavilo spolno razmnoževanje – da bi se tej komponenti izognila, se Teddy in Don pred svojim podvigom kemično kastrirata, kar je, ob spremenjenih spolnih vlogah v primerjavi z izvirnikom, interpretacijsko precej zgovorno. Čebele so tudi simbol zdravja in varuhinje preživetja, a so vseeno podvržene boleznim in nevarnosti samouničenja, kot izpostavi film, ki tudi pokaže, da je nespametno in celo nevarno vzpostavljanje vzporednic glede družbenih ureditev čebel in ljudi. Korejski izvirnik je bil dogajalno postavljen na rob propadlega rudnika in po svoje nadaljuje z rudarjenjem tudi Lanthimos, namreč po bogatem nahajališču tem. Kljub temu, da je svojo predlogo na prvi pogled dodobra oklestil, ni v ničemer zmanjšal vsebinskega izobilja in množice drobnih detajlov. Če kaj, se je kvečjemu poklonil vizionarstvu svojega predhodnika, ki je pred desetletji napovedal algoritemske mehurčke, v katerih živimo danes, zapredke teorij zarot, ki včasih niti ne dohajajo dejanskih družbenih norosti, pa politične napetosti, ki izvirajo tudi iz navezave ekonomsko-okoljske problematike, sebičnost in nečloveškost in zlorabe, ki se skrivajo pod iluzijo normalnega teka življenja … Bugonija z jezikom črne komedije oziroma mračne satire, ki postaja vedno bolj grenka, bolj ko o njej razmišljaš, natančno zariše duha časa in apokaliptično vzdušje konca. Toda jedko posmehljiv film je preveč inteligenten, da bi ga lahko uokvirili s poenostavljenimi frazami. Za svoj moto bi si lahko vzel tudi misel Fredrica Jamesona, da si je lažje predstavljati konec zemlje oziroma narave kot zlom poznega kapitalizma. A hkrati lahko gledamo Bugonijo prav kot kritiko tega našega fantaziranja o koncu sveta … Baladni vodilni song korejskega izvirnika, Somewhere Over the Rainbow, je Lanthimos nenazadnje zamenjal s podobno otožno, a krožno odprto Where Have All the Flowers Gone? Skratka, razumevanja zapletenosti časa, v katerem živimo, ne moremo doseči brez razumevanja vseh paradoksov sobivanja nasprotij. Recenzijo je napisal Gorazd Trušnovec, bere Dejan Kaloper. Tekst je del kulturnega projekta kritike in refleksije umetnosti z naslovom »Medžanrsko prehajanje v štirih sodobnih kinematografskih filmih«, ki ga je Ministrstvo za kulturo podprlo v okviru Spodbude kulturnim ustvarjalcem za izvedbo projektov kritike in refleksije umetnosti v letu 2025.

Giorgos Lanthimos traut sich was. Schon wieder. BUGONIA inszeniert er als Zweikampf zwischen der super taffen Geschäftsfrau Michelle (Emma Stone) und einem ihrer Angestellten, Teddy (Jesse Plemons). Er macht sie nicht nur verantwortlich für die schwere Krankheit seiner Mutter sondern glaubt auch in ihr eine Außerirdische erkannt zu haben, die bei der kommenden Mondfinsternis die Menschheit auslöschen will. In Rededuellen setzt sich Michelle zur Wehr und versucht den Entführer zu manipulieren. Als der Dorfpolizist wegen einer Routinekontrolle auftaucht, eskaliert die Situation.BUGONIA ist ein Remake der südkoreanischen Science-Fiction-Komödie SAVE THE GREEN PLANET! von Jang Joon-hwan (2003). Lanthimos hat eine respektlose und oft unerwartete Art, so verschiedene Themen wie Verschwörungsglaube, Opiodkrise, Bienensterben, Serienmorde, gesellschaftliche Stimmung und Folter ineinander zu verschlingen. Das ist mitunter ein anstrengender Genre-Mix, der durch die intensive Musik immer wieder auch opernhafte Züge annimmt. Ein kraftvoller, zynischer, mitunter grotesker Film, der den einen oder anderen Zuschauer unterwegs verlieren wird. Dementsprechend haben wir ganz unterschiedliche Meinungen im Podcast direkt nach dem Kino. Am Mikrofon sind: Anke, Heidi, Johanna, Marc, Hendrik, Tom und Thomas. Gespoilert wird erst spät – und nach der akustischen Spoilerwarnung.Unsere Reaktionen auf Filme von Giorgos Lanthimos

www.buymeacoffee.com/brujascinemaFaltan un par de semanas para que se estrene la nueva cinta del realizador greco Yorgos Lanthimos en donde una vez más reúne a Emma Stone con Jessie Plemons, con quienes hizo "Kinds of Kindness" recientemente. La película es absolutamente brutal y divertida y huele a nominaciones a kilómetros. Echamos un ojo a la filmografía de Lanthimos e hicimos todo lo posible por ofrecer información, una ojeada pero libre de spoilers.Hablamos también de la película de Derek Cianfrance "Roofman". Channing Tatum y Kristen Dunst protagonizan una divertida y peculiar historia de un ladrón que termina viviendo en una tienda de "Toys R Us". Aprovechamos por cierto para hablar un poco de Cianfrance y echarles una RRR con la película "The Place Beyond The Pines".Finalmente, largas reflexiones con el documental de Netflix "50 Segundos, EL Caso Fernando Baez Sosa". Un chico asesinado a patadas en una pelea afuera de una discoteca, termina en un juicio mediatico, un país volcado y clamando justicia y muchos jovenes condenados a cadena perpetua. Un caso donde cuestionamos que tanto se hizo justicia o no. Una obra importante para quienes tienen hijos en edad de salir, o a los imbeciles que les encanta darse trompadas en la calle. Producen Juan de Dios y Pablo Larraín.Les recordamos que pueden colaborar con nosotros, en:www.buymeacoffee.com/brujascinemaGucci!

Send us a textIn which we dig into the latest Jesse Plemons joint.

This week, we're finish up our Lanthimos kick with the film that brought the director to a wide audience. We are divided on this one again, but the visual style and humor are enough to get a recommendation from at least two of us. The Favourite (2018), directed by Yorgos Lanthimos.

Yorgos Lanthimos ist zurück mit einem Film, der irgendwie nicht so den großen Hype kreiert hat wie noch "Poor Things" vor einigen Jahren. Vielleicht weil er "nur" eine Adaption ist? 2003 ist nämlich die wahnwitzige Folter-Verschwörungs-Komödie "Save the Green Planet" erschienen, die Lanthimos jetzt ein bisschen geerdeter als "Bugonia" ins Kino bringt. In beiden Filmen entführt ein verrückter Verschwörungstheoretiker den/die CEO eines Pharmaunternehmens. Um den südkoreanischen Wurzeln dieser Geschichte ein bisschen nachzuspüren hat sich Christian Stephan Fasold vom Podcast "Kino Korea" eingeladen. Welche Version gefällt uns besser und was erzählen uns diese Filme in einer Zeit, die ja sowohl von Verschwörungsmythen *als auch* den großen Firmen (und ihren CEOs) bestimmt wird? CUTS ist komplett unabhängig und werbefrei, deshalb brauchen wir eure finanzielle Untersützung: Ab 3€ im Monat bekommt ihr große mehrstündige Special-Folgen zu Regisseur*innen und Genres sowie Zugang zum CUTS-Discordserver, wo wir jeden Tag über Filme und anderes diskutieren: https://steadyhq.com/cuts Ihr findet CUTS natürlich auch auf Twitter und Instagram und mich auf Letterboxd. Vielen Dank an alle, die uns mit 5€ oder mehr im Monat unterstützen! Hans B., Jens Bahr, Timo Baudzus, Max Baxmann, Björn Becher, Marcel Behrmann, Max Decker, Manuel Deschmann, Maximilian Dietrich, Nikolas Ditz, Heiko Dörr, Jon Eden, Stefan Elipot, Bernhard F, István Faze, Patrick Fey, Hylia Fischer, Tobias Forner, Arne-Leonardo, Lucas Fuchs, Lisabeth Fulda, Danai Gavranidou, Timo Gerdau, Max Gilbert, Johannes Greve, Katharina Günther, Matthias Hagel, Simon Hartmann, Hadi Hawash, Leon Herrmann, Jonathan Hilgenfeld, Dominic Hochholzer, Enola Marina Hoffmann, Paul Höller, Andre Hollstein, Lukas Hoppmann, Jakob Jockers, Anette John, Melanie Juhl, Michael Kandzia, Karl Kaufmann, Martin Kleisinger, Boris Klemkow, Moritz Krien, Moritz Kunz, Thomas Kustermann, Thomas Laufersweiler, René Lehmann, Felix M, Joseph Mayr, Sebo McPowers, Yannick Mosimann, Giancarlo M. Sandoval, Mirko Muhshoff, Flamur Mula, Matthias Nauhaus, Maria Ortese, Nicolai Piuk, Wolfgang Plank, Simon Popp, Philipp R., Jessica Ring, Thomas Roth, Joscha Sauerland, Michael Schill, Jessica Schmidt, Martin Schober, Jesko Schrader, Dominik Schröder, Nils Schuckenberg, Jeremiah Schwarze, Timm Seestädt, Louis Sir-Excel-Lot, Eyk Stankiewicz, Thomas Stehle, Marius Stein, Carolin T, Basil Tardent, Martin Teichert, Valentin Tischer, Dorijan Vukovic, David Wahl, Tobias Walter, Philipp Watermann, Regula Weber, David Wieching, LoLegend Yo, Joseph Z., Florian Zeppenfeld, Stefan Ziede, & meine Oma :)

After our Luca Guadagnino episode, we are continuing our coverage of director in their "pump 'em out" phase with Yorgos Lanthimos' third film in as many years — Bugonia. Once again re-teaming with his muse Emma Stone, Lanthimos delivers an uproarious, mean-spirited conspiracy thriller. We discuss director jail, an updated rundown of Lanthimos' filmography, and a review of the film.

With BUGONIA in theaters - and a review coming this Friday - we're sharing Filmspotting Archive reviews of Lanthimos and Stone's first two collaborations, 2018's THE FAVOURITE and 2023's POOR THINGS. For more information about joining the Filmspotting Family, which gives you access to archives going back to 2005, plus monthly bonus shows, a weekly newsletter, and an invite to join the Filmspotting Discord, visit filmspottingfamily.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Due cugini apicultori, fanatici delle teorie del complotto, sono convinti che la cinica CEO di una potente industria farmaceutica sia in realtà una regina aliena mandata in avanscoperta per spianare la strada allo sterminio del genere umano. La rapiranno e tenteranno di tutto per costringerla a rivelare la sua vera natura e le sue reali intenzioni.Imperniato dalla sempre lucida follia, ma anche da una regia sempre più complessa e completa, che omaggia enormi registi del passato, Lanthimos realizza una nuova opera che incanta, appassione, inorridisce e lascia spiazzati in quello che è uno dei finali più belli e più giusti degli ultimi anni.Emma Stone e Jessie Plemons fanno a gara di bravura, ma anche gli altri attori se la cavano benissimo. Riprese splendide, la sensazione del dubbio persistente, fino al raggiungimento della verità e una colonna sonora potente e squisitamente vintage, regala un prodotto che dividerà certamente, come quasi tutte le opere del regista greco...ma è un cinema che personalmente adoro e che merita di essere portato avanti nel tempo.Anche questo, nella TOP 2025!

Yorgos Lanthimos has a new movie dropping and this time Emma Stone isn't naked. Bugonia is a solid flick that relies heavily on the actors and light on the plot, so much so I was interested in how the movie interested me so much. Jesse Plemmons plays Teddy, a tin foil hat guy who listens to too much Joe Rogan and is convinced Michelle (Stone) is an alien who wants to eliminate the human race, one bee colony at a time. Is Teddy nuts or is Michelle not who the world thinks she is? Lanthimos delivers the goods with this remake of a 2003 Korean flick that had me guessing till the end.If you're not doing so already, please like and follow Classic American Movies on Instagram and Facebook. I do free movie giveaways, mini movie reviews and more! Also, I decided to dabble in making my own slasher film called “Bishop's Day”. Check out the Instagram page for updates.

This week, we're continuing our Lanthimos kick with a film that is currently in theaters. We are a bit divided on how this one ended up, but we can say that if your a fan of the director, this one is worth seeing blind. Bugonia (2025), directed by Yorgos Lanthimos.

In this episode of the It's the Pictures podcast, Max Covill is joined by guest Amelia Emberwing to delve into the collaborations between director Yorgos Lanthimos and actress Emma Stone. Before that they discuss The Mummy 4 news, Chloe Zhao and Manga adaptations, and a new Miss Piggy movie.  They explore the films, including 'The Favourite' and 'Poor Things', discussing themes, performances, and the unique storytelling styles of Lanthimos. The conversation also touches on the recent films 'Kinds of Kindness' and 'Bugonia', analyzing their narratives and the implications of their endings.  Chapters 00:00 Introduction to the Podcast and Guest 01:07 Exploring Yorgos Lanthimos and Emma Stone's Collaborations 02:38 News in the Entertainment Industry 17:35 Deep Dive into 'The Favourite' 27:12 Analysis of 'Poor Things' and Its Themes 35:03 Visual Storytelling Techniques 38:58 Critique of 'Kinds of Kindness' 40:45 Discussion on 'Bugonia' 43:10 Character Analysis and Themes 46:25 Spoiler Discussion on 'Bugonia' 53:54 Final Thoughts on Yorgos Lanthimos' Work 59:48 What We've Been Watching, including Hazbin Hotel and Nobody Wants This Website: https://itsthepictures.libsyn.com/ itsthepictures.com Download the episode today, and find us on Bluesky, Instagram, and Letterboxd.  Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd.  Stock Media provided by SoundAttack / Pond5

 Bugonia Directed by: Yorgos Lanthimos Written by: Will Tracy and Jang Joon-hwan Starring: Emma Stone, Jesse Plemons, Aiden Delvis, Alicia Silverstone, Stavros Halkias Cinematography: Not specified (shot on VistaVision, 35mm, Willcam equipment) Release: 2025 IMDB: https://www.imdb.com/title/tt12300742/

Torniamo dopo tanto tempo col cast al completo per affrontare una di quelle puntate lunghe e complicate che vanno in vacca quasi subito. Si parte dall'ultimo film di Lanthimos, Bugonia, remake di un film sghembo e pazzo che vent'anni fa lanciava un nuovo corso per il cinema coreano e che il regista greco aggiorna a tempi e sensibilità tremendamente personali e contemporanee.Passiamo poi al nuovo capitolo della saga degli Yautja, quel Predator: Badlands che sposta il genere di riferimento dall'horror all'avventura per ragazzi, con risultati discreti.Torna poi Guillermo del Toro con il suo Frankenstein, bello e un po' vuoto, al punto che ci ha lasciato con un inaspettato amaro in bocca.Chiudiamo con un horror che sulla carta aveva tutti i numeri per farsi volere bene, Good Boy, in cui navighiamo una classica storia di casa infestata dal punto di vista del cane di famiglia.Timestamp dei film in scaletta:[01:30] Bugonia[27:10] Predator: Badlands[45:00] Frankenstein[1:05:40] Good BoyPer supportarci: ⁠⁠⁠ko-fi.com/incompetentipodcast⁠⁠⁠Per contatti: gliincompetenti@gmail.comincompetentipodcast.it

Kelsi and Trey dive into Yorgos Lanthimos's Bugonia—starring Jesse Plemons and Emma Stone—before switching gears to Lynne Ramsay's brutal new film Die My Love with Jennifer Lawrence and Robert Pattinson. We talk apocalyptic thrillers, strange sincerity, art-house madness, and why both films feel like we're staring into the end of the world. For more on Lanthimos and Pattinson check out our free episodes on Poor Things, The Batman, and more on our Patreon for free members below!Bugonia (17:40)Die My Love (01:34:35)⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Giorgios Lanthimos („Poor Things“) ist zweifelsohne einer der fleißigsten Regisseure der Gegenwart: Jedes Jahr präsentiert er jetzt einen Film. „Bugonia“ heißt das neue Werk, in dem erneut Emma Stone die Hauptrolle spielt. Stone mimt eine CEO eines Pharmakonzerns, die mit den Anforderungen des progressiven Neoliberalismus ihre liebe Mühe hat. Bald jedoch hat sie ein noch viel größeres Problem: Zwei Verschwörungstheoretiker (gespielt von Jessy Plemons und Aidan Delbis) entführen Michelle, weil sie fest davon ausgehen, dass sie die Königin eines Alien-Volkes ist, das die Menschheit auslöschen will. Mit rationalen Argumenten ist den beiden Entführern nicht beizukommen, muss die CEO bald merken. In einem Keller hält man sie gefangen und setzt sie allerlei Torturen aus, um der „Wahrheit“ näherzukommen. Richtet sich nun dieser Film lediglich gegen den Glauben an Verschwörungstheorien? Keineswegs, Lanthimos hält uns einen Spiegel vor. Mehr dazu von Wolfgang M. Schmitt in der Filmanalyse! Literatur:Michel Foucault: Wahnsinn und Gesellschaft. Eine Geschichte des Wahns im Zeitalter der Vernunft. Suhrkamp. Die Filmanalyse +ABO gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutDie Filmanalyse +ABO gibt es bei Apple-Podcast als Monats- und vergünstigtes Jahresabo:https://podcasts.apple.com/de/podcast/q-a-1-the-zone-of-interest-zeit-management/id1586115282?i=1000735357409Außerdem gibt es die Möglichkeit, ein Abo via Patreon abzuschließen, jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft:⁠https://www.patreon.com/c/wolfgangmschmitt/home⁠

El cine español ha liderado la taquilla durante esta semana, aunque los datos de asistencia y recaudación no son muy esperanzadores. Y siguen llegando nuevas películas como 'Siempre es invierno', la adaptación de David Trueba de su novela 'Blitz' con la que vuelve a colaborar con David Verdaguer. También está ya en salas 'Subsuelo', el oscuro thriller psicológico de Fernando Franco sobre una familia descompuesta por los secretos. Además, en este episodio analizamos la última película de Lanthimos, la entrañable road movie 'Leo & Lou' y las series que estamos viendo.

Min 5: SIEMPRE ES INVIERNO (3,5 estrellas) Protagonizada por David Verdaguer (Miguel), Amaia Salamanca (Marta) e Isabelle Renauld (Olga), la nueva película de David Trueba adapta su propia novela Blitz y se instala en un invierno europeo que cala hasta el hueso: una ruptura súbita en un congreso de arquitectura en Lieja deja a Miguel en suspensión emocional, hasta que la inesperada aparición de Olga —una mujer mayor, culta y de una serenidad magnética— abre una grieta de luz en el hielo. Min 15: SUBSUELO (3 estrellas) En su última propuesta, Fernando Franco da un paso más en el terreno del thriller psicológico con Subsuelo, donde los mellizos Eva (Julia Martínez) y Fabián (Diego Garisa) se encuentran al borde de la edad adulta y, durante una noche de verano, quedan implicados en un accidente cuya naturaleza exacta permanece velada —solo ellos y su madre Mabel conocen la verdad. Min 21 REVERSIÓN (2 estrellas) En Reversión, el thriller psicológico de Jacob Santana, Jaime Lorente, Manuel Vega y Belén Rueda sostienen un relato inquietante que se abre con la desaparición de David, el hermano mayor, y su enigmático regreso diecinueve días después: idéntico por fuera, irreconocible por dentro. La película convierte el hogar en una trampa emocional donde cada gesto y cada silencio parecen esconder una verdad que nadie quiere pronunciar. Santana apuesta por una narrativa contenida, casi clínica, en la que la sospecha se filtra por las grietas de una familia desbordada. Min 26. LEO & LOU (3 estrellas) Julia Sulleiro y Isak Férriz lideran Leo & Lou, ópera prima de Carlos Solano, una road movie luminosa y emotiva en la que una niña huérfana y muda que huye del centro de acogida se cruza con un inconformista solitario: juntos emprenden un viaje hacia una competición de pesca que funciona como brújula del duelo y la memoria, entre humor tierno, diálogos medidos y mucho lenguaje de gestos; el film, con Maggie Civantos, María Pujalte, Manuel Manquiña y Marta Larralde, recupera el pulso del cine de aventuras familiar ochentero mientras recorre paisajes gallegos con una puesta en escena sobria y cálida que apuesta por la conexión humana por encima del subrayado. Min 28. PREDATOR BADLANDS (2,5 estrellas) La película protagonizada por Elle Fanning (interpretando a Thia) y Dimitrius Schuster-Koloamatangi (como el joven Depredador Dek) presenta una nueva vuelta de tuerca al universo de Predator: en lugar de centrarse en la caza del Depredador por humanos, la historia lo sitúa como protagonista de su propia odisea en un planeta remoto llamado Genna, donde debe demostrar su valía frente a su clan y al adversario definitivo. Min 34: BUGONIA (3 estrellas) En Bugonia, Yorgos Lanthimos vuelve a su territorio más ácido y perturbador con Jesse Plemons y Emma Stone al frente, encarnando a dos ejecutivos que, convencidos de que una influyente gurú mediática manipula a la población, deciden secuestrarla para “liberar al mundo” de su influencia, sin prever que el cautiverio revelará quién manipula realmente a quién. Con su habitual mezcla de humor negro, violencia contenida y una lógica casi ritual, Lanthimos construye un thriller psicológico retorcido donde la sátira sobre el liderazgo, la fe en las élites y el delirio conspiranoico se entrelaza con la incomodidad moral propia de su filmografía. Min 40: DOS FORAJIDOS (2,5 estrellas) En esta nueva entrega del wéstern, los protagonistas son Alec Baldwin como Harland Rust, Josh Hopkins y Travis Fimmel, encargados de encarnar los distintos matices de una historia de redención, violencia heredada y rivalidad en el salvaje Oeste. El veterano forajido Rust se entera de que su nieto ha sido condenado a la horca y decide emprender un arriesgado viaje hacia la frontera para sacarlo de prisión y huir con él, mientras ambos son perseguidos por un mariscal y un despiadado cazarrecompensas. Min 43: LA PELÍCULA DE TU VIDA, CON VICTOR MANUEL El cantante asturiano ha sido uno de los invitados estrella en la 15 edición del Festival del Cine y la Palabra (CIBRA) de Toledo. El preestreno del documental "Solo pienso en ti", del director alcazareño Hugo de la Riva y auspiciado por CMM, trajo a Toledo la presencia de Victor Manuel y de los auténticos protagonistas de la historia, Antonio y Mariluz. El acto estuvo presentado por el director de "Estamos de Cine", Roberto Lancha, que aprovechó la ocasión para preguntar al legendario cantautor por la película de su vida. Min 45: BSO "EDÉN", otra sorpresa de Hans Zimmer (3 estrellas) En la banda sonora de Eden, Hans Zimmer entrega uno de sus trabajos más atmosféricos y sensoriales de los últimos años, alejándose de los grandes bloques orquestales para construir un tejido sonoro que respira a la vez peligro, misterio y una espiritualidad quebrada. Zimmer articula el score como un viaje emocional paralelo al del personaje de Jude Law: líneas de sintetizador casi submarinas, percusiones tensas de respiración corta y cuerdas suspendidas que nunca terminan de resolverse, como si todo estuviera a punto de desmoronarse.

Sergio Pérez habla de Dos forajidos, Bugonia, Predator: Badlands, Reversión, Subsuelo, Leo y Lou, Siempre es invierno, La princesa orgullosa...

Academy Award®-nominated composer Jerskin Fendrix joins guest host Jon Burlingame to discuss his latest score for “Bugonia,” directed by Yorgos Lanthimos. Fendrix shares how he developed the film's striking — and at times paranoid — musical themes, shaped in part by his own emotional state during the writing and recording process. Lanthimos had deliberately kept him in the dark, forbidding him from reading the script before composing, a choice that profoundly influenced the tone of the score. “I spent a lot of time by myself, doing all this kind of esoteric, bizarre research on bees and spaceships and so on. I knew that a lot of meetings were happening; I knew that the film was being made — the pre-production — none of which I was allowed to be privy to. I was starting to get a bit paranoid; I was starting to get a bit angsty about things. And all I was doing was really hoping what I was doing was right. And I think the reason that a lot of the music actually echoes the psychology — especially of Teddy, this kind of really frantic grandiosity, but paranoia, and so on — is because I was basically in the same position for at least a year, by virtue of Yorgos's direction.” —Jerskin Fendrix, Composer, “Bugonia” You can watch our episode with Director Yorgos Lanthimos & Sound Designer Johnnie Burn on the Sound of “Bugonia” here. Watch our previous episode with Jerskin Fendrix on the music of “Poor Things” here. And be sure to check out “Bugonia,” now playing in theaters in Dolby Atmos®, where available. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Flimmerfreunde machen Abstrich, also von/auf der langen Liste der Filme über die es gilt zu reden, nämlich, Nazis hassen, AMRUM mögen, brennt wie Online-Kaufhaus, knallt wie Silvester, A HOUSE OF DYNAMITE, Netflix, Netflix, Netflix, nämlich auch, FRANKENSTEIN und BALLAD OF A SMALL PLAYER, Edward Berger, wieder und Guillermo del Toro und das Monster. Alles geil. Schrammel, schrammel, gammel, SPRINGSTEEN: DELIVER ME FROM NOWHERE, jetzt nicht nirgendwo, dafür überall und ziemlich gut. PLAY DIRTY, schiessen, ficken, morden, rauben, nicht notwendigerweise in der Reihenfolge, aber ziemlich durchgängig, Shane Black ist zurück und auf Prime und ziemlich zynisch. Räuber in lieblich und alte Schule wie Neues Hollywood, ROOFMAN. Meisterwerk aus Brasilien, THE SECRET AGENT, Liste der verdienten Preise so lang wie der Film. BUGONIA oder die Frage, was wäre wenn die Schwurbler recht hätten? Lanthimos, Yorgos, neuster Film, aktuelle Empfehlung. Dazwischen Geheimtips, die keine sind. Flimmerfreunde, der Feuersturm, der Dich warm hält.

We're diving into Sci-Fi Month here on The WatchTower Film Podcast! This month, we're exploring the strange, the cerebral, and the speculative sides of cinema—and we're kicking things off with Yorgos Lanthimos' The Lobster.In a world where single people must find a partner or be turned into animals, Colin Farrell delivers one of his most hilariously bleak performances. We unpack the film's dark humor, surreal worldbuilding, and why Lanthimos' deadpan dystopia hits harder (and funnier) than your average love story.Romance has never been this weird—or this scientific.

Episode 291: Bugonia. From director Yorgos Lanthimos (Dogtooth, Poor Things) and writer Will Tracy (The Menu, Succession) comes an absurdist black comedy sci-fi film starring Lanthimos alums, Emma Stone and Jesse Plemons, that will have you questioning everything. Is it evil? We decide. Plus, Dream Eater, It: Welcome to Derry, and more.  2:00min - Bugonia 22:50min - Dream Eater

Ronald Young Jr. reviews Bugonia by himself…which was a mistake RYJ thinks that this movie is a little messed up.RYJ - 2.99 of 5 starsFollow me on IG, TikTok, Threads, Bluesky, and Letterbxd - @ohitsbigronAvailable in theatersStarring Emma Stone, Jesse Plemons, Aidan Delvis, Stavros Halkias, and Alicia SilverstoneWritten by Will TracyDirected by Yorgos LanthimosFor more information about Bugonia, check out this linkSupport Leaving the Theater on Patreon using this link

In der neuesten Episode des Filmfrühstücks sind Kenan und Luca wieder am Start. Und die beiden widmen sich einem spannenden Mini-Double-Feature rund um den aktuellen Kinostart „Bugonia“ sowie den Klassiker „Save the Green Planet“.Während Kenan und Luca durch diese beiden Filme navigieren, werfen sie einen Blick auf die beeindruckende Karriere des Regisseurs Yorgos Lanthimos und die Entwicklungen seines Schaffens in den letzten Jahren. Kenan führt die Zuhörer durch die Welt von „Bugonia“, einem Film, der erstmals auf dem Filmfestival in Venedig gezeigt wurde und seit dem 30. Oktober auch in deutschen Kinos zu sehen ist. In diesem surrealen Thriller spielt Emma Stone eine CEO, die von Jesse Plemons' Charakter Teddy entführt wird – einem Verschwörungstheoretiker, der sie für ein Alien hält. Kenan und Luca untersuchen die komplexe Beziehung zwischen den Charakteren, während sie über Themen wie Macht, Manipulation und die Konstruktion von Wahrheit diskutieren.Im Anschluss widmet sich das Duo „Save the Green Planet“, einem Kultfilm, der eine präscientistische Vision von Verschwörungstheorien und ihren Auswirkungen auf das Individuum bietet. Hier ziehen Kenan und Luca Parallelen zwischen beiden Filmen und diskutieren die Frage, wie gesellschaftliche Strukturen und Machtverhältnisse die Wahrnehmung von Realität beeinflussen. Was haltet ihr von den neuen Filmen? Welcher war euer Favorit? Schreibt es uns in die Kommentare!---Instagram: https://www.instagram.com/filmfruehstueck/

Five-time Academy Award®-nominated filmmaker Yorgos Lanthimos joins us to discuss his latest surreal adventure, “Bugonia.” The film is a darkly-comic paranoid thriller about a high-profile CEO who is kidnapped by conspiracy theorists, who are convinced she is an alien. Once again, Lanthimos tapped Academy Award-winning Sound Designer, Supervising Sound Editor, and Re-recording Mixer Johnnie Burn to create the sonic landscape for his film. But despite its out-of-this-world themes, it was important to the director that the sound keep the story grounded in reality.“It was trying and finding a way to simplify the soundscape, without making it boring. Because there's so much dialogue in the film, and there's moments of quite bombastic music, we needed to find a way to bridge those things, support the dialogue, and create an atmosphere that had a signature and made the film feel unique and different, but without stepping [on] all the other things that needed to work.”—Yorgos Lanthimos, Director and Producer, “Bugonia”Be sure to check out “Bugonia,” now playing in theaters in Dolby Atmos®, where available.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

We review Bugonia, the latest collaboration between Yorgos Lanthimos and Emma Stone, before giving our ranking of all of Lanthimos' filmography and diving into the latest trailers and movie news.#bugonia #yorgoslanthimos #bugoniareview Timestamps:(00:00:00) Intro(00:01:12) How are we Doing?(00:48:30) Bugonia Review(01:05:30) Bugonia SPOILERS(01:41:07) Yorgos Lanthimos Ranked(01:43:45) Trailers & Movie News(01:55:55) Wrap UpBecome a Patron! Join to gain access to exclusive perks like Discord access, giveaways, & more: https://www.patreon.com/reeltokpodcastGrab some ReelTok merch: https://reeltokpodcast.com/Follow ReelTok everywhere:ReelTok PodcastYouTube: https://www.youtube.com/@reeltokpodcastTikTok: https://www.tiktok.com/@reeltokpodcastInstagram: https://www.instagram.com/reeltokpodcast/Twitter: https://twitter.com/reeltokpodcastLetterboxd: https://letterboxd.com/reeltokpodcast/Patreon: https://www.patreon.com/reeltokpodcastListen and Rate Us 5 Stars on Spotify and Apple Podcasts:Spotify: https://open.spotify.com/show/3V214vWwkO823aa4OaeDrOApple Podcasts: https://podcasts.apple.com/us/podcast/reeltok-podcast/id1644680412George CarmiLetterboxd: https://letterboxd.com/georgecarmi/TikTok: https://www.tiktok.com/@moviesandstuff14YouTube: https://www.youtube.com/@moviesandstuff14Instagram: https://www.instagram.com/georgecarmi/Twitter: https://twitter.com/georgecarmiTyler WhitmoreLetterboxd: https://letterboxd.com/TylerCWhitmore/TikTok: https://www.tiktok.com/@tylercwhitmoreYouTube: https://www.youtube.com/@tylercwhitmoreInstagram: https://www.instagram.com/tylercwhitmore/Twitter: https://twitter.com/TylerCWhitmoreSeth's Film ReviewsLetterboxd: https://letterboxd.com/sethsreviews/TikTok: https://www.tiktok.com/@sethsfilmreviewsYouTube: https://www.youtube.com/@SethsfilmreviewsInstagram: https://www.instagram.com/sethsfilmreviews/Twitter: https://twitter.com/sethsfilmreviewCam WalshLetterboxd: https://letterboxd.com/cjwalsh27/TikTok: https://www.tiktok.com/@camwalsh27Instagram: https://www.instagram.com/camwalsh/Twitter: https://twitter.com/CamWalsh27YouTube: https://www.youtube.com/@camwalsh27Twitch: https://www.twitch.tv/camwalsh27New episodes every Monday reviewing the latest movie releases and covering the most recent movie trailers and industry news. Reviews, rankings, deep-dives, drafts, movie trivia, and so much more. The ReelTok Podcast is co-hosted by 4 of the largest film social media content creators, George, Seth, Tyler, and Cam. Bonus episodes every Thursday doing a movie-related draft, ranking, or game, and more bonus episodes every Friday reviewing a movie recommended by our viewers. Make sure to follow us as you have now found your new favorite podcast.#movies #moviereviews #podcast #moviepodcast #reeltok #reeltokpodcastHelp us become the #1 movie podcast in the entire world!

Bugonia is a 2025 absurdist black comedy film directed by Yorgos Lanthimos. It is an English-language remake of the 2003 South Korean film Save the Green Planet! by Jang Joon-hwan. It follows two young men who kidnap a powerful CEO, suspecting that she is secretly an alien who wants to destroy Earth. A co-production of Ireland, South Korea, and the United States, the film stars Emma Stone, Jesse Plemons, Aidan Delbis, Stavros Halkias, and Alicia Silverstone.Development on the film began as early as 2020, with Jang attached to direct and Will Tracy adapting the screenplay. Ari Aster came on board as producer soon after, and by February 2024, Lanthimos was hired to direct, replacing Jang, while Stone joined the project both as an actress and producer. Plemons joined the cast that May, and it was soon acquired by Focus Features for distribution at the Cannes Film Festival. Principal photography began in July in High Wycombe, England, and Atlanta, Georgia, and during which time, the rest of the cast was announced. Additional filming took place in May 2025 in Milos, Greece. With an estimated budget of $45-$55 million, Bugonia is Lanthimos' most expensive film.Bugonia had its world premiere in the main competition of the 82nd Venice International Film Festival on August 28, 2025, and was theatrically released in the United States by Focus Features on October 24. It received positive reviews, with critics praising the performances of Plemons and Stone. Hosted on Acast. See acast.com/privacy for more information.

For this week's main podcast review, Ema Sasic, Will Mavity, and guest Ben Langford join me to discuss the latest film from Yorgos Lanthimos, "Bugonia," starring Emma Stone, Jesse Plemons, Aidan Delbis, Stavros Halkias, and Alicia Silverstone. With a screenplay by Will Tracy, the film is an English-language remake of the 2003 South Korean film "Save the Green Planet!" by Jang Joon-hwan that had its world premiere at the Venice International Film Festival, where it received positive reviews for its compelling performances, pitch-black comedic writing, and otherworldly direction from Lanthimos. What did we think of it, though? Put on your conspiracy theory hats and tune in as we discuss these elements, its themes, tone, messaging, craftsmanship, awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Yaaaaaaaaay :) Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda kick off the show with a brand-new version of their Best Picture Power Rankings (1:43). Then, they cover Yorgos Lanthimos's new movie, ‘Bugonia,' starring Jesse Plemons and Emma Stone. They explain why this is their preferred “flavor” of Lanthimos, crown it as a new type of paranoid thriller, and praise Plemons's and Stone's incredibly sincere and sympathetic performances (21:31). Later, Lanthimos joins Sean to talk through the difficulties and benefits of shooting the film with a large format in VistaVision, what interests him and intrigues him as a storyteller, and why he has anxiety about the future regarding our inability to communicate with one another (1:01:49). Hosts: Sean Fennessey and Amanda Dobbins Guest: Yorgos Lanthimos Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices

A new Yorgos Lanthimos film is always an event at IndieWire, and 'Bugonia' might be his most topical and direct one yet. Yorgos digs into the key decisions that make this tense character piece feel so large in scope (including shooting in a small basement in VistaVision), and how his collaborations with Emma Stone and Jesse Plemons deepened even further. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down the latest insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

Hon revolutionerade Stockholms nattliv på 60-talet och blev kvar i rampljuset även efter att sista klubben stängt. Vad är Alexandra Charles drivkraft? Lyssna på alla avsnitt i Sveriges Radio Play. Filmskaparen Olivia Kastebring, som bland annat gjort "Silvana – väck mig när ni vaknat", är aktuell med den redan i förhand mycket omtalade dokumentären "Alexandra – syns vi inte finns vi inte" som har premiär i dag. Dokumentärens huvudperson Alexandra Charles von Hofsten, blev snabbt ett namn när hon drog igång nattklubb i Stockholm på 60-talet. När hon 1988 lade ner sista klubben, blev det istället bland annat opinionsarbete kring kvinnors hälsa och startade organisationen 1,6-miljonerklubben som i dag heter ”Alexandra – För kvinnor och Hälsa”. Möt både Olivia Kastebring och Alexandra Charles von Hofsten i dagens P1 Kultur!KLASSISKA SKÄRGÅRDSIDYLLEN SALTKRÅKAN FÅR NYTT LIVTv-serien ”Vi på Saltkråkan” sändes för första gången 1964, då Tjorven, farbror Melker, Båtsman, Stina och alla de andra blev en del av den svenska tv-historien. I dag är det premiär på SVT för nyinspelningen, regisserad av Fredrik Edfeldt efter manus av Karin Arrhenius, och förhandsintresset har varit stort – hur har de handskats med denna nationalklenod till tv-serie? Vad säger kritikerna? Och vad skulle Astrid Lindgren ha sagt? Saltkråkan-fantasten Anna Andersson, redaktör och krönikör på Aftonbladet, är med och reder ut!RIA WÄGNER – FRU TELEVISIONJournalisten och programledaren Ria Wägner var en av svensk tv:s första stora personligheter, känd för att alltid hälsa publiken med sin karakteristiska vink. Anna-Lena Lodenius, som medverkar dagens P1 Kultur, är aktuell med boken "Fru Television", där hon berättar om Wägners liv och karriär. Vilka ambitioner hade hon själv och hur blev hon "Ria" med hela tv-publiken? Och vad betydde hon för hur tv-mediet i Sverige utvecklades?"BUGONIA" – HUR BRA ÄR YORGOS LANTHIMOS NYA FILM?FIlmen "Dogtooth"" belönades 2009 på filmfestivalen i Cannes, och sedan dess har den produktiva grekiske regissören och manusförfattaren Yorgos Lanthimos gjort flera hyllade filmer som får lovord av både kritiker och biopublik. Det är mycket svart humor, absurditeter och makabra detaljer och filmer som "The Lobster", "The Favourite" och "Poor things" både nominerades och vann priser på de stora filmgalorna. Nu är Lanthimos tillbaka efter den något omdiskuterade "Kinds of kindness" med den nya filmen "Bugonia" och kulturredaktionens Jenny Teleman har sett den.BARNRADIONS BOKPRIS: JURYN OM "EN ODÖDLIG VÄNSKAP"I dag diskuterar juryn "En odödlig vänskap" av Cecilia Lidbeck. Barnjuryn, som består av Atle Thorén, Lisa Müntzing Brolin, Astrid Knape, Latifa Esmailian Malm och Majken Wetterstrand från Möllevångsskolan i Malmö, pratar om alla nominerade böcker i varsitt avsnitt under vecka 44 och utser sen den bästa av dem alla. Vinnaren avslöjas i den stora finalen lördag 1 november kl. 12:03 i P4.Programledare Roger WilsonProducent Maria Götselius

"Bugonia" is an absurdist black comedy film directed by Yorgos Lanthimos from a screenplay by Will Tracy that adapts the 2003 South Korean film "Save the Green Planet!" by Jang Joon-hwan. The film follows two young men who kidnap a powerful CEO, suspecting that she is secretly an alien who wants to destroy Earth. The film stars Emma Stone, Jesse Plemons, Aidan Delbis, Stavros Halkias, and Alicia Silverstone. It had its world premiere in the main competition of the 82nd Venice International Film Festival and also screened at the Telluride Film Festival to positive reviews. Stone, Plemons, Lanthimos, and Tracy were all kind enough to spend time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Focus Features. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Yorgos Lanthimos's Bugonia follows two conspiracy-obsessed men who kidnap a powerful CEO, convinced she's an alien bent on destroying Earth. Emma Stone and Jesse Plemons shine, but while host Laura Gommans revels in their performances, Elliot Bloom questions whether Lanthimos's satire lands in the world we live in today.Plus, Kelly Reichardt joins Hugo Emmerzael to discuss The Mastermind — a stripped-down art heist film set in 1970s suburban America — and her collaboration with Josh O'Connor.Get tickets to Bugonia @ LAB111

This week, Oscar winner Emma Stone re-teams with director Yorgos Lanthimos in a sticky tale of conspiracy and paranoia:BUGONIA118 Minutes, Rated RWritten by Will Tracy, Jang Joon-hwanDirected by Yorgos LanthimosSynopsis:Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.Yorgos' films aren't for everyone, and our own responses to his films have been varied. How will we respond to this (somewhat) conventional tale, then?Listen and find out.~~~~~You can read more reviews and opinions on our website: https://VSMoviePodcast.com.Please LIKE, SHARE, and FOLLOW us on:Facebook (@vsmoviepodcast) (https://facebook.com/vsmoviepodcast)X (@vsmoviepodcast) (https://x.com/vsmoviepodcast)Instagram (@visuallystunningmoviepodcast) (https://instagram.com/visuallystunningmoviepodcast)Threads (@visuallystunningmoviepodcast) (https://threads.net/@visuallystunningmoviepodcast)BlueSky (@vsmoviepodcast.bsky.social) (https://bsky.app/profile/vsmoviepodcast.bsky.social)YouTube (@visuallystunningmoviepodcast) (https://youtube.com/visuallystunningmoviepodcast)Don't forget to SUBSCRIBE to our audio wherever you listen to podcasts (https://shows.acast.com/vsmoviepodcast).And please, if you like what we do, consider helping us keep on entertaining you. Find out how on our Contact/Support page (https://VSMoviePodcast.com/Contact-VSMP/). Hosted on Acast. See acast.com/privacy for more information.

Nuovo episodio, ritorna Lanthimos in sala e noi parliamo della sua ultima opera. Sul finale un po' di spoiler.Ci trovi anche su :Instagram - ⁠⁠⁠⁠⁠⁠instagram.com/effettovertigo_podcast⁠⁠⁠⁠⁠⁠Youtube - ⁠⁠⁠⁠⁠⁠youtube.com/@effettovertigopodcast⁠⁠⁠⁠⁠⁠Email - effettovertigopodcast@gmail.com

Scorsese and De Niro. Ford and Wayne. Hitchcock and Stewart. Peele and Kaluuya. The Coens and McDormand. Over the years, some directors and actors have become eternally linked thanks to their frequent and productive collaboration. The new duo to add to that immortal list is Yorgos Lanthimos and Emma Stone. Their new film, Bugonia, arrives in theaters this weekend, and the pair is once again stirring up a lot of Oscar buzz. Will Emma Stone win her 3rd lead actress Oscar, which would be her 2nd win from a Lanthimos collaboration? Are there other Oscar-worthy acting performances in Bugonia? Will this be Yorgos' most polarizing film ever? We discuss all those questions and more in our spoiler-free Bugonia review.   Show Open [00:00] Review Round 1 [06:12] Review Round 2 [12:41] Review Round 3 [19:15] Last Looks [25:55] Show Close [30:08]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? popcorn4breakfast.com Email us: contact@popcorn4breakfast.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

After having to skip an episode due to Josh being held captive in Andrew's basement last week, our hosts can finally have a dialogue over the latest Lanthimos/Stone collab, Bugonia! Diving into the sci-fi (maybe?) thriller, they debate over all the conspiracy theories, politics, the ending, and which Lanthimos movie is worthy of being put in the vault before the green planet is saved. Then they get into One More Thing, bringing up the 1950s Technicolor Knight epic Ivanhoe (starring the always stunning Elizabeth Taylor) and friend-of-the-pod Katie Carter's new Substack The Tea is Going Out along with her upcoming Forbidden Hollywood screening of Smarty at the Arkadin Cinema & Bar in St. Louis.Until then, read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

Bugonia | Tolles Œuvre, schöne Glatze Yorgos Lanthimos hat sich vom gefeierten Regisseur zum produktiven Vielfilmer entwickelt. Seit 2023 inszenierte er nicht nur den Oscar-prämierten „Poor Things“, sondern auch „Kinds of Kindness“ und nun „Bugonia“ (ab 30. Oktober im Kino) – ein Remake des südkoreanischen Kultfilms „Save the Green Planet“. Darin entführt Jesse Plemons die von Emma Stone gespielte CEO eines Großkonzerns. Was zunächst nach einem konventionellen Entführungsthriller klingt, dürfte bei Lanthimos natürlich wieder deutlich eigenwilliger ausfallen. Wie bizarr „Bugonia“ tatsächlich ist, wie Emma Stone mit kahlrasiertem Kopf auftritt und ob der Film auch für Lanthimos-Neulinge geeignet ist, darüber sprechen Laura Stu und Schlogger im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Marshall Smith, PhD, and Laura Patterson, PhD, offer a sociological discussion of Lanthimos' 2023 highly regarded, and possibly horror adjacent film, Poor THings. The post Poor Things (Lanthimos 2023) appeared first on Collective Nightmares.

Questa settimana parliamo di rapimenti con il nuovo film di Lanthimos, "Bugonia", presentato alla Mostra del cinema di Venezia; e del nuovo film di Spike Lee, disponibile su AppleTV, "Highest 2 Lowest", remake del capolavoro "Anatomia di un rapimento" di Akira Kurosawa.Argomenti:00:00 "Bugonia" (Yorgos Lanthimos, 2025)23:25 "Highest 2 Lowest" (Spike Lee, 2025)Partecipanti:Marco GrifòPaolo TorinoSimone MalaspinaAlessandro ValentiIl nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatariSpotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cwApple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw==Logo creato da:Massimo ValentiSigla e post-produzione a cura di:Alessandro Valenti / Simone MalaspinaPer il jingle della sigla si ringraziano:Alessandro Corti e Gianluca NardoPer la gestione dei canali social si ringrazia:Selene Grifò

Follow us on all our socials! linktr.ee/overunderpodSupport the podcast on Patreon! patreon.com/overunderpodJoin our Discord server! discord.gg/Zqev7jEnXzBusiness Inquiries: overunderpodcastshow@gmail.comYorgos Lanthimos returns with 'Bugonia', a dark, funny, and deeply unsettling remix of conspiracy culture, starring Emma Stone as a pharma CEO and Jesse Plemons as the true believer who kidnaps her because he's convinced she's an alien. We break down the film's unnerving tone, Lanthimos' needle-drop choices, and how this English language remake of the 2003 Korean cult classic 'Save the Green Planet!' reframes paranoia for 2025. In this non-spoiler review, we dig into performances (Stone/Plemons are electric), the morality maze at the story's core, and whether the Venice buzz and Focus Features' rollout are a sign this one will stick with general audiences or just live rent-free in our nightmares. We also compare Bugonia to Lanthimos' recent collaborations with Stone and talk about what this says about where his career is headed next.Grow your YouTube channel w/ VidIQ!vidiq.com/r?code=9cFKKLPodcast Hosts: Dylan DeAngelis and Jason GongIntro/Outro Music: Leva - The Vortex (Instrumental Version)Socials ---> https://linktr.ee/overunderpod

The latest film from director Yorgos Lanthimos, 'Bugonia,' tells the story of two conspiracy theorists who become obsessed with the idea that a high-powered CEO is actually an alien, and plot to kidnap her. Jesse Plemons stars as Teddy, one of the kidnappers. Plemons and Lanthimos discuss the film, which is in theaters October 24.

Yeni sezonda da her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş09:35 | One Battle After Another Gişede Battı mı?14:15 | Lurker18:55 | The Settlers22:30 | The Chair Company27:50 | The Hack31:00 | The Last Frontier34:30 | Slow Horses 4. Sezon 37:20 | 21. Yüzyılın En İyi 10 Yerli Oyuncu Performansı1:11:50 | Sinematek'in Yeni Programı1:17:00 | Slow Horses'taki "Türk" Repliği1:20:30 | Bret Easton Ellis'in OBAA Yorumu1:22:35 | Jim Carrey Jetgiller ile Dönüyor1:26:40 | Ku Klux Klan Hassasiyeti!1:30:20 | Lanthimos'tan Promosyon İsyanı1:32:50 | Ripley Geri mi Dönüyor?1:34:55 | Warner Bros Satılacak mı?1:41:15 | Apple TV'de İsim değişikliği1:41:45 | Arif Erkin'i Kaybettik1:45:40 | Mücver Olmayan Mücver Tarifi1:48:40 | Haber Turu

Wellinski, Patrick www.deutschlandfunkkultur.de, Fazit

Tony McNamara is an Academy Award-nominated screenwriter and playwright, whose most recent film, POOR THINGS, earned his second Academy Award nomination for Best Adapted Screenplay. POOR THINGS marked the second creative collaboration between McNamara and director Yorgos Lanthimos, and it is the third collaboration for McNamara and star Emma Stone. The film was released in theaters in December 2023 and was the second-most Oscar-nominated film of the year. McNamara's unique blend of humor, drama, and social commentary can also be seen in the Academy Award-nominated film THE FAVOURITE, which was also directed by Lanthimos and starred Stone. The film earned him a BAFTA Award and an Academy Award nomination for Best Original Screenplay. In his latest project, THE ROSES, the picture-perfect facade of a couple crumbles, igniting a tinderbox of competition and resentment, after the husband's professional dreams are shattered. In this interview, we talk about his approach to historical and adapted material, the state of comedy films, advice for writers, his latest project, THE ROSES, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!