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SEND US A MESSAGE! We'd Love to Chat With you and Hear your thoughts! We'll read them on the next episode. The Shilo Hendrix controversy has poured gasoline on a division that needed no accelerant. Explore the alarming trend of "confronting culture" that we seem to be experiencing and its devastating impact on our society. There is a callousness that has been brewing for some time regarding the gaslighting and perpetuated ethnic idolatry in America. Have we lost our capacity for sympathy in the process? In this thought-provoking video, we delve into the consequences of elevating ethnic identity above human connection and examine the repercussions on our collective humanity. We'll be reacting to a video from Matt Walsh and sharing our thoughts on how he misses the point. Join the conversation and discover the importance of reclaiming empathy in our increasingly divided world.Support the showPlease FILL OUT THIS SURVEYHosts: Brandon and Daren SmithWebsite: www.blackandblurred.comPatreon: www.patreon.com/blackandblurredPaypal: https://paypal.me/blackandblurredYouTube: Black and Blurred PodcastIG: @BlackandBlurredPodcastX: @Blurred_Podcast
This episode was recorded at my creative home away from home, a hotel that's also a vibrant cultural center. Check out Eaton DC here. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In this episode of The Truth In This Art, I'm happy to welcome back designer Jerrill Sankey of Jerrill Sankey Headwear. It's been a few years since Jerrill was on the show (when he was known for Creative King), so it's a great opportunity to reconnect and trace his evolution as a designer.We explore Jerrill's creative journey, from the influence of 90s pop culture and magazines like Vogue on his distinctive aesthetic, to his perspectives on balancing artistry and craftsmanship. Jerrill shares his thoughts on developing a personal style, the dedication it takes to build a brand, and his observations on the current creative scene.If you're into fashion and culture, the story of a designer's growth, or the commitment required to pursue your passion, I think you'll really enjoy this conversation with Jerrill Sankey! Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In this episode of The Truth In This Art, I'm thrilled to welcome back Ariel Shelton, co-Executive Director of CultureWorks Greater Philadelphia. It's been great to catch up with Ariel and explore the work CultureWorks does in supporting creatives and building a stronger cultural community in Philly.Ariel's passion for connecting people and ensuring resources are shared effectively shines through in our conversation. We discuss her journey, from co-founding the Arts Administrators of Color Network to her current leadership role, and her commitment to creating spaces where communities feel supported and empowered. Her insights into Philadelphia's unique cultural landscape, compared to her experiences in Detroit and D.C., are also a highlight.If you're interested in an honest discussion about community building, navigating complex social dynamics, and the realities of working in the arts, you'll find this episode with Ariel Shelton really rewarding!
In this episode of The Truth in This Art, I welcome back Baltimore-based sculptor Sebastian Martorana. We discuss the evolution of his career over the past few years, including his work on notable projects like the Vietnam Veterans Memorial Wall in DC and carvings at St. Patrick's Cathedral in New York City. Sebastian shares how these experiences have shaped his artistic process and the tools and techniques he uses. We also explore the challenges of balancing personal and professional life, the impact of social media, and the importance of real-life connections in the art world.Be sure to listen to Sebastian Martorana's episode here. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Today, we're discussing the tragic murder of Austin Metcalf — a case that's not just heartbreaking but deeply revealing of a larger cultural crisis we need to address head-on. I'll be sharing my raw thoughts on what happened, and more importantly, having the uncomfortable (but necessary) conversation surrounding crime statistics in the black community.If we're ever going to see real change — fewer senseless killings, safer neighborhoods, and stronger families — then we have to stop tiptoeing around the truth. It's time to talk about why these patterns keep repeating and what cultural shifts must happen to break the toxic and deadly cycle.This isn't about hate — it's about accountability, truth, and the fight for life, stability, and genuine justice.—https://policecoffee.com/?gad_source=1&gbraid=0AAAAACG7qmLTSF8TidU6uJpGkHMYzxsnd&gclid=Cj0KCQjwqcO_BhDaARIsACz62vPh4GA_6w_PdX8w4PW0sRhPD76KOyhYBmiEOdpiLXHP1G10c9kaPMEaAkK-EALw_wcB
In this episode of The Truth In This Art, I welcome Roxanne Sauriol Hauenherm, a self-taught Montreal-based artist whose captivating paintings of female figures have garnered international recognition. We explore her journey as a self-made artist and single mother, discovering how the birth of her daughter ignited her passion for painting and became the driving force behind her career. Roxanne shares her meticulous artistic process, from developing initial concepts and mood boards to photographing street-cast models, which serve as the foundation for her evocative and symbolic oil paintings. We also explore the deeply personal and autobiographical nature of her work, discussing how she uses the female form as a vessel to convey her own experiences, emotions, and messages, creating a visual diary of her life.If you are interested in the journey of a self taught artist, or the creation of evocative female figure paintings, this episode with Roxanne Sauriol Hauenherm is a must listen. Tune in to hear about her artistic process and inspiration.Don't miss Roxanne's first solo show! She's visiting the US and debuting at the Arch Enemy Arts - 13th Anniversary Exhibition on April 4th at 109 Arch St, Philadelphia, PA 19106. Learn more here: Be sure to listen to Roxanne Sauriol Hauenherm's episode here. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In this episode of The Truth in This Art, I welcome back Alex Madaus, an entrepreneur and visionary dedicated to bringing the healing power of nature indoors. Alex is a biophilic interior decorator and designer, and the owner of Cultivated Studios, a Baltimore-based biophilic design studio located right here in Baltimore.We explore Alex's impactful work, diving into the world of biophilic interior decoration and design, and discussing the captivating evolution of Cultivated Studios. Alex shares his insights on creating cultivated spaces, the importance of customer experience, and his deep-seated passion for bringing the healing power of nature indoors. We also look ahead, discussing the future of biophilic design and Alex's aspirations for Cultivated Studios.Eager to hear more about Alex's story and the early days of Cultivated?Be sure to listen to his first interview, where we discussed his journey and the initial concept behind Cultivated Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
In a world that often feels fragmented, uncertain, and spiritually empty, what if belief isn't just possible - but essential? Today, I'm sitting down with Ross Douthat, New York Times columnist and one of our most nuanced cultural thinkers, to explore a radical proposition: Why everyone should be religious in an age of growing skepticism. We're going beyond the debates of belief versus non-belief. This conversation dives into the mysteries at the heart of human experience - from quantum physics that suggests the universe might be more intentional than we thought, to near-death experiences that challenge everything we understand about consciousness. Douthat brings a provocative, intellectually rigorous perspective that defies easy categorization. We'll explore how ancient spiritual wisdom might hold profound answers for our hyper-individualized, technology-driven world. How can religious thinking help us navigate complexity, find meaning, and reconnect with something larger than ourselves? Expect surprises. We'll uncover scientific discoveries that point toward design, discuss supernatural experiences that defy materialist explanations, and wrestle with life's deepest questions. Whether you're a committed believer, a curious skeptic, or someone feeling spiritually lost, this episode promises to expand your understanding and offer a message of hope. We're not just talking about belief - we're reimagining what it means to be human in a mysterious universe. Ross Douthat is a columnist for The New York Times op-ed page. He is the author of Believe, The Deep Places, The Decadent Society, To Change The Church, Privilege, and Grand New Party. Before joining the Times he was a senior editor for The Atlantic. He is the film critic for National Review, and he has appeared regularly on television, including Charlie Rose, PBS Newshour, and Real Time with Bill Maher.Ross' Book:BelieveRoss' Recommendation:SeveranceSubscribe to Our Substack: Shifting CultureConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link belowEmail jjohnson@allnations.us, so we can get your creative project off the ground! Support the show
Join Klaudia and Ollie as they blast through Supernatural S5E13: "The Song Remains the Same" and S5E14: "My Bloody Valentine." Points of Interest: Yet ANOTHER Destiel canonization, the last great American queerbait, mobilizing Destiel shippers to improve children's literacy, the most unemployed employment announcement, Oscar buzz for the Supernatural spin-off movie, platonic Enochian wards, the Winchesters are Castiel's pookies, masc lesbian Sam Winchester's crash out, an AIngel, Misha Collins is literally eating, and welcoming you to Team Free Will.---Listen to the Sold a Story podcastCheck out Fight For the Future's frontline organizations list---Resources for Palestine:BDS: Act Now Against These Companies Profiting From the Genocide of the Palestinian PeopleBDS: What you can do about Israel's escalated crimes across the occupied West BankDecolonize Palestine: A collection of resources for organizers and anyone who wants to learn more about Palestine.Follow BDS: Instagram / Bluesky / TikTok---Follow us @MysterySpotcast on Bluesky / TikTok / Instagram / Tumblr---Contact us:- send us a question to our Tumblr ask box or email us at themysteryspotcast@gmail.com- submit your favorite Destiel fic for us to read
The Truth in This Art shares the stories that matter, often with more than one new episode a week. Hosted by Baltimore-based Rob Lee, each episode features in-depth conversations with artists, cultural leaders, and community builders. While rooted in Baltimore, we explore stories with national and international impact. You'll hear the personal stories behind their art, discover their fresh perspectives, and see how their work connects us all. ★ Support this podcast ★
Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature. In this episode, we discuss Mani's 2022 publication, The Idea of Indian Literature: Gender, Genre, and Comparative Method, which won the MLA Aldo and Jeanne Scaglione Prize for South Asian Studies, received the ACLA René Wellek Prize Honourable Mention for best overall book in comparative literature, and was shortlisted for the MSA First Book Prize. In The Idea of Indian Literature : Gender, Genre, and Comparative Method, Mani examines the paradox that a single canon, here being Indian literature, could be written in multiple languages. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. The homogenising term ‘Indian Literature' is re-visited via an in-depth historical and literary investigation of multilingualism in pre- and post-Independent India. Dr. Preetha Mani is an Associate Professor of South Asian Literatures at Rutgers University, where she specialises in modern Hindi, Tamil, and Indian literatures. Her research interests include translation studies, feminist and postcolonial theory, and world literature. At Rutgers, Preetha is an active member of the South Asian Studies Program and Critical Translation Studies Initiative, and serves on the executive committees of the Centre for Cultural Analysis and the Institute for Research on Women. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature. In this episode, we discuss Mani's 2022 publication, The Idea of Indian Literature: Gender, Genre, and Comparative Method, which won the MLA Aldo and Jeanne Scaglione Prize for South Asian Studies, received the ACLA René Wellek Prize Honourable Mention for best overall book in comparative literature, and was shortlisted for the MSA First Book Prize. In The Idea of Indian Literature : Gender, Genre, and Comparative Method, Mani examines the paradox that a single canon, here being Indian literature, could be written in multiple languages. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. The homogenising term ‘Indian Literature' is re-visited via an in-depth historical and literary investigation of multilingualism in pre- and post-Independent India. Dr. Preetha Mani is an Associate Professor of South Asian Literatures at Rutgers University, where she specialises in modern Hindi, Tamil, and Indian literatures. Her research interests include translation studies, feminist and postcolonial theory, and world literature. At Rutgers, Preetha is an active member of the South Asian Studies Program and Critical Translation Studies Initiative, and serves on the executive committees of the Centre for Cultural Analysis and the Institute for Research on Women. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature. In this episode, we discuss Mani's 2022 publication, The Idea of Indian Literature: Gender, Genre, and Comparative Method, which won the MLA Aldo and Jeanne Scaglione Prize for South Asian Studies, received the ACLA René Wellek Prize Honourable Mention for best overall book in comparative literature, and was shortlisted for the MSA First Book Prize. In The Idea of Indian Literature : Gender, Genre, and Comparative Method, Mani examines the paradox that a single canon, here being Indian literature, could be written in multiple languages. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. The homogenising term ‘Indian Literature' is re-visited via an in-depth historical and literary investigation of multilingualism in pre- and post-Independent India. Dr. Preetha Mani is an Associate Professor of South Asian Literatures at Rutgers University, where she specialises in modern Hindi, Tamil, and Indian literatures. Her research interests include translation studies, feminist and postcolonial theory, and world literature. At Rutgers, Preetha is an active member of the South Asian Studies Program and Critical Translation Studies Initiative, and serves on the executive committees of the Centre for Cultural Analysis and the Institute for Research on Women. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
This week, Loreena spoke with DJ, author, entrepreneur, and music industry expert Amani Roberts to talk about his latest book, Quiet Storm: A Historical & Cultural Analysis of the Power, Passion, and Pain of R&B Groups. For decades, R&B groups like The Temptations, Boyz II Men, TLC, and Destiny's Child ruled the charts—until the mid-2000s, when they suddenly disappeared. Amani breaks down the perfect storm of industry shifts that led to this decline, from the rise of hip-hop to changes in technology and the music business. We also dive into his journey as a DJ, educator, and the community he built on Twitch during the pandemic, his thoughts on where the genre is headed. Make sure to follow BLUE WILL on social media IG: @amaniexperience FB: @amaniexperience X: @amaniexperience Twitch: @amaniexperience Listen now on your favorite podcast platform! Available wherever you stream podcasts. Follow the host Loreena on social media IG: @total.rnb TikTok: @total.rnb
From your weather app's borders to the "ancient traditions" invented last century, nationalism shapes our world in ways so subtle we rarely notice them. Join us for an eye-opening exploration of how modern nations make their power invisible (yup, not looking at people waving flags at sports events...) — and learn practical ways to spot these patterns in your daily life.In this episode, we unpack:The shocking youth of nationalism (hint: it's younger than photography)How your routines reinforce national boundariesWhy museums turn ancient artefacts into "national treasures"The dark connection between everyday nationalism and fascismPractical tools to spot nationalist framing in daily lifeHow to appreciate culture without nationalist baggagePerfect for critical thinkers, activists, and anyone interested in understanding how invisible structures shape our world—and what to do about it.Key Resources:"Imagined Communities" by Benedict Anderson"Banal Nationalism" by Michael Billig_____________________________________________________________________READY FOR YOUR SCENIC ROUTE?Visit jenniferwalter.me — your cozy corner of the internet where recovering perfectionists come to breathe, dream, and embrace a softer way of living – while creating real change in their communities. Keep the conversation going: Instagram TikTok Threads DAILY DOSE OF CHILLTap into your inner wisdom and let it guide you.Need a gentle nudge in the right direction? The Scenic Route Affirmation Card Deck Deck is your online permission slip to trust your inner compass. Grab yours and let's see what wisdom awaits you today:
Incarcerated people work for penny wages, and, in several states, for nothing at all. Many of us outside of prisons rely on their labor in areas like repairing roads, fighting wildfires, or clearing debris after hurricanes. Prisoners manufacture products like office furniture, mattresses, license plates, dentures, glasses, traffic signs, garbage cans, athletic equipment, and uniforms. That's just a portion of the work that incarcerated workers make. On today's show, we talk to authors of a new book that explores these labor practices called Abolition Labor , which draws connections between the labor forced on prisoners who hustle to survive on the inside and our precarious economy on the outside. The book argues that, far from being quarantined from society, prisons and their forced work regime have a sizable impact on the economic and social lives of millions of American households. Our guests are two of the authors of that book, Andrew Ross and Tommaso Bardelli. Andrew Ross is a Professor of Social and Cultural Analysis at NYU, where he also directs the Prison Research Lab. Tommaso Bardelli is a Research Fellow at the NYU Prison Education Program Research Lab, where he conducts research on mass incarceration, financial debt, and their intersections. — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Prison Labor and the Fight to End It w/ Andrew Ross & Tommaso Bardelli appeared first on KPFA.
Scott and Shawn dig into the facts about Old Testament slavery laws and share principles for responding to difficult faith challenges in order to answer the question, “does the Bible condone slavery?”
Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models. Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today's urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city's many moving parts, from spinning hard drives to bridge repairs. Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design. Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models. Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today's urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city's many moving parts, from spinning hard drives to bridge repairs. Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design. Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture
Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models. Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today's urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city's many moving parts, from spinning hard drives to bridge repairs. Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design. Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models. Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today's urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city's many moving parts, from spinning hard drives to bridge repairs. Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design. Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models. Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today's urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city's many moving parts, from spinning hard drives to bridge repairs. Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design. Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models. Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today's urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city's many moving parts, from spinning hard drives to bridge repairs. Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design. Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this conversation, Bill and Chris discuss their holiday greetings, personal updates, and delve into the reviews of two films: 'The First Omen' and 'Blink Twice.' They explore Zoe Kravitz's directorial debut, the character dynamics, and the unfolding plot that leads to dark revelations about power and control on a private island. The discussion highlights the themes of struggle, the allure of fame, and the disturbing realities behind seemingly glamorous lives. In this conversation, Chris and Bill delve into the complexities of film critique, exploring themes of rationality, power dynamics, and cultural commentary. They discuss the impact of storytelling in cinema, particularly in relation to social issues and character development. The dialogue shifts to a critique of specific films, including a discussion on the Omen franchise, highlighting the nuances of directorial choices and the effectiveness of narrative structures. The conversation culminates in a reflection on the balance between entertainment and meaningful commentary in film. In this conversation, Chris and Bill delve into the themes of the latest Omen film, discussing the duality of the church, the disturbing nature of Antichrist creation, and their recommendations for the film. They transition into a review of Tremors 3, highlighting the film's charm and character development, or lack thereof, and ultimately grading both films.
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production. Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne. Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production. Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne. Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production. Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne. Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production. Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne. Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production. Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne. Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production. Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne. Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
The Last Best Hope?: Understanding America from the Outside In
In this special episode of The Last Best Hope, we bring you a recording of a live event at the Rothermere American Institute in Oxford on Thursday, November 7. Adam Smith and guests discussed why the election turned out the way it did. The panellists are:Jason Casellas ABC News election decision desk. Jason Casellas is an Associate Professor of Political Science at the University of Houston. He is an expert in Latino politics and has published widely on state and local politics.Clare Malone New Yorker staff writer. Clare Malone reports on politics, media, and journalism for the New Yorker. She previously covered both the 2016 and 2020 Presidential campaigns as a senior political writer for FiveThirtyEight.Mike Murphy Republican political strategist and media consultant. Mike Murphy has worked on the presidential campaigns of George H.W. Bush and John McCain. He also co-hosts the popular politics podcast Hacks on Tap with David Axelrod.Kimberley Johnson John G. Winant Visiting Professor of American Government. Kimberley Johnson is a Professor of Social and Cultural Analysis at New York University and an expert on racial and ethnic, and suburban and urban politics. Hosted on Acast. See acast.com/privacy for more information.
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant's foreskin without their consent is mutilation. Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don't know about this seemingly small piece of skin. Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo's David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
This week, Ione and Gina from The Polyester Podcast join us to discuss Venn Diagram enthusiast Kamala Harris, whether she's brat, Charli XCX's endorsement tweet, and whether ‘intersectionality' has disappeared from our collective consciousness. Respectfully Disagree is The Swaddle Team's very own podcast series, in which we get together to discuss and dissect the issues we passionately differ on. Credits:- Featuring: Ione and Gina from The Polyester Podcast Co-Producers: Vasudhaa Narayanan, Rohitha Naraharisetty Edit & Sound Design: Vibhav Saraf Cover Art: Neha Tewari Art Director: Neha Shekhawat Executive Producer: Karla Bookman
Stefaan Verhulst and Andrew Schroeder speak with Brent Phillips, Humanitarian AI Today podcast producer, about Meta's Lama Impact Grants program supporting applications of artificial intelligence for social good and a recent workshop that Meta organized for their 2024 Lama Impact Grant finalists. Stefaan, Andrew and Brent also discuss collective intelligence, large language models, data accessibility and making data AI ready, data collection and standardization initiatives geared for humanitarian actors, the impact of AI on humanitarian operations, localization, and how humanitarian actors can collaborate around advancing humanitarian AI. Dr. Stefaan G. Verhulst is an expert in using data and technology for social impact. He is the Co-Founder of several research organizations including the Governance Laboratory (GovLab) at New York University and The DataTank base in Brussels. He focuses on using advances in science and technology, including data and artificial intelligence, to improve decision-making and problem-solving. He is also the Editor-in-Chief of the open-access journal Data & Policy and has served as a member of several expert groups on data and technology, including the High-Level Expert Group to the European Commission on Business-to-Government Data Sharing and the Expert Group to Eurostat on using Private Sector data for Official Statistics. Dr. Verhulst has been recognized as one of the 10 Most Influential Academics in Digital Government globally. He has published extensively on these topics, including several books, and has been invited to speak at international conferences, including TED and the UN World Data Forum. He is asked regularly to provide counsel on data stewardship to a variety of public and private organizations. Dr. Andrew Schroeder is the Vice President of Research and Analysis for Direct Relief. He leads Direct Relief's work in data science, GIS, and humanitarian innovation. He has worked in a consulting and advisory capacity for the World Bank, United Nations Development Program (UNDP) and World Food Programme (WFP), as well as being a member of the health data experts committee for Meta (formerly Facebook). Dr. Schroeder is the co-founder, along with colleagues at Harvard TH Chan School of Public Health and Harvard Medical School, of CrisisReady, a research and response platform for translating private data into public good for disasters and health emergencies. He is also the co-founder and former Board President of the global nonprofit WeRobotics.org, which builds local capacity in robotics applications for humanitarian aid, development, and global health in nearly 40 countries around the world. Andrew earned his Ph.D. in Social and Cultural Analysis from New York University and his Masters of Public Policy (MPP) and certification in Science, Technology and Public Policy (STPP) from the Gerald R. Ford School of Public Policy at the University of Michigan.
This is an effort of love and volunteerism. No paywalls or super chats etc. Please consider liking and subscribing on YouTube as it boosts visibility. If you'd like to support then donate to the "buy me a book" link below. All links: https://linktr.ee/TheRightPodcast Elia Ayoub (he/him) is a writer, researcher and the founder of The Fire These Times podcast and co-founder of From the Periphery Media collective. He holds a PhD in Cultural Analysis from the University of Zurich, is an Affiliate Fellow of the Post Growth Institute and is a Project Manager at Shado Mag. He has written for publications such as 972Mag, Al Jazeera, Commons (Ukraine), Al Jumhuriya (Syria), Newlines, L'Orient Le Jour, Crimethinc and Lausan. He blogs at iwritestuff.blog and can be sometimes found on Instagram, Mastodon and Bluesky. Just a few examples of Elia's work and interviews: The Fire These Times: https://thefirethesetimes.com/ +972 Magazine: https://www.972mag.com/writer/elia-ayoub/ Al Jazeera: https://www.aljazeera.com/author/elia_ayoub Commons: https://commons.com.ua/en/elia-dzh-ayub-interview/ Al Jumhuriya: https://aljumhuriya.net/en/2022/03/04/ukraine-in-syria-syria-in-ukraine/ Newslines: https://newlinesmag.com/writers/joey-ayoub/ L'Orient Le Jour: https://www.lorientlejour.com/author/8629-joey-ayoub Crimethinc: https://crimethinc.com/2020/02/24/lebanon-the-revolution-four-months-in-an-interview Lausan: https://lausancollective.com/2021/periphery-has-no-time-for-binaries/ iwritestuff.blog: https://iwritestuff.blog/ Social Media Instagram: eliajayoub Bluesky: @ayoub.bsky.social Mastodon: @ayoub@spore.social
------------------Support the channel------------ Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ------------------Follow me on--------------------- Website: https://www.thedissenter.net/ Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://twitter.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Ann Pellegrini is Professor of Performance Studies & Social and Cultural Analysis at New York University, and a psychoanalyst in private practice in New York City. Their previous books include Performance Anxieties: Staging Psychoanalysis, Staging Race (Routledge, 1997) and the 2014 Lambda Finalist in Best LGBT Non-Fiction “You Can Tell Just by Looking” and 20 Other Myths About LGBT Life and People, coauthored with Michael Bronski and Michael Amico (Beacon Press, 2013). Dr. Avgi Saketopoulou is a psychoanalyst in private practice in NYC and a member of the faculty at the NYU Postdoctoral Program in Psychotherapy and Psychoanalysis. They are both authors of Gender Without Identity. In this episode, we focus on Gender Without Identity. We start by talking about the history behind the book, and how psychoanalysis usually approaches LGBTQ+ people. We discuss the importance of history and social context, and we get into Drs. Pellegrini and Saketopoulou's approach to gender identity. We discuss the issues with “born this way” arguments. We also talk about trauma from a psychoanalytic perspective, gender dysphoria, and how people deal with trauma. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, HANS FREDRIK SUNDE, BERNARDO SEIXAS, OLAF ALEX, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, DAN DEMETRIOU, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ANTON ERIKSSON, CHARLES MOREY, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, IGOR N, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, NIKLAS CARLSSON, GEORGE CHORIATIS, VALENTIN STEINMANN, PER KRAULIS, KATE VON GOELER, ALEXANDER HUBBARD, BR, MASOUD ALIMOHAMMADI, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, ERIK ENGMAN, LUCY, YHONATAN SHEMESH, MANVIR SINGH, AND PETRA WEIMANN! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, AL NICK ORTIZ, NICK GOLDEN, AND CHRISTINE GLASS! AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, BOGDAN KANIVETS, ROSEY, AND GREGORY HASTINGS!
For NSP 56, we spoke with Elia J. Ayoub about Israel's war on Gaza, authoritarian leftists, solarpunk, post-growth, and more! Elia has a background in human rights advocacy, journalism, writing, and podcasting. He is the founder of The Fire These Times, a multimedia project working to uplift internationalist dialogues on human rights, climate change, and visions of bold futures. He holds a PhD in Cultural Analysis from the University of Zurich and he is currently based in Geneva. Chapters: 00:00:00 Introduction 00:09:29 Authoritarian Leftists 00:20:10 The Multipolar World 00:24:45 War on Palestine 00:45:45 Taking Authoritarianism Seriously 00:54:07 Anarchists in Electoral Politics 00:58:23 Violence 01:04:45 Intersectionality and Understanding 01:11:10 Solarpunk 01:20:17 Post-Growth 01:26:31 Anti-Capitalist Futures 01:33:16 Cappuccino 01:37:03 Outro Links: https://thefirethesetimes.com https://iwritestuff.blog https://spore.social/@ayoub https://bsky.app/profile/ayoub.bsky.social https://threads.net/@eliajayoub https://x.com/EliaJAyoub Thanks for listening! Please like, comment, subscribe, and share! --- If you'd like to see more anarchist and anti-authoritarian interviews, please consider supporting this project financially by becoming a patron at www.patreon.com/nonserviammedia Follow Non Serviam Media Collective on: Mastodon kolektiva.social/@nonserviammedia Bluesky bsky.app/profile/nonserviammedia.bsky.social As well as Facebook, Instagram, Threads, and X/Twitter. Connect with Lucy Steigerwald via: mastodon.social/@LucyStag bsky.app/profile/lucystag.bsky.social x.com/LucyStag lucysteigerwald.substack.com
Since October the 7th we have seen an eruption of support for Palestinian liberation. On university campuses we find both the tremendous growth of activism for Palestine, and repressive and punitive measures that seek to discourage and curtail these activities. One of the most important tasks for activists is to organize broad networks of support. Today we speak with two people who have helped organize a network called National Faculty for Justice in Palestine, which now has close to 100 chapters in the US. Our conversation ranges from the genesis of this group and its goals, to an appreciation of how activism is now crossing boundaries that had formerly separated people in terms of status, rank, and discipline, and created new kinds of communities and energies that are broadly life-affirming and for the liberation of all.Andrew Ross is a social activist and Professor of Social and Cultural Analysis at NYU. A contributor to the Guardian, the New York Times, The Nation, Artforum, Jacobin, the London Review of Books, and Al Jazeera, he is the author or editor of 25 books and more than 250 articles on a wide variety of topics including labor and work, urbanism, politics, technology, environmental justice, alternative economics, music, film, TV, art, architecture, and poetry. Politically active in many movement fields, he's the co-founder of several groups: Gulf Labor Artist Coalition, Global Ultra Luxury Faction, Coalition for Fair Labor, Occupy Student Debt Campaign, and is an organizer with others, including the American Association of University Professors and the US Campaign for the Academic and Cultural Boycott of Israel. His books include Cars and Jails: Freedom Dreams, Debt, Incarceration; Sunbelt Blues: the Failure of American Housing; Stone Men: the Palestinians who Built Israel, and others.Sherene Seikaly is Associate Professor of History at the University of California, Santa Barbara. She is a historian of capitalism, consumption, and development in the modern Middle East. Her book, Men of Capital: Scarcity and Economy in Mandate Palestine (Stanford University Press, 2016) examines British-ruled Palestine in the 1930s and 1940s through a focus on economy. In a departure from the expected histories of Palestine, this book illuminates dynamic class constructions that aimed to shape a pan-Arab utopia in terms of free trade, profit accumulation, and private property. And in so doing, it positions Palestine and Palestinians in the larger world of Arab thought and social life, moving attention away from the limiting debates of Zionist–Palestinian conflict. Her current book project follows the trajectory of a peripatetic medical doctor, her great grandfather, to place Palestine in a global history of race, capital, slavery, and dispossession. Sherene Seiklay is an editorial board member of the American Historical Review, co-editor of the Stanford Studies Middle Eastern and Islamic Societies and Cultures Series, co-editor of Journal of Palestine Studies, and co-editor of Jadaliyya.
Vulnerable narratives of fatherhood are few and far between; rarer still is an ethnography that delves into the practical and emotional realities of intensive caregiving. Grounded in the intimate everyday lives of men caring for children with major physical and intellectual disabilities, Worlds of Care: The Emotional Lives of Fathers Caring for Children with Disabilities (U California Press, 2021) undertakes an exploration of how men shape their identities in the context of caregiving. Anthropologist Aaron J. Jackson fuses ethnographic research and creative nonfiction to offer an evocative account of what is required for men to create habitable worlds and find some kind of “normal” when their circumstances are anything but. Combining stories from his fieldwork in North America with reflections on his own experience caring for his severely disabled son, Jackson argues that care has the potential to transform our understanding of who we are and how we relate to others. Aaron J. Jackson is a Lecturer in Anthropology at Victoria University. His research focuses on fatherhood, care, and disability. Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Rabbi Pinchas Taylor, Director of The American Faith Coalition joins the show to discuss the Jewish perspective on the devil and demons in the old testament.
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