Podcasts about effervescent

On the end of the end of history and what comes next. Phil is back on the pod, talking with George and Alex about the big themes of the podcast. In particular, we look at a recent essay in Foreign Policy by historian Christopher Clarke called "The End of Modernity". To what extent was the 1989 moment as significant in Beijing as Berlin? Is Trump actually Stalin (but in a good way)? Is Russia the revisionist power? And if so, in what regard and what are the consequences? Who says the choice is between "liberal democracy" and "authoritarian populism"? Then, we take your questions and comments from the past month. For the full episode, subscribe at patreon.com/bungacast Links: The End of Modernity, Christopher Clarke, Foreign Policy The End of the End of History: Politics in the Twenty-First Century, Bungacast, Zer0 Books Into the Abyss, Ed McNally, Tribune

I want to scream at you But even standing at my shoulder length My eye at your chest. You'd be a million miles away Look what I make of you. I have no mistakes left and still The fate of it is that, You have my gratitude, your gracious And yet they eat away At all the things I have And maybe there'll be more of me For now the morbid days are just as caving in as Any other making that we make of it Don't thank me, Just outrank them. Banking on your every moment Effervescent, tragic endings Waiting on your every scent and center Don't disintegrate just yet And now we enter impact Stand for circumstances Do work faster Horror horror Do you know the motive of her Former engines? Motive, motive Steer the plot or rear the message m Fritter fritter Audiences get disinterested So effing quickly. Would you mild or would you mold Or would you wake to fold the eggs into the bacon, Bread, and then tomato— Would you fear her message? Would you quick forget you're on her planet? Surely safe to know But know but knots And no but not again You bought it with your faux and auctions Hallmark cards And feathers fauxes Don't you know The faucet's only running water Oh you're hard predictable And chlorinated Oh the poison Dripping at your ways And wilting at your guilt The James The reckon gestures Reckon, Avery Severed by the check Or just the ever ending Never get there Message to a friend To just keep going When she ends it It is just another death You'll get on with it In the end Never friends. Never. Good I hate you Could you maybe Find me ugly? That's your money in my Every reaching corner Every angling cent And harsh presentations of Skin that's aging and Wages which haven't Coverage to front the Expenses, Crash diets Go broken Ugly cause you're course Everything fits But still empty on the inside I live in shredded Shambles of service But there's no gratitude My breath is only your own And this bread is my headache I haven't a sermon Or diamond Or unworthy Sex appeal And really only Ever off when Only ever on You're still demolishing the board You're still diminishing the severs Yet you neglected Each and every Crevice of this Never ending friendship— But did I ever mention there is a glass slipper For each and every person ever Just to wish one? Did it ever occur to you The circumstances you are under r Live for it Or get lost There's really only porridge in her oven If the gas or turning off or over Don't turn over now The resin's covered in the Corvette. Only cause I had to Sense when is it Blood sense. Get laid Don't flinch Get paid Gold finch Get reckless I call spirits north for dinner South for lunch And up for porridge at breakfast I've passed on I've been awake You're mortal girl The one you're on is Really only such a small pond That I should think To cover up With dirt. Start over. —and Skrillex is just in the corner the whole time playing video games. Worst dream ever. But why's Seth Meyer's mad at me? I'm guessing he always was! He's people are just like that All conservative, conformed— Again, it's not your fault It's just uncomfortable! Again I only ever approached it wanting to know If the l broach l fits But even Lucille Ball won't come if I call her— Probably don't even got the right number Code of arms Or helm of awe, huh. Fuck, man. When's Tonight Show in hiatus Need you off the island, off In Prague And out my anus, Don't remind me I've been Jamie Lee Curtis Just recently enough That I miss it. Ugh. I know, I resent that. Find a line to draw Or fly a kite past I'm past my reckoning Just for tonight, The suffering ends Surely not enough to past the time Before my electrolytes fly in But tonight Just tonight I want to dine in my mind Or die alone Without trying to find the light— The neighbor simply seems to follow it. (At least I got her ought to not slam the door now, Police interventions, There really are cause for those.) What is a warfare! Buy me a checkmark! My question mark seems to go off a lot All for it God, You're remarkable I gift a heart or though I out all my crystals in the Rockerfeller plaza But still held on to an amethyst for Dillon Francis? There those eyes are again; I hate to hurt you North; But I'm no mother board Or mother ship Or Mother Earth Broke my focus long enough to call you up, But sure, I'm just short of even past conscious. Nothing's safe for us, you know. One one to call; No code of conduct– No safety in numbers, or color guard No home, and no love in our times For our kind– We're all here now And the wrong time Is all time. {Enter The Multiverse} Do you see me? I don't not see you. Well. Well. I thought there'd be more having to say. There's nothing to say. Not nothing… Nothing. Huh. —unless you say it. I've nothing to say. Then say nothing. The frog croaks, The oak leafs, The custard leaves its corridors The hark leaps The oath melts, The sworn have sworn To never mark. To no remose, To no remark; The carrier, and carry her— The fierce need, For Vegabonds, For every caper read Amen. All is spoken; And all in thought also in words All is listened And all has heard not in her form Stiff. You're horrified. You're horrifying. Sure, but— Brother— Broken— Nothing that I've never heard before Capable. Half-friend. Northerner. Cape cod. Hamptons. Fair straights. Ancient. Sacred. R I T U A L S LEGENDS: R I T U A L S OH GOD. No! NO! NO! It just keeps going! Thank you! Thank God. I thought it was over. You were invoked. I was implicated. Fun fact: Here's the thing. You were murdered. Ah, gains. Why the fuck do I never get to just choose when this happens? Cause you don't. This isn't fair! I watch 2 segments of— STEPHEN COLBERT enters. *shattered. Shithead. STEPHEN COLBERT enters shattered. —I was shattered when I heard about it. What's that? Never you mind. I didn't— I just— asked. He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided. Capable. And still there's nowhere In here The city we share I can go To make the sound Eager to leave my soul As how I know you. Awkward! Just wait. You've been betrayed! I— know that already. Is this your card? {Enter The Multiverse} GET OFF THE TRAIN. — Lil bitz Fool. Why every time I see you, you look guilty. Why. You never look innocent at all. If something went down — I know it was you. Hide a lie; Can't hide a lie Can't tell a tell Can't roll the ball Can't bowl the strike Can't run at all Can't fool the hare Can't skin the cat Can't dance a bit Don't row the boat Can't play the role Don't know the tune Can't trim the tree Can't hold the bowl Can't kill the fowl Don't tell the tale. Hide a lie. Run a mile Taste the bile Fill the basket Now you're moron Now you're mortal That's immoral Jimmy Fallon —that's a turtle. Tell the lie. Hide the fold. Kill the curse; Sail the ark Fill the void Hate the gap Kill the king Tell the tale Tell a lie Hide the [The Festival Project ™] knife. In for life, or what? Info wars at most. Live to tell the tale? Learn to spike the punch Learn to punch the wall Lean up on the door Learn to most of all Shut the fuck up Keep your mouth shut I love New York Give the bad news Put a smile on Oh you gotta love it I get close to nothing once a month And then come back To pull the puffer out the dragon Goddammit what you want me for I learned another lesson Don't devour her All I wanted was Just a sour odor Give the last call I go heroin blind For heroine times And by the time it all gets darker I will have pulled the plug and written on the wall in Permanent marker. ugh. Fuck you. Fuck The Doors. Fuck your chorus. Fuck your archer. Fuck, you found I. I all for her, Shoot the wombat; —But the door shuts on its own Without it getting harder, now. Don't it? Donut. i don't— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Okay. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Can I contour? Not even one episode Or epicenter Even for a lonely I got the warning For your magnitude before So what you want It's just a test Pacific coast Or night crawler Nightmare or Nightfall You swore you won't I do desire not a lover But a hand to hold And father for my own So. Shove it up your Probably want a I don't need disaster warning What you wanted Limoncello Light waves And light gave a damn I have a dance I cave to for And there you are Just a horrible oar, Now I row the boat But you don't disaster Nor could you decide to divorce her Even if I ever worked At Art gallery Organizers God, you wore her sweater Just to make it all seem rather backwards If perchance I ran my hand just over All the soft Love in the world Are you not a dozen roses? To far my flames I gave you my heart Flower Done moving Don't moon Did you really pay the neighbor Just to hate me Haven't you heard On our earth There's turf war? So far, white doves But no lost wolves, Poor pigeons, following Of course you were hard wired I hate not once But all times the hurt Each time I struck Sure I want for California And Equinox saunas And then no more do I run the tub! But for now as I soak and the roach prowls, I get my motion under the water, Sure form and no more fire till the moon comes up who rose at dusk? Likely or lite brawl Sire, You care to hard work But you desire awful I was right in all forms Now I die here Your knife and all you are Feels right as blood pours out I want but only suffer Your call could only burden My tie to fall a lark Cries Out In To Her Arms you fall and I desire I desire I now Have a heart to cry I died, sir. You won. How awful. Just a nugget of truth, This window of lies, A mask so broken And yet in the cracks there, my mirror My shadow My hard times Out to work And off to war And what you wanted No, not outside Inside love But nevermind that Now the blood pours out and sweet, I thank to this relief and finally Rest, I. No longer shall I mourn your love to not And know the guilt is slain in you anew, my heart Dear shadow, youth becomes my blood And dear far cry, Dear boy you, Wait to know me in again another There came and withered and your force Now knows mine, Never end and tethered, There I wait, then Now I blood and dreaming, sleeping in Your pure, Decency. I have strike and so wait my end; And you, go on, Now without my voice. A harp. Welcome to Ecuador. What are you doing here? I grow bananas. Every once in awhile I have you over For a cocktail Or five. Every night I tighten my eyes on you, Thoughts. Every space in time Is just a collar Dog A bark. Every time you call I still come over Though you do not want, I opposite. You see, You are time. I see you now, God. I feel your heart, I Can involve My lips quaking Your worried me My fall, right? Why— I belong in your eye, Why, Heart my home, I, Never go. Never not. Bullet to a gun For to wish I'm not awake And to dream though seek, I call And to worry Wishes swimming Thunder rolls and Hard I fall So wait and weather Weather storm And feather. You know I'm locked, and fault Too consumed by news cameras Noise tied around my, Neck your beck and call My battered back And there is she All I am not And movement, You controller Red and virtuous Are thy neither my friend, Nor foe, Nor narrow and the neck, dripping The feet, and defeated I am in my shallow Your wish is my make her I make thy for glory She the golden trophy, Truth, you will not with, These, you will decanter Encounter; or I slay you in my motion I say your name and sheild thy slain And there you are, a force And here she comes, a brain My greying matter; Your Tuesday, Wednesday She fears me not One, two, four blue eyes I'm nothing now Six blondes, four heartaches I rung, you wanted I eat, you shatter I starve, you know me Then in the waste My waist till not your honor And so, I go And she And she And she And she Eighty five and one divine But all are yours And yours are mine So then. We have killed her. And there, she lay slain, And ye, we rejoice And yet, we became To seize, none has not To breathe, yet remains— The truth comes our time, As body decays. Fuck. I don't think that was it. Nevermind. *fixed it . {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.

I want to scream at you But even standing at my shoulder length My eye at your chest. You'd be a million miles away Look what I make of you. I have no mistakes left and still The fate of it is that, You have my gratitude, your gracious And yet they eat away At all the things I have And maybe there'll be more of me For now the morbid days are just as caving in as Any other making that we make of it Don't thank me, Just outrank them. Banking on your every moment Effervescent, tragic endings Waiting on your every scent and center Don't disintegrate just yet And now we enter impact Stand for circumstances Do work faster Horror horror Do you know the motive of her Former engines? Motive, motive Steer the plot or rear the message m Fritter fritter Audiences get disinterested So effing quickly. Would you mild or would you mold Or would you wake to fold the eggs into the bacon, Bread, and then tomato— Would you fear her message? Would you quick forget you're on her planet? Surely safe to know But know but knots And no but not again You bought it with your faux and auctions Hallmark cards And feathers fauxes Don't you know The faucet's only running water Oh you're hard predictable And chlorinated Oh the poison Dripping at your ways And wilting at your guilt The James The reckon gestures Reckon, Avery Severed by the check Or just the ever ending Never get there Message to a friend To just keep going When she ends it It is just another death You'll get on with it In the end Never friends. Never. Good I hate you Could you maybe Find me ugly? That's your money in my Every reaching corner Every angling cent And harsh presentations of Skin that's aging and Wages which haven't Coverage to front the Expenses, Crash diets Go broken Ugly cause you're course Everything fits But still empty on the inside I live in shredded Shambles of service But there's no gratitude My breath is only your own And this bread is my headache I haven't a sermon Or diamond Or unworthy Sex appeal And really only Ever off when Only ever on You're still demolishing the board You're still diminishing the severs Yet you neglected Each and every Crevice of this Never ending friendship— But did I ever mention there is a glass slipper For each and every person ever Just to wish one? Did it ever occur to you The circumstances you are under Live for it Or get lost There's really only porridge in her oven If the gas or turning off or over Don't turn over now The resin's covered in the Corvette. Only cause I had to Sense when is it Blood sense. Get laid Don't flinch Get paid Gold finch Get reckless I call spirits north for dinner South for lunch And up for porridge at breakfast I've passed on I've been awake You're mortal girl The one you're on is Really only such a small pond That I should think To cover up With dirt. Start over. —and Skrillex is just in the corner the whole time playing video games. Worst dream ever. But why's Seth Meyer's mad at me? I'm guessing he always was! He's people are just like that All conservative, conformed— Again, it's not your fault It's just uncomfortable! Again I only ever approached it wanting to know If the l broach l fits But even Lucille Ball won't come if I call her— Probably don't even got the right number Code of arms Or helm of awe, huh. Fuck, man. When's Tonight Show in hiatus Need you off the island, off In Prague And out my anus, Don't remind me I've been Jamie Lee Curtis Just recently enough That I miss it. Ugh. I know, I resent that. Find a line to draw Or fly a kite past I'm past my reckoning Just for tonight, The suffering ends Surely not enough to past the time Before my electrolytes fly in But tonight Just tonight I want to dine in my mind Or die alone Without trying to find the light— The neighbor simply seems to follow it. (At least I got her ought to not slam the door now, Police interventions, There really are cause for those.) What is a warfare! Buy me a checkmark! My question mark seems to go off a lot All for it God, You're remarkable I gift a heart or though I out all my crystals in the Rockerfeller plaza But still held on to an amethyst for Dillon Francis? There those eyes are again; I hate to hurt you North; But I'm no mother board Or mother ship Or Mother Earth Broke my focus long enough to call you up, But sure, I'm just short of even past conscious. Nothing's safe for us, you know. One one to call; No code of conduct– No safety in numbers, or color guard No home, and no love in our times For our kind– We're all here now And the wrong time Is all time. {Enter The Multiverse} Do you see me? I don't not see you. Well. Well. I thought there'd be more having to say. There's nothing to say. Not nothing… Nothing. Huh. —unless you say it. I've nothing to say. Then say nothing. The frog croaks, The oak leafs, The custard leaves its corridors The hark leaps The oath melts, The sworn have sworn To never mark. To no remose, To no remark; The carrier, and carry her— The fierce need, For Vegabonds, For every caper read Amen. All is spoken; And all in thought also in words All is listened And all has heard not in her form Stiff. You're horrified. You're horrifying. Sure, but— Brother— Broken— Nothing that I've never heard before Capable. Half-friend. Northerner. Cape cod. Hamptons. Fair straights. Ancient. Sacred. R I T U A L S LEGENDS: R I T U A L S OH GOD. No! NO! NO! It just keeps going! Thank you! Thank God. I thought it was over. You were invoked. I was implicated. Fun fact: Here's the thing. You were murdered. Ah, gains. Why the fuck do I never get to just choose when this happens? Cause you don't. This isn't fair! I watch 2 segments of— STEPHEN COLBERT enters. *shattered. Shithead. STEPHEN COLBERT enters shattered. —I was shattered when I heard about it. What's that? Never you mind. I didn't— I just— asked. He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided. Capable. And still there's nowhere In here The city we share I can go To make the sound Eager to leave my soul As how I know you. Awkward! Just wait. You've been betrayed! I— know that already. Is this your card? {Enter The Multiverse} GET OFF THE TRAIN. — Lil bitz Fool. Why every time I see you, you look guilty. Why. You never look innocent at all. If something went down — I know it was you. Hide a lie; Can't hide a lie Can't tell a tell Can't roll the ball Can't bowl the strike Can't run at all Can't fool the hare Can't skin the cat Can't dance a bit Don't row the boat Can't play the role Don't know the tune Can't trim the tree Can't hold the bowl Can't kill the fowl Don't tell the tale. Hide a lie. Run a mile Taste the bile Fill the basket Now you're moron Now you're mortal That's immoral Jimmy Fallon —that's a turtle. Tell the lie. Hide the fold. Kill the curse; Sail the ark Fill the void Hate the gap Kill the king Tell the tale Tell a lie Hide the [The Festival Project ™] knife. In for life, or what? Info wars at most. Live to tell the tale? Learn to spike the punch Learn to punch the wall Lean up on the door Learn to most of all Shut the fuck up Keep your mouth shut I love New York Give the bad news Put a smile on Oh you gotta love it I get close to nothing once a month And then come back To pull the puffer out the dragon Goddammit what you want me for I learned another lesson Don't devour her All I wanted was Just a sour odor Give the last call I go heroin blind For heroine times And by the time it all gets darker I will have pulled the plug and written on the wall in Permanent marker. ugh. Fuck you. Fuck The Doors. Fuck your chorus. Fuck your archer. Fuck, you found I. I all for her, Shoot the wombat; —But the door shuts on its own Without it getting harder, now. Don't it? Donut. i don't— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Okay. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Can I contour? Not even one episode Or epicenter Even for a lonely I got the warning For your magnitude before So what you want It's just a test Pacific coast Or night crawler Nightmare or Nightfall You swore you won't I do desire not a lover But a hand to hold And father for my own So. Shove it up your Probably want a I don't need disaster warning What you wanted Limoncello Light waves And light gave a damn I have a dance I cave to for And there you are Just a horrible oar, Now I row the boat But you don't disaster Nor could you decide to divorce her Even if I ever worked At Art gallery Organizers God, you wore her sweater Just to make it all seem rather backwards If perchance I ran my hand just over All the soft Love in the world Are you not a dozen roses? To far my flames I gave you my heart Flower Done moving Don't moon Did you really pay the neighbor Just to hate me Haven't you heard On our earth There's turf war? So far, white doves But no lost wolves, Poor pigeons, following Of course you were hard wired I hate not once But all times the hurt Each time I struck Sure I want for California And Equinox saunas And then no more do I run the tub! But for now as I soak and the roach prowls, I get my motion under the water, Sure form and no more fire till the moon comes up who rose at dusk? Likely or lite brawl Sire, You care to hard work But you desire awful I was right in all forms Now I die here Your knife and all you are Feels right as blood pours out I want but only suffer Your call could only burden My tie to fall a lark Cries Out In To Her Arms you fall and I desire I desire I now Have a heart to cry I died, sir. You won. How awful. Just a nugget of truth, This window of lies, A mask so broken And yet in the cracks there, my mirror My shadow My hard times Out to work And off to war And what you wanted No, not outside Inside love But nevermind that Now the blood pours out and sweet, I thank to this relief and finally Rest, I. No longer shall I mourn your love to not And know the guilt is slain in you anew, my heart Dear shadow, youth becomes my blood And dear far cry, Dear boy you, Wait to know me in again another There came and withered and your force Now knows mine, Never end and tethered, There I wait, then Now I blood and dreaming, sleeping in Your pure, Decency. I have strike and so wait my end; And you, go on, Now without my voice. A harp. Welcome to Ecuador. What are you doing here? I grow bananas. Every once in awhile I have you over For a cocktail Or five. Every night I tighten my eyes on you, Thoughts. Every space in time Is just a collar Dog A bark. Every time you call I still come over Though you do not want, I opposite. You see, You are time. I see you now, God. I feel your heart, I Can involve My lips quaking Your worried me My fall, right? Why— I belong in your eye, Why, Heart my home, I, Never go. Never not. Bullet to a gun For to wish I'm not awake And to dream though seek, I call And to worry Wishes swimming Thunder rolls and Hard I fall So wait and weather Weather storm And feather. You know I'm locked, and fault Too consumed by news cameras Noise tied around my, Neck your beck and call My battered back And there is she All I am not And movement, You controller Red and virtuous Are thy neither my friend, Nor foe, Nor narrow and the neck, dripping The feet, and defeated I am in my shallow Your wish is my make her I make thy for glory She the golden trophy, Truth, you will not with, These, you will decanter Encounter; or I slay you in my motion I say your name and sheild thy slain And there you are, a force And here she comes, a brain My greying matter; Your Tuesday, Wednesday She fears me not One, two, four blue eyes I'm nothing now Six blondes, four heartaches I rung, you wanted I eat, you shatter I starve, you know me Then in the waste My waist till not your honor And so, I go And she And she And she And she Eighty five and one divine But all are yours And yours are mine So then. We have killed her. And there, she lay slain, And ye, we rejoice And yet, we became To seize, none has not To breathe, yet remains— The truth comes our time, As body decays. Fuck. I don't think that was it. Nevermind. *fixed it . {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.

I want to scream at you But even standing at my shoulder length My eye at your chest. You'd be a million miles away Look what I make of you. I have no mistakes left and still The fate of it is that, You have my gratitude, your gracious And yet they eat away At all the things I have And maybe there'll be more of me For now the morbid days are just as caving in as Any other making that we make of it Don't thank me, Just outrank them. Banking on your every moment Effervescent, tragic endings Waiting on your every scent and center Don't disintegrate just yet And now we enter impact Stand for circumstances Do work faster Horror horror Do you know the motive of her Former engines? Motive, motive Steer the plot or rear the message m Fritter fritter Audiences get disinterested So effing quickly. Would you mild or would you mold Or would you wake to fold the eggs into the bacon, Bread, and then tomato— Would you fear her message? Would you quick forget you're on her planet? Surely safe to know But know but knots And no but not again You bought it with your faux and auctions Hallmark cards And feathers fauxes Don't you know The faucet's only running water Oh you're hard predictable And chlorinated Oh the poison Dripping at your ways And wilting at your guilt The James The reckon gestures Reckon, Avery Severed by the check Or just the ever ending Never get there Message to a friend To just keep going When she ends it It is just another death You'll get on with it In the end Never friends. Never. Good I hate you Could you maybe Find me ugly? That's your money in my Every reaching corner Every angling cent And harsh presentations of Skin that's aging and Wages which haven't Coverage to front the Expenses, Crash diets Go broken Ugly cause you're course Everything fits But still empty on the inside I live in shredded Shambles of service But there's no gratitude My breath is only your own And this bread is my headache I haven't a sermon Or diamond Or unworthy Sex appeal And really only Ever off when Only ever on You're still demolishing the board You're still diminishing the severs Yet you neglected Each and every Crevice of this Never ending friendship— But did I ever mention there is a glass slipper For each and every person ever Just to wish one? Did it ever occur to you The circumstances you are under r Live for it Or get lost There's really only porridge in her oven If the gas or turning off or over Don't turn over now The resin's covered in the Corvette. Only cause I had to Sense when is it Blood sense. Get laid Don't flinch Get paid Gold finch Get reckless I call spirits north for dinner South for lunch And up for porridge at breakfast I've passed on I've been awake You're mortal girl The one you're on is Really only such a small pond That I should think To cover up With dirt. Start over. —and Skrillex is just in the corner the whole time playing video games. Worst dream ever. But why's Seth Meyer's mad at me? I'm guessing he always was! He's people are just like that All conservative, conformed— Again, it's not your fault It's just uncomfortable! Again I only ever approached it wanting to know If the l broach l fits But even Lucille Ball won't come if I call her— Probably don't even got the right number Code of arms Or helm of awe, huh. Fuck, man. When's Tonight Show in hiatus Need you off the island, off In Prague And out my anus, Don't remind me I've been Jamie Lee Curtis Just recently enough That I miss it. Ugh. I know, I resent that. Find a line to draw Or fly a kite past I'm past my reckoning Just for tonight, The suffering ends Surely not enough to past the time Before my electrolytes fly in But tonight Just tonight I want to dine in my mind Or die alone Without trying to find the light— The neighbor simply seems to follow it. (At least I got her ought to not slam the door now, Police interventions, There really are cause for those.) What is a warfare! Buy me a checkmark! My question mark seems to go off a lot All for it God, You're remarkable I gift a heart or though I out all my crystals in the Rockerfeller plaza But still held on to an amethyst for Dillon Francis? There those eyes are again; I hate to hurt you North; But I'm no mother board Or mother ship Or Mother Earth Broke my focus long enough to call you up, But sure, I'm just short of even past conscious. Nothing's safe for us, you know. One one to call; No code of conduct– No safety in numbers, or color guard No home, and no love in our times For our kind– We're all here now And the wrong time Is all time. {Enter The Multiverse} Do you see me? I don't not see you. Well. Well. I thought there'd be more having to say. There's nothing to say. Not nothing… Nothing. Huh. —unless you say it. I've nothing to say. Then say nothing. The frog croaks, The oak leafs, The custard leaves its corridors The hark leaps The oath melts, The sworn have sworn To never mark. To no remose, To no remark; The carrier, and carry her— The fierce need, For Vegabonds, For every caper read Amen. All is spoken; And all in thought also in words All is listened And all has heard not in her form Stiff. You're horrified. You're horrifying. Sure, but— Brother— Broken— Nothing that I've never heard before Capable. Half-friend. Northerner. Cape cod. Hamptons. Fair straights. Ancient. Sacred. R I T U A L S LEGENDS: R I T U A L S OH GOD. No! NO! NO! It just keeps going! Thank you! Thank God. I thought it was over. You were invoked. I was implicated. Fun fact: Here's the thing. You were murdered. Ah, gains. Why the fuck do I never get to just choose when this happens? Cause you don't. This isn't fair! I watch 2 segments of— STEPHEN COLBERT enters. *shattered. Shithead. STEPHEN COLBERT enters shattered. —I was shattered when I heard about it. What's that? Never you mind. I didn't— I just— asked. He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided. Capable. And still there's nowhere In here The city we share I can go To make the sound Eager to leave my soul As how I know you. Awkward! Just wait. You've been betrayed! I— know that already. Is this your card? {Enter The Multiverse} GET OFF THE TRAIN. — Lil bitz Fool. Why every time I see you, you look guilty. Why. You never look innocent at all. If something went down — I know it was you. Hide a lie; Can't hide a lie Can't tell a tell Can't roll the ball Can't bowl the strike Can't run at all Can't fool the hare Can't skin the cat Can't dance a bit Don't row the boat Can't play the role Don't know the tune Can't trim the tree Can't hold the bowl Can't kill the fowl Don't tell the tale. Hide a lie. Run a mile Taste the bile Fill the basket Now you're moron Now you're mortal That's immoral Jimmy Fallon —that's a turtle. Tell the lie. Hide the fold. Kill the curse; Sail the ark Fill the void Hate the gap Kill the king Tell the tale Tell a lie Hide the [The Festival Project ™] knife. In for life, or what? Info wars at most. Live to tell the tale? Learn to spike the punch Learn to punch the wall Lean up on the door Learn to most of all Shut the fuck up Keep your mouth shut I love New York Give the bad news Put a smile on Oh you gotta love it I get close to nothing once a month And then come back To pull the puffer out the dragon Goddammit what you want me for I learned another lesson Don't devour her All I wanted was Just a sour odor Give the last call I go heroin blind For heroine times And by the time it all gets darker I will have pulled the plug and written on the wall in Permanent marker. ugh. Fuck you. Fuck The Doors. Fuck your chorus. Fuck your archer. Fuck, you found I. I all for her, Shoot the wombat; —But the door shuts on its own Without it getting harder, now. Don't it? Donut. i don't— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Okay. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Can I contour? Not even one episode Or epicenter Even for a lonely I got the warning For your magnitude before So what you want It's just a test Pacific coast Or night crawler Nightmare or Nightfall You swore you won't I do desire not a lover But a hand to hold And father for my own So. Shove it up your Probably want a I don't need disaster warning What you wanted Limoncello Light waves And light gave a damn I have a dance I cave to for And there you are Just a horrible oar, Now I row the boat But you don't disaster Nor could you decide to divorce her Even if I ever worked At Art gallery Organizers God, you wore her sweater Just to make it all seem rather backwards If perchance I ran my hand just over All the soft Love in the world Are you not a dozen roses? To far my flames I gave you my heart Flower Done moving Don't moon Did you really pay the neighbor Just to hate me Haven't you heard On our earth There's turf war? So far, white doves But no lost wolves, Poor pigeons, following Of course you were hard wired I hate not once But all times the hurt Each time I struck Sure I want for California And Equinox saunas And then no more do I run the tub! But for now as I soak and the roach prowls, I get my motion under the water, Sure form and no more fire till the moon comes up who rose at dusk? Likely or lite brawl Sire, You care to hard work But you desire awful I was right in all forms Now I die here Your knife and all you are Feels right as blood pours out I want but only suffer Your call could only burden My tie to fall a lark Cries Out In To Her Arms you fall and I desire I desire I now Have a heart to cry I died, sir. You won. How awful. Just a nugget of truth, This window of lies, A mask so broken And yet in the cracks there, my mirror My shadow My hard times Out to work And off to war And what you wanted No, not outside Inside love But nevermind that Now the blood pours out and sweet, I thank to this relief and finally Rest, I. No longer shall I mourn your love to not And know the guilt is slain in you anew, my heart Dear shadow, youth becomes my blood And dear far cry, Dear boy you, Wait to know me in again another There came and withered and your force Now knows mine, Never end and tethered, There I wait, then Now I blood and dreaming, sleeping in Your pure, Decency. I have strike and so wait my end; And you, go on, Now without my voice. A harp. Welcome to Ecuador. What are you doing here? I grow bananas. Every once in awhile I have you over For a cocktail Or five. Every night I tighten my eyes on you, Thoughts. Every space in time Is just a collar Dog A bark. Every time you call I still come over Though you do not want, I opposite. You see, You are time. I see you now, God. I feel your heart, I Can involve My lips quaking Your worried me My fall, right? Why— I belong in your eye, Why, Heart my home, I, Never go. Never not. Bullet to a gun For to wish I'm not awake And to dream though seek, I call And to worry Wishes swimming Thunder rolls and Hard I fall So wait and weather Weather storm And feather. You know I'm locked, and fault Too consumed by news cameras Noise tied around my, Neck your beck and call My battered back And there is she All I am not And movement, You controller Red and virtuous Are thy neither my friend, Nor foe, Nor narrow and the neck, dripping The feet, and defeated I am in my shallow Your wish is my make her I make thy for glory She the golden trophy, Truth, you will not with, These, you will decanter Encounter; or I slay you in my motion I say your name and sheild thy slain And there you are, a force And here she comes, a brain My greying matter; Your Tuesday, Wednesday She fears me not One, two, four blue eyes I'm nothing now Six blondes, four heartaches I rung, you wanted I eat, you shatter I starve, you know me Then in the waste My waist till not your honor And so, I go And she And she And she And she Eighty five and one divine But all are yours And yours are mine So then. We have killed her. And there, she lay slain, And ye, we rejoice And yet, we became To seize, none has not To breathe, yet remains— The truth comes our time, As body decays. Fuck. I don't think that was it. Nevermind. *fixed it . {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.

Join me today as we meet the MOST fabulous person, Michael from Effervescent Studios. He's our new best friend with an amazing story of sobriety, starting out and finding a community that believes in him. https://effervescentstudios.com/ And America's Favorite Handyman joins us to chat about pantyhose, hi-vis shirts and why we both talk too much.

Hello Everyone, For a machine-generated transcript of this episode, please see the Descript link here.  Sponsors for this episode: Loving Astrology and Truth Takes Time.  Please sign up for Patrick's newsletter to learn more about future opportunities to be part of a community that is learning astrology together.  For more on Cristy's newsletter(s), see https://cristydlc.substack.com/ *** We would love to hear your thoughts or questions on this episode via SpeakPipe: https://www.speakpipe.com/SomaticWisdomLoveNotes To show your gratitude for this show, you can make a one-time gift to support Somatic Wisdom with this link. To become a Sustaining Honor Roll contributor to help us keep bringing you conversations and content that support Your Somatic Wisdom please use this link. Thank you! Your generosity is greatly appreciated! *** Podcast editing and production by: Laura Pritchard Music credit: https://www.melodyloops.com/composers/dpmusic/ Cover art credit: https://www.natalyakolosowsky.com/ Cover template creation by Briana Knight Sagucio      

Jim and John lead another post-NFL draft discussion, reflecting on the bustling energy and the toll it took over the week. They critique the missed opportunities for economic growth during the event, suggesting more community engagement could have showcased Green Bay's charm beyond football. John boasts about his glowing skin, crediting it to bee honey tallow, while contemplating entering a bodybuilding competition to flaunt his thighs. A lively conversation on bluegrass events, the importance of local news coverage, and the intricacies of Vatican conclaves rounds out this eclectic episode. Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-9 am on WGBW in Green Bay and on WISS in Appleton/Oshkosh. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast lineup. Follow the show on Facebook and X to keep up with Maino and the Mayor!

In today's episode we speak with Lyndsey Scott, a multimedia artist, song leader, song writer, and ritualist committed to exploring community singing as a technology of belonging and a strategy ...

Effervescent!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Get Mark Bennett's new book How to: Crowd Work for Magicians here: https://www.amazon.co.uk/dp/B0DGF5FHFJ

Today, if your soul is downcast, or you're tired and your body is aching, offer up a sacrifice of praise.-------- Thank you for listening! Your support of Joni and Friends helps make this show possible.   Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org.   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Effervescent club cuts from one of Southeast Asia's rising DJ stars. In Indonesia, the term santai (relaxed) is more than just an adjective—it's a lifestyle, one endearingly embodied by DITA. The Bandung-born, Bali-rooted DJ's breezy attitude to life is reflected in dreamy, blissful euphoria. DITA's RA Podcast is a window into both her disposition and sound, blending wiggly breakbeat into tweaking acid, Detroit house into Spanish electro, Balearic to '90s house and some grittier club fare, too. Her sets are rooted in a feel-good philosophy that allows her to freely play with energy and mood. Don't just take our word for it: DJ Harvey is a major fan and hand-picked DITA to be a resident at his new club Klymax, nestled within the world-renowned Potato Head Bali, where DITA is also Head of Music. With gigs at everywhere from Panorama Bar (the first Indonesian woman to play) to Rainbow Disco Club and Dekmantel under her belt, the world is now taking notice of DITA's killer groove. A breakout 2025 surely beckons. @dita-putri-widyanti @headstream Read more at ra.co/podcast/959

With just a few weeks of summer left, we have the perfect wine to ensure that you do not squander those last few precious days. Afterall, there are some wines that just scream summer, and Vinho Verde is at the top of the list. Hailing from Portugal, Vinho Verde is a light, crisp, easy drinking, crowd pleasing little spritzer. Yes, spritzer because it is often also effervescent. Vinho Verde is also pretty easy to find in your local store, and very reasonably priced! This episode is also the perfect example of how we love to create content that our listeners care about - and we are starting this series on Portuguese wines based on a recommendation from our faithful listeners! And Portuguese wines are worthy of their own set of episodes because, despite being a smallish country in terms of population, Portugal way out-punches its weight class in terms of wine production. If you are a wine fan and are looking to expand your wine knowledge, learning about Portuguese wines is a must. And we make it fun! Wines reviewed in this episode: 2022 Joao Portugal Ramos Loureiro Vinho Verde, 2022 Casal Garcia Vinho VerdeSend us a Text Message and we'll respond in our next episode!Contact The Wine Pair Podcast - we'd love to hear from you!Visit our website, leave a review, and reach out to us: https://thewinepairpodcast.com/Follow and DM us on Instagram: https://www.instagram.com/thewinepairpodcast/Send us an email: joe@thewinepairpodcast.com

You are most like God when you are full of his joy.-------- Thank you for listening! Your support of Joni and Friends helps make this show possible.   Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org.   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

On this episode, Tom goes "On the Aisle" with Felicia Michelle, the effervescent co-host of Life.Style.Live!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Intellectual Property: Does Crocs use of the word "patented" in its advertising constitute a deceptive trade practice? - Argued: Wed, 03 Apr 2024 21:45:37 EDT

Crocs, Inc. v. Effervescent, Inc.

In this uplifting episode of "Word Power," join Danny as he uncovers the bubbly and vibrant world of "effervescence." Beyond its fizzy surface, effervescence is a word that captures the essence of vitality, enthusiasm, and the spirit of life itself. Delve into the poetic beauty and everyday magic of effervescence, exploring how it manifests not just in our glasses, but in our lives, our personalities, and the moments that make us feel truly alive. Discover real-life stories of effervescent people and moments that inspire joy and laughter. Prepare to be charmed by the lively discussions and insights that will make you see the effervescence around you and within you. Find the transcript of this episode on our website https://englishpluspodcast.com/word-power-the-sparkling-charm-of-effervescence/Support the showSupport my mission to keep creating high-quality educational and entertaining content available to everyone around the world. Become my patron on Patreon today.And never stop learning with the myriad of topics and content types that I add daily to my website englishpluspodcast.com

Ever found yourself with a ginger surplus and thought, "What now?" That's where I was post-holidays, staring down the barrel of a ginger-packed pantry. But fret not, my fellow culinary cannabis enthusiasts, for I, Marge, have transformed this spicy predicament into a fizzy sensation with a Martha Stewart-inspired lemon ginger soda! Enhanced with CBD-infused honey, I'm serving up a tale of flavor adventures and the joy of finding the perfect ingredients at my local Asian grocery haunt. Get ready to refresh your palate and soothe your soul with my latest kitchen escapade.And because we all love a good challenge, I'm rolling out a new stoner trivia segment to test your movie and cannabis culture knowledge. Can you name the cannabis delivery service from "Half Baked"? Mull it over until our next sesh, where I'll unveil the answer. So, grab your favorite munchies, and let's bubble up some fun with this episode that promises not just a recipe for a zesty homemade beverage, but also a chance to flex your film trivia muscles. Join me, Marge, your guide to the high life, for a journey that's equal parts educational and entertaining.Join the Bite Me Cannabis Club today! The first 100 members can use code BITEMETHANKYOU23 at checkout for a free lifetime membership! Get your copy of the Bite Me Edibles Journal on Amazon now. Support the showVisit the website for full show notes, free dosing calculator, recipes and more.

Episode 221 was a members only episode of my talk I gave at TLMI in Colorado Springs. I recorded a few of the talks and plan to release those as well to paid members…Not a paid member?LINKS!Drink Plink! - use code adampeekSpecright SummitSustainable Packaging Podcast w/ Cory ConnorsPackaging Unbox'd with Evelio MattosBeyond the Shelf with Laura FotiSpecright and Packaging InfoMeyers Sustainable Packaging Guide eBookBuy Packaging Peeks Kids bookSponsor information!If you listened to the podcast and wanted to connect with Specright to rid the world of waste. Let's go! www.specright.com/pkg. Prepare your company for the world of EPR laws and be the sustainability hero! Make sure you check them out and join them on their mission to have a world where people are free to make amazing things!Want to buy labels or folding cartons from Meyers? Let's connect up!Show notes from Deciphr.aiAbout The Guest(s):Luke Montgomery-Smith is the co-founder of Plink, a beverage brand that offers effervescent tablets as a sustainable alternative to traditional bottled drinks. Luke has a background in the beverage industry, having previously founded a kombucha brand in the UK. He is passionate about reducing CO2 emissions and single-use plastic packaging in the beverage industry.Summary:Luke Montgomery-Smith, co-founder of Plink, joins Adam Peek on the People of Packaging Podcast to discuss the journey of starting a business during the pandemic and the innovative packaging solutions they have developed for their effervescent tablets. Plink offers a sustainable alternative to traditional bottled drinks, with 99% less packaging and 98% fewer CO2 emissions. Luke shares the challenges they faced in finding packaging that met their sustainability goals and the importance of creating a differentiated brand experience. He also highlights the rise of reusable water bottles and the need for more free-access water points.Key Takeaways:* Plink offers effervescent tablets as a sustainable alternative to traditional bottled drinks, with 99% less packaging and 98% fewer CO2 emissions.* Effervescent tablets are highly volatile and require packaging with high barrier properties to water vapor and oxygen transmission.* Plink faced challenges in finding contract manufacturers willing to move away from plastic tubes, which are commonly used for effervescent tablets.* The packaging industry is still a few years away from finding non-plastic alternatives with the necessary barrier properties for effervescent tablets.* Plink's packaging is made of aluminum foil with a plastic liner, which is currently recyclable in Europe but not in the US.Quotes:* "It's a bath bomb you can drink. It's called Plink. It's radically low carbon because there's no water. It's sold by subscription." - Adam Peek* "Not all water tastes the same. Some water has different chlorine levels or different ways to make the water cleaner. But because water is quite a plain flavor, it doesn't take much to mask that." - Luke Montgomery-Smith* "We were trying to create a new beverage moment with an existing technology." - Luke Montgomery-Smith* "The packaging is an essential part of the product. It's about brand messaging and appeal." - Luke Montgomery-Smith This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.packagingisawesome.com/subscribe

For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim's social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim's social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim's social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim's social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim's social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim's social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim's social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Rachel is a student working at a bookstore when she meets James, and it's love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them. When Rachel falls in love with her married professor, Dr. Fred Byrne, James helps her devise a reading at their local bookstore, with the goal that she might seduce him afterwards. But Fred has other desires. So begins a series of secrets and compromises that intertwine the fates of James, Rachel, Fred, and Fred's glamorous, well-connected, bourgeois wife. Aching with unrequited love, shot through with delicious, sparkling humor, Caroline O'Donoghue's The Rachel Incident (Knopf, 2023) is a triumph. Caroline O'Donoghue is an Irish author, journalist and host of the award-winning podcast  "Sentimental Garbage." Her previous work includes a trilogy for young adults, the first of which, All Our Hidden Gifts, is under option to a major international indie with Caroline adapting for long form TV drama. On publication of her first novel, Promising Young Women, she was shortlisted for the Irish Book Awards' Newcomer of the Year and the Kate O'Brien Award. Her next adult novel, Scenes of a Graphic Nature, was published in 2020 and it is in development as a feature. She has a regular column for The Irish Examiner. Caroline was born in Cork but currently lives in London. Check out Caroline's fantastic, award winning culture podcast, "Sentimental Garbage." Recommendations: --Ann Patchett, Tom Lake --Zadie Smith, Fraud --Esi Edugyan, Washington Black Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rachel is a student working at a bookstore when she meets James, and it's love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them. When Rachel falls in love with her married professor, Dr. Fred Byrne, James helps her devise a reading at their local bookstore, with the goal that she might seduce him afterwards. But Fred has other desires. So begins a series of secrets and compromises that intertwine the fates of James, Rachel, Fred, and Fred's glamorous, well-connected, bourgeois wife. Aching with unrequited love, shot through with delicious, sparkling humor, Caroline O'Donoghue's The Rachel Incident (Knopf, 2023) is a triumph. Caroline O'Donoghue is an Irish author, journalist and host of the award-winning podcast  "Sentimental Garbage." Her previous work includes a trilogy for young adults, the first of which, All Our Hidden Gifts, is under option to a major international indie with Caroline adapting for long form TV drama. On publication of her first novel, Promising Young Women, she was shortlisted for the Irish Book Awards' Newcomer of the Year and the Kate O'Brien Award. Her next adult novel, Scenes of a Graphic Nature, was published in 2020 and it is in development as a feature. She has a regular column for The Irish Examiner. Caroline was born in Cork but currently lives in London. Check out Caroline's fantastic, award winning culture podcast, "Sentimental Garbage." Recommendations: --Ann Patchett, Tom Lake --Zadie Smith, Fraud --Esi Edugyan, Washington Black Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rachel is a student working at a bookstore when she meets James, and it's love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them. When Rachel falls in love with her married professor, Dr. Fred Byrne, James helps her devise a reading at their local bookstore, with the goal that she might seduce him afterwards. But Fred has other desires. So begins a series of secrets and compromises that intertwine the fates of James, Rachel, Fred, and Fred's glamorous, well-connected, bourgeois wife. Aching with unrequited love, shot through with delicious, sparkling humor, Caroline O'Donoghue's The Rachel Incident (Knopf, 2023) is a triumph. Caroline O'Donoghue is an Irish author, journalist and host of the award-winning podcast  "Sentimental Garbage." Her previous work includes a trilogy for young adults, the first of which, All Our Hidden Gifts, is under option to a major international indie with Caroline adapting for long form TV drama. On publication of her first novel, Promising Young Women, she was shortlisted for the Irish Book Awards' Newcomer of the Year and the Kate O'Brien Award. Her next adult novel, Scenes of a Graphic Nature, was published in 2020 and it is in development as a feature. She has a regular column for The Irish Examiner. Caroline was born in Cork but currently lives in London. Check out Caroline's fantastic, award winning culture podcast, "Sentimental Garbage." Recommendations: --Ann Patchett, Tom Lake --Zadie Smith, Fraud --Esi Edugyan, Washington Black Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Grammy and Emmy winning comedian, actor, and writer Patton Oswalt is aMilitary Brat from Virginia who went to the College of William and Mary! Youknow him from movies like Zoolander, Starsky and Hutch, and the voiceof ‘Remy' the rat in Pixar's Oscar-winning movie, Ratatouille; and from TV Showslike Parks and Recreation, The King of Queens, The Goldberg's and even anappearance on Seinfeld! This October, he's bringing his stand-up comedy home to the South onhis “Effervescent” tour which features some very special stops throughoutBraves Country; Wednesday October 18th Patton Oswalt returns to the 40 WattClub in Athens, Georgia and he stops by the City Winery in Atlanta on FridayOctober 20th and Nashville on Saturday October 21st.Oswalt is returning to Athens to celebrate the 20th Anniversary of his firstcomedy album, “Feelin' Kinda Patton” which was recorded at the 40 Watt Club.And we hear that the Mayor of Athens is going to present him with the KeyTo The City! So, we're excited to talk about it with the man, himself; Mr. Patton Oswalt -Welcome to Braves Country!See omnystudio.com/listener for privacy information.

Grammy and Emmy winning comedian, actor, and writer Patton Oswalt is aMilitary Brat from Virginia who went to the College of William and Mary! Youknow him from movies like Zoolander, Starsky and Hutch, and the voiceof ‘Remy' the rat in Pixar's Oscar-winning movie, Ratatouille; and from TV Showslike Parks and Recreation, The King of Queens, The Goldberg's and even anappearance on Seinfeld! This October, he's bringing his stand-up comedy home to the South onhis “Effervescent” tour which features some very special stops throughoutBraves Country; Wednesday October 18th Patton Oswalt returns to the 40 WattClub in Athens, Georgia and he stops by the City Winery in Atlanta on FridayOctober 20th and Nashville on Saturday October 21st.Oswalt is returning to Athens to celebrate the 20th Anniversary of his firstcomedy album, “Feelin' Kinda Patton” which was recorded at the 40 Watt Club.And we hear that the Mayor of Athens is going to present him with the KeyTo The City! So, we're excited to talk about it with the man, himself; Mr. Patton Oswalt -Welcome to Braves Country!See omnystudio.com/listener for privacy information.

Katya welcomes the ever-so-engaging Courtney Act to the pod for part 1 of a lengthy conversation about the beauty of braces, the positivity of pool-dancing, and the innate silliness of the gender binary. This episode is sponsored by BetterHelp. Give online therapy a try at https://www.Betterhelp.com/BALD and get on your way to being your best self! Get Factor and enjoy eating well without the hassle! Head to https://www.FactorMeals.com/BALD50 and use code BALD50 to get 50% off! Start shopping at https://www.Rakuten.com or get the Rakuten app to start saving today, your Cash Back really adds up! Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: http://bit.ly/TrixieKatyaYT Don't forget to follow the podcast for free wherever you're listening or by using this link: http://bit.ly/baldandthebeautifulpodcast If you want to support the show, and get all the episodes ad-free go to https://thebaldandthebeautiful.supercast.com If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/baldandthebeautifulpodcast To check out future Live Podcast Shows, go to: https://trixieandkatya.com To order your copy of our latest book, "Working Girls", go to: workinggirlsbook.com To check out the Trixie Motel in Palm Springs, CA: https://www.trixiemotel.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Armor, Phantom, and Effervescent lead us to knights mall walking, roller coasters, Sunny D, and more.New episodes every Tuesday.Editing by: Julia WD HarrisonTheme by: Arne Parrott Logo by: Casey BordenYou can email the show at twapod@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

And so it came to pass. Ten years in the making, the Selador Showcase series comes of age with an 18th installment of exclusive prime club cuts, brimming as always with wholesome dancefloor goodness. Some of Selador's finest moments have begun life via our Showcase compilations, Adam Ten & Mita Gami's ‘Face The Sky', Goom Gum's ‘Freedom', Dave Seaman's ‘Buzzfuzzle' and Steve Parry's ‘Fenner' among them, but now the baton is passed to six new, fresh-faced candidates for your consideration, many of whom are debutantes on the label. From Four Candles majestic opening, ‘Effervescent' through Darksidevinyl & Kiberu's Afro masterclass, ‘Orgasm' to the stylish sophistication of Niraj's ‘Blue Skies' and the accomplished artistry of Alican's ‘Montroze' finally culminating in the swashbuckling adventure of Becky & Takt's ‘Sense of Ease' and Guliiaume & Gurex's top-tier treasure, ‘Private'. It's Certificate Eighteens abound! Or to put it another way, it's another half-a-dozen expertly curated gems where the quality shines through at each and every turn. If we do say so ourselves of course

And so it came to pass. Ten years in the making, the Selador Showcase series comes of age with an 18th installment of exclusive prime club cuts, brimming as always with wholesome dancefloor goodness. Some of Selador's finest moments have begun life via our Showcase compilations, Adam Ten & Mita Gami's ‘Face The Sky', Goom Gum's ‘Freedom', Dave Seaman's ‘Buzzfuzzle' and Steve Parry's ‘Fenner' among them, but now the baton is passed to six new, fresh-faced candidates for your consideration, many of whom are debutantes on the label. From Four Candles majestic opening, ‘Effervescent' through Darksidevinyl & Kiberu's Afro masterclass, ‘Orgasm' to the stylish sophistication of Niraj's ‘Blue Skies' and the accomplished artistry of Alican's ‘Montroze' finally culminating in the swashbuckling adventure of Becky & Takt's ‘Sense of Ease' and Guliiaume & Gurex's top-tier treasure, ‘Private'. It's Certificate Eighteens abound! Or to put it another way, it's another half-a-dozen expertly curated gems where the quality shines through at each and every turn. If we do say so ourselves of course

Four candles makes his Selador Sessions debut, ahead of his new release Effervescent coming on 11th of August on Selador! Tracklist Four Candles – ID Four Candles – ID Larrosa – V8 [Keep Thinking - Unreleased] Four Candles – ID ID – ID (Four Candles Remix) [Pro B Tech - Unreleased] Four Candles – Effervescent [Selador] Four Candles – The Deal (Michael Hooker Remix) [Re:Sound] AtalaiA – Conscious Connected [Chapters] Redspace – Communication [Juicebox] Digital Mess – Stardust [Mango Alley] Agustin Ficarra – Hold Back [Sudbeat] Sean Harvey – Stairway (Four Candles Sunrise In Ibiza Remix) [Keep Thinking - Unreleased] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Four candles makes his Selador Sessions debut, ahead of his new release Effervescent coming on 11th of August on Selador! Tracklist Four Candles – ID Four Candles – ID Larrosa – V8 [Keep Thinking - Unreleased] Four Candles – ID ID – ID (Four Candles Remix) [Pro B Tech - Unreleased] Four Candles – Effervescent [Selador] Four Candles – The Deal (Michael Hooker Remix) [Re:Sound] AtalaiA – Conscious Connected [Chapters] Redspace – Communication [Juicebox] Digital Mess – Stardust [Mango Alley] Agustin Ficarra – Hold Back [Sudbeat] Sean Harvey – Stairway (Four Candles Sunrise In Ibiza Remix) [Keep Thinking - Unreleased] This podcast is hosted by Syndicast.

This week on Gunslinger's Gateway: Led by Jasko and Effervescent, the Book Keepers make their way into Gzwanda and explore what the magical underground city has to offer. Do they dare let their guard down, even among friends?

1. Abstruse (adj.): Difficult to understand; obscure; of etymology, derived from the Latin abstrusus, meaning “concealed.” 2. Ambrosial (adj.): Divinely fragrant; of etymology, derived from the Greek ambrotos, meaning “immortal.” 3. Auspicious (adj.): Of good omen; promising; of etymology, derived from the Latin auspicium, meaning “divination.” 4. Ballyhoo (n.): Exaggerated promotion or publicity; of etymology, derived from the Irish béal átha huí, meaning “mouth of the ford of the yew tree.” 5. Benighted (adj.): Unenlightened; ignorant; of etymology, derived from the Middle English benyhte, meaning “nightfall.” 6. Bifurcate (v.): To divide into two branches or parts; of etymology, derived from the Latin bifurcatio, meaning “to divide in two.” 7. Bloviate (v.): To speak pompously; of etymology, derived from the Latin bloviatus, meaning “to blow out.” 8. Brouhaha (n.): A confused noise, uproar, or hubbub; of etymology, derived from the French brouhaha, meaning “a confused noise.” 9. Cacophony (n.): A harsh, unpleasant sound; of etymology, derived from the Greek kakophōnía, meaning “ill-sounding.” 10. Conflagration (n.): A large, destructive fire; of etymology, derived from the Latin conflagratio, meaning “a burning together.” 11. Delirious (adj.): In a state of wild excitement; of etymology, derived from the Latin delirare, meaning “to be out of one's mind.” 12. Disingenuous (adj.): Not straightforward or candid; of etymology, derived from the Latin disingenuus, meaning “unnatural.” 13. Effervescent (adj.): Bubbly; lively; of etymology, derived from the Latin effervescere, meaning “to boil up.” 14. Elucidate (v.): To make clear; explain; of etymology, derived from the Latin elucidare, meaning “to make light.” 15. Epiphany (n.): A sudden, intuitive revelation of a truth; of etymology, derived from the Greek epiphaneia, meaning “manifestation.” 16. Fatuous (adj.): Silly; foolish; of etymology, derived from the Latin fatuus, meaning “foolish.” 17. Fulminate (v.): To speak or act with vehement denunciation; of etymology, derived from the Latin fulminare, meaning “to hurl lightning.” 18. Grandiloquent (adj.): Pompous or bombastic in speech; of etymology, derived from the Latin grandiloquus, meaning “speaking grandly.” 19. Harangue (n.): A long, passionate, and vehement speech; of etymology, derived from the French haranguer, meaning “to address.” 20. Imbroglio (n.): A complicated and confused situation; of etymology, derived from the Italian imbrogliare, meaning “to confuse.” --- Support this podcast: https://podcasters.spotify.com/pod/show/liam-connerly/support

Outdoors Arches National Parkhttps://www.nps.gov/arch/index.htm Arches National Park is a national park in eastern Utah, United States.  The park is adjacent to the Colorado River, 4 miles (6 km) north of Moab, Utah.  More than 2,000 natural sandstone arches are located in the park, including the well-known Delicate Arch, as well as a variety of unique geological resources and formations.  The park contains the highest density of natural arches in the world. The park consists of 310.31 square kilometres (76,680 acres; 119.81 sq mi; 31,031 ha) of high desert located on the Colorado Plateau. The highest elevation in the park is 5,653 feet (1,723 m) at Elephant Butte, and the lowest elevation is 4,085 feet (1,245 m) at the visitor center. The park receives an average of less than 10 inches (250 mm) of rain annually. Administered by the National Park Service, the area was originally named a national monument on April 12, 1929, and was redesignated as a national park on November 12, 1971. The park received more than 1.6 million visitors in 2018. Beers Grandpa's Bills Pils Pilsner  | 5.1% ABV Junkyard Brewery - Moorhead, MNThe brew's refreshing notes of tangerine blend with a hint of pithy grapefruit, topping off the biscuity body like marmalade.Crushable, Crisp, Refreshing, Citrusy, BiscuityHorney Devil - Beilgan Pale Ale | 10% ABV AleSmith Brewing Company - San Diego, CACandi sugar and coriander seeds blend for a caramel citrus swirl that flows through each sip. The sweet lift boosts the banana esters and orange peel nuances as they engulf clove and peppercorn undertones.Boozy, Effervescent, Fruity, Citrusy, Award winning, SpicedTough Love (Banished) 2022Stout - Imperial / Double | 14% ABV Crux Fermnetation Project - Bend, ORGrowing up gave this dark beauty a complex character and oaky vanilla charm.Its heavenly nuances of chocolate-covered cherries layered with notes of caramel are like cordial truffles. Meanwhile, the whiskey lends a hint of earthy cinnamon spice and a little booziness to this 14% ABV brew's smooth, dry finish.Barrel Aged, Boozy, Fruity, ChocolateyThe Glenrothes | 40% ABV Speyside Single Malt Scotch WhiskeyMatured only in Bourbon Seasoned Oak Casks and bottled at natural colour.Vanilla, Coconut, Pears and Crème brulee 

This week's installment of Badass Records Podcast is Episode #51, and I'm pleased as punch to announce that my guest is the one, the only -- Eva Saviano.I know we touched on it in our conversation, but -- to be sure -- I wanted to peek in a few spots to make sure I had her professional title correct, and while I didn't find conviction within my search, I did find one of the best bios I've ever seen in my life, so I'll share how she has described her self and add a few details after:"Uncommonly frank and, frankly, uncommon. A sucker for the written word from a very young age, an owner of The Word Lover's Dictionary, a grammar and punctuation cowgirl, enthusiastic copy editor, bold copy writer, occasional blogger, careful proofreader, and all-around word nerd.I lead with a friendly attitude, a sense of humor, meticulous attention to detail, snappy style, and pen in hand. Effervescent. Ebullient. Energetic."I've known this gal for the better part of 20 years. I read that little passage, and all I have to say is, Can confirm. In addition, Eva is a daughter, a sister, an aunt, and a friend. She's a girlfriend, an empath, a tenderhearted loyalist, and the quickest dang wit this side of The Everglades. She's also someone you should yield to in rollerskating traffic, but that's a story for a different episode.I'm grateful that she took a chunk of an evening over her holiday visit to sit down with me and bullshit about life and music. It's possible that the list of her favorite music is endless, but we -- nevertheless -- talked about a few of her favorite records, and they are these:Alanis Morissette's Jagged Little Pill (1995)Dilate (1996), Ani DiFrancoWeezer's Pinkerton (1996)When the Pawn Hits... (1999), Fiona AppleNeko Case's The Worse Things Get... (2013)There's a reason I keep doing these with next to no traction and very little merch' sales (Note: Swag for sale!), and it's because I love it. Putting something together like each of these 51 episodes is fun and challenging, and well -- ya' can't beat the company, really.This episode is my new favorite. Seriously. Such a hoot. Many a laugh. And just plain good conversation. So, I hope you'll check it out. Peace and love to you and yours. Cheers.copyright disclaimer: I do not own the rights to the intro/outro audio. They are clips I poached from a song called, "Right Down the Line," which comes from Gerry Rafferty's City by City (1978), c/o Parlophone Records, LTD. I can't tell you that City by City is a badass record because I've only listened to this track (about 467 times) and "Baker Street," but it is one of the badassest songs ever recorded.

Effervescent record producer/podcaster John Agnello (Sonic Youth, Dream Syndicate, Dinosaur Jr., Drive-By Truckers) and Tony Award-winning actor/musician Michael Cerveris (The Gilded Age, Fun Home, Tommy) join us in the Feral Zone as we take a break from recording to chat. John has seen a lot since his start in 1979 as an intern at the famed Record Plant recording studios in NYC. We discuss John’s illustrious career as well as his work with Michael and the band on the next Loose Cattle record. Forced ping pong with Meat Loaf, Gene Simmons’ book of groupies, boudin balls…all that and more. Topics include Dockside Studio, a first single, Americana music, a traumatic memory, a magical experience, 10,000 hours, the bayou, isolation, Jay Gonzalez, mutual admiration, an analog mindset, creative solutions, a Redd Kross track, trusting the process, Mark Lanegan, picking takes, a subtle method, mentors, Jack Douglas, nightmare sessions, a legendary brother, going AWOL, being lucky, Cindy Lauper, William Wittman, Zebra, Randy Jackson, Jimmy Iovine, Louie Michot, the Red Rockers, moving faders, Shelley Yakus, forensic audio, Horsegirl, young bands, Wet Leg, Michael Imperioli, and much more. Intro music: "Trucker Takes A Wife" by Styler/Coman Break and Outro Music: "Antiversary" and "Eating Birthday Cake" rough mixes from the new Loose Cattle record in progress Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Shirts here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook Michael Cerveris Homepage Michael Cerveris Facebook Michael Cerveris Instagram John Agnello Homepage John Agnello Facebook Loose Cattle Homepage

Effervescent, thoughtful king and GayVN award-nominated porn star Cody Seiya joins us on the latest edition of our current events talk show, DADDY ISSUES. In the first half of the episode, Cody describes how art and anime offered solace from his difficult relationship with his late father and his upbringing as a Chinese American Jew in the Reagan-esque hell of Orange Country, California. He also discusses his plans to become a father, and how father themes show up in his own art. Then it's on to the news in the second half, where we cover the Club Q tragedy in Colorado Springs and Iran at the World Cup, as well as the brutal paternal legacy of Britney Spears, Tiffany Trump's farty wedding, Elon Musk's pitiful relationship with his daughter, and Yuletide empress Mariah Carey's tribute to her late dad. --- Support this podcast: https://anchor.fm/tell-me-about-your-father/support

"Eat everything on your plate!", according to Alex's YaYaism this week and Anthony gives you a They are joined this week by Will Curran (founder of Endless Events, #eventprofs community creator, Host of the podcasts: Event Icons, Event Brew and Event Tech Podcasts) for a discussion on how his company and brand has grown past event tech and into being a full service event management company. Will gives insight into his leadership and management style and how he finds the right fit for this team while he works ON his business. This and so much more..stop reading, start listening. ENJOY!Bollotta-FIDE could use your help. Please answer this survey: https://stats.blubrry.com/s-85335/getting_started/CONNECT with WILL www.willcurran.comSubmit ASK ANTHONY questions on the form at www.bollotta.com/podcastFollow @BollottaEntertainment on Instagram

Joined this week by a true soul, the lovely and wonderful Brooke Smith. Such a great talk! I am feeling better about my life already! https://www.brookesmithlifecoach.com/

Life got you down?  Working too hard?  Need an injection of fun, play, and wonder?*Yes - please!*Among the ranks of Guides are those with specialized expertise and purpose such as protector guides, teaching guides, and the topic of our post today, Joy Guides.Joy Guides are guides that specialize in JOY, fun, and creativity.   Despite their name, the Joy Guides have a pretty serious mission and we would have a much more difficult path without them!Listen in to understand the mission of your joy guides and how they may already be showing up in your life. Christina Wooten helps you access the wisdom and support of the Spirit World to elevate your life.She is a Certified Psychic Medium and Reiki Master Teacher.  Christina is the owner of Sedona Medium and co-host of Modern Life and Spirit podcast.She offers Psychic Medium Readings, Soul Readings, and teaches how you can start communicating and receiving messages from your Spirit Guides - through her program.Learn more about her offerings hereRobert Wooten is a Certified Reiki Master Teacher who loves to help others to increase their life force energy and heal mind/body/Spirit.  Learn more about how Robert can help you here>>>>>>Please rate, review, and subscribe to your support, be informed of new episodes  and stay connected with the conversation

O.N.E The Duo is a mother/daughter duo — Tekitha (mother) and Prana Supreme (daughter) — and their story is rooted in Hip-Hop royalty. Tekitha is the female lead on the Wu-Tang Clan albums, and Prana is the daughter of RZA, the founder and de facto leader of Wu-Tang Clan. Together they are pioneers, becoming the first artists to journey from Hip-Hop to Country. From a backdrop of diverse experience, influence, and their immersive Nashville journey, O.N.E The Duo has created a musical style that's all their own. “O.N.E” stands for Observant, Noetic, and Effervescent — there's intentionally no period after the "E" because effervescence goes on and on... onetheduo.comIG: @onetheduoSpotify: O.N.E The DuoNEW album Follow Your Heart: https://orcd.co/followyourheart Keep in touch with Michael online: https://michaelfranti.com The Stay Human podcast is available wherever you listen to podcasts: https://stayhumanpodcast.com PODCAST EPISODE CREDITS:Executive Producers: Michael Franti and Activist Artists Management Producer: Angie Griffith for BPOSITIIVArtist Manager: Caitlin Stone for Activist Artists ManagementManagement Coordinator: Bryce Matthews for Activist Artists ManagementSocial Media Manager: Kaitlyn Parmenter for Alchemy Artist ServicesPresenting Sponsor: PactInstrumental from: “Crazy For You” by Michael Franti Editing by: Roger Gowdy for Page Turners Studio

Raised in a traditional Middle Eastern family, author and podcaster George Azar ("My Gay Church Days") knew that he was attracted to men even before puberty hit. But when his older brother came out in middle school and was summarily put into therapy, George receded even further into the closet. He became a Young Republican in order to gain his father's approval, and was subsequently drawn to Christianity, which promised a "remedy" for his homosexuality. George excelled so much in the way of the Church that he became a pastor, all the while being told - and believing - that his queerness was a gateway to (you guessed it!) pedophilia and bestiality. His journey towards self-acceptance included seeing a "conversion therapy specialist," and eventually doing his own deep dive on what the Bible *actually* says about homosexuality. Despite everything he's been through, George is absolutely EFFERVESCENT, and he shares his story with an incredible amount of grace and humor!Follow George everywhere at @mygaychurchdays, and check out https://www.mygaychurchdays.com/ for all the info on George's book, podcast, and more!