Podcasts about depaul university school

Dr. Jill Bolte Taylor is a Harvard trained and published neuroanatomist who is affiliated with the DePaul University School of Education. In 1996, Dr. Taylor experienced a major hemorrhage in the left hemisphere of her brain causing her to lose the ability to walk, talk, read, write or recall any of her life. It took eight years for her to completely recover. In 2008 her memoir My Stroke of Insight spent 63 weeks on the New York Times bestseller list, and her TED talk was the first to go viral. In 2021, Whole Brain Living was published.www.BoomersTodayRadio.com

•Pierre Walker was born in Chicago, Illinois, soon after his family moved to Philadelphia, Pennsylvania where he was raised and completed his secular education. •Pierre grew up in a home where music was treasured. His father, Rev. Charles Walker is an accomplished concert pianist. Pierre knew at an early age that music would be a vital part of his life. He loves all kinds of music, especially gospel music. •At the age of 9, Pierre began playing at his father's church in Philadelphia. He began writing songs at the age of 13. To further expand his music education, he attended the Jenkintown Music School in Jenkintown, Pennsylvania, the Settlement School of Music in Philadelphia, PA., and the DePaul University School of Music in Chicago, Illinois under the instruction of Linda Hirt. •Pierre's professional accomplishments include being the primary organist for many historical churches and distinguished Pastors and leaders in Chicago. IL.  Pierre has performed and recorded with many renowned artists and gospel greats including Dr. Charles G. Hayes, Rev. Dr. Clay Evans, Albertina Walker, the late Rev. Milton Brunson, Aretha Franklin and Patti LaBelle. He has performed in numerous music institutes in Chicago. He has performed nationally and internationally. •In 1993, Pierre received a Grammy Award for the hit song “He'll Make A Way” recorded by The Christ Tabernacle Combined Choirs under the leadership of the late Rev. Milton Brunson Chicago, Illinois •Please send me an email sharing your thoughts about this show segment also if you have any suggestions of future guests you would like to hear on the show. Send an email to letstalk2gmg@gmail.com •You may also “like” and share the podcast episode; or you may Subscribe to be alerted when the newest show is published. •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS SATURDAY MORNING 9:00 AM CST / 10:00 AM EST ON INTERNET RADIO STATION WMRM-DB •The Podcast and Radio show is heard anywhere in the World! --- Send in a voice message: https://podcasters.spotify.com/pod/show/letstalk2gmg-ansonia/message

Adam Rittenberg is the senior writer for college football at ESPN. He's also a host on SiriusXM College Sports and an adjunct professor at the DePaul University School of Journalism. Adam returned to the program to talk about the present and future of Nebraska Football with the program currently in chaos, conference expansion, the transfer portal and breaking down the proposed 12-team playoff. See omnystudio.com/listener for privacy information.

Adam Rittenberg is the senior writer for college football at ESPN. He's also a host on SiriusXM College Sports and an adjunct professor at the DePaul University School of Journalism. Adam returned to the program to talk about the present and future of Nebraska Football with the program currently in chaos, conference expansion, the transfer portal and breaking down the proposed 12-team playoff. See omnystudio.com/listener for privacy information.

Meadowmount School of Music in Westport, New York in the Adirondacks is a summer program for young string players founded by legendary violin teacher Ivan Galamian that has helped mold some of the world's most prominent musicians, among them Yo-Yo Ma, Itzhak Perlman, and Joshua Bell.This summer, “the original practice camp” marks its 78th year with its first fully in-person session since 2019 and two new leaders at the helm: Executive Director Mark Hayman, former Executive Director of Young Concert Artists; and Artistic Director Janet Sung, international violin soloist as well as Head of Strings and Violin Professor at the DePaul University School of Music and Artistic Director and Founder of Chamber Music Chicago.

In this episode I speak with Mike Yaghmai who is a Director and Associate General Counsel at Facebook where he heads up the company's legal work related to the company's brand and marketing. In this capacity Mike and his team are responsible for clearance, prosecution, and enforcement of the company's brand portfolio as well as the legal elements of Facebook's marketing policies. Before working at Facebook for the past 8 years, Mike worked at eBay for almost seven years and before that he worked as an intellectual property associate at Willdman Harrolld and then Howrey LLP. Mike is a Bay Area native and graduate of San Jose State University. After college, he worked in the San Jose mayor's office before moving to Chicago to complete his law degree at the DePaul University School of Law. In our conversation we discuss Mike's (largely unplanned) path to becoming a brand and marketing lawyer, what a brand and marketing lawyer does on a day-to-day basis (especially at a large company like Facebook), ways to stand out as part of an in-house legal team or as outside counsel servicing in-house legal teams, and techniques for transitioning into management roles where leadership skills become as important if not more important than legal skills. If you enjoy this episode, make sure to sign up for future episodes at www.howilawyer.com or to subscribe wherever you get your podcasts.

Ukrainian baritone Yuriy Yurchuk is the Royal Opera House principal artist, described by The Times as "the finest voice on stage ...with the immaculate Italianate line" and "rich, deep voice capable of great versatility" by Bachtrack. Born in Kyiv, Ukraine, he discovered his passion for Opera after coming to Chicago and meeting professor Marc Alon Embree. Yuriy studied Vocal Performance at DePaul University School of Music. He also holds Bachelor's and Masters's degrees in finance and accounting from Kyiv National Economic University. Before embarking on a career as a singer he was an M&A financial advisor with PwC for eight years. FIND YURIY ON SOCIAL MEDIA LinkedIn | Instagram | Facebook | YouTube | Twitter ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 Den of Rich. All rights reserved.

Ukrainian baritone Yuriy Yurchuk is the Royal Opera House principal artist, described by The Times as "the finest voice on stage ...with the immaculate Italianate line" and "rich, deep voice capable of great versatility" by Bachtrack. In 2020/21 his planned engagement include Sharpless in Madama Butterfly (Glyndebourne Festival), Robert in Iolanthe (National Theater Tokyo), Rodrigo Posa in Don Carlos (Kyiv National Opera), Marcello in La Boheme (Royal Opera House). His past engagements include Marcello La bohème and Lescaut Manon (Opernhaus Zürich), Il Conte di Luna Il trovatore (Opéra de Baugé), Escamillo Carmen (Savonlinna Festival), Marcello (Opera North), Count Rodolfo in Margherita (Wexford Festival Opera), Eugene Onegin (Ukraine National Opera), Ping (Zurich Opera). Yuriy is a prize winner in Queen Sonja International Singing Competition (Norway), Montserrat Caballe International Singing Competition (Spain), Ottavio Ziino International Singing Competition (Rome), Monastero Foundation Bel Canto competition (USA), Fritz and Lavinia Jensen competition (USA) and Chicago NATS vocal competition. His other appearances include the King of Egypt in Verdi's Aida excerpt in tribute to Martina Arroyo at 36th Kennedy Center Honors Awards in Washington DC, concerts for the Royal family at the Buckingham and Windsor palaces, appearances for BBC TV series and BBC radio 3 Sean Rafferty's In Tune. Together with Anush Hovanissyan and Sergei Rybin, Yuriy has recorded the collection of Rimsky-Korsakov romances for Stone Records where his "wonderful legato and superb Russian delivery that make this collection irresistible" according to the Sunday Times.In 2016/2017 season at Royal Opera House he sang Schlemil (Les Contes d'Hoffmann), Baron Douphol (La Traviata), Prince Yamadori (Madama Butterfly), Flemish Deputy (Don Carlo), Mandarin (Turandot), various roles in The Nose, and covered Giorgio Germont (La Traviata) and Rodrigo Posa (Don Carlo). He was a member of Royal Opera young artist program in 2014/2016 seasons where he sang Eugene Onegin (Onegin), Blazes (Lighthouse), Germano (La Scala di Setta), Angelotti (Tosca), Michonet (Adriana Lecouvrer), Dumas (Andrea Chénier), Prince Yamadori (Madama Butterfly), and Johann (Werther), while covering Sharpless (Madama Butterfly), Alfio (Cavaleria Rusticana), Shekalov (Boris Godunov), Creon (Oedipe) and Shaunard (La Boheme). His other engagements include Ford in Verdi's Falstaff (Chicago). His baritone was marked as “sonorous, with menacing demeanor” by The New York Times impersonating Four Villains in Offenbach's Les Contes D'Hofmann with Prelude to Performance program in New York. Yuriy made his operatic debut in 2013 as Marcello in Puccini's La Bohème, followed by Constable and Narrator in Kurt Weill's Threepenny Opera with DePaul Opera Theatre. Born in Kiev, Ukraine, he discovered his passion for Opera after coming to Chicago and meeting professor Marc Alon Embree. Yuriy studied Vocal Performance at DePaul University School of Music. He also holds Bachelor and Masters degrees in finance and accounting from Kyiv National Economic University. Before embarking on a career as a singer he was a M&A financial advisor with PwC for eight years.FIND YURIY ON SOCIAL MEDIALinkedIn | Instagram | Facebook | YouTube | Twitter================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://www.instagram.com/denofrich/Instagram: https://www.instagram.com/denofrich/Facebook: https://www.facebook.com/denofrich

Mark Peiser: The Moving Target of Perfection Since 1967 when Mark Peiser became involved with the Studio Glass Movement, he has been recognized for his uniquely individualized approaches and accomplishments in glass. Continual investigation of the expressive implications of glass properties and processes has led to his distinctive bodies of work. Recently Peiser published the book, Thirty-Eight Pieces of Glass – with Related Thoughts, pairing his glass with brief writings of resonance.  To quote from the preface: “Since I began with glass 50 years ago, I've received countless questions asking, basically, what's it about? In that discussion I've tried to answer honestly and completely but I've always felt to have fallen short – short of the words and short of the voice that would say them. When I started to assemble this book, I began feeling much more truthful and satisfying answers to that question. I hope you will, too. That these selections sorted out into something of an abridged life story was a bit of a surprise to me. It shouldn't have been. All along I've said my work has been about my feelings and experiences and, over many years, what else is a life?”  Peiser, an internationally known glass artist, was born in Chicago in 1938. After studying electrical engineering at Purdue University (Lafayette, Indiana, 1955-1957), he received a Bachelor of Science in Design from Illinois Institute of Technology (Chicago, Illinois, 1961). Peiser studied piano and composition at DePaul University School of Music (Chicago, Illinois, 1965-1967) before attending Penland School of Crafts (Penland, North Carolina) in 1967. After five weeks of glass classes, he became the first resident craftsman in glass at the school. Peiser is a founder of the Glass Art Society, of which he is now an honorary member, and a leading presence in the Studio Glass Movement. Inducted into the College of Fellows of the American Craft Council in 1988, Peiser received the Lifetime Achievement Award from the Art Alliance for Contemporary Glass in 2004, the North Carolina Governor's Award in 2009, the Lifetime Achievement Award from the Glass Art Society in 2010 and the North Carolina Living Treasure Award in 2011, among others. He has exhibited worldwide and is in many public and private collections including the Asheville Art Museum, the Chrysler Museum of Art, The Corning Museum of Glass, the Glassmuseum Ebeltoft, the Lucerne Museum of Art, the Milwaukee Art Museum, The Museum of Art and Design, the Peggy Guggenheim Collection, the Toledo Museum of Art, the Smithsonian American Art Museum and the Tokyo Museum of Modern Art, among others. By challenging established formulas and techniques throughout his career, Peiser has created and combined new and unusual colors in his glass sculptures. This approach to glass is radical as he has literally invented new glasses in order to pursue an idea through to creation. In 2009, a special glass formulation was created by melting opal glasses for his Palomar series of sculptures that pay homage to Corning Glass Works' famous 200-inch Disk, the telescope mirror cast in 1934 for the Mt. Palomar Observatory in California. Currently, Peiser is working on the Marko Blanko Project to develop a specialty glass for filigrana. Peiser's work highlights include: EARLY WORKS  1967 – 1977 Develops blowing skills, designs and builds various furnaces and equipment, develops formulations for crystal, various opal and luster glasses. Produces iridescent miniatures, gather pots, flower forms, spaghetti bowls, copper core vessels, opaque geometric and image vessels. PAPERWEIGHT VASES (PWV) 1975 – 1981 Introduces and develops torch working techniques for furnace blown work allowing more detailed imagery and perspective. Produces Paperweight Vases portraying natural subjects and landscapes, urban views and abstract imagery related to the vessel form. INNERSPACE (IS) 1983 – 1994 Develops graphite molding process and casting glasses. Makes compound cast glass pieces that compose the internal volume of solid transparent forms. Produces Innerspace series including Ascensions, Hands, Light Beams, Moons, Mountain Skyscapes, Muses, Planets and Polychrome Progressions. FORMS OF CONSCIOUSNESS (FOC) 1994 – 2004 Develops bottom pour casting furnace, casting and mold techniques, and glass formulae allowing larger scale work representing psychological conditions. CONTRITION SECOND STUDY (CSS) 2000 – 2004 Produces a limited edition of 50 as a learning experience to formulate and develop casting process for controlled translucency in sculptural glass. COLDSTREAM CASTING (CSC) 2001 – 2007 A creative use of my bottom pour furnace. My most fun in a glass shop since 1969. View videos of the Coldstream Casting process on You Tube by searching Mark Peiser. PALOMAR  2008 – 2012 Develops vermiculite molding process. Produces Palomar series as a tribute to the accomplishment of the Palomar Mirror in 1934. For more about the Palomar series and the transition to the Passage and Etudes Tableau, search You Tube for Mark Peiser's Corning Museum of Glass talk.  PASSAGES AND ETUDES TABLEAU  2012 – PRESENT Refines formulation and heat treatment of light scattering glasses. Produces work whose subject is light. Now, more than a half century later, Peiser's name is synonymous with invention and precision. He conveyed to ToYG podcast: “Most of my earliest memories are of making things. I seem to have a knack for seeing how things work, how things go together, and how to make it. If I have a gift, that's it. “When I was in design school, I became concerned with the essence of quality. Read some books and papers, sat through some lectures, and developed a somewhat subconscious but deep commitment for my life's efforts. Later working in industry, design and advertising it was difficult to impossible to implement quality. At my level it was irrelevant and deeply unsatisfying. When I happened into Penland and the beginning of the Studio Glass Movement, the control offered by the notion of a one-man glass studio seemed an avenue that could lead to quality. I've done my best to hold to that path throughout my career. All in all, I've been successfully self- employed for 57 years. As we all hope, with the rest of life, I did the best I could at the time. But unlike the rest of life, I could disappear a bad piece like it never happened.  “Being an artist is not just another job. It's a commitment.”  

“The more we keep discovering, the more it keeps us alive and vibrant.” — Dianne A. Allen You cannot see, taste, or touch music. But you can hear it, and you can most certainly feel it. Music can help relieve the stress, burden and bring you to a more peaceful place. It keeps us alive and vibrant. In this week’s episode, we are joined by Rich Daniels. Part One of ‘Rich Daniels Advice on Precision and Vision’ Music was always a passion for Daniels as he realized at a very young age that it was possible to captivate an audience with a live performance while touching their hearts and minds in an indelible way.  Rich Daniels has been creating and conducting memorable musical concerts and events since 1974 when he began his professional journey as a high school freshman on the great south side of Chicago. He views the opportunity he has been given to have a career in music as a measure of service to others. “When music resonates with our hearts, it can heal and touch us in many ways.” – Dianne A. Allen  Rich is also traveling the country conducting regional orchestras (i.e., Baltimore Symphony, Berkeley Symphony, Richmond Philharmonic, Hartford Philharmonic, Colorado Symphony, Nashville Symphony, etc.) for the estate of Jerry Garcia performing a “Jerry Garcia Symphonic Celebration” with legendary guitarist/vocalist Warren Haynes. Through the vehicle of The City Lights Orchestra, he has been given a chance to participate in thousands of programs nationwide for associations, corporations and non-profit organizations. Additionally, Rich and his colleagues have had the chance to take the stage and perform in concert with some of the greatest musical artists of the past half-century.  Wherever the need and whatever the medium, Daniels and his musicians have proven they are up to the task of making great music a part of every performance and assignment they have been given. Part Two of ‘Rich Daniels Advice on Precision and Vision’ Artists as diverse as Ray Charles, Mel Torme, Garth Brooks, Rosemary Clooney, Dionne Warwick, Burt Bacharach, Michael Buble, and David Foster have all relied upon the ability of Rich Daniels and his orchestra to collaborate with them to create their special brand of magic in performance.  In recent years Daniels has also been busy in the studio composing and producing recordings for a wide range of projects. As the television and film industry has once again discovered Chicago as a great place to work, Daniels was recently tapped to be the musical supervisor for three different television series and allowed to compose music for the pilot of the Emmy-award winning show “Boss” starring Kelsey Grammer and filmed in Chicago. “Music shouldn't be viewed as something that requires someone to be better than somebody else.” – Rich Daniels Rich and the orchestra were also featured in a concert on PBS this past Fall for the Horatio Alger Society of Distinguished Americans. These TV duties have also included being the on-camera music director for five seasons for the hit show on FOX, EMPIRE starring Terrence Howard and Taraji P. Henson, and Jussie Smollett. Rich has recently music directed for Jussie & Terrence on a PBS concert filmed at the Lyric Opera House in Chicago and most recently with Jussie and Renee Fleming at The Kennedy Center in Washington, D.C. with the National Symphony Orchestra.   Live music is meant to be a joyous experience that should entertain and inspire the listener while taking the audience on an emotional journey that allows them to be empowered by the spirit of this non-tangible entity. About Rich Daniels  Rich is most proud of the various charitable organizations his career has allowed him to serve and promote, especially The Mercy Home for Boys & Girls in Chicago (former board chairman), the DePaul University School of Music (current board chairman) and the Archdiocese Office of Human Dignity & Solidarity (chairman).  Rich was appointed by Illinois Governor Patrick Quinn to the board of the Illinois Arts Council in 2013. He is also the senior board member at the Chicago Federation of Musicians and a delegate to the Chicago Federation of Labor. Rich and his lovely wife Kathy have been married for 32 years and have 4 beautiful children: Rich (30), Mary Kate (29), Emily (26) and Maggie (24). Son Rich was recently married to Maggie Black in July of 2017! Rich Daniels knows that he’s a very lucky guy.  And that through hard work, perseverance and tenacity, together with a strong sense of faith, all things are possible.      JAZZ/POP ADDENDUM During the 1980’s and 1990’s Rich toured extensively with former Tonight Show drummer Ed Shaughnessy. Additionally, Rich also was asked by the estate of Woody Herman to take the band out in 1991 for several tours around the country.  During this same period of time, Rich played for or conducted for Louis Bellson, Ray Charles, Mel Torme, Buddy DeFranco, Phil Wilson and many “pop” personalities including Garth Brooks, Dennis DeYoung, Michael Buble and David Foster.  Rich was also a featured soloist with Laurel Masse’ both in concert and on several of her recordings.  BOARD AFFILIATIONS Former Chairman, Mercy Home for Boys & Girls (current member of the Board of Regents & Board of Directors). Chairman, DePaul University School of Music.  Chairman, Archdiocese Office for Human Dignity & Solidarity.  Board Member, Irish American Labor Council.  Board Member, Illinois Arts Council (Appointed by Governor Pat Quinn in 2013).  Senior Board Member, Chicago Federation of Musicians (elected position since 1992).  Delegate to the Chicago Federation of Labor.  Delegate to the American Federation of Musicians.  Leader Council Member, The Kennedy Forum.  The City Lights Foundation (Founder). HONORS & AWARDS Distinguished Alumni, DePaul University (2004) Immigrant Awareness Award, Chicago Catholic Archdiocese (2012) Heart of Harmony, Hope & Healing Honoree (2016) Irish American Labor Council, Labor Honoree (2016)  Bishop Quarter Award, Chicago Catholic Archdiocese (2016) How to Connect with Dianne A. Allen You have a vision inside to create something bigger than you. What you need are a community and a mentor. The 6-month Visionary Leader Program will move you forward. You will grow, transform and connect. http://bit.ly/DianneAAllen Join our Facebook Group Someone Gets Me Follow our Dianne’s Facebook Page: Dianne A. Allen Email contact: dianne@visionsapplied.com Dianne’s Mentoring Services: msdianneallen.com Website: www.visionsapplied.com Be sure to take a second and subscribe to the show and share it with anyone you think will benefit. Until next time, remember the world needs your special gift, so let your light shine!

Today, in part 2 of 5 of the series, Who Should I Study With, in Music School, I'm chatting with Rob Kassinger.Rob is a bassist in the Chicago Symphony Orchestra and Professor of Double Bass at DePaul University School of Music. In the jazz world, Rob has also performed with Wynton Marsalis, Branford Marsalis, Kenny Burrell, the Woody Herman band, Conte Candoli, Charlie Rouse, Teddy Edwards, Harold Land, and Bobby Lewis.Rob is also a world-class bass guitarist. In today's discussion, we speak about:•Rob's background•what to for in a teacher•common audition mistakes, and much more.Enjoy this conversation with Rob Kassinger. Links:listen to Rob perform.Rob at DePaul UniversityRob at the Chicago Symphony Orchestra Connect with The Scholarship Roadmap:WebsiteApple PodcastsInstagramFacebookYouTubeBook a Call Theme Music:‘Elegua' from Axiom Asunder by The Majestic Jazz OrchestraComposed by Buzz Jones.

Today’s episode is the 3rd of 4 of The Scholarship Roadmap’s takeover of the Contrabass Conversations podcast feed. The Scholarship Roadmap is an online program for student musicians pursuing careers in music. It was developed by Contrabass Conversations team member, Trevor Jones. Book a discovery call with Trevor to see if it’s right for you.   “What I’m looking for is seriousness, talent, and a work ethic that exceeds that talent.” -Rob Kassinger   Today, I’m chatting with Chicago Symphony Orchestra bassist and Professor of Double Bass at DePaul University School of Music, Rob Kassinger. Rob and I dig into a bunch of topics that were chosen to provide clarity to the student musician who is looking into musical schools. •35s - Rob’s background •6m20s - am I right for a music degree?•9m50s - Finding the right teacher•13m57s - What does Rob look for in a student?•21m50s - Am I ready for music school?•26m05s - Audition Day — From Rob’s perspective. •28m25s - Common mistakes in an audition•31m40s - Rob’s audition advice•37m05s - What should I do about Covid-19? Is online education worth it?   Thanks for listening! -Trevor Jones   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging theme music by Eric Hochberg   Subscribe to the podcast to get these interviews delivered to you automatically!

Like ASMR and the oldies coming together // All sounds, noises, and otherwise disturbing emittances came from my own body // Thanks to the DePaul University School of Music for the professional training!

In this week's episode, I have the honor of talking with Professor Shoba Sivaprasad Wadhia. We talk about how immigration policy has changed in the time of Trump and we also talk about why people on both sides of the aisle should care about immigration. Dr. Shoba is the Samuel Weiss Faculty Scholar and Clinic Professor of Law at Penn State Law in University Park. Her research focuses on the role of prosecutorial discretion in immigration law and the intersections of race, national security and immigration. She has published more than thirty law review articles, book chapters and essays on immigration law. In this episode Dr. Shoba shares the insights she received from the people she interviewed for her book on immigration enforcement as well as the role that being a lawyer had in writing and publishing her works. Wadhia’s first book, Beyond Deportation: The Role of Prosecutorial Discretion in Immigration Cases, was published by New York University Press in 2015, and was given an honorable mention for the Eric Hoffer Book Award. Her second book, Banned: Immigration Enforcement in the Time of Trump, was released on September 10, 2019 by New York University Press. Her immigration textbook, Immigration and Nationality Law: Problems and Solutions, with co-authors Steve Yale-Loehr and Lenni Benson, was published by Carolina Academic Press in early 2020. In 2018, Wadhia was named the inaugural Editor-In-Chief of the American Immigration Lawyers Association (AILA) Law Journal, a partnership between AILA and Fastcase. In 2019, she served as the Enlund Scholar In Residence at the DePaul University School of Law. At Penn State Law, Professor Wadhia teaches doctrinal courses in immigration and asylum and refugee law. She is also the founder/director of the Center for Immigrants’ Rights Clinic (CIRC). Dr. Shoba does a brilliant job of demystifying the machinery of Trump's immigration policy and she illustrates her perspective through stories, terms and concepts we can all relate to and take action upon. I know you are going to love this week's episode and Dr. Shoba's insight may just shine some light on some issues you have seen for yourself. You can read more about Dr. shoba’s publications by visiting her website at http://www.beyonddeportation.com/ You can purchase her books at https://nyupress.org/9781479870059/beyond-deportation.

Scott Myers has written 30 projects for every major Hollywood studio and broadcast network. His film writing credits include K-9 starring Jim Belushi, Alaska starring Vincent Kartheisher, and Trojan War starring Jennifer Love Hewitt. From 2002–2010, Scott was an executive producer at Trailblazer Studios, a television production company. In 2002, he began teaching screenwriting in his spare time. He won the UCLA Extension Writers' Program Outstanding Instructor Award in 2005 and for eight years taught in the Writing for Screen and Stage program at the University of North Carolina in Chapel Hill. Currently Scott is an Assistant Professor at the DePaul University School of Cinematic Arts. He is co-founder of Screenwriting Master Class, a unique online resource for writers. Scott is a member of the Writers' Guild of America West, and a graduate of the University of Virginia and Yale University Divinity School. He has hosted Go Into The Story since its launch May 16, 2008 and is partnered with the Black List as its official screenwriting blog.Pre Show Notes— Shout out to Friend of the Show Giles AldersonA new found footage horror movie written and directed by Marcus Harben, Produced by Steve and Tracy Jarvis and Giles Alderson and exec produced by Allan Niblo. Now in production. LIKE their Facebook page below; — Want to help me make a short trailer project?The weather is finally getting nice in Philly, and I'm finally going to make something again.I'm aiming for a September/October 2018 shoot date for a fun, fake trailer project here in the Philly area. I'll be looking for actors, a location manager, and a few other key crew roles.If you're interested in helping shoot me an email, Dave@DaveBullis.com and put Fake Trailer Project in the subject line.If you want to help in others ways;-- Use my Acorns link (the App that invests your left over change for you)https://acorns.com/invite/EFEXW8— Use my Fiverr Affiliate Linkhttp://www.fiverr.com/s2/0d903cb1ec — Use My Amazon Affiliate Linkhttps://www.amazon.com/?tag=ff04-20— Use my Black Box  Affiliate link— Share the Podcast on Social Mediahttp://Twitter.com/DBPodcast — We just hit our 2nd Youtube milestone by reaching over 1,000 Subscribers. Thank you!!! Haven't subscribed yet? Click HERE — Quentin Tarantino Writing Masterclass (A collection of advice)Over 117,000 views, over 3,000 thumbs up, and a ton of great feedback.This is a video I edited together from various Tarantino writing advice I've heard over the years. Please let me know what you think of it. MORE FREE STUFF:— Backstage –  Use code dbcast at checkout when posting a casting call for a FREE basic listing— Dave Bullis Podcast Filmmakers Group on Facebook – a FREE filmmaking group I made on Facebook. — Shopping on Amazon? Please use my Amazon affiliate link  and/or Ebay affiliate link(simply click and shop as normal) as it greatly helps out the podcast. Thank you!Show Notes-- [00:02:09] - Scott's current role--  [00:11:05] - Spec script marketCrazy Rich Asians-- [00:15:55] - Advice to students-- [00:20:21] - How story structure changed?-- [00:23:26] - Character equals plot-- [00:24:59] - Plot Points-- [00:25:33] - A Quiet Place-- [00:28:54] - Screenwriting Templates - Are they still relevant? -- [00:30:13] - Brainstorming Exercises-- [00:36:15] - Protagonist and Nemesis-- [00:40:22] - London Screenwriting Festival-- [00:41:52] - Zero Draft Thirty There are two Zero Draft Thirty Challenges per year - usually March & September which means 30 days of continual writing. 1 script. Movie script. TV script. First draft. Rewrite. Whatever. On the first Friday of every month, beginning at Midnight Eastern (U.S.) Friday and continuing through Midnight Saturday, 24 ZD30 volunteer group members host an hour, this is our 24 Hour Writing Scamper-A-Thon.-- Zero Draft Thirty calendar-- [00:50:18] - Parting ThoughtsContactScott Myers-- Official Site-- IMDB-- Twitter-- FacebookDave Bullis— Official Site— Youtube— Twitter— Instagram— Facebook— Stage 32— LetterboxdSupport the Podcast1. Sign Up for Dave's email list2. Rate the Podcast on iTunes3. Shop on Amazon with my link4. Shop on Ebay with my link5. Use my Blackbox Affiliate linkSubscribe to the Podcast— Podbean — iTunes — Stitcher

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. The University Ceremony of the 525th Convocation of the University of Chicago was held on December 11, 2015, in Rockefeller Memorial Chapel. The 125th Anniversary Address was given by Hanna Holborn Gray, President Emerita of the University and Harry Pratt Judson Distinguished Service Professor Emerita, Department of History and the College. In honor of its 125th anniversary, the University commissioned a musical piece by composer Anthony Cheung, Assistant Professor, Department of Music and the College. A woodwind quintet, brass quintet, and percussion from the Civic Orchestra of Chicago performed the piece under the direction of Michael Lewanski, Assistant Professor of Instrumental Ensembles at the DePaul University School of Music.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. The University Ceremony of the 525th Convocation of the University of Chicago was held on December 11, 2015, in Rockefeller Memorial Chapel. The 125th Anniversary Address was given by Hanna Holborn Gray, President Emerita of the University and Harry Pratt Judson Distinguished Service Professor Emerita, Department of History and the College. In honor of its 125th anniversary, the University commissioned a musical piece by composer Anthony Cheung, Assistant Professor, Department of Music and the College. A woodwind quintet, brass quintet, and percussion from the Civic Orchestra of Chicago performed the piece under the direction of Michael Lewanski, Assistant Professor of Instrumental Ensembles at the DePaul University School of Music.

How to monetize -- or not -- investment in specific independent film projects- In Episode 42 of Accredited Investor Markets Radio host Christopher Cahill discusses the independent film industry with Bob Labate. The odds against return are high, and Mr. LaBate -- who practices and teaches both entertainment law and financial restructuring law -- introduces us to the principal components of film production, costs, and investment modes.  But then, maybe your niece's proposed film is another "Blair Witch Project"!   Learn more about Bob and laws of the film industry here and here.   Or you can find him here: Twitter: @Holland_Knight Facebook LinkedIn     About Bob Labate   For more than two decades, Robert J. Labate has maintained an active litigation practice in corporate restructuring and transactional media and entertainment law. Mr. Labate has been an adjunct faculty member at DePaul University School of Law for many years, where he teaches two courses reflecting his practices: "Corporate Workouts and Restructuring" and "The Law of Film and Television Production."   For the past five years, Mr. Labate has served as chair of the Public and Charitable Service Committee for the Chicago office of Holland & Knight, which supervises dozens of pro bono and community service representations and projects in the Chicago metropolitan community.   As a corporate restructuring and bankruptcy attorney, Mr. Labate represents parties in complex Chapter 11 and consensual out-of-court “workout” agreements. As part of the financial restructuring portion of his practice, Mr. Labate advises clients on creditor and creditor committee issues, debtor restructuring, and asset sales and acquisitions, including Section 363 sales.     Bob Labate is co-chair of the Holland & Knight national Sports & Entertainment practice and he represents entertainment, media and advertising clients and other content providers who produce, license, acquire, use and invest in film, television, theater, music and digital content for worldwide distribution. His clients include communications companies, television broadcasters, producers of scripted and documentary films, celebrities, writers, and investors.  He has taught Film and Entertainment Law courses and is a frequent speaker on topics such as fair use, copyright, film and television production.  In Spring, 2015, Lawyers For The Creative Arts will publish Mr. Labate's book on film production law.