Podcast appearances and mentions of phil hamilton

Hello and Welcome Back! We are digging in to the grass-roots scene this week! I enlisted the help of Phil Hamilton, as we discussed our picks for the best courses in NZ for a Green Fee of less than $100. Phil is the co-author of the book 'Sweet Spot' which explores the best 36 courses NZ has to offer from top to bottom. Was a very fun exercise and I hope you all enjoy. Sweet Spot Website: https://sweetspotgolfbook.com/Listeners can use code YARDAGE10 for 10% offSupport our partners at Angus and Grace Go Golfing: https://www.angusandgracegogolfing.com/Use code YARDAGEBOOKNZ for Free Shipping to NZ 

Hello and welcome back! I was fortunate to chat with Michael Donaldson last week to discuss the new book "Sweet Spot" which is a book he wrote alongside Phil Hamilton showcasing 36 of New Zealand's best and most interesting golf courses from the top of the North Island to the bottom of the South. I really enjoyed chatting with Michael about all the things that went into making the book, the selection process, and chatting about NZ's golf landscape as a whole.The book is available from https://sweetspotgolfbook.com/ and listeners can use code YARDAGE10 for 10% off Enjoy!

Today's podcast guest hails from the great state of Texas and has been a fixture on the Red Dirt Music Scene for well over a decade. He joins me to talk about a new EP that will be out in early 2024, and we are going to hear several songs from it today.  Please welcome Brazos Wind recording artist Phil Hamilton.Buy Rik a cold onePodcast Links:Click here to see the video for "Rock Bottom Whiskey"Click here to stream "Rock Bottom Whiskey"Click here to go to Phil's Instagram accountClick here to go to Phil's Facebook Music pageClick here to go to Phil's Facebook personal pageClick here to go to Phil's YouTube ChannelClick here to go to Phil's Twitter/XAll music used by permission from the artistSomeone You Should Know 2023 // CatGotYourTongueStudios 2023How to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

Counterfeiting remains a serious problem, to say the least. According to a recent report of the United States Patent and Trademark Office, global trade in counterfeit goods could pass US 2 trillion annually, making it one of the 10 largest “economies” and one of the biggest sources of job losses globally. All sectors are concerned, most brands experience harm from counterfeiting, not only inflicting massive negative economic harm, but also posing a danger to consumers' health and safety and on the environment… And the trend is not slowing down and is in recent years further exacerbated by increased online counterfeiting. Combating counterfeit is one of the most challenging concerns of our times. This is the mission of Countercheck, a German/Italian company, whose objective is to “revolutionize the counterfeit landscape” by closing the route to market for counterfeiters. Earlier this year, they won the award in the Scale-up category of INTA's first-ever Open Innovation Challenge, prevailing among 31 entrants. Countercheck has developed an anticounterfeiting technology (patent pending software) that allows parcel and postal firms to intercept and block small parcels containing counterfeit goods—before they are delivered to the end consumers—and take out of circulation. With access to worldwide cross-belt sorters equipped with parcel detection technology to identify and sideload suspicious parcels, brand owners and couriers can join forces in this fight and scale the removal of counterfeit goods from the marketplace. Our guest for this episode of Brand & New is Phil Hamilton, Countercheck co-founder and CEO since 2021. Experienced in bringing new business solutions to a diverse set of industries and markets, he worked internationally for more than 15 years in business growth roles. He is based in Germany.Brand & New is a production of the International Trademark AssociationHosted by Audrey Dauvet - Contribution of M. Halle & S. Lagedamond - Music by JD BeatsFOR MORE INFORMATION, VISIT INTA.ORGTo go further: https://www.linkedin.com/in/phamilt/?originalSubdomain=deAlso of interest:https://www.inta.org/inta-events/open-innovation-challenge/ https://www.uspto.gov/sites/default/files/documents/USPTO-Counterfeit.pdf

Flute-playing soul-jazz phenomenon Ragan Whiteside has become one of the genre's most consistently dynamic and popular artists. Thanks to her incredible skill and creativity on her chosen instrument, as well as her charismatic presence on stage, Whiteside is at the top of her game. That was demonstrated in October 2022, when she became the first artist to win the competitive Best Contemporary Jazz Artist Award at the inaugural Jazz Music Awards, held at the Cobb Energy Centre in Atlanta. Whiteside is also a 2023 NAACP Image Award Nominee and four-time nominee for the Smooth Jazz Network's Best Artist Award. That distinction is well-deserved, as the Atlanta-based musician, songwriter, and vocalist have become one of very few women players to excel in the male-dominated instrumental sphere, garnering eight consecutive Top Ten Billboard airplay singles by 2022. And she's done it as an independent artist, releasing projects on Randis Music, the label she founded with her husband, producer, and composer Dennis Johnson. Her most recent full-length project, 2022's Thrill Ride, is her sixth career album to date and it lives up to its title, demonstrating Whiteside's breathtaking virtuosity and melodic skills on a thrilling journey through a landscape of dynamic grooves. The project features eight songs, which are largely produced by her longtime collaborators Dennis Johnson and Bob Baldwin. Other producers include Chris “Big Dog” Davis on the sexy update of Stevie Wonder's “Don't You Worry Bout A Thing,” and James Lloyd of the veteran group Pieces Of A Dream, who contributes “A Toast At Sunset” as writer and keyboardist as well. Her third single from the project, “Full Court Press,” is a smooth and sexy groove co-written by Whiteside with the team of Johnson and Baldwin, who produced, and featured guitarist Phil Hamilton and drummer Rich Harrison, also known as the artist RAH. Whiteside's previous single was the title track, “Thrill Ride,” which was also written and produced by Johnson, Baldwin, and Whiteside, and features guitarist Hamilton and drummer RAH. The single peaked at No. 1 on five radio charts, including the Billboard Smooth Jazz Chart, Mediabase, the Smooth Jazz Network, Radiowave and Groove Jazz Music. Her previous single from the set, “Off The Cuff,” not only peaked at No. 7 on the Billboard Smooth Jazz Airplay chart, where it spent 17 weeks, but it also earned her the Jazz Music Awards nomination that she ultimately won. In addition to her projects, Whiteside has been a busy collaborator. Over the last two years, the native New Yorker also charted at No. 1 on the Billboard Smooth Jazz Airplay chart for her collaboration with Kim Scott's 2022 remake of Ashford & Simpson's 1978 mega-hit, “I'm Every Woman” along with Althea René, which peaked at No. 1 on the Billboard Smooth Jazz chart. Whiteside also co-wrote Bob Baldwin's top-charting hit, “B Positive,” with production partners Dennis Johnson and Baldwin. Additionally, she is featured on “This Time Around” with contemporary jazz artist Jarez, from his latest project, J Funk City. In 2022, she appeared on two tracks, “Seven Eight” and “Solo,” on veteran jazz drummer Billy Cobham's new album, Drum'N'Voice Vol. 5. Whiteside has continued to delight fans and critics alike with her engaging, upbeat melodies and exhilarating flute playing. Tunes like “Thrill Ride,” “Off The Cuff,” “JJ's Strut,” “Reminiscing,” “Jam It,” “Early Arrival,” “See You At The Get Down,” and the Billboard No. 1 “Corey's Bop” have burnished her reputation. But while Whiteside has made her mark fusing inspired flute melodies and breathtaking solos with hip upbeat grooves, she gained her musical acumen by training as a classical flutist. Originally from Mount Vernon, New York, Whiteside played drums, piano, and violin in elementary school before a desire to be in the marching band put the flute in her hand at age 8. “They had this thing called Band Day where all the public schools would march in a parade through Mount Vernon. I said, ‘Oh. I need to be in this parade.'” There were no violins in the marching band, so Whiteside was offered the flute. “I did not want to play the flute. And it took me about a week to get a sound out of it,” she says. But once young Whiteside locked onto the instrument, she immediately focused on what kind of music she wanted to play but was steered into a more traditional path. “My parents got me a private teacher. I said to my teacher, ‘Okay, I want to do jazz.' And he was like, ‘No, you're going to play classical,'” Whiteside recalls. “‘I don't want to play classical.' ‘Well, you can play jazz later, but you need to get your foundation in classical music.' Once again, I was being forced into something, but I started playing and I started getting good at it, and I started to like it.” The young flute player got good and got serious. She participated in Mount Vernon High School's Historically Black Colleges and Universities (HBCU-influenced marching bands), entered multiple musical competitions – some with cash prizes – and won. Members of the National Association of Negro Musicians mentored her, many of whom held positions as opera singers, orchestrators, music directors, and instrumentalists in classical music at a time when African Americans were still not often included. She also participated in the NAACP's ACT-SO (Academic, Cultural, Technological, and Scientific Olympics) competitions for young people, where she won both regional and national titles in two different years. With these distinctions under her belt, Whiteside went on to the Cleveland Conservatory of Music, where she was one of just six African American students. When she transferred to the highly competitive HARID Conservatory in Boca Raton, Florida, she discovered she was now the only one. After receiving so much encouragement and mentoring during her high school years, this was a culture shock. “I was on my own, there was no support, there was nobody I could go and talk to,” Whiteside explains. “On top of that, just being in a classical conservatory, it's cutthroat, it's competitive, it's hardcore. A lot is expected of you, and everybody's trying to go after the same five or six openings.” The pressure to perform was intense and her motivation for that life started to wane. During her senior year-end performance, for which she was to play a well-rehearsed, 20-minute flute concerto, Whiteside went blank halfway through. Offered the opportunity to start again, Whiteside realized she was at a turning point and instead walked out. Influenced by such diverse flute masters as jazz-classical player Hubert Laws, the late Latin jazz artist Dave Valentin, and the French classical flutist Jean-Pierre Rampal, Whiteside received rigorous musical training that prepared her to play in the most prestigious symphony orchestras in the world, but after graduation, Whiteside admits she wasn't sure what she wanted to do. Back home in Mount Vernon, she attended a show at a local jazz club where keyboardist, producer, and composer Bob Baldwin was headlining. While watching, Whiteside says she had an epiphany: “I was sitting up front and I said, ‘Oh my God. This is what I want to do.' ” After the show, she introduced herself to Baldwin. “I told him, ‘Look I'm a classical musician but I want to make the transition to jazz. Do you have any advice for me? And we talked for a while and he pretty much took me under his wing, right then and there,” Whiteside explains. “And two days later, I went to a studio in Yonkers, and it turned into my first non-classical studio session.” Whiteside performed a Stevie Wonder tune for Baldwin and studio owner Dennis Johnson, who later became her husband. “I played a Stevie Wonder tune, and they're like, ‘Hey, we need some flute on this jingle for [New York smooth jazz station] CD 101.9.' And I did that, and from there Bob taught me how to make that transition from classical to jazz, and Dennis showed me the ins and outs of audio recording and using computers to compose music.” Since then, Johnson and Baldwin have become Whiteside's frequent songwriting collaborators. Whiteside instantly began her successful foray into the contemporary soul-jazz sphere. After launching the Randis Music label in 2007 with her husband Johnson, she collaborated with Johnson and Baldwin again on her 2007 release Class Axe, 2012's Evolve, 2014's Quantum Drive, 2017's Troublemaker, and 2020's five-track EP Five Up Top. She also teamed with popular saxophonist Kim Waters for the 2017 release Early Arrival. She has collaborated on tracks with several artists including Marion Meadows, Patrice Rushen, Tom Brown, Walter Beasley, Melba Moore, Chieli Minucci, Frank McComb, and others. She has also been a popular performer at the Berks Jazz Fest, the Seabreeze Jazz Festival, the Mallorca Smooth Jazz Festival in Spain, and the Capital Jazz Super Cruise. Meanwhile, Whiteside and her husband Dennis Johnson made the jump from New York to Atlanta when it became clear that Atlanta offered a more attractive lifestyle. Further, digital technology has made it easy to produce and distribute music from anywhere. “Atlanta is like a hub,” Whiteside explains. “You can get to so many different places relatively quickly from Atlanta. For the first time, we were able to get to New Orleans, Nashville, Houston, the Carolinas, and all over Florida without having to fly, and every place we went, we experienced new musical influences.” Whiteside has also maintained a career as a tech consultant and her role as a mother of two. In late 2020, Whiteside added another title to her list of accomplishments: Radio personality. Spotted at a show by David Linton, a former label executive and current program director of Atlanta's station, Jazz 91.9 WCLK, Whiteside was offered the opportunity to audition as a host. She now holds down the popular No. 1 Saturday morning show “Saturday with Ragan Whiteside, ” another role she has grown to enjoy. With so many professional balls to juggle, and the concert industry opening back up, Ragan Whiteside can lay claim to life as a contemporary jazz star as one big “Thrill Ride.” In this episode, Ragan shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

The John Fredericks Radio Show guests for today: Thomas Homan, Garland Favorito, Rob Wittman, Mike Dickinson, and Phil Hamilton

Jan. 14: On this episode ... Shauna and Drew have some real talk, which includes Shauna's new diet and what they're watching on Netflix. They also discuss dating trends you might want to avoid in 2020. Live Music: "Difference in Opinion" (by Phil Hamilton)

Why is a Belfast taxi driver travelling over 1,700 miles to Benidorm to pick up a passenger? Frank spoke to man himself, Phil Hamilton See acast.com/privacy for privacy and opt-out information.

November 20: On this episode ... do Drew and Shauna have the best segment EVER?!?!? There is a good possibility. It revolves around "fan mail." Also on this show ... they discuss tips to battle insomnia and Drew shares a heart-felt narrative about loving your kiddos. Live Music: Difference In Opinion (by Phil Hamilton)

Aug. 23: On this episode ... Shauna takes it upon herself to coach Drew up, because he wants to be someone's spirit animal. Spoiler alert: She crushes his dreams. Also on this episode ... Drew goes on a tirade about the word "busy" ... and Shauna explains why she won't go to the dentist. This is a "Let's Ride" episode presented by Classic Chevrolet Buick GMC in Cleburne. #letsrideLive Music: "Difference in Opinion" by Phil Hamilton

CALLING ALPHA CONTROL: PHIL HAMILTON EPISODE SYNOPSIS: We welcome a special guest to Alpha Control; Lost in Space artist Mr. PHIL HAMILTON. Phil is an incredibly talented 3D Computer Graphic artist & a life-long Fan of Lost in Space. His passion for the show is well-known to the online Lost in Space Fan community as a result of the numerous contributions that he’s made over the years to several online series forums, show related Facebook groups & his YouTube Channel. One of his signature works is his spectacular YouTube video titled; ‘Lost in Space: Virtual Tour of Stage 6 in 1965’. It’s a fascinating digital look at one of the three sound stages used during the filming of the 1st season episode ‘One of Our Dogs is Missing’. Combing still shots from the episode with painstaking research & Phil’s beautiful CG Animation, this short film allows viewers to go back in time & experience what it was like behind-the-scenes during the filming of a classic episode of the series.  Recently, he fulfilled a long-held dream & broke new ground with his stellar 3D Animated Lost in Space episode ‘Miracle in Space’. Phil’s stunning homage to Irwin Allen’s classic Sci-Fi Adventure series is the result of his talents & months of dedicated effort. The Non-Commercial Fan Film is the closest that we will ever come to having a brand-new episode of the original Lost in Space. PHIL’S BIO: Before we speak with him, a little background on Mr. Hamilton. Phil grew up in Dallas, Texas and graduated from high school in Garland Texas - a suburb of Dallas. He is a self-proclaimed “monster kid” having his formative years in the 1960s.  His love of Lost in Space began when it premiered on CBS in 1965 & that devotion has never faded. In the mid 90’s he attended a Big D Super collectibles convention in 1997, where he met and spoke with Jonathan Harris in person. That brush with a LIS celebrity started him on the road to becoming a true ‘Mega Fan’ of the show. In 1999, he discovered the B9 Robot Builder’s Club, making several life-long friendships & ultimately finished his own full-scale Robot. Attendance at more conventions followed; which afforded him the opportunity to meet & interact with other cast members including the man inside the B9 Robot; the great Bob May.  In addition to his love for LIS, Phil’s always had a creative ambition to make movies. His professional career in Information Technology gave him the skills but not necessarily the outlet to pursue that desire. So over time he began pursuing that dream during his spare time; experimenting & perfecting his techniques of CG film-making. With the death of Jonathan Harris in 2002, the possibility of a live-action reprise of LIS that featured the original cast members seemed to slip away forever. It was that event sparked a new idea in Phil’s mind; a CG animated episode of classic LIS using the voices of the surviving cast. “Why Not?”, he asked. Well, the rest is history. We’re going to speak with Mr. Hamilton today about his love for LIS, his life of being a ‘Super Fan’ of the series & dig deeper into his incredible 3D CG animated movies. I hope you will enjoy this compelling interview with talented Lost in Space CG animated film-maker & Series Enthusiast Mr. Phil Hamilton. So, sit back relax and enjoy. PODCAST INFO: This interview was conducted on 25 OCT 2018. PHIL’S YOUTUBE: https://www.youtube.com/channel/UCJNmYu7-98pOocxy3tITVmw STANDARD LINKS: http://www.jacobsbrownmediagroup.com/lost-in-space-collector-set.html  https://www.hulu.com/lost-in-space http://www.marccushman.com/books.html https://www.facebook.com/alphacontrolpodcast/ EMAIL: alphacontrolpodcast@gmail.com  

Episode 140: For almost four years of his life, Houston Lowe was held captive by the Japanese during World War II. He stood on the doormat of hell, but he survived. I recently got the honor to interview Mr. Lowe during his book signing in his hometown of Glen Rose, Texas. I also got to hear his powerful story through the eyes of his daughter, Tina, who wrote his biography in the new book, "868: The Sharecropper's Son." It's an amazing story of perseverance. My featured artist on this episode is Phil Hamilton. #liveonpurposeSHOW NOTES: To purchase "868: The Sharecropper's Son," click here: https://amzn.to/2JsJfMLTo visit Phil Hamilton's website: http://philhamiltonmusic.comTo visit Phil Hamilton on Facebook: https://www.facebook.com/philhamiltonmusic/To purchase "Brazos Wind" by Phil Hamilton: https://amzn.to/2LiHiQ5

On this episode I review Phil Hamilton's Brazos Wind, Announce the Nominees for the 2017 Ameripolitan Music Awards, feature a bit more Ameripolitan Music, more Texas Wants You Anyway, and Shout Outs including an interview with an up and coing Texas Country artist! Ameripolitan: www.ameripolitan.com Brian Christopher and the Wild Oats: www.bcwildoats.com www.facebook.com/bcwildoats www.twitter.com/bcwildoats Shane Smith and the Saints: www.shanesmithmusic.com www.facebook.com/shanesmithmusic www.twitter.com/shanesmithmusic Phil Hamilton: www.philhamiltonmusic.com www.facebook.com/philhamiltonmusic www.twitter.com/philthyhamilton https://itunes.apple.com/us/album/brazos-wind/id1087960166 Cale Tyson: www.caletyson.net www.facebook.com/caletysonmusic www.twitter.com/caletyson https://itunes.apple.com/us/album/cheaters-wine-ep/id925879046 Brand 307: www.brand307.com www.facebook.com/brand307 www.twitter.com/brand307 https://itunes.apple.com/us/album/rebel-run/id1121804220 Jake Anderson: www.jakeandersonmusic.com www.facebook.com/jakeandersonmusic www.twitter.com/jakeandersongs https://itunes.apple.com/us/album/comeback-kid-ep/id1116812629 Sean Curtis Band: www.seancurtisband.com www.facebook.com/seancurtisband www.twitter.com/seancurtisband https://itunes.apple.com/us/album/kind-of-like-wyoming/id972140893 Wayne Garner Band: www.waynegarnerband.com www.facebook.com/thewaynegarner www.twitter.com/thewaynegarner https://itunes.apple.com/us/album/love-drunk-fool/id1078965578 Memphis Kee: www.facebook.com/memphiskee www.reverbnation.com/jasonkee www.twitter.com/memphiskee The Guadalupe Pirates: www.guadalupepirates.com www.facebook.com/guadalupepirates www.twitter.com/guadalupepirate https://itunes.apple.com/us/album/way-of-the-gun-ep/id847161983 Thanks For listening! Contact: southboundpodcast@gmail.com Twitter: www.twitter.com/sbi35 Intro/Outro Music:  Down at the Diner by William Naughton vis themusicase.com Podcast Art by Schechter Produtions: http://www.pinterest.com/SchechterArts http://schechterarts.deviantart.com

This week's episode features coverage of three awesome concerts, an interview with Colter Wall, Dan Johnson talking about Operation Hemingway, a review of Jack Nelson's Let 'Er Buck plus an interview, some announcements of brand new music, a showcase of some great Ameripolitan musicians, and Shout Outs! Operation Hemingway: www.operationhemingway.org/ www.saltcedarrebels.com Colter Wall: www.colterwall.com www.facebook.com/colterwallmusic www.twitter.com/colterwall https://itunes.apple.com/us/album/imaginary-appalachia/id996972723 Jack Nelson Band: www.jacknelsonband.com www.facebook.com/jacknelsonband www.twitter.com/jacknelsonband https://itunes.apple.com/us/album/let-er-buck!/id958766815 The Powell Brothers: www.powellbrothersmusic.com www.facebook.com/brotherspowell www.twitter.com/brotherspowell https://itunes.apple.com/us/artist/the-powell-brothers/id481171831 Jarrod Johnson: www.reverbnation.com/jarrodjohnson.com www.facebook.com/jarrodjohnsonmusic www.twitter.com/jarrodmjohnson https://itunes.apple.com/us/artist/jarrod-johnson/id289200446 Josh Vincent: www.joshvincentmusic.com www.facebook.com/joshvincentmusic www.twitter.com/jvincenttunes https://itunes.apple.com/us/album/always-be-me-single/id1178754905 Matt Prater: www.matpratersmusic.com www.facebook.com/Matt-Prater-233758717934/ www.twitter.com/mattpratersmusic https://itunes.apple.com/us/album/tables-and-chairs/id961850149 Across The Wide: www.acrossthewide.com www.facebook.com/acrossthewide www.reverbnation.com/acrossthewide https://itunes.apple.com/us/album/records-and-bottles/id1172115401 Brian Christopher and the Wild Oats: www.bcwildoats.com www.facebook.com/bcwildoats www.twitter.com/bcwildoats Kyle Hutton: www.kylehutton.com www.facebook.com/kylehuttonband www.twitter.com/kylehuttonmusic https://itunes.apple.com/us/album/longest-days-shortest-years/id1002647146 Phil Hamilton: www.philhamiltonmusic.com www.facebook.com/Phil-Hamilton-438943116116445/ www.twitter.com/philthyhamilton https://itunes.apple.com/us/album/brazos-wind/id1087960166 Thanks for listening! Contact:  Southboundpodcast@gmail.com Twitter: www.twitter.com/sbi35 Intro/Outro Music: Down at the Diner by William Naughton via themusicase.com Podcast Art: Schechter Productions http://www.pinterest.com/SchechterArts http://schechterarts.deviantart.com

Texas Country Music artist Phil Hamilton has taken a step back and found himself in a good place. His new record "Brazos Wind" is a testament to that. Now it's time for this country rocker to start living on purpose. After a brief discussion about his goals, dreams and aspirations, he vowed to make a life list and post it for the world to see.

directed by Christine J. Schmidt, with musical guest Phil Hamilton and Christine J. Schmidt "Francine is changing her name to 'Peaches; so that Rob, who has a fetish for human taxidermy, might find her one day despite the difficulty it may cause her own sister who has been searching for years." Featuring Nina Bowers, Marisa Duchowny, Greg Nussen, and Brian Otaño.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Ash Rose is joined in the studio by Simon Peach, Dominic Hanley and Phil Hamilton. We discuss the Famous Five, Gazza, Cantona, Le TIss and Brian Clough ! We also have a fantastic interview with Middlesbrough Legend Mark Crossley! A West Twelve Media and Burble Media production http://www.ak90s.co.uk

Ash Rose is joined in the studio by Simon Peach, Dominic Hanley and Phil Hamilton. We discuss the Famous Five, Gazza, Cantona, Le TIss and Brian Clough ! We also have a fantastic interview with Middlesbrough Legend Mark Crossley! A West Twelve Media and Burble Media production http://www.ak90s.co.uk

Ash Rose is joined in the studio by Simon Peach, Dominic Hanley and Phil Hamilton. We discuss the Famous Five, Gazza, Cantona, Le TIss and Brian Clough ! We also have a fantastic interview with Middlesbrough Legend Mark Crossley!

Big bass talk get's the ball rolling for us this week when we check in with our friend and renown outdoor writer John Felsher. His recent article in Texas Fish & Game Magazine titled "Swim Baits Make a Big Splash" focuses on how effective big swim baits can be for landing the largemouth of a [...]

Big bass talk get's the ball rolling for us this week when we check in with our friend and renown outdoor writer John Felsher. His recent article in Texas Fish & Game Magazine titled "Swim Baits Make a Big Splash" focuses on how effective big swim baits can be for landing the largemouth of a [...]

We have a ton to get into this week and we start by talking hunting dogs w/ Warner Smith of Tri-Tronics. Whether you hunt retrievers, pointers, blood trackers or hounds- every hunting dog owner can benefit from an electronic collar. E-collars were first developed by Tri-Tronics in the 1960s and have come a long way [...]

A tale of two Phils. Our host Phil Malcom and our friend Phil Hamilton confront seminarians, seductresses, and Schiller's Robbers in yet another hour of a very long Russian novel. All of that is well and good, but even more well and more good are the surprise visitors that pay a visit at the 13 minute mark. Yes, the Brothers Karamazov are joined by even more friends, and these friends bearing tasty confections! What a treat, what a literal treat. Other highlights include the introduction, in which the Phils collaborate on a delightful flute and piano duet, as well as a later conversation, in which one of the Phils shockingly reveals that he hasn't listened to any of the previous podcasts. Which Phil committed such a scandal? You might have to tune in to find out. Or you might not. One of those two things.