Podcasts about Daws

Sorry we're late... but we're back now! Enjoy our chat with NY Times Bestseller Amy Daws!

In this episode, we talk about what modern DAWs are still missing and how music software could be improved for producers, engineers, and creators. From workflow issues to smarter features, better collaboration, cleaner organization, and tools that actually match how people make music today, we break down what DAWs get right, what they still get wrong, and what the future of music production software could look like.➡️ 2-Track Surgeon https://helpmedevvon.com/products/2-track-surgeon➡️ Get Our Rosetta Plugins: https://helpmedevvon.com/s/rosettaseries➡️ The Black Vortex Plugin: https://helpmedevvon.com/s/theblackvortex➡️ Our Site With Goodies: https://helpmedevvon.com/s/helpmedevvon➡️Buy From Sweetwater: https://cutt.ly/7hamejT _________________________________________________________ ▶ JOIN OUR COMMUNITY HERE: ➡️ Become A Member Of This Channel To Access Perks:https://thehmdcircle.com➡️Instagram: https://instagram.com/helpmedevvon➡️Twitter: https://twitter.com/helpmedevvonEmail Me: helpmedevvon@gmail.com #mixing #mastering #tutorial

SUPPORT THIS PODCAST! Join Patreon Get some merch ~~~~ Here's yet another BONUS MxTRA for Season 8! It's a PATREON EXCLUSIVE that I'm sharing for THREE reasons: 1. I'm prepping a string of incredible episodes, and need more pre-production time to get them out; 2. This is a fantastic topic I'd love your opinion on; and 3. This podcast needs your support, and I want you to know what kind of exclusive content you get when you join me on Patreon.  In this BONUS MxTRA, I do a complete history of DAWs - i.e. digital audio workstations - i.e. the programs people use to record music. If you like these BONUS MxTRAs, you can see the videos, all 60+ MxTRAs, and every future episode if you join me on Patreon. You can get in for as little as ONE DOLLAR A MONTH. Enjoy! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rolling waves of smooth sun soaked house with Naarm's own DAWS soundtracking her lifelong affinity for the deep blue. Techy offshore groovers and silky soulful burners making for the ultimate sunset serenade. Feel the breeze! @dawsdj Q. What sounds, places or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being most enjoyed in? A. I recently returned from a trip to South America where we spent most days talking about music, and specifically the sounds that got us inspired to start DJing. Enjoying time away in nature while driving long winding roads to the beach, between snow tipped mountains, and sunrise bus ride through the vast desert gave me plenty of time to reflect. This year marks 10 years since I started, and this mix is a trip down memory lane where we revisit the archive of tracks and moods that stood out to me. So I guess you could say it came from a pretty sentimental place. I imagine it would be nice for a drive to the beach or while sat somewhere beautiful. Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? A. Heaps! But in particular the last track ‘Homepage' by Brittany is a special one that takes me straight to my favourite place - in the ocean. A lot of my sound (and music I consume) is influenced by proximity to a body of water: coming, going, and spending time by it. Q. We loved your Touch Of Sapphic EP from last year, it felt like potentially the beginnings of a new direction with your sound.. cheeky and club focussed but with a really groovy, breezy feel to it all. Can you tell us about any new projects in the works, and what sounds have you been drawn to explore further? A. It's been a balancing act to blend more club and late night tracks with the sounds that I'm more familiar with making. Lately, I've been really into ‘patient house' as Ricky Nord calls it, which can be characterised by taking a less predictable and more laidback approach to arrangement, while giving more time for each element in the track to breathe. I still love tracks that use a big snare roll to build energy, but I've been enjoying new ways to mix tracks in sets that shy away from the classic energy signifiers. You can expect another EP from me soon with a good bit of breezy groovy stuff, and perhaps a bit of patient house???

Australia's petrol and diesel prices remain under pressure. The RBA's decision to hike the cash rate this month is adding to the financial strain facing many households. We look at some free and independent support services that are available to help people manage financial stress. - Australia tej nqe roj petrol thiab diesel yeej tseem kim li qub. Lub caij uas Reserve Bank of Australia (RBA) tau txiav txim siab nce kab theem paj lub hli no (4.35%) ces haj yam ua rau muaj tej cuab yig ntau heev ntsib cov kev txhawj xeeb rau cov kev muaj nyiaj tsis txau siv. Peb ho mus txheeb qee cov kev pab cuam pub dawb thiab cov kev pab cuam uas tsis qhia yus tej teeb meem rau lwm tus paub uas muaj pab rau tej neeg kom muaj peev xwm los tswj tau cov kev ntxhov siab rau tej nyiaj txiaj siv.

DJ, author, and music business professor Amani Roberts joins Alan and Steve to unpack how today's students are listening to and creating music—and what that means for K–12 music educators. In this episode, they discuss: Why teens prefer singles and short-form content over full albums Strategies for teaching deep listening using artists like Taylor Swift and Kendrick Lamar The rise of beat-making and bedroom producers, and what's lost when theory and ensemble work fade Simple ways to get started with GarageBand, DAWs, and found sounds in your classroom How declining school music programs are reshaping the skills of working artists today Amani also shares highlights from his book on the history of R&B groups, his life as a touring DJ, and a few personal favorites—from a memorable Tina Marie concert to a go-to Vegas restaurant.

Blaine Daws started in data centres in 2008 with a stack of papers and a wired phone. By 25, he was billing £475k a year as a solo 360 recruiter. At a family Christmas party in December 2019, he met Karl Chatterjee, a man who had already sold two recruitment businesses for multi-millions. Karl said: "Why are you going to line someone else's pockets?" Four weeks later, WNTD was incorporated. Two weeks after that, the world went into lockdown.Like so many other founders back then, he dropped his niche, went after every market he could find, and started to make money. They grew to 20 people and had a huge office in the post-Covid boom. But lost a foothold in their niche and over a quarter of a million pounds doing it.Then he stripped everything back. Let everyone go. Rebuilt from scratch around the one market he knew inside out: the Nvidia ecosystem and the global data centre buildout powering the AI revolution.WNTD is now 75 people, generating £15 to 20 million in revenue, and running a £100 billion GPU infrastructure deployment across Europe. Blaine is 35, working 7 days a week, with two young children at home."I want to make as much money as possible. So then in five years time, when I'm 40, I don't have to do it anymore."This week on The RAG Podcast, Blaine Daws tells the real story behind one of the most unusual businesses in recruitment.We cover:How a family Christmas party sparked WNTD, launched two weeks before lockdownGoing mass market, losing £250K, and why he told Karl most weeks he wanted to quitWhy stripping back to one niche was the actual growth strategyWhat statement of work really means in AI infrastructure recruitmentRunning a £100 billion GPU build and what that looks like day to dayGetting equity stakes in the partner companies they work withWorking 7 days a week at 35 with two young kids, and what it's actually costingThe question Sean asked that changed the tone of the whole episodeBlaine went from nearly shutting the business down to running one of the most specialised agencies in the world's fastest growing market.If you've ever wondered what it actually costs to build something extraordinary... this episode has the answer.__________________________________________Episode Sponsor: Remote RecruitmentHiring shouldn't be slow, stressful, or expensive. That's why there's Remote Recruitment — the smart hiring partner for modern businesses.They don't just help you find great people. They help you access elite South African talent that's ready to deliver. No PAYE. No NI. No bloated overheads. Just trained, remote professionals who integrate seamlessly into your team.Their process handles everything: sourcing, shortlisting, onboarding, and retention. Fully managed. Fully supported. Fully remote.And now, Remote Recruitments has entered a new chapter. From ops to admin, sales to strategy, we're helping businesses scale smarter with people they trust, at a cost they can afford.Clients have seen:* Up to **60% productivity boosts*** **300% ROI** on BD roles* **30% faster completion** of operational tasksNo overhead burden. No talent shortage panic. Just growth-focused hiring that makes business sense.Remote Recruitment is your flexible hiring solution for the modern era.**RAG Listeners:** Get 5% off your first hire + a free strategy session at www.remoterecruitment.co.uk/rag__________________________________________Episode Sponsor: HoxoEvery recruitment founder is investing in LinkedIn.Spending thousands on Recruiter licences.Building connections. Posting content. Growing networks.But here's the question almost no one can answer:How much revenue is LinkedIn actually bringing into your business?Most founders have thousands of connections but no clear process to turn that attention into cash.That's the problem we solve.At Hoxo, we help recruitment founders build predictable revenue systems on LinkedIn, not just noise or vanity metrics.Our clients are turning LinkedIn into £100K–£300K in new billings within months, using their existing networks and a simple repeatable process.To show you how it works, we've created a short training video exclusively for RAG listeners.In less than 10 minutes, you'll learn:- Why most recruiters are getting zero measurable ROI from LinkedIn- How small, niche teams are generating consistent inbound demand- The 3X Revenue System we use to turn LinkedIn into a predictable cash-generating channelSo fill in the form today to see how this system could transform LinkedIn into your agency's most profitable channel: https://hubs.ly/Q03lBpYC0

SUPPORT THIS PODCAST! Join Patreon Get some merch ~~~~ FEATURED SONG REC – “Come A Little Closer (Scared Boy Remix)” (from REC's debut album, PARTS AND LABOUR) ~~~~ Part Six of my Great Producers series takes us to the 2000s. Digital recording had finally become fully affordable, and took over every aspect of the industry, leaving analog systems to retro purists & people who could afford them. New tools allowed for greater precision & tightness than ever before, and that became the standard for every genre. I talk about those tech changes and how they shaped the music. And I run down my list of the most significant producers of the decade. What music from the 2000s did you listen to? Did you notice how different the base standard for music recording had become? Were you into recording yourself, and if so, did you get into it because it was so cheap & easy to access? How do you think 2000s music measures up? And how did it influence music in the 2010s and today? Discuss dammit! BONUS MxTRA: A Complete History of DAWs ~~~~ *intro music credit: REC - "Wake Up High" *mid roll music credit: The Drop - "Outerloper" Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Click here to Join Sync Producer Hub In this episode of the Sync Producer Spotlight, host Jason Dowdy interviews Alexander Kvarfurt, a Swedish producer who turned early passion into a living—scoring charting records and TV placements. He shares how he moved through DAWs, chose Logic for full productions, and reinvested early earnings to grow his craft. Alexander discusses the power of collaboration, networking "one step up," and creating the right music for the right people. He emphasizes relentless work, getting many "reps," and adopting a practical, action-first mindset over visualization alone. The episode also covers real placements and chart success, building and running a free Trap Producers community, and concrete advice for producers aiming to break into sync, artist work, and monetizing music.

Kristin and Peter go through it all:

Welcome to another incredibly fun and tech-packed episode of Vision Cast! Whether you are a daily listener tuning in for the latest in accessible technology for the blind, or you just love hearing hilarious banter and cutting-edge AI news, this episode has something for everyone. Hosted by the ever-energetic JC, alongside the fantastic crew—Nightingale Nora, Phil, Salvis, and our surprise party-crashers, VP of the night Preston and Rachel. this broadcast dives deep into personal life updates, groundbreaking AI models, and accessible tech hardware.The episode kicks off with the crew's weekly life updates. JC shares the exciting news of his renewed apartment lease and a beautiful 1.2-mile nature hike through Black Rock Forest in Cornwall, New York. He also asks the community for prayers for his sister's upcoming shoulder surgery and shares his excitement about leading the upcoming "Delight Night of Worship" where he will be singing Kari Jobe's "This Is Our God." Nora gives a hopeful update on her father's health recovery after a tough battle with kidney issues and a stroke, while Phil shares his weekend plans of doing some heavy-duty spring yard work and rose gardening. Later in the episode, Preston crashes the party to share his adventures in moving apartments and tackling mountains of laundry.However, the real meat of this episode lies in the heavy-hitting tech and AI news. Salvis, our resident tech guru and sound engineer, reveals that he finally received his highly anticipated EchoVision Smart Glasses from AGIGA, a revolutionary piece of wearable accessible technology for the blind. He discusses the logistics of getting them shipped via Stackry from California to New Hampshire and promises a full unboxing and demo in the near future. Salvis also drops the news that he has pre-ordered the Glide, an advanced AI-powered navigation device for the visually impaired, and pre-ordered new Android 16-powered BlackBerry-like phones with tactile keyboards—a massive win for accessibility enthusiasts!The AI news segment is absolutely mind-blowing. Salvis shares an insider scoop about Anthropic's new, non-public AI model called "Mythos," which is reportedly so powerful that it recently discovered a 27-year-old zero-day bug in a highly secure operating system. The crew also discusses Meta's Mark Zuckerberg creating an AI clone of himself to interact with employees, and Google's quiet release of the Google Gemini app for Mac, which is fully compatible with VoiceOver and keyboard shortcuts. Furthermore, Salvis shares his personal coding project: an accessible, web-based audio editor designed to rival desktop DAWs like Audacity and Reaper, built entirely with cloud code. On the space exploration front, the crew geeks out over NASA's Artemis III and Artemis IV missions, including the deployment of optic wireless internet from space.The episode wraps up with a surprise appearance from Rachel, who crashes the party to deliver the results of the community's AI music generator poll. The battle between Suno AI and 11Labs Music Pro has a clear victor. Rachel showcases incredibly eerie, AI-generatedu cinematic movie trailers based on a horror concept called "The Day the Sun Disappeared." The atmospheric audio paints a chilling picture of a scorching afternoon in Phoenix where the sun suddenly vanishes, leaving the characters in pitch-black terror.Packed with tech insights ranging from Anthropic Mythos and EchoVision Smart Glasses to Suno AI music generation, alongside heartfelt community updates, this episode of Vision Cast is a must-listen for tech lovers and accessibility advocates alike!

This week we're taking a deep dive into some of the most underrated free plugins from u-he.We're exploring Triple Cheese, Podolski, and the Tyrell N6, three very different instruments that cover everything from physical modelling to virtual analog and modular-style synthesis.These plugins have been around for years, but still hold up incredibly well across modern DAWs. We're putting them to the test, demonstrating their sound, workflow, and asking why tools like these are often overlooked in today's plugin landscape.Are free plugins being underestimated?Semiotic Ghosts has a new album out, you should check it out:https://cosmicwinnetou.bandcamp.com/album/be-not-entangled-cw74Thanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:

 In Part 2 of our chat with the brilliant David Hirschfelder, we dive deeper into his time with John Farnham, talk on his numerous other collaborations and his incredible career as a film and TV composer. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Rehearsing for tours with John Farnham Recording the Age of Reason album The Fairlight Series 3 and the song Two Strong Hearts The decision to stop touring David in action with John Farnham in touring version of Jesus Christ Superstar David’s keyboard rig for Jesus Christ Superstar The brilliant Farnham documentary – Finding The Voice Handing over the baton to the brilliant Chong Lim David’s solo album: Welcome To The Nighclub Of My Mind David’performing one of his solo creations: Cool School Rules David Hirschfelder and David Hobson – Inside This Room Joesph Campbell – The Hero With A Thousand Faces The move to film and TV composition David’s work on Strictly Ballroom Working on the movie Shine David’s full roster of creations A potted history of the Yamaha Disklavier series of pianos David’s work on the film Elizabeth A chat on DAWs, plugins and David’s love for the Arturia Polybrute David’s work on The Dressmaker  David’s work on Legend of the Guardians: The Owls of Ga’Hoole David’s work on The Railway Man David’s work on The Water Diviner David’s work on Sleeping Dogs Sam Hirschfelder – musician and composer Desert Island Discs: The Rite of Spring – Stravinsky (Conducted by Stravinsky), V.S.O.P. (Live) – Herbie Hancock, Heavy Weather – Weather Report, The Planets – Holst, The Mission – Ennio Morricone Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post David Hirschfelder, Composer / John Farnham / Little River Band (Part 2) appeared first on The Keyboard Chronicles.

Jim Daws Trucking, LLC v. Daws, Inc.

What if one simple change to your recording workflow could save hours every week? This week on Inside the Recording Studio, Chris and Jody dig into one of the most overlooked tools in modern production: recording and writing templates. Whether you're building tracks in a bedroom studio or running sessions in a dedicated room, having a smart template ready to go can dramatically improve how fast you capture ideas—and how smoothly your mixes come together. The conversation breaks down why templates matter, especially when inspiration strikes. Every producer knows the moment: the riff appears, the melody lands, and suddenly you're scrambling to load tracks, arm inputs, and configure your session. Chris and Jody explain how a well-designed template eliminates that scramble so creativity never gets stuck waiting on setup. They also explore practical recording setup tips for designing templates that actually work with your workflow. Instead of forcing yourself into a rigid system, the template should support the way you record. That might mean pre-loaded instrument tracks, routing already configured for your favorite gear, or mix buses ready for quick processing. One key takeaway from the episode is the difference between simply copying your last project and creating a purpose-built template. While duplicating a previous session might feel convenient, Chris and Jody explain why that shortcut can quietly introduce problems—extra tracks, unnecessary plugins, or routing clutter that slows everything down. They also compare how different DAWs handle session templates, and how producers can take advantage of those features to create faster, cleaner production environments. Whether you're using a simple songwriting setup or building a full mix session template, the goal is the same: remove technical friction so you can focus on the music. Of course, no episode of Inside the Recording Studio would be complete without a few laughs along the way. Chris and Jody keep things light while sharing the small workflow quirks that producers everywhere will recognize—those moments when the gear works against you instead of helping you move forward. The episode wraps up with the latest Friday Finds, where Chris and Jody highlight a piece of gear or plugin that caught their attention this week. It's always a fun bonus segment and a great way to discover tools that might improve your own studio workflow. If you've ever lost momentum while setting up tracks or felt like your sessions take longer to start than they should, this episode is for you. Templates can turn a chaotic startup process into a smooth creative launchpad. Hit play, refine your workflow, and make your studio setup work smarter. Subscribe to Inside the Recording Studio so you never miss next week's gear deep dive. #RecordingTemplates #DAWTemplates #RecordingSetupTips #MusicProductionWorkflow #StudioTemplates #HomeStudioRecording #DAWWorkflow #RecordingStudioTips

This special episode is an inside look at AI music from three very different vantage points: the builder, the investor, and the industry insider.Andreas is joined by Sundar Arvind, CEO & Co-Founder at Mozart AI, building a collaborative generative audio workstation; Daniel Waterhouse, General Partner at Balderton Capital; and Ash Pournouri, Co-Founder of Belong, entrepreneur, producer, and former manager of Avicii.Together, they unpack how AI is reshaping music creation, how serious investors underwrite risk in a litigious industry, why “one-click songs” miss the point, and whether AI expands creativity or commoditizes it.If you want a grounded view of where the real fault lines are — rights, training data, authorship, collaboration, and the psychology of creativity — this is it.ShareWhat's covered:00:40 Mozart AI's vision: a collaborative generative audio workstation05:10 DAWs, EDM, and why tech has always expanded music creation06:35 Why “one-prompt songs” optimise for quantity, not craft09:20 Underwriting AI music: how VCs think about billion-dollar incumbents13:00 Is this a new instrument or a 100x larger market?18:45 Are professional artists already using AI tools?21:00 Copyright, training data, and legal diligence in AI music25:15 Philosophically: what are “rights” when machines learn from music?33:40 Diffusion models explained simply: how AI generates sound36:30 The return of the band? Multiplayer music creation40:00 Ash Pournouri joins: the industry's instinct is protection44:10 “You can't stop development”: why demand always wins48:50 Packaging matters: AI as tool vs AI as replacement51:20 Lowering thresholds and democratization across decades56:30 Five-year predictions? We're on the vertical part of the curve58:10 The “vibe coding” moment for music

n dieser Episode der Rechtsbelehrung sprechen wir über das Podcasterdasein und darüber, wie wir Podcasts aufnehmen. Damit es aber nicht einseitig wird, begrüßen wir als Gäste Michael Rohrlich und Marc Oliver Thoma vom Podcast Risikobasierter Ansatz (Apple Podcasts) (YouTube-Kanal), die wiederum von ihrem Podcast „Risikobasierter Ansatz“ erzählen. Wir sprechen darüber, wann eigentlich alles gesagt ist, wie viel Vorbereitung drinsteckt, wie wir Zuständigkeiten aufteilen, und wie wir mit dem inneren Perfektionisten umgehen, wenn eine Aufnahme nicht so geworden ist, wie wir sie uns vorgestellt haben. Rechtsanwalt Michael Rohrlich (LinkedIn) gehört der ”Generation C64” an und ist als Rechtsanwalt mit den Schwerpunkten E-Commerce, Datenschutz und KI sowie Fachautor, als Video-Trainer (u.a. für LinkedIn Learning) und Referent tätig. Marc-Oliver Thoma (LinkedIn) ist ebenfalls “Generation C64” aber noch etwas mehr der Nerd. Er studierte an der Technischen Redaktion an der RWTH-Aachen und ist als Trainer, Berater und Coach für KI, Datenschutz und Digitalisierunge, Video-Trainer für LinkedIn Learning, DSB für KMUs tätig. Entsprechend euren Wünschen widmen wir uns auch ausführlich dem technischen Setup: Software, Hardware, Interfaces, DAWs – es wird nerdig, es fallen viele Namen, und wer schon immer wissen wollte, womit ein mit Liebe produzierter Podcast entsteht, sollte hier besonders genau hinhören. Außerdem, wie gehen wir mit Feedback um, was wünschen wir uns für die Zukunft und wohin geht die Reise, wenn Audio, Video und virtuelle Personas immer stärker zusammenwachsen? Herzlichen Dank an Michael und Marc Oliver für ihren Besuch und wir wünschen Euch viel Spaß beim Zuhören! Zeitmarken 00:00:00 – Intro & Gäste. 00:08:00 – Wie alles begann. 00:12:30 – Wann ist alles gesagt? 00:15:30 – Wie viel Vorbereitung steckt dahinter? 00:19:00 – Von der Idee zum fertigen Podcast: Wer macht was? 00:25:00 – Der versteckte Zeitfresser Podcast. 00:28:00 – Wie perfektionistisch darf (muss?) man sein? 00:30:00 – Podcast als Visitenkarte. 00:33:30 – Alleine podcasten – eine echte Alternative? 00:39:30 – Woher kommen die Ideen? 00:46:00 – Unser Tech-Setup: Software, Hardware & jede Menge Name-Dropping. 00:59:00 – Feedback: Was kommt rein, was nehmen wir mit? 01:03:30 – Was wir uns für die Zukunft wünschen. 01:09:00 – Audio vs. Video: Wo liegen die Unterschiede wirklich? 01:17:00 – Podcasting mit virtuellen Personas – Zukunft oder Gimmick? Der Beitrag Aus der Podcastwerkstatt – Obiter Dictum 18/2 erschien zuerst auf Rechtsbelehrung.

What are ProducerHead Loops?Gems from past conversations worth running back.Perfect for when you need a quick hit of inspiration.This Loop:In this ProducerHead Loop, Dan Giffin talks about something simple but transformative. Get off the grid.Coming from a drummer's background, Dan sees producers get overly locked into the visual structure of their DAWs. The grid becomes law. The lines become rules. But rhythm is not supposed to feel perfect. It is supposed to feel human. Swing the hi hats. Let the snare breathe. Trust the push and pull.He also challenges the way we rely on visuals when producing and mixing. Spectrum analyzers, waveforms, grids. They all provide information, but they can trick us into producing with our eyes instead of our ears. Dan's philosophy is clear. Trust your ears before your eyes. Feeling is more important than what you see.From Episode: 029. Part 1: Getting Out Of Your Head And Into Your Body feat. Dan GiffinConnect with Toru:* Website: torubeat.com* Instagram: @torubeat* YouTube: @torubeat* Spotify: Toru* Apple Music: ToruSubscribe to ProducerHeadGet new episodes and Loops delivered straight to your inbox. Hit that subscribe button if you're not already part of the community.This episode was co-produced, engineered and edited by Matthew Diaz.From ProducerHead, this is Toru, and in a way, so are you. Peace. Get full access to ProducerHead at producerhead.substack.com/subscribe

The Abyss Podcast - Issue 235: 88BlessedBeats You know what it is, Issue 235 @the_abyss_podcast is in South Jersey with producer 88BlessedBeats! Born in the BX, 88 takes us back to his origins, being inspired by what he was hearing and thinking how he could do it, how he asked @_yadiggme about making music, investing in a beat machine in the age of DAWs, the endorsement and support of his Mother while he was developing his sound, getting his first placements, aligning with @blkhouserecs and lacing projects for the entire roster, his upcoming album with @staxx_410 and more on the horizon! Tap in with Primojab Karl and Lukey for another episode from The Abyss! DON'T SLEEP TAP IN! IG- @the_abyss_podcast @skitgod_lukeycage @dr.hellmouth @primojab EMAIL- cftheabysspodcast@gmail.com

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Does your DAW actually matter, or are we all arguing over the wrong thing? In this episode of Inside the Recording Studio, Chris and Jody tackle one of the most heated debates in home recording: which digital audio workstation you should use. Logic, Pro Tools, Studio One, Reaper, every camp has strong opinions. But as Chris and Jody break it down, the truth has less to do with brand loyalty and more to do with how your workflow responds to the interface in front of you. This conversation goes beyond surface-level DAW comparisons. They dig into how different GUIs affect your recording setup, how platform preferences shape your daily use, and whether there's actually any sonic difference between DAWs. Yes, they go there. If you've ever wondered whether switching software will magically improve your mixes, this episode will ground that thinking in practical reality. One of the key takeaways? Your home studio gear only works as well as your comfort with it. If your digital audio workstation slows you down, confuses you, or makes simple tasks feel complicated, it's not the right tool for you, no matter how popular it is. Chris and Jody emphasize choosing a DAW that matches your goals, your habits, and your creative process, not your bandmate's opinion or a Reddit thread. There's also the usual blend of insight and dry humor. At one point, they call out the “DAW tribalism” that shows up online, reminding listeners that most modern recording software is incredibly powerful. The real difference often comes down to user experience, speed, and how naturally the system supports your recording workflow. If you're building a recording setup for the first time, or questioning your current one, this episode delivers clear, practical recording setup tips without drowning you in jargon. It's about removing confusion and helping you make a confident decision about your digital audio workstation. And as always, stick around for Friday Finds and gear tips to sharpen your home studio gear choices even further. If you're serious about improving your workflow and getting more done in your studio, hit subscribe and join us next week for another deep dive into the tools that shape your sound.   #DigitalAudioWorkstation #HomeStudioGear #RecordingSetupTips #DAWComparison #RecordingWorkflow #StudioSetup #MusicProductionTools #DAWDecision

I sat down with Nathan Fake, one of the UK's most distinctive electronic music producers, to chart his journey from rural Norfolk to the forefront of techno, IDM and experimental electronic music — and to unpack Evaporator, his seventh studio album. The record marks a clear pivot away from drum-heavy habits toward mood, melody and atmosphere, growing out of an intentional “ambient-only” brief.We dig into the nuts and bolts of music production: why Nathan still sketches ideas in old versions of Cubase, how cassette saturation, cheap gear and sonic imperfections add human friction, and where modern plugins genuinely earn their place. He talks about contrast as a compositional tool — lush pads against tough drums — and traces a lineage from Border Community's trance-tinged techno through to echoes of Warp-era electronic atmospherics.There's also a candid look at playing legacy tracks live, reshaping classics like “The Sky Was Pink” and “Outhouse” through improvisation, memory and feel, rather than carbon-copy recreations.Beyond sound design, the conversation opens out into bigger questions about electronic music today. Do long-form tracks still survive in a scroll- and swipe-first ecosystem? Nathan answers by doubling down, placing a nine-minute centrepiece at the heart of the new album. We reflect on working with small independent labels versus larger music organisations, and he shares pragmatic advice for staying singular: ignore trends, set your own constraints, and let the idea dictate the tool. We also probe the monoculture of online tutorials and ubiquitous DAWs.If you enjoy Lost and Sound and want to help keep it thriving, the best way to support the podcast is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps new listeners discover the show — on Apple Podcasts, Spotify, or wherever you listen.Nathan Fake on Instagram:https://www.instagram.com/nathanpaulfake/?hl=enNathan Fake on Bandcamp:https://nathanfake.bandcamp.com/Huge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-TechnicaMy book Coming To Berlin is a journey through the city's creative underground, and is available via Velocity PressFollow Lost and Sound on SubstackYou can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.

Itunes iVoox Spotify Aquí estamos de nuevo con el podcast de hacercanciones.com . Bien. ¿queda algo más que decir acerca de las canciones? Por supuesto. Hoy vamos a demostrarlo poniendo nuestra atención en algo que no es estrictamente musical, ni siquiera algo exclusivamente creativo pero que, sin el cual, es muy muy difícil escribir canciones, grabarlas y demás, o tener una carrera artística, como se suele decir. En fin, a lo que iba. Hoy vamos a hablar del foco. No de luces potentes o escenarios, sino de concentración, de perseverancia y determinación. Algo más que necesario para casi cualquier cosa. Pero antes, os recuerdo que el formulario de hacercanciones.com/contacto sigue activo y disponible para comunicaros conmigo, así como nuestro podcast hermano Escritores de canciones, con nuevas y fascinantes historias de compositoras y compositores célebres. Mucho que aprender de ellas y ellos. Echadles un oído cuando tengáis un rato. Son episodios muy cortos, además. Bueno, al lío. #mailpoet_form_3 .mailpoet_form { } #mailpoet_form_3 .mailpoet_column_with_background { padding: 10px; } #mailpoet_form_3 .mailpoet_form_column:not(:first-child) { margin-left: 20px; } #mailpoet_form_3 .mailpoet_paragraph { line-height: 20px; margin-bottom: 20px; } #mailpoet_form_3 .mailpoet_segment_label, #mailpoet_form_3 .mailpoet_text_label, #mailpoet_form_3 .mailpoet_textarea_label, #mailpoet_form_3 .mailpoet_select_label, #mailpoet_form_3 .mailpoet_radio_label, #mailpoet_form_3 .mailpoet_checkbox_label, #mailpoet_form_3 .mailpoet_list_label, #mailpoet_form_3 .mailpoet_date_label { display: block; font-weight: normal; } #mailpoet_form_3 .mailpoet_text, #mailpoet_form_3 .mailpoet_textarea, #mailpoet_form_3 .mailpoet_select, #mailpoet_form_3 .mailpoet_date_month, #mailpoet_form_3 .mailpoet_date_day, #mailpoet_form_3 .mailpoet_date_year, #mailpoet_form_3 .mailpoet_date { display: block; } #mailpoet_form_3 .mailpoet_text, #mailpoet_form_3 .mailpoet_textarea { width: 200px; } #mailpoet_form_3 .mailpoet_checkbox { } #mailpoet_form_3 .mailpoet_submit { } #mailpoet_form_3 .mailpoet_divider { } #mailpoet_form_3 .mailpoet_message { } #mailpoet_form_3 .mailpoet_form_loading { width: 30px; text-align: center; line-height: normal; } #mailpoet_form_3 .mailpoet_form_loading > span { width: 5px; height: 5px; background-color: #5b5b5b; }#mailpoet_form_3{border: 1px solid #fcb900;border-radius: 40px;text-align: center;}#mailpoet_form_3 form.mailpoet_form {padding: 20px;}#mailpoet_form_3{width: 70%;}#mailpoet_form_3 .mailpoet_message {margin: 0; padding: 0 20px;}#mailpoet_form_3 .mailpoet_paragraph.last {margin-bottom: 0} @media (max-width: 500px) {#mailpoet_form_3 {background-image: none;}} @media (min-width: 500px) {#mailpoet_form_3 .last .mailpoet_paragraph:last-child {margin-bottom: 0}} @media (max-width: 500px) {#mailpoet_form_3 .mailpoet_form_column:last-child .mailpoet_paragraph:last-child {margin-bottom: 0}} Por favor, deja este campo vacío ¿Escribes canciones o te gustaría hacerlo? He leído y acepto la Política de Privacidad Con las Guías «El viaje de una canción» y «El viaje del músico independiente» de regalo Revisa tu bandeja de entrada o la carpeta de spam para confirmar tu suscripción.

We're back with another episode of I Had Trials Once and this time we're joined by Macclesfield captain...PAUL DAWSON! Paul sits down with Gaz & Jord to discuss everything from the magic of the FA Cup to why he loves hard tackles & jumping into 50/50's. The lads start the pod talking in depth about Macclesfields FA Cup run, knowing the Crystal Palace players weren't up for it and clearing the snow to make sure games were still on. Paul then talks us through his iconic goal against Crystal Palace, how he managed to rattle Adam Wharton by getting into his head all game & a serious Marc Guehi. The trio then chat in about facing Brentford in the next round, who Daws would have liked to have played and why it's important to stay focused on the next game. Paul then talks about how his move to Macclesfield came about, why a tarot card reading swayed his decision and his love of jumping into tough 50/50 tackles. Finally they end the pod talking about working under different managers at Macclesfield from Robbie Savage to Cleggy and now Adam Rooney! WE'RE DOING ANOTHER LIVE SHOW!

Since the start of summer, 33 people have lost their lives to drowning in Australia. With drowning trending upwards since the COVID-19 Pandemic, the Australian Water Safety Council has released a new Australian Water Safety Strategy 2030, strengthening national efforts to reduce drowning deaths by 50 per cent by the end of the decade. - Txij tau pib lub caij ntuj sov los no, twb tau muaj 33 tug neeg poob deg tuag ntawm teb chaws Australia lawm. Tsis tas li ntawd los txij thaum tau muaj tus kab mob COVID-19 kis thoob ntuj los no lub koom haum Australian Water Safety Council kuj tau coj nws lub tswv yim tshiab hu ua Australian Water Safety Strategy 2030 coj los pab haiv neeg no txo kom muaj tej kab theem neeg poob deg tsawg txog li 50 feem pua rau plaub (4) xyoos ntxiv no.

Episode 375 of the Football Fitness Federation Podcast is with Current Semi Pro Player & Director of Next Generation Football Coaching Marcus Daws We discussed: ▫️Dealing with pressure as an Academy prospect ▫️The person first approach ▫️The one skill he's taking from playing to coaching ▫️Coming through at Southampton & much more! Keep up with Marcus on Instagram @marcusdaws.10 or @nextgenfootballcoaching_ eep up to date with the amazing work our sponsors are doing here:⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ Hawkin Dynamics - www.hawkindynamics.com⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ Good Prep - thegoodprep.com⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ Discover the power of nutrition at WWW.THEGOODPREP.COM and use code FFF15 for 15% off your first order⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ Hytro - hytro.com⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ Maximise your athletic potential with Hytro BFR. Easier, safer and more practical BFR for squads to prepare for and recover from exercise than ever before.⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ Click the link [[ bit.ly/3ILVsbU ]]⁣⁣ ⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ Join our online community & get access to the very best Football Fitness content as well as the ability to connect with Sport Scientists and Strength & Conditioning coaches from around the world.⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ To get FULL access to all of these & even more like this, sign up to a FREE month on our online community at the link below.⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ www.footballfitfed.com/forum/index.a…⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ Keep up to date with everything that is going on at Football Fitness Federation at the following links:⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣ ⁣⁣ X - @FootballFitFed⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ Instagram - @FootballFitFed⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ Website - www.footballfitfed.com

Join the award-winning Sync Producer Hub In this episode the Sing Producer Hub community shares major wins — new placements, TuneEdge signings, and a standout America's Got Talent performance — while the host reviews modular TMA2 studio headphones and explores Suno Studio's AI-driven DAW features. Members discuss pitching strategies, library albums versus briefs, workflow tips, and industry concerns around AI and rights. The episode mixes practical sync advice with gear impressions and lively community updates.

In this episode, I sit down with Gitae Kim (aka Gimgi), the composer behind Ogu and the Secret Forest, for a long, honest conversation about creativity and the cost that sometimes comes with it.We talk about discipline, hyperfocus, burnout, physical health, and what it's really like trying to sustain a creative life. Gimgi shares how mandatory military service, learning instruments under pressure, and losing himself in flow states shaped the way he approaches music and game scoring today. We also get into the thinking behind the Ogu soundtrack — world-building, leitmotifs, and making music that serves the game rather than draws attention to itself. A grounded conversation about sensitivity, survival, and why we keep creating.GITAE KIM / GIMGI LINKS:Youtube: https://www.youtube.com/@gimgi2974Instagram: https://www.instagram.com/gimgi_tae/X: https://x.com/Captain_GimgiMarkus Junnikkala is a Composer from Finland.https://www.markusjunnikkala.com/Support this podcast by becoming a member:https://markusjunnikkala.com/membership/Want me to answer your question?Ask it on social media:https://www.instagram.com/markusjunnikkala/https://www.facebook.com/markusjunnikkala/https://x.com/markusjunnikkalhttps://www.reddit.com/user/markusjunnikkala/https://www.linkedin.com/in/markusjunnikkala/Subscribing, sharing, and liking helps the podcast.TIMESTAMPS:(00:00:00) Opening meditation and restless creative minds (00:04:30) Finally meeting after Tokyo Game Show (00:07:40) Korea vs Finland seasons culture and daily life (00:12:10) Mandatory military service in Korea (00:21:30) Learning trumpet in the army band under pressure (00:31:00) Discipline control and emotional survival (00:43:20) Hyperfocus paranoia and losing track of time (00:55:50) Overworking on Ogu and the limits of flow (01:07:40) Physical consequences spine pain and burnout (01:21:10) Standing desks ergonomics and creative health (01:39:30) Responsibility family and structure as an artist (01:56:40) Stress nervous system overload and sensitivity (02:15:00) Health crisis and long-term recovery (02:32:10) Reset after interruption continuing the conversation (02:35:40) Early musical life and discovering instruments (02:54:30) Bands guitar and finding a creative identity (03:12:20) Music technology DAWs and self teaching (03:28:40) Falling in love with game music (03:45:50) How Ogu and the Secret Forest happened (04:02:30) Composing Ogu themes structure and hidden ideas (04:21:40) Real instruments vocals and production choices (04:39:20) Working with developers and creative trust (04:50:40) What's next reflection and closing thoughts

In today's episode, I wanted to talk about a few techniques I have been experimenting with to make custom action figures.  I have, up until now, been using epoxy clay, which you can mold and sculpt until it hardens after about an hour, then sand or file it down until it is the way you want it.  It works great, but it creates a hybrid dried clay - plastic figure that while durable to an extent, is still somewhat brittle.  I have been looking for a way to create an all-plastic figure for the sake of durability (without injection molding). The last few weeks, I have been playing around with a kind of thermoplastic called Instamorph that softens into a moldable putty when heated to 150 degrees F.  While it does cure very fast, it can be heated back up again with a heat gun or a soldering iron and sculpted, just like epoxy clay.  As far as I can tell, it's safe to do this and does not release noxious gasses in the process.  It anneals directly to the plastic of the figure and, when cool, forms a solid piece, a bit like lamination.  It can also be dyed in the soft phase to potentially replace or minimize the need for painting. Speaking of which, I also experimented with applying paint while the plastic is hot, something called plastic annealing, which I think will be especially helpful with joints and other areas of frequent paint rub.There's more on this, plus some visuals, on this video I made.I also talk about some goals for 2026, some of which I talked about last week.  The major areas I want to focus on are:-Music - continuing to learn how to use DAWs to make music electronically-Writing - working on The Thirteenth Hour sequel on a consistent basis-Toymaking - continuing to use techniques like this to find new ways of making different kinds of figures more easily and with a wider range of base figures with less prep work needed-Podcasting - adding creators' corner chats and livestreaming of things adjacent to the podcast, like editing writing or making models Wishing you the best in the new year!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!

Send us a textBack in the 1960s and 70s, it was common to slightly change the speed of a tape machine when recording vocals, and sometimes other instruments. When the tape was played back at normal speed, the singer sounded younger and the performance was more exciting -- an important consideration back then. The tape speed was only changed a small amount, around 2% was typical. But the effect could be amazing.There were other applications for tape speed changes. For example, if a piano needed to be overdubbed on a song that had been recorded with the instruments tuned a bit off from standard tuning, the tape speed could be adjusted to bring the song to the tuning of the piano. And instruments could be recorded at speeds even farther off standard than you could get away with with vocals, creating an entirely new sound.Digital recording does not lend itself to variable speed recording, although some DAWs are capable of changing speed. But not too many engineers know about this classic effect.In this episode, I describe how it was done in the past, and how you can achieve the same thing in the digital world.You might notice that it has been a while since the last episode of this podcast. My voice was even worse than it usually is for a couple of months after getting a severe cold. I blame it on my 18-month old grandson, but he is worth the price I had to pay from catching his colds!email: dwfearn@dwfearn.comwww.youtube.com/c/DWFearnhttps://dwfearn.com/

Trump yuav coj BBC mus hais plaub, tej ntees nco txog tej neeg raug tua ntawm Bondi Beach, Australia tej nyiaj puag xyoo, Congo tej neeg thoj nam, yuav kub siab daws cov teeb meem Antisemitism lub caij yuav tswj phom kom nruj ntxiv, cov neeg Australia tuaj ntawm Southeast Asia tuaj raug ntsuam tau tias mob cancer coob tshaj plaws, Askiv tus neeg caij tsheb nrau neeg rau kaw tsev laj cuj 21 xyoos, lwm pab nom teb chaws ncua nws tsab cai tswj dej num tsiv teb tsaws chaw, Ukraine tsim pawg neeg them nyiaj kho Russia cov kev tua Ukraine, nqe hluav taws xob yuav kim heev yog tsis siv tsab cai net zero policy, pej kum haiv lub chaw hais plaub tsis pom zoo nrog Israel kom tsog tseg cov kev tshuaj ntsuam war crimes ntawm Gaza strip, Cob tsib yuav nplua tej neeg tsim suab toog ntsej, Thaib hais kom Cambodia tso tseg cov kev xub tua Thaib rau lub caij tsev tsoom fwv pub siv nyiaj tshaj 2 billion Baht pab nws tej tub rog.

In this NSW x Poducer episode, we sit down with Denver-based dubstep producer CØNTRA, whose path spans Suzuki violin, metal guitar, and 16+ years of bass music exploration. From growing up in the California redwoods to relocating to Denver, CØNTRA shares how nature, travel, and rave culture shaped his sound and artistic identity. The conversation gets real as he opens up about OCD, anxiety, sobriety, gym routines, cold plunges, and how mental health shapes his creativity. We dive into the Denver scene, Submission's role in his career, and what it actually feels like to go from fan in the crowd to artist on the agency roster. We also explore his philosophy on creativity (inspired in part by Rick Rubin's “antenna” concept), the myth of originality, why vocals are almost always part of his tunes, and how he's still figuring out what a “signature sound” means in modern bass music. The Podcast for Producers

Tonya Higdon grew up in a good family, but childhood trauma pushed her into years of addiction involving nearly every drug you can imagine. She became a young mother while struggling to stay clean, bounced in and out of trouble, and eventually went on the run after multiple arrests for driving without a license. When she was finally caught, Tonya was sentenced to three years in the Florida state prison system—where she formed a long-term relationship with another woman that lasted her entire sentence. In this episode of Locked In with Ian Bick, Tonya shares her full story: her upbringing, addiction, life on the run, surviving prison, the realities of having a prison girlfriend, and how she worked to rebuild her life afterward. This conversation offers an honest look at trauma, recovery, and resilience for anyone interested in real-life stories, addiction journeys, and the truth about life behind bars. #PrisonStory #PrisonLife #LockedInWithIanBick #InmateStories #TrueCrimePodcast #PrisonRelationships #RedemptionStory #prisonexperience Thank you to AURA FRAMES & DAWS for sponsoring this episode: Aura Frames: Exclusive $35 off Carver Mat at https://on.auraframes.com/LOCKEDIN. Promo Code LOCKEDIN DAWS: Go to http://www.daws.org/ to donate, adopt or send items from their wishlist. Connect with Tonya Higdon: TikTok: stankself_ Instagram: stankself4201 Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ Shop Locked In Merch: http://www.ianbick.com/shop Timestamps: 00:00 Intro: Her Story Before Prison & What Led Here 05:00 Childhood, Family Dynamics & Early Struggles 10:00 Trauma, Addiction Begins & Life Starts Unraveling 16:00 Losing Custody, Spiraling & Desperate Decisions 22:00 Life on the Run, Arrest & Reality Sets In 27:00 Sentencing Day: Walking Into Prison for the First Time 33:00 Prison Relationships, Survival & Finding Her Place Inside 39:00 Daily Life: Hustles, Routines & What Prison Food Is Really Like 45:00 Addiction Behind Bars & Hard Lessons Learned 50:00 Getting Out: Reentry, Rebuilding & Starting Over 56:00 Staying Sober, Finding Purpose & Her Social Media Journey 01:01:00 Family Healing, Forgiveness & Moving Forward 01:04:00 Her Advice: What She Learned & Final Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

Click Here,Text Us,Get a Shout-Out next episode.This Episode recorded and rendered on Reaper DAW.Hit play on a cozy, candid ride through creative tinkering, 80s nostalgia, and the kind of gratitude that only grows after a hard season. We start in the studio where we stress-test a new workflow, recording in Reaper and Audacity at the same time to chase better sound without risking the show. That practical look at tools and trade-offs opens into a broader conversation about making independent media in a value-for-value world—keeping the feed free, leaning on community, and learning in public.From there we move to the table—Thanksgiving memories, a second quiet dinner at home, and a cat that insists on a cameo. Music threads it all together. We found WSQK, a Stranger Things–themed internet radio station that spins 80s tracks and sly story nods, and it turned into an all-day soundtrack. The nostalgia isn't just fun; it's a mood shaper. That sets up a timely dive into why singing helps your health, pulling from BBC reporting on reduced stress, steadier heart rate, group bonding, and the simple joy of joining in rather than just listening.We also chew on a science headline: the oldest sequenced RNA from a woolly mammoth calf frozen in Siberian permafrost. It's a fascinating claim that deserves both curiosity and caution, so we unpack what RNA can reveal, what speculation might overreach, and how to love science without surrendering our questions. The emotional center lands in a personal story of recovery after a 2019 stroke—losing speech, movement, everyday skills—and the slow return of strength through prayer, rehab, family, and time. Gratitude shifts from a holiday word to a lived practice, and that's the heartbeat carrying us forward.Want to be part of the flock? Share a thought, send a voicemail, or drop us a line. If this conversation moved you, follow, share with a friend, and leave a review so others can find the show. Your support—prayers, talent, or a few dollars—keeps the mics on and the stories coming.Support the show I hope you enjoy the show! We believe in Value4Value for the podcaster and the listener alike. If you find value in our show, Please tell a friend or two. Word of mouth is the best way for our podcast to grow. If you haven't already, hit the "Follow" button. If you feel lead to, click on the support link and give financially. Say a prayer for us. Most importantly, please come back!Supporting us in anyway is much appreciated.Thanks for stopping by. Until Next time.73 and may the Father's love go with you.Bruce Email: theuglyquackingduck@gmail.comInstagram: https://www.instagram.com/theuglyquackingduck TikTok: https://www.tiktok.com/@theuglyquackingduck Facebook: The Ugly Quacking Duck Podcast Website: https://theuglyquackingduck.com

Tell Us How You Really FeelThe needle drops and the room changes—horns breathe, drums loosen, and a sampler starts talking back. We dive into the living thread between jazz and beat culture, from Congo Square and brass bands to dusty chops, off-grid drums, and the global scenes building tomorrow's standards today. The journey moves through the roots—rebellion, soul, spiritual release—into the eras of big band glory, commercial decline, and the underground that kept the flame alive until hip-hop cracked open the vault and let the swing back out.We explore how producers like DJ Premier, Pete Rock, J Dilla, Madlib, and Nujabes reintroduced jazz aesthetics to a new generation, turning horn riffs, Rhodes chords, and brushed cymbals into modern language. Along the way, we spotlight the cities and crews shaping the current wave: London's Yussef Dayes, Kamaal Williams, and Shabaka Hutchings; LA's Kamasi Washington and Terrace Martin; global innovators from Italy, Austria, Japan, and beyond. Labels and collectives like Jazz Is Dead bridge elders and explorers, proving the tradition evolves best when it's shared.Between records, we trade stories and facts that link technique to technology—Miles facing the band for deeper communication, Coltrane's relentless practice, Raymond Scott's early electronic machines, and how big band sessions birthed mic placement and room capture approaches that shaped modern studios and DAWs. Herbie Hancock reminds us that jazz is conversation: musicians, audience, and energy in constant exchange. Beat culture carries that forward—looping, bending, and improvising with machines as instruments. Ride with us, discover new artists and essential beat tapes, and feel the continuity: jazz never died; it reincarnated in the pads.If you felt the groove, subscribe, rate, and share with a friend. Drop a comment with your favorite jazz-sampled track and hit our Linktree to buy a tee shirt or buy us a coffee. Let's keep the lineage loud. Support the showEdited, Mixed and Mastered by GldnmndPodcast Website Link: The Rec Show PodcastSubscribe to Our YouTube Channel: Press Here

Dr. Brian Kelly returns to Locked In with Ian Bick for Part 2 — and this time, he's taking us deep inside the world of private investigation. After leaving his career in corrections, Dr. Kelly became a private detective, working everything from cheating spouse cases to fraud investigations and criminal surveillance. In this exclusive interview, he shares real stories from the job, exposes how social media has changed modern detective work, and reveals the shocking lengths people go to hide their secrets. #PrivateDetective #CheatingSpouses #LockedInWithIanBick #PrivateInvestigator #TrueCrimePodcast #InfidelityStories #SurveillanceSecrets #detectivestoriesinhindi Watch Part 1: https://www.youtube.com/watch?v=jSHiYbjI6GI Thank you to PELIPOST & DAWS for sponsoring this episode: Pelipost: Go to https://www.pelipost.com/ and use code LOCKEDIN at checkout to get your first 4x6 photo for FREE. DAWS: Go to http://www.daws.org/ to donate, adopt or send items from their wishlist. Connect with Dr Brian Kelly: LinkedIn: https://www.linkedin.com/in/drbriankellycfe/ Tiktok: https://www.tiktok.com/@ny_detective.professor Facebook: https://www.facebook.com/share/12KQCHt4tve/?mibextid=wwXIfr Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ Shop Locked In Merch: http://www.ianbick.com/shop Timestamps: 00:00 Private Investigator Stories — Dark Cases & Hidden Truths 05:04 How to Become a Private Investigator (Qualifications, Licensing, Training) 14:00 Surveillance Secrets — Modern PI Tech, Tracking & Tools 19:40 Infidelity Investigations — Cheating Spouses, Phones & Digital Trails 27:00 Fraud Cases — His First Major PI Job & What Really Happens 37:00 How Police View Private Investigators + Dating App Scam Cases 43:30 Catfishing Investigations — Real PI Stories & Shocking Reveals 50:30 Digital Privacy, Intuition & Gathering Information Legally 57:00 Family & Child Custody Investigations — Real Case Breakdowns 01:06:30 PI Ethics — Boundaries, Illegal Requests & What PIs Can't Do 01:16:00 Different Types of Private Investigators (Broker, Fixer, Hybrid) 01:23:30 Most Unforgettable PI Cases — Regrets, Lessons & Mistakes 01:33:30 Toughest Cases — Attempted Murder, Violence & Human Behavior 01:42:00 What PI Work Reveals About People (Behind the Scenes) 01:55:00 Final Thoughts, Advice & Closing Remarks Learn more about your ad choices. Visit megaphone.fm/adchoices

Edward English grew up between Houston and Ohio in a turbulent home marked by an absent father and an abusive stepfather. Put on Ritalin from ages 7 to 17, he struggled with confidence and identity — eventually turning to drugs as a way to escape. What started as experimentation spiraled into an eight-year heroin addiction that led to his arrest in 2011 for possession, distribution, and trafficking. Sentenced to nearly eight years in prison, Edward served 4.5 before being released in 2016. Behind bars, everything changed. Through faith, mentorship, and personal growth programs, he transformed his mindset and rebuilt his life from the inside out — a journey he documents in his memoir Emersion. Today, Edward is 14 years clean, a husband, father, and commercial plumber in Columbus, Ohio, dedicated to helping others overcome addiction and find purpose after prison. His story is one of pain, perseverance, and the power of true transformation. #LockedInWithIanBick #PrisonStories #TrueCrime #AddictionRecovery #HeroinAddiction #OhioPrison #RedemptionStory #realstories Thank you to DAWS for sponsoring this episode: Go to http://www.daws.org/ to donate, adopt or send items from their wishlist. Connect with Edward English: Facebook: Edward Lee English TikTok: @emersion589 Instagram: @emersion589 Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ Shop Locked In Merch: http://www.ianbick.com/shop Timestamps: 00:00 – Intro, Awkward Moments & Setting the Stage 00:36 – Host Announcements & Welcoming Lee 01:01 – Lee's Childhood, Family & Early Upbringing 05:51 – Trauma, Emotional Struggles & Coping as a Kid 10:26 – Turning to Drugs: Early Addiction & First Experiences 13:41 – High School Achievements, Pressure & Fitting In 17:05 – Life After High School: Work, College & Substance Use 19:42 – College Years: Addiction Deepens & Escalation Begins 24:01 – Rock Bottom: Mugging, Desperation & Collapse 28:28 – Moving Back Home & Falling Into Old Patterns 32:40 – Heroin Addiction Intensifies & Selling to Survive 37:29 – Survivor's Guilt, Dealing Drugs & Losing Control 43:41 – Spiritual Turning Point, Arrest & Reality Check 47:31 – Jail, Detox & The Mental Shift Toward Change 51:42 – Facing Trial, Sentencing & Harsh Consequences 56:07 – Family Impact, Regret & Self-Reflection Before Prison 01:00:32 – Prison Intake, Processing & First Impressions 01:05:05 – Prison Conditions, Programs & Daily Reality 01:10:10 – Marion Correctional: Adjusting, Programs & Growth 01:15:01 – Awkward Encounters, Prison Dynamics & Conflict 01:19:40 – Mentors, Guidance & Using Resources to Change 01:24:01 – Therapy, Recovery Work & Rebuilding the Mind 01:28:01 – Life Lessons, Release Preparation & Reentry 01:32:26 – Starting Over: Building a New Life & True Change 01:36:00 – Family, Healing Generational Trauma & Reflection 01:41:30 – Parenthood, Patience & Giving Back Through Kindness 01:43:07 – Hope, Redemption & Final Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Najla was born in New York but grew up in North Carolina, where a turbulent and abusive childhood pushed her to survive by any means necessary. On her own at a young age, she turned to scams to fund her lifestyle and escape the chaos at home. What started as small hustles quickly grew into full-blown bank fraud that eventually landed her in federal prison. Najla's story is one of pain, survival, and transformation — from a broken childhood to facing the harsh reality of prison life, and ultimately finding strength through redemption. Her journey exposes the dark truth behind white-collar crime, fraud, and the system that punishes survival. #LockedInWithIanBick #TrueCrime #WhiteCollarCrime #FederalPrison #FraudStory #BankFraud #RealStories #RedemptionStory Thank you to BLUECHEW & DAWS for sponsoring this episode: BlueChew: Visit https://bluechew.com/ and use promo code LOCKEDIN at checkout to get your first month of BlueChew & pay five bucks for shipping. DAWS: Go to http://www.daws.org/ to donate, adopt or send items from their wishlist. Connect with Najla: https://www.instagram.com/iamnajlawakeela?igsh=MXgxbnY5dDZrOXNkNg== Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ Shop Locked In Merch: http://www.ianbick.com/shop Timestamps: 00:00 – Intro: Who Is Naja & What Her Story Is About 00:32 – Naja's Early Life, Family Background & Childhood 02:54 – Growing Up: Abuse, Isolation, Moving & Instability 09:24 – Moments of Happiness & Early Independence 10:31 – Orlando Teen Years & Becoming a Teen Mom 13:12 – Struggling for Survival: Money Issues & Social Security 14:53 – Turning to Crime: First Scams, Fraud & Hustles 19:39 – How Check Fraud Works: Naja's Early Schemes 21:54 – Escalation: Leveling Up Into Bigger Scams 26:14 – The $900,000 Fraud Scheme & Getting Caught 31:43 – Arrest, Federal Charges, Prison Time & Testifying 33:58 – Life in Federal Prison: Daily Reality, Hustles & Survival 38:19 – Prison Fights, Conflict & How She Survived 42:32 – Prison Mentality, Family Issues & Preparing for Release 47:08 – Getting Out: Recidivism, Relapse & Second Chances 51:42 – Her Final Prison Stint & Choosing to Change Her Life 56:39 – Starting Over: Homeless Shelter, Struggle & Cosmetology School 01:01:26 – Moving to Atlanta & Fully Rebuilding Her Life 01:03:46 – Overcoming a Criminal Record & Finding Opportunity 01:05:04 – Owning Her Past: Disclosure, Stigma & Testimony 01:09:03 – Reflections: Lessons, Growth & Advice to Her Younger Self 01:11:54 – Family Estrangement, Healing & Forgiveness 01:14:07 – Closing Thoughts & Final Message Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn how Halter Technical builds pro-grade headphones and software designed for people who create content, not consume it. Marc Aflalo talks with founder Doc Justice about the origin of the company, why film and TV audio teams needed better tools, and how the WildTrax 2026 update expands what production sound mixers, podcasters, and studios can do.Doc Justice explains how his background as a hip hop DJ and sound mixer on unscripted TV led to creating Halter Technical. Directors and producers kept asking for headphones that didn't exist, so he built purpose-made tools for production teams who needed accurate dialogue monitoring, proper cable lengths, and hardware that fits real set workflows.The conversation shifts to WildTrax, Halter Technical's multi-track recording software that can handle up to 512 tracks. Doc describes why DAWs like Pro Tools didn't meet the syncing and metadata needs of production teams. WildTrax was designed to stay stable, sync to timecode, label files correctly, and generate reports that make post-production faster.Doc breaks down what's new in WildTrax 2026, including pro playback tools, integrated Tentacle Sync detection, MIDI timecode, quick notes, global monitoring, and new licensing. Users can now choose monthly, annual, or lifetime licenses, and the software works with any existing hardware setup.Marc and Doc discuss stability, podcast workflows, real-world feedback, and the growing community around WildTrax. Doc closes with details on the public beta and the full 2026 launch.If you enjoyed the conversation, subscribe for more interviews with creators, engineers, and innovators shaping the future of audio and production. Halter Technical: https://www.haltertechnical.comWildTrax: https://www.haltertechnical.com/wildtracks#AudioProduction #SoundMixing #FilmAudio  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Learn how Halter Technical builds pro-grade headphones and software designed for people who create content, not consume it. Marc Aflalo talks with founder Doc Justice about the origin of the company, why film and TV audio teams needed better tools, and how the WildTrax 2026 update expands what production sound mixers, podcasters, and studios can do. Doc Justice explains how his background as a hip hop DJ and sound mixer on unscripted TV led to creating Halter Technical. Directors and producers kept asking for headphones that didn't exist, so he built purpose-made tools for production teams who needed accurate dialogue monitoring, proper cable lengths, and hardware that fits real set workflows. The conversation shifts to WildTrax, Halter Technical's multi-track recording software that can handle up to 512 tracks. Doc describes why DAWs like Pro Tools didn't meet the syncing and metadata needs of production teams. WildTrax was designed to stay stable, sync to timecode, label files correctly, and generate reports that make post-production faster. Doc breaks down what's new in WildTrax 2026, including pro playback tools, integrated Tentacle Sync detection, MIDI timecode, quick notes, global monitoring, and new licensing. Users can now choose monthly, annual, or lifetime licenses, and the software works with any existing hardware setup. Marc and Doc discuss stability, podcast workflows, real-world feedback, and the growing community around WildTrax. Doc closes with details on the public beta and the full 2026 launch. If you enjoyed the conversation, subscribe for more interviews with creators, engineers, and innovators shaping the future of audio and production. Halter Technical: https://www.haltertechnical.com WildTrax: https://www.haltertechnical.com/wildtracks #AudioProduction #SoundMixing #FilmAudio Halter Technical, Doc Justice, WildTrax software, WildTrax 2026, production sound mixer tools, film set audio, multi track recording software, timecode synced audio, Tentacle Sync integration, dialogue monitoring headphones, production audio workflow, podcast recording tools, stable audio recorder, audio metadata tools, content creator audio gear, studio recording workflow Learn more about your ad choices. Visit megaphone.fm/adchoices

Sikhism is a rapidly growing religion in Australia, but it's still poorly understood. How are community leaders responding to misinformation and discrimination? - Sikhism ces yog ib cov kev ntseeg uas muaj neeg ntseeg coob kawg nkaus sai heev tuaj ntxiv ntawm teb chaws Australia lawm, thiab zoo li yeej tseem tsis tshua tau muaj tej neeg thoob tsib to nrog zoo txog cov kev ntseeg no. Tab sis tej coj ntawm tej zejzog no ho los daws tej xov xwm cuav thiab tej kev raug cais li cas?

For people of African descent, experiences of racism and discrimination are varied. How are different generations coming together to understand and address the issue? - Tej xeeb leej xeeb ntxwv neeg Africa los yeej ntsib tej xwm txheej raug lwm tus ntxub ntxaug thiab raug faib cais ntau yam sib txawv thiab. Tab sis ho muaj ntau phaum neeg ho tau los sib sau ua ke nrhiav tswv yim los sib pab kom muaj kev nkag siab txog tej teeb meem no thiab daws tej teeb meem no li cas?

Jahquan Allah grew up in the heart of New Jersey, surrounded by poverty, violence, and gang life. At just 16, he caught his first gun charge and spent most of his 20s in and out of jail, surviving the brutal reality of life as a Crip inside New Jersey prisons. After serving six years on another gun charge and being released in 2023, Jahquan made a decision to change everything. Now free, he's the founder of a fitness brand focused on discipline, redemption, and second chances. His story is a raw and powerful look into gang culture, prison survival, and the mindset it takes to rebuild your life after incarceration. #LockedInWithIanBick #NewJerseyPrisons #CripGang #PrisonStories #TrueCrime #GangLife #RedemptionStory #realstories Thank you to BLUECHEW & DAWS for sponsoring this episode: BlueChew: Visit https://bluechew.com/ and use promo code LOCKEDIN at checkout to get your first month of BlueChew & pay five bucks for shipping. DAWS: Go to http://www.daws.org/ to donate, adopt or send items from their wishlist. Connect with Jahquan Allah: IG: @Frontstreet_flash & @flashfitnessco TIKTOK: @flashfitnessco YOUTUBE: Flashfitnessco Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ Shop Locked In Merch: http://www.ianbick.com/shop Timestamps: 00:00 Introduction & Guest's Powerful Story 02:06 Growing Up in New Jersey & Family Struggles 05:37 Early Influences & The Pull Toward Street Life 09:15 Violence, Guns & the Harsh Reality of the Streets 13:00 Gang Affiliation, Loyalty & Neighborhood Codes 16:40 First Arrest, Juvenile Detention & Lessons Learned 21:37 House Arrest, School Life & Staying Out of Trouble 25:03 Repeat Offenses, Jail Time & Survival Mindset 30:00 Fighting Charges & Navigating County Jail Life 34:41 What Daily Life in County Jail Is Really Like 37:48 Jail Gangs, Politics & The Absence of Real OGs 43:14 State Prison Life: Lockdowns, Structure & Survival 46:48 Getting Out, Relapsing & Landing Back Inside 52:15 Facing Serious Charges & Finding Strength in Adversity 58:00 Mindset Shift, Growth & The Road to Redemption 01:02:56 Leaving Gang Life Behind & Building a New Future 01:07:36 Final Reflections, Hard Truths & Life After Prison Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 94: Jimmy Jam. Our first live audience interview! Jimmy Jam has lived through every major jump in music technology over the last five decades: drum machines, synths, MIDI, sampling, tape to digital recording, DAWs, and now AI. Together with Terry Lewis, he helped shape entire eras during these transitions, from Prince to Janet, Michael and beyond. Again and again, he showed that technology does not kill music. Musicians adapt, and the music adapts with them. In this conversation, we explore the real history behind the tools that changed everything, the fear curve that always appears during each breakthrough, and what today's AI moment looks like through the eyes of someone who lived through many of the most important shifts in music technology. If you want to understand where music is going, you have to understand how we got here. Jimmy Jam has one of the clearest perspectives in the world on that journey. We recorded this in front of a sold out audience at the Abundance Institute's Creative Frontiers event, and I could not imagine a better guest to talk about this moment in music history with. This is an important conversation, let's keep it going. Join us in the comments with your thoughts and questions, and let's keep learning together. 'Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ The Abundance Institute is a mission-driven nonprofit focused on creating space for emerging technologies to grow, thrive, and have a chance to reach their full potential. Abundance hosts Creative Frontiers to bring artists, builders, and policy-influencers together to shape the future of creativity. Subscribe: https://creativefrontier.substack.com/ Website: https://abundance.institute/ Instagram: https://www.instagram.com/abundanceinstitute/ Filmed LIVE at The Recording Club in Santa Monica https://www.therecording.club/ Follow Jimmy Jam: https://www.instagram.com/flytetymejam/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcardhttps://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood's Fake Studio Setups EXPOSED. In this episode of Studio Nerds Podcast, we break down the unrealistic studio scenes you see in movies and TV. From fake DAWS to impossible mic setups, we're exposing what Hollywood gets wrong about real music studios.Tune in for laughs, facts, and real engineer talk about how things actually work behind the glass.➡️ Get Our Rosetta Plugins: https://helpmedevvon.com/s/rosettaseries➡️ The Black Vortex Plugin: https://helpmedevvon.com/s/theblackvortex➡️ Our Site With Goodies: https://helpmedevvon.com/s/helpmedevvon➡️Buy From Sweetwater: https://cutt.ly/7hamejT _________________________________________________________ ▶ JOIN OUR COMMUNITY HERE: ➡️ Become A Member Of This Channel To Access Perks:https://thehmdcircle.com➡️Instagram: https://instagram.com/helpmedevvon➡️Twitter: https://twitter.com/helpmedevvonEmail Me: helpmedevvon@gmail.com #mixing #mastering #tutorial

In this episode, we sit down with Gregor Beyerle, one of the most recognizable faces behind PreSonus Studio One and its Software Product Specialist at Fender / PreSonus.Gregor shares his journey from touring keyboardist and ghostwriter to becoming one of Studio One's most trusted voices in workflow design and education.We dig into:How Gregor went from touring Europe at age 19 to joining PreSonusWhy speed = income — and how workflow design can double your outputThe evolution of Studio One from 2.0 to 7The new Launcher / Looper page and how it compares to Ableton LiveKeyboard shortcuts, ergonomics, and the balance between logic & creativityThe future of interoperability between DAWs and why collaboration mattersGregor's own projects: Reaper and Voltmeister

In today's episode, I'm pretty much wrapping up the track I started last week for an episode that my brother and I recorded a few weeks ago based on a setting in his role playing game, Mappa Mundi.  I'm using the same DAW (digital audio workspace) I started learning how to use last month, the free web-based program Bandlab. Part of the reason for the past month and a half of making tracks this way was to warm up to the idea of making music entirely digitally (since that is what most people in the niche I probably most closely align with musically - synthwave - use).  I must confess as a nonjoiner, I tend to ignore, be oblivious to, and occasionally even take perverse pleasure in being the contrarian.  So I was using a more analog approach until now, mostly because it just worked.   But now I can see the benefits.  Yes, there are downsides (it's basically all done in front of a computer), but I think it's a worthwhile investment to learn this program and then progress to some of the more commonly used DAWs that most music producers use.  They are just tools, after all, and at the end of the day, any tool is just that.What I still don't know if using a DAW actually saved me any time.  I actually don't think so.  That might because of the ongoing learning curve.  But it might also be due to the capability of fiddling more with things on a more microscopic level, whereas the analog world involved more guesswork and the necessity of being okay with imperfection, even with the finished product (as anyone who has heard the pops and hisses of records and cassettes can attest to).  With things going digital, I can see the capacity to fiddle endlessly and never fully finish anything.  So we will have to see.This episode also made a little mention of Jane Goodall, one of my heroes, who passed away recently.  I brought it up since the premise of the track is that you're a naturalist/explorer observing a supernatural phenomenon in the world of the game (cue pixelated depiction below), but though she gave a lot to the world due to her work and her passing marks the end of an era in some ways, I actually don't she'd want people to be sad and pessimistic at her passing.  She championed for people to have hope (since 2022 she did a podcast she called her Hopecast, after all).  She championed for local change.  She championed for us to remember that one does not need to go to the ends of the Earth to find adventure or do good - good starts right in front of you with your own life, your own family, your own community - a great thing, I think, to keep in mind in uncertain times.Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. https://13thhr.wordpress.com/2025/10/06/the-thirteenth-hour-podcast-530-musical-interlude-finishing-ice-giant-part-2-2/

BOSSes, Anne Ganguzza is joined by Tom Dheere to discuss a foundational topic for every voiceover career: coaching. The hosts assert that every voice actor, from beginner to veteran, needs a coach. The Bosses explore why continuous learning is a necessity in today's saturated market, how to avoid being overwhelmed by industry information, and the combined importance of mastering both performance and business skills.   00:00 - Anne (Host) Hey Boss listeners. Are you ready to turn your voiceover career goals into achievements? With my personalized coaching and demo production, I'm here to help you reach new milestones. You know you're already part of a Boss community that strives for the very best. Let's elevate that. Your success is my next project. Find out more at anneganguzza.com.  00:25 - Speaker 2 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  00:44 - Anne (Host) Hey everyone, welcome to the VO Boss podcast and the Real Bosses series. I'm your host, Anne Ganguzza, and I'm delighted to be here with Mr Tom Dheere. Yay, yay, hello Anne, hi Tom, yes, guess what, tom, it's that time of year again.  01:01 - Speaker 2 (Announcement) It is you?  01:01 - Anne (Host) know when everybody's going back to school.  01:05 - Tom (Guest) Back to school. Oh yeah, I already bought my trapper keeper.  01:09 - Anne (Host) Oh my gosh, I used to love those. You know that was one of my favorite things about going back to school is buying office supplies and getting ready, and I was one of those rare. I don't know, tom, if you were one of those students, but I loved school. Love, tom, if you were one of those students, but I loved school. Love, love, love school. And it was always exciting to me to, number one, go back for the social component of things and then to go back and like I don't know. I always wanted to like advance in my subjects, and so I was always excited about learning.  01:37 - Tom (Guest) Yeah, me too. I do love school supplies, like if anyone who knows me as just me, or me as the vo strategist like?  01:47 - Anne (Host) of course he loves school supplies right, you know, sharpened pencils and rulers and everything being organized, paper clips and clothes, clothes, my new school clothes.  01:54 - Tom (Guest) You know, hey, oh, love the school clothes. Gotta get the new school clothes.  01:58 - Anne (Host) Well then, speaking of school, you know. I mean maybe it's time that we have a chat about coaching, coaching in this industry. And does it matter, tom, does it? There's so much information out there. Does it matter? Is it beneficial?  02:15 - Tom (Guest) let's, let's, let's chat about that well, one at first. It's funny that we actually haven't talked about this in the few years that we've done the real bosses podcast and two. You know there's an old saying which is never ask an encyclopedia salesman if you need an encyclopedia.  02:28 - Anne (Host) Yes, exactly so you asking?  02:29 - Tom (Guest) me a voiceover coach. If voice actors need voiceover coaching, we'll say well, of course, the answer is yes.  02:34 - Anne (Host) I know and for me to say do we need coaching? As a coach and demo producer.  02:45 - Tom (Guest) Of course. Of course we're gonna say so. Yes, full disclosure. Of course, we as coaches, yes. But here's the thing about it is that I know ann does not accept everybody that that wants to work with her, and I know that not. I don't accept everybody that wants to work with me for all kind, for all kinds of uh, all kinds of reasons. But every voice, regardless of where they are in their journey, needs coaching. You always need to be learning. The greatest baseball players and musicians everyone has a coach. Tiger Woods has a swing coach. Aaron Judge has a baseball bat swing coach as opposed to a golf swing coach. All the greatest artists and athletes have coaching. Do they know more than most? Can they do it better than most? Of course, that's why they are in the positions that they are in doing what they're doing, making what they're making, being as famous as they are, but it's a constant, constant sort of you know all the arts. There needs to be a constant level of education re-education, continuous learning, as they say, absolutely.  03:49 - Anne (Host) And if you're just starting out in the industry, you have to have a fundamental base. And there is, you know, hey, I am the biggest you know. And Google and gangoozle, and gangoozle, and gangoozle, whatever, I am the biggest lover of you know. Search the internet, find the answers. Because I mean, gosh, back in the day, you remember when we used to have to do research, we'd have to actually go to the library and then you would write, like I'd have to write notes for my term paper on like, on like index cards.  04:17 - Tom (Guest) What is this library? What is?  04:19 - Anne (Host) this library. What is this library? Well, our, I mean the library is at our fingertips and so we can. I mean, there's so much out there and, tom, both you and I put out a lot of content in regards to this industry and you know the business of the industry and performance. I give out performance tips and so I think a lot of times when you're first starting out, it can be really overwhelming, and so having a source, a coach, to go to, to kind of make it less overwhelming, can be an actual advantage as well.  04:52 As for me, what was I saying the other day? Oh, in my Pilates class I was like, yeah, I pay to go to this Pilates class so I can do the stretching on the foam roller that I have here at home and I just don't do Right, so I go and use the foam roller that's at the Pilates studio. But there's something to be said in being in a classroom and and actually saying I am dedicating this time for me to learn something or to, you know, to, to, to grow myself, and coaching is a big part of that grow myself, and coaching is a big part of that.  05:30 - Tom (Guest) I agree, the ability to take time and money to commit to a process that you know in. To a certain degree, you could do some of it on your own, but a lot of people most people, I would say like the reason why I have so many mentorship students that I have is that they're like I just need you.  05:48 I just need to have someone to talk to once a month, bounce ideas off of and hold me accountable for it and when you have, and I love accountability and I love stand up groups and meet up groups, but when they actually have to fork money over to me to basically be a paid accountability buddy, there's something to that, something to that I mean. And also, you know, when you're in an accountability buddy group with an accountability buddy or a mastermind group or standup group, that's all great, but most of them are peers.  06:19 Yes, absolutely With the same level of experience and knowledge as you as opposed to working with you or me or another coach who is just have you know, scads of knowledge and experience and the ability to disseminate that knowledge effectively. And also, I know you and I know you keep up with industry trends on a performance and technology and business and marketing level. So do I. We have to do that to be relevant and effective. We have our means. We read the same blogs and watch the same podcasts as everybody else, but I'm sure I know I have my own little secret methods of how I'm keeping up with things, and I'm sure you do too that we're able to aggregate and have, in a concise Anne, to say this is what's going on in the industry, this is how it applies to you. These are the decisions that you could make based on who you are, your talent level, your experience level, the time you have, the money you have that could get you where you want to go.  07:15 - Anne (Host) Well, and the accountability it doesn't just stop with the student. I mean, the coach is accountable. And that is, I think, where the difference is between peer accountability groups, because peer accountability groups, yeah, we can say, yeah, you were supposed to do this last week, or you, this is, this is on your goal sheet, but the stakes are not as high. I don't believe in a peer accountability group as a coach, because coaches are judged on their effectiveness, right, and they they get business based upon their effectiveness and word of mouth. So when you want to go work with someone where that is a factor, you're going to get education.  07:54 That, I think, really counts and is really intentional and therefore, I believe the quality of that is going to be better and it's going to be directly customized, especially if it's one-on-one coaching, and I do both group coaching and one-on-one coaching. But really, when you get that one-on-one time with a coach, there's nothing better than that, because I mean, I look, I offer group coaching as well, but that one-on-one time is precious. That is where it is all about you. It's customized just for you, your career, your growth. And that is where I think coaching really shines and why it still matters and I think, actually, I think it matters more today than it did in years past, because there's so much more competition out there, tom and there's, of course, you know, the synthetic competition out there there, tom, and there's, of course, you know, the synthetic competition out there and we need to really create something, a footprint for ourselves or a voice print, really for ourselves, that is unique and that is competitive and that can actually connect with our audience, which is what our clients are paying us for.  08:59 - Tom (Guest) Yeah, there are more voiceover opportunities for voice actors of all experience levels than ever ever before. There's more genres than ever. There are more voiceover opportunities for voice actors of all experience levels than ever ever before. There's more genres than ever. There are more casting sites than ever, you know, because when I just started, you know there was radio commercials and TV commercials and you know not that much. I mean there was e-learning, reel-to-reel kind of stuff. You know there wasn't that much more.  09:24 Now there's app narration, explainer videos, you know, audio description. There's just so many other ways to get work. But the flip side of that, Anne, is that it's so complicated because there's almost like there's too many choices and there's too many coaches and there's too many casting sites and there's too many blogs and too many podcasts and too many DAWs and too many CRMs and the ability to navigate that and make sure that their time and money is well spent. It's a huge challenge. I mean, I'm on Reddit pretty regularly hanging out on the voiceover related subreddits and listening and watching and, you know, giving advice and stuff like that, and they all say the same thing I don't know where to find a good coach. I don't know how to vet a good coach. I got ripped off by this coach, isn't?  10:15 - Anne (Host) that funny? That's always the question. That's always the question because I think everybody's overwhelmed with that information. You know, I don't think it's unlike just because it's you know the online world today. I don't think it's unlike choices that you have in most everything, right, where can you find a good one? And so what do we do? We rely on word of mouth, we rely on recommendations from our peers who have had a good coach and can recommend a good coach, and so I think that it's good that we have the community and coaches that are out there. You know, hopefully you have a good reputation and if you don't, and if you're just kind of a fly by night coach, well, people will find that out too. So I think that it's, in a way, it's good that there is lots of talk and communication and I always tell you know people, testimonials are always, they're so worthwhile, and word of mouth and communication, and I always tell you know people, testimonials are always, they're so worthwhile and and word of mouth and recommendations. It really is kind of the way, I think, to get work, to get a good coach to do all of that. But I'm talking for me. I'm involved in the performance aspect of the coaching.  11:19 But you right, first of all, you can have the best voice, you can do the best audition, you can be, have the best performance skills ever, but if somebody doesn't know how to find you, or you're not marketing yourself properly, or you don't have your business set up properly guess what? You're not you're gonna sit there and not get hired. I just spoke to a new student the other day who I literally said he's got four demos. And I and he said, like he's been in the business for six years. And he's like well, I don't have an aging yet and I haven't had a VO job yet. And I'm like well, why have you not had a VO job yet? I mean, he's not like he hasn't spent his money. You know what I mean, and so he needs right.  12:00 And then I went and looked at his website. There's absolutely no. And I said, well, you have no examples of work that you've done. You have, you know, and you can't expect to get it all with just an agent, depending on the genre you're in. And he, basically, I said you can have the best voice in the world, but it's not going to do you any good if nobody can find you. So that's where your business coaching comes into play. So it's not just performance coaching that I think is necessary and business coaching is the non-sexy. It's kind of like I do corporate voiceover and it's like the non-sexy part of voiceover. I think business coaching sometimes gets that same stigma and in fact, it's something that I think people need more than ever, more than ever today. Right, and of course, talk about that, tom, of course as the VO strategist, I always say that everybody should get a business coach.  12:44 - Tom (Guest) But to your point is that you could work with me for years and have the best business model, have the best marketing strategies, but if you're not an effective performer, it's not going to matter.  12:58 Yeah, yeah, just like you said, you could be the best performer in the world, but if nobody knows you exist, it's not going to matter either. So it's this synergistic relationship of developing your what I call your storytelling skills, your VO-101 skills, breath control, microphone technique, your genre skills, you know, to be able to be demo ready, to make that shiny demo, and then you can do the things with the demo, which is what I, as the VO strategist, helps everybody with, and everybody has their own journey. Everybody has their own relationship with themselves internally, which it's our job as coaches to be like. Ok, you know, how does this person tick, how does this person respond? How does this person respond to criticism? How does this person respond to praise? How does this person respond to data? You know, and everybody has their own ideas of what success is for them. And these, you know, these people love these social media platforms and these people hate social media and these people hate all social media, and you know.  14:00 And these people hate social media, and these people hate all social media, and you know. And these people hate online casting sites and so on and so forth. So everybody has their own biases and tendencies and, as effective coaches, on both a performance level and a business and marketing level, you know it's our job to be able to navigate that, and that's why the single most important skill that every voiceover coach performance, business, marketing, tech or otherwise has to have is the ability to listen, which also is the same exact skill that every voice actor needs to be a successful, effective, relevant voice actor. So, if you're having a conversation with someone you're considering coaching with and you can't get a word in because they're talking about themselves or that one cartoon they did 30 years ago, or if it's all sell, sell, sell, that tells you something, because they are not asking you what your pain points are Sure.  14:53 - Anne (Host) Every good marketer Help you solve them.  14:55 - Tom (Guest) Exactly Every good marketer, whether it's a a commercial, tired of using this old mop this way. You know. That's identifying the pain point. If I used to use, I use this mop. This mop stinks. Go use this mop. This mop's great. If there isn't any kind of centered likes, any kind of back and forth, reciprocal. You know what are, what are you going through, what are what challenges have you? What are your struggles? Oh okay, well, based on this, this and this, I can help you with this, this and this, as opposed to some. You know old hack, who's just going to throw these stock scripts at you and you know in three lessons. And then you get your demo using the same scripts that everybody uses or a new hack, who you know?  15:32 - Anne (Host) there are new hacks we've seen a lot of those out there.  15:35 - Tom (Guest) I have noticed quite a few new hacks lately both in the performance and business and marketing categories.  15:42 - Anne (Host) I think also, when you talk about an industry that has evolved and changed so much and especially, you know, this year's been an interesting year I mean you've got changes in things outside of the industry that are affecting, you know, corporations and affecting people who advertise, and affecting the climate of what we do, and so that makes people scared to advertise Sometimes, it makes people scared to spend money. It makes, you know there's all sorts of things happening outside of our industry that affect our industry as well as you know. I mean what's happening in your own personal life as well as you know. I mean what's happening in your own personal life. So we talk about the necessity of performance coaching and business coaching, but there's also, believe it or not, there's something to be said for, you know, coaching of the mind and coaching to be a confident performer, a confident business person, somebody who can be competitive and negotiate in these times where it seems like everybody's vying for the same job, and so there's also mindset skills, I think, that are also valuable to be coached. I think, like you said it in the beginning, like a lifelong learner, I think we always have to be learning. We always have to be learning, and do we have to spend tons and tons of money doing it. No, not necessarily, but I do think that there's an investment there and I think it's something that you need to revisit.  17:08 If you did get coaching prior to your demo, maybe five years ago, and now maybe you need a new demo.  17:15 I personally think that everything needs a refresh and, you know, if you haven't coached in a while, I feel like having someone else's ears listen to you. If you haven't been booking why, why is that? Go to a trusted coach and have them listen to you and see if maybe you've fallen into some sort of a rut where maybe you're not delivering performance-wise I don't know a rut where maybe you're not delivering performance wise. Or, for example, when I spoke to the student yesterday who's like well, I haven't gotten a job yet, and I'm like OK, first of all, I'm looking at your website and you don't have downloadable demos. Your website, your demos, are five years old. You know there's lots of things that can contribute to not getting hired, and so I think that the coaching can. Yes, it's definitely investment, but again, remember, any business, you have investments and I think that again, more than ever, it is important to be educated and understand how you can evolve with the changing VO industry of today.  18:15 - Tom (Guest) I think what I agree with everything that you said wholeheartedly, on top of all, that all voice actors need to invest in empowerment. That is one of the biggest deficiencies that most aspiring voice actors have coming into the industry. They immediately, you know, disempower themselves. They immediately devalue themselves because they have this and this is a system of thought thing that I talk about all the time, Anne is that most people coming into the voice industry think that the industry is vertical, it's a ladder or a mountain and you have to climb it and as you climb it, you kick people in the face and knock them off the ladder or the mountain like it's some reality show and you go ha ha, I take your videos now.  19:01 Haha, I narrate them. You don't blah, blah. That's not how it works. I've always talked about how the voiceover industry is spherical and you're the center of your sphere and your job is to expand your sphere and empower yourself by including as many good humans in it as possible, both agents and managers and audio engineers and coaches and fellow voice actors and your accountant and your lawyer and your graphic designer or your social media manager or whoever to empower you so you can make the best decisions possible to expand that sphere and move your voiceover business forward.  19:36 So to work with an effective coach to be or just to be, just to be educating yourself in general is to empower you you know, on both a personal and a professional level, and the more that you can do that, the better chance you have of making those voiceover dreams come true.  19:55 - Anne (Host) I mean, and and speaking of, we always talk about, what are the red flags? What are the red flags right? How do we know a coach is worthy of my investment? Right, a coach, a business coach or performance coach? You know, I like to start with. First of all, let's let's talk about what it takes to get a good coach. I mean, what are the? What are the green flags Right? What? What do you look for in a good coach? What are some properties of a good coach? Would you?  20:22 - Tom (Guest) say you touched on this earlier. Reputation is definitely one. I mean there's the reputation of someone like a Jennifer Hale who holds the Guinness World Record for the most amount of video game characters ever recorded by a female. So there's a level of something that comes with that.  20:42 Jen also happens to be a great articulator and a great coach, but then there's other coaches that have done one character decades ago hasn't done much work since, and then that's the only thing that they hang their shingle and their reputation on this one character that they played a very, very long time ago. Shingle and their reputation on this one character that they played a very, very long time ago. Jennifer, like you and me and a bunch of our other coaching and voiceover friends are boots on the ground day to day, dare I say, in the trenches. Voice actors. We are working, we are auditioning and marketing and booking regularly. So I always say the first green flag for a good voiceover coach is to go to their voice actor website and go check that out.  21:26 See what they've got, see what they have done recently, see if their demos and YouTube Anne and playlists have been updated recently, check their IMDB profiles and see what work they have done. And layered on top of that, you know, as a voice actor, reputation, obviously, as a voiceover, coach, reputation, testimonials on the website, testimonials on social media platforms, conversations that people are having behind our back on various social media platforms or in subreddits or Discord servers or or facebook groups, like though that's some of the major. Those are two of the biggest green flags is the. You know, because you never know and there is no guarantee of any voice actor achieving any level of success, but you know your chances of empowerment will increase if you work with someone who knows what they're doing, has been doing it for a long time and is doing it today.  22:19 - Anne (Host) Yeah, exactly. So they have evolved over the evolution of the voiceover industry and so they know. They know what agents are looking for, they know what casting directors are looking for, they know what is relevant and current in the industry. So red flags on the other side.  22:38 - Tom (Guest) Well, the red flags are if they just started. There's a lot of voice actors or aspiring voice actors who do a couple of gigs and all of a sudden they hang out their shingle as a voiceover business coach and marketing coach, or performance coach. You and I see it all the time.  22:55 - Anne (Host) I think there has to be some longevity to it.  22:57 - Tom (Guest) Yeah, there needs to be some longevity to it. Yeah, there needs to be some longevity. Now. Everybody has to start somewhere, and you know someone who may turn out to be the greatest performance or business coach ever has to start somewhere, and start with one student.  23:12 And you know what I mean, but for those that haven't been in the industry for very long, that have little or no IMDB credits or have little or no samples on their voiceover website, all of a sudden they're a coach. Well, that's telling you something, and I've seen it from personal experience. People working, for example, with me get some business coaching from me and then a couple months later they're all of a sudden a business coach. And I'm like wait a minute, wait a minute, they never last.  23:38 - Anne (Host) Well, I always think they never last, though.  23:41 You know, for me it's always like and people say this all the time, right, you know the quick success, right, and I see it in. You know ads, in ads like, hey, you don't need expensive equipment or training to be a voice actor. And you know those are designed to sell the dream. And again we have to say it, you know, and it sounds like a broken record, but just if we reach just one person right and I always tell people like, honestly, it's a skill You're becoming an actor. I mean, that doesn't happen overnight. It is a marathon, not a sprint. It really is a marathon, and the people who are truly successful in this industry know that. And marathon by marathon, I'm not talking six months, I'm not talking three months, I'm not talking, I'm talking years, years of working in this industry and putting in the work, doing the auditions, getting the training. Those are the ones that become successful.  24:38 - Tom (Guest) Absolutely. This is a long-term investment. It's just like going to college, going to medical school, going to trade school going to vocational school.  24:49 It takes a long time to develop the skills and collect the tools, both literal, physical, microphone headphones, daw and the other business and marketing tools understanding how to write a business plan, how to create a marketing strategy, how to make long-term investments through blogging and social media, how to make short-term investments through auditioning on free casting sites and then developing your skills, and then maybe moving to pay-to-play casting sites which have higher quality, higher paying auditions and then using that to develop your skills to maybe then you're ready to submit to agents. There are things that have to happen in order. You know, a tomato can't grow until you plant the seed, water it and wait.  25:37 - Anne (Host) Right, exactly. Well, I love that because so many people are like well, I can't invest in another demo or more coaching until I make money in the industry. So, oh gosh, I wish I had a nickel for every time. Somebody said that to me and I'm like but it doesn't quite work like that In reality. You do have to make an initial upfront investment and it may take you a minute before you make that money back. And so you've got to get the skills developed in both running your business, establishing that you know, hanging out the shingle on your online website. There's money involved in that. There's money involved in you know setting up your business or getting you know good business coaching, advertising yourself. And there's, of course, money in performance wise being, you know, coached so that you're competitive.  26:26 In today's industry, you're competitive and doing well, and even the people who do, who are great performers. It's not always an immediate return on investment. I mean, gosh, I mean I've spoken to veterans out there. I mean you have to understand. You have to be in it long enough to understand that you're not going to get a commercial a day necessarily. I mean I don't know anybody that ever has, and that dream can't be sold to you. You really just have to be. I think you have to think what Malcolm? I always go back to Malcolm Gladwell 10,000 hours, really 10,000 hours of effort and you know to really start to see effective success. And then you evolve into growing into a better performer, a better actor, a better business person. Tom, if somebody's interested in it, how much would you say is when is a good time to invest? When do they take that step and say plunk down my money, here's my money, coach me.  27:37 - Tom (Guest) I would say what has to happen. I think the first thing that has to happen is that they have to invest in storytelling training first. Theater training, on-camera training, singing training, improv training, stand-up comedy training. Pick one of those disciplines.  27:52 - Anne (Host) But does that mean they have to spend money and go to an acting class? Not necessarily.  27:55 - Tom (Guest) I mean improv troops are free. You know open mic night is free. You know there's community theater is free. There's lots of places where they can develop that skill, because first they need to find out if they have that skill they don't want to be on stage.  28:09 - Anne (Host) That's why they're right. That's why they're doing it behind the mic. That's why right.  28:13 - Tom (Guest) So for those people. Right, and the thing about that is they need to find out if they have the ability, through the power of their voice, to engage and be engaging. If you can do that through those, then you can. Then that's when I think is a good time to start your VO training. Here's the other thing, Anne, is that you know. You mentioned briefly AI at the beginning of it. If you are better than AI when you're, you know when you're starting to invest in your training, you're not going to get anywhere.  28:42 - Anne (Host) And what's going to make the difference? And AI reads really well. So if you're nothing but a really pretty reader, yeah, you got no shot.  28:48 - Tom (Guest) You're not going to advance. That's why getting acting, theater, improv, stand up or singing training is going to already you're hitting the ground running by already being better than AI when you're, once you're ready for your VO training. That's why I think you should really start that way.  29:02 - Anne (Host) Yeah, One thing I do want to stress is that my coaching has gone. It was always been acting based. I mean it starts with acting based. So for those people who've never taken acting course, I always I always recommend that they take an acting course anyway, because there's a subtle difference between acting in front of other people or acting with people and then acting behind the mic, and it's nice to have that 360 degree view of all the aspects of the acting. And a good coach will teach you voice acting and not just here's a script, here's how and direct you to a sound that would sound good on a demo, really, and that's why I concentrate. I'm almost obsessed with personally training people to be good actors, because that's going to last them so much longer than just a directed demo. Right, Because if any good director can direct you to a good demo, really it's.  29:55 You know they can give you the read that people are looking for and then you can have a great demo. But then, all of a sudden, when you're asked to produce that or you're trying to audition and you're wondering why you're not booking the jobs, that's because you haven't established the basic skills, the basic acting skills required. Definitely, investment is not just in a voice acting coach, but, yes, in, I think, acting classes, improv classes. All of that can help. All of that can help.  30:21 - Tom (Guest) Absolutely. It's just going to make you that much better, that much faster and that much better of a decision maker than AI, because the real skill, when it comes to true performance, is not about what impressions you can do is can you make strong acting choices quickly, right, right, right. And if you can do that when the client says, hey, abc. That for me, and you can do is can you make strong acting choices quickly, right, right, right. And if you can do that when the client says, hey, abc that for me, and you can give them three takes with different emphasis and different motivations and different levels of engagement.  30:47 That's what's going to get you ahead of the pack.  30:50 - Anne (Host) And honestly, it's one of those things that you have to understand that if you're looking, if you happen to just be getting in this industry and you watch social media, be careful with that, because a lot of what happens on social media is all the positive things, all the hey I booked the gig but I can't tell you about it, or the illusion that you know people are successful, because you know it takes a very special person to be on social media and say, oh gosh, I didn't nail it and I'm so upset Because a lot of times, well, first of all, if it's something that's under NDA, we can't really talk about it anyways.  31:28 But if you give the illusion or you're looking at other people that are giving the illusion that they're successful and making tons of money and they just started or they didn't do it this way, there's multiple ways to be successful in voiceover and there are some people that would say you don't necessarily need coaching. Honestly, I don't buy into that, but I think at some point everybody needs to have that extra ear, hearing them or giving them some sort of education about it, whether it could be a manager, it could be a talent agent. It doesn't have to be an actual voiceover coach, but somebody that's giving you feedback so that you can then take that feedback and improve. Do what you need to educate and improve yourself.  32:12 - Tom (Guest) I think you touched upon something very critical which is one of the most important skills is the ability to self-direct and with COVID wiping out all in-person auditions, at least here in New York City, and for most voice actors, almost 100% of their actual bookings are going to be taking place at home, not being directed. Then you need to learn how to listen to yourself objectively when it comes to pace and tone and inflection and sibilance and regionalisms and mic placement and breath control and, obviously, performance choices. That you should be able to learn how to hear yourself and adjust accordingly, because if you can't do that, you can't be an effective voice actor.  32:58 - Anne (Host) That's a process being able to self-direct, it's being able to develop an ear. An ear doesn't happen overnight, typically, it just doesn't. It's hard for people to actually hear themselves without actually hearing how they sound and to evaluate themselves as an actor. So it is tough. Themselves as an actor. So it is tough. And it does take, I think, a lot of I'm going to say a lot of practice, a lot of you know, auditions, a lot of failing, a lot of just going oh shoot, what could I have done wrong? Or maybe feedback, and so, yeah, there's a lot to that. I mean, gosh, we could just go on all day. But guys, again, you know we're both coaches. Of course we'd love it if you coach with us, but just know that it's valuable. It's valuable in today's voiceover industry to have another set of ears, to have a trusted coach, somebody. That's what they do. They've been established in the business that is guiding you along this career, which, again, is a marathon not a sprint. Good discussion, tom, yeah.  33:57 - Speaker 2 (Announcement) Good discussion All right, tom.  33:58 - Anne (Host) Yeah, good discussion. All right guys. I'm going to give a great big shout out to our sponsor, ipdtl. You too can network and connect like bosses, like real bosses. Find out more at IPDTLcom. Have an amazing week and we'll see you next week. Bye.  34:13 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. 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Starting your music journey but not sure which DAW to choose? In this video, we break down the best DAWs to kick off your career, what makes them different, and which one will actually help you grow as a producer. We also discuss the different demo versions of all the daws to figure out who has the best offering.➡️ Get Bypass Here: https://helpmedevvon.com/products/bypass➡️ Our Site: https://www.helpmedevvon.com ➡️ Get Our Rosetta Plugins: https://cutt.ly/RwAEmuRF➡️ Our Site: https://www.helpmedevvon.com Please subscribe to our YouTube and rate our podcast it helps us a lot!➡️ https://linktr.ee/mystudionerdsFollow Ushttps://www.instagram.com/helpmedevvon➡️Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinFollow The CastDevvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@SweataWeathaCourtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

Episode 362: RASHAD SMITH (Pt.1): The Mystery Beatmaker for Rakim, Uptown Records & Busta Rhymes This week on @RoadPodcast, the crew sits down for Part 1 of an epic two-part conversation with legendary producer @Rashad_Ringo_Smith — the mastermind behind tracks for @TheNotoriousBIG, @BustaRhymes, @JayZ, @Beyonce, @TheGodRakim, and more. You may not know his name, but you definitely know his sound. Rashad kicks things off by reflecting on his early days as a DJ, his childhood nicknames, and the powerful influence his mother had on his musical journey (00:11). He shares his deep love for jazz and reveals how he flipped the same sample two different ways for Busta Rhymes' “Woo Hah” and its remix featuring @OlDirtyBastardLegacy (08:55). He breaks down the art of crate digging with iconic producers, the origins of the “pause tape,” and how it became the foundation for early production before DAWs (18:01). Rashad dives deep into the making of “Woo Hah,” seeing the Hype Williams-directed video for the first time, and Spike Lee's unexpected interest in using the track for Clockers (38:01). From crafting “Don't Sweat the Technique” to the murky politics of credit in the industry (58:10), Rashad opens up about why he calls himself “The Muted Drum” — a nod to his role as one of the most “unknown, known” producers in hip-hop (1:11:04). He also shares stories from his time at Uptown Records, working with a young @Diddy, and the moment he invented the producer tag (1:31:01), before diving into the rise of Bad Boy Records and the complicated dynamics behind the scenes (1:55:01). The episode wraps with Rashad reflecting on the making of the classic Notorious B.I.G. track “One More Time” (2:10:33). Don't miss Part 2, where Rashad speaks on more of his iconic tracks and tells unforgettable stories. This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX