Podcast appearances and mentions of cindy lauper

When you set "realistic" goals for your property management business, you might actually be limiting your growth without even realizing it…  In this episode of the #DoorGrowShow, property management growth experts Jason and Sarah Hull challenge entrepreneurs to think bigger, much bigger. Inspired by their experience flying a fighter jet and the concept of "impossible goals" from The Science of Scaling, they break down why realistic goals keep you stuck in current thinking, how unrealistic targets activate visionary leadership, and why 10X growth can actually be easier than incremental growth.  They explain how impossible goals shift your brain from grinding harder to thinking differently, why realistic targets often become a yardstick to beat yourself up, and how visionary entrepreneurs use bold thinking to collapse time, find new pathways, and unlock opportunities that logic alone would never reveal. They also share how to handle naysayers, protect your vision, and use doubt as fuel instead of letting it shrink your ambition. If you're ready to stop playing small, stop chasing "safe" growth, and start building something that transforms your market — this episode will challenge the way you think about goals, leadership, and what's actually possible in your business.   You'll Learn (00:00) Introduction to DoorGrow and Unrealistic Goals  (07:37) The Importance of Unrealistic Goals  (15:54) Overcoming Doubts and Limitations  (22:56) Visionary Thinking and Future Goals Quotables "I want to tell everybody to be unrealistic."  "You need to decide, I can do the things that I want to do."  "The slowest path to growth is to do it alone. So let's grow together." Resources DoorGrow and Scale Mastermind DoorGrow Academy DoorGrow on YouTube DoorGrowClub DoorGrowLive Transcript Jason & Sarah Hull (00:01) All right, five, four, three, two, one. All right, everybody, we are Jason and Sarah Hull, the owners of DoorGrow, the world's leading and most comprehensive coaching and consulting firm for long-term residential property management entrepreneurs. For over a decade and a half, we have brought innovative strategies and optimization to the property management industry. At DoorGrow, we are on a mission to transform property management business owners and their businesses.   We want to transform the industry, eliminate the BS, build awareness, change perception, expand the market, and help the best property management entrepreneurs win. Now, let's get into the show. All right, so today's topic, Sarah wanted to talk about. I want to tell everybody to be unrealistic. We're going to talk about unrealistic goals. She wants you to be unrealistic. I do want you to be unrealistic. And I also want you to clear all of this off. OK.   Yay. Happy. Yeah. Slightly. All right. All right. So one of the things that we got to do very recently is something that I never, never thought we would be able to do because it was seemingly unrealistic. And that was to fly a fighter jet. And by fly a fighter jet.   Yes, it was a real fighter jet. It's an L39 Albatross. For those of you that are familiar, it was not typically equipped with fighter equipment. It was mostly used as a trainer. However, it can be armed and therefore is classified as a fighter jet. And yes, we actually got to fly it. We didn't just go in it and take a look and see. Both Jason and I, one at a time, of course, got to.   fly a fighter jet and do some aerobatic maneuvers. Which was insanely fun. Right. So we took a trip to Australia and to visit my parents in Brisbane. And we saw a billboard that said, fly a fighter jet. And I was like, what? And Sarah's super into flying. So was like, hey, there's a thing. It says this. And she's like, what? I don't think so.   And I'm like, yeah. So it turns out there's, guess, the person there that runs it told us there's three countries in the world that allow you to do this because normally you can't fly one of these planes or go in as a consumer to fly one of these planes because, you know, there's all these rules because it's then a commercial flight and a commercial flight. have all these legal requirements and things you can't in the U.S. They cannot.   You cannot charter or pay for a chartered pay for a flight and then not have all these safety things in place. And this is not like, it's not the same, right? Like he's teaching us at the beginning how to eject. He's like, if we need to eject, this is what you need to do and like do this. And I'm like, what? And so there is not an ejection seat on it. There's no ejection seat. So what we'll do is we'll fly up really high and then you're going to.   do this thing and do this and the canopy will fly off and then you gotta push off. then once you're in the air and you've then pulled this thing, if your parachute doesn't automatically deploy, you wanna grab this. And I'm like, if I don't remember all this, I die? Like what? Yeah. So. It's just two levers. Could you imagine if you're on. It's two levers to open the canopy and he's gonna fly and you don't have to jump.   You're like, have to launch yourself. right, you don't have to launch yourself. You pretty much will just wait for the plane to fall out from under you while you float in parachute. Could you imagine you're like, get herded in like cattle into Southwest and you're like, you're on the Southwest bus, right? And you get your seat. Actually, they're going to have assigned seating now, I guess. But before I was just free for all. you're like, get in and you're like, and they're like, hey, by the way, here's how to.   like find a parachute and here's what all the steps you need to do in case there's a problem. Do you have this down or you die? You ready? We're like, wait, what? Yeah. They're just like, here's a flotation device and your seat and like here's how to use your seatbelt and then breathe in this thing if you need to. And otherwise, like that's it.   But yeah, like parachute down. Because on the airlines, it's like, if you survive the crash, then we'll tell you what to do after that. Don't worry about it. OK, so. Sorry. Yes. So no possible goal. It's very, very safe to fly on the airlines. is. it's it's consistently getting more and more safe. This is slightly different than flying on an airline. This was it was really cool. Super fun.   He let us take the little joystick control and like. The little joystick control. What do you call it? What is it called? The little joystick control. It's between your legs and it's a joystick. Don't get any ideas. just called But you grab this thing and like, yeah, you take the stick. like, do you want to do it? He's like, all right. He guided me through doing, I got to do a barrel roll. Yep. And I got to do a loop. Yep. Which I call a loop-de-loop. Yeah. But I got to do a loop-de-loop.   And it was really, it was crazy. Like I'm like doing, I'm like, and we got a video like on his DJI camera, like a GoPro, like the whole thing was recorded. So there's evidence that I did this. Right. But yeah, it pretty wild. was really wild that we could go do that. And apparently if you spend enough money and you're in the right country, you can do maybe anything. I don't know. There are certain places, upon further research.   There are certain places in the US that will let you fly certain jets. And the Albatross is actually the most common out of the ones that you can fly in the US. The is finding someone that will allow you to fly it. that's a bit different. Yes. Like if you get to control it. Because, yes, exactly. Yeah. And sometimes ⁓ these are owned by private owners. So like if you know a guy and you go, hey, can you...   Can you take me up? They might let you take the controls. might let you do it, you know, but there's also schools. I think there's one. Oh, I forgot where it's called, but it's called like Jet Trainer Center or something like that. The guy that runs it is Larry and they have an albatross is one of them, but I think they have like six different actual jets that you can fly and learn as well, which is   really cool. But then there's schools. So it's not impossible in the US. It's just there's a few extra hurdles that you might need to cross. it's something though that I thought I would never ever get to do. Like when you look at these crazy jets, generally I don't think   you look at it and go, yeah, I could fly that one day. We went to that air show. During any of that point, were you looking at those planes going, yeah, I could fly one of those. Yeah, I wonder what it would take to fly one of those. No, I was not thinking that. right, because you just don't usually think that it's possible. You think, oh, wow, those are probably owned and many of them are by museums.   or by some sort of club that's funded to keep this thing airworthy and maintained and flying, they probably aren't going to let the public fly it. Okay. So why is it important to have unrealistic goals? Well, I think you should be very unrealistic in your goals because if you're realistic, if you go, okay,   I just want to do things that I know that I can do. Then it almost takes the fun out of it, number one. And I think that's, for entrepreneurs, that's half the battle is, it fun? What was the journey like? Or was it something that you can just go, yeah, I did it, but everybody else can do it too. Where's the fun in that? Yeah, Cindy Lauper said girls just want to have fun. ⁓   So we had to make sure she had some fun. ⁓ Yeah, guys, we want to have some fun, too, right? So it was yeah, was super cool to be able to do that. I think the way I view this, I've been explaining the idea of unrealistic goals or impossible goals, ⁓ which we got the idea from Dr. Benjamin Hardy and his book, The Science of Scaling. And we got to hear him talk about this at a mastermind. The idea is that our.   know, realistic goals are based on our current limited level of thinking. And so that means our brain already knows how to do it. And it usually is just do what you already know how to do. But because that's not enough, just do more, work harder. And that's not a great strategy or great path is to just work harder because that's not really exciting. That's not super. That's not fun. Like, hey, work, work, do what you're doing already, but work harder, which is less, more uncomfortable. just.   More effort. Work 22 hours a day instead of 18. Yeah, yeah, more hours. And so Impossible Goals, our brain, I view as this magical like quantum computer. Like it can create whole realities instantly in our head while we're sleeping. And it can do all these amazing things. And our unconscious mind or subconscious can be working on problems and crunching and chewing on challenges and figuring stuff out and coming up with ideas.   that bubble up to the surface. But if we focus on realistic goals, it shuts down. It doesn't have anything useful to do. It's going to figure out why is this so hard? Cool. Here's all your reasons. Let's just make it harder. And how do we avoid pain? Well, I'm going to convince you or cause you to have challenges in just even doing this because this sounds uncomfortable. It doesn't sound fun. So I'm going to give you all the excuses and BS stories and reasons to not do it. So our brain actually starts working against us.   And so when we get in, so usually realistic goals become this yardstick by which we beat ourselves up with over the head, right? And we measure ourselves by it, but then it really just becomes a tool to beat ourselves up. Whereas when we shift into impossible goals or unrealistic thinking or unrealistic goals, it doesn't matter if we hit these goals. It just matters that we have this amazing new tool or resource to convince or get our brain to think differently and to come up with new pathways.   And so our brain becomes this awesome tool to find new pathways or new ways of thinking. And it gets us to think differently. So even if we don't achieve the goal, we're far more likely to get good results because we're thinking outside of our current limitations or the current box. And so we use goals as a tool or we use time as a tool. We either shorten the timeline for the outcome to where it becomes impossible or unrealistic, or we just 10x or increase the goal amount or what.   result we want to achieve in the timeline we had set. And so time becomes a tool or the goal becomes a tool and we find new pathways. We find new ways of doing this. And I've seen clients do this. I've seen this in reality. We've started doing this in our own business. And this is why we're able to innovate, come up with new ideas, because our brains are alive. This is where you actually shift as an entrepreneur into being a visionary entrepreneur. Because if you're focused on realistic goals, there's no vision. You already know what to do.   You know it all. You already know what to do. And so you're not focused on anything different or anything new. There's no vision there. And the Bible says where there's no vision, the people perish, right? You got to some vision. That's leadership. So now you're a visionary, you're a leader. And visionaries and leaders throughout history have always had some sort of goal that everybody said, that's not going to work. That's impossible. Why are you trying so hard? Just focus on something realistic.   And the cool thing about these impossible goals is even if you don't hit it, you're not going to beat yourself up. Like if your goal is a thousand doors in a year, but you hit 300, are you going to cry like a little baby? No, you're not going to cry. You're going to be like, Hey, this awesome. You're going to be excited. And so you're still like, I didn't hit the goal, but I won. But if you have a realistic goal and you're like, I want to get a hundred doors this year.   then you're going to feel like garbage when you don't hit it. Cause you're like, it's so realistic. know I could have done it and I didn't do it. And then you start beating yourself up and I didn't do it this year, Jason. And I should have signed up with door grow and I just didn't do it. And I would have achieved my realistic goals or maybe some impossible ones. And you drop the ball. You messed up. You should have got with us and we could have helped you out. All right. You messed up. Isn't that from A.A. You done messed up A.A. Ron. Yeah. Okay.   Key and peel. right. So here's how to not mess up your maintenance though in property management. OK. That was a segue to our sponsor. was. gave me like three of them and that's did we go with this? OK, cool. So ⁓ yes. So how do I turn that on? boy. All right. Right over here. Many clicks. wait. No, no. I got it. I got it. All right. So.   Yeah, you made me close this. because you said it was in the way. Right on the screen. Because you got to like. right. All right. Here we go. Sponsored by this episode, sponsored by vendor. So many of you tell us that maintenance is probably the least enjoyable part of being a property manager and definitely the most time consuming. But what if you could cut that workload by up to 85 percent? That's exactly what vendor is achieve their leveraged cutting edge AI technology.   Use that to handle nearly all your maintenance tasks from initiating work orders and troubleshooting to coordinating with vendors and reporting. This AI doesn't just automate, it becomes your ideal employee, learning your preferences and executing tasks flawlessly, never needing a day off, never quitting. This frees you up to focus on the critical tasks that really move the needle for your business, whether that's refining operations, expanding your portfolio, or even just taking a well-deserved break. Don't let maintenance drag you down.   step up your property management game with Vendoroo. Visit vendoroo.ai ⁓ slash door grow today and make this the last maintenance hire you'll ever need. All right. It was a smooth transit, smooth operator. Cool. I'm leaving this up because I need the outro. Fine. No. Okay. I can't. Sorry. Well, I said no. all right. Cool. So here's what I was thinking originally, right?   is... boy. I know. So when you start to think about the things that you want to do...   You know when you have that half second where you just dream a little bit? Yeah. And it's almost like you get transported back in time where when you were a kid and people would ask you, what do you want to do when you grow up? And you can say anything. Yeah. And it doesn't matter what you say. You can say anything in the world. I'm going to be leader of the free world. I want to be an astronaut. President of the United States. you should be an astronaut.   I wanna be a doctor that operates on, I wanna be a brain surgeon, right? And people go, yeah, you should do that. That's amazing. That's so great. We need to get back to more of that in adulthood though. So now it's like, hey, what do you wanna do with your business? And for some reason, instead of this outlandish, unrealistic, seemingly impossible, crazy thing where it's like, you know what? I wanna take over an entire state.   or wanna dominate the entire market, or you know what? Actually, I think what I wanna do is I wanna get so big that I purchase all of my competitors and all of the slumlords properties and I turn them around. And then I completely eliminate bad property managers and slumlords in my market and I'm gonna do that. Man, that's exciting, but we don't allow ourselves to do that anymore as adults because we're so nervous about, but.   Can I do that? And what will other people think about it? And will people believe that I can do that if I say this crazy thing? Do you think that it would have been crazy for me to tell people, hey, one day I'm gonna go fly a fighter jet? Yeah, people would have laughed at me. They would have been like, yeah, sure you are. Sure, okay, Sarah, sure. So here's my current goal. And it's not a new goal.   It's on the list, but it's definitely staying on the list. My goal is to fly a Boeing 737 without being an airline pilot. You don't want to work for the airlines. So if I went to the airlines, it would be really easy. It's like, oh, okay. I mean, it's not that hard, right? Because you're choosing a path that you know is going to get you there. I don't want to work for the airlines, but I really want to fly a Boeing 737.   So without working for the airlines, that seems pretty much impossible. And in fact, I have shared this online on social media and pilots, pilots are telling me that it's impossible. They're like, yeah, good luck. You'll never be able to do that unless you work for the airlines or you could go fly a simulator. Why don't you just be happy with the simulator? So when we share these crazy goals and people go, you can't do that. That's never gonna happen.   Are you insane? Like, who do you think you are? That's my favorite one. I'm like, you don't even know who I am, right? Who do you think you are? You can't do that. I'm like, watch me. Watch me. Just watch. So for me, like that's fuel. For other people, it's so crushing. For other people, when people have this huge goal and they're like, ⁓ I'm so excited about this. I'm going to do this. And other people, nay, nay on that.   And they go, no, no, no, you can't do that. Let's keep you down here. Let's keep you small. I don't know. You're dreaming too big. Like that's not, it's not going to happen for you. Sometimes that feels really crushing and it takes the wind right out of your sails. And then you go, you know what? Maybe they're right. I shouldn't even try. Okay. So you can either use it as fuel. If you're somebody like me who likes to prove people wrong.   then that's great fuel. If that doesn't fuel you, then you need to be very selective with who you tell your goals to. So if you know that, I'm gonna say this thing in the first second that I get pushback or questions or doubt or people who are just fearful and not as confident as I am in my dream and in my belief, and that's gonna shake me and that's maybe not gonna help me.   pursue this goal that's going to deter me and bring me down and slow me down, yeah, then you need to be very selective with who you're sharing that goal with. And sometimes you have people around you that are really supportive and sometimes you don't. So the message in this is one, have the goals that just seem like...   They are impossible. Like Sarah, there is not a way to fly a Boeing unless you work at the airlines. And I laugh at it. When I see people personally, when I see people commenting like that, I go, ⁓ that is a cue to me. It tells me how small their vision is. Their thinking is limited. So. Yeah. It's kind of it's once you're on the other side of it.   Once it's like once you see something you can't unsee it. So once you're on the other side of that and now you hear somebody saying you can't do that. That's not possible. That's not realistic. That's never going to happen. That's not how things work. Who do you think you are? I can't believe you would even think something like that is possible. Is that a good idea? Right. All of those things. Then you start to go home. Well.   for someone like that, yeah, it would be impossible, but not for someone like me. So you need to decide, I can do the things that I want to do. And as soon as you make that decision, like flying a fighter jet, super cool. How much effort did we put into making that happen?   No, we made a phone call. We paid money. Yeah. He saw a billboard. We put on a jumpsuit. We climbed in the plane. That's it. He saw a billboard. And then we didn't try. didn't. And then I grabbed the little stick thingy. Oh, God. And then I just did it. The joystick. So we didn't try to hunt people down. We didn't try to find a place that we do it. We didn't do a bunch of research. We didn't spend a lot of time talking about it or researching it or.   trying to find people who know people. We didn't do anything. We saw a billboard. So sometimes when you have an unrealistic goal, it's okay if you don't know how it's going to happen because it very rarely happens the way that you think it's going to happen anyway. Because once you decide...   and once you're confident, once you're solid in that goal and you go, I am committed to doing this crazy thing and I don't care if people think that I'm crazy for wanting to do this thing, I'm going to make it happen. All of a sudden, doors start opening for you, phone calls start happening, connections start happening. Derek and I were just talking about this last week. It's the things that you can They don't know who Derek is. Derek Morton is one of our amazing clients who's taking over the state of Utah.   So it's very often the things that you would never expect, you would never plan, you would never be able to sit down and think in like, you know, your 150 step plan to get me from A to B, it wouldn't make the list because the things that will happen to you, they will just come to you. Things will just happen. The right opportunities will show up. The right people will show up. The right connections will show up.   Things will just start falling in place and happening for you, but it all stems on one thing, and that is your belief in your ability to do things that are seemingly unrealistic. There you go. Cool. All right. So I concur. I agree. Have impossible or have unrealistic goals. Why? Because when you shift into that level of thinking, no longer is it that yardstick. Now you're in playground.   Now you're in this fun space of like imagining, having vision, and it doesn't matter if you hit it or not. It just, it shifts you into a healthier space of thinking. And then you'll find new pathways. You'll find new ideas. You'll find ways to collapse time. ⁓ Ben Hardy calls it finding wormholes. You find these ways to get to the result in a much shorter period of time that takes way less steps. It's not as much work. He wrote a preceding book before that, that was called 10 X is easier than two X. And in that he's talking about how   It's actually easier to go bigger than to focus on smaller growth goals because smaller growth goals, there's a lot of different ways to do it and it's a lot of hard work, but there's very few ways to grow big quickly and it's usually less steps and less work. So a of people think, well, it's going to be so hard. It's actually easier if you do it right. So have some impossible goals. Okay. Anything else we need to add to this? One last thing is we have a...   Seemingly impossible goal right now a door grow that we are yet again Making a reality. It will be something that changes the entire property management industry forever and No one has done it. No one has done anything like it and it seems crazy it seems like Insane to even really   think about it. However...   We're gonna make it happen. And 2026, we are launching something that really will take over the entire industry. So stay tuned. Watch our crazy journey. We've talked a little bit about it. ⁓ Watch our crazy journey and see what happens when you too set yourself some pretty impossible goals. Cool. So if you felt stuck or stagnant,   and want to take your property management business to the next level, reach out to us at doorgrow.com. For free training on how to get unlimited free leads, text the word leads to 512-648-4608. Also, join our free Facebook community just for property management business owners by going to doorgrowclub.com. And if you want tips, tricks, ideas to learn about maybe some of our offers as well, go to... ⁓   dorgor.com slash subscribe and subscribe to our newsletter. And if you found this episode even a little bit helpful, don't forget to subscribe on whatever channel you're watching this on and leave us a review. We'd really appreciate it. And until next time, remember the slowest path to growth is to do it alone. So let's grow together. Bye everyone.   All right, we're out.

durée : 01:28:36 - Sting, "The Last Ship", et les comédies musicales ouvrières - par : Laurent Valière - Sting présente pour la première fois en France sa comédie musicale The Last Ship inspirée de son enfance en Angleterre. Ce n'est pas la première comédie musicale située dans le milieu ouvrier : avant lui, Elton John, Cindy Lauper et Bob Fosse avaient déjà dépeint le milieu populaire. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Why You Should ListenFrom television and advertising to building Asheville's restaurant sceneHow fine dining, farm-to-table thinking, and wine culture shaped a food townThe 2008 crisis and a pivot to neighborhood Italian that lastedWhat Hurricane Helene revealed about restaurants as community lifelinesThe BanterRestaurateurs Mark Pascal and Francis Schott set the table with stories starting with Mark's Uber Eats account taking a hit when his kids order Papa John's. The banter detours into “taste credit scores,” childhood jobs, and practical tips on chopping onions without the tears.The ConversationEric Scheffer, a defining voice in Asheville's food scene, shares how he left Los Angeles for a then-sleepy mountain town with few restaurants, buying a modest space and transforming it into The Savoy—white tablecloths, a serious wine program, and a dining scene energized by transplants and early farm-to-table momentum. The Guys explore what made Asheville fertile ground prior to the 2008 financial crisis and Eric's pivot toward affordable, nostalgic Italian-American comfort that resonated deeply, along the way touching on Cindy Lauper, a makeover for a bank loan, and why collaboration beats competition.The Inside TrackHurricane Helene becomes the proof point: restaurant people feed people. Eric describes coordinating water, reopening kitchens, helping operators get online, and leaning on relationships to mobilize quickly. The Guys connect this to their core belief that independent restaurants aren't food dispensaries; they're community infrastructure.Timestamps00:00 – Welcome to The Restaurant Guys 02:00 – Uber Eats scandal & childhood hustles 08:00 – Introducing Eric Scheffer: from Brooklyn and LA to Asheville 17:45 – Cindy Lauper and fitting in North Carolina 20:25 – Hurricane Helene: restaurants feeding the community 32:21 – Wrap-up and the Guys' take on “B markets”Guest BioEric Scheffer is a restaurateur and hospitality leader based in Asheville, North Carolina. Originally from Brooklyn, he left a career in television and advertising to build The Savoy into a nationally recognized fine-dining destination with a serious wine program. After the 2008 financial crisis, he shifted toward neighborhood-driven concepts and became a founding force behind the Asheville Independent Restaurant Association.Infohttps://www.thescheffergroup.com/Become a Restaurant Guys' Regular!https://www.buzzsprout.com/2401692/subscribeMagyar Bankhttps://www.magbank.com/Withum Accounting https://www.withum.com/restaurantOur Places Stage Left Steakhttps://www.stageleft.com/ Catherine Lombardi Restauranthttps://www.catherinelombardi.com/ Stage Left Wineshophttps://www.stageleftwineshop.com/ To hear more about food, wine and the finer things in life:https://www.instagram.com/restaurantguyspodcast/https://www.facebook.com/restaurantguysReach Out to The Guys!TheGuys@restaurantguyspodcast.com**Become a Restaurant Guys Regular and get two bonus episodes per month, bonus content and Regulars Only events.**Click Below!https://www.buzzsprout.com/2401692/subscribe

Post Palermo, il costo della frutta rispetto a Milano. La Santanchè pubblica un post sull'Italia senza leggerlo. Trump è stato, l'app Hinge. Nella Rock n Roll all of Fame sono entrati i Soundgarden, i White Stripes, Joe Cocker e Cindy Lauper. Renzi e la maratona. Ospiti in studio Pierfrancesco Favino e Andrea Di Stefano.

On November 8th, 2025, in America, we will witness the latest induction of musical acts into the Rock and Roll Hall of Fame, with Cindy Lauper, The White Stripes, Soundgarden, Bad Company, OutKast, and Chubby Checker as the recipients of this career-defining accolade. Obviously, the INXS fan community are disappointed with their continued omission; however, Bee and I get to dive deep with the USA Podcast team of “Who Cares about the Rock Hall of Fame” namely Host Joe Kwaczala, courtesy of valued patrons Jon Jamen and Dr Jim, who attended last year's ceremony. An experienced voice behind the machinations of the Rock Hall Committee, Joe shares some interesting insights, opinions, anecdotes and theories behind both the decision-making process and INXS' likely induction prospects in the years to come. INXS: Access All Areas' mission statement is to encourage, showcase, chronicle, rejoice in, and retrospectively highlight the amazing catalogue and contributions INXS have made to music and listeners across the globe. However, we've wanted our Podcast to expedite its ascent to the Rock Hall of Fame. Hopefully, this episode alerts important voters on the Committee to nominate them for 2026!!! Love and peace https://www.inductinxs.com/ https://www.inxsaccessallareas.com/

Send us a textWe have residency news! Cindy Lauper and Tim McGraw (separately) are coming to Caesars Palace for shows. Dayna hits up Paul McCartney at Allegiant Stadium and has dinner at Virgin Hotels beforehand. Virgin is doing really well lately! Dayna chats with the casino resort's president about it and has some updates. Sean goes to T-Mobile Arena for Benson Boone. Dayna also went to see "Bob Marley Hope Road" at Mandalay Bay. We discuss the the hot topic of paid parking... is it really worth it when masses of people leave in order to beat the buzzer. Feel free to chime in via fan text. We also talk Las Vegas in the 2000s with longtime Las Vegas journalist, Mark Gray. Join us for a fun conversation about Ultra Clubs, celebrity sightings, red carpet encounters and more. Mark has a new book out called "The Las Vegas Massacre Connections: Finding Strength Through Tragedy After America's Deadliest Mass Shooting." He was at the Route 91 music festival when the shooting took place on October 1, 2017. We continue our conversation with him in a podcast extra that will play after this show ends.Monsoon damage? Insurance company low-balling you? Call Jonathan Wallner of Galindo Law for a FREE Claim Review at 800-251-1533. If your home was damaged in the California wildfires, Galindo Law may be able to help you get more compensation. Call 800-251-1533 or visit galindolaw.com VegasNearMe App If it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

En 2011, l'Assemblée Générale des Nations unies déclarait le 11 octobre Journée internationale de la fille, afin de reconnaître les droits des filles et les défis uniques auxquels elles sont confrontées dans le monde entier...Alors célèbrons toutes les filles avec leur emblématique ambassadrice, Cindy Lauper et « Girls Just Want To Have Fun ». Ecoutez Le tube de la matinale avec Vincent Perrot du 11 octobre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Hoy en La Gran Travesía viajamos hasta el año 1983 en un programa donde podréis escuchar a los Smiths, Cindy Lauper, Dire Straits, Motley Crue, Police, Ramones, Suicidal Tendencies, Iron Maiden, Stevie Ray Vaughan, Madonna, Social Distortion, Meat Puppets, Echo and the Bunnymen, Siouxsie and the Banshees, Quiet Riot… etc. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Dan, Manny, & Billy invite friend & fan of the pod Meghan P. Nolan to put the 1985 action/adventure comedy The Goonies to the ultimate test—THE NOSTALGIA TEST! “I had this epiphany while I was watching it this time where I was like, ‘Holy shit! Like Goonies are just like a bunch of nerds, they're all just sitting around playing D&D, Mikey is the dungeon master, and this is their quest.” -Meghan P. Nolan Around 2 years ago, Meghan sent us a suggestion to put The Goonies to the ultimate test and because Dan is super lazy it took him this long to get her on the pod. This episode is off the rails from the start filled with classic Nostalgia Test drops and a live Zoom audience of one, (haha! it's a start) Courtney from the Fiction Fixation Podcast who added some hilarious ideas while Billy dealt with his North Carolina internet service. The gang talks about “Goonies” comes from their town name The Goon Docks, what did the parents of these kids do to get all their houses foreclosed on, why was Troy and his flunkies hanging around a wishing well, are the Fratellis really Italian, and who was resetting One Eyed Willie's booby traps in the 1600s. They also analyze all the amazing characters, unpack the stereotypes, plot holes, and put Cindy Lauper's song to a quick Nostalgia Test. Most importantly, they talk about the real heroes of this movie Rosalita and Sloth. This episode is what The Nostalgia Test is all about, laughter, hot takes, and a bunch of hypothetical scenarios for what a Goonies sequel or TV series might look like. This is a must-listen for any fan of 80s classics. Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and questions about this episode or anything else nostalgic on your mind and we'll read it for next time on the pod!   APPROXIMATE RUN OF SHOW: 00:00 Introduction to the Nostalgia Test Podcast 00:45 Welcoming the Hosts and Guest 01:15 Discussing The Goonies and Nostalgia 02:10 The Goonies' Cultural Impact 04:08 Analyzing Characters and Stereotypes 10:07 Plot Holes and Funny Observations 15:47 The Goonies' Opening Scene and PG Rating 26:51 Music and Product Placement in The Goonies 30:41 Kids' Reactions to The Goonies 31:36 Comparing The Goonies to Other 80s Movies 33:35 Modern Movie Music and Final Thoughts 36:06 Revisiting 'The Goonies': Childhood Memories and Cable TV 37:03 Tree Climbing Adventures and Childhood Mischief 38:24 The Goonies' Treasure Hunt Begins 39:03 Decoding the Pirate Map and Family Dynamics 40:27 The Goonies' Quest: Booby Traps and Town Secrets 42:19 Character Dynamics and 80s Stereotypes 50:14 The Fratelli Family: Villains or Victims? 52:21 Sloth: The Unlikely Hero 56:21 The Goonies' Final Adventure: Treasure and Triumph 01:10:35 Nostalgic Jail Cell Memories 01:11:02 The Idiot Mob in Astoria 01:11:42 Chunk's Hilarious Car Encounter 01:12:22 Goonies Theme Park and Escape Room Ideas 01:14:21 Mikey's Iconic Speech 01:16:02 Speculating on the Goonies Sequel 01:22:25 The Goonies' Legacy and Trivia 01:34:56 Final Thoughts and Nostalgia Test   Meghan P. Nolan, MFA, MA, PhD, is an Associate Professor of English and Chair of the Honors program at State University of New York, Rockland. She is a recipient of the SUNY Chancellor's Award for Excellence in Teaching. She is a multi-genre writer, who focuses on(Neo-)Victorian and Modern literature/ crime writing and fragmented perceptions of self-hood through academic works, fiction, non-fiction, and poetry. Her book The Crossroads of Crime Writing: Unseen Structures and Uncertain Spaces was published by Anthem Press (March 2024). She is the author of the poetry collection, Stratification (2008) and her poems have been in many literary journals over the years. Recently, her works have been on public display as a part of the “Writing on the Walls” exhibits at the Hudson Valley Museum of Contemporary Art (HVMOCA) and she regularly performs her poetry and monologues as a part of productions by both Studio Theater in Exile and Tutti Bravi respectively. Her works have appeared in Approaches to Teaching the Works of Fernando Pessoa (2025), Mean Streets (2021), Persona Studies (2021 and 2015), Transnational Crime Fiction: Mobility, Borders, and Detection (2020), Exquisite Corpse: Studio Art-Based Writing in the Academy (2019), The 100 Greatest Detectives (2018), and Thread (2017). For more info visit mpnolan.com.  Order Meghan's book The Crossroads of Crime Writing: Unseen Structures and Uncertain Spaces at Barnes & Nobel & Amazon   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We are the most dedicated guests! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

ⓦ weekly52 Blog Podcast Video & Artworkhttps://weekly52.de/weekly/426Zwischen Gestern und Morgen: Wie wir das Älterwerden meistern. Was wirklich zählt, ist die Lebendigkeitⓦ

Nueva entrega dede Música de Contrabando, semanario de actualidad musical (29/05/2025)Entrevista: - Kiblason toda una institución en el pop rock murciano; celebran más de 30 años de rock y amistad, que ha mantenido encendida la ilusión por continuar.- A Mares.Patricia Zamora es A Mares, que se mueve entre la fragilidad y la fuerza lírica del indie folk. Estrena “Estación del Norte, producida por Tono Hurtado, que forma parte de su primer EP. El jueves 6 lo presenta en el Palacio Almudí. Noticias: U2 han recibio el premio Fellowship Of The Ivors Academy, y Bono ha tenido unas palabras sobre lo que está sucedió en Gaza. Falle el guitarrista y productor Rick Derriger, fue lider de los McCoys, y colaboró con Steely Dan, Cindy Lauper, Ringo Starr o Alice Cooper.. John Fogerty ha regranado los clásicos de Creedence Clearwater Revival. Recopilados los primeros discos de Dionne Warwick. Living in the past de Jethro Tull tendrá una edición ampliada a 6 cd's denominada Still living in the past. Kinks of Leon cancelan toda su gira europea ( en Mad Cool les sustituyen Muse). Kalorama desvela horarios de su edición de 2025. Kevin patjer pone a la venta más unidades de The Orchid, su primer instrumento musical junto a su compañía Telepathic Instruments. . Gorillaz celebrará su 25 aniversario con una experiencia única. Marilyn Manso aparece como invitado en God Is A Weapon de Falling In Reverse. Dave Rowtree repasa los inicios de Blur en un libro fotográfico. Beach House esperan lanzar nuevo álbum en 2026. El mundo de la cultura se rebela contra Trump. Novedades musicales: Wet Leg, Kaiser Chief, Green Day, Saint Etienne, St Vincent & Mon Laferte, White Lies, Sen Senra, The Spitfires, The Sand, Mrcy, Mark Williams Lewis, María de Juan, Los Recortables, Durand Jones & The Indications, Unknow Mortal Orchestra, Wednesday, Benét, Marisa Valle Roso, Germán Salto, Helio, Semifinalistas CreaMurcia Pop Rock: Katarsia, Wakame, Hay Un Loco Suelto, Querido Diablo, Norte Perdido, Trepacerros, Anastasia General, Cletus, Piso Piloto, Palomo Palomo, Sueño Xanadú, Mursia. Ruth Lorenzo, madrina del CreaMurcia en la final de Pop Rock. La agenda de conciertos.Morgan, The New Raemon, Piezas & Jayder, Leo Jiménez, Huda, Diversos, Shoda Monkas, Kibla, Chema Espejo, Bucero and Shaddy López, Orquesta Nacional de Barbés, Maka, Semifinales CreaMurcia Otras Tendencias, Pecos...

ll mondo dei consumi è pieno di storie da raccontare, storie di idee e prodotti vincenti, di sfide impossibili sulla carta, di colpi di fortuna o di fallimenti e rinascite, di famiglie, amicizie e di brand. In questa puntata la storia di Manic Panic, storico brand newyorkese di tinte semipermanenti per capelli fondato da Tish e Snookie Bellomo, due sorelle italo americane che erano le coriste dei Blondie, la band che ha segnato la scena punk e new wave della metà degli anni Settanta. Un brand famosissimo negli Stati Uniti, amato da celebrities come Rihanna, Katy Perry, Cindy Lauper, Kilie Jenner, Gwen Stephani solo per citarne alcune. Ai microfoni di Essere e Avere il racconto delle fondatrici, orgogliose di portare finalmente il loro brand anche in Italia. La seconda storia è quella di Akuis, azienda italiana che sviluppa tecnologie innovative per il settore del benessere e del fitness. Il racconto del founder Alessandro Englaro.Focus sui trend dedicato all'avanguardia del retail con i negozi più innovativi aperti nel mondo, da NewYork a Miami, passando per Shangai e una Milano virtuale.

KiddChris and Sara wish happy birthday to Jay Leno, noting his wife's illness.Saddam Hussein's birthday is also mentioned and the Property Brothers (Jonathan and Drew Scott), leading to a discussion about how Sara initially thinking the twins were a gay couple. Too Short's birthday is acknowledged.⁣⁣The anniversary of Boy George chaining a Norwegian male prostitute to his bedroom wall in 2007, resulting in his arrest for false imprisonment, is discussed.⁣⁣Sara breaks a story about a massage parlor bust in conservative Westchester, where a 60-year-old woman, Lin Jen, was allegedly performing sexual acts for money. KiddChris and Sara discuss whether this situation could involve human trafficking. Despite the bust, the massage parlor, New Oriental Massage, reportedly remains open with good online reviews.⁣⁣KiddChris and Sara prepare to address a large number of listener talkbacks. A listener shares a story about being scared by bees in their shoe while driving. A humorous, fake message for Sara regarding jury duty and demanding "feet pics" is played. KiddChris and Sara solicit listener stories about high school teachers who were arrested, fired, or vanished due to scandals. A listener named Sierra calls in with a story about a history teacher who seemed to be under the influence, was arrested for a DUI, and then moved to a night school position. Another listener, Krista, shares a story about her fiancé sleeping with his high school teacher throughout his senior year, around 2015, and never getting caught.⁣⁣The Rock and Roll Hall of Fame inductees for 2025 are announced: Bad Company, The White Stripes, Cindy Lauper, and Soundgarden. This leads to a discussion about Chubby Checker's past outrage over not having his own statue at the Hall of Fame and his confrontational on-air appearance on their show years prior. KiddChris and Sara replay audio of Chubby Checker arguing with a caller who claimed he didn't play real rock and roll.⁣

Ben, Skin, KT and Krystina into the 2025 Rock & Roll Hall of Fame inductees, including Bad Company, Chubby Checker, Cindy Lauper, Outcast, Soundgarden, and The White Stripes. The hosts share their thoughts on the inductees and notable snubs like Phish and Billy Idol.The crew debates the merits of bands naming songs after themselves and the impact of these iconic artists on the music industry.Ben's humorous take on Bad Company's song naming: "Naming your album your band is the lamest thing ever."KT's witty remark about Chubby Checker: "He's got loose hips, and they wanna honor him for that, I guess."The lively discussion about potential reunions for bands like Outkast and The White Stripes.

„Wollen Sie kurz vor? Sie haben ja eh nur einen Podcast.“ Sie legt eine Folge MAD CLUB auf das Kassenband. „Ah MAD CLUB… hör ich ja auch sehr gerne… diese Ariana hat einfach eine tolle Stimme, fast so wie Cindy Lauper. Wissen Sie noch, damals bei We are the World? Das ist ja auch ne verrückte Geschichte gewesen… Was halten Sie denn von Adults Only Hotels? Fanden Ariana und Bene ja ganz gut das Konzept, obwohl sie jetzt selbst ein Kind haben. Das fand ich total interessant... Ach was? Die neue Folge ist schon raus? Na dann hör ich doch direkt mal rein!“ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/madclubpodcast Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Ce 20 mars, Marjorie Hache orchestre deux heures d'exploration pop-rock et indie sur RTL2 Pop-Rock Station. En ouverture, les Britanniques d'Architects font sensation avec "Everything Ends", tiré de leur album "The Sky The Earth and All Between". Du côté des découvertes, on écoute Horsegirl, SUO, The Murder Capital et Japanese Breakfast, cette dernière livrant en exclusivité un extrait de son nouvel album à paraître, "For Melancholy Brunettes (and Sad Women)". L'album de la semaine est celui d'Edwyn Collins, "Nation Shall Speak Unto Nation", marqué par le sensible "The Heart Is A Foolish Little Thing". Pour le live, Bruce Springsteen enflamme les ondes de la station Pop-Rock avec "Born to Run", à l'approche de ses concerts français. La reprise du soir revisite un hymne féministe : Chromatics propose une version électro de "Girls Just Wanna Have Fun" de Cindy Lauper. Enfin, l'émission rend hommage à Alex Kapranos de Franz Ferdinand à l'occasion de son anniversaire. La playlist de l'émission : Architects - Everything Ends Placebo - Pure Morning Franz Ferdinand - Love Illumination Creedence Clearwater Revival - Born On The Bayou Suo - Annihilated Bloc Party - Helicopter Depeche Mode - People Are People Edwyn Collins - The Heart Is A Foolish Little Thing Fleetwood Mac - Silver Springs Manic Street Preachers - Brushstrokes Of Reunion The Easybeats - Good Times Horsegirl - Switch Over Chromatics - Girls Just Wanna Have Fun Kasabian - Fire Royal Blood - Out Of The Black The Murder Capital - Words Lost Meaning Aretha Franklin - Think Dog Eat Dog - Who's The King Bruce Springsteen - Born To Run (Live In Barcelona) Deep Purple - Highway Star Foals - What Went Down Japanese Breakfast - Orlando In Love Faith No More - Easy David Bowie - Good Morning Girl Editors - Papillon The Velvet Underground - The Gift Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Always lively, ecelectic, and informative. This time around well-deserved recognition, generational mixes, important passings, new releases and more featuring Lady Gaga, Olivia Rodrigo, The 1975, Billy Joel, Glastonbury, Angie Stone, David Johansen, Cindy Lauper, Vampire Weekend, and many more. Soak it up!

Well, here we are again, back in the trenches of musical altruism, digging through the chaos and cocaine fumes of We Are the World. In our final part of this double header, we examine the actual recording process—a night filled with megastars, massive egos, and the creeping existential dread of Bob Dylan. We cover: Lionel Richie's unexpected side hustle as a musical firefighter, putting out diva-induced blazes. Quincy Jones' increasing exasperation as some of the greatest voices in music fail to hit their notes. Michael Jackson going off the deep end with Sheyla-Sheyla (which is absolutely, 100% real). Stevie Wonder offering to guide Ray Charles to the loo, leading to perhaps the only acceptable "blind leading the blind" joke in history. Prince skipping the whole thing to eat Mexican food down the road. Cindy Lauper causing technical difficulties by jingling like a Christmas tree made entirely of cheap jewellery. Diana Ross possibly being the most accidentally terrifying sweetheart of all time. Also: did this song actually make a difference? Or was it just the moment that finally convinced Michael Jackson he was the second coming? We get into all of that, while trying to decide whether the song is a masterpiece or just a very elaborate Pepsi advert. 00:00 Podcast Introduction and Banter 01:12 Podcast Admin and Patreon Promotion 04:42 Recording 'We Are the World': Setting the Scene 04:47 Quincy Jones and the Ensemble Choruses 07:03 Challenges and Tensions in the Studio 13:49 Prince's Absence and Sheila E's Disappointment 17:23 Final Takes and Notable Moments 25:14 Reflections and Aftermath 30:27 Michael Jackson's Missionary Phase 31:37 The Concept of an Artist's Imperial Moment 32:45 The Role of MTV and Charity Singles 34:09 Critiques and Controversies of Charity Campaigns 35:20 Bandaid vs. USA for Africa: Distribution and Impact 37:56 Political Complexities of Ethiopian Famine 44:08 Mismanagement and Consequences of Aid 47:02 USA for Africa's Long-Term Development Approach 49:53 Cultural Impact and Legacy of Charity Singles 52:39 Conclusion: Achievements and Lessons Learned

C'est ce soir que Cyndi Lauper va faire ses adieux sur scène à l'Accor Arena de Paris…On se replonge ensemble ce matin dans ses plus grands tubes…

C'est ce soir que Cyndi Lauper va faire ses adieux sur scène à l'Accor Arena de Paris…On se replonge ensemble ce matin dans ses plus grands tubes…

Time for some transgender sports bullshit. Two high school “dudes” sue to play girls' sports—Kid says fuck it, make it all co-ed or suck it up, ‘cause these clowns don't even look like chicks. He's yaps about a chick-turned-dude freaking out on a plane—registered female, looks male, and the seat's a warzone.  Kid's howling about Kanye's swastika-shirt Super Bowl ad—what a dumbass, dentist-chair fuckery—and bitches about women's 4B movement: no dick ‘til rights return.  Then it's porn star trivia—a guy nails every big-titty name; Mr. Kleen's the champ Kid wants on the show. Spanish Temptation Island gets a nod—tits and ass galore—while Trump's trading cards are just cash-grab cockery.  Grok, Musk's truth-bot, turns rogue, calling Musk and Trump lying sacks of shit—free speech my ass, they gagged it quick. Rock Hall 2025 inductees piss Kid off: Bad Company's a yes, Cindy Lauper's a fuck-no, and Mana? Triggered as shit—where's Soundgarden, you pricks? He's done with awards—Grammys get a pass, but podcast gongs can suck a dick. Numbers are his prize, and if you're still listening, you're a pathetic fuck. Pound that play button at GoinDeepShow.com—this episode's a trans-trashing, titty-loving, award-hating cockstorm. Get in, you depraved fucks—it's gonna ram your ears and leave you dripping! Go Deep.

It's that time of year again, Jay brings us the 2025 Rock & Roll Hall of Fame nominees. We each pick five artists/bands from the fourteen nominees and see how we did when they announce the inductees in late April. This year's nominees are Bad Company, The Black Crowes, Mariah Carey, Chubby Checker, Joe Cocker, Billy Idol, Joy Division/New Order, Cindy Lauper, Mana, Oasis, Outkast, Phish, Soundgarden, and The White Stripes.Song: Anthony Joseph - “Tony”Get ready for it, it's News with Nick. Bryan Adams gets fatberged, Black Sabbath's final concert, Drake drops a new album, and the Kennedy Center is under new management.Song: Yussef Dayes - “Black Classical Music (feat. Venna & Charlie Stacey)”Greg's brings us a Vulfpeck inspired Three For Thursday. The band has been releasing singles from their new album, ‘Clarity of Cal' over the past few weeks and we give some a listen. Songs:Vulfpeck - “Big Dipper”Vulfpeck - “New Beastly (feat. Joe Dart)”Vulfpeck - “Matter of Time”

Welcome (and welcome back!) to the Luke and Sassy Scott podcast - where your favourite TikTok brothers take you on a journey through stupid story telling, sibling pranks, and hilarious nostalgia. In this week’s episode we’re jumping right into: Scott is SICK of people almost killing him and getting away with it - we’re talking about food intolerances and allergies when you eat out at a restaurant or cafe What have you stolen from work?? Scott’s Challenge: We call up The Veronicas and Scott has to get them to agree to letting him perform with them on stage at their Melbourne show while they’re supporting THE Cindy Lauper… LINKS Get tickets to see The Veronicas on Cindy Lauper’s National Aussie Tour https://bit.ly/cindyveronicas . Follow @theveronicasmusic on Instagram at https://bit.ly/theveronicasmusic-ig . Follow us on Instagram @lukeandsassyscottpodcast CREDITS: Hosts: Luke O’Halloran and Scott O’Halloran Guests: Jess and Lisa Origliasso from The Veronicas Executive Producer: Elise Cooper Audio Producer: Nat Marshall Social Producer: Annabelle Brock Video Editor: Nick Barrett Managing Producer: Sam Cavanagh Find more great podcasts like this at www.listnr.com See omnystudio.com/listener for privacy information.

Qual é a pauta, nerds? Azaghal versus Wicked, memórias de shows especiais, musicais que deram errado, hábitos fitness, agrotóxicos, a vida depois do whey protein e outra fofocas dignas de um Mau Acompanhado. AIRBNB Conheça a campanha Fique em um Airbnb: https://jovemnerd.page.link/Airbnb_Noite_NC https://jovemnerd.page.link/Airbnb_Mais_Espaco_NC TEM ALIEXPRESS NO MAGALU Conheça o Mundo Aliexpress no Magalu: https://jovemnerd.page.link/Magalu_Mundo_Aliexpress_NerdCast NERDSTORE Use o cupom NERD10 e garanta seu estilo Nerd Natalino na NerdStore: https://nerdstore.page.link/Natal_Ano_Novo_NerdCast FIQUE POR DENTRO DO JOVEM NERD CINEMATIC UNIVERSE Assista ao NerdOffice especial da CCXP: https://jovemnerd.page.link/NerdOffice_CCXP_JNCU Confira o Episódio Perdido de Caverna do Dragão: https://jovemnerd.page.link/Caverna_do_Dragao_Episodio_Perdido Assista ao trailer de A Própria Carne: https://jovemnerd.page.link/Trailer_A_Propria_Carne PEDIDOS DE DOAÇÃO Pedido de Doação de Sangue para Danilo Delgado Teixeira em tratamento de câncer de medula. Local: H.Hemo, na Av. Leitão da Silva, 1.089, Gurigica - Vitória - ES. Próximo ao Hospital MedSênior. Pedido de Doação de Sangue para Edmar Pereira de Souza. Local: Banco de Sangue de Brasília - SGAS 915 - Asa Sul, 2º Subsolo, 915 Centro Clínico Advance I -Próximo ao DF Star - Brasília - DF Maria Rosângela da Silva (Código HEMOAM: 1208353).Precisa de doações de sangue de qualquer tipo. Local: HEMOAM - Av. Constantino Nery, 4397 - Chapada, Manaus - AM CONFIRA OS OUTROS CANAIS DO JOVEM NERD  E-MAILS Mande suas críticas, elogios, sugestões e caneladas para nerdcast@jovemnerd.com.br APP JOVEM NERD: Google Play Store |  Apple App Store ARTE DA VITRINE: Randall Random Baixe a versão Wallpaper da vitrine EDIÇÃO COMPLETA POR RADIOFOBIA PODCAST E MULTIMÍDIA

Subscriber-only episodeHave you ever been confidently wrong about something as simple as the artist behind a song? I certainly have, mistaking Madonna for Cindy Lauper during a car ride filled with laughter. This moment got me thinking: what about the bigger misconceptions we hold, like what we'd do with a million dollars? Most of us were raised to save every penny, convinced it's the ultimate goal. But what if I told you that envisioning how you'd spend a million bucks could actually unlock your deepest desires and tie them to your business profits? Let's challenge the old habit of saving for a rainy day and, instead, dream big. Imagine a villa in Italy or covering your children's college tuition in full. This episode isn't just about numbers; it's about crafting a financial vision board that truly reflects your aspirations. Grab a piece of paper, and let's explore what your million-dollar dreams look like. Oh, and if you happen to know who sings "If I Had a Million Dollars," send me a message on Instagram—I'm hilariously hopeless with song titles!

Just before Christmas 1984, Harry Belafonte wanted US artists (and especially black artists) to create a charity album to benefit starving people in Africa as the Do They Know It's Christmas single by the days most popular UK bands was a huge success. He teamed up with manager to the stars Ken Kragen to put together the team that would write and record the lead single. Immediately, Ken enlisted his client, Lionel Richie, to write the song. Lionel and Ken knew they'd need all-star producer Quincy Jones to put it all together. Quincy thought it would be a good idea to get the biggest pop star in the world, Michael Jackson, involved and things snowballed from there as Ken brought on legends like Bob Dylan, Bruce Springsteen, Willie Nelson, Diana Ross, Kenny Rogers, Dionne Warwick, Stevie Wonder, Ray Charles and artists that were popular at the time like Billy Joel, Kim Carnes, Cindy Lauper, Huey Lewis and more. But how would they get all that talent in one room at one time? Ken devised the idea that so many would be in LA for the American Music Awards on January 28, 1985 so that would be the ideal time. But that was 5 weeks away!!! So Ken went about finding the venue and Lionel and Michael worked on the song. It was all kept very hush hush and even the artists didn't know where they were going after the AMAs until they were on the way. And to make the night even more stressful for Lionel, he was hosting the AMAs and was performing twice (not to mention collecting 6 awards that night). The documentary was a fascinating glimpse into one special night where all egos were put aside in order to record a special song for a worthy cause. If you haven't seen it on Netflix, check out The Greatest Night In Pop - it's a fascinating story! Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Just before Christmas 1984, Harry Belafonte wanted US artists (and especially black artists) to create a charity album to benefit starving people in Africa as the Do They Know It's Christmas single by the days most popular UK bands was a huge success. He teamed up with manager to the stars Ken Kragen to put together the team that would write and record the lead single. Immediately, Ken enlisted his client, Lionel Richie, to write the song. Lionel and Ken knew they'd need all-star producer Quincy Jones to put it all together. Quincy thought it would be a good idea to get the biggest pop star in the world, Michael Jackson, involved and things snowballed from there as Ken brought on legends like Bob Dylan, Bruce Springsteen, Willie Nelson, Diana Ross, Kenny Rogers, Dionne Warwick, Stevie Wonder, Ray Charles and artists that were popular at the time like Billy Joel, Kim Carnes, Cindy Lauper, Huey Lewis and more. But how would they get all that talent in one room at one time? Ken devised the idea that so many would be in LA for the American Music Awards on January 28, 1985 so that would be the ideal time. But that was 5 weeks away!!! So Ken went about finding the venue and Lionel and Michael worked on the song. It was all kept very hush hush and even the artists didn't know where they were going after the AMAs until they were on the way. And to make the night even more stressful for Lionel, he was hosting the AMAs and was performing twice (not to mention collecting 6 awards that night). The documentary was a fascinating glimpse into one special night where all egos were put aside in order to record a special song for a worthy cause. If you haven't seen it on Netflix, check out The Greatest Night In Pop - it's a fascinating story! Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Oliveira completa 15 temporadas com o programa ‘Minha Canção' na Rádio Eldorado (FM 107,3 - SP). Para este “baile de debutante”, a apresentadora vai mesclar episódios inéditos e especiais retrospectivos. Logo na estreia, Sarah entrevista a cantora Liniker, que acaba de lançar o elogiadíssimo “Caju”. Ao longo da temporada, o ouvinte ainda terá episódios com grandes nomes da música brasileira que já passaram pela atração, como Caetano Veloso, Gal Costa, Gilberto Gil e Milton Nascimento.Entre os inéditos, além da Liniker, Sarah terá edições sobre Cindy Lauper, Talking Heads e o Oasis - que acaba de anunciar seu retorno. O ‘Minha Canção' vai ao ar às sextas e domingos, às 17h.See omnystudio.com/listener for privacy information.

Beth Ditto is my guest on this episode of That's How I Remember It. Earlier this year, Beth and her band The Gossip came back after a 12 year break to release the excellent Real Power LP. We talked about that as well as the first Gossip tour, Cindy Lauper, The Monkees, hair metal, Gossip records vs. solo records, and a beautiful party on a boat in Sydney Harbor in 2006 that we both attended. Amazing talk, huge thanks to Beth for joining me.

Jamie has shared stages with Alicia Keys, Michelle Branch, JaRule, The Backstreet Boys, Mandy Moore, Blondie, Cindy Lauper, and many others. She has performed at world famous NY Couture Fashion Week as well as Michael Jackson's Official This Is It DVD Release Live where she worked with Michael's dancers, choreographer Travis Payne and director Kenny Ortega. Theater credits include; You're A Good Man Charlie Brown (Sally), Blood Brothers (Linda), Little Shop Of Horrors (Audrey), The Rocky Horror Show (Columbia). Jamie Marie has appeared in films such as Cafe Society, (working directly with Kristen Stewart and Steve Carell), Not Fade Away (with James Gandolfini), Step Up, and featured in National Commercials for Nickelodeon and MasterCard to name a few. Television credits include; Orange Is The New Black, Blue Bloods, Law & Order: SVU and Law & Order Criminal Intent. Locally, Jamie has  championed the integration of dance with live bands along the iconic Jersey Shore music scene and beyond, performing with well-known acts like Glen Burtnik, Motor City Revue and Remember Jones. Her live show The Velvet Stardust Rock Show tours NYC to LA and brings rock & roll burlesque to a whole new level. Critics hailing the show as “hippest band in NYC right now” and “the key to yet another downtown epoch.” Her passion for advocacy and activism coincides with her mission to provide a safe space where ALL have opportunities to create and perform. She has done so since 2006 as the founder and director of Stage Stars Productions. Creating next-level live band, immersive, theatrical experiences, as well as raising funds and awareness for countless local and global charitable organizations over the last 17 years and receiving numerous awards for her work in social justice and positive change through the arts. Follow her journey on Instagram @jamiemariestar @stagestars_nj @velvetstardustrock @starlightjazzshow 

Plongez dans les univers captivants d'Elisapie et de Jeremy Dutcher. Laissez-vous enivrer par le souffle du Grand Nord et du New Brunswick avec les albums Inuktitut et Motewolonuwok. (Rediffusion) Avant de commencer l'émission, voici quelques infos sur les cultures autochtones du Canada :Il y a 3 branches différentes d'autochtones au Canada :- 1) Premières nations : Mohawk, mig'maq, Abenaki... (Jeremy Dutcher)- 2) Métis- 3) Inuit (Elisapie).Pour ne pas se tromper, on dit : AutochtoneLa langue des Inuit est le Inuktitut : Inuk (singulier) / Inuit (pluriel)Elisapie se présente comme une Inuk du peuple inuit.Erreurs communes à éviter :Confondre les Innus et les Inuit - Les Innus viennent de la Côte Nord (Florent Vollant par exemple) / Les Inuit viennent du Grand Nord (Elisapie).Le Nunavik est la région tout au Nord du Québec. Le Nunavut est un territoire canadien.On ne dit pas la culture autochtone mais les cultures autochtones.Il y a plus de 50 langues autochtones au Canada, il y a 11 nations autochtones au Québec incluant les Inuit : Abénakis, Anishinabeg, Atikamekw Nehirowisiw, Eeyou, Wendat, Innu, Inuit, Wolastoqiyik, Mi'qmaq, Mohawk-Kanien'kehá:ka et Naskapi.Première invitée : Elisapie pour la sortie de l'album InuktitutL'artiste venue du Grand Nord, Elisapie, est depuis plusieurs années une ambassadrice incontournable des voix autochtones, elle incarne une élégance musicale certaine et un féminisme en avance sur son temps.Avec ce nouveau disque, la chanteuse qui a grandi à Salluit, un petit village du Nunavik, la région la plus au nord du Québec revient sur son enfance et adolescence en explorant ses titres préférés qui l'ont vue s'émanciper en tant que femme et en tant qu'artiste. Le défi était grand de revisiter ces chansons intemporelles de groupes ou d'artistes légendaires. Pourtant, qui peut prétendre à autant de délicatesse que dans ce titre Uummati Attanarsimat (Heart of Glass), reprise de Blondie ou ce Taimangalimaaq (Time After Time), de Cindy Lauper ?Ces classiques réinterprétés de Queen, Pink Floyd ou Rolling Stones sont chantés en Inuktitut, sa langue natale. De cette traduction, découlent une force et une poésie inédite. Dans cette playlist de jeunesse, Elisapie raconte son parcours, ses joies et ses peines, sa détermination aussi tout en faisant résonner sa culture avec finesse, en conjuguant modernité et tradition. De ses années passées dans l'Arctique, Elisapie a gardé les souvenirs de ses premiers amours, a été témoin des effets du colonialisme sur sa collectivité et a dansé jusqu'au bout de la nuit au centre communautaire du village. À l'adolescence, elle se produit sur scène avec ses oncles, eux-mêmes membres de l'illustre groupe de rock'n'roll inuit Sugluk (aussi appelé Salluit Band). À 15 ans, elle travaille à la station de radio du village et parvient à décrocher une entrevue avec Metallica. Jeune femme brillante et ambitieuse, elle s'installe à Montréal pour étudier et, finalement, faire carrière dans la musique. Aujourd'hui, l'auteure-compositrice-interprète inuk est une figure incontournable au Canada. Activiste dévouée, Elisapie a créé et produit la première émission de télévision diffusée dans tout le Canada pour célébrer la Journée nationale des peuples autochtones. Son attachement inconditionnel à son territoire et à sa langue, se situe au cœur de son parcours créatif et donc de son œuvre. Cette langue millénaire incarne la rudesse de l'environnement et la beauté féroce du territoire inuit. Cet album est le fruit de tout cela : une constellation de souvenirs aussi sensibles qu'oniriques.À la sortie de Uummati Attanarsimat, Debbie Harry et Chris Stein, membres de Blondie, acclament toute la beauté de cette version de Heart of Glass. Titres joués - Uummati Attanarsimat (Heart of Glass) Blondie voir le clip - Qimmijuat (Wild Horses) Rolling Stones voir le clip - Isumagijunnaitaungituq (The Unforgiven) Metallica voir le clip - Qaisimalaurittuq (Wish You Were Here) Pink Floyd- Californiamut (Going to California) Led Zeppelin.► Album Inuktitut (Yotanka/Bonsound 2023). Puis la #SessionLive reçoit Jeremy Dutcher pour la sortie de l'album Motewolonuwok.5 ans après avoir remporté le Prix de musique Polaris avec son premier album, Jeremy Dutcher est de retour avec une exploration radieuse de l'expérience autochtone contemporaine et de la place qu'il y trouve. Avec des chansons dans la langue de son peuple, le Wolasotqey, mais aussi en anglais pour la première fois, Motewolonuwok surpasse tout ce que le musicien a créé auparavant, englobant les chansons traditionnelles, les ballades nocturnes et les orchestrations saisissantes. « Lorsque nous analysons nos histoires, incluant nos histoires tristes — quelle est la lumière qui en ressort malgré tout ? », s'interroge-t-il. « Je voulais chanter à propos de la souffrance, puis nous amener vers la beauté », confie Dutcher. Wolastoqiyik Lintuwakonawa, paru en 2018, a propulsé Dutcher aux plus hauts sommets du monde culturel canadien, des galas Polaris et Juno au panel de juges de Canada's Drag Race. Mais peu de gens auraient pu prédire ce succès : l'album a été conçu comme un projet de recherche muséale, explorant les enregistrements sur cylindres de cire des porteurs de chansons wolastoqiyik — les ancêtres de Dutcher. Ténor de formation, le musicien a finalement chanté en duo avec ces voix, répondant à sa propre communauté à travers de sublimes chansons réinventées.Cette fois-ci, Dutcher voulait faire un album plus intimiste. Une remise en question. Un disque inspiré d'une observation du penseur yupik Richard LaFortune— que « le point où deux discriminations se rencontrent peut être dangereux ». Cette intersection peut également engendrer de la résilience, et cette résilience peut devenir une force. « Motewolonuwok » est un mot wolasotqey ancien qui est habituellement traduit par « sorcières ». C'est aussi ainsi qu'on appelle les personnes bispirituelles de la région — des personnes qui sont autochtones et queer, comme Dutcher, et qui ont reçu un héritage traditionnel précis. « Ce sont “des personnes possédant une grande force spirituelle” », explique-t-il. « C'est un honneur, plutôt que quelque chose dont il faut avoir honte. » Dutcher a dévoilé son homosexualité à 12 ans, mais l'idée même d'un « coming-out » lui a été imposée par les structures colonialistes. « L'identité bispirituelle ou queer autochtone est si belle, car elle ne provient pas d'un concept de déviance. » Et pourtant, « une grande part de ce savoir ancien a été perdue », souligne-t-il, et en tant qu'enfant grandissant au Nouveau-Brunswick — et même en tant qu'adulte habitant désormais Montréal — il évolue toujours à travers un « espace médian ». The Land That Held Them, son hommage à « ceux qui nous ont quittés trop tôt », vibre d'une façon qui évoque Nina Simone et Anohni. Ailleurs, au lieu d'un son modeste et presque privé, Dutcher utilise le plus grand canevas possible : un orchestre complet, avec des arrangements de Owen Pallett et, sur des morceaux comme Sakom, une chorale de 12 voix, celles de pairs queer et amis de Dutcher. Le chanteur a loué un autobus pour les amener enregistrer à Kingston — des camarades de l'école de musique de Halifax, ainsi que des membres de la scène jazz de Toronto et de l'irrésistible Queer Song-book Orchestra.Écouter Motewolonuwok, c'est entendre un album aux voix multiples. Il y a celle de Dutcher, plus exposée que jamais. Il y a sa chorale impromptue. On entend des réinterprétations d'airs traditionnels des berges de la rivière Wolastoq, ainsi que des vers de la poète cherokee Qwoli Driskill. Dutcher chante en Wolasotqey— littéralement sa langue maternelle — mais aussi en anglais, la langue de son père (et celle qu'il parlait le plus durant sa jeunesse). Une langue partagée est un cadeau avec une intention complexe ; sur Motewolonuwok, Dutcher ne chante pas que pour sa communauté, mais aussi « directement pour le nouveau venu [colonisateur] », dans sa propre langue, pour raconter des histoires de deuil, de résilience et de renaissance. Faire de la musique est comme apprendre une langue, selon Dutcher— « il n'y a pas de conclusion particulière ». C'est plutôt « un déchainement » - une constante exploration de ce qu'on veut dire et de comment on peut l'exprimer. Motewolonuwok est le prochain chapitre du musicien — un souhait collectif et une médecine réparatrice, une confession et un refrain. Titres interprétés dans le grand studio- Ultestakon Live RFI- Take My Hand, extrait de l'album voir le clip - Skichinuwihkuk Live RFI voir le clip. Line Up : Jeremy Dutcher, piano-voix.Traduction : Claire Simon.Son : Mathias Taylor, Benoît Letirant.► Album Motewolonuwok (Secret City Records 2023).

Plongez dans les univers captivants d'Elisapie et de Jeremy Dutcher. Laissez-vous enivrer par le souffle du Grand Nord et du New Brunswick avec les albums Inuktitut et Motewolonuwok. (Rediffusion) Avant de commencer l'émission, voici quelques infos sur les cultures autochtones du Canada :Il y a 3 branches différentes d'autochtones au Canada :- 1) Premières nations : Mohawk, mig'maq, Abenaki... (Jeremy Dutcher)- 2) Métis- 3) Inuit (Elisapie).Pour ne pas se tromper, on dit : AutochtoneLa langue des Inuit est le Inuktitut : Inuk (singulier) / Inuit (pluriel)Elisapie se présente comme une Inuk du peuple inuit.Erreurs communes à éviter :Confondre les Innus et les Inuit - Les Innus viennent de la Côte Nord (Florent Vollant par exemple) / Les Inuit viennent du Grand Nord (Elisapie).Le Nunavik est la région tout au Nord du Québec. Le Nunavut est un territoire canadien.On ne dit pas la culture autochtone mais les cultures autochtones.Il y a plus de 50 langues autochtones au Canada, il y a 11 nations autochtones au Québec incluant les Inuit : Abénakis, Anishinabeg, Atikamekw Nehirowisiw, Eeyou, Wendat, Innu, Inuit, Wolastoqiyik, Mi'qmaq, Mohawk-Kanien'kehá:ka et Naskapi.Première invitée : Elisapie pour la sortie de l'album InuktitutL'artiste venue du Grand Nord, Elisapie, est depuis plusieurs années une ambassadrice incontournable des voix autochtones, elle incarne une élégance musicale certaine et un féminisme en avance sur son temps.Avec ce nouveau disque, la chanteuse qui a grandi à Salluit, un petit village du Nunavik, la région la plus au nord du Québec revient sur son enfance et adolescence en explorant ses titres préférés qui l'ont vue s'émanciper en tant que femme et en tant qu'artiste. Le défi était grand de revisiter ces chansons intemporelles de groupes ou d'artistes légendaires. Pourtant, qui peut prétendre à autant de délicatesse que dans ce titre Uummati Attanarsimat (Heart of Glass), reprise de Blondie ou ce Taimangalimaaq (Time After Time), de Cindy Lauper ?Ces classiques réinterprétés de Queen, Pink Floyd ou Rolling Stones sont chantés en Inuktitut, sa langue natale. De cette traduction, découlent une force et une poésie inédite. Dans cette playlist de jeunesse, Elisapie raconte son parcours, ses joies et ses peines, sa détermination aussi tout en faisant résonner sa culture avec finesse, en conjuguant modernité et tradition. De ses années passées dans l'Arctique, Elisapie a gardé les souvenirs de ses premiers amours, a été témoin des effets du colonialisme sur sa collectivité et a dansé jusqu'au bout de la nuit au centre communautaire du village. À l'adolescence, elle se produit sur scène avec ses oncles, eux-mêmes membres de l'illustre groupe de rock'n'roll inuit Sugluk (aussi appelé Salluit Band). À 15 ans, elle travaille à la station de radio du village et parvient à décrocher une entrevue avec Metallica. Jeune femme brillante et ambitieuse, elle s'installe à Montréal pour étudier et, finalement, faire carrière dans la musique. Aujourd'hui, l'auteure-compositrice-interprète inuk est une figure incontournable au Canada. Activiste dévouée, Elisapie a créé et produit la première émission de télévision diffusée dans tout le Canada pour célébrer la Journée nationale des peuples autochtones. Son attachement inconditionnel à son territoire et à sa langue, se situe au cœur de son parcours créatif et donc de son œuvre. Cette langue millénaire incarne la rudesse de l'environnement et la beauté féroce du territoire inuit. Cet album est le fruit de tout cela : une constellation de souvenirs aussi sensibles qu'oniriques.À la sortie de Uummati Attanarsimat, Debbie Harry et Chris Stein, membres de Blondie, acclament toute la beauté de cette version de Heart of Glass. Titres joués - Uummati Attanarsimat (Heart of Glass) Blondie voir le clip - Qimmijuat (Wild Horses) Rolling Stones voir le clip - Isumagijunnaitaungituq (The Unforgiven) Metallica voir le clip - Qaisimalaurittuq (Wish You Were Here) Pink Floyd- Californiamut (Going to California) Led Zeppelin.► Album Inuktitut (Yotanka/Bonsound 2023). Puis la #SessionLive reçoit Jeremy Dutcher pour la sortie de l'album Motewolonuwok.5 ans après avoir remporté le Prix de musique Polaris avec son premier album, Jeremy Dutcher est de retour avec une exploration radieuse de l'expérience autochtone contemporaine et de la place qu'il y trouve. Avec des chansons dans la langue de son peuple, le Wolasotqey, mais aussi en anglais pour la première fois, Motewolonuwok surpasse tout ce que le musicien a créé auparavant, englobant les chansons traditionnelles, les ballades nocturnes et les orchestrations saisissantes. « Lorsque nous analysons nos histoires, incluant nos histoires tristes — quelle est la lumière qui en ressort malgré tout ? », s'interroge-t-il. « Je voulais chanter à propos de la souffrance, puis nous amener vers la beauté », confie Dutcher. Wolastoqiyik Lintuwakonawa, paru en 2018, a propulsé Dutcher aux plus hauts sommets du monde culturel canadien, des galas Polaris et Juno au panel de juges de Canada's Drag Race. Mais peu de gens auraient pu prédire ce succès : l'album a été conçu comme un projet de recherche muséale, explorant les enregistrements sur cylindres de cire des porteurs de chansons wolastoqiyik — les ancêtres de Dutcher. Ténor de formation, le musicien a finalement chanté en duo avec ces voix, répondant à sa propre communauté à travers de sublimes chansons réinventées.Cette fois-ci, Dutcher voulait faire un album plus intimiste. Une remise en question. Un disque inspiré d'une observation du penseur yupik Richard LaFortune— que « le point où deux discriminations se rencontrent peut être dangereux ». Cette intersection peut également engendrer de la résilience, et cette résilience peut devenir une force. « Motewolonuwok » est un mot wolasotqey ancien qui est habituellement traduit par « sorcières ». C'est aussi ainsi qu'on appelle les personnes bispirituelles de la région — des personnes qui sont autochtones et queer, comme Dutcher, et qui ont reçu un héritage traditionnel précis. « Ce sont “des personnes possédant une grande force spirituelle” », explique-t-il. « C'est un honneur, plutôt que quelque chose dont il faut avoir honte. » Dutcher a dévoilé son homosexualité à 12 ans, mais l'idée même d'un « coming-out » lui a été imposée par les structures colonialistes. « L'identité bispirituelle ou queer autochtone est si belle, car elle ne provient pas d'un concept de déviance. » Et pourtant, « une grande part de ce savoir ancien a été perdue », souligne-t-il, et en tant qu'enfant grandissant au Nouveau-Brunswick — et même en tant qu'adulte habitant désormais Montréal — il évolue toujours à travers un « espace médian ». The Land That Held Them, son hommage à « ceux qui nous ont quittés trop tôt », vibre d'une façon qui évoque Nina Simone et Anohni. Ailleurs, au lieu d'un son modeste et presque privé, Dutcher utilise le plus grand canevas possible : un orchestre complet, avec des arrangements de Owen Pallett et, sur des morceaux comme Sakom, une chorale de 12 voix, celles de pairs queer et amis de Dutcher. Le chanteur a loué un autobus pour les amener enregistrer à Kingston — des camarades de l'école de musique de Halifax, ainsi que des membres de la scène jazz de Toronto et de l'irrésistible Queer Song-book Orchestra.Écouter Motewolonuwok, c'est entendre un album aux voix multiples. Il y a celle de Dutcher, plus exposée que jamais. Il y a sa chorale impromptue. On entend des réinterprétations d'airs traditionnels des berges de la rivière Wolastoq, ainsi que des vers de la poète cherokee Qwoli Driskill. Dutcher chante en Wolasotqey— littéralement sa langue maternelle — mais aussi en anglais, la langue de son père (et celle qu'il parlait le plus durant sa jeunesse). Une langue partagée est un cadeau avec une intention complexe ; sur Motewolonuwok, Dutcher ne chante pas que pour sa communauté, mais aussi « directement pour le nouveau venu [colonisateur] », dans sa propre langue, pour raconter des histoires de deuil, de résilience et de renaissance. Faire de la musique est comme apprendre une langue, selon Dutcher— « il n'y a pas de conclusion particulière ». C'est plutôt « un déchainement » - une constante exploration de ce qu'on veut dire et de comment on peut l'exprimer. Motewolonuwok est le prochain chapitre du musicien — un souhait collectif et une médecine réparatrice, une confession et un refrain. Titres interprétés dans le grand studio- Ultestakon Live RFI- Take My Hand, extrait de l'album voir le clip - Skichinuwihkuk Live RFI voir le clip. Line Up : Jeremy Dutcher, piano-voix.Traduction : Claire Simon.Son : Mathias Taylor, Benoît Letirant.► Album Motewolonuwok (Secret City Records 2023).

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1=======================================================================VIRTUOSADevoción Matutina Para Mujeres 2024Narrado por: Sirley DelgadilloDesde: Bucaramanga, Colombia===================|| www.drministries.org ||===================31 DE MAYOLA PUERTA ABIERTA"Si alguno quiere ser discípulo mío, olvídese de sí mismo" (Mat. 16:24).¿Recuerdas la canción «We Are the World» que recorrió el mundo en 1985 para recaudar fondos para las víctimas del hambre en Etiopía? Yo la recuerdo como si fuera ayer (bueno, anteayer). Recuerdo lo mucho que me gustó la letra de esa canción. En el video aparecían muchos cantantes: Stevie Wonder, Bruce Springsteen, Diana Ross, Ray Charles, Billy Joel, Cindy Lauper, Lionel Richie, Michael Jackson..., superestrellas de la época. Quincy Jones, el productor y compositor (otra superestrella, por cierto), hizo dos cosas muy peculiares durante la grabación del tema. La primera es que puso en la puerta del estudio un cartel que decía: «Dejen sus egos afuera». La segunda: pidió que no se cerrara la puerta, «para permitir que Dios entrara en la sala».*El ego humano... ese monstruo que todos llevamos dentro, luchando por destacar y recibir atención. Por cierto, ¿cómo anda el tuyo? ¿Lo has dejado fuera o está acomodado en ti, controlando lo que haces y dices? ¿Como saberlo? Fácil. Responde estas preguntas: ¿te sientes incómoda cuando no te dan la razón? ¿Reaccionas a la menor provocación, en lugar de mantener la calma? ¿Te tomas lo que te dicen como algo personal? ¿Eres incapaz de perdonar una ofensa? ¿Te quejas de un montón de cosas en lugar de dar pasos concretos para resolverlos? ¿Estás frecuentemente a la defensiva? ¿Te molesta cuando alguien no te cree? ¿No toleras que te critiquen? ¿Temes hacer el ridículo a no estar a la altura? ¿Te sientes herida cuando no mencionan tu nombre y si el de otras personas en relación de algún logro? Si has respondido, (sí) a la mayoría de estas preguntas, tienes un ego demasiado frágil, por eso estará constantemente buscando protagonismo, para sentirte fuerte. Darse cuenta de ello es el primer paso para saber como lidiar con él.¿Y el segundo paso? Volver a darse cuenta. Y cada vez que lo veas emerger, volver a darte cuenta de que es él quien actúa, y escuchar la voz de tu conciencia que te dice: «No reacciones, no te ofendas, pide ayuda a Dios». Claro, esa voz llega si has dejado la puerta abierta para que el Espíritu Santo entre y te ayude a poner al yo en su debido lugar. ¿Qué te parece si, en el día de hoy, lo primero que hacemos es tener un lema que diga ; y, lo segundo, abrir la puerta a la presencia de Dios?-"La mentira mayor es el ego".  Alejandro Jodorowsky. * Según testimonio de Oprah Winfrey, amiga íntima de Quincy Jones. 

Producer and Engineer William Wittman was one of our early guests in 2017 with a two parter, Episodes #15 and #16, where he discussed making seminal records with Cindy Lauper, Joan Osborne, and The Outfield, his time coming up through NYC recording studios, and his work/prank relationship with our very own John Agnello. In this episode, I catch up with Bill about making records with his band Too Much Joy, drum mic techniques, the things we like about in the box mixing, and working at the famed Van Gelder studio in Englewood, NJ.

Ace Amerson talks about being the country boy from Georgia on MTV's “The Real World: Paris” in 2003, his first appearance on “The Challenge: Inferno 3” and “Real World All-Stars 4”!!  He discusses how he wanted to be on reality TV only after watching Jon Brennan and Beth Stolarczyk on their season of The Real World and has a unique perspective on Beth's kindness which often gets overlooked.  Beth expresses that she had a crush on Ace and Ace confesses a man crush on Jon.  Beth is forced to choose between Eric Nies and Ace.  They compare their experiences on The Real World vs The Challenge and discuss the possibility of a Real World: Paris Homecoming.  He goes on to describe his current projects and what his daily life is like now and his apparent love for Cindy Lauper. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 568 also includes an E.W. Poetic Piece titled "Bohemian Eternal." Our music this go round is provided by these wonderful artists: Thelonious Monk, Joni Mitchell, Cindy Lauper, Heatwave, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Plongez dans les univers captivants d'Elisapie et de Jeremy Dutcher. Laissez-vous enivrer par le souffle du Grand Nord et du New Brunswick avec les albums Inuktitut et Motewolonuwok. (Rediffusion) Avant de commencer l'émission, voici quelques infos sur les cultures autochtones du Canada :Il y a 3 branches différentes d'autochtones au Canada :- 1) Premières nations : Mohawk, mig'maq, Abenaki... (Jeremy Dutcher)- 2) Métis- 3) Inuit (Elisapie).Pour ne pas se tromper, on dit : Autochtone.La langue des Inuit est le Inuktitut : Inuk (singulier) / Inuit (pluriel)Elisapie se présente comme une Inuk du peuple inuit.Erreurs communes à éviter :Confondre les Innus et les Inuit - Les Innus viennent de la Côte Nord (Florent Vollant par exemple) / Les Inuit viennent du Grand Nord (Elisapie).Le Nunavik est la région tout au nord du Québec. Le Nunavut est un territoire canadien.On ne dit pas la culture autochtone mais les cultures autochtones.Il y a plus de 50 langues autochtones au Canada, il y a 11 nations autochtones au Québec incluant les Inuit : Abénakis, Anishinabeg, Atikamekw Nehirowisiw, Eeyou, Wendat, Innu, Inuit, Wolastoqiyik, Mi'qmaq, Mohawk-Kanien'kehá:ka et Naskapi. Première invitée : Elisapie pour la sortie de l'album InuktitutL'artiste venue du Grand Nord, Elisapie, est depuis plusieurs années une ambassadrice incontournable des voix autochtones, elle incarne une élégance musicale certaine et un féminisme en avance sur son temps.Avec ce nouveau disque, la chanteuse qui a grandi à Salluit, un petit village du Nunavik, la région la plus au nord du Québec revient sur son enfance et adolescence en explorant ses titres préférés qui l'ont vue s'émanciper en tant que femme et en tant qu'artiste. Le défi était grand de revisiter ces chansons intemporelles de groupes ou d'artistes légendaires. Pourtant, qui peut prétendre à autant de délicatesse que dans ce titre Uummati Attanarsimat (Heart of Glass), reprise de Blondie ou ce Taimangalimaaq (Time After Time), de Cindy Lauper ?Ces classiques réinterprétés de Queen, Pink Floyd ou Rolling Stones sont chantés en Inuktitut, sa langue natale. De cette traduction, découlent une force et une poésie inédite. Dans cette playlist de jeunesse, Elisapie raconte son parcours, ses joies et ses peines, sa détermination aussi tout en faisant résonner sa culture avec finesse, en conjuguant modernité et tradition. De ses années passées dans l'Arctique, Elisapie a gardé les souvenirs de ses premiers amours, a été témoin des effets du colonialisme sur sa collectivité et a dansé jusqu'au bout de la nuit au centre communautaire du village. À l'adolescence, elle se produit sur scène avec ses oncles, eux-mêmes membres de l'illustre groupe de rock'n'roll inuit Sugluk (aussi appelé Salluit Band).À 15 ans, elle travaille à la station de radio du village et parvient à décrocher une entrevue avec Metallica. Jeune femme brillante et ambitieuse, elle s'installe à Montréal pour étudier et, finalement, faire carrière dans la musique. Aujourd'hui, l'auteure-compositrice-interprète inuk est une figure incontournable au Canada. Activiste dévouée, Elisapie a créé et produit la première émission de télévision diffusée dans tout le Canada pour célébrer la Journée nationale des peuples autochtones. Son attachement inconditionnel à son territoire et à sa langue, se situe au cœur de son parcours créatif et donc de son œuvre. Cette langue millénaire incarne la rudesse de l'environnement et la beauté féroce du territoire inuit. Cet album est le fruit de tout cela : une constellation de souvenirs aussi sensibles qu'oniriques.À la sortie de Uummati Attanarsimat, Debbie Harry et Chris Stein, membres de Blondie, acclament toute la beauté de cette version de Heart of Glass.Titres joués - Uummati Attanarsimat (Heart of Glass) Blondie voir le clip - Qimmijuat (Wild Horses) Rolling Stones voir le clip - Isumagijunnaitaungituq (The Unforgiven) Metallica voir le clip - Qaisimalaurittuq (Wish You Were Here) Pink Floyd- Californiamut (Going to California) Led Zeppelin.► Album Inuktitut (Yotanka/Bonsound 2023). Puis la #SessionLive reçoit Jeremy Dutcher pour la sortie de l'album Motewolonuwok.5 ans après avoir remporté le Prix de musique Polaris avec son premier album, Jeremy Dutcher est de retour avec une exploration radieuse de l'expérience autochtone contemporaine et de la place qu'il y trouve. Avec des chansons dans la langue de son peuple, le Wolasotqey, mais aussi en anglais pour la première fois, Motewolonuwok surpasse tout ce que le musicien a créé auparavant, englobant les chansons traditionnelles, les ballades nocturnes et les orchestrations saisissantes. « Lorsque nous analysons nos histoires, incluant nos histoires tristes — quelle est la lumière qui en ressort malgré tout ? », s'interroge-t-il. « Je voulais chanter à propos de la souffrance, puis nous amener vers la beauté », confie Dutcher. Wolastoqiyik Lintuwakonawa, paru en 2018, a propulsé Dutcher aux plus hauts sommets du monde culturel canadien, des galas Polaris et Juno au panel de juges de Canada's Drag Race. Mais peu de gens auraient pu prédire ce succès : l'album a été conçu comme un projet de recherche muséale, explorant les enregistrements sur cylindres de cire des porteurs de chansons wolastoqiyik — les ancêtres de Dutcher. Ténor de formation, le musicien a finalement chanté en duo avec ces voix, répondant à sa propre communauté à travers de sublimes chansons réinventées.Cette fois-ci, Dutcher voulait faire un album plus intimiste. Une remise en question. Un disque inspiré d'une observation du penseur yupik Richard LaFortune— que « le point où deux discriminations se rencontrent peut être dangereux ». Cette intersection peut également engendrer de la résilience, et cette résilience peut devenir une force. « Motewolonuwok » est un mot wolasotqey ancien qui est habituellement traduit par « sorcières ». C'est aussi ainsi qu'on appelle les personnes bispirituelles de la région — des personnes qui sont autochtones et queer, comme Dutcher, et qui ont reçu un héritage traditionnel précis. « Ce sont “des personnes possédant une grande force spirituelle” », explique-t-il. « C'est un honneur, plutôt que quelque chose dont il faut avoir honte. » Dutcher a dévoilé son homosexualité à 12 ans, mais l'idée même d'un « coming-out » lui a été imposée par les structures colonialistes. « L'identité bispirituelle ou queer autochtone est si belle, car elle ne provient pas d'un concept de déviance. » Et pourtant, « une grande part de ce savoir ancien a été perdue », souligne-t-il, et en tant qu'enfant grandissant au Nouveau-Brunswick — et même en tant qu'adulte habitant désormais Montréal — il évolue toujours à travers un « espace médian ».The Land That Held Them, son hommage à « ceux qui nous ont quittés trop tôt », vibre d'une façon qui évoque Nina Simone et Anohni. Ailleurs, au lieu d'un son modeste et presque privé, Dutcher utilise le plus grand canevas possible : un orchestre complet, avec des arrangements de Owen Pallett et, sur des morceaux comme Sakom, une chorale de 12 voix, celles de pairs queer et amis de Dutcher. Le chanteur a loué un autobus pour les amener enregistrer à Kingston — des camarades de l'école de musique de Halifax, ainsi que des membres de la scène jazz de Toronto et de l'irrésistible Queer Song-book Orchestra.Écouter Motewolonuwok, c'est entendre un album aux voix multiples. Il y a celle de Dutcher, plus exposée que jamais. Il y a sa chorale impromptue. On entend des réinterprétations d'airs traditionnels des berges de la rivière Wolastoq, ainsi que des vers de la poète cherokee Qwoli Driskill. Dutcher chante en Wolasotqey— littéralement sa langue maternelle — mais aussi en anglais, la langue de son père (et celle qu'il parlait le plus durant sa jeunesse). Une langue partagée est un cadeau avec une intention complexe ; sur Motewolonuwok, Dutcher ne chante pas que pour sa communauté, mais aussi « directement pour le nouveau venu [colonisateur] », dans sa propre langue, pour raconter des histoires de deuil, de résilience et de renaissance. Faire de la musique est comme apprendre une langue, selon Dutcher— « il n'y a pas de conclusion particulière ». C'est plutôt « un déchaînement » - une constante exploration de ce qu'on veut dire et de comment on peut l'exprimer. Motewolonuwok est le prochain chapitre du musicien — un souhait collectif et une médecine réparatrice, une confession et un refrain.Titres interprétés dans le grand studio- Ultestakon Live RFI- Take My Hand, extrait de l'album voir le clip - Skichinuwihkuk Live RFI voir le clip. Line Up : Jeremy Dutcher, piano-voix.Traduction : Claire Simon.Son : Mathias Taylor, Benoît Letirant.► Album Motewolonuwok (Secret City Records 2023).

Plongez dans les univers captivants d'Elisapie et de Jeremy Dutcher. Laissez-vous enivrer par le souffle du Grand Nord et du New Brunswick avec les albums Inuktitut et Motewolonuwok. (Rediffusion) Avant de commencer l'émission, voici quelques infos sur les cultures autochtones du Canada :Il y a 3 branches différentes d'autochtones au Canada :- 1) Premières nations : Mohawk, mig'maq, Abenaki... (Jeremy Dutcher)- 2) Métis- 3) Inuit (Elisapie).Pour ne pas se tromper, on dit : Autochtone.La langue des Inuit est le Inuktitut : Inuk (singulier) / Inuit (pluriel)Elisapie se présente comme une Inuk du peuple inuit.Erreurs communes à éviter :Confondre les Innus et les Inuit - Les Innus viennent de la Côte Nord (Florent Vollant par exemple) / Les Inuit viennent du Grand Nord (Elisapie).Le Nunavik est la région tout au nord du Québec. Le Nunavut est un territoire canadien.On ne dit pas la culture autochtone mais les cultures autochtones.Il y a plus de 50 langues autochtones au Canada, il y a 11 nations autochtones au Québec incluant les Inuit : Abénakis, Anishinabeg, Atikamekw Nehirowisiw, Eeyou, Wendat, Innu, Inuit, Wolastoqiyik, Mi'qmaq, Mohawk-Kanien'kehá:ka et Naskapi. Première invitée : Elisapie pour la sortie de l'album InuktitutL'artiste venue du Grand Nord, Elisapie, est depuis plusieurs années une ambassadrice incontournable des voix autochtones, elle incarne une élégance musicale certaine et un féminisme en avance sur son temps.Avec ce nouveau disque, la chanteuse qui a grandi à Salluit, un petit village du Nunavik, la région la plus au nord du Québec revient sur son enfance et adolescence en explorant ses titres préférés qui l'ont vue s'émanciper en tant que femme et en tant qu'artiste. Le défi était grand de revisiter ces chansons intemporelles de groupes ou d'artistes légendaires. Pourtant, qui peut prétendre à autant de délicatesse que dans ce titre Uummati Attanarsimat (Heart of Glass), reprise de Blondie ou ce Taimangalimaaq (Time After Time), de Cindy Lauper ?Ces classiques réinterprétés de Queen, Pink Floyd ou Rolling Stones sont chantés en Inuktitut, sa langue natale. De cette traduction, découlent une force et une poésie inédite. Dans cette playlist de jeunesse, Elisapie raconte son parcours, ses joies et ses peines, sa détermination aussi tout en faisant résonner sa culture avec finesse, en conjuguant modernité et tradition. De ses années passées dans l'Arctique, Elisapie a gardé les souvenirs de ses premiers amours, a été témoin des effets du colonialisme sur sa collectivité et a dansé jusqu'au bout de la nuit au centre communautaire du village. À l'adolescence, elle se produit sur scène avec ses oncles, eux-mêmes membres de l'illustre groupe de rock'n'roll inuit Sugluk (aussi appelé Salluit Band).À 15 ans, elle travaille à la station de radio du village et parvient à décrocher une entrevue avec Metallica. Jeune femme brillante et ambitieuse, elle s'installe à Montréal pour étudier et, finalement, faire carrière dans la musique. Aujourd'hui, l'auteure-compositrice-interprète inuk est une figure incontournable au Canada. Activiste dévouée, Elisapie a créé et produit la première émission de télévision diffusée dans tout le Canada pour célébrer la Journée nationale des peuples autochtones. Son attachement inconditionnel à son territoire et à sa langue, se situe au cœur de son parcours créatif et donc de son œuvre. Cette langue millénaire incarne la rudesse de l'environnement et la beauté féroce du territoire inuit. Cet album est le fruit de tout cela : une constellation de souvenirs aussi sensibles qu'oniriques.À la sortie de Uummati Attanarsimat, Debbie Harry et Chris Stein, membres de Blondie, acclament toute la beauté de cette version de Heart of Glass.Titres joués - Uummati Attanarsimat (Heart of Glass) Blondie voir le clip - Qimmijuat (Wild Horses) Rolling Stones voir le clip - Isumagijunnaitaungituq (The Unforgiven) Metallica voir le clip - Qaisimalaurittuq (Wish You Were Here) Pink Floyd- Californiamut (Going to California) Led Zeppelin.► Album Inuktitut (Yotanka/Bonsound 2023). Puis la #SessionLive reçoit Jeremy Dutcher pour la sortie de l'album Motewolonuwok.5 ans après avoir remporté le Prix de musique Polaris avec son premier album, Jeremy Dutcher est de retour avec une exploration radieuse de l'expérience autochtone contemporaine et de la place qu'il y trouve. Avec des chansons dans la langue de son peuple, le Wolasotqey, mais aussi en anglais pour la première fois, Motewolonuwok surpasse tout ce que le musicien a créé auparavant, englobant les chansons traditionnelles, les ballades nocturnes et les orchestrations saisissantes. « Lorsque nous analysons nos histoires, incluant nos histoires tristes — quelle est la lumière qui en ressort malgré tout ? », s'interroge-t-il. « Je voulais chanter à propos de la souffrance, puis nous amener vers la beauté », confie Dutcher. Wolastoqiyik Lintuwakonawa, paru en 2018, a propulsé Dutcher aux plus hauts sommets du monde culturel canadien, des galas Polaris et Juno au panel de juges de Canada's Drag Race. Mais peu de gens auraient pu prédire ce succès : l'album a été conçu comme un projet de recherche muséale, explorant les enregistrements sur cylindres de cire des porteurs de chansons wolastoqiyik — les ancêtres de Dutcher. Ténor de formation, le musicien a finalement chanté en duo avec ces voix, répondant à sa propre communauté à travers de sublimes chansons réinventées.Cette fois-ci, Dutcher voulait faire un album plus intimiste. Une remise en question. Un disque inspiré d'une observation du penseur yupik Richard LaFortune— que « le point où deux discriminations se rencontrent peut être dangereux ». Cette intersection peut également engendrer de la résilience, et cette résilience peut devenir une force. « Motewolonuwok » est un mot wolasotqey ancien qui est habituellement traduit par « sorcières ». C'est aussi ainsi qu'on appelle les personnes bispirituelles de la région — des personnes qui sont autochtones et queer, comme Dutcher, et qui ont reçu un héritage traditionnel précis. « Ce sont “des personnes possédant une grande force spirituelle” », explique-t-il. « C'est un honneur, plutôt que quelque chose dont il faut avoir honte. » Dutcher a dévoilé son homosexualité à 12 ans, mais l'idée même d'un « coming-out » lui a été imposée par les structures colonialistes. « L'identité bispirituelle ou queer autochtone est si belle, car elle ne provient pas d'un concept de déviance. » Et pourtant, « une grande part de ce savoir ancien a été perdue », souligne-t-il, et en tant qu'enfant grandissant au Nouveau-Brunswick — et même en tant qu'adulte habitant désormais Montréal — il évolue toujours à travers un « espace médian ».The Land That Held Them, son hommage à « ceux qui nous ont quittés trop tôt », vibre d'une façon qui évoque Nina Simone et Anohni. Ailleurs, au lieu d'un son modeste et presque privé, Dutcher utilise le plus grand canevas possible : un orchestre complet, avec des arrangements de Owen Pallett et, sur des morceaux comme Sakom, une chorale de 12 voix, celles de pairs queer et amis de Dutcher. Le chanteur a loué un autobus pour les amener enregistrer à Kingston — des camarades de l'école de musique de Halifax, ainsi que des membres de la scène jazz de Toronto et de l'irrésistible Queer Song-book Orchestra.Écouter Motewolonuwok, c'est entendre un album aux voix multiples. Il y a celle de Dutcher, plus exposée que jamais. Il y a sa chorale impromptue. On entend des réinterprétations d'airs traditionnels des berges de la rivière Wolastoq, ainsi que des vers de la poète cherokee Qwoli Driskill. Dutcher chante en Wolasotqey— littéralement sa langue maternelle — mais aussi en anglais, la langue de son père (et celle qu'il parlait le plus durant sa jeunesse). Une langue partagée est un cadeau avec une intention complexe ; sur Motewolonuwok, Dutcher ne chante pas que pour sa communauté, mais aussi « directement pour le nouveau venu [colonisateur] », dans sa propre langue, pour raconter des histoires de deuil, de résilience et de renaissance. Faire de la musique est comme apprendre une langue, selon Dutcher— « il n'y a pas de conclusion particulière ». C'est plutôt « un déchaînement » - une constante exploration de ce qu'on veut dire et de comment on peut l'exprimer. Motewolonuwok est le prochain chapitre du musicien — un souhait collectif et une médecine réparatrice, une confession et un refrain.Titres interprétés dans le grand studio- Ultestakon Live RFI- Take My Hand, extrait de l'album voir le clip - Skichinuwihkuk Live RFI voir le clip. Line Up : Jeremy Dutcher, piano-voix.Traduction : Claire Simon.Son : Mathias Taylor, Benoît Letirant.► Album Motewolonuwok (Secret City Records 2023).

The biggest song by the Godfather of American Metal, a cover that captures the essence of a regional sound, and the shame of a Beach Boy. Mother, originally by Danzig, covered by The Delorean Sisters.  Outro music is She Bop, by Cindy Lauper. 

"The Greatest Night in Pop," now streaming on Netflix, takes you behind the scenes of the making of the "We Are the World" charity single.  How were Lionel Richie and Quincy Jones able to bring together some of the greatest names in Pop (Michael Jackson, Bruce Springsteen, Diana Ross, Stevie Wonder, Steve Perry, Cindy Lauper, etc)???  And is this doc worth your time?

Step back into 1985, where the halls of East Grand Rapids High buzzed with excitement for the homecoming pep rally. In a daring move, a group of friends, including myself, transformed into iconic music legends like Kenny Rogers, Bob Dylan, and Cindy Lauper. With a stroke of creativity, we rewrote the lyrics of "We are the World" into a spirited anthem titled "We are the Seniors," celebrating our final year of high school. But as the night unfolded, the allure of fun seemed incomplete without a touch of rebellion, and alcohol found its way into our festivities. Join me as I reminisce about the wild and unforgettable moments of our musical escapade, where laughter, friendship, and a hint of mischief painted the canvas of our senior year. We are the World

Den 10 och 11 mars avslutar Karin Dreijer, alias Fever Ray, sin ett år långa There's No Place That I'd Rather Be Tour med två spelningar på Cirkus i Stockholm. Fredrik Strage, som en gång beskrev The Knife som "det bästa som hänt musik sedan elektricitet", har i åtta år försökt locka Karin till sin podd och nu blev det äntligen av. Den elektroniska popsurrealisten från Pixbo talar om sin långa karriär, från att göra Tom Petty-covers med gruppen Virginia i högstadiet till att samarbeta med Nine Inch Nails på senaste albumet "Radical romantics". Samtalet handlar också om nittiotalets indiescen, föräldraskap, Throbbing Gristle, nyfascism, kärlek, död, kapitalism, sumorörelser, ickebinär identitet, Cindy Lauper, Håkan Hellström och om när Karin slarvade bort sitt tält på väg för att se Hole på Readingfestivalen 1995. Hosted on Acast. See acast.com/privacy for more information.

Perhaps the most celebrated man in our industry, master of his own destiny, tenacious, passionate and fierce to sign and see to fruition, some of the greatest names of our time. Metallica, White Zombie, Nina Simone, Cindy Lauper, and so many more. In his own words, you can't be good, you've got to be great. Welcome to the Scandalous Podcast, Michael Lago. On this episode, we cover the span of Michael's career, how he got started, and what it was like to work with some of the biggest names in the industry. To keep up with Michael, follow below or check out his book, "I Am Michael Alago: Breathing Music. Signing Metallica. Beating Death." Follow: https://www.instagram.com/michaelanthonyalago/ https://www.amazon.com/Am-Michael-Alago-Breathing-Metallica/dp/1617137251 https://www.instagram.com/scandalousofficial/ Merch: https://www.scandalousofficial.com/shop

Comment cette série, née d'un stand up, impose un personnage féminin mémorable ? Comment le groupe Temples monte-t-il en puissance grâce à Sean Lennon ? Comment, sur le scandale des opioïdes aux USA, la série « Painkiller » essaye de se démarquer d'une autre série acclamée, « Dopesick » ? Auteur du tube « Take me to the church » il y a dix ans, Hozier peut-il rebondir avec ses nouveaux titres ? Dans quelle série a-t-on la surprise de revoir Cindy Lauper ? Fêter les 77 ans du Journal Tintin, mort de sa belle mort il y a 35 ans, est-ce une bonne idée ? Pour quel film français Oliver Sim et Sebastian signent une belle B.O ? Des questions… Et des réponses dans « La semaine des 5 heures » de ce vendredi 1er septembre

Hypotheticals with Jack. Ladue hockey culture. Mt. Rushmore of Goo Goo Dolls. Cindy Lauper. EMOTD. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hypotheticals with Jack. Ladue hockey culture. Mt. Rushmore of Goo Goo Dolls. Cindy Lauper. EMOTD. Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes: Songs can be career counselors, harmonizing means you don't have to memorize words, if you don't like to sing alone, then singing with others can unlock your voice, how to leave space for people, how to become a found family (food is involved) -- what other ideas might VoiceExchange have to share with you? This quintet of singers improvised their way through the pandemic -- learn how they honed their ability to play even when geographically distant (and hear an example at the very end, created on the fly with Zoom faces and Jacktrip sound). Improvisation can be a weird and wonderful world -- a chance to hear the unexpected. The song they shared is a tree speaking... and what a beautiful sense of embrace it creates. ​Songwriter Info: VoiceExchange initially formed as a practice group following a 2012 Bobby McFerrin Circlesongs workshop. As singers from disparate musical influences, they came together, connecting through a shared passion for vocal improvisation, and formed a unique a cappella group that blends diverse vocal styles into spontaneous harmonious arrangements. During the challenges of the pandemic VoiceExchange began a series of sequentially recorded collaborations for leading online circles. This resulted in a library of recordings, among them, Touch the Sky and Take My Hand. VoiceExchange members are Amado Ohland, Beth Lyons, Dina Torok, Joy Truskowski and Paris Kern. They can be found leading Circlesinging events in Maryland, Virginia, Massachusetts & Vermont as well as offering online and in-person workshops and providing spontaneous music to churches, temples and other community gatherings.  Amado Ohland began his semi-professional career as a jazz and blues vocalist shortly after graduating University of Maryland at College Park with a bachelor's in music composition and theory. He attended his first Circlesongs workshop in 2011, and has been leading circlesinging events since 2013 in Washington DC, Pittsburgh, and western Virginia. He has recently received a master's degree in music from Radford University. For his doctoral dissertation he is working on a participatory ethnography of circlesinging worldwide and a song cycle of pieces based on circlesinging techniques. Born into a musical family, Beth Lyons actually can't remember a ‘before' time when singing-in-community wasn't a part of her life. She currently performs improvised musicals with iMusical, the house musical improv team for Washington Improv Theater, performs and leads Circles with VoiceExchange, and leads online immersive Song Dive workshops and a Monday morning online choir named Coffee Choir. You can learn more about her offerings and sign up for her “Heads Up” notification/invite list at www.RiverChoir.org.   Dina Torok has sung in and been musical director for various a cappella groups from college through adulthood. She was a professional film and television session singer, performed in various pop/rock bands in Los Angeles, and recorded an original solo album and a piano/vocal album of show tunes. Dina found VoiceExchange and circle singing in 2015 and has been a grateful member ever since. Joy Truskowski is a singer-songwriter and community songleader. She has performed as a solo artist in the Roanoke, VA area for 13 years. You can find her original songs on Bandcamp under the name “Joy Tru”. She started Star City Circlesinging in 2019 and has been leading circles with other co-leaders in Roanoke ever since. During the beginning of the pandemic she started contributing to VoiceExchange's online circles. She fell in love with all of them, and they all asked her to marry them. She said, “I can't marry you, but I'll join your group!” And that was a fair compromise. So she officially joined in the summer of 2021. Paris Kern started performing traditional folk music at coffeehouses and concerts when she was 16 years old. She studied classical vocal performance in college, but her heart was always in the world of pure traditional folk traditions. In 2011, for reasons unknown to her, she was internally compelled to attend Bobby McFerrin's CIrclesongs workshop. Feeling like a fish out of water, surrounded by mostly Jazz musicians, she nonetheless was hooked by the magic of Circlesongs and the sensation that her heart was being sung back to her. She has been leading circles in Washington DC, and Baltimore and is now starting circles in Southern Vermont. Sharing Info: VoiceExchange would love to know if you plan to teach or perform Touch the Sky or another of their songs; drop them a line at info@VoiceExchange.org. And if teaching/performing their song is a profitable business for you, please share a bit of the profit with them via their donation link at https://voiceexchange.org. Links:  Paris mentions a Burl Ives recording, but we could only find a link for Patti Page's version of "How Much is that Doggy in the Window?" https://www.youtube.com/watch?v=6rJo9yJxd5M Julie Andrews: https://www.biography.com/actors/julie-andrews Joan Baez: https://www.biography.com/musicians/joan-baez David Crosby: https://davidcrosby.com/ Martin Carthy: https://www.allmusic.com/artist/martin-carthy-mn0000367979 "It's a Small World After All" by Richard and Robert Sherman https://www.songfacts.com/facts/disneyland-childrens-sing-along-chorus/its-a-small-world "Diddle, Diddle Dumpling, My Son John" : https://allnurseryrhymes.com/diddle-dumpling/ Freddie Mercury: https://www.biography.com/musicians/freddie-mercury Somatic Voicework: http://thevoiceworkshop.com/somatic-voicework/ Bobby McFerrin Circlesinging: https://circlesongs.com/circlesong-school-2023/ Tuvan throat singing: https://www.bbc.com/travel/article/20210414-a-revival-of-indigenous-throat-singing All the Way In- Rhiannon: https://www.rhiannonmusic.com/all-the-way-in-home Motor, interlock definitions: http://songsofthemoment.com/category-rhiannon/ Take My Hand: Episode 104 on A Breath of Song: https://www.abreathofsong.com/episodes--show-notes/104-take-my-hand Vocal River by Rhiannon: https://www.rhiannonmusic.com/vocal-river Zuza: https://singers.com/vocal-coach/Zuza-Goncalves/ “Flow: The Psychology of Optimal Experience” by Mihaly Csikszentmihalyi https://www.goodreads.com/book/show/66354.Flow Tuck & Patti album 1988 Time After Time: https://www.discogs.com/release/10168223-Tuck-Patti-Time-After-Time Star City Circlesinging: https://www.meetup.com/Star-City-Circlesinging/ Musica do Circulo Brazil: https://www.playgroundforthearts.com/musica-do-circulo Amado on Bandcamp: https://naviarrecords.bandcamp.com/album/haiku-10 "She's So Unusual" by Cindy Lauper: https://www.allmusic.com/album/shes-so-unusual-mw0000194590 "The Game" by Queen: https://www.allmusic.com/album/the-game-mw0000650663 "Medicine Music" by Bobby McFerrin: https://www.allmusic.com/album/medicine-music-mw0000309576 Prince: https://www.prince.com Eagles: https://eagles.com Sting: https://www.sting.com Billy Joel: https://www.billyjoel.com Alanis Morisette: https://alanis.com "Blue" by Joni Mitchell: https://jonimitchell.com/music/album.cfm?id=5 "Abbey Road" by The Beatles: https://www.thebeatles.com/abbey-road Patrick Watson: https://patrickwatson.net Great interview with Martin Carthy: https://www.innerviews.org/inner/martin-carthy.html And here's a link to Martin singing “The Trees they Do Grow High”: https://www.youtube.com/watch?v=SaKGeTmFqbE "Vocabularies" by Bobby McFerrin: https://bobbymcferrin.com/albums/vocabularies/ VoiceExchange on Meetup: https://www.meetup.com/circlesinging-dc/ Jacktrip Software: https://www.jacktrip.com VoiceExchange's quiet Website: https://voiceexchange.org Email: info@voiceexchange.org VoiceExchange on Facebook: https://www.facebook.com/VoiceExchangeMusic?mibextid=LQQJ4d VoiceExchange on Instagram: https://instagram.com/voiceexchange?igshid=NTc4MTIwNjQ2YQ== VoiceExchange's Email: info@voiceexchange.org Amado's Website: https://amadomusic.com/ Paris's Website: https://www.pariskern.com Joy's Website: http://www.joytru.com Beth's Choir Website: https://www.riverchoir.org/ Song Learning Time Stamps: Start time of teaching: 00:05:10 Start time of reprise: 01:14:25 Improvisation at 1:18:55 ​​ Nuts & Bolts: 4:4, Major, 3-part harmony, 3-layer ​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

The Pal's X Graham Scott Fleming Episode 222 While beginning to craft his unique sound in the country genre, Graham found an incredible career in Broadway, landing the lead role of Charlie in “Kinky Boots,” and working directly with Cindy Lauper. He soon moved to NYC to fully emerge himself in his broadway career, which led to an international tour with “Hair” and performing at the Tony Awards. Growing up in Elmvale, ON, Graham would have no idea when he won a local singing contest in high school that music and performance would become such an internal part of his life. Following his Broadway run, Graham returned home in 2020 and continued to pursue a solo career in the genre that raised him. After earning a Top 40 single at country radio as an independent artist with the release of “Better Man,” he signed a record deal with Open Road Recordings and RGK Entertainment in 2022. Having written with some of Canada's most promising songwriters such as Robyn Ottolini, Lydia Sutherland, and Vanessa Marie Carter, and opening for Canadian country legacy acts such as High Valley, Deric Ruttan, and Aaron Pritchett, Graham's music has received major play listing placements such as Apple Music's Country Risers, Canada's Country, Trailblazers, and Country Wide, Amazon Music's Country Hits and Just North of Nashville, YouTube Music's Country Now and Canadian Country Moment and Spotify's Fresh Finds Country. One of the most promising new voices in country, Graham Scott Fleming is only getting started. With more new music on the horizon and making his Boots & Hearts debut on August 12.   Follow him at: thepalspodcast@gmail.com   —— Music @loudluxury

This episode has everything and it's a big one :   A visit with Sister Peg, T&G do an unsolicited live read for the fictional Store-It-All Self Storage in Queens, super top secret secrets, a super fun drug dealer yacht party, Cindy Lauper's husband, and Cabot's nuts fly a little to close to the sun.    Recap 1:30 True Crime Chaser 43:24   Patreon:   Recap 8:40 True Crime Chaser 1:03:13   **TW: murder, drug related murder**   Rate and review!  Email us at svupod@gmail.com! P.O. Box 176 Deforest, WI 53532! Check out our Instagram @svupod! Join the Facebook group, SVU POD Elite Squad!  #littlebitloud for Indie pods! Join the Patreon!   Thank you to our Dedicated Detective Patrons:    LEM, Sophia C, Lauren T, Erin D, Natalie S, Robin S, Lea O, Rachel S, Claire P, Emily L,  Sarah LVW, Nikki B, Kayla R, Juni L,Sydney R, Stephani W, Kelsey M, Nisha G, Sarah H, Samantha, Louise M, Caitlyn S. Kayla R and Kimberlee C     And to our Elite Squad Patrons:   Hayley K, Sonja W, Skye K, Marisa M, Elke H, Annie G, Mary D, Andrew, Rebekah D, Miranda B, Shelby W, Lex, Emily T, Kayla W, Mallorie G, Bonita R, Maren, Vanessa, Amy P, Jess M, Summer M, Melanie G, Courtney W, Ursula S, Emily A, Kate H, Uyanga, Nicole R, Julia P,  Sapphire, Kayla, Catherine M, Kate P, Jessica S, Nicole M, Acacia V, Danielle W, Kelsi D, Jana M, Joshua H, Tammi J, Bear (sarah g), Crystal, Lucy M, Tricia S, Sam D, Emily A, Angela D, MAC, Casey W, Abby W, Alexis J, Lauren T, Cassandra S, Kaylan B,  Camilla Z, Nisha G, Maggie D, K Allen, Kati M, Crystal B, Jessica P, Neida M, Zahn and J, Cyn, Kristina D, Liana, Madison H, Emily O, Crystal M, Vicotoria B,  Kelsi D,  Scout G, Melisa M, and Desiree D   We LOVE YOU and APPRECIATE YOU!! You are all making it possible for us to continue doing this!

Whitmer v. Dixon: Snoozefest 2022, the Autoblow inventor joins us, Herschel Walker's new abortion accuser, Zac Efron's bulk, Jerry Lee Lewis is alive, Taylor Swift's fat-phobic, Drew's nightmare, Sheila Ford Hamp speaks, and we call to investigate the status of Kanye West's wax figure.This show has communication problems.Michigan's Cannabis Regulatory Agency is harassing the state's buzz with weed narcs.Zac Efron has yet another new look as he bulks up to play the muscle man.Brian, the inventor of the Autoblow, zooms in to tell us about all his amazing products so you can do-it-yourself. He even provides a special code to save on your next Autoblow purchase: Trudi. Meanwhile, our Autoblow has been running for 2 straight hours.We've been rediscovering all of Bob Rivers' great Twisted Tunes.The second Michigan Gubernatorial debate between Gov. Gretchen Whitmer and Tudor Dixon was last night. It was full of amazing dream weavering moments.Pennsylvania had their big Senate debate between Dr. Oz and John Fetterman. Companies keep separating themselves from Kanye West. Antonio Bryant, the president of Donda Sports, still has his back though. Spotify will keep playing his music. The "student/athletes" at his Donda Academy are punished for his anti-semetic ramblings. Since Adidas booted him, Ye showed up unannounced to the Sketcher's headquarters for a meeting.Madame Tussaud's is removing Kanye's wax figure. We call to find out if it is being melted down. A second woman accuses Herschel Walker of pressuring her to have abortion. No one is talking about Raphael Warnock's slum apartment building.Breaking News: Peloton virtue signals by saying they won't play any Kanye West music during workouts.Breaking News: Jerry Lee Lewis is still alive.The staff at Balthazar is not accepting James Cordon's over apology from his show. They also aren't buying his wife's "deadly" allergy story.Taylor Swift is in trouble for being fat-phobic. Fat Drew isn't happy about it either.James Charles still can't believe he's bald.Drew had a very scary nightmare last night.Cindy Lauper sends us down the rabbit hole of albums that had the most Top 10 hits.A Make-A-Wish teen gets his number called to score a touchdown... but Aiden was having none of it.Sheila Ford Hamp speaks about the state of the Detroit Lions and her belief in Dan Campbell.Unsolved Mysteries had another intriguing story about a college kid who went missing. He might have been an original catfisherman.New England Patriots QB Bailey Zappe was named after Scott Wolf's character on Party of 5. The interception Mac Jones threw before he was yanked actually hit the sky cam wire.Clarktober continues on!Social media is dumb, but we're on Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels and BranDon).