Podcasts about television production

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Joyce Anderson exemplifies a life-long love of the performing arts. Her passion inspired her to pursue a diverse career ranging from Fashion, Television Production, Public Relations and Community Service in Northern California and Central Coast for the past 30 years

Here's a short clip from our upcoming interview with Rob Hyland, the coordinating producer of Sunday Night Football, and Drew Esocoff, the director of Sunday Night Football. In this clip, Hyland and Esocoff provide insight on what Bills quarterback Josh Allen and Ravens quarterback Lamar Jackson are like in production meetings, and whether the new virtual measurement technology can get better for viewers during the season. You can subscribe to this podcast on Apple Podcasts, Spotify, and more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Join us for an extra special episode of SEE Change with special guest, Angelina Vivolo Cicala. Angelina is a three-time Emmy Award-winning executive producer and director, Principal of AVC Productions, LLC, entrepreneur, advocate for women in television, and Founder of TellHerVision, mother of two amazing children and creator of a new TV series, "America's Next CEO".Angelina's story is one of determination, passion, and a quest to level the playing field for women in television production. From her early days as an intern and her first big break, to starting her own production company and founding TellHerVision, all while raising two small children at home, Angelina is leading a SEE Change in the industry and setting an example of what is possible when you find a career that you love and are determined to make an impact.We were fortunate to meet Angelina through her daughter, Alexandra Cicala. Alexandra was a Seelaus intern this summer and is a rising Junior at St. John's University, an entrepreneur, Girls Who Invest Alum, and Founder of Financially Lit. Alexandra joins us for part of the conversation to talk about how she found her way to Seelaus and what it is like growing up with such an incredible mom as a role model.About Angelina CicalaAngelina Cicala is a three-time Emmy Award-winning executive producer and writer, winner of the prestigious Edward R. Murrow Award for Investigative Reporting and entrepreneurial go-getter. A native New Yorker, she began her career at WNBC-TV, WABC-TV, and WCBS-TV, earning seven Emmy nominations while producing various news segments. She co-founded Daily HealthFeed, providing medical news to over forty stations, and now runs AVC Productions, LLC. Angelina has created and produced multiple TV shows, including the award-winning series “Best Places to Live” and “Say I Do, NYC.”R. Seelaus & Co., Inc. was founded in 1984 by Richard Seelaus, originally as a municipal bond broker-dealer. The firm has since become a certified women's business enterprise ("WBE") and has grown into a full-service financial firm that is mission driven in its commitment to creating more opportunities for women in the financial services. R. Seelaus & Co., Inc. and its subsidiaries offer investment advisory, asset management, capital markets, brokerage, fixed income and equity trading, institutional sales, leveraged finance and insurance services. The R. Seelaus & Co., LLC subsidiary is a broker dealer registered with the SEC and member of FINRA, and the subsidiary Seelaus Asset Management, LLC, is an SEC Registered Investment Advisor ("RIA"). With various fixed income trading desks and more than seventy professionals, both entities serve individuals, families, public and private companies, non-profit organizations, and institutional investors. The firm has offices in NJ, CT, New Jersey, Connecticut, Illinois, South Carolina, and Massachusetts. For more information about R. Seelaus & Co., and its subsidiaries visit www.rseelaus.com

In this episode, Sarah Wayne Callies and Paul Adelstein discuss Season 2, Episode 17 of 'Prison Break'. They reflect on the challenges of filming an episode entirely in French, the high levels of violence and gore, and the significant plot developments including Michael and Sarah's reunion. They also delve into fan questions, share personal anecdotes from filming, and discuss the intense dedication of the show's fanbase, particularly in unraveling plot secrets. The conversation covers various behind-the-scenes experiences, such as driving stunts, the challenge of maintaining realism in character appearances, and the impact of the digital age on storytelling. 00:00 Introduction and Episode Overview 00:35 Challenges of Filming in French 01:02 Gross and Intense Scenes 01:44 Episode Index and Fan Questions 03:08 Episode Recap and Analysis 03:57 World Events and Pop Culture 05:37 Behind the Scenes Insights 07:30 Character Dynamics and Relationships 20:13 Television Production and Sweeps 25:11 Actor Anecdotes and Experiences 32:20 The Authority of Female Characters 32:51 Chemistry Between Characters 34:27 Canadian Talent and Humor 35:48 Dallas Adventures and Disguises 37:05 Music and Filming Stories 42:43 Fan Questions and Alternative Endings 58:32 Final Thoughts and Community Engagement Leave us your comments, shoot us an email, or leave us a voicemail - we love hearing from all of you! For the FULL Prison Breaking With Sarah & Paul experience, join our very active Patreon community where you can watch our WATCH PARTY episodes, released a day before the podcast episode, where you can re-watch every episode of Prison Break alongside Sarah & Paul's real time commentary (kind of like the DVD director commentary tracks of yore).  You also get access to all of our Fan Fiction episodes and our Discord Server where you can join our active Prison Breaking community, interact with Sarah & Paul's "Ask Me Anything" and join group WATCH PARTIES where you can experience the release of every Watch Party and along with a group chat.   Join our Patreon here: https://patreon.com/user?u=116411884 If you love all the behind-the-scenes Prison Break convo that Sarah & Paul are bringing weekly, then please give us a review and a follow us on all your podcast, social media, and YouTube accounts! Watch the episode on YouTube - https://www.youtube.com/@PrisonBreakPodcast Follow us on Instagram - https://www.instagram.com/prisonbreakpodcast/ Follow us on TikTok - https://www.tiktok.com/@prisonbreakpodcast Merch!!! - https://pbmerch.printify.me/products Email us at prisonbreaking@caliber-studio.com And leave us a message with all your burning questions at (401) 3-PBREAK Logo design by John Nunziatto @ Little Big Brands.  If you want one yourself, reach out at https://www.littlebigbrands.com/ and tell him we sent you.   PRISON BREAKING WITH SARAH & PAUL is a Caliber Studio production.  Share Facebook X Subscribe Apple Podcasts Spotify More… Your listens 870 11th May - 17th May 870 see all stats  Next S2E15: "The Message" with guest William Fichtner aka "Mahone" Top episodes S1E1: "Pilot" by Prison Breaking With Sarah & Paul S1E1 WATCH PARTY: "Pilot" (Bonus Episode!) by Prison Breaking With Sarah & Paul S1E2: "Allen" by Prison Breaking With Sarah & Paul   Report this episode   Download original audio   QRCode For podcasters For advertisers For listeners

We're joined by Josh Mendoza to discuss switching between screenwriting and novels, $1,000 lego sets, and finding light in the darkness. We also get a sneak peak of his book Shadow of the Eternal Watcher, the fun parts of editing, and creepy Twilight Zone episodes. Josh Mendoza is a screenwriter, director, producer and author.  Mendoza is the founder of Strike the Sun Entertainment, and his movie work has been recognized by film festivals and competitions alike. Mendoza's debut novel, Shadow of the Eternal Watcher, was released in January 2025. The novel is a noir detective mystery that spirals into a science fiction adventure. The novel has already received positive reviews from Library Journal, Booklist, and Kirkus Reviews. It was recently featured as one of the best upcoming sci-fi books for 2025 in New Scientist. Prior to his writing career, Mendoza received a BA in English and Creative Writing from Stanford University and an MFA in Film and Television Production from USC's School of Cinematic Arts. He was born and raised in Phoenix, Arizona and lived for over 15 years in Los Angeles, California.  He splits his time between the deserts of Arizona and the city of angels with his wife and two children.Mendoza is currently developing multiple feature-length scripts and writing his next novel.Dark Waters vol. 1 & 2 are available to order! To get a copy, head over to our ⁠⁠⁠⁠⁠linktree⁠⁠⁠⁠⁠Want to submit your writing? Email darkwaterspodcast@gmail.comIntro/Outro music: www.bensound.comDisclaimer: Any and all opinions expressed are the opinions of the participants and not of the organizations or institutions with which they are affiliated.

Join host Linda Bruno in this episode as she explores the multifaceted world of Spencer Greene, a talented actor, voice actor, and stuntman. Delve into Spencer's journey from his early fascination with voice acting to his adventurous career in stunts and motion capture. Discover the intricacies of the entertainment industry as Spencer shares insights into working on commercials, video games, and even being a stunt double. Learn about the thrilling yet challenging aspects of motion capture and stunt work, as Spencer recounts his experiences and offers valuable advice for aspiring performers. This episode provides a rare glimpse into the synergy between voice acting and physical performance, making it a must-listen for anyone interested in the diverse opportunities within the entertainment world. About Spencer: Spencer Greene is a SAG actor, voiceover actor, motion capture performer, and stunt performer. With a native Spanish family, Greene is bilingual in English and Spanish, allowing him to partake in projects including the Kobra Kai video game series and Payday 2. Other voiceover projects include Richard Jewell and Thirteen Reasons Why. From setting himself on fire to jumping out of moving vehicles to performing stunt fight choreography to stunt doubling for television actors, he is no stranger to the most daring of stunts. As for motion capture, Greene has performed as Justin Beiber's dance double for his virtual concert and Calvin Harris' virtual reality DJ show, as well as projects for companies including EA and Riot Games. Greene completed his conservatory training at American Conservatory Theatre also while getting his BA in Film & Television Production at San Jose State University. All info is available at https://www.spencergreeneperforms.com/ We are honored to be listed in the top 30 of podcasts about Voiceover. Check out the list! https://podcast.feedspot.com/voice_over_podcasts/ FOR MORE INFO ON THE SHOW AND THE GURUS, PLEASE VISIT: Coaching Website: https://voiceover.guru/  and https://learnwiththegurus.com/ Linda Bruno Voice Actress  https://www.lindabruno.com Alyssa Jayson Actress and Musician http://www.alyssajayson.com Kevin Kilpatrick Voice Actor   https://kevinkilpatrick.com/ Join our Circle Community: https://the-voiceover-gurus.circle.so/home

Episode 524 - Josh Mendoza - Filmmaker, Storyteller and Author of Shadow of the Eternal WatcherJosh Mendoza is a screenwriter, director, producer and author. Mendoza is the founder of Strike the Sun Entertainment, and his movie work has been recognized by film festivals and competitions alike. He is best known for his feature film, WHAT STILL REMAINS, which he wrote, directed and produced. Decider called the movie a “great follow-up to Bird Box” and described it as a “hidden gem” on Netflix. The Los Angeles Times said, “Writer-director Josh Mendoza finds a fresh angle on the post-apocalyptic thriller” creating a “fascinating ‘what-if' imagining society's possible future.”Mendoza's debut novel, SHADOW OF THE ETERNAL WATCHER, will be released on January 28, 2025. The novel is a noir detective mystery that spirals into a science fiction adventure. The novel has already received positive reviews from Library Journal, Booklist, and Kirkus Reviews. It was recently featured as one of the best upcoming sci-fi books for 2025 in New Scientist. Prior to his writing career, Mendoza received a BA in English and Creative Writing from Stanford University and an MFA in Film and Television Production from USC's School of Cinematic Arts. He was born and raised in Phoenix, Arizona and lived for over 15 years in Los Angeles, California.  He splits his time between the deserts of Arizona and the city of angels with his wife and two children.Mendoza is currently developing multiple feature-length scripts and writing his next novel. https://www.joshmendoza.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

In this episode, hosts Sarah Wayne Callies and Paul Adelstein discuss Season 2, Episode 10 of 'Prison Break,' which aired on November 6, 2006. They reflect on the challenges of filming an episode entirely in French, the high levels of violence and gore, and the significant plot developments including Michael and Sarah's reunion. They also delve into fan questions, share personal anecdotes from filming, and discuss the intense dedication of the show's fanbase, particularly in unraveling plot secrets. The conversation covers various behind-the-scenes experiences, such as driving stunts, the challenge of maintaining realism in character appearances, and the impact of the digital age on storytelling. 00:00 Introduction and Episode Overview 00:35 Challenges of Filming in French 01:02 Gross and Intense Scenes 01:44 Episode Index and Fan Questions 03:08 Episode Recap and Analysis 03:57 World Events and Pop Culture 05:37 Behind the Scenes Insights 07:30 Character Dynamics and Relationships 20:13 Television Production and Sweeps 25:11 Actor Anecdotes and Experiences 32:20 The Authority of Female Characters 32:51 Chemistry Between Characters 34:27 Canadian Talent and Humor 35:48 Dallas Adventures and Disguises 37:05 Music and Filming Stories 42:43 Fan Questions and Alternative Endings 58:32 Final Thoughts and Community Engagement Leave us your comments, shoot us an email, or leave us a voicemail - we love hearing from all of you! For the FULL Prison Breaking With Sarah & Paul experience, join our very active Patreon community where you can watch our WATCH PARTY episodes, released a day before the podcast episode, where you can re-watch every episode of Prison Break alongside Sarah & Paul's real time commentary (kind of like the DVD director commentary tracks of yore).  You also get access to all of our Fan Fiction episodes and our Discord Server where you can join our active Prison Breaking community, interact with Sarah & Paul's "Ask Me Anything" and join group WATCH PARTIES where you can experience the release of every Watch Party and along with a group chat.   Join our Patreon here: https://patreon.com/user?u=116411884 If you love all the behind-the-scenes Prison Break convo that Sarah & Paul are bringing weekly, then please give us a review and a follow us on all your podcast, social media, and YouTube accounts! Watch the episode on YouTube - https://www.youtube.com/@PrisonBreakPodcast Follow us on Instagram - https://www.instagram.com/prisonbreakpodcast/ Follow us on TikTok - https://www.tiktok.com/@prisonbreakpodcast Merch!!! - https://pbmerch.printify.me/products Email us at prisonbreaking@caliber-studio.com And leave us a message with all your burning questions at (401) 3-PBREAK Logo design by John Nunziatto @ Little Big Brands.  If you want one yourself, reach out at https://www.littlebigbrands.com/ and tell him we sent you.   PRISON BREAKING WITH SARAH & PAUL is a Caliber Studio production. 

We were saddened to learn of WTR director Michael Preece's passing. In October of 2021 he was kind enough to talk with us about his amazing career and we thought we'd reshare that interview here. Our thoughts go out to his friends and family. What a life!ORIGINAL SHOW NOTESWe are excited to share our interview with legendary director, Michael Preece, who worked on 70 episodes of Walker, Texas Ranger! He got his start script supervising the likes of Brando, Wayne and McQueen only to jump in the director's chair and helm some of TV's biggest shows (Dallas, MacGyver & 7th Heaven). We talk about it all with a heavy dose of Chuck Norris! See complete episode stats (# of fights, explosions, vehicle chases, roundhouse kicks & more) at roundhouseroulette.com.Share your opinions with us on Facebook, Instagram and Twitter or by emailing us at roundhouseroulette@gmail.com.If you'd like to support the show, leave us a review on Apple Podcasts. To further support our shenanigans, check out our fresh Merch or our ever evolving Patreon mayhem. Most importantly, thanks for hanging with us!

Today we chat with C. Scott Votaw, assistant vice chancellor of the University System of Georgia and a veteran film producer, who leads GFA. With more than 25 years of experience working with Saban, Fox, Lucasfilm and more, Scott has years of expertise in film production, animation, special effects and workforce development. His unique perspective combines industry insights with a proven track record in training the next generation of skilled talent. Since launching in 2016, the Georgia Film Academy (GFA) has been a driving force behind Georgia's rise as a global film hub. GFA is renowned for its innovative workforce training programs, offering certifications in Film & Television Production, Post-Production, Digital Entertainment, Esports and Game Development. Through partnerships with Disney, Netflix, HBO and others, GFA prepares students for hands-on roles, with alumni contributing to major films like Creed III and Avengers: Endgame. Scott's a great guy and shares his take on how movies are made! So enjoy our discussion with Mr. C. Scott Votaw! 

Lucinda Light was running a speed dating company in Byron Bay when she auditioned for 'Married At First Sight'. While on the show, she became a huge hit with fans because of her emotional intelligence and open-hearted soul. When it ended, she embarked on an unexpected new lifeIn 2024, a woman named Lucinda Light burst on to Australian TV screens on the reality show juggernaut 'Married at First Sight'.At first, Lucinda seemed to be another wild and kooky reality TV character. She was filmed hugging a tree, twirling on a beach, and reading out from her 'Man-ifesto' — a list of things she hoped for in her prospective groom, whom she was about to meet for the very first time live on TV.During her season on the show, Lucinda gained a loyal tribe of fans for her optimism, empathy, and hilarious antics as she pranced around in an animal mask, and declared her disdain for sharing a toilet with a lover.While things didn't work out with her TV husband, Lucinda emerged from the show with an entirely new career.This episode of Conversations touches on reality television, MAFS, MAFS2025, Timothy Smith, relationship expert, falling in love, John Aiken, Mel Schilling, Alessandra Rampolla, MAFS experts, MAFS Australia, Lauren and Eliot, Rhi and Jeff, Katie and Tim, relationships, love after 40, love after divorce, queer relationships, dinner parties.

Picture this: Georgia, the Hollywood of the South, buzzing with film crews, booming soundstages, and the magic of moviemaking. As the Assistant Vice Chancellor for the University System of Georgia, Scott Votaw heads up the Georgia Film Academy – a powerhouse program that's turning out the next generation of filmmaking superstars. Think of it as Hogwarts for aspiring filmmakers, but instead of magic wands, they learn the secrets of cinematography, editing, and special effects. GFA doesn't just wave a magic wand and poof you're a director. They collaborate with top-notch colleges across the state, hooking students up with real-world experience and connecting them with industry giants. They offer courses that are more than just book learnin' – think hands-on workshops, industry internships, and even the chance to work on actual film sets! So, if you're dreaming of a career behind the camera, whether it's directing the next blockbuster or crafting the perfect soundtrack, Scott and his team at GFA are your ticket to Hollywood North. They're turning Georgia into a hub for cinematic excellence, one talented filmmaker at a time. Web: https://georgiafilmacademy.edu About GFA: Since the Georgia Film Academy began operations in 2015, economic activity generated by the film industry in Georgia continues to rise at exponential levels. The Georgia Department of Economic Development (GDEcD) announced that, during fiscal year 2021, the film and television industry set a new record with $4 billion in direct spending on productions in the state. The Georgia Film Academy's efforts in building a professional workforce able to meet increased production demand is widely regarded to be a primary driver in this sudden and dramatic rise in economic impact on the state. The GFA is widely recognized by the Motion Picture Association of America (MPAA), labor unions, and numerous competing states and countries as “the gold standard” in film and television production workforce training. The GFA offers industry certifications in Film & Television Production, Post-Production, Digital Entertainment, Esports & Game Development, and helps institutions to develop curriculum and training directly aligned to the high-demand careers that exist in the state. In partnership with IATSE 479 and major film and television production and digital entertainment companies like Disney, Netflix, HBO, Skillshot Media, Axis Replay, and others, professionally-qualified instructors, equipment, and training facilities prepare learners to be assets to the industry following completion of GFA's certification. Furthermore, with GFA's unique-in-the-nation internship/apprenticeship program, students have the opportunity to go straight to work in these industries, which offers a paid, once-in-a-lifetime experience. The Georgia Film Academy supports a collaboration of institutions of the University System of Georgia, Technical College System of Georgia, and Independent institutions that offer professional courses in film, television, digital entertainment, Esports, and game development. About the show: Ash Brown is a force to be reckoned with in the world of motivation and empowerment. This multi-talented American is a gifted producer, blogger, speaker, media personality, and event emcee. Her infectious energy and passion for helping others shine through in everything she does. Ash Said It, Ash Does It: * AshSaidit.com: This vibrant blog is your one-stop shop for a peek into Ash's world. Dive into exclusive event invites, insightful product reviews, and a whole lot more. It's a platform that keeps you informed and entertained. * The Ash Said It Show: Buckle up for a motivational ride with Ash's signature podcast. With over 2,000 episodesalready under her belt and a staggering half a million streams worldwide, this show is a testament to Ash's impact. Here, she chats with inspiring individuals and tackles topics that resonate deeply. What Makes Ash Special? Ash doesn't just preach motivation; she lives it. Her strength lies in her authenticity. She connects with her audience on a genuine level, offering real-talk advice and encouragement. She doesn't shy away from the challenges life throws our way, but instead, equips you with the tools to overcome them. Here's what sets Ash apart: * Unwavering Positivity: Ash Brown is a glass-half-full kind of person. Her infectious optimism is contagious, leaving you feeling empowered and ready to take on the world. * Real & Relatable: Ash doesn't sugarcoat things. She understands the struggles we face and offers relatable advice that resonates with listeners from all walks of life. * Actionable Strategies: This isn't just about empty inspirational quotes. Ash provides practical tips and strategies to help you translate motivation into action, turning your dreams into reality. So, if you're looking for a daily dose of inspiration, actionable advice, and a healthy dose of real talk, look no further than Ash Brown. With her infectious positivity and dedication to empowering others, she's sure to become your go-to source for making the most of life. ► Goli Gummy Discounts Link: https://go.goli.com/1loveash5 ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

Today on the sisterhood of Sweat, I'm talking to DJ Caruso. Born in Norwalk, Connecticut, Caruso came west to play tennis and study Television Production at Pepperdine University. Interned at Disney Studios in the Product Placement department and later hooked up with Director John Badham, who mentored him into a second-unit director, after Badham lost his 2nd-unit director Rob Cohen to a first-unit directing career. He hooked up with writer Scott Rosenberg, who penned a short film for him entitled, Cyclops, Baby. The film helped launch Caruso's directing career. Check out his new film:  www.netflix.com/MARY   How you can stay in touch with Linda: Website Facebook Twitter Instagram Pinterest YouTube SoundCloud "Proud Sponsors of the Sisterhood of S.W.E.A.T"  Essential Formulas

In this episode, Justin Crosby speaks to Tom Mudd and Adrian Carter from Shark Teeth Films, the renowned Canadian production company behind acclaimed series such as “Secrets in the Ice” and “Building Bad”. They share their journey from working with US cable networks to crafting globally successful factual programming. Discover their insights on adapting to a shifting content landscape, the creative process behind their visually distinctive productions, and how they are embracing digital-first strategies for the future.Support the showSubscribe to the TellyCast YouTube channel for exclusive TV industry videosFollow us on LinkedInConnect with Justin on LinkedINTellyCast videos on YouTubeTellyCast websiteTellyCast instaTellyCast TwitterTellyCast TikTok

Today's guest is Delicia Niami — author of the Resilient AF series. Delicia shares her journey with Crohn's disease, which she developed after experiencing trauma and stress while living abroad. She also discusses the challenges she faced in getting properly diagnosed and the connection between her physical health issues and the emotional trauma she endured and being kidnapped as a child.    In this episode, they talk about: Delicia's experience being diagnosed with Crohn's disease — symptoms she experienced, difficulty and delay in getting a proper diagnosis, the toll the disease took on her, etc. Finding resilience and a positive outlook despite her health challenges Delicia's family history of colitis and her experience with colostomy How the trauma she experienced as a child impacted her health Her experience trying different treatments and using biologics for managing her Crohn's How writing and sharing her story helped Delicia in her healing journey   Memorable Quotes: “Sometimes, we have to do what we don't want to do to get better.” “Even in the darkest of times, there's always that little, tiny glimmer of light. If you fan the flames, they get bigger.” “Our traumas stay in our body and come out as alternative things.”   BIO:  Delicia Niami is an acclaimed author renowned for her captivating storytelling and unwavering commitment to inspiring resilience. After being raised in The San Fernando Valley in Los Angeles, Delicia pursued her academic journey at UC Santa Cruz. Building upon her academic foundation, she furthered her education, earning a degree in Film and Television Production with honors. Armed with her academic achievements, Delicia ventured into the world of storytelling, working as a producer on a feature-length film, her own TV series, and numerous other projects. Delicia's adventures have taken her to nearly every corner of the globe, including one which stole her heart, Bern, Switzerland. Despite her fondness for Switzerland, Delicia's true love lies in the enchanting beach town of Santa Cruz, CA, where she proudly calls home. With a profound understanding of the human experience and a passion for empowering others, Delicia weaves tales that resonate deeply with readers, inviting them on transformative journeys of hope, resilience, and self-discovery.   Mentioned In This Episode: Delicia Niami Website: https://www.delicianiami.com/    Links to resources: Health Coach Group Website https://www.thehealthcoachgroup.com/ Use the code HCC50 to save $50 on our website Leave a Review of the Podcast

Send us a Text Message.Ready to turn your passion into a thriving business? On this episode of the Second Act Success Career Podcast, host Shannon Russell interviews Raquel Bruno, a former MTV Networks executive who took the leap to start her own entertainment company, Drive Entertainment Group. Raquel shares her inspiring journey from the fast-paced world of Viacom to becoming a successful entrepreneur, executive producer, and DJ on Twitch. Learn how she balanced motherhood, built a thriving career in talent production, and found true joy in her second act. Tune in to Episode #159 for actionable insights on quitting your 9-to-5 and starting a business that lights you up!SHOW NOTES:https://secondactsuccess.co/159Connect with Raquel BrunoWebsiteInstagramTwitch-------- You belong in the Career Clarity Collective! Figuring out what you want in your career often feels like a full time job, BUT you don't have to do it alone! If you feel miserable at work and need a change, join like-minded women in this membership. You'll get access to group coaching, masterclasses, and community. https://secondactsuccess.co/membershipReady To Quit Your Job?Ready to quit your job and start a business? Unboss yourself and take the QUIZ! https://secondactsuccess.co/quizGet the FREE Career Change Planner to help you plan your next career move!https://secondactsuccess.co/plannerBook a FREE Discovery Call with host/career coach Shannon Russell - https://www.calendly.com/second-act-success/coaching-strategyLET'S CONNECT!Instagram - https://instagram.com/secondactsuccessFacebook - https://www.facebook.com/secondactsuccess.coTikTok - https://www.tiktok.com/@secondactsuccessAll the latest - https://secondactsuccess.co/linksFREE Resources - https://secondactsuccess.co/resources REVIEW & SUBSCRIBE THE PODCAST!

On this episode, I spoke to Grammy, Emmy and SCL Award-winning composer Carlos Rafael Rivera about his work on Lessons in Chemistry.  Rivera is a 2x Emmy winner for Godless (Outstanding Original Main Title Theme Music) and The Queen's Gambit (Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score). He is also a Grammy winner for The Queen's Gambit (Best Score Soundtrack for Visual Media). Finally, he is an SCL Award winner for Lessons in Chemistry (Outstanding Original Title Sequence for a Television Production) and The Queen's Gambit (Outstanding Original Score for a Television or Streaming Production).

In this episode, host Jaime Hunt sits down with J-S. Stansel, founder of Saturn 9 Media and former social media manager at the University of Central Arkansas, to explore the landscape of social media management both inside and outside higher education. In this episode, J.S. and Jaime discuss:The transition from higher ed to managing social media for major entertainment brands like Amazon Prime Video and the Avatar franchise.The complexities and nuances of using humor in social media, including the risks and rewards.The importance of social listening and how it can transform marketing strategies.The universal challenges faced by social media managers, such as dealing with silos, micromanagement, and the undervaluation of their roles.Listeners will gain valuable insights into how social media can be a powerful tool for engagement, the critical need for higher ed institutions to stay current with social trends, and the importance of empowering social media managers with the resources they need. Guest Name: Jon-Stephen Stansel, founder of Saturn 9 MediaGuest LinkedIn: https://www.linkedin.com/in/jsstansel/Guest Bio: Jon-Stephen Stansel is an award winning social media professional with over a decade of experience managing, building, and creating content for brand social media accounts. He has run social media accounts for Amazon Prime's Invincible animated series, Hyper RPG, Better Place Forests, the University of Central Arkansas, Texas State University, the Texas Department of Transportation, as well as consulting for many television series, films, and small businesses. As Director of Social Media for Chaotic Good studios, Jon-Stephen worked on social media strategy and content for AVATAR: THE WAY OF WATER and Amazon Prime Video's LORD OF THE RINGS: THE RINGS OF POWER among several other major entertainment franchises.In addition, he has taught courses in social media management and presented at many national and international conferences including HighEd Web, PSEWeb, the International Congress of Technological Innovation in Buenos Aires, and the Association of International Educators. He holds a Bachelor's degree in Radio and Television Production and a Master's degree in English both from Arkansas State University. - - - -Connect With Our Host:Jaime Hunthttps://www.linkedin.com/in/jaimehunt/https://twitter.com/JaimeHuntIMCAbout The Enrollify Podcast Network:Confessions of a Higher Ed CMO is a part of the Enrollify Podcast Network. If you like this podcast, chances are you'll like other Enrollify shows too! Some of our favorites include Talking Tactics and Higher Ed Pulse. Enrollify is made possible by Element451 — the next-generation AI student engagement platform helping institutions create meaningful and personalized interactions with students. Learn more at element451.com. Connect with Us at the Engage Summit:Exciting news — Jaime will be at the 2024 Engage Summit in Raleigh, NC, on June 25 and 26, and we'd love to meet you there! Sessions will focus on cutting-edge AI applications that are reshaping student outreach, enhancing staff productivity, and offering deep insights into ROI. Use the discount code Enrollify50 at checkout, and you can register for just $200! Learn more and register at engage.element451.com — we can't wait to see you there!

The program all about TV. Our guests: Chris Regina and Daniel Smith, chief content officer and chief creative officer respectively of smart TV set maker TCL's new content-making unit, TCLtv+ Studios; Tommy Burke, author of the new autobiography Not Just Sunglasses  And Autographs--30 Years Of Film and Television Production.With Life (and Near Death) Lessons;  Randi Kleiner, chief executive officer of popular Denver-based TV event SeriesFest, and Sean Quinn and Kyle Hausmann-Stokes, co-creators/producers of Yanqui, one of the TV pilots showcased at Tribeca Festival 2024 in New York.

A conversation between filmmaker Sosena Solomon, designer and urban scholar/theorist Mpho Matsipa, and anthropologist Natacha Nsabimana.  This episode was recorded at e-flux Screening Room before a screening of Merkato, curated by Natacha Nsabimana. Sosena Solomon's Merkato is a documentary tracing the lives of four people as they navigate the demands of life and work in one of the biggest markets in Africa in Addis Ababa, Ethiopia. Filmed on location in Merkato, before a radical architectural transformation, Solomon's documentary invites us to ask expansive questions about space, architecture, transition, and preservation. Sosena Solomon is an Ethiopian-American social documentary film and multimedia visual artist whose work explores cross-sections of various subcultures and communities in flux, carefully teasing out cultural nuances and capturing personal narratives through arresting visual storytelling. Solomon has worked for many years in the commercial and nonprofit sectors as a director and cinematographer on many short film projects, including Dreaming of Jerusalem, a Discovery-plus original documentary about the Ethiopian-Jewish community in Gondar, and Merkato. She has exhibited work at the Sundance Film Festival, Cinema Africa, Tribeca, and DOC NYC. She earned her BA in Television Production from Temple University and her MFA in Social Documentary film from the School of Visual Arts. Solomon is currently lecturing in the Fine Arts Department at the University of Pennsylvania's Stuart Weitzman School of Design, and working with the Metropolitan Museum of Art to create new digital and in-gallery content that will reframe the Museum's African art galleries. Mpho Matsipa is an educator, researcher, and independent curator.  Matsipa holds a PhD in Architecture from the University of California, Berkeley, pursued as a Fulbright Scholar. She has curated several exhibitions, discursive platforms, and experimental architectural research including the Venice International Architecture Biennale (2008; 2021); African Mobilities at the Architecture Museum, Pinakothek der Moderne in Munich (2018); and Studio-X Johannesburg, in South Africa (2014–16). Her curatorial and research interests are at the intersection of urban studies, experimental architecture, and visual art. Mpho is an associate curator for the Lubumbashi Biennale, in the Democratic Republic of Congo (2024) and she teaches History and Theory at SCI-Arc. Natacha Nsabimana teaches in the anthropology department at the university of Chicago. Her research and teaching interests include postcolonial critique, musical movements, and the cultural and political worlds of African peoples on the continent and in the diaspora. The African Film Institute aims to create a home and a place of intimacy with African cinema in New York, through developing gradually and organically a viewing program animated by fellowships; a growing library; an active writers' room; and an expanding catalog of recorded dialogs. The African Film Institute draws from the visual cultures that view cinema as an evening school: a popular information system in the service of education, aesthetic experience, and public dissemination—employing a methodology concerning the use of cinema's collective production, and investing in viewing methods informed by different uses of time, visual and textual histories, and social struggles and hopes in mutuality between their own locality and the world at large. The African Film Institute is convened by Christian Nyampeta and hosted by e-flux Screening Room.

Are you ready to be inspired by an incredible journey from middle-class comfort to the depths of poverty and back up again? In this episode Cathy and Merry delve into the awe-inspiring story of Pamela M. Covington. From a comfortable home to a dilapidated tenement to a published USA Today journalist, Pamela's tale is one of resilience, resourcefulness, and the relentless pursuit of a better life. Join us as Pamela, an anti-poverty advocate, and women's transition coach, shares her strategies for overcoming adversity and the pivotal moments that shaped her path. She'll reveal how a college professor's faith in her and the love of reading from her father powered her through the toughest times. Plus, get ready for some heart-pounding anecdotes, including her coverage of President Reagan's Trident submarine program!Don't miss this episode brimming with motivation and the reminder that we're all born "odds beaters." Tune in, embrace your potential, and remember, on the day of victory, fear and pain are nowhere to be found! Find Pamela's wisdom on our show and follow her journey further at www.pamelamcovington.com. Don't forget to check out Pamela's storytelling performance during The Moth's Community Showcase in Brooklyn.Pamela M. Covington's Bio:Pamela M. Covington is a passionate and seasoned professional, weaving her experiences as a dynamic speaker, anti-poverty advocate, and women's transition coach into a rich tapestry of inspiration and empowerment. Her compelling presentations are characterized by high-energy delivery, gripping storytelling, and a touch of humor that captivates diverse audiences, including participants of poverty simulation programs.Pamela is deeply involved in advocating for the needs of low-to-moderate income individuals and families. Her commitment extends beyond rhetoric, as she actively meets with congressional members and their staff to discuss critical issues and policies. This engagement is a testament to her dedication to creating positive change in the lives of those who face socio-economic challenges.In her coaching practice, Pamela focuses on helping women navigate the emotional turbulence of unplanned life changes, such as divorce, relocation, family estrangement, and an empty nest. Drawing from her own lived experiences, she provides invaluable insights and practical strategies for resilience and transformation.Pamela's journey is a testament to her resilience and determination. Years ago, she found herself plunged into deep poverty through no fault of her own. However, rather than succumb to despair, she persistently fought her way out, learning transformative life lessons along the way. These lessons form the foundation of her work, which encompasses speaking engagements, coaching sessions, storytelling performances, and a memoir.Her literary debut, “A Day at the Fare: One Woman's Welfare Passage,” has received acclaim from poet, author, educator, and activist Nikki Giovanni, who noted that it is a “wonderful idea carried out very, very well.”Pamela is an alumna of The Moth, an award-winning organization dedicated to the art of storytelling, and was selected to perform at its 2019 Community Showcase in Brooklyn. Beyond her speaking and coaching pursuits, she also conducts storytelling workshops, sharing the art and impact of personal narratives.Education has been a cornerstone of Pamela's journey. She holds master's degrees in Management and Human Resource Management, a bachelor's degree in Communications, and an associate degree in Television Production. These academic achievements complement her wealth of real-world experiences, contributing to the depth and authenticity of her work.In essence, Pamela M. Covington is not just a speaker, advocate, and coach; she is a living testament to the transformative power of resilience, advocacy, and the unwavering pursuit of a better life.Thank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.biz. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-louper-ceo-alex-williams/ = = =On this session of the Color Timer Podcast I chat with Louper CEO Alex Williams. What is Louper? As Alex describes it, “It's Zoom for video professionals.” While this snapshot is easy to picture, creating yet another review application in a crowded marketplace is no easy task, yet Louper has found its footing rather quickly. The platform allows live streaming without proprietary hardware boxes and is built around collaboration rather than pasting offline review links.While it's fun to geek out with the creators of our favorite bits of gear, we're careful not to make this a cozy infomercial. Is remote grading really here to stay? Or is the human touch needed to drive a session forward? Join in on my wonderful conversation with Alex to find out.- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com

With her conviction for triple murder overturned and the Royal Court of Justice ruling ‘there was no sufficient evidence to convict her', Annette is finally free from prison, but will she ever recover from its effects?Convict turned detective, Annette campaigns for a police re-investigation of the Gurnos Fire murders. Annette tells reporters she will fight for the rest of her life to bring the real killers to justice. Is there any hidden or forgotten information that can provide insights into what really happened to Diane Jones and her children?Annette also demands a police review about how such a miscarriage of justice happens. Tables finally turn, and Annette puts South Wales Police in the dock.Nicole Jacob, Annette's daughter, continues her mission to find out the truth about what really happened. Nicole is passed a secret leaked police report compiled 20 years ago, which contains some of the answers her mother so desperately wanted. The content of the report about the Gurnos Fire is revealed for the first time.An Inspire Film and Television Production for BBC Sounds.Credits: Narrator: Nicole Jacob Producer and Editor: Amy Derrick Finishing Editor: Steph Lynch Additional Sound Design: Kevin Langhamer Post Production: Bang Archive: Miles Orchard Executive Producer: Wayne Derrick

Judges at London's Royal Court of Appeal rule in the case of Annette Hewins, there was insufficient evidence to convict her, and she walks free. She is released and returns home only to find life more challenging than ever. This is compounded by a statement by police released to the media telling her not to return to her home town. Nicole hears herself at the age of 7 talking about the difficult time without her Mum, and how she is so happy to have her home.An Inspire Film and Television Production for BBC Sounds.Credits: Narrator: Nicole Jacob Producer and Editor: Amy Derrick Finishing Editor: Steph Lynch Additional Sound Design: Kevin Langhamer Post Production: Bang Archive: Miles Orchard Executive Producer: Wayne Derrick

The jury returns with a 10-2 majority verdict. Annette faces a long time in prison, but still insists that she is innocent. Her mother-in-law, Veronica, gradually gets an appeals campaign underway. Top solicitors, journalists and family members join the cause.As the campaign progresses there is increasing concern about Annette's worsening mental health in prison. Will she survive in prison long enough to see if her Appeal hearing is granted?An Inspire Film and Television Production for BBC Sounds.Credits: Narrator: Nicole Jacob Producer and Editor: Amy Derrick Finishing Editor: Steph Lynch Additional Sound Design: Kevin Langhamer Post Production: Bang Executive Producer: Wayne Derrick

Annette Hewins stands in the dock accused of triple murder. The prosecution claims Annette syphoned petrol from her car to commit arson, tragically taking the lives of a mother and two children. But what do we know about the type of petrol used in the fire, and was it the same as the petrol Annette bought for her car?At trial, an astonishing battle between two forensic scientists commences in the courtroom, one for the prosecution and one for the defence. They conduct very different tests, so which scientist was correct? A world-leading arson investigator re-examines the tests conducted by the forensic scientists. What will he reveal, and what does this mean for Annette and her co-defendants Donna Clarke and Denise Sullivan?An Inspire Film and Television Production for BBC Sounds.Credits: Narrator: Nicole Jacob Producer and Editor: Amy Derrick Finishing Editor: Steph Lynch Additional Sound Design: Kevin Langhamer Post Production: Bang Executive Producer: Wayne Derrick

Tiffany, Mark and Beau close out this Wednesday edition of The Morning Shift by getting some Steak Tips from Steak Shapiro! On this edition of Steak Tips, in honor of it being Masters week Steak talks about the best sporting events that have the best made for TV production.

http://ExpertTalk.fm ~ In this episode of Expert Talk, TGo engages in an insightful conversation with seasoned sports producer Peter Smith, known for his work with the Golf Channel, PGA, NFL, and more. Peter Smith shares his journey from playing baseball to transitioning into sports production, emphasizing the importance of hard work, respect, and adaptability in the industry. Delving into the intricacies of sports production, he reveals the behind-the-scenes magic of capturing iconic moments, emphasizing creativity and teamwork. From the electrifying atmosphere of the Masters to the dynamics inside a production truck, Smith offers valuable advice for aspiring producers, advocating for passion, dedication, and a willingness to learn.#ExpertTalkWithTGo #ExpertTalkXtra #TalkShow #PodcastToBroadcast #TheresaGoss #ExpertTalkFM #Roku #Pandora #iHeartRADIO #PodNationTV #talkshowtv #talkshowonline #talkshowhost #podcast #motivation #broadcast #listennow #entrepreneurs #marketing #TGoTV #9at9 #FastFunInformative #LightsCamerasTakeAction #Trailblazers #BusinessWorld #StepByStep #ConquerChallenges #AmazonPrime #iHeartRadio #ROKU #AmazonFireTV #AppleTV #COXCommunications #FamilyChannel #9at9 #NoteworthyEntrepreneurs #PathBreakingVisions #HardWork #Resilience #Success

In a rare interview, the Emmy-winning television visionary opens up about his wild journey that saw him go from a career as a paratrooper in the British Army to a nanny in Los Angeles — and ultimately to the top of American television. Burnett opens up about the genesis of 'Survivor' and how he endured rejection after rejection until finally getting the greenlight. He also provides compelling insights and fascinating behind-the-scenes stories from his lengthy list of hits, including 'The Voice,' 'Shark Tank' and 'Are You Smarter Than a Fifth Grader.' Sit back and enjoy a master class in management from one of the most successful minds in the entertainment world. See omnystudio.com/listener for privacy information.

On Episode 127 of The Green Way Outdoors Podcast, The team covers the following topics: 1. The guys talk about the embarrassment of falling through chairs. 2. Black Lake ice fishing season has been canceled. The reason may surprise you. 3. A lady fell through the ice and scuba divers were called in. 4. We give our friend Issac dating advice but won't let him go on a bike ride with dudes. 5. Kyle updates the cold plunge progress and Ryan's been working out. 6. Camping coach Dave catches fish through the ice and sells sweet campers. 7. Kyle talks about the rabbit hunting vlog, hotshot outfitters, and their buddy Ray Hoody. 8. How are they making rabbit predator calls? 9. The trick to getting rabbit and fish smell off your hands. 10. Kyle makes a rabbit pot pie plan. Ryan is weird about cheese. 11. Goose hunting on a golf course. Kyle talks about the upcoming VLOG. 12. Making corned goose. 13. Kyle talks about why he believes in God and his recent wild game dinner speech. 14. Upcoming LIVE event schedule. The Green Way Outdoors is available for On-Demand and Streaming via The HISTORY Channel. Check your services to watch now! Follow us on: Facebook: https://www.facebook.com/TheGreenWayOutdoors/ Instagram: https://www.instagram.com/thegreenwayoutdoors/ Twitter: https://twitter.com/thegreenwayout?lang=en Youtube: https://m.youtube.com/channel/UCjR5r6WwXcPKK0xVldNT5_g Website: www.thegreenwayoutdoors.com

Fitzgibbons Custom HomesIan IMDBUTSA ACOB Holiday MixerDiploma Dash RegistrationUTSA Baseball Season TicketsUTSA Softball Season TicketsUTSA Spring Sports InfoUTSA Alumni Association

ICYMI: Later, with Mo'Kelly Presents – A look ‘Beyond the Box Score' with Long Beach Post/WNBA Reporter and host of NiteCast Media's ‘Hardwood 94,' Jackie Rae weighing in on Female Boxing Champion Claressa Shields' response to USA Boxing allowing transgender women to participate in the female category AND College Football opt-outs and portal entries on teams playing in non-playoff bowl games…PLUS - Author Tommy Burke joins the program to introduce his new autobiography “Not Just Sunglasses and Autographs, 30 Years of Film & Television Production with Life (& Near Death) Lessons,” which follows Tommy's journey from bar bouncing in Boston to working on award-winning television shows & movies and overcoming the odds through dark humor, tenacity, authenticity, and happiness - on KFI AM 640 – Live everywhere on the iHeartRadio app

ICYMI: Later, with Mo'Kelly Presents – A conversation with Author Tommy Burke, who joins the program to introduce his new autobiography “Not Just Sunglasses and Autographs, 30 Years of Film & Television Production with Life (& Near Death) Lessons,” which follows Tommy's journey from bar bouncing in Boston to working on award-winning television shows & movies and overcoming the odds through dark humor, tenacity, authenticity, and happiness - on KFI AM 640 – Live everywhere on the iHeartRadio app

Join host Genay Peavey as she talks to Jenny Kiser about her work in the television industry, storytelling, and authenticity! Merch is here! ⁠⁠https://www.consciouscontactpodcast.com⁠⁠ Find Us On Social Media: ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠⁠⁠https://www.instagram.com/genaypeavey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://www.instagram.com/consciouscontactpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/acmeacres.life⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://www.twitter.com/consciousconpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/genaypeavey⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@consciouscontactpodcast⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@acmeacres⁠⁠⁠⁠⁠ ⁠⁠⁠ Links To Mentions In The Show: I made a planner for all those seeking recovery! Find it here: ⁠⁠https://www.renewplanner.com⁠ Affilate Links: Do you like what I'm wearing? #thanksitsrtr Get $$ off on when you sign up for Rent the Runway! ⁠⁠⁠⁠⁠⁠⁠⁠https://rtr.app.link/e/vEUVS31SFzb⁠⁠⁠⁠⁠ ⁠⁠⁠ Want a great alternative to scrolling on your phone? Use Code GENAY for $ off your first month of Completing The Puzzle! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.completingthepuzzle.com/?rfsn=7259819.faf7650⁠⁠⁠

Do you ever feel overwhelmed by the number of meetings you attend and wonder whether your time could be better used elsewhere? According to research referenced in Harvard Business Review, executives now spend an average of 23 hours per week in meetings--up from about 10 hours in the 1960s. Are the extra hours spent in meetings making us more or less productive? That's the question we're going to tackle in today's episode. More importantly, we're going to find out how we can do fewer meetings and make the meetings we do have more productive. About our Guest Yari (pronounced Jah-Dee) Ising is the founder of The Ising Agency, a firm offering operations, recruiting, and admin support for stretched-thin in-house teams. Before launching her agency, she was the director of client operations for a staffing agency where she built teams that thrived together. She has a background in Television Production, Media & Communications and has managed live events and built in-house creative teams for Fortune 500 Companies. For the last decade, she helped get the right people in place to build the most efficient and productive workflows. ‌What You'll Learn Why doing “less” creates “more” output and satisfaction How to professionally excuse yourself from meetings you don't need to be in Why an agenda (that actually gets followed!) is a non-negotiable for every meeting How tools like Loom can replace some of your meetings   Links for This Episode:   Website: https://www.itsyari.com/  LinkedIn Profile: https://www.linkedin.com/in/yari-ising/    LinkedIn Business Page: https://www.linkedin.com/company/itsyari  Connect with Dr. Mike:    Website: https://www.drmikepatterson.com Book: https://www.missionfirstpeoplealwaysbook.com LinkedIn: https://www.linkedin.com/in/drmichaellpatterson Instagram: https://www.instagram.com/therealdrmikepatterson/ Twitter: https://twitter.com/drmikepatterson Buy The Book!: Mission First People Always Episode Minute By Minute:   00:00 Introduction to Today's Episode On Having Fewer Meetings  01:17 Guest Introduction: Yadi Ising 02:59 Yadi Ising's Personal Journey 04:39 The Problem with Meetings 06:36 The Impact of COVID-19 on Meeting Culture 07:56 The Paradox of Productivity in Meetings 09:22 The Role of Meetings in the Modern Workplace 10:56 Creating Effective Meetings 21:54 The Benefits of Fewer Meetings 24:06 The Role of Trust and Clear Expectations in Meetings 26:07 How Yadi Ising's Agency Helps Teams 31:29 Practical Advice for Better Meetings 34:21 Conclusion and Final Thoughts  

Ricky and his shy, reserved cousin Angela are spending the summer at Camp Arawak, a bargain basement overnight camp in upstate New York run by Mel, cigar-chomping shyster, and staffed by a bunch of adult and teenage degenerates.  Angela is initially withdrawn, occasionally catatonic – but is soon brought out of her shell by Ricky's friend Paul, who takes a liking to Angela in the hopes he might be able to make it with her before summer's end.  But there are forces are at work – forces determined to put the strangely distant Angela in her place.  Bunkmate and camp harlot Judy sees Angela as a weirdo, then a threat when she attracts Paul's attention.  Counselor Meg, who can't get Angela to eat, play sports, or swim, constantly berates Angela for her failure to thrive.  That's when the murders begin, one at a time, first a staffer, then a camper, and on and on.  Mel tries to hide it due to the bad publicity, but as any good camp director knows, murder's bad for business, and the more we learn about Angela's murky past, the more things at Camp Arawak take a turn… for the deadly. Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-26:29Honor Roll and Detention (spoiler-heavy): 26:30-1:02:16Superlatives (spoiler-heavier): 1:02:17-1:21:08 Director Richard HiltzikScreenplay Richard HiltzikFeaturing Christopher Collet, Paul DeAngelo, Desiree Gould, Karen Fields, Owen Hughes, Robert Earl Jones, Katherine Kamhi, Mike Kellin, Felissa Rose, Jonathan Tiersten Jack Sholder began his career as a film editor, working on the feature documentary King: From Montgomery to Memphis which was nominated for an Academy Award. He won an Emmy for his editing work on 3-2-1 Contact. After writing and directing several award-winning short films, Jack wrote Where Are The Children starring Jill Clayburgh for Ray Stark and Columbia. In 1982, Jack directed Alone In The Dark for New Line Cinema with Martin Landau, Jack Palance, and Donald Pleasence. He then directed A Nightmare On Elm Street II: Freddy's Revenge. His next feature, The Hidden, won many awards including the Grand Prix at the Avoriaz Film Festival, Jury Award at the Sitges Film Festival, and Best Director at Fantasporto. Premiere Magazine called it “one of the ten most underrated films of the 80s.” This was followed by Renegades with Kiefer Sutherland and Lou Diamond Phillips and By Dawn's Early Light for HBO with Martin Landau, James Earl Jones, Rip Torn, Rebecca de Mornay, and Powers Boothe. Jack has directed movies and television for MGM, Paramount, Universal, Warners, Fox, United Artists, Lionsgate, HBO, Showtime, NBC, Discovery, and others. He is the recipient of lifetime achievement awards from FantaFest and the Grossman Festival. In 2004, he founded the Film & Television Production program at Western Carolina University where he was Professor and Director of the FTP program until 2017.  Jack has received Life Achievement Awards from Fantafestival (Rome), Grossmann Film Festival (Slovenia), and Fantastic Fest (Austin). Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Sleepaway Camp by Edward Bilous. For more information on this film (including why the Professor chose it, on ⁠⁠⁠Our Blog⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠.

An inspiring and uplifting testimonial from our guest this week. "I lost my biological mother at a young age and was diagnosed with a mild case of cerebral palsy when I was born. Through those things, I have learned that it does get easier and to always take it one day at a time."A few areas of discussion with Chantal Szinegh include:How important being a role model for your family members isAdvice for young people losing a parentHow she improves her mental healthHow a mild case of cerebral palsy does not hold her back How reading provides an escapeWelcome back to A Mental Health Break! You are able to subscribe to this show above to stay current with the latest shows. Meet our guest: "Hello! My name is Chantal Szinegh, I'm 21 years old and I just graduated from Daytona State College in May with my AS degree in broadcast television production. "Music Credits: Adventure by MusicbyAden | https://soundcloud.com/musicbyadenHappy | https://soundcloud.com/morning-kuliBrought to you by Tampa Counseling and Wellness- Dedicated to helping individuals looking to positively transform their lives through compassionate counseling and wellness coaching. If you struggle with depression, anxiety, or other mental health issues, call now for a free consultation. 1 813 520 2807

Delaina Stenchever joins Amplify after completing a Bachelor of Arts in journalism with a broadcast emphasis and further specializing in sports journalism, and double minoring in biology and sports management from the University of Arizona. While in college she worked with two different radio stations in Arizona, one as an intern with an all-sports station, and the horse racing show Post Time with Aaron Vercruyss and Corey La Russo for the sports betting segment, Dialled in with Delaina. Delaina started working at Rillito Park, a small mixed breed track, for their 2022 season as a production assistant and emcee. After graduation she worked at Del Mar as the Press Box Steward and began fostering new connections for her future. From there she got her job with FanDuel as the Partner Production Supervisor for horse racing, helping manage and supervise all in-show elements from sales contracts to sportsbook and casino deliverables. She also continues working towards her on-air career as a sports reporter. Delaina's love for sports started at a young age going to football, and baseball games and attending races at Emerald Downs in Washington State. Football stood out to her for a long time, and she worked with the University of Arizona's football sports medicine team for four years. Her love for sports continued through high school where she played different sports while also competing in equestrian sports. In college, she competed with the Intercollegiate Horse Shows Association (IHSA) allowing her to continue to develop as a rider. Now she spends her free time riding at a Hunter/Jumper show barn when she is not preparing for an upcoming work week of deliverables or reporting. 

Kent Weishaus is a licensed clinical social worker in private practice in California.  He has worked in mental hospitals, community clinics, schools, and served as an adjunct professor at Cal State Los Angeles, teaching social work theory and practice classes to master degree students. Prior to Kent's switch to a “helping-profession,” he had a 25-year career in television production, directing and working with many celebrities and actors, writing and producing promotions and teases, interacting with numerous network executives, finance and legal personnel, and supervising hundreds of crew-members.  Kent made this switch as he was becoming aware that much of his work in television production was only adding to the sensory and narrative demands of today's world in ways that made functioning worse for many viewers.  Simultaneous to switching professions Kent began researching how the 21st century culture and environment was eclipsing our development and evolutionary capabilities.  His therapeutic style looks at our abstract thinking skills and self-aware consciousness, and how these set us apart from other mammals and give us the ability to collectively adopt the all-encompassing technology, stories and myths that make up today's world – for better or worse. Kent's book, Stop Breaking Down, can be found via his website, kentw.net.  It reveals how to step back, take the high ground, observe and understand how overwhelming engagement with 21st century systems interacts with our biological and mental processes, and how best to avoid the resulting overwhelm and crack-up.   --- Send in a voice message: https://podcasters.spotify.com/pod/show/new-mind-creator/message Support this podcast: https://podcasters.spotify.com/pod/show/new-mind-creator/support

Our Guest Nadira "N.A.Z." Pankey is an Actor, Director. Producer/ Screenwriter website: https://www.nazpankey.com IG: @Nadira_Pankey --Nadira Pankey is a dynamic force in the world of entertainment, a trailblazing author, screenwriter, director, and producer from the Bronx, New York, based in the vibrant city of Atlanta, Georgia. With a coveted Telly Award under her belt, Pankey's creative genius knows no bounds. Armed with a degree in Media Studies and Television Production, she honed her craft while working on highly acclaimed syndicated television shows including The Steve Wilkos Show, Jerry Springer, Maury, and Divorce Court. But Pankey's achievements extend far beyond the small screen. From the groundbreaking publication of her debut book, "Evergreen Uprooted," to her remarkable work in writing, producing, and directing award-winning films spanning gritty drama to mesmerizing Afro-futurism, she effortlessly showcases her extraordinary talent and unwavering dedication. With an innate gift for storytelling, Pankey possesses an innate ability to create content that profoundly touches and inspires audiences worldwide. "Evergreen Uprooted Memoirs Of Secret" -This riveting story is about a young girl growing up in the South Bronx where everyday life consisted of wandering the streets and struggling to survive. This book can be purchased on Amazon -Click or Copy/Paste: https://www.amazon.com/Evergreen-Uprooted-N-Z-Pankey ----Join the conversation LiveChat as we raise the questions, give our opinions , and ask you the same questions... --Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : www.youtube.com/ProfessorSoraMusic ** OneMicNite Theme Song "Chance" & Background Song "Kanye" and OneMicNite theme song “Halftime” Host: --Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis and www.MarcosLuis.com —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms.. ** Support Us Now: http:www.Anchor.fm/onemicnitetalk ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com ****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link https://www.AzulesEn.my.shopify.com --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

Instagram: @latebloomersmovieEmail: teamlatebloomers@gmail.comAbout Spade RobinsonSpade Robinson is an award-winning filmmaker, screenwriter and actress with experience that spans feature film, documentary, television, commercial and stage. Spade is a master's alumnus of USC's School of Cinematic Arts, where she emphasized writing and directing, completing her MFA in Film and Television Production. Since then, she's been commissioned to direct and produce commercial content for clients ranging from Time Warner and Sundance Institute to Peculiar People and Finding Charlie. Her original works include award winning films such as Seen Also In Men, The Wedding and The Love Life of A Black Girl as well as a host of feature screenplays and television pilots. After a host of award-winning shorts, Spade is mounting her first feature, Late Bloomers.

What if every frame of a television show could be a beautifully composed photograph? Join us as we converse with the master of visual storytelling, Crescenzo Notaralie ASC AIC, the lens behind the latest season of Star Trek: Picard. Crescencio's work is not just a series of moving images but a complex dance of light, texture and emotion that pulls you right into the narrative. We delve into his approach, from his influences and the art of photography, to the technicalities of lighting design and visual effects, especially during a global pandemic, and the importance of collaboration in bringing a script to life. Crescencio's insights span the industry from the recent evolution of television content, with mentions of popular shows like Euphoria, Succession, and Your Honor, to the often overlooked but crucial roles of below-the-line members in the industry. He emphasizes the importance of composition, the fundamental difference between pictures and photographs, and how renowned photographers like Irving Penn and Rembrandt inspire his work. Crescencio also shares captivating details of how his team used over a thousand lights to breathe life into the visuals for the third season of Star Trek: Picard while adhering to pandemic restrictions. Lastly, we discuss his experiences working with the likes of Jonathan Frakes on Star Trek: Picard, where he beautifully managed to respect the show's canon while adding his own creative touch. Our conversation extends into the realm of cinematography and lighting in film production, and the importance of fewer, high-quality shots in television production. Join us for this enlightening episode, filled with practical insights and untold stories from the world of television cinematography. And remember - it's not just about capturing a scene, but about painting a narrative with light. (0:00:15) - The Importance of Photography in Cinematography (0:08:08) - Photographic Influences (0:23:46) - Creativity, History, and the Cinematic Process (0:37:21) - Season 3 Visual Effects and Lighting (0:43:36) - Film Set Lighting Design Collaboration (0:50:49) - Cinematography and Lighting in Film Production (0:59:56) - Frakes as Director and Team Captain (1:12:51) - Quality Shots in Television Production (1:18:28) - Cinematography Discussion and Appreciation ⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠Buying Me a Coffee⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

In 2018, Lena Waithe, an Emmy winning writer and actor from Chicago, founded Hillman Grad, a film and television development and production company. With the help of Rishi Rajani, Hillman Grad would go on to become a force in the entertainment industry by offering unique perspectives, focusing on marginalized storytellers, and giving a platform to diverse voices across all mediums.The company experienced rapid success securing deals and landing projects at Showtime, Netflix, Disney, Amazon, and many more. But as with any young company, success and scaling can lead to mismanagement and to setbacks, and Hillman Grad was no exception. On this week's episode of Idea Generation's All Angles, we talk with founder Lena Waithe, CEO Rishi Rajani, as well as VP of Operations, Justin Riley, and President of TV and Film, Naomi Funabashi, to get the complete story on how they built Hillman Grad into one of the most successful young production companies in Hollywood. See omnystudio.com/listener for privacy information.

Ton Aprea and Angela DeNiroNJ Edwards was born in Baltimore. Growing up in the suburb of Pikesville, Nancy's passion for storytelling was expressed as an actor in drama circles. At 20, she left home for Hollywood, California. After achieving a Bachelor of Arts in Film and Television Production, Ms. Edwards enjoyed a 30 year career as one of the busiest television commercial producers in Los Angeles and around the world. Ms. Edwards's other credits include ABC's 1987-1988 comedy series SLEDGE HAMMER, Showtime's 2007 Documentary, SEMPER FI: ONE MARINE'S JOURNEY, and in 2009 Ms. Edwards wrote, produced and directed the award winning documentary CERTAIN ADVERSE EVENTS. GOOD OL' BOY: BAD SHERIFF is for sale in extended release on amazon.com and affiliated online book hubs such as Barnes & Noble. The legend goes that there is no part of the music business in which Billy Terrell hasn't been involved in. During his five decade career Billy has sung, composed, arranged and produced for a dizzying array of artists and genres. David has been coaching actors and putting together workshops for over a decade. He is the Creator and Producer of the "MEET THE BIZ" workshops, which looks to make diversity a common place and bridges the gap between ability and disability. As a personal coach, he has been hired by production companies such as Ryan Murphy's ground breaking series NIP/TUCK and worked on Michael Patrick King's, LOVE YOU MORE. David S. Zinnerman has also cast feature films including "FIGHTING WORDS" and "CAROL OF THE BELLS", produced by Joey Travolta and Inclusion Films and starring RJ Mitte, Lee Purcell, Donna Mills, Andrea Friedman and Donna Pescow. Zimmerman has also enjoyed working with Lifetime TV, Mark Wolper Productions, and Time Life Productions. DJ Salisbury Billy Terrell  

Gary Menkes hosts the Begin Again podcast, where he interviews individuals who have overcome addiction. In this episode, his guest Derrick Michaud shares his story of struggle with alcoholism and addiction, the importance of addressing mental health issues and being open about one's journey is highlighted, as well as the power of speaking out and seeking support. Both Gary and Derrick discuss their experiences of recovery and the challenges of sobriety, including their journey through rehab and the positive changes sobriety has brought to their lives. They also discuss the impact of sobriety on relationships and the importance of self-discovery. Derrick emphasizes the need to separate oneself from tempting situations and find new ways to spend time with loved ones without alcohol. The importance of children being aware of their parents' past struggles with addiction is also emphasized. Lastly, Gary discusses his journey in building a podcast production agency and the challenges of marketing and finding new clients, but expresses excitement about networking and community involvement. The episode ends with a message of empowerment and encourages listeners to support the podcast.ABOUT OUR GUEST, DERRICK MICHAUD:  Derrick Michaud is an Audio Editor by day, rogue bassist by night. He is the fearless leader, Founder and Executive Producer of Shelby Row Productions. He's been editing podcasts for a long time. Longer than he'd care to share. He holds an Associates in Communications, and majored in Audio Production with a minor in Radio and Television Production. When he's not working, you can often find him jamming out to some tunes or composing music.Connect with Derrick Michaud at www.ShelbyRowProductions.comDISCLAIMER:The views and opinions expressed by our guests are their own and do not necessarily reflect the stand or beliefs of the host or the podcast. We aim to provide a diverse range of perspectives and ideas, fostering open and respectful discussions. We encourage critical thinking and forming your own conclusions. Enjoy the show!► Visit our website here: TheBeginAgainPodcast.com ★ Let's connect: Twitter - https://twitter.com/BeginAgainPdcst Instagram - https://www.instagram.com/thebeginagainpodcast/ TikTok - https://www.tiktok.com/@user8619235129226 Facebook Page: https://www.facebook.com/TheBeginAgainPodcast/ Facebook Group: http://www.facebook.com/groups/thebeginagainpodcast/

So, funny story... I get people pitch themselves for my show very often. It's usually some bizarre pitch, for a subject matter that has zero to do with what my show actually is about. Sometimes it's the potential guest emailing me, and sometimes it's their "representative", but it's almost always some "motivational speaker" that wants to help my listeners. In almost every case, when someone pitches themself it's not a fit, until the other day on Twitter. I had tweeted that sometimes the onboarding process for guests can be.... difficult. I didn't mean that as a dig at my guests at all, just a statement that picking a shot, getting the stuff I need to write the show notes and blog post, and coordinating schedules can be time consuming. Well, I got a reply from Jesse Feyereisen saying  "If you ever want to chat with someone about Toy Photography, I'd be more than happy to talk!". As soon as I saw his name I knew who it was... we both have a connection to Platypod. I also already of his work, and he's fantastic! So today, I bring you the Elevated Toy Photography of Jesse Feyereisen. Calling Jesse a "Toy Photographer" doesn't really cover it. He is a photographer, graphic designer and digital creative based in Wisconsin. While he went to school for Visual Communications, and Television Production, he is sort of visual, jack of all trades, working on everything including websites, print ads, video, photography, and nearly anything digitally creative. At some point, his love of photography brought him to try all sorts of genres, from outdoors and wildlife, to astrophotography, macro, and product photography. When he "accidentally" discovered toy photography he instantly fell in love with it. Accidentally or not, his ability to bring toys to life in his photography ended up catching the attention of the folks at Platypod, and he is now a Platypod Pro. Join toy photographer, and Platypod Pro, Jesse Feyereisen and me as we look at how you can elevate your toy photography, on this Behind the Shot. Connect with Jesse Website: jessefphotography.com Instagram: @jessefeyereisen Facebook: @jessefeyereisen Twitter: @JesseFeyereisen YouTube: @jessefeyereisenphotography LinkedIn: linkedin.com Jesse's Print Shop: jessefeyereisen.smugmug.com Toy Photography Book for Charity Stop Wars: A collection of photos produced by over 50 Toy Photographers from across the globe: amazon.com Jesse's Photographer Pick Harry Nguyen: @_cinematoygrapher_ Steve's Whiskey Pick Barrel Craft Spirits - Vantage: barrellbourbon.com  

Dear Mama, Dream with me.  Can you imagine a world with a Black midwife in every family, in every community, easily accessible, at our fingertips, a world in which birth choices aren't controlled by capitalism, a world in which the birth practices that Black women used to literally birth this country are honored, a world in which they are revered, a world in which Black midwives could practice the full scope of reproductive health and reproductive choices are respected, a world in which Black mothers don't fear death in the midst of giving birth, experience it with fully joy and bodily autonomy.  It's Black Maternal Health Week and we are grateful for the opportunity to sit with two people invested in building that world: Jamarah Amani, founder of National Black Midwives Alliance & cofounder of Southern Birth Justice Network & filmmaker K. Sanderson  In this episode we're talking: 

Today is a new type of show, its: 10 Questions with... Jesse Feyereisen I have been thinking a lot lately about doing some shows that are a bit different from the normal format. Something just for fun, and shorter than the usual style of shows. I've had the "10 Questions" idea for awhile, and while recording a show with Toy Photographer, and Platypod Pro, Jesse Feyereisen (for release on May 4th) I asked if he wanted to be the first guest on this new format. Lucky for me, he said yes! Calling Jesse a "Toy Photographer" doesn't really cover it. He is a photographer, graphic designer and digital creative based in Wisconsin. While he went to school for Visual Communications, and Television Production, he is sort of visual, jack of all trades, working on everything including websites, print ads, video, photography, and nearly anything digitally creative. At some point, his love of photography brought him to try all sorts of genres, from outdoors and wildlife, to astrophotography, macro, and product photography. When he "accidentally" discovered toy photography he instantly fell in love with it. Accidentally or not, his ability to bring toys to life in his photography ended up catching the attention of the folks at Platypod, and he is now a Platypod Pro. Join Toy Photographer, and Platypod Pro, Jesse Feyereisen and me as we kick off a new series where I ask my guest photographer 10 random questions - some photography related, and some are far from it. Connect with Jesse Website: jessefphotography.com Instagram: @jessefeyereisen Facebook: @jessefeyereisen Twitter: @JesseFeyereisen YouTube: @jessefeyereisenphotography LinkedIn: linkedin.com Jesse's Print Shop: jessefeyereisen.smugmug.com Toy Photography Book for Charity Stop Wars: A collection of photos produced by over 50 Toy Photographers from across the globe: amazon.com

Jeffrey St. Arromand is an award-winning sports television producer and a leading partner of the successful Tricia Lee Team. His clients count on Jeffrey to orchestrate inspired deals for better living - managing all the moving parts. Additionally, his creativity and experience in TV production coupled with the capabilities of SERHANT. Jeffrey and Team Tricia Lee have sold over $300 million in sales. He possesses the ideal mix of product knowledge and tactical expertise. He is a strong communicator and a focused negotiator. He is an experienced property expert whose approach to real estate is based on fostering positive relationships. His clients appreciate how he balances his enthusiasm and thoughtfulness with his in-depth knowledge and relentless drive throughout the buying and selling process.In this episode, Pamela shed light on Jeffrey's journey to success. The highlights of their conversation include:- What inspired Jeffrey on his journey to where he is now? What did his transition from the TV industry to real estate look like?- What are Jeffrey's bits of advice to overcome the obstacles in the TV industry and real estate? What are his tips?- What should investors and real estate agents do in the next six months?- What would Jeffrey tell his younger self based on what he knows now?Listen to how Jeffrey St. Arromand shares his remarkable story. Listen to the full episode here:- Apple iTunes: https://podcasts.apple.com/us/podcast/underdog/id1534385651- Spotify: https://open.spotify.com/show/6FbSDu0aNtuxAEiderUAfB- Website: https://theunderdogshow.comIf you found this story worth your time and made changes in your life, we'd love to hear from you! Subscribe and leave a review. Catch him in his socials here:- Instagram: https://www.instagram.com/jsa_sells_nyc- LinkedIn: https://www.linkedin.com/in/jeffrey-st-arromand-82766711b/- Facebook: https://www.facebook.com/jsasellsnyc- Website: https://www.serhant.com/people/166/jeffrey-st-arromand- Email: Jsa@serhant.comThe Underdog Podcast host is none other than Pamela Bardhi. She's rocking the Real Estate Realm and has dedicated her life as a Life Coach. She is also Forbes Real Estate Council. To know more about Pam, check out the following:- Website: https://pamelabardhi.com- Instagram: https://www.instagram.com/pamela_bardhi- TikTok: https://www.tiktok.com/@pamela_bardhiIf you're interested in elevating your life 10x, and owning your power, Pamela invites you to join her for a 15-minute call to set your goals straight and get clarity. Start building your game plan now: meetwithpamela.com