Podcast appearances and mentions of Paul Westerberg

While not the most coveted 'Mats LP - Hootenanny is the one that got them out of the icy Jesse Ventura-ness of their beloved Minnesota - and on the road to alt-rock knighthood. This is where Paul Westerberg began to fully embrace the joys of socially ergonomic songwriting...sometimes.

Hello friends! Ram Vela from Austin-based, power-pop band, Ram Vela & The Easy Targets is my guest for episode 1482! Their new single, "Westerberg" an ode to Replacements' singer, Paul Westerberg, is available now on 7" vinyl and streaming. Find them their music, socials, and more on their Linktree. Ram and I have a great conversation about growing up in the Rio Grande Valley, discovering rock and roll, finding his way to Austin in 2001, his old band Whitman, starting The Easy Targets in 2018, getting Stella Maxwell (Stella & The Very Messed, Cruiserweight) to sing back-up on "Westerberg" after being a fan for over 20 years, recording with producer Matt Parmenter at Ice Cream Factory Studios, and much more. I had a great time getting to know Ram. I'm sure you will too. Let's get down!   Follow us on Instagram, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie  

This week on RITY... The mini theme is Celestial Navigation... Plus, from "Seven League Boots" to "Southern Cross": The story behind the final Top 20 hit for Crosby, Stills & Nash... Music from a band that shares their name with the Irish-American gangster, Jack "Legs" Diamond... Deep cuts from Blodwyn Pig, Robert Fripp, Zebra, Rodriguez, Sharon Jones, Paul Westerberg, Gordon Lightfoot, and more! For info on the show, visit reelinwithryan.com

Matty Grace is this weeks guest to talk all about her debut solo album Cheap Shame (out now on Dirt Cult Records) and more!MATTY GRACEhttps://mattygrace.bandcamp.comhttps://www.instagram.com/mattydisgracehttps://linktr.ee/mattydisgracePCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Sintonía: "Jazzding" - Ray Collins´ HOT-CLUB"Who Was In My Room Last Night?" - Butthole Surfers; "Dyslexic Heart" - Paul Westerberg; "Einstein On The Beach (For An Eggman)" - Counting Crows; "Open Every Window" - The Posies; "Come Around" - Daryll-Ann; "Dropout" - Urge Overkill; "State Of Love And Trust" - Pearl Jam; "For All To See" - Buffalo Tom; "Waiting For Somebody" - Paul Westerberg; "Nearly Lost You" - Screaming Trees; "Stove/Smother" - Sloan; "Drown" - Smashing Pumpkins; "May This Be Love" - Jimi HendrixEscuchar audio

Before January wraps, let's celebrate that 39 years ago this month on January 18, 1986, the Replacements got banned for life from SNL. In the middle of playing "Bastards of Young" on live TV, singer Paul Westerberg yelled to guitarist Bob Stinson, "Come on, F*cker!" during this guitar solo. In a combo platter of VIDEO and audio featuring one of our favorite guests, Tommy Stinson tells the story of yet another rowdy New York incident when the band played at the legendary CBGB. When the God of Thunder, Gene Simmons from KISS, walked in the Replacements decided that being on their worst behavior was exactly what the occasion called for. WATCH HERE: https://youtube.com/shorts/FbcKOyA7mAA Tommy's on tour! In this episode, the Minneapolis kid who grew up playing bass in one of rock 'n' roll's most notorious bands talks about wearing dresses while opening for Tom Petty; Rock in Rio with Guns N' Roses in front of 500,000 fans and not being able to hear a thing; and the weather-induced fear of encountering a TORDANO on the road. Get tickets for Tommy's 2025 solo shows: https://www.tommystinson.com --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective welcomes back DISTROKID as a sponsor in 2025. Musicians, Songwriters, Producers, DJs: You deserve VIP treatment. Get your original music into Spotify, Apple, TikTok, and all the major platforms...AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Jesperson has had an incredible career in music. Initially inspired by watching The Beatles on the Ed Sullivan Show in 1964, Peter took a job at legendary record store Oar Folkjokeopus in 1973 and became the primary DJ at Jay's Longhorn in 1977. He was a co-founder of Twin / Tone Records the following year. Along the way, Paul Westerberg dropped off the famous demo tape for The Replacements. Peter eventually became the manager for the 'Mats and spent time of the road with R.E.M. After overcoming some personal issues (he's now been 33 years sober!), Peter moved to LA and worked with New West Records and with artists like Vic Chestnutt, Jack Logan, The Flatlanders and many more. Most recently, he has written a fabulous new book, Euphoric Recall. We talked about his life and threw in some Chicago stories. Thanks for listening!Time Stamps:2:45: What was the impetus to write your book/how do you even start?4: What is the arc of putting your life's work to paper?9:15: When did you decide you wanted to make music your life?12: You got your start at Oar Folkjokeopus, that had to have helped, right?19:44: How did the founding on Twin/Tone Records come about?26: Are streaming services a good thing? Is the lower barrier of entry a good thing?31: Tell us about meeting Paul Westerberg41:45: When did you know The Replacements were going places?50: What is it like trying to manage The Replacements?53: What do you think separates Midwestern scenes versus more coastal cities?60: How did The Replacements find out about The Vertebrats?64: You've worked with some pretty successful bands, as they are on the way up, what is that ride like?70:45: Did the success of R.E.M. bother/impact Paul and The Replacements?82:45: Any thoughts on why Paul Westerberg wasn't more successful as a solo artist?87:30: Has anything surprised you about the reception to Euphoric Recall?95:40: Thick or thin crust pizza?96: Do you have a favorite venue in Chicago?96:20: What do you think makes Chicago a unique music scene/city?98: Any music that will make your end of the year best of list?101:38: What is your go to cheap drink?102:20: Anything you'd like to plug on the way on out of here?

Esta semana, en Islas de Robinson, despedimos el año con puro pop, del que ya no se hace, anclado en los primeros 90. Suenan: THE POSIES - "GOLDEN BLUNDERS" ("DEAR 23, 1990) / THE ELVIS BROTHERS - "STRANGELOVE" ("NOW DIG THIS", 1992) / JELLYFISH - "THAT IS WHY" ("BELLYBUTTON", 1990) / THE CAVEDOGS - "TAYTER COUNTRY" ("JOYRIDES FOR SHUT-INS", 1990) / MATERIAL ISSUE - "THERE WAS A FEW" ("INTERNATIONAL POP OVERTHROW", 1991) / ADAM SCHMITT - "GARDEN OF LOVE" ("WORLD SO BRIGHT", 1991) / RICHARD X. HEYMAN - "IN THE SCHEME OF THINGS" ("HEY MAN!", 1991) / THE ELVIS BROTHERS - "STRANGELOVE" ("NOW DIG THIS!", 1992) / E - "THE ONLY THING I CARE ABOUT" ("BROKEN TOY SHOP", 1993) / ERIK VOEKS - "LET GO NOW" ("SANDBOX", 1993) / ROB LAUFER - "THIS IS OUR LIFE" ("SWIMMING LESSON", 1993) / AIMEE MANN - "PUT ME ON TOP" ("WHATEVER", 1993) / DAVE RAVE GROUP - "WEIGHT OF THE WORLD" ("VALENTINO'S PIRATE", 1992) / PAUL WESTERBERG - "DICE BEHIND YOUR SHADES" ("14 SONGS", 1993)Escuchar audio

    In this episode of The Rich Redmond Show, Rich sits down with renowned drummer Josh Freese to discuss his prolific career.   Although this episode was recorded before Josh stepped into the Foo Fighters drum throne for the monumental task of replacing Taylor Hawkins, Josh and Rich cover some valuable ground!     The conversation delves into Josh's wide-ranging musical influences, from the iconic drumming of Stuart Copeland and John Bonham to his love for bands like Devo and The Replacements. He reflects on career highlights like recording with Michael Bublé and A Perfect Circle, and the spontaneous recording sessions he's had with artists like Paul Westerberg.   Rich and Josh also discuss the importance of networking, being a team player, and staying open to all opportunities in the music industry, even if they don't align perfectly with your preferred style. Josh shares insightful advice for aspiring musicians, emphasizing the value of consistent hard work and a positive attitude.   Throughout the conversation, Josh's unique fashion sense and his ongoing joke about PF Chang's also come up, providing lighthearted moments that showcase his personality.   This episode offers a fascinating glimpse into the life and career of one of the most in-demand drummers in the music industry today. *******SUBSCRIBE/RATE/REVIEW!!! www.richredmond.com/listen     The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com     Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com www.itsyourshow.co

It's been a long time coming and finally this week we deliver! It's another Shoulda Been Huge episode that has been promised since the show's first year. We had to go big with this one, so please welcome to the show, Mr. “Perfectly Rated” himself, BAKKO from the Cobras & Fire Podcast to discuss a classic punk & alternative band from his town: HÜSKER DÜ. Join us as we take you on their journey from hardcore punk to alternative rock. If you're new to this band open your mind and prepare for a zen-like experience! Like Bakko says, they Shoulda Been Huge!!!This episode is rooted in our Should Have Been category. This is a band that we mentioned before on the show and one that both hosts are very familiar with. We wanted to talk in-depth with another fellow podcaster who's a fan and intimately aware of the Twin City scene that came from, so enter Bakko! Do yourself a favor and check them out! We Hüsker, Dü Ü?Songs this week include:Hüsker Dü - “Everything Falls Apart” from Everything Falls Apart (1983)Hüsker Dü - “Pink Turns To Blue” from Zen Arcade (1984)Hüsker Dü - “New Day Rising” from New Day Rising (1985)Hüsker Dü - “Every Everything” from Flip Your Wig (1985)Hüsker Dü - “Hardly Getting Over It” from Candy Apple Grey (1986)Hüsker Dü - “Don't Want To Know If You Are Lonely” from Candy Apple Grey (1986)Hüsker Dü - “Ice Cold Ice” from Warehouse: Songs And Stories (1987)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

In this episode, Craig marks the 40th anniversary of The Replacements' iconic album Let It Be. He explores how the 1984 release broke new ground for alternative rock, blending punk energy with heartfelt introspection. Craig discusses the album's enduring influence, with tracks like "I Will Dare" and "Unsatisfied" showcasing the band's raw emotion and rebellious spirit. As he reflects on its lasting impact, Craig highlights how Let It Be remains a touchstone for both fans and musicians, cementing The Replacements' legacy as pioneers of the indie rock scene.Shawn shifts the focus to one of his favorite albums from the last 20 years, Bon Iver's For Emma, Forever Ago. He dives into the emotional depth and haunting beauty of Justin Vernon's debut, discussing how its sparse production and introspective lyrics created a sound that resonated with listeners on a deeply personal level. Shawn explores how For Emma helped redefine the indie folk genre, influencing a generation of artists with its raw vulnerability and atmospheric soundscapes.Together, Craig and Shawn explore the power of these two transformative albums—one celebrating a legacy and the other shaping a new era of music. Whether you're a fan of raw, heart-on-sleeve rock or intimate, soulful folk, this episode is a celebration of the timeless music that continues to inspire.

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. The movie “Singles” has a tremendous soundtrack, this week all of the songs are ones that were featured in the 1992 film. On today's episode, Andy Atherton is watching, “Dyslexic Heart” by Paul Westerberg from 1992. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=MVhBEtTSEcE

In 1984, The Replacements were gaining a reputation as fun live punk band, always delivering loud, raucous tunes with setlists full of covers and aggressive originals. They intentionally thwarted management's efforts to get them on bigger labels by sabotaging shows they knew record company reps would be attending. The Minneapolis quartet of Paul Westerberg on vocals, Bob Stinson on guitar, Tommy Stinson on bass and Chris Mars on drums carved out a loyal following and had begun to win over fans around the country thanks to opening for REM. But Westerberg's songwriting, especially his lyrics, were too strong to be for only those moshing around through a drunken haze. With Let It Be, the band explores more personal themes (Unsatisfied, Answering Machine, Androgynous) and captured more melody than they had previously. They still had plenty of straight ahead punk songs (We're Comin' Out, Tommy Got His Tonsils Out, Gary's Got A Boner) but also tried to empathize with those who might not understand the world around them and how to relate (Sixteen Blue). Westerberg's lyrics are personal and poignant and still resonate to this day. Plus, there's a KISS cover song on the album so what's not to like? We didn't find this record until later in life but if you're unfamiliar, I think you'll like a lot of what you hear as we delve into deep topics we don't always weigh in on thanks to this punk classic. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1984, The Replacements were gaining a reputation as fun live punk band, always delivering loud, raucous tunes with setlists full of covers and aggressive originals. They intentionally thwarted management's efforts to get them on bigger labels by sabotaging shows they knew record company reps would be attending. The Minneapolis quartet of Paul Westerberg on vocals, Bob Stinson on guitar, Tommy Stinson on bass and Chris Mars on drums carved out a loyal following and had begun to win over fans around the country thanks to opening for REM. But Westerberg's songwriting, especially his lyrics, were too strong to be for only those moshing around through a drunken haze. With Let It Be, the band explores more personal themes (Unsatisfied, Answering Machine, Androgynous) and captured more melody than they had previously. They still had plenty of straight ahead punk songs (We're Comin' Out, Tommy Got His Tonsils Out, Gary's Got A Boner) but also tried to empathize with those who might not understand the world around them and how to relate (Sixteen Blue). Westerberg's lyrics are personal and poignant and still resonate to this day. Plus, there's a KISS cover song on the album so what's not to like? We didn't find this record until later in life but if you're unfamiliar, I think you'll like a lot of what you hear as we delve into deep topics we don't always weigh in on thanks to this punk classic. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Matty Grace makes her third PCH appearance to talk writing, recording and touring with Crisis Party, her solo work and more!MATTY GRACEhttps://mattygrace.bandcamp.comhttps://www.instagram.com/mattydisgracehttps://linktr.ee/mattydisgracePCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Welcome back, Dear Listeners, as we revel in the gritty nostalgia of Paul Westerberg's “We May Be the Ones” with musician and 6th grade social studies teacher D.L. Nailing. You can practically feel the death trap playgrounds of the 1980s as we discuss the specificity and yet universality of the people in the lyrics, the power of a pocketknife, the intense calm of dissociating, and just a touch of David Lee Roth.

If you will dare, we will dare. "Children by the millions" have been waiting for the episode where we cover the music of one of the most influential and pioneering bands of the alternative era - heck, one of the greatest rock n' roll bands ever, period - The Replacements. And what better Third Lad could we hope for this week than the man who discovered, signed, managed, and co-produced the Mats, Twin/Tone Records co-founder Peter Jesperson?! Peter stops by to recount the early days of the Twin Cities scene and Twin/Tone; the moment Paul Westerberg handed him the Replacements' first demo; his biggest disappointments and surprises among Twin/Tone artists; the Mats' transition to a major label; getting the Replacements into the Rock Hall; an update on late era guitarist Slim Dunlap; and many more memories, as we reveal our Top 5 Replacements Songs. Peter's essential memoir, Euphoric Recall, is out now. Euphoric Recall: A Half Century as a Music Fan, Producer, DJ, Record Executive, and Tastemaker: Jesperson, Peter, Fricke, David: 9781681342719: Amazon.com: Books Many thanks to Josh Mills from It's Alive! Media & Management for the introduction and coordination. Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Baxie talks to legendary Massachusetts based singer/songwriter Juliana Hatfield! Since the late 1980's Juliana has released nineteen solo albums (with the promise of more on the way). She's released three albums of covers--including last year's "Juliana Hatfield Sings ELO". Plus, she released several records with her first band, The Blake Babies. She's also had numerous collaborations with the likes of Evan Dando of The Lemonheads and Paul Westerberg of The Replacements. Juliana talks about all of that, songwriting, touring, and many of her hits like "My Sister"(1993), "Spin the Bottle"(1994), and "Universal Heart-Beat"(1995). Juliana is going on tour this month with Soul Asylum and will be making a stop at The Sinclair Theater in Cambridge on November 4th. She and the Juliana Hatfield Three will also make a stop at The Drake in Amherst on November 3rd. Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee

If you will dare, we will dare. "Children by the millions" have been waiting for the episode where we cover the music of one of the most influential and pioneering bands of the alternative era - heck, one of the greatest rock n' roll bands ever, period - The Replacements. And what better Third Lad could we hope for this week than the man who discovered, signed, managed, and co-produced the Mats, Twin/Tone Records co-founder Peter Jesperson?! Peter stops by to recount the early days of the Twin Cities scene and Twin/Tone; the moment Paul Westerberg handed him the Replacements' first demo; his biggest disappointments and surprises among Twin/Tone artists; the Mats' transition to a major label; getting the Replacements into the Rock Hall; an update on late era guitarist Slim Dunlap; and many more memories, as we reveal our Top 5 Replacements Songs. Peter's essential memoir, Euphoric Recall, is out now. Euphoric Recall: A Half Century as a Music Fan, Producer, DJ, Record Executive, and Tastemaker: Jesperson, Peter, Fricke, David: 9781681342719: Amazon.com: Books Many thanks to Josh Mills from It's Alive! Media & Management for the introduction and coordination. Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may not know Mary Lou Westerberg though you probably know of one of her famous kids - musician Paul Westerberg and DJ Mary Lucia. Mary Lou's obituary has gone viral for all the best reasons, leading Jason to wonder what you'd want your obit to say?

Professor Terry Barr and Keith got together a few weeks back to chat about how some singer/songwriters get academic treatment, like Bob Dylan and Taylor Swift (that's real) and why some don't… and probably won't. For the purpose of our discussion we looked at Jeff Tweedy of Wilco and Paul Westerberg of The Replacements. Of the two, we both came to the same conclusion - Jeff will probably see an academic assessment (if he hasn't already).  Paul will be out back cleaning the erasers. Linkage Terry Barr on Medium Dig It! - Terry's Substack Keith R. Higgons on Medium Abandoned Albums - Keith's Substack (you're actually on it now, so where does this link go…) The NYTimes Article - apologies, you gotta create an account if you don't have one. Some of the writers mentioned in episode: Claire Dederer Michael Chabon Paul Auster Susan Rogers Phillip Roth Jennifer Egan

E from the Eels stops by and we discuss the new album, "Eels Time," songwriting, life, going down the drain with floaties on and his fantastic career. Real talk, I was nervous at first. Huge fan, but he made it so easy to talk to and Hannah was on point. What a really nice guy and GREAT stories RE Jimmy Page, Steve Perry, Paul Westerberg, and how we discover that E Really does = MC2 Fun episode. If you like the show please subscribe on youtube at : https://www.youtube.com/channel/UCp989suttmZ0gflPE3WqWUA  Or subscribe to the Eels youtube page at:  https://www.youtube.com/@OfficialEels    Thanks for listening!   

Marko DeSantis makes his PCH return to celebrate 20 years of Palm Trees and Power Lines and so, so much more!MARKOhttps://www.sugarcult.comhttps://linktr.ee/markodesantisInstagram - https://www.instagram.com/markodesantisFacebook - https://www.facebook.com/SugarcultRocknRollPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

This season we discuss over 300 albums of the 1990s selected from https://besteveralbums.com. The show starts at (1:49). The Six Singles segment starts at (3:36). This episode covers the following albums: Jodeci - Diary Of A Mad Band (33:52), Lightning Seeds - Jollification (51:54), Paul Westerberg - 14 Songs (1:09:08), and Kate Bush - The Red Shoes (1:30:59). --- Send in a voice message: https://podcasters.spotify.com/pod/show/combingthestacks/message

This month’s second part of the monthly new release series is bookended by a pair of…well, let’s be honest…pretty bizarre cover albums. The first set contains tracks from the “new” duets album by Glen Campbell. How can it be new when he’s been dead since 2017? Well, in 2011 he released an album, Ghost On the Canvas (his 61st!), that featured his versions of songs by artists you would never think he’d even acknowledge. For this new one, Glen Campbell Duets: Ghost on the Canvas Sessions, the producers have brought in other artists to add their vocals. I just couldn’t stomach the idea of Sting singing a Paul Westerberg song, so I went with a couple of different tracks. How did Exene and John Doe from X end up on “Any Trouble”? And does anyone really believe that country star Eric Church has even heard of Guided By Voices? It just doesn’t seem possibe. As if that’s not crazy enough, the last main set of the show features a handful of tracks from a new tribute album released by Cleopatra Records. Punk Floyd – A Tribute To Pink Floyd features exactly what the title says – punk bands covering tunes […]

This month's second part of the monthly new release series is bookended by a pair of…well, let's be honest…pretty bizarre cover albums. The first set contains tracks from the “new” duets album by Glen Campbell. How can it be new when he's been dead since 2017? Well, in 2011 he released an album, Ghost On the Canvas (his 61st!), that featured his versions of songs by artists you would never think he'd even acknowledge. For this new one, Glen Campbell Duets: Ghost on the Canvas Sessions, the producers have brought in other artists to add their vocals. I just couldn't stomach the idea of Sting singing a Paul Westerberg song, so I went with a couple of different tracks. How did Exene and John Doe from X end up on “Any Trouble”? And does anyone really believe that country star Eric Church has even heard of Guided By Voices? It just doesn't seem possibe. As if that's not crazy enough, the last main set of the show features a handful of tracks from a new tribute album released by Cleopatra Records. Punk Floyd – A Tribute To Pink Floyd features exactly what the title says – punk bands covering tunes […]

O surpreendente “Let It Be” marcou uma viragem no caminho para os Replacements, a banda de Minneapolis que se formou em 1979 — e que, assim, chegava ao terceiro álbum, em 1984. Com “canções mais sinceras”, diziam eles, na voz do frontman Paul Westerberg. Quarenta anos depois, estão no centro de mais um episódio da nossa reunião de família, guiada pela Beatriz Costa

Salty Dog's MARKER Podcast, April 2024 Making a marker, a line in the sand, a turning point. Music will lead the way. Turn now to a mess-o-tracks to put you right. Cuts from Woodland Hunters, Little Feat, Ash Grunwald, King Biscuit Boy, John Hiatt, Chris Whitley, Lachy Doley, The Blow Out, Jimmy Smith, Richard Thompson, Brett Mosley, Chris Knight, Hussy Hicks, Anna Scionti, Ray Beadle, Tom Waits, Jesse Redwing, Alastair Greene, Chris Smither, Paul Westerberg, Gov't Mule, Charlie Musselwhite. ARTIST / TRACK / ALBUM ** Australia 1. ** The Woodland Hunters / Golden Boy / Small Mercies 2. Little Feat / Hate To Lose Your Lovin' / Let It Roll 3. ** Ash Grunwald / Ain't My Problem / The Bluesfest Sessions 4. King Biscuit Boy / Hoy Hoy Hoy / Badly Bent 5. John Hiatt / Woman Sawed In Half / Little Head 6. Chris Whitley / Phone Call From Leavenworth / Living With The Law 7. ** Lachy Doley N Karen Lee Andrews / Get It While You Can / Studio 301 Sessions 8. ** The Blow Out / That Ain't Lovin' Me / Version of You 9. Jimmy Smith N Taj Mahal / Strut / Dot Com Blues 10. Richard Thompson / Singapore Sadie / Ship To Shore 11. ** Brett Mosley / Breakwater / Through The Fire 12. Chris Knight / Another Dollar / Heart of Stone 13. ** Hussy Hicks / Trouble / Raw 14. ** Anna Scionti / Faker / Faker 15. ** Ray Beadle / Love Sickness / STAX of Blues 16. Tom Waits / $29.00 / Blue Valentine 17. ** Jesse Redwing / Nwo / Trim The Fat 18. Alastair Greene / Back At The Poorhouse / The New World Blues 19. Chris Smither / All About the Bones / All About the Bones 20. Paul Westerberg / Knockin on Mine / 14 Songs 21. Gov't Mule / Love Is A Mean Old World / Heavy Load Blues 22. Charlie Musselwhite / Just A Feeling / Delta Hardware

Today's guest makes me feel like royalty. It's drummer Michael Bland and he has worked with some of the best in the business. But before that, he played in school and found out he had perfect pitch! Finding that out helped solidify his decision to be a musician. But his parents weren't exactly thrilled about the idea and pushed him to have a backup plan. That is, until Prince called the house looking for Michael. This started a trend of Michael being offered jobs on stage in the middle of jams. Michael was the drummer for The New Power Generation during a time where Prince was reinventing himself. But Prince isn't the only high profile artist Michael has worked with. There's Paul Westerberg, Chaka Khan, Maxwell, Nick Jonas, & Soul Asylum.  Michael relays some behind-the-scenes stories about Prince, Paisley Park, and The Paisley Park Power Trio, among other things. And that ties in to a new project he's working on with long-time collaborator, Sonny Thompson called (Br)others. They have a single coming out and are playing a show with a lot of The New Power Generation. Check Michael out @michaelblandofficial & @brothersmusic2024 on Instagram. Check out Brothers Forlife on Facebook. And look for Soul Asylum on tour this summer with Our Lady Peace, Live, & Stone Temple Pilots. Look for us @PerformanceAnx on socials. Love us with the gift of coffee at ko-fi.com/performanceanxiety. Or buy something with our logo at performanceanx.threadless.com. I had a wonderful time with Michael Bland on Performance Anxiety on the Pantheon Podcast Network. Check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt and Andrew visit Seattle to search for love, success and a great cup of coffee. And then they revisit the era-defining movie soundtrack Singles, featuring Pearl Jam, Paul Westerberg, Soundgarden and Smashing Pumpkins.

Comedian, musician and writer Dave Hill joins me this week for the last PCH of 2023 to talk all about his new book The Awesome Game and much more!Dave Hillhttps://www.davehillonline.comhttps://www.instagram.com/mrdavehill/https://www.facebook.com/TheDaveHillPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

The brothers reconvene for a special one-off on the merriest day of them all. Look for Season 3 in the new year. Recommended and referenced resources include: Poetry: "The First Coming" (https://mbird.com/literature/first-coming-by-madeleine-lengle/) by Madeleine L'Engle, "Journey of the Magi" (https://mbird.com/poetry/epiphanyupdate/) by T.S. Eliot, "For the Time Being" (https://www.amazon.com/Time-Being-Christmas-Oratorio-Critical/dp/0691158274?crid=T9QMDHLPQRC&keywords=for+the+time+being+auden+jacobs&qid=1702927579&sprefix=for+the+time+being+auden+jacobs%2Caps%2C124&sr=8-1&linkCode=ll1&tag=themockblog-20&linkId=8c1834cc96e34723b0d8ef076ff63d91&language=en_US&ref_=as_li_ss_tl) by W.H. Auden, "Descending Theology: The Nativity" (https://mbird.com/poetry/descending-theology-the-nativity-mary-karr/) by Mary Karr Movies: The Muppet Christmas Carol, The Holly and the Ivy, Children of Men, 8-Bit Christmas, The Holdovers, Midnight Clear (but also Joyeux Noel, some details of which John mixes into his description) Television: Call the Midwife Christmas Special, "How We Used Christmas Lights to Fight a War" (https://www.youtube.com/watch?v=0Fi83BHQsMA) TED Talk by Jose Miguel Sokoloff, "Christmas Story" The Andy Griffith Show (S1:E11) Artwork: "Winter Landscape" (https://commons.wikimedia.org/wiki/File:Caspar_David_Friedrich_-_Winter_Landscape_-_WGA8243.jpg) by Caspar David Friedrich Books: The Haunted Man (https://amzn.to/41A8h2c) by Charles Dickens Music: The Animals Christmas by Jimmy Webb Songs: “Jesus Christ” by Big Star, “Christmas Was Better in the 80s” by The Futureheads, “Sock it to Me Santa” by Bob Seger & the Heard, “Christmastime Is Here Again” by The Flirtations, “Let's Get It Together this Christmas” by the Harvey Averne Band, “Always in a Manger” by Paul Westerberg, “O Holy Night” by Duvall, “Silent Night” by Richard Hawley, “Thankful Heart” from A Muppet Christmas Carol, “Santa Claus Is Coming” by The Harmony Grits, “Alone on Christmas Day” by The Beach Boys, “Christmas Wrapping” by The Waitresses, “God Rest Ye Merry Gentlemen” by Annie Lennox, “O Little Town of Bethlehem” by Sister Rosetta Tharpe, “Once in Royal David City Bells” by Sufjan Stevens, “What Child Is This?” by Carrie Underwood, “The Decree” by Art Garfunkel, “O Little Town of Bethlehem” by Bob Dylan

Two weeks ago, I put together a show centered around seven different tribute records celebrating The Replacements. A couple of days after that episode was released I was contacted by a fan who noted that I had missed a couple of these sorts of records. After a bit of scrambing, I discovered that indeed I forgot all about some great fan-based compilatons. Yes, that’s the beauty of tonight’s selections. These three records were unofficial collections of musicians that had come together via online fan boards. The first such set, Cover Me Impressed – Alt.Music.Replacements Tribute, is pretty self-explanatory collection of tunes compiled by a popular usenet group in 2002. The other two tributes, Bring Your Own Lampshade (2005) and Dead Man Fake: Bring Your Own Lampshade 2 (2009), came together through contributors on the wonderful Man Without Ties message board, and include both solo and band tracks written by Paul Westerberg. Highlighting both of those compilatons are tracks by our old friend Jeremy Porter.  Besides a handful of recently acquired tunes, the rest of tonight’s show features tracks from two fabulous new Cherry Red Records box sets, Looking For The Magic: American Power Pop In The Seventies and Into Tomorrow: The Spirit Of Mod 1983-2000. Cherry Red always […]

Two weeks ago, I put together a show centered around seven different tribute records celebrating The Replacements. A couple of days after that episode was released I was contacted by a fan who noted that I had missed a couple of these sorts of records. After a bit of scrambing, I discovered that indeed I forgot all about some great fan-based compilatons. Yes, that's the beauty of tonight's selections. These three records were unofficial collections of musicians that had come together via online fan boards. The first such set, Cover Me Impressed – Alt.Music.Replacements Tribute, is pretty self-explanatory collection of tunes compiled by a popular usenet group in 2002. The other two tributes, Bring Your Own Lampshade (2005) and Dead Man Fake: Bring Your Own Lampshade 2 (2009), came together through contributors on the wonderful Man Without Ties message board, and include both solo and band tracks written by Paul Westerberg. Highlighting both of those compilatons are tracks by our old friend Jeremy Porter.  Besides a handful of recently acquired tunes, the rest of tonight's show features tracks from two fabulous new Cherry Red Records box sets, Looking For The Magic: American Power Pop In The Seventies and Into Tomorrow: The Spirit Of Mod 1983-2000. Cherry Red always […]

Hey. It's a special one this week. Juliana Hatfield is a singer-songwriter based in Massachusetts. She was a member of the Lemonheads in the early 90s, as well as bands like Blake Babies in the late 80s and Some Girls in the early 00s. She's made albums with Matthew Caws from Nada Surf and Paul Westerberg from The Replacements. She's also released around 20 albums under her own name, sometimes as the Juliana Hatfield Three. Although a prolific songwriter, in recent years she occasionally releases an album of covers by a specific artist. Her latest one, “Juliana Hatfield Sings ELO”, follows her albums of songs by Olivia Newton John and The Police. Being a big ELO fan myself, it seemed like a great time to talk with her. She had a particular rough time in the press in the 90s and he experience with working with a major label has clearly left it's scars. Stick with this one, after a lot of ELO geek talk we go deep. It was genuinely one of my favourite conversations I've had for the show. Sometimes you have a guest where you feel you're really chasing down some kind of epiphany. I'm not sure we reached one, but you decide. Insta: @sendingsignalspodcastX: @signalspodcast

It's time to hear about producer Ed Stasium's acclaimed new remix of the Replacements' album Tim, as well as his work with the Ramones, Talking Heads and the Smithereens. How did Stasium make the "Let It Bleed Edition" of Tim so much more muscular than Tommy Erdelyi's original mix? Has he gotten feedback from Paul Westerberg? How did Stasium work with Erdelyi (a.k.a. Tommy Ramone) on the classic early Ramones albums? How did he wind up playing on the Ramones' Phil Spector-produced End of the Century and getting held prisoner in Spector's home? Why, despite the Smithereens' Dennis Diken's objections, does he like drummers to play with click tracks? What happened when Madonna was scheduled to sing on a Smithereens song? And what's his secret to making music sound so good?

In addition to being a gorgeous rom com, the movie Singles also ended up preserving the Seattle music scene of the early 90's in film amber. Cameron Crowe's homage of vignettes to his adopted home brought together now iconic artists like Pearl Jam, Alice in Chains, Chris Cornell and Soundgarden, and Mudhoney. Whether the artists thought the project was a good idea or not varied, but the results were undeniable. To top it off, Paul Westerberg was airlifted in from Minneapolis to tie it all together and the result is one of the most undeniably important compilations of the decade. Sean Fennessey joins us this week to talk about the Singles Soundtrack. Follow Sean Fennessey on Twitter @seanfennessey Listen to the Singles Soundtrack HERE Buy tickets for the Bandsplain x 60 Songs That Explain the '90s live event in Los Angeles on 11/16 HERE Host: Yasi Salek Guest: Sean Fennessey Producer: Jesse Miller-Gordon Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Tedeschi Trucks Band: Rocking the Garden Party with Warren Haynes and Trey Anastasio"Larry Mishkin discusses various topics related to marijuana law, culture, and music. He mentions updates on Tedeschi Trucks Band shows, including performances with Warren Haynes and Trey Anastasio. Larry also delves into the history of the song "It Takes a Lot to Laugh, It Takes a Train to Cry," originally written by Bob Dylan, and how it marked a pivotal moment in the transition to electric music. He discusses the Dead's cover of the song and its significance, along with other Dylan covers. Additionally, Larry touches on the Jerry Garcia and Merle Saunders performance from 50 years ago, featuring songs like "Finders Keepers" and "The Harder They Come." He highlights the guest musicians and the significance of these performances within the context of rock and roll history. Finally, he shares insights on Jerry Garcia's cover of "That's All Right, Mama" and its historical significance in the development of rock and roll music..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast Going with a Garcia/Saunders show:October 2, 1973 (50 years ago)Winterland, S.F.Garcia & Saunders 1973 Winterland SF KSAN : KSAN : Free Download, Borrow, and Streaming : Internet ArchiveBand members:Jerry – guitar and vocalsMerle – KeyboardJohn Kahn – bassBill Vitt – drumsGuests:Sara Fulcher – vocalsMatt Kelly – harmonicaRoger “Jellyroll” Troy – bass, vocalsMartin Fierro – saxBill Atwood - trumpet     INTRO:                  It Takes A Lot To Laugh It Takes A Train To Cry                                (this one is really from 10.12.1973 at Keystone because the Archive.org show is missing this song as the opener and this is the one closes in date I could find)                                Jerry Garcia/Merl Saunders • It Takes A Lot To Laugh, It Takes A Train To Cry 10/12/73 Fixed SBD - YouTube                                7:35 – 9:09                                 "It Takes a Lot to Laugh, It Takes a Train to Cry" is a song written by Bob Dylan, that was originally released on his album Highway 61 Revisited released Aug. 30, 1965. It was recorded barely a month earlier on July 29, 1965. The song was also included on an early, European Dylan compilation album entitled Bob Dylan's Greatest Hits 2.An earlier, alternate version of the song has been released, in different takes, beginning with the appearance of one take on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 in 1991.Covered by Steven Stills, Leon Russell, Marianne Faithful, Taj Mahal, Paul Westerberg, Robyn Hitchcock and Lucinda Williams Dylan's live debut of the song came as part of Dylan's controversial electric set, backed by members of The Paul Butterfield Blues Band and Al Kooper, at the Newport Folk Festival on July 25, 1965, after "Maggie's Farm".[2][4][5][7] After being heckled during the electric set, and especially during "It Takes a Lot to Laugh, It Takes a Train to Cry", by fans who wanted Dylan to play acoustic folk music, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue".[4][7] The Newport performance of "It Takes a Lot to Laugh, It Takes a Train to Cry" features jamming by guitarist Bloomfield and organist Al Kooper.[4] Dylan played it live as part of his set in the August 1971 Concert for Bangladesh. This version was included in the concert film and Grammy Award-winning album of the same title.[2]A.         Dead played it 7 times:first time on June 10, 1973 at RFK Stadium (D.C.) with Allman Brothersfive times in 1991 and once on March 16, 1992 at the Spectrum, Philly Released on Dead album:  Postcards of the Hanging (March, 2002) B.         Jerry's various bands played it about 60 times,first time on January 15, 1972 at Keystone Korner in S.F. w/Merle SaundersLast time by JGB: March 4, 1995 at the Warfield in S.F.                                SHOW #1:           Finders Keepers                                Track No. 1                                3:00 – 4:13                 Finders Keepers was performed over 20 times by Jerry Garcia with the Garcia/Saunders band, Legion of Mary and Reconstruction between 1973 and 1979.On the 1973 Garcia/Saunders Keystone double album the song is called Finders Keepers and is correctly credited to Johnston and Bowen. The song was written by General Johnson, a member of the group Chairmen Of The Board, and Jeffrey Bowen, the producer of the Chairmen Of The Board recording. The song was originally released by the Chairmen Of The Board as a single with a vocal version of the song on the A side and an instrumental version on the B-side.  Chairmen of the Board is an American-Canadian, Detroit, Michigan-based soul musicgroup, who saw their greatest commercial success in the 1970s.  SHOW #2:           The Harder They Come                                Track No. 2                                1:05 – 2:18 "The Harder They Come" is a reggae song by the Jamaican singer Jimmy Cliff. It was first recorded for the soundtrack of the 1972 movie of the same name, in which it is supposed to have been written by the film's main character, Ivanhoe Martin. In 1969, singer Jimmy Cliff met film director Perry Henzell, who was intending to make a film about a musician who turned to crime. Cliff agreed to take the lead role, and the film was shot over the next two years. During filming, Cliff came up with the line "the harder they come". Henzell thought it would make a good title for the film, and asked Cliff to write and record a theme song for it.[2]The actual recording of the track, at Dynamic Sounds (Muscle Shoals, 1971), was filmed for inclusion in the movie. Cliff wrote the melody, and improvised the lyrics. The musicians were Gladstone Anderson (piano), Winston Wright (organ), Winston Grennan (drums), Linford "Hux" Brown (lead guitar), Ranford "Ranny Bop" Williams (rhythm guitar), and Clifton "Jackie" Jackson (bass).[2]Reggae track recorded in Jamaica in 1972 Covered by:  JGB (Kean College 2.2.80), Cher, Keith Richards (b-side to his single, Run Rudolph Run 1978), Rancid, Joe Strummer, Wayne Kramer, moe., Willie Nelson, Guster, Widespread Panic and many others The Harder They Come was performed over 350 times by Jerry Garcia/Merl Saunders groups and by the Jerry Garcia Band between 1973 and 1995. The lyrics and music for the song are included in the Jerry Garcia Songbook. Also played by Phil Lesh & Friends, Billy & The Kids, Voodoo Dead and Bob Weir with Soul Ska.                                SHOW #3:           That's All Right Mama                                Track No. 3                                2:20 – 3:59                                Featuring:  Bill Atwood on Trumpet and Sara Fulcher on vocals                                                              The song was written by Arthur "Big Boy" Crudup, and originally recorded by him in Chicago on September 6, 1946, as "That's All Right". Some of the lyrics are traditional blues verses first recorded by Blind Lemon Jefferson in 1926.[5][6] Crudup's recording was released as a single in 1947 on RCA Victor 20–2205, but was less successful than some of his previous recordings. One of the experts who consider the Crudup recording to be the "first rock and roll song" is Southeastern Louisiana University rock historian Joseph Burns, who adds that "this song could contain the first ever guitar solo break". Elvis Presley's version was recorded in July 1954.[10] While recording an album as part of a trio called The Blue Moon Boys, the band played "That's All Right" in between takes, and the uptempo style characteristic of rockabilly caught the attention of studio executive Sam Phillips, who asked for a refinement of the interpretation that was later recorded.[11] Its catalogue number was Sun 209.[12] The song was released under its original title, "That's All Right", and names the performers as Elvis Presley, Scotty, and Bill.[13] The Presley version was not identical to Crudup's since it was "at least twice as fast as the original".[2] His version is considered by some music critics as one of the records that was the first in the rock n'roll genre.  A 2004 article in The Guardian argues that rather than Presley's version being one of the first records of rock and roll, it was simply one of "the first white artists' interpretations of a sound already well-established by black musicians almost a decade before [...] a raucous, driving, unnamed variant of rhythm and blues". Covered by the Grateful Dead once with allman Brothers on June 10, 1973 (RFK great version with Jerry and Dickey Betts trading off lead licks) and once om April 18, 1986 at Berkeley Community TheaterPlayed regularly by JGB and other versions from the ‘70's until the end in 1995.                               SHOW #4:           Second That Emotion                                Track No. 5                                7:00 – 8:29 "I Second That Emotion" is a 1967 song written by Smokey Robinson and Al Cleveland. First charting as a hit for Smokey Robinson and the Miracles on the Tamla/Motown label in 1967, "I Second That Emotion" was later a hit single for the group duet Diana Ross & the Supremes and The Temptations, also on the Motown label. One morning in 1967, Robinson and Cleveland were shopping at Hudson's, a Detroit department store. Robinson found a set of pearls for his wife, Claudette. "They're beautiful." he said to the salesperson. "I sure hope she likes them." Cleveland then added "I second that emotion." Both songwriters laughed at Cleveland's malapropism; he had meant to say "I second that motion." The two were immediately inspired to write a song using the incorrect phrase. Was performed a handful of times (7) by the Grateful Dead in April, 1971First:  April 8, 1971 at The Music Hall, BostonLast:  April 29, 1971 at Fillmore East NYC Part of Jerry's bands repertoire between 1973 and 1994 (played almost 200 times)  OUTRO:                Sweet Little Angel                                Track #7                                2:20 – 3:59                 Written by BB King and Jules Taub in September, 1956                Some say it is an adaption of Black Angel Blues written by Lucille Bogan in December, 1930 In 1956, B.B. King recorded "Sweet Little Angel" (RPM Records 468). According to King, "I got the idea for 'Sweet Little Angel' from Robert Nighthawk's 'Sweet Black Angel', though I later discovered that the song had been recorded by someone before Nighthawk. At the time 'black' was not a popular word, as it is now. Instead of using the old title, I changed it to 'Sweet Little Angel'—and that was a pretty big record for me".[6] King's version, which included a horn section, was a stylistic shift for the song and it became a hit, reaching number eight on the Billboard R&B chart.[7] In 1957, he re-recorded "Sweet Little Angel" for his first album Singin' the Blues. Both versions prominently feature B.B. King's guitar work, with his note-bends "sounding almost like a lap steel in places.”

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Aaron RennerThe Replacements “Can't Hardly Wait" from the 1987 album "Pleased to Meet Me" released on Sire. Written by Paul Westerberg and produced Jim Dickinson.Personel:Paul Westerberg – lead and background vocals, six-string bass, harmonicaTommy Stinson – bass guitar, acoustic guitar and guitar fillsChris Mars – drums, background vocals,Jim Dickinson (credited as East Memphis Slim) – keyboardsAlex Chilton – guitar fillsMax Huls – stringsThe Memphis Horns: Andrew Love - tenor sax/Ben Cauley - trumpetCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Aaron RennerThe Replacements “Can't Hardly Wait" from the 1987 album "Pleased to Meet Me" released on Sire. Written by Paul Westerberg and produced Jim Dickinson.Personel:Paul Westerberg – lead and background vocals, six-string bass, harmonicaTommy Stinson – bass guitar, acoustic guitar and guitar fillsChris Mars – drums, background vocals,Jim Dickinson (credited as East Memphis Slim) – keyboardsAlex Chilton – guitar fillsMax Huls – stringsThe Memphis Horns: Andrew Love - tenor sax/Ben Cauley - trumpetCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Jimmy Buffett “Margaritaville”Jimmy Buffett “Cheeseburgers in Paradise”Jury DutyThe Breeders “Cannonball”The Flaming LipsR.E.M. “Automatic for the People”R.E.M. “Green”Radiohead “OK Computer”Radiohead “The Bends”Kings of LeonJustin Townes EarleThe SmithsThe Replacements “Tim”Big Star“The Letter”Joe CockerThat 70's ShowDixie FlyersJerry WexlerMudboy and the NeutronsThe Rolling Stones “Wild Horses”North Mississippi All StarsThe Replacements “Alex Chilton”Post MaloneThe Replacemented “The Ledge”Billy IdolThe ClashJourney “Don't Stop Believing”Miles Davis “Kind of Blue”Bruce SpringsteenEddie and the CruisersViolent FemmesSpoonBritt DanielsWilcoHusker DuMikal CroninJimmy IovineTom Petty and the Heartbreakers “Refugee”The Beatles “Let It Be Naked”The Replacements “Let It Be”

“Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. On this episode, I am so very excited to have Juliana Hatfield on the show. She's been one of my absolute favorite artists since I first heard the Blake Babies' “Earwig” back in the early 90s. Since then, she's consistently put out great albums and been extremely prolific – releasing almost 20 albums in addition to collaborations with Paul Westerberg, Matthews Caws, Evan Dando, and others. Her most recent, out November 17th, is “Juliana Hatfield Sings ELO,” a continuation of her series of tribute albums that have featured Olivia Newton-John and The Police. Today, Juliana talks about her career and how the politics of the music business led her to almost quit entirely and how that journey led her to go back to school to try and get an MFA in fine art.   Musical credits: "On Top Of It" by Blue Dot Sessions Juliana Hatfield's website with tour dates and more info. Juliana's art work can be found here. Be sure to look out for my books, "Lived Through That" and "80s Redux" where ever you buy your books! You can find out more about my work and the 80s and 90s books at my website ⁠here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ledge has always been known to enjoy music from all over the world. This month’s new release episode, however, goes ever further than usual. Yes, we have new tunes from many of the usual suspects – Canada, Australia, England, Sweden, etc. But this month we expand that a little bit and have tunes from Indonesia and Japan! (Ok, Japanese rock and roll is not so unusual in these parts, but you get the picture.) There’s also the usual mix of long-awaited returns (Uni Boys, Wreckless Eric), and new (at least to me) artists such as Hurry, Young Francis Hi Fi, and Dennis Cometti. There’s a set devoted to a trio of solo artists who have shared the stage countless times over the years (Brad Marino, Geoff Palmer, and Kurt Baker), and who always seem to have new records right around the same time. We also have a sneak peak of the upcoming Replacements box set, Tim: Let It Bleed Edition. The “cello version” of “Can’t Hardly Wait” was actually a Paul Westerberg demo with Twin/Tone secretary Michelle Kinney on cello. The box set comes out on September 22, and as you may imagine, I…ok, I won’t go with the obvious […]

The Ledge has always been known to enjoy music from all over the world. This month's new release episode, however, goes ever further than usual. Yes, we have new tunes from many of the usual suspects – Canada, Australia, England, Sweden, etc. But this month we expand that a little bit and have tunes from Indonesia and Japan! (Ok, Japanese rock and roll is not so unusual in these parts, but you get the picture.) There's also the usual mix of long-awaited returns (Uni Boys, Wreckless Eric), and new (at least to me) artists such as Hurry, Young Francis Hi Fi, and Dennis Cometti. There's a set devoted to a trio of solo artists who have shared the stage countless times over the years (Brad Marino, Geoff Palmer, and Kurt Baker), and who always seem to have new records right around the same time. We also have a sneak peak of the upcoming Replacements box set, Tim: Let It Bleed Edition. The “cello version” of “Can't Hardly Wait” was actually a Paul Westerberg demo with Twin/Tone secretary Michelle Kinney on cello. The box set comes out on September 22, and as you may imagine, I…ok, I won't go with the obvious […]

Generally speaking, when I do shows devoted to years of the past I go way back. Like, at the bare minimum 25 years, and as far back as 50 years. Looking at my shows from 2013, though, I decided tonight I’d do something a little different. Let’s go through some of my favorite records from only ten years ago. While I am one that believes there’s great rock and roll released each and every years (despite what many of my fellow oldsters proclaim), 2013 was even better than usual. There’s all sorts of lofi indie power pop from the likes of Mind Spiders, Bad Sports, and Fidlar. There’s the discovery of a wonderful up and coming songwriter named Lydia Loveless. There’s the second release by the reformed Superchunk (my favorite record of the year). And, of course, there’s also the return of The Replacements. Yes, this happened due to a tragedy, as Slim Dunlap had suffered a stroke the previous year. But what a joy to hear Paul Westerberg and Tommy Stinson quickly recording a handful of their favorite oldies. Even better was the Songs For Slim singles series which saw all kinds of Slim’s friends recording their favorite Dunalp […]

Generally speaking, when I do shows devoted to years of the past I go way back. Like, at the bare minimum 25 years, and as far back as 50 years. Looking at my shows from 2013, though, I decided tonight I'd do something a little different. Let's go through some of my favorite records from only ten years ago. While I am one that believes there's great rock and roll released each and every years (despite what many of my fellow oldsters proclaim), 2013 was even better than usual. There's all sorts of lofi indie power pop from the likes of Mind Spiders, Bad Sports, and Fidlar. There's the discovery of a wonderful up and coming songwriter named Lydia Loveless. There's the second release by the reformed Superchunk (my favorite record of the year). And, of course, there's also the return of The Replacements. Yes, this happened due to a tragedy, as Slim Dunlap had suffered a stroke the previous year. But what a joy to hear Paul Westerberg and Tommy Stinson quickly recording a handful of their favorite oldies. Even better was the Songs For Slim singles series which saw all kinds of Slim's friends recording their favorite Dunalp […]

Wronger finds Cowboys in the Campfire embracing the sort of stripped down twangy Americana such band name suggests. It's the latest left turn in a career full of them. Tommy Stinson's musical career began in his pre-teen years, courtesy of bass gifted by older brother, Bob. Joined by Paul Westerberg and Chris Mars, The Replacements would ultimately become one the 80s most influential acts. In the years since the band's 2021 dissolution, Stinson has gone on to play with Guns N' Roses and Soul Asylum, while pursuing his own solo ambitions. Hosted on Acast. See acast.com/privacy for more information.

In the 51st episode overall, or the third episode of season nine, Kevin welcomes former newsradio personality Scott Peterson onto the show, and the two discuss the longing for concert t-shirts you no longer have, accidentally startling Brian Wilson, and their shared love of sad music made by sad young women. For additional information about Anhedonic Headphones, please click here; or follow Kevin on Instagram and on Twitter.  Musical Credits: Intro Music- "Hip 2 Da Game" (Instrumental) performed by Lord Finesse. The Awakening: 25th Anniversary Edition, Tommy Boy, 2021. Closing Music- "Buck 'Em Down," performed by Black Moon. Black Moon: Instrumentals, Fat Beats, 2017.  "Pleasant Valley Sunday," written by Gerry Goffin and Carole King; performed by The Monkees. Pisces, Aquarius, Capricorn & Jones Ltd., RCA, 1967. "Eastbound and Down," written by Deena Kaye Rose and Jerry Reed; performed by Jerry Reed. Music From The Motion Picture Smokey and The Bandit, MCA, 1977. "Make A Move on Me," written by John Farrar and Tom Snow; performed by Olivia Newton-John. Physical, MCA, 1981 "Overkill," written and performed by Colin Hay. Man @ Work, Compass, 2003. "You Can Call Me Al," written and performed by Paul Simon. Graceland, Warner Brothers, 1986 "Fall on Me," written by Bill Berry, Peter Buck, Mike Mills, and Michael Stipe; performed by R.E.M. Life's Rich Pageant, I.R.S., 1986. "Left of The Dial," written by Paul Westerberg; performed by The Replacements. Tim, Sire, 1985 "Scott Street," written by Phoebe Bridgers and Marshall vore; performed by Phoebe Bridgers. Stranger in The Alps, Dead Oceans, 2017. "Mirrorball," written by Jack Antonoff and Taylor Swift; performed by Taylor Swift. Folklore, Republic, 2020. "Love and Mercy (live)," written and performed by Brian Wilson. Love & Mercy – The Life, Love and Genius of Brian Wilson, Capitol, 2015.   

On this episode I get in depth with Marko DeSantis for a career spanning interview! Topics include:- Reissuing the long out of print Popsicko album Off to a Bad Start- Punishing Matt Wallace with Replacements questions while recording Start Static- Which Ataris song Marko helped write for Blue Skies, Broken Hearts- How Superdrag helped the formation of Sugarcult- Marko's short stint in Swingin Utters- My Records and the takeoff success of the first Nerf Herder record- Being the only band on Warped Tour covering The Knack and Elvis Costello & much more!Follow Marko -https://linktr.ee/markodesantishttps://bigstirrecords.com/popsickohttps://www.instagram.com/markodesantishttps://www.sugarcult.comhttps://twitter.com/sugarculthttps://www.facebook.com/SugarcultRocknRollPCH -Instagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

This week you'll hear new songs from Incendiary, Manchester Orchestra, Superviolet, Initiate, and World of Pleasure. You'll also hear The Cure, R.E.M, The Weakerthans, Paul Westerberg, Laughing Hyenas, Policy of 3, and more! Subscribe to the PATREON and receive a brand new radio hour every Sunday! Thats two additional episodes a month AND you get them a day early! You'll also see a complete list of songs played on this episode. Follow the show on Instagram and Twitter!

Today my guest is Michael Urbano one of the most sought after drummers in the music biz. From his early days growing up in Sacramento playing 5 sets a night of Funk and Disco covers in the 70's to a record deal with Indie rockers Bourgeois Tagg. This man has recorded with some of the biggest bands of the 80's and 90's including Cracker, Third Eye Blind, Smash Mouth, John Hiatt, Paul Westerberg and Sheryl Crow. These days you can see Michael live on tour with the Fleetwood Mac legend Lindsey Buckingham. Thank you so much for tuning in. This episode is brought to you by Buck Mason some of the best clothing made these days. Use the link and get a free T-Shirt with your first purchase. https://www.buckmason.com/pages/LetThereBeTalk?utm_medium=audio&utm_source=podcast&utm_campaign=spring22_podcasttest&utm_content=podcast_DeanDelray