Podcasts about opening night

Dallas has a new restaurant worth talking about — and we're talking about it. This week we dig into the highly anticipated opening of Oloyo, plus a visit to Alma Cafe. Then things get a little chaotic in the best way: food writer Sarah Blaskovich breaks down her deep dive into just how many chain restaurants call D-FW home. Spoiler: it's a lot. We also heard from you — the chains you wish would finally show up in North Texas. Some answers were surprising. Some were very, very not. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are bringing you our 242nd episode of big T & LIL t with nerdom and fun.  We are doing a cross-over epsiode with WSTR | Galactic Public Access.  WSTR has hijacked our communications.   Get ready for a deep dive into the upcoming Mandalorian and Grogu movie, predictions, and the latest Star Wars buzz as we approach the cinematic release. Join Todd Hoffman - big T on insights, speculations, and reflections on Star Wars lore, upcoming projects, and fan reactions. In this episode: The excitement and reservations about the Mandalorian Grogu movie Star Wars milestones and May's significance Predictions for plot twists, character appearances, and surprises The state of Star Wars fandom and recent controversies News from the galaxy's edge, including fan reactions and marketing moves Updates on Star Wars TV shows, productions, and upcoming releases Personal geeky projects and weekend plans How to stay connected and support the show Key Topics & Insights: Todd and Big T Little T's overall excitement for the Mandalorian Grogu film, balancing anticipation with skepticism The importance of appealing to young audiences and connecting with next-generation Star Wars fans Predictions on Grogu's training, potential threats like Thrawn, and cameos from characters like Zeb and Carson Teva The debate over Luke Skywalker's possible return and the potential for significant character moments The significance of May milestones in Star Wars history: Empire Strikes Back, Phantom Menace, Return of the Jedi Fan discourse around recent Star Wars projects and how social media influences perception Controversies surrounding Galaxy's Edge promotions, influencer appearances, and merchandise The current state of Star Wars critics and box office predictions Personal geeky activities, including Mandalorian binge-watching and model painting The importance of community support for Star Wars films and the franchise's longevity Timestamps:00:00 - Welcome and introduction to episode 431 00:54 - Mandalorian Grogu movie predictions and internet buzz 02:27 - Reflection on the Mandalorian season 3 and upcoming release 02:56 - Excitement and reservations about the new film 03:25 - Celebrating May milestones in Star Wars history 04:23 - Why the May celebrations matter more than the movie itself 04:52 - Comparing new project excitement with classic nostalgia 05:22 - The key element: movies must be fun for kids to build the next generation 06:20 - The importance of children's reactions and future fans 07:18 - Should the film get the Mandalorian culture and lore right? 08:15 - Din Djarin and Grogu's potential story arc at the start of the film 09:14 - Main threats in the galaxy: Thrawn, remnant factions, or new villains 10:12 - Upcoming crossover events and their impact on the story 11:22 - Potential appearances: Ahsoka, Bo-Katan, Boba Fett, and others 12:51 - Luke Skywalker's return possibilities and cameo potential 13:40 - Will Din Djarin evolve into a protector of Mandalore? 14:35 - Bold predictions: character deaths, Grogu lightsaber, Mythosaur 15:28 - Grogu's first spoken words and helmet removal debate 16:52 - Emotional moments between Din and Grogu 18:00 - Post-credit scene expectations and film success prediction 19:09 - Predictions for next year's major Star Wars releases 20:41 - Fan reactions, social discourse, and controversies 22:56 - The influence of influencer marketing and fan perceptions 25:06 - Overall thoughts on Star Wars franchise health and future 27:23 - Reaffirming that Star Wars remains a vibrant future franchise 28:14 - The significance of community, next-generation fans, and continuing stories 29:09 - Personal geek activities prepping for Mandalorian season, projects, and weekend plans 31:16 - Connecting with the show on socials and support options 32:15 - Closing thoughts and farewell May the Force be with you always. Drop as a voice memo or email at bigtliltpodcast@gmail.com. big T & LIL T

On this episode of the Blackhawks Breakaway Podcast, Pat Boyle and Charlie Roumeliotis are joined by Blackhawks assistant general manager of player development Mark Eaton to evaluate the organization's prospect pipeline after a successful season across multiple levels. Eaton discusses what it's been like watching the Blackhawks go from having a thin prospect pool to one many consider the best in the NHL, and explains how the organization's transition to off-ice development camps have helped strengthen chemistry and culture throughout the system. He also breaks down No. 3 overall pick Anton Frondell and his brief stint with the Blackhawks, why playing in the Swedish Hockey League was important for his development, and what his NHL ceiling could be. Eaton also shares his thoughts on Roman Kantserov's breakout KHL season and how his game may translate to the NHL level. Plus, Eaton dives into the development of Artyom Levshunov and discusses the growth of the Blackhawks' young blue line. Later in the episode, Eaton highlights several underrated prospects who may have flown under the radar, weighs in on the organization's goaltending depth, and shares his excitement for another incoming draft class and the process of mapping out each player's development path. To close the show, Pat and Charlie discuss Kantserov signing his entry-level contract and where he could fit into the Opening Night lineup. They also talk about Ilya Mikheyev's reported availability via trade if the Blackhawks are unable to agree to a contract extension before July 1, and they wrap up with their Conference Final predictions: Colorado and Vegas in the West, Carolina and Montreal in the East.

Former NFL All-Pro safety Kerry Rhodes is in for Kelvin, and he and Rob explain why the NFL decided not to give number 1 overall NFL Draft pick Fernando Mendoza a single primetime game this season, and discuss why Deion Sanders should focus more on Shedeur’s sub-par play on the field that what people say about him on the field. Plus, former NFL quarterback and FOX Sports Radio NFL analyst Shaun King swings by to discuss his expectations for Fernando Mendoza as a rookie, why the NFL scheduled the New England Patriots on Opening Night, the ongoing Dianna Russini-Mike Vrabel soap opera, and much more!See omnystudio.com/listener for privacy information.

Former NFL All-Pro safety Kerry Rhodes is in for Kelvin, and he and Rob discuss why Deion Sanders should focus more on Shedeur’s sub-par play on the field that what people say about him on the field, and provide up-to-the-minute analysis of Game 6 between the Cleveland Cavaliers and the Detroit Pistons. Plus, former NFL quarterback and FOX Sports Radio NFL analyst Shaun King swings by to discuss his expectations for Fernando Mendoza as a rookie, why the NFL scheduled the New England Patriots on Opening Night, the ongoing Dianna Russini-Mike Vrabel soap opera, and much more!See omnystudio.com/listener for privacy information.

On a new episode of The Fellas with Anthony Gargano & Geoff Schwartz, the guys discuss which NFL teams are the winners from the NFL primetime slots and which teams should be shown in primetime slots more than others. The guys then debate that the which game should be the opening game for the NFL season and if it makes sense for the Superbowl rematch should be the opening night or not. Then they discuss the NBA playoffs and which potential matchups make for the best NBA Finals, then Big Brain Brad joins the show for all the best bets headed into the weekend! See omnystudio.com/listener for privacy information.

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It's a wrap for Irish Stew as the podcast-in-residence at the 2026 Solas Nua Capital Irish Film Festival in Metro DC with this episode of five conversations spanning three films: Saipan, Báite, and Conveyance.The Festival's Opening Night feature Saipan unspools the drama that played out on that distant island between the manager of the 2002 World Cup-bound Irish football team Mick McCarthy, played by Steve Coogan and its star player Roy Keane acted by Éanna Hardwicke.Co-director Glenn Leyburn speaks to co-host John Lee about the challenge of dramatizing one of Irish football's most divisive moments: "You want to show both sides of that story and show both men as three-dimensional human beings. We realized how much they wanted the best for their country and the team but just had different ways of going about that. Drama is built from having those shifts and then having shifts within that."Co-director Lisa Barros D'Sa explained the creative process of her filmmaking partnership with her husband Glenn, saying, "The most important thing is to agree on the voice of the film and what the tone is. Once we lock that in, we know the film that we want to make. And then on set, I work a bit more with the actors. Glenn works a bit more with camera."Festival regular and Irish football fan Dan Mahoney provides some audience perspective: "I've probably been to this festival seven or eight times. I was in Dublin for the semi-final match in 1990, which was an unbelievable experience. I didn't remember the whole story, but I thought it was a fabulous film," he said.The following day, John spoke with Eleanor O'Brien, lead actor of Báite, the Irish-language murder mystery and family drama that earned the festival's fan favorite award."It was my first feature film where I was the lead — and challenging for that reason, and also because of the Irish in it. By no means am I a native speaker," she says, adding “It's really nice being there at the start and being able to create a character knowing that the character is with me in mind."Eleanor shares the unlikely early steps in her young career and towards the end of the conversation with the rising star, you'll learn the Irish word for handcuffs!Co-host Martin Nutty closes out the festivities with Gemma Creagh, associate editor of Film Ireland and director of the short film Conveyance, a satirical and spooky look at Ireland's housing crises, told through the eyes of a young couple trying desperately to find a home.“They go to see some really dilapidated, horrible places, and then they find this most incredibly gorgeous apartment in Dun Laoghaire overlooking the sea, however, it is not without an undisclosed guest of some ghostly kind,” she says.Gemma also offers a sweeping account of the Irish film industry's rise, pinpointing a pivotal moment, saying, "Game of Thrones came into Northern Ireland and it was the biggest production that had ever been in Ireland. The impact was huge."Three films, five voices, and a fitting farewell to a festival that keeps delivering.Irish Stew LinksIrish Stew CIFF EpisodesFacebookInstagramLinkedInBlueskyMedia Partner: IrishCentralSend us Fan Mail

Rick returns with a full recap of Universal Studios Hollywood FanFest 2026 Opening Night, breaking down the experience from start to finish after attending with Salina during their anniversary trip.Building off last year's coverage (Ep.113 with Lore), this episode dives into how FanFest has evolved in Year 2—from larger-scale attractions and stronger theming to heavier crowds and tougher time management.Rick walks through the night chronologically, covering major experiences like Dungeons & Dragons, the highly immersive Scooby-Doo x Universal Monsters, the standout One Piece live stunt show and themed area, and the atmospheric Harry Potter Forbidden Forest walkthrough—sharing what worked, what didn't, and what's actually worth your time.He also breaks down the FanFest Dining Pass, reviewing multiple food items, calculating real value, and giving honest feedback on quality vs cost. Additional insights include merch improvements, meet-and-greet experiences, and why it's nearly impossible to do everything in one night.Whether you're planning to attend or just curious if FanFest is worth it, this episode delivers a real, unfiltered perspective on what to expect—and how to approach it.Final takeaway: FanFest 2026 is bigger and better—but only if you go in with a plan.

On this episode, we talk about Opening Night. #anthology #horror #90shorror #horrorforkids #AYAOTD #areyouafraidofthedark #LylianaWray #SamAshArnold #Miyako #TamaraSmart #JeremyRayTaylor #DJMacHale #NedKandel #Cinar #Nickelodeon Check out: Talesfromthepodcast.com http://linktr.ee/skewereduniversepodcast happyhournewsteam.com And can contact me through email here at talesfromthepodcast13@gmail. WooHoo!!! Tales From The Podcast The Fucking Video Game out now for PC! Purchase now for $10 Send payment and email to: PayPal - talesfromthepodcast13@gmail.com CashApp - $talesfromthepodcast $5 more and you pansies get a cheatbot! #horror #rpg #indiegame #pcgaming #oldschool #funny #adult #sexy #dirtysocks #spooky #horrorgame #videogaming #indiegaming #pogs #90snostalgia

After our 3 hour LIVE broadcast during the 1st round Brian & Craig caught up Friday lunch time for a brief discussion at some of the key storylines and surprising moves made overnight. Our friends at QuinnBet have great odds on the Premier League, amazing Acca Bonuses, Acca Insurance & many other daily specials. Find out more at⁠⁠⁠ ⁠https://www.quinnbet.com/uk/sports/specials⁠⁠⁠⁠. Remember it's 18+ T&Cs Apply - Always Gamble Responsibly. Follow us on our socials and let us know what you think: Instagram: https://www.instagram.com/irishnflshow/ TikTok: https://www.tiktok.com/@irishnflshow?is_from_webapp=1&sender_device=pc X: https://x.com/IrishNFLShow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ellenore Scott joins the show to discuss her historic season, where she has achieved the rare feat of having multiple productions running simultaneously on and off Broadway. She shares the incredible story of her son Ford's birth, which took place less than twenty-four hours after she walked the red carpet for the opening night of Ragtime at Lincoln Center. Ellenore reveals the logistical gymnastics of negotiating with her doctor to delay her C-section so she wouldn't miss her opening night, and how she transitioned from celebrating a professional milestone to welcoming her first child the very next morning. The conversation dives deep into her creative process, specifically how she builds a unique movement language for vastly different shows like Ragtime and Titanique. Ellenore explains her history as a "TikTok girly" during the pandemic and how she successfully choreographed the viral Ratatouille: The TikTok Musical entirely over Zoom. She also breaks down her secret "choreographic signature"—the "bitch swerve"—and tells us exactly where to look for it in her current productions. Ellenore Scott is an acclaimed choreographer, director, and performer whose work spans Broadway, television, and digital media. A former finalist on So You Think You Can Dance, she has choreographed Broadway productions including Funny Girl, Mr. Saturday Night, and the current revival of Ragtime, as well as the long-running Off-Broadway hit Little Shop of Horrors. She is a multiracial artist with a heritage encompassing African American, Indigenous, Filipino, Mexican, Hawaiian, and Irish roots. Ellenore is also the founder of her own dance company and has served as an associate to Andy Blankenbuehler on the Broadway revival of Cats. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Ellenore: IG: @helloellenore Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Training camp is open, and the New York Liberty look nothing like the team that lost in the first round to Phoenix a year ago.Brian is LIVE on the scene as the DeMarco era officially begins at Barclays Center — and we have a lot to talk about.

Ben Criddle talks BYU sports every weekday from 2 to 6 pm.Today's Host: Ben Criddle (@criddlebenjamin) and Co-Host: (ronthe3manweav)Subscribe to the Cougar Sports with Ben Criddle podcast:Apple Podcasts: https://itunes.apple.com/us/podcast/cougar-sports-with-ben-criddle/id99676

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

We were honored to be invited to cover the Gold Carpet for the opening night of the highly anticipated production of CATS: The Jellicle Ball with VIPs from the film, TV, and Broadway industries along with the cast and creative team from the production. Hear us discuss the excitement for the opening night, changes from downtown to Broadway, and which Jellicle cat each celebrity would want to play. Featuring (in order): Co-Directors Zhailon Levingston & Bill Rauch, Associate Director Cooper Howell, Co-Choreographers Omari Wiles & Arturo Lyons, Costume Designer Qween Jean, Junior LaBeija, Leiomy, Ken Ard, Sherrod T. Brown, Garnet Williams, Bebe Nicole Simpson, Kalyn West, Jonathan Burke, Baby Byrne, Dudney Joseph Jr., Emma Sofia, Sydney James Harcourt, Nora Schell, Robert “Silk” Mason, Betty Buckley, Jacob Brent, Kevin Cahoon, Todrick Hall, Jess Val Ortiz, Lea DeLaria, LaChanze, Marti Gould Cummings, Jenn Colella, Olivia Lux, and Vanity LaVain. About the Production: Cats: “The Jellicle Ball” is a radical reimagining of Andrew Lloyd Webber's iconic musical based on T. S. Eliot's Old Possum's Book of Practical Cats, inspired by the Ballroom culture that roared out of New York City over 50 years ago and still rages around the world. Staged as a spectacularly immersive competition by Zhailon Levingston and Artistic Director Bill Rauch. Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠catsthejellicleball.com⁠⁠ Produced by: ⁠⁠⁠Alan Seales⁠⁠⁠ & ⁠⁠⁠Broadway Podcast Network⁠⁠⁠ Social Media: @⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie reviews number fifty nine!
Diving in with the heavy today we have Otto Preminger's (Tell me that you love me, Junie Moon 1970)
Starring Liza Minnelli and Pete Seeger. A very brave and early film with Queer content, and like Boys in the Band, it can get a bit rough.
next is (The Neon Ceiling 1971) “Your Turning Violet, Violet!” Denise Nickerson, Lee Grant, and Gig Young star in this hot mess of a made for tv film. 
On to (Sleuth 1972) Two extremely British men talk and meanly prank each other for 2 hours and twenty minutes.
Next up is (Day for Night 1973) Here is a film we are told by all film connoisseurs on the planet that we must love, and fine I guess I do just leave me alone about it. This film reminds me of Opening Night 1977 and I am then reminded how much more I liked that film.
Oh look what's next (Rafferty and the Gold dust Twins 1975) Spoiler alert, if you want a free meal at a fine restaurant, just eat all ya want, walk to another table and gently set it on fire. 
Two more left in this batch and here's (Abba the movie 1977) another concert film that got a theatrical release, this one had some big money put into it, annnnnd an actual plot, though it is of the “Freebox” variety.
Finally today we review (Long Journey Back 1978)
Train versus school bus and one students long journey back. So it's obviously light and fun. Cloris mother f'n Leachman is in this films Haus!!!!
thanks for listening friends and if yer new
please write us a review, why not?

Sports anchor and reporter for WSVN in Miami - Donovan Campbell - attended the first ever game at Nu Stadium Saturday night. He shares his full review.

The Drive explained about the NFL won't have the Chiefs on Opening Night, and how Clark Hunt said as much during the owner's meetings.

- Opening Night reaction- The day off after Opening Day- Paul Skenes pulled in the FIRST- Wetherholt, DeLauter and other debuts- C.B. Bucknor + ABS system thoughts- The $75 Shohei Ohtani cupListen/watch: https://bio.link/threeohtakeFollow us!FB: https://www.facebook.com/threeohtakeIG: https://www.instagram.com/threeohtakeTOK: https://www.tiktok.com/@threeohtakeX: https://twitter.com/kylecorwintakes“THREEOHTAKE” for 10% off your Chinook Seedery order: https://www.chinookseedery.com/discount/THREEOHTAKE"THREEOHTAKE" for $20 off your first SeatGeek order: https://seatgeek.com/

This is a free preview of a paid episode. To hear more, please visit our Patreon. Ben Lindbergh and Meg Rowley banter about the pleasures of and precedents for the historic rookie performances on Opening Day, the pains of Netflix’s Opening Night broadcast, an Opening Day disaster for Paul Skenes, Oneil Cruz, and a bird near Carson Benge, Freddie Freeman’s gameday fit, a perplexing (un?)fun fact about the Phillies and Jhoan Duran, why players don’t always challenge when they “should,” Nico Hoerner and Shane Baz extensions, baseball movies being back (thanks to Tom Hanks), and more, plus a Stat Blast (1:28:40) about Black Ink streaks and a postscript (1:37:14) featuring a follow-up and a few bonus Blasts. Audio intro: Grant Brisbee, “Effectively Wild Theme” Audio outro: Philip Bergman, “Effectively Wild Theme” Link to freemium model announcement Link to written explanation Link to 2026 new debuts Link to RE24 query Link to 2026 RE24 players Link to 1914 RE24 players Link to 1938 RE24 players Link to 1950 RE24 players Link to RE24 glossary Link to B-Ref RE24 leaders Link to total bases query Link to 2026 TB players Link to 1938 TB players Link to 1.000 OPS query Link to 2026 1.000 OPS players Link to 1901 1.000 OPS players Link to 1938 1.000 OPS players Link to Dick Crutcher bio Link to Baumann on the rookies Link to “Baseball’s Sad Lexicon” Link to first White Sox game Link to Marchand on the Netflix game Link to Bonds story Link to Bonds at Rickwood game Link to 180-degree rule Link to FG post on Skenes Link to Ben on the Pirates and A’s Link to Pirates HR celebration Link to Benge on the bird Link to Freeman post 1 Link to Freeman post 2 Link to Stark post Link to Sam post Link to Phillies home closers query Link to Phillies road closers query Link to Phillies OD home games Link to Phillies OD road games Link to home OD saves by team Link to Kruk comment Link to Tango on location uncertainty Link to Petriello on catcher challenges Link to Ben’s catcher research Link to MLBTR on Hoerner Link to MLBTR on Baz Link to upcoming FA class Link to Hanks movie announcement Link to Hanks typewriter collection Link to Night Swim wiki Link to Caught Stealing wiki Link to Eephus EW interview Link to Ben on Rogue One and Andor Link to Black Ink info Link to Black Ink data 1 Link to Black Ink data 2 Link to Ben on Trout’s Black Ink Link to blowout 1 Link to blowout 2 Link to blowout 3 Link to blowout 4 Link to blowout 5 Link to blowout 6 Link to blowout 7 Link to blowout 8 Link to Vinay’s data Link to 1930 game Link to Sam on record talent Link to Davy on Mets basestealing Link to Newsday on Mets basestealing Link to story on Richardson and Riley Link to listener emails database Sponsor Us on Patreon Give a Gift Subscription Email Us: podcast@fangraphs.com Effectively Wild Subreddit Effectively Wild Wiki Apple Podcasts Feed Spotify Feed YouTube Playlist Facebook Group Bluesky Account Twitter Account Get Our Merch! var SERVER_DATA = Object.assign(SERVER_DATA || {}); Source

Luke gets into it with the people sitting next to him at Opening Night, but Becca has his back, plus David From the Basement stops by to explain why Stephen Colbert is writing the next Lord of the Rings film.

Charlie Furbush and Mike Lefko discuss the excitement of the M's opening night despite the loss. Then, In Need to Know, we dicuss Brendan Donovan hitting a HR in his first AB, the M's planning to move Sep 9th evening game to day game to accommodate Seahawks season opener, March Madness results from last night, how the rest of the AL West fared and the Kraken winning in overtime. Plus, we hear from Justin Hollander in The Rewind.

Johnny Doskow and Ken Korach preview the A's 2026 Opening Night matchup in Toronto. They were joined by David Feldman (1:23), Martin Gallegos (7:13), and Mark Kotsay (18:00). Learn more about your ad choices. Visit megaphone.fm/adchoices

SF Chronicle’s Susan Slusser joins Murph & Markus to break down the awkward Netflix Opening Night broadcast, Logan Webb’s tough 2026 start, Tony Vitello’s first MLB game as manager, and how the Giants built their roster for the 2026 season.See omnystudio.com/listener for privacy information.

Shawn Estes joins the show to breaks down the team's opening day loss. He shares his thoughts on the team's roster construction, including the pitching staff and defense, and discusses the importance of Logan Webb's ability to bounce back from a tough outing. See omnystudio.com/listener for privacy information.

Giants Analyst and former shortstop Rich Aurilia joins the show to discuss the Giants lack of offense on Opening Night. He also explains the importance of a solid bullpen and the role that plays in a teams success. See omnystudio.com/listener for privacy information.

Chris “Mad Dog” Russo joins Murph and Markus to deliver a blunt critique of Netflix’s first exclusive MLB broadcast as the Giants stumble to a rough 7-0 Opening Night loss. A fiery breakdown of the game, the broadcast, and what comes next.See omnystudio.com/listener for privacy information.

Copes and D-Pop dive into the world of celebrity encounters and weird run-ins. From a hilarious story about meeting Randy Savage to a surprising encounter with Joe Montana, the guys take calls of people meeting famous people in unexpected ways. They also discuss the latest news in the NBA, including the potential expansion teams in Seattle and Las Vegas, and the Warriors' season outlook. Plus, they're joined by Sam Amick, who shares his insights on the NBA draft and the league's future.See omnystudio.com/listener for privacy information.

HOUR 2 - Murph & Markus broadcast live from 58 Social on what the Giants must fix to reach the playoffs. Mike Krukow joins to explain why Opening Night felt far from a true season opener and what it means for the weeks ahead.See omnystudio.com/listener for privacy information.

Sports photographer Brad Mangin joins Murph and Markus to break down what it was like shooting the Wednesday Netflix Opening Night game, sharing behind‑the‑scenes stories and insights from the historic broadcast.See omnystudio.com/listener for privacy information.

Giants CEO Larry Baer reveals new 2026 Oracle Park upgrades, reacts to Netflix’s first MLB broadcast, and breaks down why Opening Day in San Francisco hits differently than the Netflix Opening Night game.See omnystudio.com/listener for privacy information.

Mike Krukow joins Murph & Markus before Opening Day at Oracle Park to break down the Giants’ rough 7–0 Opening Night loss to the Yankees and share insight on Robbie Ray’s recovery and expectations heading into the 2026 season.See omnystudio.com/listener for privacy information.

Christopher "Mad Dog" Russo joins the show to react to Netflix's Opening Night stream between the Yankees and Red Sox. Nick dives into last night's wild night in the NBA. Plus, Nick and the crew give out their best bets for tonight.

Profile This, TV Time with Ted and Headlines!

C&R celebrate the Opening Night of MLB! The guys run it back with their (now annual) Yankees/Mets Ba$eball bet! They give their award predictions & look into the crystal ball for "out on a limb." Plus, The Joker wants another MVP!See omnystudio.com/listener for privacy information.

C&R celebrate the Opening Night of MLB! The guys run it back with their (now annual) Yankees/Mets Ba$eball bet! They give their award predictions & look into the crystal ball for "out on a limb." The Joker wants another MVP & they have fun with player height & the new ABS! Plus, 'MIKE'S WORDS OF WISDOM,' Sam has 'MID WEAK MAJOR, & Covino has HATS! See omnystudio.com/listener for privacy information.

Missouri REPRESENTED on Opening Night, Plus Gas Price Plans and KS Legislature's Smart Move | 3-26-26See omnystudio.com/listener for privacy information.

Hour 2:The Giants' opening night loss to the Yankees had fans buzzing. Silver Krueger break down the game, discussing the team's defensive struggles and the impact of Tony Vitello's managerial decisions. They also dive into the lineup, questioning the placement of Chapman, Devers, and Ramos. Larry Krueger shares his thoughts on the team's offense, citing concerns about strikeouts and the lack of big boppers in the outfield. The guys also discuss the scoreboard issues at Oracle Park, with a caller suggesting the Giants gather season ticket holders to improve the display.See omnystudio.com/listener for privacy information.

Hour 1: Silver & Krueger's Reaction Show is back, and they're breaking down the Giants' tough opening night loss to the Yankees. Larry Krueger, who's got some thoughts on the game and the Netflix broadcast. They dive into the Giants' struggles at the plate, the Yankees' impressive offense, and the bullpen's promising performance. They also discuss the importance of not overreacting to one game and the long season ahead. Plus, they'll be talking to Randy Winn, the Giants' VP of Player Development, about the team's young prospects and the challenges they face.See omnystudio.com/listener for privacy information.

HOUR 1 - The Giants drop a dud on Opening Night against the Yankees. Logan Webb explains what went wrong and why New York hit him again, while Tony Vitello reacts to his first loss as a big‑league manager. A sobering start to the season with plenty to unpack after Game 1.See omnystudio.com/listener for privacy information.

HOUR 2 - More reaction to the Giants’ Opening Night loss as frustration sets in early. Giants President of Baseball Operations, Buster Posey joins the show to answer big questions about what went wrong, key roster decisions, and where the team goes from here after a rough season opener.See omnystudio.com/listener for privacy information.

Marcus Thompson, lead columnist for The Athletic, joins the show to share his thoughts on MLB’s season opener, the Netflix broadcast experience, and the Warriors clinching a spot in the NBA Play‑In Tournament. Insightful perspective from one of the Bay Area's best.See omnystudio.com/listener for privacy information.

Giants President of Baseball Operations Buster Posey joins the show to answer tough questions after last night’s Opening Night letdown. He addresses the pregame theatrics and whether they were a distraction, plus explains key roster decisions, including keeping Jerar Encarnacion over Luis Matos.See omnystudio.com/listener for privacy information.

On today's show, Pat, Darius Butler, AJ Hawk, and the boys chat about MLB Opening Night on Netflix as the Yankees travel to San Francisco to take on the Giants, they look at some of the best bets, look at other Pro Day's that have been happening around the country, some NFL news, the NBA approving expansion teams in Seattle and Las Vegas, and everything else happening around the sports world. They're also joined by several great guests including Super Bowl Champion, 3x All-Pro, Pro Bowler, 14 year NFL veteran who just recently retired, Lavonte David, 2x National Champion and Head Coach of UConn, Dan Hurley joins the show ahead of Friday night's Sweet 16 tilt against Michigan State, 2x World Series Champion, ESPN MLB analyst, and co-host of the Lovable Reunion with Anthony Rizzo, David Ross, and lastly 2x NASCAR Xfinity Series Champion, Driver for Team 23XI, Tyler Reddick. Make sure to subscribe to youtube.com/thepatmcafeeshow or watch on ESPN (12-2 EDT), ESPN's Youtube (12-3 EDT), or ESPN+. We appreciate the hell out of all of you. We'll see you tomorrow, cheers. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Boys are back today breaking down all the betting action in the sports world. To start the guys break down all the action they missed. As always they give their best bets for the day in MLB, NBA, CBB, NHL, Footy, and more.

Mason is joined by Ramona Shelburne today in the studio! The crew tip off the show with more news regarding NBA expansion. MLB Opening Night is here! Who will be on Netflix's coverage of the game? The Lakers continue their road trip in Indy tonight. The crew dive into the alleged claims against Puka Nacua. What did the NBA players association say about the 65 game rule for awards? Ice Breakers! Learn more about your ad choices. Visit podcastchoices.com/adchoices

How good will the Kpop Demon Hunter Happy Meals be? Also, what is going on with Puka Nacua? We talk about baseball's Opening Night, the insane story of a corgi leading kidnapped dogs to safety, and lots more!

On today's episode, Joe, Prez and Art discuss today's sharp action, MLB Opening Night, NIT Quarterfinals bets, predictive market investments, parlay of the day and more!00:00 INTRODUCTION00:17 HOW DID THE BOOKS DO OVER THE WEEKEND?01:36 SHARP BETS TODAY: NBA03:33 SHARP BETS TODAY: NIT GAMES04:42 SHARP BETS TODAY: SWEET 1607:02 PREZ HAS A PUBLIC SERVICE ANNOUNCEMENT13:04 PARLAY OF THE DAY13:56 PREDICTIVE MARKETS: BITCOIN | MLB FUTURES MARKET24:30 CBB RUNDOWN: ILLINOIS ST VS DAYTON | NEVADA VS AUBURN26:33 NHL + MLB RUNDOWN: YANKEES VS GIANTS BEST BET30:03 NBA RUNDOWN