Podcast appearances and mentions of william wittman

In this edition, Julian and Ashea are joined by Grammy winning producer/engineer and extremely tired touring musician William Wittman and  engineer/producer & indie label owner Steve DeMott, where they discuss the latest things they love and perhaps don't love so much in audio right now.

In this edition Julian is joined by William Wittman & Steve DeMott, where they discuss transparency vs colour.Talking Points:Coloured Vs Transparent gear,(mics, etc)  when, why and how do you use it?Arguments for and against.Gear recommendations.Recommended by Steve: Q2 AudioFinds of the week:Julian: New IEMsWilliam: youtube channel : Sorted Food  Steve: Netflix DocuSeries - Rise of Empires: Ottoman 

Producer and Engineer William Wittman was one of our early guests in 2017 with a two parter, Episodes #15 and #16, where he discussed making seminal records with Cindy Lauper, Joan Osborne, and The Outfield, his time coming up through NYC recording studios, and his work/prank relationship with our very own John Agnello. In this episode, I catch up with Bill about making records with his band Too Much Joy, drum mic techniques, the things we like about in the box mixing, and working at the famed Van Gelder studio in Englewood, NJ.

In this week's edition Julian & Ashea are joined by William Wittman, where they discuss the things they loved in October.Talking Points:Supertone- Clear Voice Separator (Goyo)Gik Acoustic- SlatFusor 4SHarrison Audio Mixing ConsoleLandr Mastering Plugin,*Presonus- Open Source DAW CollaborationMaag Audio Pre Q2Finds Of The Week:Julian - New Macbook ProAshea- New Super Atomic Material William - Eventide MicroPitch Immersive 

In this week's edition Julian is joined by Ashea and William Wittman, where they  discuss the hottest new releases for August.Talking Points: Avid Pro Tools SketchFocusrite Scarlett 4th Gen InterfaceSonnox VocSTL Tones Control HubUJAM UFX ReverbAllen & Heath CQ Series MixersFinds of the week:Julian - Audio Plugin UninstallerAshea- Acon Digital Remix Real-Time AI Stem Separation Plugin William- TONEX Pedal 

In this week's Podcast Julian is joined by Ashea, Gareth Nuttall and William Wittman who discuss fixing in the mix. Can it be done successfully?Finds Of The Week:Julian - Space Lens in Clean My MacAshea- Avid Collab with Audio Movers or CHAPEAGareth - Hi Hat Bleed TrickWilliam- Dr. Tver Robert pedal by Aclam 

Can't have Too Much Joy in the studio? William talked about best practices for producing and recording vocals and guitars over the internet, mixing in Pro Tools like a console, Slate Raven, Stream Deck, Sound Flow, drums and his mix bus template. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is William Wittman, a Grammy Award-winning independent Producer/Engineer/Musician/Songwriter based in New York. He began his career as a musician and moved from there into work as a studio engineer and producer. He held the position of Chief Engineer at several major recording studios. As Producer and Engineer, his credits include the multi–platinum debuts from Cyndi Lauper, Joan Osborne, the Hooters, and The Outfield.  His success as an independent producer led to several years as an A&R Vice President and Staff Producer at two major record labels (Sony/Columbia and BMG/RCA). As a musician, he has appeared on nationally televised shows including The Late Show with David Letterman, the Rosie O'Donnell Show, CBS Late Late Show, Ellen Degeneres, the NBC Christmas Tree Lighting Special, and New Year's Eve in Times Square.  He has also played and sung with many of the artists he has recorded and is a member of alternative rock band Too Much Joy (Giant/Discovery/Sire Records). He now plays bass guitar in the Cyndi Lauper Band, recording and touring internationally, and also serves as the Musical Director. He is also a regular participant in the production expert website and podcast. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.solidstatelogic.com https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars use code ROCK10 to get 10% off any individual plugin https://jzmic.com use code ROCKSTAR to get 40% off the Vintage series mics https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% off https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/63fvu1Juph6WrDYMQUUH1H?si=76bea9c9ea9645ac If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/391

In this week's podcast Julian is joined by William Wittman who follows up his excellent article  The Great Balance Mix Off in which he tasked three experienced mixers to mix the same track using a restricted set of tools as would be found in the monitor section of a split console.William is joined by mixers John Agnello and JJ Blair who both participated in the challenge, hear their thoughts on the challenge.Finds Of The WeekBecause of the change in format for this week's podcast there are no finds of the week this week.

Effervescent record producer/podcaster John Agnello (Sonic Youth, Dream Syndicate, Dinosaur Jr., Drive-By Truckers) and Tony Award-winning actor/musician Michael Cerveris (The Gilded Age, Fun Home, Tommy) join us in the Feral Zone as we take a break from recording to chat. John has seen a lot since his start in 1979 as an intern at the famed Record Plant recording studios in NYC. We discuss John’s illustrious career as well as his work with Michael and the band on the next Loose Cattle record. Forced ping pong with Meat Loaf, Gene Simmons’ book of groupies, boudin balls…all that and more. Topics include Dockside Studio, a first single, Americana music, a traumatic memory, a magical experience, 10,000 hours, the bayou, isolation, Jay Gonzalez, mutual admiration, an analog mindset, creative solutions, a Redd Kross track, trusting the process, Mark Lanegan, picking takes, a subtle method, mentors, Jack Douglas, nightmare sessions, a legendary brother, going AWOL, being lucky, Cindy Lauper, William Wittman, Zebra, Randy Jackson, Jimmy Iovine, Louie Michot, the Red Rockers, moving faders, Shelley Yakus, forensic audio, Horsegirl, young bands, Wet Leg, Michael Imperioli, and much more. Intro music: "Trucker Takes A Wife" by Styler/Coman Break and Outro Music: "Antiversary" and "Eating Birthday Cake" rough mixes from the new Loose Cattle record in progress Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Shirts here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook Michael Cerveris Homepage Michael Cerveris Facebook Michael Cerveris Instagram John Agnello Homepage John Agnello Facebook Loose Cattle Homepage

In this week's podcast, following on from Russ' article 5 Things That Defined The Sound Of 80s Music Production Julian is joined by Steve DeMott and William Wittman to discuss the music, the studios and the gear of the 1980s.Finds Of The weekJulian - Presonus AIR10sSteve - Signal Art U47 Premium Reference Edition William - Lutron Caseta “Smart” switches

My guest today is Eric Bazilian, an original member of The Hooters, producer, and musician writing and recording with other artists liken Cyndi Lauper, Joan Osborne, The Scorpions, Ricky Martin, Jonatha Brooke, Leanne Rymes, and William Wittman to name just a few. Eric has been a guest on the podcast on episode RSR122 to talk about his start in music and writing the song “One Of Us” for Joane Osborne on his kitchen table. So please go check out that episode too. Also, make sure to catch his video series Under The Hood where Eric breaks down all his music and writing methods. Email in 2021 “...Being stuck in Stockholm with limited resources (a 2012 MacBook Pro, Apollo Twin, one Gefell mic, a couple of electric guitars, a mandola, a keyboard controller, and a short scale Gretsch bass that my son bought when was twelve) afforded me the time and motivation to make my first solo album in almost twenty years. Drums were cut by my drummer in Philadelphia (challenging considering his total lack of engineering experience, but I made it work), and by my other drummer in Slovenia (recorded by a producer/engineer genius in an amazing studio). I mixed it myself on a pair of Yamaha HS5s, with a lot of input from some legendary mixers (including our pal John Fields), mastered by my guy in Slovenia. A real quarantine pandemic musical fairy tale.  Thanks again to John Fields for making our original introduction. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com https://www.sonarworks.com https://apiaudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/3YSa93YNTWb4gCh6W3BKsk?si=3d5072a54d4b4b21 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/350

In this week's podcast Steve DeMott and William Wittman share their experience of conducting a converter shootout between four alternatives including a DSD unit. Find out how they conducted the test and what they found.Finds Of The WeekJulian - Freqport FT-1 FreqtubeSteve - Tomo Audiolabs LISA dynamic EQWilliam - KIT Plug Ins Mo-Q Equaliser

In this episode Steve DeMott hosts a discussion with Kevan Gallagher, William Wittman and Russ Hughes about songwriting.

In this episode Julian is joined by Russ and William Wittman to discuss the new products released in November 2021. 

In this episode Julian is joined by William Wittman and Steve DeMott for a discussion on songwriting. With free and unrestricted access to studios and more and more music being written directly into the timeline of a DAW, what do we gain and is anything lost?

My guest today is Geoff Daking who grew up playing in local bands before attending American University which he ultimately left to join the NY based Mercury artist Blues Magoos to play the drums in 1966 (I was born in 1967).  Between ‘66 and '69, they recorded four albums, two of which were platinum, and a top-five single, “We Ain't Got Nothin' Yet”. The peak of their career was in 1967 when they toured four months with Herman's Hermits and The Who (the Hermits were the headliners). During that time he became fascinated with recording and engineered some of the Magoos last albums. In the summer of 1969, Geoff went back to Woodstock where he played in bands with Tim Harden, Dave Sanborn, Paul Butterfield and Buzzy Feiton.  In 1970, Geoff became a staff engineer at Sound Ideas in NYC, then SoundMixers NYC, and later as an independent engineer. And In 1982. he opened his own studio, Nimbus Nine, which grew to four rooms, one API, one Neve, one Trident, and one ProTools. Since 1970, Geoff has designed and built more than 20 recording studios for music, film and commercial production. including the all analog “BIG Blue” in Katonah NY for the recording of Joan Osborne's premier album, “Relish” and Tuxedo Park for Cyndi Lauper's “Sisters of Avalon”. His most recent studio is the multi-million dollar music production facility in Saint Petersburg Florida, Big3 Entertainment. In 1993 Geoff started manufacturing his own line of audio equipment. The first product was a combination mic-pre/eq. This all-discrete Class “A” unit was based on the legendary Trident A Range circuits by Barry Porter. Next was the FET Compressor. In 2000, production began for full-size Class A recording consoles in frame sizes from 16 to 80 inputs.  Thanks so much to William Wittman for making our introduction! Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://JZmic.com Use coupon ROCKSTARS to get 20% off The Pop Filter Spectra1964 is having a bundle sale! Save $$ hundreds on the STX600 and the BBDI combo at https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off https://carltatzdesign.com/Mixroom-Mentor http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/5PXLDd26hGUK1OcW9Zb4ku?si=5c5a5ce0f99f4ffc If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/314

In this week's podcast, Julian is joined by by William Wittman and Damian Kearns to talk about DAWs in the broadest sense. Do they offer the tools we actually need?

My guest today is J.J. Blair a native Chicagoan, who came up playing in blues and reggae clubs as a teenager in his home town, before eventually moving to Los Angeles to begin his recording career.  Known for taste, musicality and proficiency in a broad range of musical styles, J.J. has also amassed a great collection of vintage mics, outboard gear and instruments, which he draws on to make outstanding recordings and productions.   He produced and mixed the Grammy winning record "Press On," by June Carter Cash, engineered on the Grammy winning and #1 Billboard Hot 100 record "Great American Song Book vol. 3," by Rod Stewart, as well as engineering on P. Diddy's #1 hit "All About the Benjamins."  J.J. has been a producer and engineer since 1994.  His clients, credits and list of musicians he's recorded include Jeff Beck, George Benson, The Black Eyed Peas, Body Count, Joe Bonamassa, Jon Brion, Johnny Cash, June Carter Cash, David Cassidy, Kelly Clarkson, Vinnie Colauita, Double Trouble, Peter Erskine, Melissa Etheridge, Jason Falkner, Josh Freese, Jim Keltner, Roger Manning, Keb Mo, Zigaboo Modeliste, Bernard Purdie, Smokey Robinson, The Pointer Sisters, Rod Stewart, Tommy Stinson, Marty Stuart, Weezer, Whiskeytown, and Edgar Winter to name just a few.​ J.J. works mainly from his personal recording studio, Fox Force Five Recorders.  Thanks so much to William Wittman for making our introduction! Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://JZmic.com Use coupon ROCKSTARS to get 20% off The Pop Filter https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off https://carltatzdesign.com/Mixroom-Mentor http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/46XgZXi7emlUPDtk2HXz25?si=adfed485a3384f5f If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/308

In this week's podcast, Julian is joined by Dom Morley and and William Wittman (and William's cat, who can be heard in places, very insistently wanting to join us from the other side of a closed door) to discuss EQ strategies when mixing, specifically the increasingly mainstream “EQ Carving technique”. Is it useful or is it somehow missing the point?

In this week’s podcast, Julian is joined by William Wittman and Mike Exeter to discuss whether or not the attention paid to mastering might be better spent by engaging the services of a mix engineer?

In this week’s podcast Mike Thornton is joined by William Wittman and Audrey Martinovich to discuss approaches to recording groups of musicians in the studio. From technical matters like headphone mixes and mic strategies to the all important people skills we share the approaches and opinions of two working engineers.

In this week’s Podcast Mike Thornton, William Wittman and Julian Rodgers consider the emergence of Artificial Intelligence in Plugins. Can AI ever really make contextually appropriate mix decisions and if it can does that help or threaten mix engineers?

In this week’s Podcast Russ Hughes, William Wittman and Chris Vandeviver discuss plugin choice and to what extent peer pressure, Fear Of Missing Out and endorsements influence our choices. It’s tempting to say that the only thing which matters is the sound but can any of us honestly say our choices aren’t influenced by anything else? - Really?

The loss of the Outfield's Tony Lewis recently really stings. The Outfield were a consistently excellent band that deserved more and Tony's incredible voice paired with the late John Spink's songwriting was a match made in heaven. To honor Tony we bring back former guest producer William Wittman (ep 215) who did their first two, and biggest, albums, Play Deep and Bangin'. And go back and listen to our interview with Tony himself (ep 164). He's the best. 

In this week’s Podcast Julian Rodgers, Sara Carter and William Wittman talk about the role of the engineer and whether one of the most important skills we should develop is learning when to stop?

With pretty much every part of recording Studios having moved “In the Box” as software, in a new, shorter format podcast Julian Rodgers, Audrey Martinovich and William Wittman discuss what they think is best kept out of the box.

Mike Thornton, Audrey Martinovich and William Wittman talk about experimentation in the studio. With so much production happening in private studios where the clock isn’t being watched in the same way as it is in a commercial setting, is there more justification for a more open ended approach to recording. Does time pressure keep focus or stifle creativity?

Grammy-winning producer/engineer/musician/songwriter William Wittman, whose long list of credits includes hit albums from the Hooters, Cyndi Lauper, Scandal, The Outfield and Joan Osborne, shares behind-the-scenes stories from a lifetime in the music business.

In this week’s podcast Russ and Sara are joined by William Wittman. They discuss mixing, specifically the mistakes they keep seeing, or making. Over-compression? Monitoring too loud? Not using a reference? Confusing louder with better? There are so many pitfalls, which do they single out as their personal bugbear?

Join us each Thursday at 4PM EDT Live on the Eventide Facebook Page for a special live stream episode! Tune in, ask questions & hang out with us in the comments as we chat with a bunch of our industry friends, both old & new! This Thursday, April 16 we talk with William Wittman, along Rob Hyman & Eric Bazilian of The Hooters

Red Rockers were all set to be the "American Clash." They may have started as the go-to punk band in their native New Orleans, but when they wrote the 1983 hit "China" for their second album, not only did their style change, but MTV played them incessantly, recognition soon followed, and original fans screamed "sell outs!" Unfortunately, the switch to a more commercial sound only led to moderate commercial success. Other than the still beautiful "China" they never quite got off the ground. When it ended, bassist Darren Hill didn't really find success again until he began playing with, and then managing, Paul Westerberg. From there, his roster of clients grew to include luminaries like the Mighty Mighty Bosstones, New York Dolls, Dropkick Murphys, and the late Roky Erickson. Darren tells fascinating stories about all of these great people like what makes Paul tick, why was Roky special, working with former guest William Wittman on Red Rockers' final album Schizophrenic Circus (and why it has one of the worst covers ever), and the pop culture store he runs in Providence, RI. So many great stories here and you know we just scratched the surface. Enjoy!    http://www.emporiumofpopularculture.com/

William Wittman is another producer/engineer/mixer whose name may not sound familiar, but who no doubt has worked on scores of songs you know and love. His first major work was on Cyndi Lauper's monumental She's So Unusual. Included on those sessions were the guys from The Hooters, which lead to WW doing their breakthrough Nervous Night. The same team went on to help craft Joan Osborne's smash Relish. From there, the hits just kept coming with albums by The Outfield, The Fixx and Scandal. He's also worked artists like the A's, Graham Parker  Mick Jagger and Pat Benatar. In the 90s he played in his own band Too Much Joy, which also paved the way for him to continue as a professional musician. Today you can find him slapping the bass in Cyndi's band as well as serving as her musical director.  And finally, a young William once passed up an opportunity to hobnob with rock's ultimate royalty because he was so dedicated to finishing a job, well...that and...he really had to pee.

William Wittman is a Grammy winning producer, engineer, musician and songwriter who’s credits include Cyndi Lauper’s 6x platinum She’s So Unusual, Joan Osborne’s 3x platinum Relish, and the Outfield’s 2x platinum Play Deep among others. He’s also twisted the knobs on hits for Pat Benatar, Mick Jagger, The Fixx, and many more. He's currently on tour with Cyndi Lauper as her bassist and musical director. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

During the AES convention, Gear Club was honored to have some of the industry’s leading provocateurs. While we were talking to pal Geoff Daking, our party got crashed by William Wittman, Steve Rosenthal, Rod O’Brien, Greg Calbi and Joe Warda.

We talked about hearing the Beatles for the first time, why the sound of Pyromania in the 80s was influenced by FM radio compression, and the making of Cyndi Lauper’s “Girls Just Wanna Have Fun”. My guest today is William Wittman, a musician, multi–platinum engineer, and producer for artists like Cyndi Lauper, Joan Osborne, the Hooters, and The Outfield. He has held the chief engineer position at several major recording studios which also led to several years as an A&R VP and Staff Producer at two major record labels (Sony/Columbia and BMG/RCA). He was also a member of the alternative rock band Too Much Joy. Today, he plays bass guitar in the band of Cyndi Lauper, both in her studio recordings as well as on her international tours. Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Watch William’s videos on Youtube: https://www.youtube.com/watch?v=g5zUgkCSjAE&list=PLbJhbD1bWQszXVUOTdAo7PSpxpIWJLLWl If you love the podcast then please Leave a review on iTunes here And if you want to learn more about mixing you can get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/126

Get the real story about recording “Girls Just Wanna Have Fun” with Cyndi Lauper, and other great studio stories, and recording tips! My guest today is Eric Bazilian, Founder of The Hooters, and part of the band on Cyndi Lauper’s “She’s So Unusual”, as well as Joan Osborne’s “Relish”, for which Bazilian wrote the Grammy-nominated “One Of Us’ one night in his dining room. He then went on to write for and produce artists as varied as Busted, The Scorpions, Ricky Martin, Robbie Williams, Amanda Marshall, Jonatha Brooke, Billie Meyers, Leanne Rymes, and many more he can’t remember at the moment. His proudest moment as a producer in recent history is the album he produced with William Wittman for Dave Hause, “Bury Me In Philly”. Thanks to our sponsors: Chris Graham Mastering: http://RSRockstars.com/FreeMasteringSample Roswell Pro Audio: https://RoswellProAudio.com Listen to Eric Bazilian's records on Youtube: https://www.youtube.com/watch?v=jenWdylTtzs&list=PLbJhbD1bWQszGMrEwVcfIhFQrHQv8NFco If you love the podcast then please Leave a review on iTunes here And if you want to learn more about mixing you can get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/122

This week we conclude our interview with William Wittman — a Grammy Award winning independent Producer/Engineer/Musician/Songwriter whose credits include Cyndi Lauper, Joan Osborne, the Hooters, and The Outfield.

  This week, we're back in New York City with William Wittman — a Grammy Award winning independent Producer & Engineer whose credits include the multi–platinum debuts from Cyndi Lauper, Joan Osborne, the Hooters, and The Outfield. As a musician, he has appeared on nationally televised shows including The Late Show with David Letterman, the Rosie O’Donnell Show, CBS Late Late Show, Ellen Degeneres, the NBC Christmas Tree Lighting Special, and New Year’s Eve in Times Square. William has also played and sang with many of the artists he has recorded and was a member of alternative rock band Too Much Joy (Giant/Discovery/Sire Records). He now plays bass guitar in the Cyndi Lauper Band, recording and touring internationally while also working as the Musical Director.