Podcasts about annexe

Biennale Architettura 2025: Natürlich. Künstlich. Kollektiv – Wohin mit dem Architekturdiskurs? Die 19. Biennale Architettura in Venedig ist eröffnet! Wir waren die letzten Tage in in den Giardini und im Arsenale unterwegs, haben uns vieles angeschaut und einige Stimmen eingefangen. U.a. anderem gesprochen haben wir mit Elisabeth Endres, Charlotte Malterre-Barthes, Søren Pihlmann, Annexe und Edouard Souhaid.

In this special episode of The Mortgage Mum Podcast, Sarah interview Jon Mathews, Founder & MD of Hawksbeck Annexe and Garden Rooms. Join us as we take a deep dive into garden rooms and annexes, telling you everything you need to know, including: What are the top tips for finding the right builder to create your garden room? Do garden rooms add value to your house? What are the red flags when researching? Things we never knew we needed to know! How you can create an income from your property by building an annexe or a garden room As well as hearing some of Jon's story as a business owner, from an employed finance role in the City to building garden rooms for one of the most well respected brands in the industry This is an episode not to be missed! Jon said “I'm Jon, Founder of Hawksbeck Annexes and Garden Rooms. I set up Hawksbeck because there was a real need for people to have a space away from the house to work, rest and play. We have been a pioneer in annex and garden room space, building bespoke outbuildings that will last a lifetime. All our buildings are built to the highest standard using BBA accredited materials. They are design by architects and engineers and meet building regulations. Therefore, they are fully habitable and come with a 10-year insurance backed warranty. I name the company Hawksbeck, as that was my first dogs pedigree name. I absolutely love the dog, and absolutely love the name, so seemed perfect fit to name the company after him. I'm proud that name has now become synonymous with quality, service, and design. I'm passionate about what I do. I love the first meeting with the client, being involved in the design journey with them, overseeing the built process, then they joy and excitement when we handover the keys to a stunning finish product. I often get asked my favourite project, it is always the next project we're about to do. No two builds are the same, no two clients are the same!” You can find Jon at: LinkedIn Facebook Instagram  Visit Hawksbeck Annexe and Garden Rooms. We hope you enjoy the interview, and please keep sending your questions into us for more episodes and social media content. Sarah x

Annexe - 3 (Twitch Live Acts) Progressive, Tech-House & Electronic - SP House Channel 2024 (H-S) 01/ Mogli - Summer Love (Jan Blomqvist Remix) 02/ Helsloot - Take Care (Extended Mix) 03/ Jonas Rathsman - Bringing You Down (Original Mix) 04/ Kamilo Sanclemente & Giovanny Aparicio - Innocense (Trilucid Extended Remix) 05/ Spencer Brown & Ben Böhmer - SF to Berlin (Extended Mix) 06/ CamelPhat, Monolink & Innellea - Shelter (Extended Mix) 07/ Monolink - Sirens (Patrice Bäumel Remix) 08/ Sander van Doorn & LVNDSCAPE - Need To Feel Loved (Nils Hoffmann Extended) 09/ Jonas Rathsman - Skymning (Original Mix) 10/ Einmusik & Diana Miro - Let Me Out (Original Mix) 11/ Antdot, Maz, Beacon Bloom - Sky Father (Original Mix) Selection & Mix by St.PATRICK. ... Thanks to All Dj's & Musicians for their Great Music & Songs ... ... SPecial Thanks to "Twitch Family" ... > Twitch (Live Stream): https://www.twitch.tv/djstpatrick > Instagram - https://www.instagram.com/dj.st.patrick > Djpod Podcast: https://www.djpod.com/stpatrick

Send us a textSalut les Geeks , les Freaks et les amateurs de comic book!  On a pas eu le temps de vous parler de BD  et de comics la dernière fois alors on revient à la charge Shaun et moi pour un mini épisode sur nos derniers choix bd et comics book.  On parle un peu de streaming ( qui a rapport de près ou de loin au comics) et on vous annonce en primeur des nouvelles pour  KBSF.Restez geek ! Karl et Shaun. 

Racci, le fondateur du brand Prolifik est notre invité de la semaine

Annexe - 2 (Twitch Live Acts) Progressive, Tech-House & Electronic - SP House Channel 2024 (H-S) 01/ Rosbeh - Un Matin (Deep Starter) 02/ Fur Coat, Lexer - Far Away 03/ SOEL, Rinzen - Meliora 04/ Patrick Ruprecht - Nothing (Robin Korsal Remix) 05/ Gigee - Moyocoyotzin 06/ Markus Schulz & Diandra Faye - Eternally (Extended Mix) 07/ Nicky Elisabeth - Fading (Joris Voorn Remix) 08/ Tremors :Nemesis Ft. Robot Koch (Adriatique Remix) 09/ Monolink - Laura (Argy & Omnya Remix) 10/ Marsh - Love (Marsh's Euphoria Mix) Selection & Mix by St.PATRICK. ... Thanks to All Dj's & Musicians for their Great Music & Songs ... ... SPecial Thanks to "Twitch Family", "Happy June 21" ... > Twitch (Live Stream): https://www.twitch.tv/djstpatrick > Instagram - https://www.instagram.com/dj.st.patrick > Djpod Podcast: https://www.djpod.com/stpatrick

Annexe - 1 (Twitch Live Acts) Progressive, Tech-House & Electronic - SP House Channel 2024 (H-S) 01/ Tonic Walter - Out of Sight 02/ Dosem - Beach Kisses (2023 Mix) 03/ Axi Stace - Hey You 04/ My Friend Ft. Darla Jade - Flash (Dosem Extended Remix) 05/ Stereoclip - sunset drive (Calussa Extended Remix) 06/ Catz'n Dogz - Reincarnation 07/ Cedric Gervais & Raffi Saint - Missing (Cedric Gervais Remix) 08/ Delerium Ft. Sarah McLachlan - Silence (Stereo Express Remix) 09/ Bottler - Tacoma (Gone remix) 10/ Hans Zimmer & Alan Walker - Time (Moisnes remix) 11/ Pete Tong & Kolsch Ft. Elderbrook, Jules buckley - When We Move 12/ Moby - lift Me Up (Mathame Remix) 13/ Mathame - Skywalking Selection & Mix by St.PATRICK. ... Thanks to All Dj's & Musicians for their Great Music & Songs ... ... SPecial Thanks to "Twitch Family", "Happy St. Patrick's Day" ... > Twitch (Live Stream): https://www.twitch.tv/djstpatrick > Instagram - https://www.instagram.com/dj.st.patrick > Djpod Podcast: https://www.djpod.com/stpatrick

Chers auditeurs, chose promise, chose due.  D'un germe d'idée semé au cours de mon épisode 11, voici mon annexe B, celle créée pour vous présenter quelques-uns de mes termes personnels apparus dans mon vocabulaire à force de parler d'intimité, pour la décrire cette intimité, telle que je la vis.  Je me considère comme une amoureuse des mots, de leur pouvoir, si nécessaire à l'optimisation d'une communication fluide, cette capacité que nous avons, nous les humains, à exprimer nos pensées, nos émotions, nos espoirs, et quel bonheur que d'effectuer cet exercice de m'arrêter et de me pencher sur certains termes clefs auxquels je reviens pour définir ma passion de ce qui est le cœur même de mon projet personnel : le fait intime. Les liens Internet des références mentionnées dans cet épisode:C'est quoi un·e prostitué·e ? - PiampKarley Sciortino - WikipediaCrédits:Composition du thème musical et de ses déclinaisons: Lex CastleSpotify:  Spotify – Lex Castle Soundcloud: Stream Lex Castle music | Listen to songs, albums, playlists for free on SoundCloud Production sonore, mixing et mastering: LOF - The Audio Girl | Services de production musicale, mix et mastering (lofaudio.com)Illustration: JeanLouis TrippJean-Louis Tripp — Wikipédia (wikipedia.org)  Un merci tout spécial à mes deux bons samaritains d'origine, pour leur générosité, temporelle et matérielle, sans qui je n'aurais pas réussi à accoucher de ce projet.Et puis, depuis l'épisode 6, un autre merci gros comme la Terre à un nouvel être généreux nouvellement entré dans ma vie.  Tu te reconnaîtras.  Mon projet peut continuer grâce à toi, en plus du fait que maintenant, tu joues aussi le rôle de proof listener.    J'existe ici: loise.sisexesi@gmail.com Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Nicole, Henry and I discuss 2023 the year in trainers. We've tried to put a slight different spin and not just do a top 10. Let us know if you agree with our thoughts over on the Instagram post

Le phénomène n'est pas nouveau et il n'est clairement pas en train de s'inverser : il y a une inflation galopante des internements dans les annexes psychiatriques des prisons belges. Une étude révèle que ces internements sont souvent le résultat d'analyses bâclées, trop rapides, qui sont réalisées par seulement 10 experts pour toute la Belgique francophone. En conséquence, des justiciables se retrouvent internés alors que ce n'était pas forcément urgent ou nécessaire. Laurence Wauters est journaliste pour Le Soir, elle s'est intéressée à ce phénomène. Elle revient avec Sarah Saadi Garcia sur cette étude et ce qu'elle nous dit de la justice belge.Le 17ème prix du livre européen a récompensé l'Autrichien Robert Ménasse pour son livre « L'élargissement ». Un roman captivant, un thriller qui fait tourner les pages mais également une réflexion poussée sur l'adhésion de nouveaux pays à l'Union Européenne. Robert Ménasse est passé par la rédaction du Soir. On lui a tendu notre micro. On a également demandé à Béatrice Delvaux, notre éditorialiste en chef, de nous dire ce qu'elle pensait du livre.« À propos », c'est notre sélection de l'actualité, du lundi au vendredi dès 5 heures sur Le Soir et votre plateforme de podcasts préférée. Retrouvez tous les podcasts du journal « Le Soir » sur https://podcasts.lesoir.be 

Bienvenue dans ce septième hors-série, dans lequel on répond à vos questions ! Aujourd'hui on vous offre nos règles, notre système de jeu ! On le développe depuis quelques mois en utilisant un mélange de plusieurs jeux de rôles connus dans le but de créer un système simple et adaptatif. On en parle rapidement et on vous le mets à disposition. N'hésitez pas à nous poser vos questions sur notre mail ou notre Instagram, tous ces liens sont disponibles sur notre Linktree !Chaque dimanche, venez vous immerger dans nos aventures en compagnie de trois joueurs, qui participent au récit et en font l'expérience en direct. Le Journal des Mondes, c'est du jeu de rôle mais en format audio narratif !Si nos histoires vous intéressent, retrouvez nos liens ci-dessous :

Bienvenue dans ce sixième hors-série, dans lequel on répond à vos questions ! Aujourd'hui on parle rapidement de jets de dés, l'action la plus emblématique des jeux de rôles. Pourquoi et comment l'utiliser ? On vous offre notre point de vue. N'hésitez pas à nous poser vos questions sur notre mail ou notre Instagram, tous ces liens sont disponibles sur notre Linktree !Chaque dimanche, venez vous immerger dans nos aventures en compagnie de trois joueurs, qui participent au récit et en font l'expérience en direct. Le Journal des Mondes, c'est du jeu de rôle mais en format audio narratif !Si nos histoires vous intéressent, retrouvez nos liens ci-dessous :

L'équipe d'Un Board Game Presque Parfait célèbre son 100e épisode avec un enregistrement devant public en direct de l'Annexe, à Sorel-Tracy. On fait le point sur les jeux d'Essen qui ont attiré notre attention en plus de faire un roast sur les jeux favoris de nos co-animateurs. Et on termine avec une partie interactive avec le public, de notre jeu de party favori, TOP TEN, avec des questions spéciales jeux de société!0:00:00 - Générique;0:00:30 - Intro;0:01:45 - Fumble!0:02:40 - Essen 2023;0:03:40 - ..., David (Jekyll & Hyde vs Scotland Yard);0:07:00 - ..., Pierre-Marc (Nucleum);0:10:25 - ..., Patrice (Chrono Fall: At the End of Space and Time);0:14:50 - ..., Vincent (Inferno);0:20:35 - ..., David (Sidequest + Rats of Wistar);0:24:10 - ..., Pierre-Marc (Evacuation);0:28:10 - ..., Patrice (Mythwind);0:34:15 - ..., Vincent (Cascadia: Landmarks);0:38:45 - Roasts Un Board Game Presque Parfait;1:06:15 - Interlude;1:06:45 - Top Ten Professeur BG;1:46:30 - Conclusion.Supportez-nous sur Patreon:https://www.patreon.com/professeurboardgameVisitez notre commanditaire premium Lillojeux:596 boul. Perron, Maria, QCBoutique en ligne: https://www.lillojeux.ca/Page Facebook: https://www.facebook.com/lillojeuxYouTube: https://www.youtube.com/channel/UCVdrvh7UHAz0Q95s1o_MHyQ

Le sujet des infections transmises sexuellement et par le sang, je vous le présenterai selon mes humbles expériences d'humaine active sexuellement, dans notre société, ici, au Québec, plus précisément dans la région montréalaise.  Je ne détiens pas une formation universitaire qui me donne une autorité cognitive à propos de ces infections, mais je peux affirmer que je me considère comme une exploratrice sur le terrain quand vient le temps des rencontres intimes et que par ce fait, j'ai dû m'éduquer, lire, mieux comprendre et agir.  Si vous vous considérez comme un explorateur sur le terrain quand vient le temps des rencontres intimes vous aussi, cet épisode vous sera pertinent.  Si vous aimeriez devenir explorateur sur le terrain quand vient le temps des rencontres intimes, cet épisode vous sera pertinent.  Si vous êtes monogame et vivez l'exclusivité sexuelle, cet épisode vous sera pertinent.  Les liens Internet des références mentionnées dans cet épisode: Clinique médicale de l'Alternative : Clinique d'avortement, ITSS, Vasectomie (cliniquedelalternative.com)  Prelib - Clinique de dépistage & prélèvement ITSS & MTS  Quorum (cliniquequorum.com)  Prévention des ITSS — Clinique médicale l'Actuel (cliniquelactuel.com)  Ina Park Ina Park, Author of Strange Bedfellows  La résistance aux antibiotiques oblige à actualiser les recommandations sur le traitement des infections sexuellement transmissibles (who.int)  'Real-world' study finds PrEP may be stopping 60% of HIV infections in French men at high risk of HIV | aidsmap  Crédits: Composition du thème musical et de ses déclinaisons: Lex Castle Spotify:  Spotify – Lex Castle  Soundcloud: Stream Lex Castle music | Listen to songs, albums, playlists for free on SoundCloud  Production sonore, mixing et mastering: LOF - The Audio Girl | Services de production musicale, mix et mastering (lofaudio.com)  Illustration: JeanLouis Tripp Jean-Louis Tripp — Wikipédia (wikipedia.org)  Un merci tout spécial à ma proof listener, qui se reconnaîtra.   Un autre merci tout aussi spécial à mes deux bons samaritains, pour leur générosité, temporelle et matérielle, sans qui je n'aurais pas réussi à accoucher de ce projet. Et puis, depuis l'épisode 6, un autre gros merci comme la Terre à un nouvel être généreux nouvellement entré dans ma vie.  Toi aussi, tu te reconnaîtras.   J'existe ici: loise.sisexesi@gmail.com     Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour amarrer son annexe à flot, avec un va-et-vient, il suffit d'une petite ancre, sa chaîne, une poulie et un long cordage. Avec ce matériel, on peut immobiliser son annexe à quelques mètres du rivage et accoster par une simple manipulation. Quelques exercices sont utiles pour s'approprier la technique, qui pourra servir à amarrer une petite embarcation en toutes circonstances. 👉 Lire l'article et voir les photos. En savoir plus sur les sujets abordés dans cet épisode : Mouillage Annexe Marnage Amarre Ancre Chaine d'ancre Le magazine Bateaux.com apporte un éclairage nouveau aux plaisanciers au travers de 12 chaines d'information : Voilier.com MotorBoat.fr SemiRigide.com Multicoque.com Regate.com NavigationFluviale.com GrandeCroisiere.com Conseils Techniques Equipement et Accastillage SuperYachts.fr Culture Nautique GlisseNews.com Avec une diffusion en 5 langues (Français 🇫🇷, Anglais 🇺🇸, Allemand 🇩🇪, Italien 🇮🇹 et Espagnol 🇪🇸) et un lectorat reparti dans plus de 140 pays 🌍, Bateaux.com est considéré comme la première commaunauté de plaisanciers avec le réseau social dédié au nautisme Yacht-Club.com. Bateaux.com est édité de concert avec le magazine BoatIndustry.fr à destination des professionnels de la plaisance 🇫🇷, qui se décline à l'international avec BoatIndustry.de pour l'allemand 🇩🇪, BoatIndustry.com pour l'anglais 🇺🇸, BoatIndustry.es pour l'espagnol 🇪🇸 et BoatIndustry.it pour l'italien 🇮🇹. ✉️ N'hésitez pas à nous envoyer un commentaire ou une news en cliquant ici. 👉 Et n'oubliez pas de laisser 5 étoiles si l'information vous a plu 🙏.

Bienvenue dans ce cinquième hors-série, dans lequel on répond à vos questions ! Aujourd'hui, nous détaillons les facettes les plus cachées de la production de notre podcast, ce qui se passe derrière nos écrans, le montage des épisodes, des méthodes, des idées… N'hésitez pas à nous poser vos questions sur notre mail ou notre Instagram, tous ces liens sont disponibles sur notre Linktree !Chaque dimanche, venez vous immerger dans nos aventures en compagnie de trois joueurs, qui participent au récit et en font l'expérience en direct. Le Journal des Mondes, c'est du jeu de rôle mais en format audio narratif !Si nos histoires vous intéressent, retrouvez nos liens ci-dessous :

Bienvenue dans ce quatrième hors-série, dans lequel on répond à vos questions ! Aujourd'hui on fait tomber les masques et parlons de qui nous sommes, de notre projet, de pourquoi un podcast et pourquoi le jeu de rôle, et comment nous tenons chaque jour la barre du Journal des Mondes. N'hésitez pas à nous poser vos questions sur notre mail ou notre Instagram, tous ces liens sont disponibles sur notre Linktree !Chaque dimanche, venez vous immerger dans nos aventures en compagnie de trois joueurs, qui participent au récit et en font l'expérience en direct. Le Journal des Mondes, c'est du jeu de rôle mais en format audio narratif !Si nos histoires vous intéressent, retrouvez nos liens ci-dessous :

Bienvenue dans ce troisième hors-série, dans lequel on répond à vos questions ! Aujourd'hui, nous détaillons nos ressources, les documents que l'on vous met à disposition pour pouvoir jouer nos aventures chez vous ! N'hésitez pas à nous poser vos questions sur notre mail ou notre Instagram, tous ces liens sont disponibles sur notre Linktree !Chaque dimanche, venez vous immerger dans nos aventures en compagnie de trois joueurs, qui participent au récit et en font l'expérience en direct. Le Journal des Mondes, c'est du jeu de rôle mais en format audio narratif !Si nos histoires vous intéressent, retrouvez nos liens ci-dessous :

This is a live recording straight from the gym hall of Northern District / Balhousie Primary school on the morning of Saturday 25th of February. The school has served the community since 1908 closes this year and the Open Morning was an opportunity for auld pupils to visit and walk the corridors one last time. The school put on an amazing display with photographs and artifacts available for people to look through as well as being able to explore the building. It's fair to say that it was an amazing turnout with generations of auld pupils coming from far and wide. There was even a live stream for those unable to make it which was watched by people as far afield as New Zealand. Proving how important community, childhood and education are in peoples lives. As a primary school it had 20 classrooms. There were a couple of outbuildings which operated as classrooms, dining hall, changing space for the lollipop folk and eventually storage before being demolished. In addition St Ninians Primary School on Dunkeld Road was used as the Annexe for the Northern. Class sizes regularly exceed 33+ pupils and at times there would be 3 primary classes for each year - illustrating just how many kids attended the school from The Muirton, Hunters, Tulloch, North Muirton and other surrounding areas. (Tulloch Primary was built late 1960's, North Muirton Primary was built in the mid 1970's) Auld acquaintances were reconnected as people stopped and shared memories, some we have captured in this audio and there will also be video content available later in the year of a few folk sharing memories. Many thanks to Annabelle Burns, David Scott and Lianne Gibb for making it all possible. Happy Listening, Enjoy. Dunks and Barney. https://youtu.be/_3CS0S-RF5M - Youtube Bairns O The Northern song https://www.facebook.com/groups/648376040355634/ - Facebook Northern District/Balhousie Primary School Past Pupils https://www.facebook.com/groups/275795401238996/ - Facebook Once Upon A Time In The Muirton https://www.facebook.com/groups/auldmuirtonbairns/ - Facebook Auld Muirton Bairns https://www.facebook.com/groups/137051633046307/ - Facebook Auld Perth Bairns @TheMuirton1 - Twitter #Social Commentary, #Oral History, #Community, #School Days,

Bienvenue dans ce deuxième hors-série, dans lequel on répond à vos questions ! Aujourd'hui nous discutons de jeu de rôle, de sa logique, de ses règles… et détaillons cet aspect de notre podcast. N'hésitez pas à nous poser vos questions sur notre mail ou notre Instagram, tous ces liens sont disponibles sur notre Linktree !Chaque dimanche, venez vous immerger dans nos aventures en compagnie de trois joueurs, qui participent au récit et en font l'expérience en direct. Le Journal des Mondes, c'est du jeu de rôle mais en format audio narratif !Si nos histoires vous intéressent, retrouvez nos liens ci-dessous :

Bienvenue dans ce premier hors-série, dans lequel on répond à vos questions ! Aujourd'hui on détaille notre concept, on parle de narration et de jeu de rôle en général. N'hésitez pas à nous poser vos questions sur notre mail ou notre Instagram, tous ces liens sont disponibles sur notre Linktree !Chaque dimanche, venez vous immerger dans nos aventures en compagnie de trois joueurs, qui participent au récit et en font l'expérience en direct. Le Journal des Mondes, c'est du jeu de rôle mais en format audio narratif !Si nos histoires vous intéressent, retrouvez nos liens ci-dessous :

On connaît tous l'histoire d'Anne Franck, et pourtant c'est d'une manière totalement inédite que Lola Lafon en parle.En 2021, la romancière pénètre dans l'Annexe du musée Anne Franck pour y passer une nuit. Confrontée à ses propres souvenirs d'exil, elle peine à évoluer dans ce lieu où l'absence est tellement pesante qu'elle en devient oppressante. L'expérience et la plume chargées d'histoire et d'émotions de l'autrice nous font redécouvrir l'histoire du "Journal", de témoignage à véritable oeuvre littéraire. Ce récit bouleversant et passionnant propose une réflexion sur l'écriture, la mémoire et l'appropriation par chacun de la vie d'Anne Franck.

Episode 3... - Sarah est architecte d'intérieur depuis plus de 10 ans. Elle utilise le web depuis le début pour être visible et pour faire croitre son activité.  Dans cet épisode, elle te dévoile sa stratégie, et te révèle comment elle a atteint 120 000 € de CA en 10 mois sur son activité secondaire.

Annexe de l'iBoat, le cabaret bordelais Blonde Venus devait accueillir dimanche un spectacle destiné aux 0-3 ans mettant en scène une drag-queen, la Maryposa. Une initiative artistique qui a fait polémique, s'attirant les foudres de l'extrême-droite, dont certains militants sont venus tracter devant la salle de spectacle. Podcastine s'est rendu à la représentation, durant laquelle la Maryposa ne s'est finalement pas produite.Un reportage réalisé par Raphaël Lardeur. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:03:04 - Géopolitique - par : Pierre  Haski  - L'Ukraine a repris Lyman, une ville occupée depuis quatre mois, et qui devait faire partie des zones annexées aujourd'hui. Poutine menace l'Occident mais son armée continue d'enregistrer des revers. Que fera-t-il après ?

Situation : La visite des jardins se prolonge par la visite de l'annexe. Jeanne et l'agent sont devant l'annexe La visite de l’annexe est un article de PodcastFrancaisFacile.com, le site qui vous aide à apprendre le Français FLE.

durée : 00:03:04 - Géopolitique - par : Pierre  Haski  - L'Ukraine a repris Lyman, une ville occupée depuis quatre mois, et qui devait faire partie des zones annexées aujourd'hui. Poutine menace l'Occident mais son armée continue d'enregistrer des revers. Que fera-t-il après ?

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Chers investisseurs & traders,Bienvenus chez Beatmarket : la newsletter N°1 en France pour apprendre gratuitement à investir & trader sur les marchés financiers.Pour vous remercier d'être des lecteurs réguliers de Beatmarket, vous obtiendrez jusqu'à 250 $ gratuitement après avoir approvisionné votre compte de trading Quantfury avec le code WILLY

This was the start of the set.  Live at the Annexe; @BarVirgile 

Midnight mix.

Dans ce nouveau RDV Agri Pro, on revient sur l'ensemble des solutions d'assurances et les particularités à prendre en compte pour assurer son activité de diversification : vente directe/circuit court, foires et marchés, atelier découpe/labo transformation, distributeur automatique, agro tourisme...

durée : 00:54:09 - Affaires sensibles - par : Fabrice Drouelle, Christophe Barreyre - Aujourd'hui dans Affaires sensibles, et au regard de la guerre engagée par la Russie contre l'Ukraine, retour dans la presqu'île de Crimée annexée en juin 2014 par Vladimir Poutine. Annexée ? Non récupérée répond le dictateur du Kremlin! - réalisé par : Marion Le Lay

durée : 00:17:17 - La vie n'est pas une annexe du travail" : la semaine de 4 jours gagne du terrain en France - Et si on travaillait moins ou autrement ? On se penche aujourd'hui dans le Quart d'heure sur la question du temps de travail, qui s'invite dans la campagne présidentielle, et qui se pose de plus en plus dans les entreprises. On vous emmène dans une PME des Vosges qui a mis en place la semaine de 4 jours. Et puis, on donne la parole aux Ukrainiens, qui se préparent au pire alors que les tensions ne retombent pas entre la Russie et les Occidentaux.

Over the past couple of weeks, speculation and fear has been growing that Russia could be about to invade Ukraine once again, especially after more than 100,000 Russian troops were seen amassing with a hefty arsenal at the border, but why now? The Quicky looks at the long history of tensions between Russia and Ukraine and speaks to an international security expert to find out what Vladimir Putin is up to, and whether Australia could be dragged into the conflict. CREDITS  Host: Claire Murphy With thanks to:  Professor John Blaxland - Professor of International Security and Intelligence Studies at the Australian National University's Strategic and Defence Studies Centre in Canberra Producer: Claire Murphy Executive Producer: Siobhán Moran-McFarlane Audio Producer: Ian Camilleri Subscribe to The Quicky at... https://mamamia.com.au/the-quicky/ CONTACT US Got a topic you'd like us to cover? Send us an email at thequicky@mamamia.com.au GET IN TOUCH: Feedback? We're listening! Call the pod phone on 02 8999 9386 or email us at podcast@mamamia.com.au Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures. Just by reading or listening to our content, you're helping to fund girls in schools in some of the most disadvantaged countries in the world - through our partnership with Room to Read. We're currently funding 300 girls in school every day and our aim is to get to 1,000. Find out more about Mamamia at mamamia.com.au  Support the show: https://www.mamamia.com.au/mplus/ See omnystudio.com/listener for privacy information.

This week on The Doubled Up Podcast, Matt and Scott are joined by Danny (@roystinho) of The Annexe (@thesneakerannexe). Check out the episode to hear about Danny's sneaker history, The Annexe origin story, and future plans for the platform. Matt hosts a Spezial edition of SHEWS ROUND as the guys have a pre Adidas Spezial pre-spring 22 discussion and share their overall thoughts of the drop! Scott shares his DOUBLE UP, DOUBLE DOWN picks for the week, and Danny takes on the infamous ROTATION GAME! Follow @doubleduppodcast on IG Use #doubleduppod for features You can find Matt @matt_sibley_ and Scott @_sneakerteacher on IG

Severine est avocate mais pas que. Elle est la fondatrice de Myentrepreneurbox, entreprise qui aide les cabinets d'avocats à se diversifier. Elle nous raconte comment y arriver et pourquoi !

Join DrGandalf and the team from TPP SystmOne for their latest update including new functionality of the Communication annexe including questionnaires and details on records access.00:00 Introduction to communication annexe11:02 Patient Questionnaire23:33 Bulk Questionnaire sending31:40 Prospective medical records access35:20 Questions and answersJoin us for the first NHS focused MS Teams user conference from Redmoor Health and eGPlearning from 09:30am-3pm on 2nd Dec 2021https://bit.ly/MSTEAMSNHSHear and see demonstrations from fellow users of MS Teams in the NHS and how it can help your patients, your team, and your area including:+ How to use MS Teams+ The benefits of using MS Teams+ Video Group consultations+ How to chair a meeting using MS Teams+ What are

The Annexe and End of Excavation. Howard Carter uncovered the tomb of King Tutankhamun in November 1922. He would continue labouring in the monument until 1927, and the final conservation of objects would finish in 1932. Over these ten years of work, Carter tackled many challenges, some of which proved insurmountable. In the end, his labour, and the story of Tutankhamun's burial, stand as a testament to human effort and long legacies.Episode Chapters:Chapter 15: The Scouring of the Tomb 00:00:15Chapter 16: The End of Excavations 00:31:50Series Conclusion: 00:52:30Episode Links:For the full archive of Harry Burton's photographs, showing the tomb of Tutankhamun in its original state, see the Griffith Institute website.Date: 1922 CE - 1932 CE.Logo image: A ceremonial shield belonging to the King. Wikimedia.Music by Keith Zizza https://www.keithzizza.net/Sound interludes by Luke Chaos https://twitter.com/Luke_ChaosSee other shows from the Agora Podcast Network. See acast.com/privacy for privacy and opt-out information.

For his sophomore album, Sable Blanc delivers an unexpected ambient album, showcasing an introspective collection of textured and warm sounds. Made of evolving meditative loops that build up to deep and contemplative tones, ‘Patience' is all about homemade recordings and cherishing loved ones. From his father and friend playing the guitar, field recordings of swallows from his parents' garden, to round and thick arpeggiated synth lines : every bit you can delicately hear in ‘Patience' was precisely crafted to feel genuine and authentic. Keen to preserve his positive and homely sound signature, Sable Blanc humbly extends his music talents to new horizons, shifting to a more hands-on and organic creative process. Sable Blanc purposely exhibits his love for music exploration and eagerness to push his own artistic boundaries : known for his jazzy house skills, he now stands for genre-crossovers and sunny music : from ambient drone sounds to electronica, while keeping soul and deep house music as his roots. » - Credits : All tracks produced, arranged and mixed by Sable Blanc Guitar on Early Swell, Lines & Curves, Aparté, Be Good, Instant Nostalgia and Family played by Adrien Philibert Guitar on Legacy played by Sable Blanc's dad Kalimba on Mental Naps played by Adrien Philibert

 Ce que vous allez apprendre dans cet épisode : ✔️ Pourquoi avons-nous encore peur de l'amiante ? ✔️ Quelles sont les obligations pour les propriétaires lors d'une vente ? ✔️ Que faire si je souhaite réaliser des travaux dans mon logement ? En savoir plus sur le diagnostic amiante L'amiante est une roche minérale fibreuse qui a été utilisée depuis longtemps dans la construction, l'industrie et les biens de consommation. La fibre d'amiante a de nombreuses qualités (ne brûle pas, bon isolant thermique, acoustique et électrique, peu se tisser, se tresser, hydrophobe, résistant aux acides, imputrescible) et qu'il était peu coûteux. On en trouve partout dans les bâtiments. Les professionnels du BTP et les artisans sont les premiers touchés. Mais les particuliers qui réalisent eux-mêmes leurs travaux, peuvent également être exposés, par méconnaissance de leurs logements. On s'est rendu compte, que plus tard, de la dangerosité de ce matériau pour la santé. L'Etat a interdit l'utilisation d'amiante le 1er janvier 1997. L'amiante n'est pas forcément synonyme de risque immédiat lorsqu'il est en bon état, à condition de ne pas y toucher. La fibre d'amiante se révèle réellement dangereuse lorsqu'elle est dégradée, susceptible de dégager des fibres pouvant être inhalées, ou lorsqu'on intervient dessus (des travaux par exemple). Toutes les constructions contenant de l'amiante remontent maintenant à au moins 20 ans. Plus le temps passe et plus ces matériaux ont des chances d'être dégradées. Pourquoi avons-nous encore peur de l'amiante ? On a beaucoup entendu parler de l'amiante à cause de maladies professionnelles handicapantes. Suite à l'inhalation de fibres d'amiante, les personnes développent des maladies, car ces fibres se logent dans les poumons. Les maladies et cancers les plus connus sont ceux-ci : Asbestose (poumons remplis par fibre d'amiante) : maladie se caractérisant par le port d'un masque relié à une bouteille à oxygène ; Plaque pleurale (calcification de la plèvre) : maladie pouvant dégénérer en cancer ; Cancer de la plèvre: cancer qui peut apparaître après l'inhalation de seulement une seule fibre d'amiante ; Mésothéliome : cancer de l'amiante qui peut apparaître jusqu'à 40 ans après l'exposition. Quelles sont les obligations pour les propriétaires, lors d'une vente ? Si le permis de construire du logement date d'avant le 1er juillet 1997, le propriétaire doit faire réaliser un diagnostic amiante avant-vente. Dans le rapport, le diagnostiqueur indique la présence ou non d'amiante visible et accessible sans démontage. La liste des matériaux à repérer est définie par la réglementation (Annexe 13-9 du CSP). Que faire si je souhaite réaliser des travaux dans mon logement ? Avant de percer, gratter, poncer ou décaper un matériau présent dans votre logement, il est nécessaire de réaliser un repérage amiante avant travaux afin de vous protéger ou protéger votre artisan. Ce repérage est nécessaire même si le diagnostic amiante avant-vente ne révèle pas la présence d'amiante. Comme nous l'avons vu dans la question précédente le diagnostiqueur donne une information sur les matériaux visibles et accessibles sans démontage. Où se trouve l'amiante dans mon logement ? Différents endroits sont plus propices à la présence d'amiante : Toitures (plaques ondulées, plaques de fibrociment, ardoise) Canalisations (calorifugeage) Tuyaux gris (amiante ciment en tubes ou conduits) Isolation (flocage) Bande calicot (entre 2 plaques de plâtre) Peintures Dalles vinyle Plaque noire des portes de placard métallique Vous souhaitez poser une question à notre expert du diagnostic ? Écrivez-nous à : podcast@exim.fr

Another messi week has gone by and the 2 Broke Twimbos are here with a brand new episode of your favourite podcast to play in the car on your way to anywhere but Jam Tree! Dan & Phil first had to find out what was going on with the production of new COVID variants at Zimfest, so they called King Kandoro for an update, before getting into a Mental Health Segment with psychiatrist Dr Fungi Muzhandu and Wired 2 Love & Thrive's Dr Nyarai, to discuss general trends in mental health in Zimbabwe, and to destigmatize the idea of “Annexe” and psychiatric wards. There's a lot more to talk about, including a review of the SAMA Awards, racist restaurants in Zimbabwe, and an answer to the question: “How many sports should be played at the Olympics, really though?” And a treat too because the team gets to chat with dope artist Bonj from South Africa. Enjoy! Remember you can find mental health resources as well as a submission form (if you would like to send in a question) on our website's Help page here.Timestamps: 4:55 - Zimfest Review with King Kandoro26:26 - Coronawatch31:06 - Mental Health Segment with Dr Fungi Mazhandu & Dr Nyarai 77:17 - Olympics Review84:55 - SAMA Review96:24 - Bonj Interview125:58 - How far Jam Tree? 136:33 - Music ReviewSubscribe and listen to 2 Broke Twimbos everywhere podcasts are available.PatreonWebsiteiTunesSpotifyStitcherTuneInYouTubeAmazonRate and review, and support us on Patreon! Check out the official 2BT Playlist on your favourite streaming platform here!

Good Morning Monaco Wednesday, July 7, 2021 published by NEWS.MC Subscribe to our daily email newsletter Outrage as Putin moves to annexe Champagne France's champagne industry group on Monday blasted a new Russian law that forces foreign producers to add a “sparkling wine” reference to their bottles of champagne... Puppy killer absent from Paris hearing The 22 year-old Monaco resident who was arrested and charged with animal cruelty in May this year was absent from the court in Paris on Tuesday when his case came to trial. Free shuttle to serve the beach An electric-powered shuttle bus will whisk visitors to Larvotto Beach during the summer. Six new coronavirus cases on Tuesday Six more coronavirus cases were reported among Monaco residents on Tuesday, while two were declared fully-recovered. Grimaldi Forum welcomes young artists Never failing to educate and entertain, the Grimaldi Forum will offer a series of workshops for children between the ages of seven and 11 years old, from July 12 to July 23. Copyright © 2020 NEWS SARL. All rights reserved. North East West South (NEWS) SARL. RCI: 20S08518 - NIS: 6312Z21974 --- Send in a voice message: https://anchor.fm/monacodailynews/message

Are you ready for the next TPP SystmOne update- a massive one showing a full guide on the communications annexe and how to use it in practice,  with new functionality to help with your workload in practice Join with your chance to ask questions and more. For the video on how to add your signature to a med3 see here: https://youtu.be/mRzrV9syBv8  Join S1 FBUG Facebook group: https://www.facebook.com/groups/s1fbug 

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

In this conversation Lawrence gives a fascinating description of the therapeutic community at Wormwood Scrubs prison which closed soon after the death of Dr Max Glatt. He goes on to give us insight into his developing thinking on the nature of trauma and states of mind as it relates to forensic practice. Lawrence Jones is a clinical and forensic psychologist, currently Head of Psychology at Rampton High Secure Hospital and Honorary Associate Clinical Professor at Nottingham University. He teaches regularly on the Sheffield and Leicester Clinical Psychology doctorate courses as well as the Forensic Doctorate at Nottingham University, He has previously been the Chair of the Division of Forensic Psychology. Lawrence has had a long and extensive career within forensic services across both criminal justice and mental health settings with a significant amount of time spent working within therapeutic communities. Significantly this included the Annexe at Wormwood Scrubs prison, also referred to as the Max Glatt Unit. Lawrence has trained in multiple models of psychological therapy including Schema focused Therapy, Dialectical Behaviour Therapy and Cognitive Analytic therapy which he has integrated into his knowledge of TC culture and treatment and has worked hard throughout his career to try and find ways to ensure the services he is responsible for are as accessible as possible. Lawrence has very many publications to his name but is particularly interested in furthering an understanding of those who attract a diagnosis of personality disorder and offsetting the adverse impacts of chronic trauma and loss of liberty. 

1. Reptant - Enter Atmosphere2. Reedale Rise - Lux3. Fastgraph - Zero In On You4. Versalife - Lapis Lazuli5. Sound Synthesis - a1 untitled6. Obergman - Chronostasis7. Syrte - -18153504008. Anil Butun - Spatial9. Indent - Falling (Desert Sound Colony Remix)10. NTOGN - Spott, Blod & Jord11. Larinov & St Theodore - Destruction Wave12. Menwood - Lidenback (Answer Code Request mix)13. Buden - The Fall of Capitalism14. Anil Butun - Corporeal15. Morphology - Mind Stealers16. Qnete - Story Telling17. Sound Synthesis - Night Visions18. Featherstone - The Seeker19. Human Movement - Waiting (D.Tiffany remix)

Ee vun den Highlighte vum Kulturjoer 2007 war sécherlech d'Expo "All we need" an de Gebléishalen um Belval, iwwer déi mënschlech Besoinen a Ressourcen. D'Kënschtlerin an Enseignante Martine Glod, Joergang 1983, deemools Konschtstudentin zu Saarbrécken, hat d'Ausstellung zimmlech beandrockt an och inspiréiert, an zwar zum Experimentéiere mat Luucht. Wéi si elo gefrot gouf, op si an der Annexe 22 op der Escher Brillplaz ausstelle wéilt, huet si de Projet "All we need is light" realiséiert. D'Kerstin Thalau war kucken.

Annexe de l'ambassade tchèque à Jérusalem - Biographie de Charles IV

Si vous vous intéressez le moindrement au siècle des Lumières, au XVIIIe siècle, en France, vous connaissez nécessairement le tableau de Lemonnier. Vous l'avez peut-être vu sur la couverture de livres portant sur le XVIIIe siècle - en français, en anglais, en allemand, en italien, en turc - et j'en passe. Sur le Web, le tableau est partout : vous pouvez le voir des centaines de fois. Pour info: la vidéo a été enregistrée avant les mesures de confinement. Patreon: https://www.patreon.com/hndl Montage: Samuel D'Orléans https://www.facebook.com/RealitesQc/ Avec: Laurent Turcot, professeur en histoire à l'Université du Québec à Trois-Rivières, Canada Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/turcotlaurent Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Pour aller plus loin: Lough, John, «Lemonnier's Painting, “Une soirée chez madame Geoffrin en 1755”», French Studies, 45 : 3, juillet 1991, p. 268-278; traduit sous le titre «À propos d'un tableau de Lemonnier : Une soirée chez Madame Geoffrin en 1755», Recherches sur Diderot et sur l'Encyclopédie, 12, avril 1992, p. 5-15. Traduction de Michel Baridon. «Annexe» (p. 15-18) par Madeleine Pinault. #histoire #documentaire