Podcast appearances and mentions of harry burton

Trish is a five time Olivier Award Nominee creating innovative and site-specific work in theatres across London, New York, Greece and Australia. Following an extensive international career as a journalist and Director of Marketing she moved into the theatre working at the Bush and Kiln Theatres. She created “FRESH LINES” which promotes new and emerging talent in the UK, she is also a member of SOLT (Society of London Theatre), UK Theatre, Director of the Uncertainty Principle, Trustee of the Britain Australia Society and Advance Ambassador for Australia. Most recently she co-produced:- FANGIRLS by Yves Blake with Sonia Friedman Productions- A Mirror by Sam Holcroft with Second Half Productions at the Almeida 2024. - Opening Night, with Wessex Grove, dir. Ivo Van HoveShe produced also:- Othello, Riverside Studios with 3 actors alternating Iago during each performance.- The Shape of Things by Neil LaBute at the Park Theatre, starring Amber Anderson and Luke Newton (Bridgerton). Both were nominated at the Best Off-West End Production Awards at the 2024 WhatsOnStage Awards. - Prima Facie by Susie Miller in Athens, 2024.- The Election Monologues, recent rehearsed reading at the Park Theatre led by Harry Burton. Look out for her latest show also at the Park, “How to Fight Loneliness” from 16th April. Tickets on sale now. Trish discusses her role in producing, coming to it from a career as a journalist and what excites her about telling great stories to people through live theatre. Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @goweroliverFor enquiries and requests: olliegower10@gmail.com

Harry is an actor, director, filmmaker and long time friend and collaborator of the late, great Harold Pinter, and it's a privilege to welcome him back to the show for a third time! On our next journey into the world of Pinter we now turn our attention to “The Homecoming”. In the play we are invited into the home of Max and his sons Lenny, Joey and Teddy who's visiting from overseas with his wife Ruth. Fresh from their travels around Europe, Teddy and Ruth return to the family home in North London where we meet his brothers and Uncle Sam. What follows is a power struggle among the men of the play and Ruth who holds the cards in the family's search for supremacy.  Harry and I delve into “The Homecoming” citing its historical references and what Pinter wanted to show through his own unique lens of ambiguity, that still beguiles audiences to this day. Myself and Harry break it down, talk more about Pinter and his writing, as well as share more stories about the great man himself.  For anyone wishing to have a DVD copy of Harry's superb documentary “Working With Pinter” which features Pinter himself and Henry Woolf, another fellow collaborator and friend of Harold, please contact him on his instagram below or drop me an email and we can get it sent to you.  Please also know these are for private use only, nothing public.  Harry's Instagram: @harry_matt_burton Thank you as always Harry, here's to our next conversation! Oliver Gower Spotlight Link: https://www.spotlight.com/9097-9058-5261 Instagram: @goweroliver For enquiries and requests: olliegower10@gmail.com

Comenzamos un nuevo verano con programas especiales para adentrarnos en una nueva temporada que comenzará en septiembre. Lo hacemos con un programa especial dedicado al antiguo Egipto. Conoceremos los secretos de la reina Cleopatra, a través de una cronoficción ahondaremos en descubrir cómo fue el hallazgo de la tumba de Tutankhamón por parte de Howard Carter y su equipo en 1922. Y viajaremos a la orilla oeste de Luxor para conocer al fotógrafo de la misión, Harry Burton

Hoy dedicamos el cronovisor, la primera parte de nuestro programa a la figura de Harry Burton, el fotógrafo inglés que inmortalizó el descubrimiento de la tumba de Tutankhamón. Como siempre Jesús Callejo nos llevará por los vericuetos de su vida y contactaremos con Carmen Ruiz, fotógrafa y epigrafista del Proyecto Djehuty quien nos contará desde Luxor la importancia de este personaje de la historia de la arqueología. Luego nos acercamos a Valencia en donde los días 13 y 14 tendrá lugar un nuevo congreso del Instituto Valenciano de Egiptología, IVDE, dedicado en esta ocasión a la mujer en el antiguo Egipto. Sara Melero, vicepresidenta del IVDE nos cuenta todos los detalles. Tom Holland acaba de publicar la novela Pax (Ático de los Libros 2023). Nuestro compañero de SER Madrid Sur, David Sañudo, habla con él. Y acabamos con un buen amigo de SER Historia, Francisco Pérez Caballero, periodista y criminólogo, director del podcast El Señor de los Crímenes con quien hablamos de la historia del crimen en España

Él era arqueólogo, un extraordinario arqueólogo, pero ha pasado a la historia como el fotógrafo que retrató la historia del descubrimiento más grande de todos los tiempos, la tumba de Tutankhamón. Harry Burton será el protagonista de hoy junto a Jesús Callejo y la fotógrafa y epigrafista Carmen Ruiz, experta en la vida de Burton quien nos hablará precisamente desde Luxor en donde se encuentra trabajando en el proyecto Djehuty como epigrafista y fotógrafa

Film Photography Podcast Episode 310 : The Photography of Tutankhamun's Tomb! Michael Raso, Matt Marrash, Owen McCafferty and Mark Dalzell are all ears as Leslie Lazenby highlights the exquisite glass plate photography of Harry Burton, official photographer for the 1922 Howard Carter expedition that lead to the discovery of King Tut's tomb. And, Matt provides tips on resuscitating early 20th century photographic images printed on silver rich paper. 

In this hilarious novel, Harry Burton, a bachelor white-goods salesman, goes to take care of his sister Helen's two little boys for ten days while she and her husband are out of town. Helen says, "The children won't give you the slightest trouble; they're the best children in the world!" but, as you can imagine, Toddie and Budge are always up to something, and all sorts of comic mischief ensues. It just so happens that there's a lovely young lady in the neighborhood whom Harry admires very much, but she always seems to be passing by when he's deep in some terrible mess of the boys' making... Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this hilarious novel, Harry Burton, a bachelor white-goods salesman, goes to take care of his sister Helen's two little boys for ten days while she and her husband are out of town. Helen says, "The children won't give you the slightest trouble; they're the best children in the world!" but, as you can imagine, Toddie and Budge are always up to something, and all sorts of comic mischief ensues. It just so happens that there's a lovely young lady in the neighborhood whom Harry admires very much, but she always seems to be passing by when he's deep in some terrible mess of the boys' making... Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this hilarious novel, Harry Burton, a bachelor white-goods salesman, goes to take care of his sister Helen's two little boys for ten days while she and her husband are out of town. Helen says, "The children won't give you the slightest trouble; they're the best children in the world!" but, as you can imagine, Toddie and Budge are always up to something, and all sorts of comic mischief ensues. It just so happens that there's a lovely young lady in the neighborhood whom Harry admires very much, but she always seems to be passing by when he's deep in some terrible mess of the boys' making... Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this hilarious novel, Harry Burton, a bachelor white-goods salesman, goes to take care of his sister Helen's two little boys for ten days while she and her husband are out of town. Helen says, "The children won't give you the slightest trouble; they're the best children in the world!" but, as you can imagine, Toddie and Budge are always up to something, and all sorts of comic mischief ensues. It just so happens that there's a lovely young lady in the neighborhood whom Harry admires very much, but she always seems to be passing by when he's deep in some terrible mess of the boys' making... Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Charlie MacGechan is an actor, producer, entrepreneur and founder of "Run At It Shouting" (RAIS). A company that brings actors in front of the world's leading casting directors to give advice and helpful tips on their self tapes. As well as run workshops on Shakespeare, Harold Pinter, Comedy and Audition technique. For more information and upcoming workshops check out the website below. As an actor Charlie recently appeared in "We Die Young", directed by Lior Geller, for which he was nominated for the 2019 Mammoth Film Festival Prize for Best Actor. Other credits include Unforgotten, The Girl From The Song, Squadron 42 and Deus. For theatre he appeared in an adaptation of Harold Pinter's novel "The Dwarfs" at the White Bear Theatre, directed by Harry Burton. In recognition of his producing talents his BFI film "Incompatible", directed by Maxine Peake and executively produced by David Harewood. As well as the theatrical premiere of Phillip Ridley's "The Poltergeist" at the Arcola Theatre in October 2022. Charlie discusses playing Pinter, creating RAIS, how it helps actors from all backgrounds and abilities, and what's next for him. RAIS website: runatitshouting.co.uk Charlie's Instagram: @macgechancharlie RAIS Instagram: @runatitshouting Oliver Gower Spotlight Link: https://www.spotlight.com/9097-9058-5261 Instagram: @goweroliver Twitter: @GowerCritic For enquiries and requests: olliegower10@gmail.com Please Like, Download and Subscribe! Thank you for all your support! --- Send in a voice message: https://podcasters.spotify.com/pod/show/oliver-gower/message

The return of Harry Burton! If it wasn't for Harry suggesting I recorded our last conversation about Harold Pinter I wouldn't have a podcast. Thank you Harry for not only your time but for giving me this platform! This time we turn our attention to Pinter's play "No Man's Land. Written in 1975, the play was recently dubbed as "mystifying as ever" by the Chicago Sun-Times. We follow Hirst and Spooner drinking whiskey in Hampsted one gloomy night. Do they know each other? Or are they playing a farcical game that's played amongst old friends? Audiences continue to ask what is this play about? Harry offers his thoughts as well as more stories about Harold, the people he met, and the stories he told. Catch the production on National Theatre At Home, and check out Harry's own YouTube channel for even more discussions about Pinter with some of the best actors and directors in the business. Also get in touch with Harry for copies of his documentary "Working with Pinter" on DVD as well as any other enquiries. Harry's YouTube:  @Mataharifilms  Oliver Gower Spotlight Link: https://www.spotlight.com/9097-9058-5261 Instagram: @goweroliver Twitter: @GowerCritic For enquiries and requests: olliegower10@gmail.com Please Like, Download and Subscribe! Thank you for all your support! --- Send in a voice message: https://podcasters.spotify.com/pod/show/oliver-gower/message

Hardcore Edition. In a special presentation, I compile my “Tomb of Tutankhamun” miniseries into a single mega episode. With updated information, and some new revelations, this 7-hour special is the full story, as best I can tell it.Reference materials:For the full archive of Harry Burton's photographs, showing the tomb of Tutankhamun in its original state, see the Griffith Institute website.See other images, including the treasures, at Wikimedia.The Tomb of Tutankhamun at The Theban Mapping Project.The Tomb of Tutankhamun episodes (with references and pictures):Part 1 (Chapters 1 to 5).Part 2 (Chapters 6 and 7).Part 3 (Chapters 8 and 9).Part 4 (Chapters 10 to 12).Part 5 (Chapters 13 and 14).Part 6 (Chapters 15 and 16).The “DNA Study” (Episode 128).The Tomb of Nefertiti (Episode 137b).Episode DetailsDate: 1340 BCE and 1922 - 1932 CE.Logo image: The gold mummy mask of Tutankhamun via Wikimedia.Music by Keith Zizza https://www.keithzizza.net/Music by Michael Levy http://www.ancientlyre.com/Music by Ancient Lyric http://www.bettinajoydeguzman.com/Sound interludes by Luke Chaos https://twitter.com/Luke_Chaos Hosted on Acast. See acast.com/privacy for more information.

The Annexe and End of Excavation. Howard Carter uncovered the tomb of King Tutankhamun in November 1922. He would continue labouring in the monument until 1927, and the final conservation of objects would finish in 1932. Over these ten years of work, Carter tackled many challenges, some of which proved insurmountable. In the end, his labour, and the story of Tutankhamun's burial, stand as a testament to human effort and long legacies.Episode Chapters:Chapter 15: The Scouring of the Tomb 00:00:15Chapter 16: The End of Excavations 00:31:50Series Conclusion: 00:52:30Episode Links:For the full archive of Harry Burton's photographs, showing the tomb of Tutankhamun in its original state, see the Griffith Institute website.Date: 1922 CE - 1932 CE.Logo image: A ceremonial shield belonging to the King. Wikimedia.Music by Keith Zizza https://www.keithzizza.net/Sound interludes by Luke Chaos https://twitter.com/Luke_ChaosSee other shows from the Agora Podcast Network. See acast.com/privacy for privacy and opt-out information.

A cura di Daniele Biacchessi  Afghanistan. 19 novembre 2001, le 5,30 del mattino. Venti giornalisti e fotoreporter sono a bordo di otto veicoli. Sono taxi, furgoni, fuoristrada, autobus. Il convoglio parte da Jalalabad, al confine con il Pakistan, e si dirige verso la capitale afghana Kabul. Nella prima macchina, una Toyota Corolla, alla guida della colonna, ci sono Maria Grazia Cutuli, 39 anni, del "Corriere della Sera", lo spagnolo Julio Fuentes di "El Mundo", l'autista afghano Turyali e il traduttore Muhammad Farooq. Il secondo mezzo trasporta l'australiano Harry Burton e l'afghano Azizullah Haidari, entrambi corrispondenti dell'agenzia "Reuters", l'autista Ashiquallah e il loro interprete Houmayun. Sulla vettura più vicina viaggiano Wouter Kurpershoev della televisione olandese "Nos" e Pamela Constable del quotidiano americano "Washington Post". In un'altra sono presenti Jonah Hull e Khaled Kazziha dell'agenzia "Associated Press". Poco più indietro seguono Eduard Sanjuan, Roser Oliver, Cristina Rivas ed Esther Llauradò della "TV3" catalana di Barcellona. I reporter a bordo delle sei vetture che precedono quelle di Cutuli, Fuentes, Burton e Haidari, si fermano per riprendere immagini del panorama, fotografare i residuati bellici sovietici sparsi lungo tutta la pista, effettuare i puntamenti dei telefoni satellitari. Il convoglio si frammenta, poi si spezza. E questa divisione favorisce i piani degli assassini. Siamo sul passo di Tang i-Abreshum. Poco prima di un piccolo ponte in pietra e cemento, otto uomini armati bloccano le due vetture che trasportano Fuentes, Cutuli, Burton e Haidari. I giornalisti vengono fatti scendere dai loro fuoristrada. Gli assalitori li obbligano ad allontanarsi dal cammino e li spingono verso un'anfratto, proprio nell'angolo della montagna. Maria Grazia Cutuli cade a terra, probabilmente colpita da una pietra lanciata da un bandito. Poi il commando uccide i quattro inviati con raffiche di mitra AK 47, il micidiale kalashnikov. A lei sono dedicate piazze, vie, slarghi, scuole in varie parti del Paese, la “Fondazione Cutuli” che promuove anche il “Premio Internazionale di giornalismo Maria Grazia Cutuli”. Non è stata dimenticata. La sua memoria resta ancora viva. _________________________________________ "Il Corsivo" a cura di Daniele Biacchessi non è un editoriale, ma un approfondimento sui fatti di maggiore interesse che i quotidiani spesso non raccontano. Un servizio in punta di penna che analizza con un occhio esperto quell'angolo nascosto delle notizie di politica, economia e cronaca. Per i notiziari sempre aggiornati ascoltaci sul sito: https://www.giornaleradio.fm oppure scarica la nostra App gratuita: iOS - App Store - https://apple.co/2uW01yA Android - Google Play - http://bit.ly/2vCjiW3 Resta connesso e segui i canali social di Giornale Radio: Facebook: https://www.facebook.com/giornaleradio.fm/ Instagram: https://www.instagram.com/giornaleradio.tv/?hl=it Twitter: https://twitter.com/giornaleradiofm

A cura di Daniele Biacchessi  Afghanistan. 19 novembre 2001, le 5,30 del mattino. Venti giornalisti e fotoreporter sono a bordo di otto veicoli. Sono taxi, furgoni, fuoristrada, autobus. Il convoglio parte da Jalalabad, al confine con il Pakistan, e si dirige verso la capitale afghana Kabul. Nella prima macchina, una Toyota Corolla, alla guida della colonna, ci sono Maria Grazia Cutuli, 39 anni, del "Corriere della Sera", lo spagnolo Julio Fuentes di "El Mundo", l'autista afghano Turyali e il traduttore Muhammad Farooq. Il secondo mezzo trasporta l'australiano Harry Burton e l'afghano Azizullah Haidari, entrambi corrispondenti dell'agenzia "Reuters", l'autista Ashiquallah e il loro interprete Houmayun. Sulla vettura più vicina viaggiano Wouter Kurpershoev della televisione olandese "Nos" e Pamela Constable del quotidiano americano "Washington Post". In un'altra sono presenti Jonah Hull e Khaled Kazziha dell'agenzia "Associated Press". Poco più indietro seguono Eduard Sanjuan, Roser Oliver, Cristina Rivas ed Esther Llauradò della "TV3" catalana di Barcellona. I reporter a bordo delle sei vetture che precedono quelle di Cutuli, Fuentes, Burton e Haidari, si fermano per riprendere immagini del panorama, fotografare i residuati bellici sovietici sparsi lungo tutta la pista, effettuare i puntamenti dei telefoni satellitari. Il convoglio si frammenta, poi si spezza. E questa divisione favorisce i piani degli assassini. Siamo sul passo di Tang i-Abreshum. Poco prima di un piccolo ponte in pietra e cemento, otto uomini armati bloccano le due vetture che trasportano Fuentes, Cutuli, Burton e Haidari. I giornalisti vengono fatti scendere dai loro fuoristrada. Gli assalitori li obbligano ad allontanarsi dal cammino e li spingono verso un'anfratto, proprio nell'angolo della montagna. Maria Grazia Cutuli cade a terra, probabilmente colpita da una pietra lanciata da un bandito. Poi il commando uccide i quattro inviati con raffiche di mitra AK 47, il micidiale kalashnikov. A lei sono dedicate piazze, vie, slarghi, scuole in varie parti del Paese, la “Fondazione Cutuli” che promuove anche il “Premio Internazionale di giornalismo Maria Grazia Cutuli”. Non è stata dimenticata. La sua memoria resta ancora viva. _________________________________________ "Il Corsivo" a cura di Daniele Biacchessi non è un editoriale, ma un approfondimento sui fatti di maggiore interesse che i quotidiani spesso non raccontano. Un servizio in punta di penna che analizza con un occhio esperto quell'angolo nascosto delle notizie di politica, economia e cronaca. Per i notiziari sempre aggiornati ascoltaci sul sito: https://www.giornaleradio.fm oppure scarica la nostra App gratuita: iOS - App Store - https://apple.co/2uW01yA Android - Google Play - http://bit.ly/2vCjiW3 Resta connesso e segui i canali social di Giornale Radio: Facebook: https://www.facebook.com/giornaleradio.fm/ Instagram: https://www.instagram.com/giornaleradio.tv/?hl=it Twitter: https://twitter.com/giornaleradiofm

A cura di Daniele Biacchessi  Afghanistan. 19 novembre 2001, le 5,30 del mattino. Venti giornalisti e fotoreporter sono a bordo di otto veicoli. Sono taxi, furgoni, fuoristrada, autobus. Il convoglio parte da Jalalabad, al confine con il Pakistan, e si dirige verso la capitale afghana Kabul. Nella prima macchina, una Toyota Corolla, alla guida della colonna, ci sono Maria Grazia Cutuli, 39 anni, del "Corriere della Sera", lo spagnolo Julio Fuentes di "El Mundo", l'autista afghano Turyali e il traduttore Muhammad Farooq. Il secondo mezzo trasporta l'australiano Harry Burton e l'afghano Azizullah Haidari, entrambi corrispondenti dell'agenzia "Reuters", l'autista Ashiquallah e il loro interprete Houmayun. Sulla vettura più vicina viaggiano Wouter Kurpershoev della televisione olandese "Nos" e Pamela Constable del quotidiano americano "Washington Post". In un'altra sono presenti Jonah Hull e Khaled Kazziha dell'agenzia "Associated Press". Poco più indietro seguono Eduard Sanjuan, Roser Oliver, Cristina Rivas ed Esther Llauradò della "TV3" catalana di Barcellona. I reporter a bordo delle sei vetture che precedono quelle di Cutuli, Fuentes, Burton e Haidari, si fermano per riprendere immagini del panorama, fotografare i residuati bellici sovietici sparsi lungo tutta la pista, effettuare i puntamenti dei telefoni satellitari. Il convoglio si frammenta, poi si spezza. E questa divisione favorisce i piani degli assassini. Siamo sul passo di Tang i-Abreshum. Poco prima di un piccolo ponte in pietra e cemento, otto uomini armati bloccano le due vetture che trasportano Fuentes, Cutuli, Burton e Haidari. I giornalisti vengono fatti scendere dai loro fuoristrada. Gli assalitori li obbligano ad allontanarsi dal cammino e li spingono verso un'anfratto, proprio nell'angolo della montagna. Maria Grazia Cutuli cade a terra, probabilmente colpita da una pietra lanciata da un bandito. Poi il commando uccide i quattro inviati con raffiche di mitra AK 47, il micidiale kalashnikov. A lei sono dedicate piazze, vie, slarghi, scuole in varie parti del Paese, la “Fondazione Cutuli” che promuove anche il “Premio Internazionale di giornalismo Maria Grazia Cutuli”. Non è stata dimenticata. La sua memoria resta ancora viva. _________________________________________ "Il Corsivo" a cura di Daniele Biacchessi non è un editoriale, ma un approfondimento sui fatti di maggiore interesse che i quotidiani spesso non raccontano. Un servizio in punta di penna che analizza con un occhio esperto quell'angolo nascosto delle notizie di politica, economia e cronaca. Per i notiziari sempre aggiornati ascoltaci sul sito: https://www.giornaleradio.fm oppure scarica la nostra App gratuita: iOS - App Store - https://apple.co/2uW01yA Android - Google Play - http://bit.ly/2vCjiW3 Resta connesso e segui i canali social di Giornale Radio: Facebook: https://www.facebook.com/giornaleradio.fm/ Instagram: https://www.instagram.com/giornaleradio.tv/?hl=it Twitter: https://twitter.com/giornaleradiofm

Tutankhamun's tomb was discovered by a water boy who serendipitously stumbled on a buried staircase in Egypt's Valley of the Kings on 4th November, 1922. It marked the greatest triumph in archaeologist Howard Carter's career, and unearthed dozens of priceless treasures.The loot included the famous golden death-mask - but also the Pharaoh's walking sticks, linen underwear, and uneaten chickpeas.In this episode, Arion, Rebecca and Olly explain how the discovery kickstarted a Western interest in Egpytology that influenced fashion, design and art, and lead directly to Indiana Jones; ask whether Carter was a historian or a grave-robber; and dig into the so-called ‘Mummy's Curse'... Further Reading:• ‘Discovering King Tutankhamun's tomb: Harry Burton's photographs' (BBC News, 2018): https://www.bbc.co.uk/news/science-environment-44636774• ‘The History Of A Cursed Ancient Egyptian Tomb' (Channel 5, 2020): https://www.youtube.com/watch?v=hxot6xmDymQ• ‘Howard Carter - King Tut, Death & Family' (Biography, 2020): https://www.biography.com/scientist/howard-carterFor bonus material and to support the show, visit Patreon.com/RetrospectorsWe'll be back tomorrow! Follow us wherever you get your podcasts: podfollow.com/RetrospectorsThe Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Emma Corsham.Copyright: Rethink Audio / Olly Mann 2021. See acast.com/privacy for privacy and opt-out information.

Coffins, Masks, and a Mummy. Within his Burial Chamber, Tutankhamun slept amid gold, glass, wood, and precious stone. His mummy is an extraordinary find, covered with ornaments, amulets, ceremonial clothing, and even weapons. From the famous image of his mummy mask, to a dagger made of "sky rock," the King's body reveals many tantalising stories...Episode Chapters:Eight: In the House of Tutankhamun 00:00:10Nine: The Face of the Pharaoh 00:31:15Epilogue: A Curious Dagger 01:02:35Episode LinksNicholas Reeves' discussions of the Mummy mask, and its possible ownership. Article 1, 2015, and Article 2, 2015.For the full archive of Harry Burton's photographs, showing the tomb of Tutankhamun in its original state, see the Griffith Institute website.Date: 1922 CE.Logo image: Tutankhamun and the Royal Ka before Osiris. FactumArte.Music by Keith Zizza https://www.keithzizza.net/Music by Michael Levy http://www.ancientlyre.com/Music by Ancient Lyric http://www.bettinajoydeguzman.com/Sound interludes by Luke Chaos https://twitter.com/Luke_ChaosAudio mixing/editing by Vincent Cavanagh.See other shows from the Agora Podcast Network.Episode details:Date: c. 1922 CEKing: Neb-kheperu-Ra Tut-ankh-AmunLogo image:Music by Keith Zizza https://www.keithzizza.net/Music: Michael Levy http://www.ancientlyre.com/Music by Ancient Lyric http://www.bettinajoydeguzman.com/Sound interludes by Luke Chaos https://twitter.com/Luke_ChaosAudio mixing/editing by Vincent CavanaghSee other shows from the Agora Podcast Network See acast.com/privacy for privacy and opt-out information.

Shrines and Painting. Tutankhamun's Burial Chamber is a beautiful space. The decorations, though "simple," convey a meaningful series of events. The King's ascent to the sky, his entry to Osiris' kingdom, and his meeting with various gods, forms a beautiful journey in the afterlife. Also, the King's shrines (wood and gold) are decorated with complex and fascinating texts. In these chapters, we explore the first set of Tutankhamun's burial equipment...Episode ChaptersChapter 6: The King of the Golden HallChapter 7: The Portraits in the WestEpisode LinksAlexandre Piankoff, The Shrines of Tut-Ankh-Amon (1995) on Archive.org.For the full archive of Harry Burton's photographs, showing the tomb of Tutankhamun in its original state, see the Griffith Institute website.Date: 1922 CE.Logo image: Tutankhamun and the Royal Ka before Osiris. FactumArte.Music by Keith Zizza https://www.keithzizza.net/Music by Michael Levy http://www.ancientlyre.com/Music by Ancient Lyric http://www.bettinajoydeguzman.com/Sound interludes by Luke Chaos https://twitter.com/Luke_ChaosAudio mixing/editing by Vincent Cavanagh.See other shows from the Agora Podcast Network. See acast.com/privacy for privacy and opt-out information.

Seek and Discover. In this episode, we begin the tale of the most famous tomb in history. KV62, a small monument, in the lower reaches of the Valley of the Kings. Overlooked for three thousand years, the tomb finally emerged thanks to a persistent excavator and a stroke of good fortune. However, the Tomb of Tutankhamun has built up its own mythology. In this episode, we begin to explore the tomb, and its discovery, including some lesser-known questions... Episode ChaptersChapter 1: A Long-Expected Pharaoh 04:15Chapter 2: The Stairway to the Past 27:36Chapter 3: The Door Goes West 46:51Chapter 4: Candles in the Dark 1:08:40Chapter 5: The Antechamber Unmasked 1:22:52Conclusion: 1:39:00Episode LinksHoward Carter and George Herbert (Lord Carnarvon), Five Years' Exploration at Thebes: A Record of Work Done 1907-1911 by The Earl of Carnarvon and Howard Carter, 1912. Available at Project Gutenberg and Archive.org.Christina Riggs, "Waterboys and Wishful Thinking," https://photographing-tutankhamun.com/2020/06/20/the-water-boy-who-wasnt/For the full archive of Harry Burton's photographs, showing the tomb of Tutankhamun in its original state, see the Griffith Institute website.Date: 1922 CE.Logo image: A statue of Tutankhamun, from the antechamber of his tomb. Photo by Skip Howard.Music by Keith Zizza https://www.keithzizza.net/Music by Michael Levy http://www.ancientlyre.com/Music by Ancient Lyric http://www.bettinajoydeguzman.com/Sound interludes by Luke Chaos https://twitter.com/Luke_ChaosAudio mixing/editing by Vincent Cavanagh.See other shows from the Agora Podcast Network. See acast.com/privacy for privacy and opt-out information.

The Smartacous Showdown returns with debution Harry Burton taking on the number 1 contender for the Star Wars belt Swagstar

In this podcast I had the pleasure of talking to long-term collaborator, and friend of Harold Pinter, Harry Burton. We discuss everything from Pinter's early years growing up in Hackney, living through post-WW2 London, to finding out the best way to tackle Pinter's work in performance. We take a close look at "The Caretaker", first performed in 1960, tells the story of Aston, recovering from electric shock therapy, who brings a random tramp home off the street. Along with Mick, his brother and flatmate, a three way power struggle suddenly ensues. It was such a great and insightful conversation to have, understanding the way Pinter liked to work, his political views, and how his interpretation of our world fed into how he wrote his plays. This episode also features myself doing a reading of Aston's speech from "The Caretaker", hope you enjoy it! Instagram: goweroliver SPOTLIGHT PIN: 9097-9058-5261 Twitter: @GowerCritic --- Send in a voice message: https://anchor.fm/oliver-gower/message

Join Kevin and Peju as they head off on a festive adventure, asking a number of AI experts the crucial holiday question: how can AI help Santa Claus? We'll be investigating the power of AI to create (bad) holiday films, strange Christmas carols, and lots of Yuletide magic. However and wherever you're celebrating the season, this episode will lift your spirits and bring you some good cheer! References: Peju spoke about a neural network that researchers at the University of Toronto taught to write a Christmas carol: https://digg.com/video/ai-christmas-carol Kevin mentioned a team at MIT who used an algorithm called textgnrnn to create titles and plots for Christmas films. Find out more about it here: https://www.technologyreview.com/2018/12/21/138169/we-tried-teaching-an-ai-to-write-christmas-movie-plots-hilarity-ensued-eventually/ Special holiday thanks to our contributors: Louis Columbus Helen Gould Dr Robert Elliott Smith Deepak Paramanand Phillip Hunter Brhmie Balaram Eline Chivot Umang Patel Saint Nicholas was voiced by Harry Burton: https://www.imdb.com/name/nm0123593/ Our festive backing music is by Linda Seeley; https://lindakseeley.wixsite.com/lindakseeley This episode was co-produced by Laura Robinson and Kevin Butler Hosts: Kevin Butler and Peju Oshisanya Sound engineer: Michael O'Reilly Jingle written by: Michael O'Reilly This podcast has been produced by an independent partner of We and AI and may not represent the views or practices of We and AI as an organisation, or that of its members.

  For listeners of a certain age, a song about King Tutankhamen immediately brings Steve Martin to the mind's theater. His “King Tut” mock-reprimanded the commercialization of the Treasures of Tutankhamen exhibit that toured from 1976 to '79.  But this one, “Old King Tut”, was recorded in 1923, the year AFTER the ancient Pharaoh's tomb was found. Howard Carter and company made the discovery at a time when many had abandoned the famous Valley of the Kings. Shortly after confirming the validity of their find, Carter sent a telegraph to the dig's sponsor, Lord Carnarvon: "At last have made wonderful discovery in Valley; a magnificent tomb with seals intact; re-covered same for your arrival; congratulations." But When Carnarvon arrived three weeks later, the team found that they'd not been the first visitors to the tomb: "At first, their enthusiasm was somewhat dampened, for at the top left-hand corner of the blocking were signs of re-closure, suggesting that the tomb had been entered during antiquity. They began by clearing the descending corridor, which also showed signs of a robber's efforts. By 4:00 pm on the afternoon of November 26th, the corridor was cleared and the team found a second door, again faced with plaster, stamped over with oval seals, and re-closed at the top left-hand corner. Not knowing what lay behind this doorway, Carter made a small hole in it and inserted a candle to test for foul gases. He then peered into the void beyond, reporting: "At first I could see nothing, the hot air escaping from the chamber causing the candle flame to flicker, but presently, as my eyes grew accustomed to the light, details of the room within emerged slowly from the mist, strange animals, statues, and gold - everywhere the glint of gold"." Read more: http://www.touregypt.net/featurestories/carnarvon.htm#ixzz47stLcRLW Image: Howard Carter  in Tutankhamen's tomb, photographed by Harry Burton, created in 1922. The image is in the public domain.

Harry Burton is an Actor and Director. He is currently directing a rehearsed reading of Harold Pinter's THE DWARFS, which will be broadcast live via zoom at 7pm on Friday September 25th.   Tickets: https://runatitshouting.co.uk/box-office   All proceeds go to The NIA Project — ending violence against women & girls.   You can also attend Harrys Working With Pinter Zoom sessions every Friday: https://runatitshouting.co.uk/events   We talk about stubbornness, following your calling and the spiritual component of storytelling. 

In der aktuellen Folge von Geschichten aus dem Altbau geht es um das Ehepaar Burton, welches sich mit dem Umzug in eine neue Stadt einer Glaubensgemeinschaft anschließt. Kurz nach dem Eintritt jedoch, scheint sich Harry Burton zu verändern und zeigt eine Seite von sich, die seiner Frau Abigail bisher verborgen geblieben war. Anschließend begleiten wir die mobile Alten- und Krankenpflegerin Hanna auf ihrer Heimfahrt mit dem Auto durch den Lähnentunnel in Bayern. Hanna ist diese Strecke zwar schon unzählige Male gefahren, doch kommt es ausgerechnet auf dieser Fahrt zu sehr später Stunde zu einer mysteriösen Begegnung im Tunnel.

A few months before his death, Harold Pinter was interviewed by director Harry Burton at the British Library to commemorate the donation of his archive. In this edited version of their conversation, Pinter reminisces about his years in rep theatre, talks about his relationship with his father, discusses his poetry - and explains why not everything Alan Ayckbourn says about him is true ...