Podcasts about The Waterboys

Generación XY Podcast sigue repasando lo mejor del último cuarto del siglo XX y los primeros años del siglo XXI. Esta semana hablaremos de: - "Audacia", el concurso presentado por Jordi Estadella a comienzos de los 2000 en TVE - "Siete Años en el Tibet", la recordada película de Brad Pitt - "La Máquina del Tiempo" de María Berzal hablará de sus recuerdos con los curas, los papas y las misas - "El Tocata" de Orlando Montoro hablará de The Waterboys Y como siempre en algún momento del programa hará su aparición el concurso de la melodía revival

On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Episode 24 of On The Record with Brian Wise and Michael Mackenzie opens not in a record shop or a green room, but in the unglamorous reality of domestic collapse: Brian's gas hot water service fails, leaving him hunting for a plumber and waiting five days for resolution. Musically, the emotional high point is a warm, informed appreciation of David Byrne.  The hosts tip their hats to Byrne's wider career, including his work with Brian Eno, particularly ** My Life in the Bush of Ghosts **, and note his recent appearance at Jazz Fest. Show Notes Legends | Official Trailer | Netflix  Shetland On Iview  Talking Heads - Road to Nowhere (Official Video) Brian Eno -- David Byrne - My Life In The Bush Of Ghosts - A1 - America Is Waiting  Brian Eno -- David Byrne - My Life In The Bush Of Ghosts - A4 - Help Me Somebody  David Byrne with Choir! Choir! Choir! - Heroes  Talking Heads – Psycho Killer (Official 4K Remastered Video, Live 1983)  The Waterboys - Fisherman's Blues (High Quality) Chris Franklin Doco on Spectrum's I'll Be Gone “Someday I'll Have Money”

Nueva entrega de Música de Contrabando, semanario de actualidad musical de Onda Regional Murcia (14/05/2026) . Con Ángel H. SopenaEntrevistas:- Toni Zenet regresa a sus recuerdos en el marco de su gira más valiente, presentando ''Las Manos y la Voz' - Santi Campillo vuelve a Vistabella con su Power Trío y una pléyade de aliados que quita el aliento. Con su acústica protagoniza una nueva Ss de Contrabando, y nos adelanta un inédito con Pedro Martini.Noticias: Joan Manuel Serrat ha sido galardonado con el Premio de Honor de la Academia de la Música de España . Se anuncia para 2027 la inauguración de un museo de los Beatles en el número 3 de Savile Row de Londres, el edificio donde dieron su último concierto. Cherry Red publicará el 3 de julio The early years Vol. 2, cuatro cedés que recopilan lasgrabaciones de Status Quo de 1970-1972. Deep Purple presentan el vídeo de “Arrogant boy”, single de adelanto de su nuevo disco, Splat!, que, producido por Bob Ezrin, será publicado el 3 de julio.Eric Clapton, Brian May, Billy Gibbons y Ronnie Wood, en el disco póstumo de Steve Cropper. Billy Corgan de The Smashing Pumpkins, presenta A Night of Mellon Collie and Infinite Sadness en Europa, con parada el próximo viernes 11 de septiembre en el Palacio Vistalegre de Madrid. Mike D, miembro de la banda Beastie Boys, no solamente ha lanzado “Switch Up”, su primera canción como artista en solitario, sino que acaba de anunciar una fecha en Barcelona .Red Hot Chili Peppers ha vendido su catálogo de música grabada a Warner Music Group por más de trescientos millones de dólares . Morrissey rinde tributo a Ramones . El concierto de Kanye West en Madrid podría cancelarse. Ian Curtis: Insight” es la nueva exposición que ofrece una mirada íntima a la vida creativa del líder de Joy Division. Netflix ha anunciado el inicio del rodaje de la adaptación de “El acercamiento de la mujer cactus y el hombre globo”, la primera novela de Rayden. El sello Subterfuge prepara su 40 aniversarioNovedades musicales:Father John Misty, Pixies, The Waterboys, Tame Impala, Caroline, The Mountain Goats, Pond, Bloc Party, Yard Act, The Strokes, Rostam, Alcalá Norte, Aiko El Grupo, The Molotovs, Repion, Lykke Li, The Last Dinner Party, Thee Sinners, Helado Negro &:Reyna Tropical, The Head and Heart, Zoh Amba, Triángulo de Amor Bizarro, Serrat, Australia Blonde, Tori Sparks, Madee, Adam Guerrero, Perdón, Alejo Stivel y Silvio Rodríguez, Sandré, Isleña y Javiera Mena, Carlos Sadness, Ave Alcaparra, La La Love You, Antonio Arias, Aldous Harding, Barder, Lambchop, París Paloma, Shinova, Norte Perdido, Adiós Noviembre, (Conga Festival y Demoleer: Verde Columbares, Arde Bogotá.Agenda de conciertos:Santi Campillo, Zenet, Amor Líquido, Non Servium, Guerrero & Muerdo, Carey, Aitana, Agoney, Sidecars...

This week, brand new releases from The Waterboys, Carsie Blanton, Jon Spencer, Massive Attack ft Tom Waits, The Rolling Stones, Social Distortion and Ice Cube. Plus, faves from Johnny Cash, Chameleons UK, Alice In Chains and Tool. Roll up a couple for The Duane Strain. Rock. Mock. Dance. Laugh.

Founding member, lead singer and guitarist of The Waterboys, Mike Scott, joins Tony McManus. See omnystudio.com/listener for privacy information.

THE WATERBOYS make their long-awaited return to Australia and New Zealand in May 2026 their first tour in over a decade.Led by the incomparable Mike Scott and critically acclaimed as one of the best live bands on the planet, the 2025 band also features double keyboard players Brother Paul from Memphis and James Hallawell from Cornwall and is grounded by killer Irish rhythm section Aongus Ralston (bass) and Eamon Ferris (drums).THE WATERBOYS will be performing tracks from their audacious new album, Life, Death and Dennis Hopper: a bold, cinematic tribute to the maverick American actor and cultural icon, along with material across their storied catalogue. From the early "big music" of The Whole Of The Moon and classic album This Is The Sea through to the roots-inspired Fisherman's Blues era and music from their ambitious post-2015 output.HEAVY sat down with Mike for a chat ahead of the tour, asking him about The Waterboys reputation as one of the best live bands on the planet and what it is about their performances that makes them so special."Well, they're always different," he shrugged. "We don't repeat the show. We improvise on stage and I like being able to to take a left turn in the music anytime that it occurs to me. I like to do what the music tells me and I get instructions in the moment when we're on stage. I get a little sort of advanced notice in my mind of what the next phrase or the next musical action is going to be and I like to go with those and obey them basically, and it's wonderful to have a band that can deal with that and that likes to improvise themselves.All the band members are able to make up their own parts and to head off into something they've never done before. And I like that. I think that unpredictable quality and the sense of excitement that you get when something unforeseen happens and it's magic... I think that helps bring people back to see us again and again. Also we play with a particular intensity, I know we do. We play with our lives."In the full interview, Mike talks more about what we can expect from the shows and runs us through the changes in the band since they toured here last. We discussed the virtues of having two live keyboard players and how it enhances their sound, as well as most recent album Life, Death and Dennis Hopper and how it was received.We run through the concept and how easily it translated to music, running through two of the albums songs and finding out the story behind them. Mike took us back to the early days of The Waterboys and the musical climate that gave birth to the band, emphasing their musical evolution and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Arguably saving the best till last, we recently spent around 30 minutes in the company of Mike Scott from The Waterboys. Our primary conversation was on Fisherman's Blues, the album that came out on top of our Greatest Scottish Albums poll – and Mike was generous in both his recollections on making the record and some of the frustrations that it created for him. However, with the benefit of almost 40 years of perspective, Mike is now rightly proud of what he and his fellow musicians achieved. Mike also gave us a couple of cracking stories connected to the album, including a world-famous producer cold-calling his Mum's house in Ayr, and reminding anyone who needs reminding of his Scottish heritage. Mike has been a big supporting of our polling and chat on X over the last few months, which has been appreciated by everyone connected to our music channel – and we are looking forward to the release of the Atlantic Rain album and the subsequent Fisherman's Blues Revue Tour ( and we're going too!) See you on the other side

Carl and Mike welcome B-Rich and Trey from The Waterboys to analyze the Atlanta Hawks' recent performance and the team's need for increased frontcourt size. They discuss the impact of Angel Reese joining the Atlanta Dream and evaluate the Atlanta Falcons' roster remodel heading into the NFL Draft. The conversation also addresses the significant transfer portal turnover currently affecting the Georgia and Georgia Tech basketball programs. 01:50 - Introducing The Waterboys 06:38 - Hawks Toughness And Growth 10:10 - Falcons Offseason Remodel Strategy 13:21 - Troy Anderson Prediction Debate 18:30 - Masters Champions Dinner Menu 24:42 - Kyle Pitts Signs Tag 30:35 - Draft Attendance Controversy Discussion 36:12 - Transfer Portal Roster Turnover

Hoy en La Gran Travesía os proponemos un viaje al lado oscuro de la luna, con motivo de la nueva misión Artemis II. Hoy si os quedáis con nosotros podréis escuchar a Waterboys, Wolfmother, David Bowie, Janis Joplin, AC/DC, los Cult, Chris Cornell, Pink Floyd, Hawkwind... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

The CAT Club presents a long playing vinyl record:TOM PETTY & THE HEARTBREAKERS (debut album)with special guest JOHN WILLIAMSAt the time Tom Petty & The Heartbreakers' eponymous debut was released in 1976, the band were fresh enough to almost be considered punk.Like the Ramones, they shared a love for ‘60s rock and roll. For the Heartbreakers that meant embracing the Byrds as much as the Stones. The result is a classic album with tuneful jangle balanced by a tough garage swagger.When we asked acclaimed producer John Williams to pick his favourite album, the man at the helm of many a fine record by The Proclaimers, The Housemartins, Paul Heaton & Jacqui Abbott, Petula Clark, The Waterboys and many others, replied instantly: “The first Tom Petty & The Heartbreakers LP.”The result was another great CAT Club gathering with our good friend Jeff Matthews in the interviewer's chair opposite the truly wonderful John Williams.A splendid time was had by all.This event took place on 26th February 2026 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire.This podcast has been edited for content and for copyright reasonsTo find out more about the CAT Club please visit: www.thecatclub.co.ukHappy Trails.

¿De qué hablamos cuando hablamos de Dios? Si la religión resulta tan confusa es porque Dios es para muchas personas solamente un nombre por el que entienden cosas muy diferentes. Por eso Pablo se propone hablar en Atenas de "El Dios no conocido" (Hechos 17). La sintonía de nuestro programa tiene esta vez una de las conocidas versiones de la canción que popularizó Nat King Cole. Es la que hizo Chuck Berry en 1961. Oímos luego "Las preguntitas sobre Dios" que se hizo el argentino Atahualpa Yupanqui en 1969. Nos muestra como muchos rechazan la idea de Dios por su relación con la opresión del pobre. Todos tenemos la idea de que si hay un Dios, tiene que ser más grande que nosotros, pero Pete Townshend lo buscaba en su interior. Seguía las enseñanzas del gurú indio Meher Baba desde 1967, que escribe "Fe en algo mayor" (Faith In Something Bigger). La canción se publicó finalmente en el álbum de The Who de 1974. El músico que conocemos como Sting, Gordon Summer, tuvo una educación muy católica, aunque su madre era anglicana. Su evidente interés por la religión ha sido estudiado en libros incluso de profesores universitarios como Evyatar Marienberg de París (Sting and religion). Canciones como "Oh, mi Dios" (O My God) con The Police en 1983 son auténticas oraciones a un Dios que parece demasiado lejos. Pocos autores como Flannery O´Connor (1925-1964) han sido capaces de retratar una cultura "perseguida por Dios"(Haunted by God), como la americana del profundo Sur. Esta escritora convertida al catolicismo murió pronto de cáncer, pero dejó una novela como "Sangre sabia" (1952). llevada al cine por John Huston en 1979. Su protagonista nos muestra cómo la negación de la fe por este predicador de la Iglesia sin Cristo no es en el fondo más que una afirmación de la verdad cristiana. José de Segovia la comenta con algunas escenas de la versión doblada al castellano y la música de la banda sonora original de Alex North, junto a otras creadas por la Inteligencia Artificial. El cantante escocés de The Waterboys, Mike Scott, anuncio en su "Canción de Glastonbury" (Glastonbury Song) que había "encontrado a Dios donde siempre estaba". Apareció en el sexto álbum de la banda en 1993 (Dream Harder) con la batería de Carla Azar y desde entonces no falta en ninguno de sus conciertos. El tema con el que despedimos nuestro programa es uno de los más brillantes de Larry Norman, el más conocido portavoz de la Revolución por Jesús. Tiene un aire del cabaret berlinés de los años 20 o 30, pero la solía interpretar en vivo a finales del siglo pasado. La oímos en la versión del álbum que publicó en 1999 con el títiulo de "Rough Street Love Letter".

Joel and Mama Mish sit down with Aussie music icon Ella Hooper for a vibrant chat about her brand-new single I Got Eyes (On You), her incredible journey through the Australian music scene, and what continues to inspire her sound today. Ella also spills on hitting the road with The Waterboys for an exciting upcoming tour, sharing what fans can expect from these live shows. It's a warm, energetic conversation packed with music, memories, and plenty of star power. ✨ The post Thursday Breakfast: Ella Hooper Interview appeared first on JOY Breakfast.

Wake up and roll into your Thursday with Joel & Mama Mish, along with sassy Liam for JOY Breakfast – a funny, cheeky, and delightfully unpredictable morning show that mixes news, nostalgia, and nonsense with a lot of laughs. Joel and Mama Mish bring a lively mix of heart, humour and community connection to this episode of JOY Breakfast, diving into listeners' funniest and most relatable fears – from escalators to magpies – alongside uncanny coincidence stories that prove the universe has a sense of humour. They're joined by Victoria Police's LGBTQIA+ Community Manager Jeremy Oliver for an important and informative chat on hate crime awareness, community safety, and recent engagement across regional Victoria, before switching gears with a fun, queer TV round-up for anyone in their post-Deadloch binge slump. The energy continues with Aussie music icon Ella Hooper, who opens up about her bold new single I Got Eyes (On You), her evolving sound, and hitting the road with The Waterboys. Packed with laughs, insight and feel-good moments, it's your perfect Thursday morning catch-up. The post (45). Thursday Breakfast: Wake up and roll into Thursday with Joel and Mama Mish appeared first on JOY Breakfast.

The Waterboys : The Pan Within' (Piano Demo) La Reprise L'originale Troye Sivan : Somebody To Love Queen : Somebody To Love Silversun Pickups : Au Revoir Reservoir Pat Benatar : Love Is A Battlefield The Stranglers : Golden Brown Golden Hours : Arctic Desert Editors : Racing Rats Pink Pool : Wrong Rage Against the Machine : Killing In The Name The Boxer Rebellion : The Gospel Of Goro Adachi (Live In Tennessee) Jeanne Shaw Taylor : Hell Of A Good Time The Verve : The Drugs Don't Work La Reprise L'original The Sundays : Wild Horses The Rolling Stones : Wild Horses Will Swinton : Better Off Best Rock Albums 1970 Led Zeppelin Led Zeppelin III Since I've Been Loving You The Who Live At Leeds Magic Bus The Beatles Let It Be The Long And Winding Road Simon & Garfunkel Bridge Over Troubled Water Bridge Over Tro Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Hoy 22 de marzo, con motivo del Día Internacional del Agua, os dejamos un programa de La Gran Travesía donde podréis escuchar a Prince, Foo Fighters, Neil Young, R.E.M, Calexico, Aretha Franklin, Jane´s Addiction, Mad Season, Echo and the Bunnymen, Waterboys, Alice in Chains, Live, Nirvana... y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

Luar Na Lubre es uno de los grupos de folk con más repercusión en Europa y Latinoamérica, celebra en 2026 su 40 aniversario con una gira nacional e internacional que le llevará por los escenarios más emblemáticos de su carrera. La banda gallega es una de las formaciones de folk más importantes de la historia y un referente mundial. En estas cuatro décadas de andadura musical, Luar Na Lubre han publicado 20 trabajos discográficos, ha vendido más de 350.000 ejemplares y ha recibido dos Discos de Oro, 9 Premios de la Música y la Medalla Castelao 2025 de la Xunta de Galicia. Luar Na Lubre ha ofrecido más de 2.500 conciertos en más de 60 países, donde ha participado en festivales destacados en la música folk, en los que ha actuado junto a artistas internacionales, como Mike Oldfield, The Waterboys, The Corrs o Bob Geldof, y españoles, como Víctor Manuel, Miguel Rios, Luz Casal, Ismael Serrano, Pedro Guerra o Diana Navarro, entre otros. La formación gallega está compuesta por Bieito Romero (gaitas, acordeón, zanfoña), Nuria Naya (violín), Patxi Bermúdez (bodhran, tambor), Pedro Valero (guitarra acústica), Xavier Ferreiro (percusión latina, efectos), Xan Cerqueiro (flautas), Brais Maceiras (acordeón), Cristina López (cantante).Escuchar audio

La mejor música, todas las curiosidades y las últimas noticias te están esperando de mano de Jota Abril, Marta Critikian y Carlos Iribarren.

Some things you don’t think about until they stop working. Then you get a trickle from your shower head. Suddenly, all you can think about is what’s happening with the pipes underground. There’s money to be made in invisible industries. That’s true if you’re pumping water from a well — a technology as old as civilization itself — or driving engineered fluids underground to drill for oil. Christiaan's guests on this edition of Out to Lunch both work in industries that sit mostly out of sight — below ground, behind fences, or buried in technical jargon — but when they’re needed, they’re really needed. Scott Russo is co-owner and water specialist at Waterboys LLC, a water well services company serving residential, commercial, and agricultural clients in Acadiana. Most people get their water from large public or private utility systems. But more than 23 million U.S. households rely on private groundwater wells for their drinking water. That’s about 15 percent of the U.S. population who aren’t connected to municipal water systems and must maintain their own sources. Waterboys, founded in 2020, offers well drilling, pump installation, maintenance, and emergency repair — often with Scott himself answering the phone at all hours. Water is a round-the-clock need, so Scott is always on call. Scott grew up in Kaplan, studied geology, lived overseas and in Las Vegas, and eventually found his way back home and into the water well industry. Zach West is president of Downhole Chemical Solutions, a Lafayette-based company operating in the hydraulic fracturing industry. Downhole plays a big role in the hydraulic part of fracking, providing the tech and engineering needed to get oil and gas out of the ground. The fracking boom revived the domestic oil industry over the last decade. The hydraulic fracturing services industry alone is estimated at more than $40 billion in size in 2025. Downhole is an employee owned company with over 200 people on staff and serves a mix of major and mid-sized energy operators. Zach grew up in central Louisiana in a family of engineers, earned degrees in chemical engineering and business, and returned to Lafayette to build his company. Out to Lunch Acadiana was recorded live over lunch at Tsunami Sushi in downtown Lafayette. You can find photos from this show by Astor Morgan at itsacadiana.comSee omnystudio.com/listener for privacy information.

What do Taylor Swift, Lana Del Rey and Kendrick Lamar have in common? Jack Antonoff.The decorated producer has made a name for himself shaping some of the biggest albums in the world. For his Take 5, Jack Antonoff shared how he brings an artist's vision to life.Waterboys – The Whole Of The MoonThis is one of the Best Bits from Take 5. You can hear the full episode here: https://www.abc.net.au/listen/programs/take-5/jack-antonoff-take-5-turning-points/103591368

This is a joint episode between Paradigms and John Reed‘s radio program The Compendium. John Reed co-hosts with Baruch to share a retrospective of 2025 in music. Music by: Banning Eyre, Yusuf Islam (Cat Stevens), Crys Matthews, Eric Faulkner, Lilli Lewis, Karine Polwart, Dee Robinson, Kalandra, Tracy Grammer, Luka Bloom, Jaime Ospina, The Little Unsaid, Diane Coll, Lamb, Travis Hall, Fantastic Negrito, Eljuri, The Orphan Brigade, Deborah Holland, Matt McGinn, Dahlia Dumont, Robin Ince and Rachel Taylor-Beales, Qais Essar & Sonny Singh, The Waterboys, Alice Di Micele, John Lennon, and Jan Gillies. The post New Years Eve 2026 with co-host John Reed – 2025 Retrospective appeared first on Paradigms Podcast.

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2025  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Esta semana, en nuestras Islas de Noche, viajamos a los primeros 80 a base de clásicos y calambrazos varios, tan necesarios, tan buscados aún... Sí, que vuelva el tiempo que enamora, que de tanta oscuridad surjan chispas al menos. Suenan: THE CHURCH - "For a Moment We're Strangers" ("OF SKIN AND HEART", 1981) / SUNNYBOYS - "My Only Friend" ("SUNNYBOYS", 1981) / THE TRIFFIDS - "Hanging Shed" ("TREELESS PLAIN", 1983) / SPLIT ENZ - "Hello, Sandy Allen" ("TIME AND TIDE", 1982) / XTC - "All Of A Sudden (It's Too Late)" ("ENGLISH SETTLEMENT", 1982) / JULIAN COPE - "Kolly Kibber's Birthday" ("WORLD SHUT YOUR MOUTH", 1984) / AU PAIRS - "It's Obvious" ("PLAYING WITH A DIFFERENT SEX", 1981) / PYLON - "Read A Book" ("GYRATE", 1980) / THE WATERBOYS - "I Will Not Follow" ("THE WATERBOYS", 1983) / PSYCHEDELIC FURS - "All of This and Nothing" ("TALK, TALK, TALK", 1981) / PETER HAMMILL - "Central Hotel" ("SITTING TARGETS", 1981) / FELT - "Sunlight Bathed the Golden Glow" (SINGLE, 1984)Escuchar audio

Nuestro disco favorito de hoy es el debut de The Gnomes. Joven banda de Melbourne que irrumpió hace unos meses con poderosas canciones deudoras del rhythm’n’blues y el beat más energético de los 60.Playlist;THE GNOMES “Flippin’ stomp”THE GNOMES “Time will tell”THE GNOMES “I like it”THE MINUS 5 “Words and birds”YOUNG FRESH FELLOWS “I’m a prison”THE TRIPWIRES “Kicking around in new shoes”X “The way it is”RADIOACTIVITY “Analog ways”JE’TEXAS “No vacancy”GLYDERS “Moon eyes”THE MYSTERY LIGHTS “Wish you unwell”J’AIME “The great big liar”THE DIESEL DOGS “Northern rain”THE SPITFIRES “Better the devil you know”THE WATERBOYS “The whole of the moon”Escuchar audio

Brinsley Schwarz in conversation with David Eastaugh  https://brinsleyschwarz.bandcamp.com/album/shouting-at-the-moon https://brinsleyschwarz.bandcamp.com/album/tangled https://unexpectedcd.bandcamp.com/album/unexpected   Legendary British musician and songwriter Brinsley Schwarz returns with a new solo album this Autumn.Shouting At The Moon represents the third part of a trilogy begun with his debut solo release Unexpected in 2016 followed by Tangled, his first album for Fretsore Records in 2021.Founder of the 70spub-rock icons (if icons is not too strong a word!) of the same name, and subsequently Graham Parker and The Rumour, Brinsley's passion for writing and recording reignited in recent years following two albums and tours with that band, as well as duo shows with Parker, resulting in Unexpected. The gestation period for the songs on Shouting At The Moon goes back even further.“I wrote ‘The Chance', ‘Nothing Is What It Seems' and ‘What In The World' sometime between the late 1990s and early 2005,”he explains. “‘Hard To Change' and ‘It's Been A Long Year' were written during 2024 and 2025 and recorded during that time. So you can see a big spread in time of writing and recording;some songs were recorded and were intended for my first solo album. But we had a surplus of recorded tracks and so we could pick tracks based on how the songs seemed to gel together as an entity, as an album.”As with Tangled, Brinsley pays tribute to his friend with a well-chosen cover: “Graham Parker wrote ‘Watch The Moon Come Down' in the late1970s. One of my favourite GP songs.I loved rearranging and recording it.” Key to this revived activity has been producer, engineer and keyboard-player James Hallawell another Parker collaborator, also noted for his work with the likes of The Waterboys and Jackie Leven. “He helped me record my first album Unexpected,”says Brinsley. “We just carried on recording.”

RockerMike and Rob explore the legendary sound of The Waterboys from post-punk roots to the sweeping Celtic soul of Fisherman's Blues and The Whole of the Moon. Discover how Mike Scott's vision shaped one of the most poetic and powerful bands of the '80s and beyond.Don't forget to like, subscribe, and get lumped up!#TheWaterboys #TheRockshow #RockerMikeAndRobPresents #GettingLumpedUp #MikeScott #FishermansBlues #TheWholeOfTheMoon #ClassicRock #CelticRock #FolkRock #80sMusic #BritishRock #Podcast #MusicPodcast

What's your most loved and least favourite song on U2's 1987 album, the Joshua Tree? Dan decided to pick The Big One™ by the biggest 80s alt band we surprisingly haven't dedicated an episode to, despite being one of our favorites. Lots of fun opinions, concert tales and a surprise visit from famed Bono impersonator Pavel Sfera. Available at WeWillRankYouPod.com, Apple, Spotify, Youtube, Joshua Tree CA and everywhere else you get podcasts. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Threads  @wewillrankyoupod !FILE UNDER/SPOILERS:America, Beck, Bono, buggin ya, Bullet the Blue Sky, Greg Carroll, Adam Clayton, Dublin, The Edge, Brian Eno, Exit, God complex, gospel, harmonica, I Still Haven't Found What I'm Looking For, In God's Country, Ireland, Island Records, Joshua Tree, Daniel Lanois, leather vest, Mothers of the Disappeared, Larry Mullen Jr., 91X, One Tree Hill, Passover, play the blues, ponytail, Rattle and Hum, Red Hill Mining Town, Running to Stand Still, Pavel Sfera, Slane Castle, stadiums, Sunday Bloody Sunday, Super Bowl, ticking guitars, Trip Through Your Wires, the Waterboys, Wembley Stadium, Where the Streets Have No Name, With or Without You, Zoo TV, 1987.US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)Pavel Sfera http://www.BonoDouble.com

In this episode, Bernie chats with Grammy-winning producer and keyboardist for The Waterboys, Brother Paul Brown. Brother Paul shares stories of his humble beginnings, discovering music in unlikely places, overcoming hardship, and the powerful lessons learned from mentors who shaped his journey. He also reflects on how fate, faith, and gratitude continue to guide his life and music today.www.instagram.com/bro_paul1963youtu.be/g2jBWhpe0sc******************************************Hungry for more?Check us out at https://isbreakfast.com******************************************

"Wait For Fire Burning" Formed in Oakland in 1985, Legal Reins were comprised of singer/guitarist Danny Benatar, bassist Eden Unger and drummer Tim Freund. They tore up the Bay Area scene, playing show after show and cementing themselves as one of the best live bands around. This is a band who did the work, got in the reps and eclipsed the Gladwellian idea of 10,000 hours. Opening for everyone from Madness to Killing Joke, Legal Reins proved themselves time and again that they could step on any stage and match anyone in terms of power and heart. Their exhilarating blend of sweeping pop epics and punchy hook laden rock and roll brought to mind everyone from The Sound to Echo and the Bunnymen to the Waterboys. After a bit of a bidding war, they signed to Arista in 1987, put out their debut album Please, The Pleasure soon after and then? Well, then things turned the other way. I'm going to let Tim tell you the story, but let me say this: In 1986 I was the music director of KVHS, an all-metal station located conveniently on my high school campus. I was in the habit of sneaking in The Smiths and The Chameleons in between Accept and Venom just to see if anyone noticed--they did, by the way. It was slightly terrifying to be 16 and getting death threats for not playing King Diamond, but I digress. Legal Reins called me up and they were very kind and I loved their music and one time I played them in between Y&T and Armored Saint and this one guy called up and said, very aggressively, Who was that you played after Y&T? I told him Legal Reins and he was quiet for second and then he said, That was pretty good... TEED: https://open.spotify.com/track/64o01ap4UeiY5Y8fVaqChx www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com

This week, hosts Reggie Worth and Jason Jefferies discuss the new releases of 9/12 and 9/19/25, including albums by Wednesday, Scott Ballew, Nine Inch Nails and more!  Also discussed are film scores and film soundtracks, and a couple of albums from earlier in the year that you might be sleeping on (SAYA by Saya Grey, and Life, Death and Dennis Hopper by The Waterboys).  Happy listening!

Song vs. Song is back from our unscheduled hiatus!! We finally cover two songs you might not know but your favorite artists definitely know and probably covered at one point. What is the best celestial and vaguely Celtic college rock song of the '80s, The Waterboys' "The Whole of the Moon" or The Church's "Under the Milky Way"? if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:Transgender Law CenterTrans LifelineDestination TomorrowGender-Affirming Care Fundraising on GoFundMeAlso, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's show, we celebrate the 50th anniversary of Bruce Springsteen's Born to Run, spend quality time with new records from Superchunk and Charley Crockett and spin fresh tracks from Ivy, The Last Dinner Party and Margo Price. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

This week we continue to look at AI and its impact on our society;  AI friends;  The Stepford Wives;  Edinburgh University Press on Black and white; National Library of Scotland censors Women Won't Wheesht;  Men giving birth in South Australia; Country of the Week - England;  The Magna Carta; The Significance of Flags; Christianity in England; Ceasefires;  Triggernometry and Netanyahu and Tommy Robinson on Mohammed and Jesus;  The Matrix; Geoffrey Hinton and AI Sub Goals;  French Muslims ban Barbie; Lisa Nandy appoints Muslim as only religious advisor to civil society project; Med 1 in 200 billion year event!  It's cold in Australia;  Offshore windfarms decimate fishing and environment;  BP to reopen large North Sea oil field; UEFA's non political political message; Jasper Carrott on insurance claims;  Rev James Haram and Colin Smyth MSP;  A Hidden Life; Feedback; Podcast change news;  with music from Queen;  Vera Lynn;  Aqua;  Frank Sinatra and Dorothy Kirsteen; The Waterboys;  Melbourne Opera; and Indian Christians. 

On this week's show, we send get well wishes to Dave Edmunds, pour one out for the late Terry Reid, and spend quality time with new records from Wet Leg, Ben Nichols, Lord Huron and J. Isaiah Evans & The Boss Tweed. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

On this week's show, we catch up on a smokin' boatload o' new-ish singles and pour one out for the late Ozzy Osbourne. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

On this week's show we spend quality time with new records from Vandoliers, HAIM, S.G. Goodman & Durand Jones & The Indications, and wish first-time cell phone owner Jack White a very happy 50th birthday. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

On this week's show, we celebrate the release of Bruce Springsteen's Tracks II: The Lost Albums box set with our Lost Albums Mix Tape. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

This week, Adam Sandler Month takes on The Waterboy and Big Daddy, two classics that helped lock in Sandler's ‘90s superstardom. We've got rage tackles, courtroom stunts, bedtime accidents, and a surprising amount of heart. From Bobby Boucher's bottled-up fury to Sonny Koufax's last-minute dad instincts, we dig into what makes these characters work and why they're still so watchable. It's football, fatherhood, and full-on Sandler chaos, and somehow, it all still lands.Give us a follow on Instagram and TikTok: @high.expectations.pod on both platformsReach out with comments or suggestions at podcast.highexpectations@gmail.comMusic courtesy of Vince Sasso of the Vince Sasso Trio(check them out on Instagram! @vincesassotrio)

Ezra Furman is my guest on this episode of That's How I Remember It. I've been a massive fan since I heard her 2013 release Day of the Dog, and her new record Goodbye Small Head might be her best yet. We talked about that as well as music taking the place of religion, rituals, The Waterboys, community, the top ten hits of 1961, early songwriting attempts, memory from a trans perspective, and so much more. I have been hoping to have Ezra on the show for a long time, and it was everything I hoped it would be. A fantastic conversation, check it out and subscribe!

As it is the last Friday of the second quarter of the year, it’s time to once again take a look back at the highlights of the last three months. Like usual, there’s a wonderful mix of all kinds of great music, from veteran bands (The Minus 5, The Waterboys, Swans) to brand new bands (Psychic Pigs, The Burgers). There’s free bandcamp faves (Friends of Cesar Romero, Vista Blue), our usual mix of Rum Bar Records bands, and multi-disc concept albums (David Lowery, The Waterboys). There’s some good old fashioned rock ‘n roll, garage rock, punk, and even some indescribible multi-genre bands that I like to call “garage-prog”.  What new albums have you been jamming? For more info, including setlists, head to http://scotthudson.blogspot.com

"A Sober Conversation" Although BC Camplight is the brainchild of the New Jersey born Brian Christinzio, don't be mistaken in thinking his onstage persona is a protective way of distancing himself emotionally from who he is offstage because it's the exact opposit. BC Camplight is actually a way of amplifying those emotions and as a result, it's hard to think of a more emotionally open and accesible artist working in music today. If you're getting the impression that BC Camplight is an open book, that's exactly what he is. With almost ten critically-acclaimed albums to his name like How To Die In The North, Deportation Blues, The Last Rotation Of Earth and his new one A Sober Conversation, Camplight's compositions are sprawling and discursive blasts of unflinching honesty, confessional narratives and unvarnished self-examination. Falling somewhere between The Waterboys' This Is The Sea and Leif Vollebekk's North Americana, over the years, Camplight's music has moved from strength to strength and his new album is perhaps his best yet, which with a body of work like he has, is saying a lot. A captivating blend of sweeping ballads, poignant rockers and ruminating piano-fueled stomp, A Sober Conversation is a stirring song cycle that's filled with anthems for survival. Although the songs are informed by trauma, loss and self-doubt, Camplight's poetic muscle in a peerless flex that makes every number rip through the darkness with the intention of finding a new brand of light. And that's exactly what this album does--more than illuminating the bleakness, it blasts it apart. It's stunning work. BC has toured all over the world, played on Later With Jools Holland, collaborated with members of the War On Drugs, The Last Dinner Party and Sharon Von Etten. And today, he's here with us.... https://bc-camplight.bandcamp.com/album/a-sober-conversation www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com Stereo Embers The Podcast BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com

Hour 1: It's the Waterboys Birthday! Reaction to Tyler Fitzgerald's Triple A option and a conversation with Marc Spears.See omnystudio.com/listener for privacy information.

Hour 1: It's the Waterboys Birthday! Reaction to Tyler Fitzgerald's Triple A option and a conversation with Marc Spears.See omnystudio.com/listener for privacy information.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Fairytale of New York by The Pogues (1988)Song 1: Jane Says by Jane's Addiction (Live) (1987)Song 2: Just Like Honey by The Jesus and Mary Chain (1985)Song 3: Cosmic Charlie by Grateful Dead (1969)Song 4: Seventeen by Sharon Van Etten (2019)Song 5: The Whole of the Moon by The Waterboys (1985)Song 6: Honey Don't by Carl Perkins (1956)Song 7: Thieves by Ministry (Live) (1990)Song 8: Carry the Zero by Built to Spill (1999)Song 9: Brimful of Asha (Norman Cox Remix) by Cornershop (1998)Song 10: Rock'n Me by Steve Miller Band (1976)

On this week's show, we celebrate Pride Month with the LGBTQ+ icons of queer country & new wave, and pour one out for legends Sly Stone and Brian Wilson as well as the sorely underrated Jill Sobule. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

On this week's show, we spend quality time time with new records from Julien Baker & TORRES, Tune-Yards & Esther Rose, spin fresh tracks from Superchunk, Ethel Cain & Low Cut Connie, and listen to some choice words for the current administration from Bruce Springsteen. all this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

Flesh & Blood, the third studio album by Poison, finds the group at the top of their form.  The team of Bret Michaels on lead vocals, C.C. DeVille on lead guitar, Bobby Doll on bass, and Rikki Rockett on drums had been quite successful in the glam metal genre of the mid-80's, and had developed a reputation for a "work hard, play hard" mentality.  While they had a legendary stage presence, they also were plagued with fights both within and outside of the band.  A number of lawsuits in various cities were predicated on Michaels' tendency to get into fights at parties and other events.  Despite these issues - or perhaps because of them - their reputation only grew over time. Flesh & Blood is an album that is more challenging musically than the earlier ones.  The band is toning down their glam metal persona and taking on more serious lyrical themes.  Songs cover a wide range from sex and motorcycles, to struggles with long term relationships, to frustration with the struggles seen in society.  The band would drop the excessive makeup of their earlier career, and found the songs on a more blues-oriented rock.  More piano work is included, with keyboardist John Webster contributing to the album sessions.The result was a success, reaching triple platinum status by 1991.  The album peaked at number 2 on the Billboard 200 chart and number 3 on the UK albums chart. This album would be a kind of high water mark for the group, as the industry was moving away from the metal sound of the late 80's and into the grunge sound of the mid-1990's.  However, the group would go on to record and tour into the new millennium, and Bret Michaels would become both a solo act and a celebrity with his MTV reality show "Rock of Love with Bret Michaels."Lynch brings us a look at a somewhat more mature Poison on this week's for today's podcast. Unskinny BopNot every song has deep or significant lyrics.  This hit single from the album started as a nonsense lyric, a placeholder that stuck.  The catchy repetition would make it a crowd favorite at concerts, and it was a top 10, going to number 3 on the Billboard Hot 100.Valley of Lost SoulsA deeper cut, this song lyrics talk about the life of a rock artist struggling to make it in a place without compassion.  It is a slower piece, but definitely not a ballad.  Life Goes OnC.C. DeVille brought the original draft of this song to the band.  The lyrics were inspired by a girlfriend of DeVille who was shot and killed in a California bar fight, and describe the quest for light at the end of a dark period in life.Something to Believe InThis ballad was the second single released from the album, and went to number 4 on the Billboard Hot 100.  Bret Michaels dedicated this song to his friend and bodyguard James Kimo Maano who had died previously.  The lyrics reflect the frustration in the failures of society, from poverty, to the treatment of Vietnam veterans, to the hypocrisy of televangelists. ENTERTAINMENT TRACK:You're In the Doghouse Now by Brenda Lee (from the motion picture “Dick Tracy”)This action movie based on the comic series from the 1930's starred Warren Beatty in the title role, along with Al Pacino and Madonna. STAFF PICKS:Ball and Chain by Social DistortionWayne kicks off the staff picks with a more alternative rock song penned by a punk rock band from their third and self-titled album.  The lyrics describe a hard luck story of a man who can't escape his difficulties.  It could be about a relationship, a rut in life, or about any vice that holds you down.Way Down Now by World PartyRob's staff pick is the first single from World Party's second studio album, "Goodbye Jumbo."  If you hear echoes of "Sympathy for the Devil," that is deliberate - though the song is much more upbeat.  It reached number 1 on the U.S. Modern Rock Tracks chart.  World Party is primarily a one-man project from multi-instrumentalist Karl Wallinger from the Waterboys.Tie Dye on the Highway by Robert PlantBruce brings us a song off plant's fifth studio album "Manic Nirvana."  The spoken line, "What we have in mind is breakfast in bed for 400,000." is from Wavy Gravy and the Hog Farm Collective, delivered at the Woodstock festival in 1969 announcing the intention to provide free breakfast to the crowd.  Kool Thing by Sonic YouthLynch closes out the staff picks with a song critical of the over-the-top masculinity of LL Cool J.  It was the first single from their sixth studio album, "Goo."  The track never mentions LL Cool J personally, but references a number of his works.  Chuck D. of Public Enemy provides the spoken vocals to the song.INSTRUMENTAL TRACK:Mildred Pierce by Sonic YouthWe double up on Sonic Youth as we end today's podcast with their instrumental based on a 1945 film noir starring Joan Crawford.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The April 2025 New Music Train is making its final journey of the month, picking up Scot Isom in the suburbs of Kansas City before Patrick hops on board and rides into the depot. In this episode, you'll hear music from The Waterboys, Matt D, Jesse Welles and Scowl. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

While we were observing the Memorial Day holiday, the April 2025 New Music Train was chugging across the Atlantic to pick up Liam McIndoe in Dublin. Then, it was back to New York City to grab Jason Goebel and let the new music flow. We'll hear about work from The Bats, Poor Creature, Valerie June, Goose and The Waterboys.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Steven and Ian open this week's episode with a question: Was the first quarter of 2025 a little disappointing, in terms of album releases? Seems like it was (1:51). So why not look ahead to the second quarter? The guys go over new-release teases for music this week from a bevy of stars, including Wet Leg, Turnstile, and WU LYF (3:24). Then they do the Fantasy Albums Draft for the second quarter, discussing upcoming records from Lana Del Rey, Bon Iver, Billy Woods, Tunde Adebimpe, and more (26:01).In the mailbag, they discuss the newly announced arena tour for Brand New, and whether the emo band has faced appropriate consequences for allegations against singer-songwriter Jesse Lacey (49:42).In Recommendation Corner, Ian talks up "Altered Zones"-core act OHYUNG while Steven stumps for the dreamy neo-grunge band Momma (with extra shouts to Craig Finn and The Waterboys) (1:04:30).New episodes of Indiecast drop every Friday. Listen to Episode 233 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.