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Guitarist Dee Brown created a jazzy album of R&B instrumentals on which he adopted the persona of a fictious character called “Mister Smooth,” who is confident, focused, and anchored in equanimity. Writing eight new songs, most of them with his GRAMMY® nominated producer and longtime collaborator Valdez Brantley (Usher, Mary J. Blige, Keith Sweat, Lil Wayne), Brown's sixth album will be released by Innervision Records on March 28. The melody-rich title track will be issued as a single the same day.   Stepping into the “Mister Smooth” character like a method actor while writing and recording the album wasn't much of a stretch for Brown, who is a devout man of faith. The confidence and maturity that he exudes on the recording and is on full display via his guitar work and the compositions he crafted for the set are bolden and empowering. It's a determined mindset purposed with overcoming challenges and adversity while remaining in control - even when the world feels chaotic.          “Mister Smooth embodies a person who is consistently on top of things and maintains control in any situation. Even when faced with uncertainty, he excels at ‘faking it until he makes it,' elevating the experience for everyone involved. I created an album that captures the essence of what it means to be a Mister Smooth. This concept isn't just a reflection of who I am or aspire to be; it represents a powerful attribute that enhances any situation. The name itself resonates with many, making it relatable and appealing. This is perfectly aligned with the type of music we produce and the kind of person with whom we all aspire to be,” said Brown who released multiple singles from the project while he was working on the collection over the last couple of years.   After opening the album with “Mister Smooth,” the Detroit- born and based artist offers a taste of his hometown on “Wes 8Mile,” which he wrote with multi-time Billboard No. 1 chart-topper Blake Aaron who produced the song that was issued as a single. Mike Parlett's saxophone perfectly complements Brown's cool toned electric jazz guitar riffs that invoke jazz guitar legend Wes Montgomery.   “Eight Mile is one of the main streets running through Detroit, and I grew up on the west side of Detroit. The name ‘Wes 8Mile' comes from my guitar hero Wes Montgomery's unique style of playing, which often involved using octaves. An octave is a note that is eight diatonic notes away from the first note, and he would play these two notes together. My goal was to create an up-tempo groove that incorporated both octaves and single note playing, along with a half-step modulation. I also wanted to incorporate an ensemble, which is why I invited saxophonist Mike Parlett to play on the track with Carnell Harrell (keyboards), Mel Brown (bass), and Tony Moore (drums),” explains Brown.   Another collaboration with Aaron resulted in “The Thing Is…” which adds horn player and arranger David Mann, keyboardist Tateng Katindig, and Aaron's rhythm guitar to the ensemble. It was the second single from the album and hit all the major charts.    “Many times, when a conversation is going and someone wants to make a valid point, they will say, 'The thing is...' That is what this song is all about, making a musical valid point that will grab your attention and immediately be noticed," stated Brown.   Brown and Brantley interpret Sister Sledge's rousing anthem “We Are Family,” which includes an imaginative jazz breakdown midway through the disco dancefloor filler.    “My wife suggested that we remake ‘We Are Family' and I immediately thought of Nile Rodgers, the incredible guitarist from the legendary group Chic. I've always admired his rhythm guitar work,” Brown admitted.   Brown sees his Mister Smooth character as someone who would be charming, which inspired the song titled “Charming.”   “This track was developed after I decided we needed to record a slower song. I wanted to incorporate 808 electric drums, Moog synth/bass, and a variety of synthesized sounds reminiscent of the 1990s with a strong emphasis on guitar,” said Brown.   “Finesse” was the first track recorded for the album, yet the song had to go through a process of evolution. Brown explains, “I noticed a problem with the song's chorus. I decided to try an alternative melody, and it seems to work perfectly. So, when you hear the track, if you listen to the lead melody on the big body guitar, that's the new melody and if you listen in the background, there's another melody that is played with my Stratocaster-style guitar that is more like a picking style playing the original melody. They work together perfectly.”   The album's first single was “You Already Know,” which was released as a deep cut during the recording process to keep Brown on radio playlists. His gregarious guitar is slick and proficient as it deftly maneuvers to the fore of a midtempo electric groove.    The vibrant “Charismatic” gets a boost from Merlon Devine's soprano sax. Brown explains, “Initially, Valdez (Brantley) played the flute sound on the track on his keyboard, but I felt we needed a live flute player. Unfortunately, all the flautists we knew were unavailable. I suggested using a soprano saxophone instead and called my good friend, Merlon Devine. We decided to keep the keyboard flute sound after all, but it's Merlon's beautiful soprano sax that really stands out on this track.”   We experience a completely different side of Brown on “4th Dimension,” on which he indulges his rock god guitar alter ego.    “I was kind of a rock ‘n' roller influenced by great bands from the '80s and '90s. I've always loved legendary guitarists like Jeff Beck, Carlos Santana, Jimi Hendrix, and Jimmy Page, and I wanted to create a rocky, funky groove. We started exploring a direction that I don't usually take.   Become a supporter of this podcast: https://www.spreaker.com/podcast/ladydiva-live-radio--2579466/support.

Just 20 episodes away from the illustrious 100, XP, Trivelle, and EO reunite for Episode 80 of You Might Wanna Sit Down 4 This, titled Perfect Storm. The episode kicks off with a hilarious breakdown of Trivelle's wardrobe habits—specifically, a style choice he's been rocking in 90% of his outfits. From there, the trio dives into the Kendrick whirlwind surrounding the Grammys and the NFL Halftime Show, analyzing how the new Grammy voting body may have shifted the trajectory of award trends, ultimately extending the Not Like Us momentum into Super Bowl weekend. They also explore the scenarios in which the song could have swept its nominated categories and dissect the key decisions behind Kendrick's Super Bowl 59 performance. As they assess how he fared, the conversation expands to song selection, the cultural impact of performing on that stage, and the hypocrisies in how art is interpreted. Next, they break down $ome $exy $ongs 4 U, the highly anticipated collaboration album between PartyNextDoor and Drake, which sees the Mississauga singer-songwriter land his first Billboard No. 1 as a lead artist. With 250K first-week sales—achieved without the backing of UMG or a major label—the question arises: was there an attempt to sabotage the release and discovery of the project? The discussion then shifts to plagiarism allegations from an artist from PND's hometown before tackling A$AP Rocky's not guilty verdict, which keeps him out of jail. Finally, the episode wraps up with quick takes on 50 Cent, Ye, and a surprisingly wholesome wrestling tangent.

I'm so excited to share this special 20 min episode stack as a highlight with a powerful message. I'm publishing this curation to help you make the most of your time. The episode features segments from the episode 064, 065, & 066 featuring Paul Cardall and the following Aftercast & Solocast. https://richie.libsyn.com/paul-cardall-the-power-of-music-and-broken-miracles ====== Richie Norton interviews world-renowned musician, Paul Cardall! Paul Cardall battled long odds from birth, eventually triumphing over a serious heart disability to earn distinction as an outstanding composer and pianist. In 1997, he first won widespread notice by setting author Richard Paul Evans' No. 1 NY Times bestseller The Christmas Box to music. Recognized by Steinway & Sons as one of the finest pianists in the world, Cardall's achievements range from releasing 11 Billboard No. 1 chart-topping albums to recently winning the Gospel Music Association Dove Award for Instrumental Album of The Year for his album, Christmas. Cardall's entrepreneurial activities include founding and directing the Stone Angel Music label and recording studio, promoting medical research, and providing scholarships for congenital heart disease through his foundation. Cardall's music has included works for piano, vocal, band, and orchestral settings. On his latest album, Peaceful Piano, he returns to his solo performance roots while exploring complete real-time improvisation for the first time. Peaceful Piano is currently nominated by A2IM Liberia Awards for Classical Album of the Year. Cardall records for Anthem Entertainment, whose roster includes; RUSH, Timbaland, and Jose Feliciano.   - This podcast will teach you how to leverage the power of music and broken miracles to create peace, joy, and creativity.   - This podcast with Richie Norton and Paul Cardall is fun, tender and powerful to help you create positive transformations through music, healing and productive creativity.   Learn more at www.paulcardall.com Want to continue the conversation? Join us! RICHIE NORTON SHOW COMMUNITY: https://www.facebook.com/groups/richiepodcast   RICHIE NORTON SHOW NOTES AND RESOURCES: http://www.richienorton.com/   RICHIE NORTON SOCIAL:   INSTAGRAM: https://www.instagram.com/richie_norton LINKEDIN: http://www.linkedin.com/in/richardnorton FB: https://www.facebook.com/richienorton TWITTER: http://www.twitter.com/richienorton

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves into the key points and highlights of the 2024 Billboard Music Awards. Taylor Swift made history by clinching 10 awards, including Top Artist, pushing her career total to 49 awards and surpassing Drake to become the most decorated artist in the show's history. Her achievements were especially poignant as they aligned with her 35th birthday, alongside the successes of her Eras Tour and the album "The Tortured Poets Department." Swift acknowledged her fans in a heartfelt video message, crediting their role in her accomplishments.Analytic Dreamz also covers other notable winners: Zach Bryan with 5 awards, Morgan Wallen with 4, and a trio of awards for Shaboozey, Drake, Bad Bunny, and Elevation Worship. First-time winners like Benson Boone, Teddy Swims, Tyla, Tommy Richman, and Chappell Roan were spotlighted, with Chappell Roan receiving the Top New Artist award after a long journey to recognition.The segment highlights Beyoncé's cross-genre success, noting her win as Top Country Female Artist for "Cowboy Carter," and her leading 11 Grammy nominations for the year, contributing to her record-breaking 99 Grammy nods.Performances were a major part of the night, with Analytic Dreamz discussing standout shows by Linkin Park, who returned with a new vocalist and album "From Zero," Teddy Swims, Tyla, SEVENTEEN, and Jelly Roll. Shaboozey's performance was particularly noted after his 19-week reign at No.1 on the Billboard Hot 100.Analytic Dreamz describes the ceremony's logistics, hosted by Michelle Buteau, broadcast across FOX, Fire TV channels, and Paramount+, with a glamorous pre-party at Keys in West Hollywood sponsored by Tres Generaciones Tequila.The segment also touches on the event's statistics, including the eligibility period for awards and the production by Dick Clark Productions under Penske Media Corporation. The pre-party, The Billboard No. 1's Party, included performances by music legends and K-Pop groups, offering exclusive cocktails like the Trespresso Martini, celebrating the cultural milestones of artists who dominated the charts in 2024.This segment provides a comprehensive overview of an event marked by musical excellence, luxury, and cultural significance.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tito Jackson, a founding member of the Jackson 5, has died at age 70. His family confirmed his passing in a heartfelt Instagram tribute. In the 1970s, alongside his brothers Jackie, Jermaine, Marlon, and Michael, Tito helped create "Jacksonmania" with Motown hits like "I Want You Back," "ABC," and "I'll Be There." The Jackson 5 became one of America's most beloved groups, earning four consecutive Billboard No. 1 singles. Tito was inducted into the Rock and Roll Hall of Fame in 1997 and received three Grammy nominations as part of the group. He also released solo albums, including "Tito Time" in 2016. Born in Gary, Indiana, Tito was the third of 10 Jackson siblings. Learn more about your ad choices. Visit megaphone.fm/adchoices

It all began toward the end of a rollicking rehearsal when between songs the guys started talking about what they planned to do in the week ahead. Danny mentioned that lately he had been getting out early to take his walks in the morning before the heat set in. That prompted Charlie to start singing that Fats Domino song, “I'm walkin', yes, indeed, and I'm talkin' ‘bout you ‘n' me…”. Well, Danny — who by anybody's definition is a walking jukebox — started playing the old tune. Sam and Jack quickly picked up the vibe. Charlie reached for the banjo to add a little pepper to the pot while Randy searched his memory bank for the words and melody.Suddenly the song just started arranging itself. Click here to give it a spin.About the SongFats Domino wrote “I'm Walkin'” in 1957, working with his frequent collaborator Dave Bartholomew.It became Domino's third release in a row to reach No. 1 on the R&B chart, where it stayed for six weeks.Flashback: How Fats Became FatsDown in New Orleans in 1947, bandleader Billy Diamond heard a stocky 19-year-old French Creole lad named Antoine Dominique Domino playing at a backyard barbecue. Diamond was so impressed with the pianist that he hired him for his band, The Solid Senders, booking him to play with his crew at the Hideaway Club in the Crescent Club's Ninth Ward, where he would earn the princely sum of $3 a week.Two years later, Antoine — whom by then Diamond had christened “Fats” — was still at the Hideaway when he was discovered by former trumpeter Dave Bartholomew, the New Orleans A&R man for Imperial Records, a fledgling independent label out of Los Angeles.The PartnershipThe two partnered up and started working together. Soon, they had refashioned a number called “Junker's Blues” (an old New Orleans song about heroin addiction) into a tune they called “The Fat Man.” Initially, folks at Imperial hated it; however, they warmed to it considerably when it became an immediate hit, selling a million copies after its December 1949 release.Today "The Fat Man" often is called the very first rock 'n' roll record. Musicologist Ned Sublette says the song in fact was rock and roll before that term was even coined.Critics say Domino staked out new musical territory by playing a stripped-down and more aggressive boogie-woogie piano with a series of hot triplets and snare-like backbeats.Curiously, Fats himself, though, was not convinced that his work was of a new genre. Years later — in 1956 — he commented, “What they call ‘rock and roll' is rhythm and blues, and I've been playing it for 15 years in New Orleans."Meanwhile, “The Fat Man” was the beginning of a beautiful friendship with Bartholomew. In the mid-1950s, Dave and Fats wrote more than 40 hits for Imperial, including the Billboard No. 1 pop chart hit “Ain't That a Shame,” as well as “Blue Monday,” “I'm In Love Again” and “Whole Lotta' Loving.”And of course — eight years into their collaboration — came that kicky “I'm Walkin'.”Crossing OverThat particular song also solidified Fats Domino's crossover appeal when it peaked at No. 4 on the pop singles chart.Later that same year, Ricky Nelson covered it on an episode of his mom and dad's hit television series, The Adventures of Ozzie & Harriet. Subsequently, Rick's 1957 single also reached No. 4 on the pop chart as well as No. 10 on the R&B chart.Sixty-two years later, Fats' original Imperial Records release was inducted into the Grammy Hall of Fame. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Welcome to Season 9! We begin this new season with a mini, four-episode non-grad series highlighting guests whose work is harmonious with the work and ethos of the Hoffman Process. Our first non-grad guest is musician, activist, and award-winning filmmaker, Michael Franti.** As you listen to Michael's life story, you'll hear him speak of his feelings of abandonment and being an outsider. These feelings echo much of the work done during a week at the Hoffman Process. With eloquence and an open heart, he tells us his story of adoption, living with alcoholic parents, and what healing these wounds can look like. His life story is beautiful. As Michael says, you'll see what a generous gift it is to tell one's story. Originally recorded as part of an ongoing collaboration with Modern Elder Academy, Michael and Drew met in person in Santa Fe to record this conversation. Chip Conley, co-founder of MEA, chimes in at the end. This is a deep, fun, vulnerable conversation. We hope you enjoy it! **Please note that this episode is marked explicit for language and some content.  More about Michael Franti: Michael Franti is a globally recognized musician, activist, and award-winning filmmaker revered for his high-energy live shows, inspiring music, worldwide philanthropic efforts, and the power of optimism. Throughout his multi-decade career, Franti has earned three Billboard No. 1's with triumphantly hopeful hits “Sound of Sunshine,” “Say Hey (I Love You)” and “I Got You,” as well as six Top 30 Hot AC singles, 10 Top 25 AAA Singles and three Billboard Top 5 Rock Albums. Spearhead's Follow Your Heart was released in June 2022 and debuted at No. 2 on the iTunes Pop Chart behind Harry Styles. Praised by American Songwriter as “an energizing batch of songs that spotlight the common threads that connect us,” Franti & Spearhead's 13th studio album Big Big Love is available everywhere now. It features 17 tracks co-written by Franti, reflecting his tenacity, inclusiveness, and optimism. Franti & Spearhead are currently on the Togetherness Tour in 2024. They bring their dynamic and invigorating shows to Soulrockers across the U.S. This tour includes a return to the iconic Red Rocks Amphitheatre. With 60+ dates through the summer, the Togetherness Tour kicked off at the Tortuga Music Festival on April 6 in Fort Lauderdale, FL. The Bay Area native resides in Bali when he is not on tour. Michael owns Soulshine Bali, a 32-room top-rated boutique hotel in Ubud, Bali. Soulshine Bali focuses on joy through wellness and music, offering unique retreat opportunities and accommodations. They also host special events and celebrations. Franti continues to foster community on and off stage with a wish-granting non-profit, Do It For The Love. which brings those with life-threatening illnesses, veterans, and children with severe challenges to concerts worldwide, fulfilling over 3,500 wishes and touching the lives of over 15,000 people to date. Find out more: You can find out more about Michael at MichaelFranti.com. Follow Michael on Instagram, YouTube, Facebook, and Twitter(X). HoffmanInstitute.org/donate As mentioned in this episode: Reverend Cecil Williams: "Joy is the intersection between the human and the Divine." •   Glide Memorial Church •   Michael singing at Rev. Williams' memorial Nottoway Indian Tribe of Virginia The Munchies band - Bali, Indonesia Lynne Twist •   Listen to Lynne on the Hoffman Podcast: Love's Immense Power Robert Mirabal •   Taos Pueblo: Home of the Red Willow People Gulf War HIV Soul The Multiverse Modern Elder Academy (MEA) •   Chip Conley - Listen to Chip Conley on the Hoffman Podcast: Wisdom and the Ultimate Spirituality Rick Rubin: Art vs. Craft - "If you know what you want to do and you do it, that's the work of a craftsman. If you begin with a question and use it to guide an adventure of discovery, that's the work of the artist.” The Beatles Chuck Berry

Dash and J.D. review “Clipped” and Latto's “Big Mama” and discuss Shaboozey on the Billboard Hot 100.

As a podcast we are always in support of a free Palestine and encourage all our listeners to donate what they can to support the people in Gaza, whether that is through ⁠⁠⁠⁠Operation Olive Branch⁠⁠⁠⁠, (including their ⁠⁠⁠⁠GFM for Perinatal Project⁠⁠⁠⁠), ⁠⁠⁠⁠MAP⁠⁠⁠⁠, ⁠⁠⁠⁠PCRF⁠⁠⁠⁠, ⁠⁠⁠⁠PRCS⁠⁠⁠⁠. Please use this template to ⁠⁠⁠⁠Write to your MP⁠⁠⁠⁠ about stopping the ground invasion of Rafah. Continue to follow the ⁠⁠⁠⁠BDS list ⁠⁠⁠of companies to boycott. This week we discuss all the ins and outs of the recent women in pop discourse, album releases and Taylor's Swift's strategy to stay at the top no matter what. We have two bonus episodes per month: Celebrity Corner and Bad Book Club, released each month! If you want to hear more from us, support us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Join our Culture Gang! Email us at culturehangpodcast@gmail.com and follow us on instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@culturehangpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CultureHang⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@culturehangpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

It's 10 Before 5 time! It's the music quiz show in which our hosts spring music-related lists on each other, with each having to answer 10 correctly before getting 5 incorrect. This episode, E will have to guess the top touring country musicians of all time, while Tank will have to guess the highest grossing biopics of all time. Sound easy? Well, for them it wasn't! Check out previous editions of 10 Before 5: - Top 20 Concert Acts vs. Rolling Stone's Top Guitarists: https://youtu.be/mGfkh-j_FN8 - Top Streaming Metallica Songs vs. Billboard No. 1s: https://youtu.be/5k9DT9bWnso Don't forget to like/follow/subscribe to The Extended Play Podcast: https://www.youtube.com/@extendedplaypod

Welcome to the Instant Trivia podcast episode 1134, where we ask the best trivia on the Internet. Round 1. Category: Ways To Play. With Play in quotation marks 1: To cut class or skip school. To play hooky. 2: It's a 3-word synonym for a pun. Play on words. 3: A person who doesn't date anyone exclusively does this; so do some baseball players. Play the field. 4: A detailed verbal account of an event, not necessarily a sporting event. Play-by-play. 5: New ideas that please the regular folk in Illinois are said to do this. To play in Peoria. Round 2. Category: Their First Billboard No. 1 Hit 1: "Rock Around The Clock". Bill Haley and His Comets (Bill Haley and The Comets accepted). 2: "I Get Around". The Beach Boys. 3: "Heart Of Glass". Blondie. 4: "Dancing Queen". ABBA. 5: "Mrs. Brown You've Got A Lovely Daughter". Herman's Hermits. Round 3. Category: Lewis And Clark 1: =. =. 2: A week after his election, this president offered Lewis a post as his private secretary. Jefferson. 3: Named for a structural section, it's the type of boat the boys set off in; it ran aground on day 2. a keelboat. 4: As a member of the militia, Lewis went to Pennsylvania in 1794 to suppress this rebellion. the Whiskey Rebellion. 5: This man, one of William Clark's brothers, captured Vincennes during the Revolution. George Rogers Clark. Round 4. Category: Double That Double S! 1: Murderer of a politically prominent person. assassin. 2: 14-letter way to describe a facial look without emotion. expressionless. 3: A society with no social demarcations (and no sessions of school). classless. 4: To oust someone from owning a piece of property. dispossess. 5: To evaluate, or to impose a tax. assess. Round 5. Category: WindY Talk. With Wind in quotation marks 1: A bassoon or oboe, for example. woodwind. 2: This jacket often has elastic cuffs and waistband. windbreaker. 3: 3 principal types of these devices are the multivane, the propeller and the S rotor. windmills. 4: The Maui Makani Classic is a competition in this sport. windsurfing. 5: A proper British bug would get squished on this. windscreen. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

DJ Spider kicks off 2024 by interviewing renowned DJ/producer J.PERIOD. Hailed as a "music guru" by Rolling Stone, the Brooklynite is a prime example of someone who pushes the boundaries of being a DJ. His resume includes producing some of hip-hop's most creative mixtapes, serving as the music supervisor for the Brooklyn Nets, contributing to the Billboard No. 1 album "The Hamilton Mixtape," touring with Black Thought, and most recently, producing the "GRAMMY Salute to 50 Years of Hip-Hop" concert. The list goes on and on. In the interview, J.PERIOD reflects on his accomplishments and shares valuable insights into building a successful DJ career. Hosted on Acast. See acast.com/privacy for more information.

THE BILLY STEWART DISCOGRAPHYSingles:Chess 1625: "Billy's Blues" / "Billy's Blues"Argo 5256: "Billy's Blues" / "Billy's Blues"Okeh 4-7095: "Baby, You're My Only Love" / "Billy's Heartache" (1957 with Bo Diddley, backed by The "Marquees")Chess 1820: "Reap What You Sow" / "Fat Boy" (1962) – No. 18 R&B, No. 79 popChess 1835: "True Fine Lovin'" / "Wedding Bells" (1962)Chess 1852: "Scramble" / "Oh My, What Can the Matter Be" (1963)Chess 1868: "Strange Feeling" / "Sugar and Spice" (1963) – No. 25 R&B, No. 70 popChess 1888: "A Fat Boy Can Cry" / "Count Me Out" (1964)Chess 1905: "Tell It Like It Is" / "My Sweet Senorita" (1964)Chess 1922: "I Do Love You" / "Keep Loving" (1965) – No. 6 R&B, No. 26 popChess 1932: "Sitting in the Park" / "Once Again" (1965) – No. 4 R&B, No. 24 popChess 1941: "How Nice It Is" / "No Girl" (1965)Chess 1948: "Because I Love You" / "Mountain of Love" (1965)Chess 1960: "Love Me" / "Why Am I Lonely" (1966) – No. 38 R&BChess 1966: "Summertime" / "To Love, to Love" (1966) – No. 7 R&B, #10 popChess 1978: "Secret Love" / "Look Back and Smile" (1967) – No. 11 R&B, No. 29 popChess 1991: "Every Day I Have the Blues" / "Ol' Man River" (1967) – No. 41 R&B, No. 79 popChess 2002: "Cross My Heart" / "Why (Do I Love You So)?" (1968) – No. 34 R&B, No. 86 pop / No. 49 R&BChess 2053: "Tell Me the Truth" / "What Have I Done?" (1968) – No. 48 R&BChess 2063: "I'm In Love" / "Crazy 'Bout You, Baby" (1969)Chess 2080: "By the Time I Get to Phoenix" / "We'll Always Be Together" (1969)Albums:Chess 1496: I Do Love You (1965) (Billboard No. 97)Chess 1499: Unbelievable (1966) (Billboard No. 138)Chess 1513: Billy Stewart Teaches Old Standards New Tricks (1967)Chess 1540: Cross My Heart (1969)Chess 1547: Remembered (1970)Sugar Hill/Chess CH-8401: The Greatest Sides (1982)

South African treasure Louise Carver joins Gareth Cliff and Lebang Kgosana in the studio for a long overdue catch-up. With 7 albums, 11 South African Music Award nominations, and 2 Billboard No. 1's, it's a no-brainer that Louise is easily one of South Africa's most precious talents. Together, they discuss life after COVID, her booming business ventures, the tragic death of Derek Watts, and her recent relationship. www.cliffcentral.com

Tiraron una lista ahí de los mejores 50 raperos latinos del mundo y es tremenda loquera. Siguenos en todas nuestras plataformas: Facebook: https://www.facebook.com/quellevatheshow Instagram: https://instagram.com/quellevatheshow... Twitter: https://twitter.com/QueLlevaTheShow?t... Spotify: Que Llevá The Show Apple Podcast: Que Llevá The Show

Flute-playing soul-jazz phenomenon Ragan Whiteside has become one of the genre's most consistently dynamic and popular artists. Thanks to her incredible skill and creativity on her chosen instrument, as well as her charismatic presence on stage, Whiteside is at the top of her game. That was demonstrated in October 2022, when she became the first artist to win the competitive Best Contemporary Jazz Artist Award at the inaugural Jazz Music Awards, held at the Cobb Energy Centre in Atlanta. Whiteside is also a 2023 NAACP Image Award Nominee and four-time nominee for the Smooth Jazz Network's Best Artist Award. That distinction is well-deserved, as the Atlanta-based musician, songwriter, and vocalist have become one of very few women players to excel in the male-dominated instrumental sphere, garnering eight consecutive Top Ten Billboard airplay singles by 2022. And she's done it as an independent artist, releasing projects on Randis Music, the label she founded with her husband, producer, and composer Dennis Johnson. Her most recent full-length project, 2022's Thrill Ride, is her sixth career album to date and it lives up to its title, demonstrating Whiteside's breathtaking virtuosity and melodic skills on a thrilling journey through a landscape of dynamic grooves. The project features eight songs, which are largely produced by her longtime collaborators Dennis Johnson and Bob Baldwin. Other producers include Chris “Big Dog” Davis on the sexy update of Stevie Wonder's “Don't You Worry Bout A Thing,” and James Lloyd of the veteran group Pieces Of A Dream, who contributes “A Toast At Sunset” as writer and keyboardist as well. Her third single from the project, “Full Court Press,” is a smooth and sexy groove co-written by Whiteside with the team of Johnson and Baldwin, who produced, and featured guitarist Phil Hamilton and drummer Rich Harrison, also known as the artist RAH. Whiteside's previous single was the title track, “Thrill Ride,” which was also written and produced by Johnson, Baldwin, and Whiteside, and features guitarist Hamilton and drummer RAH. The single peaked at No. 1 on five radio charts, including the Billboard Smooth Jazz Chart, Mediabase, the Smooth Jazz Network, Radiowave and Groove Jazz Music. Her previous single from the set, “Off The Cuff,” not only peaked at No. 7 on the Billboard Smooth Jazz Airplay chart, where it spent 17 weeks, but it also earned her the Jazz Music Awards nomination that she ultimately won. In addition to her projects, Whiteside has been a busy collaborator. Over the last two years, the native New Yorker also charted at No. 1 on the Billboard Smooth Jazz Airplay chart for her collaboration with Kim Scott's 2022 remake of Ashford & Simpson's 1978 mega-hit, “I'm Every Woman” along with Althea René, which peaked at No. 1 on the Billboard Smooth Jazz chart. Whiteside also co-wrote Bob Baldwin's top-charting hit, “B Positive,” with production partners Dennis Johnson and Baldwin. Additionally, she is featured on “This Time Around” with contemporary jazz artist Jarez, from his latest project, J Funk City. In 2022, she appeared on two tracks, “Seven Eight” and “Solo,” on veteran jazz drummer Billy Cobham's new album, Drum'N'Voice Vol. 5. Whiteside has continued to delight fans and critics alike with her engaging, upbeat melodies and exhilarating flute playing. Tunes like “Thrill Ride,” “Off The Cuff,” “JJ's Strut,” “Reminiscing,” “Jam It,” “Early Arrival,” “See You At The Get Down,” and the Billboard No. 1 “Corey's Bop” have burnished her reputation. But while Whiteside has made her mark fusing inspired flute melodies and breathtaking solos with hip upbeat grooves, she gained her musical acumen by training as a classical flutist. Originally from Mount Vernon, New York, Whiteside played drums, piano, and violin in elementary school before a desire to be in the marching band put the flute in her hand at age 8. “They had this thing called Band Day where all the public schools would march in a parade through Mount Vernon. I said, ‘Oh. I need to be in this parade.'” There were no violins in the marching band, so Whiteside was offered the flute. “I did not want to play the flute. And it took me about a week to get a sound out of it,” she says. But once young Whiteside locked onto the instrument, she immediately focused on what kind of music she wanted to play but was steered into a more traditional path. “My parents got me a private teacher. I said to my teacher, ‘Okay, I want to do jazz.' And he was like, ‘No, you're going to play classical,'” Whiteside recalls. “‘I don't want to play classical.' ‘Well, you can play jazz later, but you need to get your foundation in classical music.' Once again, I was being forced into something, but I started playing and I started getting good at it, and I started to like it.” The young flute player got good and got serious. She participated in Mount Vernon High School's Historically Black Colleges and Universities (HBCU-influenced marching bands), entered multiple musical competitions – some with cash prizes – and won. Members of the National Association of Negro Musicians mentored her, many of whom held positions as opera singers, orchestrators, music directors, and instrumentalists in classical music at a time when African Americans were still not often included. She also participated in the NAACP's ACT-SO (Academic, Cultural, Technological, and Scientific Olympics) competitions for young people, where she won both regional and national titles in two different years. With these distinctions under her belt, Whiteside went on to the Cleveland Conservatory of Music, where she was one of just six African American students. When she transferred to the highly competitive HARID Conservatory in Boca Raton, Florida, she discovered she was now the only one. After receiving so much encouragement and mentoring during her high school years, this was a culture shock. “I was on my own, there was no support, there was nobody I could go and talk to,” Whiteside explains. “On top of that, just being in a classical conservatory, it's cutthroat, it's competitive, it's hardcore. A lot is expected of you, and everybody's trying to go after the same five or six openings.” The pressure to perform was intense and her motivation for that life started to wane. During her senior year-end performance, for which she was to play a well-rehearsed, 20-minute flute concerto, Whiteside went blank halfway through. Offered the opportunity to start again, Whiteside realized she was at a turning point and instead walked out. Influenced by such diverse flute masters as jazz-classical player Hubert Laws, the late Latin jazz artist Dave Valentin, and the French classical flutist Jean-Pierre Rampal, Whiteside received rigorous musical training that prepared her to play in the most prestigious symphony orchestras in the world, but after graduation, Whiteside admits she wasn't sure what she wanted to do. Back home in Mount Vernon, she attended a show at a local jazz club where keyboardist, producer, and composer Bob Baldwin was headlining. While watching, Whiteside says she had an epiphany: “I was sitting up front and I said, ‘Oh my God. This is what I want to do.' ” After the show, she introduced herself to Baldwin. “I told him, ‘Look I'm a classical musician but I want to make the transition to jazz. Do you have any advice for me? And we talked for a while and he pretty much took me under his wing, right then and there,” Whiteside explains. “And two days later, I went to a studio in Yonkers, and it turned into my first non-classical studio session.” Whiteside performed a Stevie Wonder tune for Baldwin and studio owner Dennis Johnson, who later became her husband. “I played a Stevie Wonder tune, and they're like, ‘Hey, we need some flute on this jingle for [New York smooth jazz station] CD 101.9.' And I did that, and from there Bob taught me how to make that transition from classical to jazz, and Dennis showed me the ins and outs of audio recording and using computers to compose music.” Since then, Johnson and Baldwin have become Whiteside's frequent songwriting collaborators. Whiteside instantly began her successful foray into the contemporary soul-jazz sphere. After launching the Randis Music label in 2007 with her husband Johnson, she collaborated with Johnson and Baldwin again on her 2007 release Class Axe, 2012's Evolve, 2014's Quantum Drive, 2017's Troublemaker, and 2020's five-track EP Five Up Top. She also teamed with popular saxophonist Kim Waters for the 2017 release Early Arrival. She has collaborated on tracks with several artists including Marion Meadows, Patrice Rushen, Tom Brown, Walter Beasley, Melba Moore, Chieli Minucci, Frank McComb, and others. She has also been a popular performer at the Berks Jazz Fest, the Seabreeze Jazz Festival, the Mallorca Smooth Jazz Festival in Spain, and the Capital Jazz Super Cruise. Meanwhile, Whiteside and her husband Dennis Johnson made the jump from New York to Atlanta when it became clear that Atlanta offered a more attractive lifestyle. Further, digital technology has made it easy to produce and distribute music from anywhere. “Atlanta is like a hub,” Whiteside explains. “You can get to so many different places relatively quickly from Atlanta. For the first time, we were able to get to New Orleans, Nashville, Houston, the Carolinas, and all over Florida without having to fly, and every place we went, we experienced new musical influences.” Whiteside has also maintained a career as a tech consultant and her role as a mother of two. In late 2020, Whiteside added another title to her list of accomplishments: Radio personality. Spotted at a show by David Linton, a former label executive and current program director of Atlanta's station, Jazz 91.9 WCLK, Whiteside was offered the opportunity to audition as a host. She now holds down the popular No. 1 Saturday morning show “Saturday with Ragan Whiteside, ” another role she has grown to enjoy. With so many professional balls to juggle, and the concert industry opening back up, Ragan Whiteside can lay claim to life as a contemporary jazz star as one big “Thrill Ride.” In this episode, Ragan shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

In this episode, Laura and Tracy sit down with songwriter, producer and publisher Luke Laird. Luke talks the magic of writers' rounds, being reluctant to ask for help, letting go of jealousy and the nitty gritty details of his early publishing deals. Laura also shares the story of a pivotal moment that lead to her being a songwriter. Ferocious talent, wit, and sincere humility rarely come together like they do in Grammy winner Luke Laird. Since moving to Nashville from a small farming town in Pennsylvania, Laird has become one of country and pop's top songwriters and producers. The numbers are staggering: 52 radio singles –– 24 of which were Billboard No. 1 hits and 5 of which were in the Top 5 –– 2 Billboard No. 1 singles as a producer, and more than 125 released cuts fill his catalog. In four separate years, every single released that Laird wrote peaked at No. 1 on the Billboard charts. He earned ACM Songwriter of the Year honors in 2015, and was named BMI Songwriter of the Year in 2012.   As a producer, Laird has helped shape some of music's most critically acclaimed projects of the last decade. He co-produced Kacey Musgraves' 2013 debut, Same Trailer, Different Park, which garnered Grammy honors for Best Country Album and an ACM Album of the Year win. In 2015, he returned to the studio with Musgraves to co-produce her triumphant sophomore release, Pageant Material. Laird earned his second Grammy for Best Country Song with Musgraves' “Space Cowboy” in 2019. He also has producer credits on Thomas Rhett, Ingrid Michaelson, Brett Eldredge, Steve Moakler, Everette, Kassi Ashton, Anna Vaus and more.   A slew of Grammy, ACM, CMA, and other nominations line Laird's resume, which also includes six CMA Triple Play Awards, four NSAI “Songs I Wish I'd Written” Awards, the 2012 BMI Country Song of the Year trophy for Rodney Atkins' “Take a Back Road,” and more. His list of No. 1 singles reads like a carefully curated playlist of soulful contemporary country: “Hard To Forget” (Sam Hunt); “Fast” and “I See You” (Luke Bryan); “Head Over Boots” (Jon Pardi); “T-Shirt” (Thomas Rhett); “Gonna” and “Hillbilly Bone” (Blake Shelton); “Talladega,” “Give Me Back My Hometown,” and “Drink In My Hand” (Eric Church); “American Kids” (Kenny Chesney); “Sunshine & Whiskey” (Frankie Ballard); “One of Those Nights” (Tim McGraw); “Downtown” (Lady Antebellum); “Somebody's Heartbreak” (Hunter Hayes); “Beat This Summer” (Brad Paisley); “Pontoon” (Little Big Town); “You” (Chris Young); “A Little Bit Stronger” (Sara Evans); “Take A Back Road” (Rodney Atkins); and “Temporary Home,” “Undo It,” “So Small,” and “Last Name” (Carrie Underwood).   Other artists who have recorded Laird-penned songs represent a jaw-dropping grab bag of genres: George Strait, Maren Morris, Dierks Bentley, Miranda Lambert, Brandy Clark, Toby Keith, Jake Owen, Steve Moakler, Sister Hazel, Ingrid Michaelson, Ashley Monroe, Sam Hunt, Angaleena Presley, Nikki Lane, Darius Rucker, Jason Aldean, Sheryl Crow, Brett Eldredge, Florida Georgia Line, Ne-Yo, Neal McCoy, Amy Grant, and many more.   Laird recently released his own record, Music Row, that offers an intimate look into his journey from Hartstown to Nashville. The first-ever record from one of music's most trusted creators and collaborators, Music Row is a songwriter's story, traversing childhood, grief, addiction, family, and the community he loves. The songs are deeply personal and sometimes raw, all delivered by the songwriter himself.   Today, Laird writes for and co-owns Nashville-based publishing and management company Creative Nation with his wife, Beth.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Roadcase!!  We're delighted to have Joanne Shaw Taylor on the show this week. Joanne is an extraordinary blues guitarist and vocalist who was originally discovered by Dave Stewart of the Eurythmics when she was just 16 years old -- and she's essentially been on the road shredding guitar ever since. Joanne grew up in the Midlands region of the UK and built her guitar lexicon based on American blues and rock artists -- Stevie Ray Vaughan, Albert Collins, Freddie King, B.B. King, among others, and has become one of the most sought-after guitarists in Blues Rock.  Her latest album, Nobody's Fool, is out now and earlier this year, she released a live recording entitled Blues From The Heart Live, partnered with a concert film of the performance.  The live album was her second Billboard No. 1 record, matching the mark of her 2021 release, The Blues Album, which previously went to the top of the Billboard Blues chart.  Joanne is on a serious roll right now and chatted with Josh about her amazing background and the long journey to where she is today. So jump on the Roadcase bus for this special interview with Joanne Shaw Taylor. It's gonna be a great ride!! For more about Joanne Shaw Taylor please click:https://www.joanneshawtaylor.com/For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music:  "Eugene (Instrumental)" by Waltzer

From humble beginnings in the NYU dorms to working alongside some of the biggest stars of the last decade, today's producer duo guests sit at the center of music culture. They became friends during the first week of freshman year at NYU in 2011, bonding over music and genre collisions. They're musical omnivores who do their best to inhabit the world of the sound they're working on, from afrobeats to grime, latin trap to garage, country to pop. That appetite manifests itself in their work on Sheck Wes' 5x Platinum "Mo Bamba,” on country star Kane Brown's recent genre-bending collaboration with R&B powerhouse H.E.R., "Blessed & Free,”and "Good in Bed" from Dua Lipa's Grammy-winning sophomore album Future Nostalgia. Their palette expands from there: alt-rock anthem "Hero" by Weezer, "High,” a heartfelt ballad by Mark Ronson and Miley Cyrus, James Blake's gorgeous single “Life Is Not The Same,” AJ Tracey and Mabel's UK hit “West 10,” and nearly half of Kid Cudi's long-anticipated album Man on the Moon III:The Chosen, they have left their mark on nearly every genre. Outside of the US, collaborators include Colombian rapper Feid, who was nominated for a Latin Grammy for his album 19, and international stars like Flohio, Santi, and NSG.In 2020, Daytrip earned their first No. 1 single on the Billboard Hot 100 with the gothic Cudi and Travis Scott collaboration “THE SCOTTS,” setting the stage for a prolific 2021. They executive produced multi-platinum star Lil Nas X's debut album, MONTERO, garnering the duo's second and third Billboard No. 1s singles with “MONTERO (Call Me By Your Name)” and “INDUSTRY BABY (feat. Jack Harlow).” The album's success is a reminder that they can't be boxed in. Moving seamlessly across styles and genres to achieve their career-long mission of creating freely and making music that connects with listeners worldwide. And The Writers Are… Denzel Baptiste and David Biral of TAKE A DAYTRIP! Hosted on Acast. See acast.com/privacy for more information.

Veteran jazz keyboardist Brian Culbertson has a 25-album discography that offers up his signature sounds of funky instrumentals, sexy soul jams and straight-up, smooth R&B grooves. With a career of delivering some 40 Billboard No. 1 singles, he's performed and recorded with the industry's finest – from Stevie Wonder and Bootsy Collins to the late Prince and Maurice White, the founder of the iconic band, Earth Wind & Fire. Culbertson has also earned a very loyal fan base, including online music connoisseurs who follow his weekly YouTube and Facebook hang out sessions. But there's one entity where music support has dwindled over the years—terrestrial FM radio. Join Host Eddie Robinson as I SEE U continues its ongoing series dedicated to exploring the future of the smooth jazz format and speaks candidly with acclaimed producer and songwriter, Brian Culbertson. The hitmaker from Decatur, Illinois chats about why he believes jazz music discovery is almost non-existent on FM radio and how he, along with countless other musicians, rely on satellite radio and the digital landscape to keep the momentum and energy of the jazz genre afloat.

This weekend on Tent Show Radio, savor the return of legendary country-rock group Nitty Gritty Dirt Band, with a look back on their 2021 performance at Big Top Chautauqua. This episode features performances of Bob Dylan's “You Ain't Going Nowhere,” “Buy For Me The Rain,” Bob Dylan's “You Ain't Going Nowhere,” John Prine's “Grandpa Was A Carpenter,” “Fishin' In The Dark,” and “Mr. Bojangles.” Originally founded in 1965 as a small jug band, by 1969 Nitty Gritty Dirt Band had become a cornerstone of the burgeoning country-rock music scene. Their career breakthrough came in 1970 with the release of their album Uncle Charlie & His Dog Teddy, which saw the band embrace a straight, traditional country and bluegrass sound. The album included one of the band's best-known hits, a cover version of Jerry Jeff Walker's “Mr. Bojangles” which spent 36 weeks on the charts and rose to number one on the Billboard Hot 100 in 1971. The following year, the band released their 7th studio album, the critically acclaimed, Grammy-nominated, and certified platinum Will The Circle Be Unbroken. The record featured collaborations with numerous country, folk, and bluegrass legends like Earl Scruggs, Mother Maybelle Carter, Roy Acuff, Jimmy Martin, Doc Watson, and others. The critically acclaimed project has since been revered as a landmark recording in American music. Other notable hits include, “Am American Dream,” “Make a Little Magic,” Billboard No. 1 hit “Long Hard Road (The Share Cropper's Dream),” Billboard No.1 hit “Modern Day Romance,” and Certified Platinum Billboard No. 1 hit “Fishin' In the Dark.”  In 2015, the group acknowledged their incredible history by filming a 50th-anniversary concert at the Ryman Auditorium, which later aired on PBS, that included appearances from many special guests including John Prine, Jackson Browne, Vince Gill, and many more. The band continues touring and since 2018 operates as a six-piece ensemble that includes Jeff Hanna (guitar & lead vocals), Jimmie Fadden (drums), Bob Carpenter (keyboards), Jim Photoglo (bass, guitar), Ross Holmes (fiddle & mandolin), and Jaime Hanna (guitar.) With a refreshed lineup and newfound energy, The Nitty Gritty Dirt Band remains one of the most accomplished bands in American roots music.

We had the pleasure of interviewing Dustin Collins over Zoom video! Momentum continues to build for Billboard No. 1 singer-songwriter and Georgia-born Dustin Collins, who recently announced his forthcoming Working Man album, as he signs with New Vision Artist Management's Mike Kraski and New Revolution Entertainment's Jeff Solima. Kraski began his career in sales and distribution at CBS Records and eventually made his way to Sony Music Nashville, where he worked with Dolly Parton, Johnny Cash, Montgomery Gentry among many others, and was eventually elevated to executive VP and general manager for the Nashville division. In 2003, Kraski left Sony and launched an artist friendly label that was aptly named Equity Records. As President and CEO, he launched the career of Little Big Town. Since 2007, Kraski has worked in artist management, consulting and music publishing at Tenacity Management and at M-Pact Music Group and recently partnered with legendary artist manager John Dorris to launch New Vision Artist Management.Solima, whose career started at Music Matters, who managed Tracy Lawrence (16 of 17 singles were all No. 1) and Clay Walker (debut single No. 1), opened the multi-award-winning Hitsquad Promotions in 1993. In 2006, he co-founded New Revolution with partner Rob Dalton, and in 2008, he co-founded Bigger Picture Promotions with partner Michael Powers. Bigger Picture became the No. 5 record label in 18 months, setting the No. 1 record at the time of 9 consecutive No. 1 singles, and launched Craig Campbell, Chris Janson, and relaunched Chris Cagle, Uncle Kracker's “Smile,” and Kid Rock. New Revolution clients have included Tim McGraw, Brantley Gilbert, Martina McBride, Lee Brice, Gloriana, Uncle Kracker, Jesse James Decker, among others, while delivering Emerson Drive's only No. 1 with “Moments” and relaunching Big & Rich with four consecutive Top 15 singles.Produced by industry veterans Buddy Cannon (Kenny Chesney, Willie Nelson, Reba McEntire) and Bill McDermott (Tim McGraw, Martina McBride, Brad Paisley), Working Man is slated for release this summer from DCDL Entertainment. A portion of proceeds from the lead single and album will benefit GUMI (Glad You Made It) Camp USA. GUMI focuses on providing U.S. veterans with the tools they need to help them heal after deployment overseas and enable them to re-enter society. Working Man follows Collins' latest album, It's Been Awhile, which debuted at No. 1 on the Billboard Heatseekers South Central Albums chart. His independent single “Cold Dead Hands” ascended to No. 1 on the Billboard Singles Sales chart. Collins also earned a slot on Aaron Watson's Vaquero Tour and has opened for Tanya Tucker, Shenandoah, Clay Walker, Chris Janson, Kane Brown and many more.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #DustinCollins #ColdDeadHands #musicinterview #MusicPodcast #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Dubbed ‘America's Violinist' for the magic of her artistry, Jenny Oaks Baker is a Grammy nominee and Billboard No. 1 recording artist who knows the thrill of soloing at Carnegie Hall. A devoted wife and mother of four children, Jenny has experienced highs and lows in her life and career but has always trusted God to guide her. “I knew I needed to work really hard, stay very close to the Spirit and do what is right, and everything would work out.” YouTube Channel: https://www.youtube.com/user/JennyOaksBaker     “Free At Last Medley” with Condoleezza Rice (March 4th) https://www.youtube.com/watch?v=veYkOvsYGjUFacebook https://www.facebook.com/search/top?q=jenny%20oaks%20bakerTwitter https://twitter.com/jennyoaksbakerInstagram https://www.instagram.com/jennyoaksbaker/Jenny Oaks Baker's Music: iTunes, Spotify, Deseret BookJenny's website https://www.jennyoaksbaker.com/

This weekend on Tent Show Radio, savor the return of legendary country-rock group Nitty Gritty Dirt Band, with a look back on their 2021 performance at Big Top Chautauqua. This episode features performances of Bob Dylan's “You Ain't Going Nowhere,” “Buy For Me The Rain,” Bob Dylan's “You Ain't Going Nowhere,” John Prine's “Grandpa Was A Carpenter,” “Fishin' In The Dark,” and “Mr. Bojangles.” Originally founded in 1965 as a small jug band, by 1969 Nitty Gritty Dirt Band had become a cornerstone of the burgeoning country-rock music scene. Their career breakthrough came in 1970 with the release of their album Uncle Charlie & His Dog Teddy, which saw the band embrace a straight, traditional country and bluegrass sound. The album included one of the band's best-known hits, a cover version of Jerry Jeff Walker's “Mr. Bojangles” which spent 36 weeks on the charts and rose to number one on the Billboard Hot 100 in 1971. The following year, the band released their seventh studio album, the critically acclaimed, Grammy-nominated, and certified platinum Will The Circle Be Unbroken. The record featured collaborations with numerous country, folk, and bluegrass legends like Earl Scruggs, Mother Maybelle Carter, Roy Acuff, Jimmy Martin, Doc Watson, and others. The critically acclaimed project has since been revered as a landmark recording in American music. Other notable hits include, “Am American Dream,” “Make a Little Magic,” Billboard No. 1 hit “Long Hard Road (The Share Cropper's Dream),” Billboard No.1 hit “Modern Day Romance,” and Certified Platinum Billboard No. 1 hit “Fishin' In the Dark.” In 2015, the group acknowledged their incredible history by filming a 50th-anniversary concert at the Ryman Auditorium, which later aired on PBS that included appearances from many special guests including John Prine, Jackson Browne, Vince Gill, and many more. The band continues touring and since 2018 operates as a six-piece ensemble that includes Jeff Hanna (guitar & lead vocals), Jimmie Fadden (drums), Bob Carpenter (keyboards), Jim Photoglo (bass, guitar), Ross Holmes (fiddle & mandolin), and Jaime Hanna (guitar.) With a refreshed lineup and newfound energy, The Nitty Gritty Dirt Band remains one of the most accomplished bands in American roots music.

The Mike Church Show-How To Forget Doom And Gloom And Find Joy In Beautiful Music with Michael Kurek  SPECIAL GUEST - Michael Kurek  Who is Dr Kurek - American composer Michael Kurek is the author of the recently released book, The Sound of Beauty: A Composer on Music in the Spiritual Life (Ignatius Press) and the composer of the recent Billboard No. 1 classical album The Sea Knows (Parma Recordings). Composer Laureate - it is a lifetime appointment David Van Vacktor - was the last Composer Laureate recipient  The story w/ the brooms and all was already there. FOUNDERS TRADIN POST - The Sound of Beauty by Michael Kurek  We have dumbed down our music even more. Our minds are even more closed then when he was around. In 1901 there were more pianos in homes than bathtubs! People used to get around the piano - there was always at least ONE person in the family that could sing and/or play the piano. March 18th - concert in Nashville - Tales From the Realm of Faerie HEADLINE: Tales From the Realm of Faerie: Michael Kurek's New Symphony by Joseph Pearce MORE MUSIC from Michael Kurek - there is still more and I'll try to get some more shows out to you. John Phillips Sousa - John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. HEADLINE: John Philip Sousa: 10 Things You Don't Know About The Man Behind the Marches by Jean-Marie Bralley  Today in pop culture, you can learn only one cord on a guitar and roll with it. You used to have to have some sort of talent to be considered ‘good' in music. George Butterworth - George Sainton Kaye Butterworth, MC was an English composer who was best known for the orchestral idyll The Banks of Green Willow and his song settings of A. E. Housman's poems from A Shropshire Lad. MORE ON BUTTERWORTH - Butterworth, George WIFE - Crystal Kurek - BEST PERFORMER in a Musical  Website - https://crystalkurek.com/ Homeschool connections - Great Composers Course and The Sound of Beauty/Music Appreciation, The Basics of Music History Our Readers And Listeners Keep Us In Print & On The Air! Click here to subscribe to The CRUSADE Channel's Founders Pass Member Service & Gain 24/7 Access to Our Premium, New Talk Radio Service. www.crusadechannel.com/go What Is The Crusade Channel? The CRUSADE Channel, The Last LIVE! Radio Station Standing begins our LIVE programming with our all original CRUSADE Channel News hosted by Ron Staffard. Coupled with Mike “The King Dude” Church entertaining you during your morning drive and Rick Barrett giving you the news of the day and the narrative that will follow during your lunch break! We've interviewed over 300 guests, seen Brother Andre Marie notch his 200th broadcast of Reconquest; The Mike Church Show over 1200 episodes; launched an original LIVE! News Service; written and produced 4 Feature Length original dramas including The Last Confession of Sherlock Holmes and set sail on the coolest radio product ever, the 5 Minute Mysteries series!  Now that you have discovered The Crusade, get 30 days for FREE of our premium News-Talk Radio service just head to: http://crusadechannel.com  Did you know about Beautiful Music? If you are interested in supporting small business, be sure to check out the official store of the Crusade Channel, the Founders Tradin Post! Not to mention our amazing collection of DVD's, Cigars, T-Shirts, bumper stickers and other unique selection of items selected by Mike Church!

TED & SHERI After a dozen year hiatus, one of gospel music's most legendary duos, Ted & Sheri – Ted Winn and Sheri Jones-Moffet, are back together again! The Stellar Gospel Music Award winning pair has teamed up with the dazzling GRAMMY® Award nominated foursome, The Walls Group. The blend of their respective Memphis and Houston church-trained voices is nothing short of magical on the soulful retro-styled, feel-good groove, “Now I Know” (Ted & Sheri, LLC / Black Smoke). The Memphis-reared duo of Ted & Sheri first hit the national stage in 2001 with the release of the independent album, The Healing Starts Right There (Church Howze), which earned them two Stellar Gospel Music Awards. The project featured the fan favorites, “Come Ye Disconsolate,” a remake of Andrae Crouch's classic “I'll Be Thinking of You,” and the acapella tune, “Thank Him.” Their 2004 sophomore album, Celebrate, featured the Billboard Top 5 title-cut that was written for them by Donald Lawrence. The cut, “God Will Take Care,” was featured on the platinum-selling project, WOW Gospel 2005. By the end of the decade, they had amicably pursued solo careers. Sheri went on to lead “Encourage Yourself” by Donald Lawrence & the Tri-City Singers on their Billboard No. 1 smash, “Encourage Yourself,” in 2007. She followed with two solo albums for EMI Gospel / Motown Gospel that birthed radio singles such as “Shine” and “Faith to Believe.” Her debut set, Renewed (Motown Gospel) earned her a GRAMMY® Award nomination for Best Contemporary R&B Gospel Album in 2009. Ted launched his own recording label, Teddy's Jamz, in 2009. His solo debut album, Balance (Teddy's Jamz), appeared soon after with radio hits such as “God Believes in You,” “Moving Forward,” and the Top Ten smash, “The Lifter.” His 2017 album, Stand in Awe (Teddy's Jamz), featured four radio singles, including the Top 10 smash, “Grateful,” which featured the dynamic vocals of song stylist, Maranda Curtis. In 2021, Ted & Sheri reunited to celebrate the 20th anniversary of their first release last year by partnering with Black Smoke Music Worldwide to release their first album in nearly two decades. The music video for their first offering, “God Can Heal It,” has racked up over a half million YouTube views. Their as yet untitled album will release later in 2022.

Dienstag: Dena Zarrin hat am 30. November das Internet durchforstet und News gesammelt.   Das Bundesverfassungsgericht stuft die Bundesnotbremse als verfassungskonform ein. The Weeknds „Blinding Lights” ist mit 90 Wochen in den Charts nun der Billboard No. 1 Hit of all time. Außerdem haben der Wendler und Ehefrau Laura jetzt einen OnlyFans- und North West und Mama Kim einen TikTok-Account, während Twitter-Gründer Jack Dorsey die Plattform als CEO verlassen hat. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of #TheBuzz , we had a fun time speaking with Chandler Moore (Maverick City), Naomi Raine (Maverick City), and Ryan Ofei (Tribl). Tribl Record's platinum-selling, Maverick City Music, recently took home New Artist Of The Year and Album Of The Year at the 2021 Stellar Awards for the 2020 release of Maverick City Vol. 3 Part 1. Between Maverick City Music and all of its artists, the Billboard No.1 collective garnered 11 Stellar Award nominations. Also, they grabbed 2021 DOVE Award nominations for “New Artist of the Year,” “Worship Album of the Year,” and “Worship Recorded Song of the Year.” Be sure to watch them live in a city near you --> https://tourlink.to/maverickcitytour Follow us @GospelMusicBuzz on all platforms --- Support this podcast: https://anchor.fm/gospel-music-buzz/support

After Doja Cat would earn her first career Billboard No. 1 with a remix of “Say So” featuring Nicki Minaj, before backtracking on a promise she made to fans. After Doja Cat would share a bizarre response to an Instagram post by Lana Del Ray. After Doja Cat would issue a statement denying allegations of being a racist once footage of her participating in chatrooms leaked online.It turns out that only weeks after claiming her first number one hit on the Billboard Charts, Doja Cat… well, she's been canceled. The internet exploded over the weekend after cringe-worthy footage of the pop star leaked online featuring her doing a whole bunch of different activities with a group of men that most women would never take home to meet their parents. And as bad as that is, she's also gotten into it a bit with Lana Del Ray and seen an unreleased track with a questionable message leaked as well. Also, Doja Cat talking about yours truly Michael McCrudden so in this video we got a lot to get through...

Migos return with the final part of their Culture trilogy, a sprawling, 19-track album featuring some of the biggest names in hip-hop. Drake, Cardi B, Future, Justin Bieber and the late rappers Juice WRLD and Pop Smoke appear on Culture III, which dropped at the stroke of midnight. In a recent interview with Billboard, Offset said the trio are still waiting for the world to acknowledge their impact. "We made this trap [style] go pop," he said. "They don't talk about that. We made trap go pop talking about selling pounds and bricks, and we hit Billboard No. 1. Hip-hop artists weren't going No. 1 like that, but now it just be 'bang, bang, bang.'" Maybe so, though the charts tell a different story. Migos' 2017 album Culture and 2018's Culture II both led the Billboard 200 chart, and their hit “Bad And Boujee” featuring Lil Uzi Vert went to No. 1 on the Billboard Hot 100 in January 2017. What's going on Internet, Analytic here aka Dreamz and I would like to welcome you to mine, which I call the Notorious Mass Effect Podcast! I am your Hip-Hop / Gaming News source with a little bit of R&B mixed in. FOR EPISODE 54: “MEGAN THEE STALLION” “POLO G - HALL OF FAME" “RATCHET & CLANK” & “MIGOS - CULTURE III” But before that make sure to Click my Linktree in my bio to access my social medias and follow, to keep up with my latest activities, if you want to financially support the show click my cash app link located towards the top of my linktree as it helps the show overall, also make sure to share this podcast as this helps the show reach more people so we can grow together and effect the masses! --- Support this podcast: https://anchor.fm/masseffect/support

Shelly was born Mashelle Clark in Brooklyn, New York. An original member and cofounder of The Honey Cone, Shelly has had a remarkable career. Beginning as a child star at the age of seven she headlined at the renowned Apollo Theatre and the Palace Theatre before making her Broadway debut with Pearl Bailey and Diahann Carroll in the celebrated hit musical "The House of Flowers."Clark went on to dazzle audiences touring with Cab Calloway in his renowned Cotton Club Revue followed by her work with artists including Dusty Springfield, Tom Jones, Little Richard, DJ Rogers and Richard Harris. She also toured nationally with The Ike & Tina Turner Revue as one of the historic Ikettes. With The Honey Cone, Shelly was part of creating an enduring legacy of Billboard No. 1 and Top 10 hits that garnered numerous gold records and esteemed industry awards.Shelly has been married to Verdine White, the iconic bass player and co-founder of Earth, Wind & Fire for 40 years.Verdine White is best know as the visionary entertainer, producer, fashion trend setter and electrifying bass player of Earth Wind & Fire. Born and raised in Chicago, he easily might have followed his father’s footsteps into the field of medicine. It turned out however that music chose Verdine instead. He saw a Double bass in his high school orchestra class and there began his formal training.In Verdine’s words… ”The instrument was standing alone in the corner of the orchestra class....tall, mysterious and majestic, so different from all the others, it called me and the love affair began."Verdine honed his skills in local jazz clubs throughout Chicago and neighboring cities which allowed him to perfect his unique electric bass style and technique. Already an accomplished bassist, Verdine joined his brother Maurice White in Los Angeles to form one of the most successful POP and R&B bands of all time... Earth Wind and Fire.https://www.verdinewhite.comhttps://www.facebook.com/OfficialVerdineWhitehttps://www.facebook.com/OfficialShellyClark/https://www.thehoneycone.com@verdine_white@shellyclarkwhitehttp://www.earthwindandfire.com

America’s Violinist, Jenny Oaks Baker is a Grammy Nominated, Billboard No. 1 performer and recording artist. She received her Master of Music degree from the renowned Juilliard School in New York City and her Bachelor’s Degree in violin performance from the Curtis Institute of Music in Philadelphia. She has performed as a soloist at Carnegie Hall, Lincoln Center, Strathmore Hall, the Library of Congress and as a guest soloist with The National Symphony, Jerusalem Symphony, Pittsburgh Symphony, Utah Symphony, and the internationally acclaimed Mormon Tabernacle Choir. Over the years Jenny has collaborated with such luminaries as Gladys Knight, Kurt Bestor, Marvin Hamlisch, and the former Secretary of State Condoleezza Rice. Jenny has released fifteen studio albums since 1998. They have sold nearly a million copies and consistently chart on Billboard. Jenny’s emotionally stirring music has also been featured on the soundtracks of many films, and her popular music videos can be viewed on her Youtube Channel. Jenny, her husband Matthew, and their four children reside in SLC, UT. Jenny and her children perform together throughout the world as Jenny Oaks Baker & Family Four. www.jennyoaksbaker.com

#64 Richie Norton interviews world-renowned musician, Paul Cardall! Paul Cardall battled long odds from birth, eventually triumphing over a serious heart disability to earn distinction as an outstanding composer and pianist. In 1997, he first won widespread notice by setting author Richard Paul Evans' No. 1 NY Times bestseller The Christmas Box to music. Recognized by Steinway & Sons as one of the finest pianists in the world, Cardall's achievements range from releasing 11 Billboard No. 1 chart-topping albums to recently winning the Gospel Music Association Dove Award for Instrumental Album of The Year for his album, Christmas. Cardall's entrepreneurial activities include founding and directing the Stone Angel Music label and recording studio, promoting medical research, and providing scholarships for congenital heart disease through his foundation. Cardall's music has included works for piano, vocal, band, and orchestral settings. On his latest album, Peaceful Piano, he returns to his solo performance roots while exploring complete real-time improvisation for the first time. Peaceful Piano is currently nominated by A2IM Liberia Awards for Classical Album of the Year. Cardall records for Anthem Entertainment, whose roster includes; RUSH, Timbaland, and Jose Feliciano.   - This podcast will teach you how to leverage the power of music and broken miracles to create peace, joy, and creativity.   - This podcast with Richie Norton and Paul Cardall is fun, tender and powerful to help you create positive transformations through music, healing and productive creativity.   Learn more at www.paulcardall.com Want to continue the conversation? Join us! RICHIE NORTON SHOW COMMUNITY: https://www.facebook.com/groups/richiepodcast   RICHIE NORTON SHOW NOTES AND RESOURCES: http://www.richienorton.com/   RICHIE NORTON SOCIAL:   INSTAGRAM: https://www.instagram.com/richie_norton LINKEDIN: http://www.linkedin.com/in/richardnorton FB: https://www.facebook.com/richienorton TWITTER: http://www.twitter.com/richienorton

August 12, 2020 - America's leading authority on BTS, K-Pop, and East Asian entertainment, Tamar Herman returns to the Korea Society with her book BTS: Blood, Sweat & Tears. BTS has conquered Western music charts and social media on their way to being the biggest band in the world. With record-breaking firsts and three Billboard No. 1 albums within a year, their music and messaging has gone on to transcend the limitations of language, geography, and genre. Going behind-the-scenes of today's biggest pop band and focusing on the members, the music and the fans, Tamar Herman brings the extraordinary story of BTS to life. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/item/1412-bts-blood-sweat-tears-with-tamar-herman

Simon Harris is predominantly known as the founder of the record label Music of Life and producer of most of its catalog of songs. He is a DJ, producer, remixer, founder of the EDM label WorkRoom, and the creator of the Billboard No.1 hit "Bass (How Low Can You Go?") This episode takes you on an interesting journey through the British rap scene back in the late 80s to how music is presented today. Facebook: @BattleApproved and @SimonHarris Twitter: @BattleApproved and @HarrisMix This episode of the podcast is brought to you by GrizzlyCoolers.com Get 25% Off anything Grizzly by using the coupon code: battle25 (at check out) --- Send in a voice message: https://podcasters.spotify.com/pod/show/battleapproved/message Support this podcast: https://podcasters.spotify.com/pod/show/battleapproved/support

We have Billboard No.3 & iTunes No.1 Jazz Artist Elise Morris and legendary Producer/Musician Doug Katsaros joining Oliver Sean 'in-conversation' today on the WOAFM99 Radio Show. We also bring you the 6 breakthrough artists of the week and a special preview of the brand new single from Elise's new album 'Dancing with the Boys'.   Certified Indie Songs of the Week: 1 Jesse Eckert - Whatever it is 2. Tiz Mc Namara - Days like these  3. Kingstaf - What is hell 4. Elise Morris - Times will get better  5. Just a Jester - Who really matters 6. One Road Recordings (feat Ari Davi) - Breathj Easy  *Special Addition: Elise Morris - Mardi Gras (Live) #WOAFM99 #REALINDIE #CertifiedIndie  Artists who would like to submit their music for consideration for the WOAFM99 Radio Show can submit their music via www.woafm99.com or via the WOA Music Opportunities Page  The WOAFM99 Radio Show is produced by WOA Films and Oliver Sean Productions for the WOA Entertainment Group  www.woaentertainment.com  www.woafm99.com www.oliversean.com #WOAFORMUSICIANS (Music Opportunities) 

In this episode the Gobby Boyz chat Roddy Ricch blocking Justin Bieber from the Billboard No. 1 (04:53), the Wiley vs. Stormzy beef (16:20), the most streamed artists of the decade (29:34), review Mick Jenkins' "The Circus" EP (37:22), check out new tracks from Future & Drake and A Boogie Wit Da Hoodie (54:16) + more!FOLLOW US ON INSTAGRAM:https://www.instagram.com/geekedoffbars/LIKE US ON FACEBOOK:https://www.facebook.com/geekedoffthembars/

What an amazing, inspirational, and light Paul Cardall is to all of us! Paul makes music to help heal hearts, his approach is based on studies that music literally helps heal you physically and mentally.  He just released Peaceful Piano, an 18 track collection of piano solos, which celebrates 10 years since getting a new heart. Born with congenital heart disease, Paul only had half a heart. After many surgeries throughout his childhood, he went into heart failure and then waited over a year before getting a donor.   A Steinway sponsored artist, Paul has released over 20 albums since 1995, this one created as he recorded it with Grammy-winning engineer Michael Bishop; he produced himself.  He’s recorded and produced artists through his independent label Stone Angel Music, which yielded 11 Billboard No. 1’s (including his own), and nearly 300 weeks on the charts.  Above all of that, Paul is just an amazing person that is making a powerful impact on the lives of millions.  Tune in and be touch by his story and enjoy some of his music from his album, Peaceful Piano.  Thank you, Paul, for helping all of us be better people! #paulpower #light #love #music #feelagain #peace #spirit #energy #heart #life #beauty #believe #overcome #beliefcast #tsinspires  

Bienvenidos al universo del Smooth Jazz-Latín Jazz- Soul Pasa, siéntate tranquilamente, ajusta tu volumen, ya es hora de disfrutar Estas en la emisión Nº159. Estos son las creaciones musicales de las siguientes estrellas, que nos acompañaran esta tarde, comenzamos con Nicke Holgersson y su crispy colors Urban America con Graig T. Cooper &Johnny Britt Harry K Phillips feat Graig T.Cooper Lori Williams and Tom Browne Tom Browne Feat Joyce San Mateo Tom Browne El emblemático trompetista del jazz funk A mediados de la década de 1970, un joven trompetista de Queens obtuvo una beca para la High School of Music & Performing Arts en Nueva York. En ese momento, nadie podría haber imaginado que se le ocurrirían algunos de los sonidos funk más brillantes jamás grabados. Tom Browne aprendió de Freddie Hubbard y otros héroes de trompeta. Lanzó uno de los álbumes de jazz funk más brillantes de la historia con su debut Browne Sugar en 1979, junto con el clásico Billboard No 1 single 'Funkin' For Jamaica 'al año siguiente. Al igual que el flautista Hubert Laws, Tom Browne logró construir la fascinación del funk en las melodías románticas del jazz contemporáneo. Recuerda que ya estamos en contacto de manera permanente bien a través de nuestra web www.followme876.com, a través de Facebook, Instagram y más recientemente en nuestro canal de Youtube. Spotify-iTunes-ivoox-SoundCloud-etc Lin Rountree Amy Wihthouse Tom Browne Bob Baldwin , arropado en este trabajo (Music whit a Messeger) Marcus Anderson- Focus-Zoiea- Lori Williams Terminaremos con el saludo de Nicke Holgersson con su tema Fast Forward Hasta aquí el programa de hoy Disfrutar**

Bienvenidos al universo del Smooth Jazz-Latín Jazz- Soul Pasa, siéntate tranquilamente, ajusta tu volumen, ya es hora de disfrutar Estas en la emisión Nº159. Estos son las creaciones musicales de las siguientes estrellas, que nos acompañaran esta tarde, comenzamos con Nicke Holgersson y su crispy colors Urban America con Graig T. Cooper &Johnny Britt Harry K Phillips feat Graig T.Cooper Lori Williams and Tom Browne Tom Browne Feat Joyce San Mateo Tom Browne El emblemático trompetista del jazz funk A mediados de la década de 1970, un joven trompetista de Queens obtuvo una beca para la High School of Music & Performing Arts en Nueva York. En ese momento, nadie podría haber imaginado que se le ocurrirían algunos de los sonidos funk más brillantes jamás grabados. Tom Browne aprendió de Freddie Hubbard y otros héroes de trompeta. Lanzó uno de los álbumes de jazz funk más brillantes de la historia con su debut Browne Sugar en 1979, junto con el clásico Billboard No 1 single 'Funkin' For Jamaica 'al año siguiente. Al igual que el flautista Hubert Laws, Tom Browne logró construir la fascinación del funk en las melodías románticas del jazz contemporáneo. Recuerda que ya estamos en contacto de manera permanente bien a través de nuestra web www.followme876.com, a través de Facebook, Instagram y más recientemente en nuestro canal de Youtube. Spotify-iTunes-ivoox-SoundCloud-etc Lin Rountree Amy Wihthouse Tom Browne Bob Baldwin , arropado en este trabajo (Music whit a Messeger) Marcus Anderson- Focus-Zoiea- Lori Williams Terminaremos con el saludo de Nicke Holgersson con su tema Fast Forward Hasta aquí el programa de hoy Disfrutar

Bienvenidos al universo del Smooth Jazz-Latín Jazz- Soul Pasa, siéntate tranquilamente, ajusta tu volumen, ya es hora de disfrutar Estas en la emisión Nº159. Estos son las creaciones musicales de las siguientes estrellas, que nos acompañaran esta tarde, comenzamos con Nicke Holgersson y su crispy colors Urban America con Graig T. Cooper &Johnny Britt Harry K Phillips feat Graig T.Cooper Lori Williams and Tom Browne Tom Browne Feat Joyce San Mateo Tom Browne El emblemático trompetista del jazz funk A mediados de la década de 1970, un joven trompetista de Queens obtuvo una beca para la High School of Music & Performing Arts en Nueva York. En ese momento, nadie podría haber imaginado que se le ocurrirían algunos de los sonidos funk más brillantes jamás grabados. Tom Browne aprendió de Freddie Hubbard y otros héroes de trompeta. Lanzó uno de los álbumes de jazz funk más brillantes de la historia con su debut Browne Sugar en 1979, junto con el clásico Billboard No 1 single 'Funkin' For Jamaica 'al año siguiente. Al igual que el flautista Hubert Laws, Tom Browne logró construir la fascinación del funk en las melodías románticas del jazz contemporáneo. Recuerda que ya estamos en contacto de manera permanente bien a través de nuestra web www.followme876.com, a través de Facebook, Instagram y más recientemente en nuestro canal de Youtube. Spotify-iTunes-ivoox-SoundCloud-etc Lin Rountree Amy Wihthouse Tom Browne Bob Baldwin , arropado en este trabajo (Music whit a Messeger) Marcus Anderson- Focus-Zoiea- Lori Williams Terminaremos con el saludo de Nicke Holgersson con su tema Fast Forward Hasta aquí el programa de hoy Disfrutar**

Bienvenidos al universo del Smooth Jazz-Latín Jazz- Soul Pasa, siéntate tranquilamente, ajusta tu volumen, ya es hora de disfrutar Estas en la emisión Nº159. Estos son las creaciones musicales de las siguientes estrellas, que nos acompañaran esta tarde, comenzamos con Nicke Holgersson y su crispy colors Urban America con Graig T. Cooper &Johnny Britt Harry K Phillips feat Graig T.Cooper Lori Williams and Tom Browne Tom Browne Feat Joyce San Mateo Tom Browne El emblemático trompetista del jazz funk A mediados de la década de 1970, un joven trompetista de Queens obtuvo una beca para la High School of Music & Performing Arts en Nueva York. En ese momento, nadie podría haber imaginado que se le ocurrirían algunos de los sonidos funk más brillantes jamás grabados. Tom Browne aprendió de Freddie Hubbard y otros héroes de trompeta. Lanzó uno de los álbumes de jazz funk más brillantes de la historia con su debut Browne Sugar en 1979, junto con el clásico Billboard No 1 single 'Funkin' For Jamaica 'al año siguiente. Al igual que el flautista Hubert Laws, Tom Browne logró construir la fascinación del funk en las melodías románticas del jazz contemporáneo. Recuerda que ya estamos en contacto de manera permanente bien a través de nuestra web www.followme876.com, a través de Facebook, Instagram y más recientemente en nuestro canal de Youtube. Spotify-iTunes-ivoox-SoundCloud-etc Lin Rountree Amy Wihthouse Tom Browne Bob Baldwin , arropado en este trabajo (Music whit a Messeger) Marcus Anderson- Focus-Zoiea- Lori Williams Terminaremos con el saludo de Nicke Holgersson con su tema Fast Forward Hasta aquí el programa de hoy Disfrutar**

Check out a new and freshly baked Grindhouse podcast as engineered by the Afronerd Radio engine.  Join your resident AFROnerdist crew as they highlight the following pop/pulp issues: Conservative politician/pundit, Pat Buchanan believes #ADOS have not fully assimilated in 400 years; Billboard removes rapper, Lil Nas X' viral hit "Old Town Road"  from their Hot Country chart deeming it not "country" enough (or was it "too Black"); the Disney's Dumbo remake reportedly performs below expectations calling into question the revising of IPs the general audience may be too young to be familiar with; the NOS4A2 ("Nosferatu," get it?) trailer hits the cyberverse; actress, Brie Larson continues to be somewhat of a polarizing figure with her (and Netflix') recent social media interactions regarding her upcoming Netflix film, Unicorn Store;  #Mywhiteprivilege goes viral on Twitter;  And what are Affrilachians?;  ATL black teen is allegedly killed by a white racist for knocking on the wrong apartment door; Dburt further clarifies his thoughts on the college admissions scandal from a few weeks ago; Dark Phoenix writer/director, Simon Kinberg affirms that Disney is evaluating all the FOX Marvel properties post merger; Lastly, the Pennyworth prequel TV series trailer makes it to the web;  Call LIVE at 646-915-9620.

Dovetales is excited to have the sensational new artist, Kayla Waterson our program. She is an elite pianist, composer, producer and music director. After landing a record deal with Trippin N’ Rhythm Records (SONY), Kayla gracefully returns with her second consecutive Billboard No. 1 single "Zephyr" from her sophomore album "Coevolve" that released in October. Last year, Kayla's debut single "I Am" from her first record "Apogee" soared upward and hit #1 on Billboard's Smooth Jazz Chart just 10 weeks after its debut. To weigh in on our topic call 646-668-8485 press 1 to be live on the air. Download the stitcher app on your mobile device. Or, click on link here.

What makes an idea go viral, a song become a hit, or a startup turn into a stock-listed powerhouse? It often happens, according to Assistant Professor Michael Mauskapf, because of an optimal mix of oldness and newness. Be it a Billboard No. 1 or a blockbuster business idea, the concept catches on because it’s similar enough to be recognizable but different enough to be edgy. “If your goal is commercial success and widespread adoption, you don’t want to be radically different,” Mauskapf says in this episode of Columbia Bizcast, which delves into his widely cited research paper into what makes pop music popular. Featured in the Economist, New York Post, and Quartz, along with Ideas at Work, the paper dissects the sonic attributes of six decades of songs from the Billboard Hot 100 to answer the question, “What makes a hit?” “There’s a trade-off between being similar and being different,” says Mauskapf, who is himself an orchestral trumpeter with dual doctorates in management and musicology; he teaches the MBA course Foundations of Entrepreneurship, an overview of the concepts and skills needed for both entrepreneurs and those who want to act entrepreneurially. “Novel is a necessary but not sufficient condition for being innovative.”

Bible News Radio for August 10, 2018 On this edition of Free for All Friday we discussed how the Irvine Company refused to allow a billboard for Greg Laurie's annual Harvest Crusade. We also discussed what the term "born again" means and had a little fun too! Don't forget to protect your identity with #IDShield - sign up today with Stacy at https://stacyharp.wearelegalshield.com Save 20% when you use the coupon code BibleNews at www.Ariel.org Thank you for supporting our sponsors. You may also donate to the show at http://www.biblenewsradio.com --- Send in a voice message: https://anchor.fm/biblenews/message Support this podcast: https://anchor.fm/biblenews/support

Guest performers have existed since, literally, the beginning of the pop charts—the first Billboard No. 1 hit had a featured vocal by Frank Sinatra. Throughout the rock era, some very starry guests have helped out with hits by everyone from the Beatles to Carly Simon to Chaka Khan. But for a long time, those guests received no credit at all. Today, their names are all over the pop charts. On this episode, we trace the evolution of the guest performer, from Mick Jagger to Bobby Brown to Cardi B.  Email: hitparade@slate.com   Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest performers have existed since, literally, the beginning of the pop charts—the first Billboard No. 1 hit had a featured vocal by Frank Sinatra. Throughout the rock era, some very starry guests have helped out with hits by everyone from the Beatles to Carly Simon to Chaka Khan. But for a long time, those guests received no credit at all. Today, their names are all over the pop charts. On this episode, we trace the evolution of the guest performer, from Mick Jagger to Bobby Brown to Cardi B.  Email: hitparade@slate.com   Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest performers have existed since, literally, the beginning of the pop charts—the first Billboard No. 1 hit had a featured vocal by Frank Sinatra. Throughout the rock era, some very starry guests have helped out with hits by everyone from the Beatles to Carly Simon to Chaka Khan. But for a long time, those guests received no credit at all. Today, their names are all over the pop charts. On this episode, we trace the evolution of the guest performer, from Mick Jagger to Bobby Brown to Cardi B.  Email: hitparade@slate.com   Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve Dorff is a songwriter, composer and recent inductee of the Songwriters Hall of Fame. He's also an author, his book I Wrote That One, Too: A Life in Songwriting from Willie to Whitney was published in 2017. Some of the most legendary artists of all time have recorded Steve Dorff's songs: Barbra Streisand, Celine Dion, George Strait, Kenny Rogers, Ray Charles, Anne Murray, Garth Brooks, Mel Tillis, Merle Haggard, Melissa Manchester, Smokey Robinson, Vanessa Williams, Whitney Houston and Willie Nelson just to name a few. Honored with more than 40 BMI Awards, 14 Billboard No. 1s and over 20 Top 10 hits for country and pop artists.This is my second interview with Steve Dorff and I couldn't be more honored. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Black Panther album debuts at Billboard No. 1, Sharknado 6 synopsis revealed, Jughead won't sing in Riverdale musical episode, Supernatural casts alternate-dimension angel, Super Mario Encyclopedia coming in October. See acast.com/privacy for privacy and opt-out information.

Brian Culbertson is an award-winning multi-instrumentalist, songwriter and producer known for his distinct brand of genre-crossing contemporary jazz, R&B and funk. Mining the urban sounds of musically-rich Chicago, he began his musical studies on piano at age eight and quickly picked up several other instruments by the time he was twelve, including drums, trombone, bass and euphonium. Inspired by the iconic R&B-jazz-pop artists of the 1970s like Earth, Wind & Fire, Tower of Power, Chicago, David Sanborn and others, Culbertson started composing original music for his seventh grade piano recital and hasn’t stopped since, amassing 30 Billboard No. 1 singles (and counting!) and a deep catalogue of 18 albums, most of which have topped the Billboard contemporary jazz charts.Having worked and performed with countless industry all-stars such as Michael McDonald, Chris Botti, Ledisi, Barry Manilow, Herb Alpert, Natalie Cole, Maurice White (EWF), Chuck Brown and Bootsy Collins just to name a few, Culbertson has won numerous awards and accolades along with nominations from the NAACP Image Awards and Soul Train Awards. In 2012, he founded the Napa Valley Jazz Getaway, a flourishing wine, music and lifestyle experience for which he also serves as artistic director.www.brianculbertson.comInstagram: @brianculbertsonmusicTwitter: @brianculbertson

DaLyn Bauman experienced the thick of Imagine Dragons' enormous breakthrough, and yet she's left to manage an up-and-coming band from square one.

☾Stars On Moonday Tribute Mix #015☾ ★ The Bearded Man (Tribute Mix by @georgecooper)★ The Bearded Man “So many good tunes, I didn't have time to shave!” @bearded-man-recordings Imprint auf @armadamusic stellt eine brandneue Richtung dar. Dieses Label steht für Musik , die über den Tellerrand hinausschaut und dem das Wort "Genre" nichts bedeutet. Chill Out, Deep oder elektronische Music, you name it... Erst wenn die Billboard No.1 Platzierung erreicht wird, wird der bärtige Mann sich den Bart abrasieren. The Bearded Man sucht nach Favoriten von morgen, in einer Welt ohne Regeln oder Grenzen. Und findet dabei solche Perlen wie "Lost Frequencies", "Möwe" oder "Tapetenwechsel". ➟www.fb.com/beardedmanrecordings ➟www.fb.com/freedownloadfriday ➟www.fb.com/DJGeorgeCooper ➟Mixcloud: bit.ly/SOM-015-TBM Track List: Tribute to The Bearded Man (TBM) - Are you with me 1) Reality feat. Janieck Devy (Felon Remix) Lost Frequencies, Janieck Devy 2) All You Need (Lost Frequencies Remix) Y.V.E. 48 3) Do This Together feat. Jamila (Original Mix) Kav Verhouzer, Jamila, Jengi Beats 4) High On You (feat. Hagedorn) Sebastien 5) Remember You feat. Gwendolyne (Original Mix) Marcus, Cr3on, Gwendolyne 6) Feelings (Original Mix) Tapetenwechsel 7) Are You With Me (Extended Mix) [FDM] Lost Frequencies 8) Feel You Tapetenwechsel 9) Chasing Clouds (DIMMI Remix) MÃWE The Bearded Man (Armada) 10) How To Love (De Hofnar Remix) Besnine The Bearded Man (Armada) 11) Feelin' Good (Original Mix) JYRA The Bearded Man (Armada) 12) You Made Me Feel Special feat. Moses York (Original Mix) Namaste, Moses York The Bearded Man 13) Liberation (Kiso Radio Edit) Harold van Lennep 14) Haunting feat. Anna Renee feat. Melle Kuil (Sebastien Remix) Alex Cruz, Melle Kuil, Anna Renee

In honor of his 100th Birthday joins us for a special TRIBUTE TO FRANK SINATRAFrank Sinatra was one of the most popular entertainers of the 20th century, forging a career as an award-winning singer and film actor.Born in Hoboken, New Jersey, on December 12, 1915, Frank Sinatra rose to fame singing big band numbers. In the '40s and '50s, he had a dazzling array of hit songs and albums and went on to appear in dozens of films, winning a supporting actor Oscar for From Here to Eternity. He left behind a massive catalog of work that includes iconic tunes like "Love and Marriage," "Strangers in the Night," "My Way" and "New York, New York." He died on May 14, 1998 in Los Angeles, California.Early Life and CareerFrancis Albert "Frank" Sinatra was born on December 12, 1915, in Hoboken, New Jersey. The only child of Sicilian immigrants, a teenaged Sinatra decided to become a singer after watching Bing Crosby perform in the mid-1930s. He'd already been a member of the glee club in his high school and began to sing at local nightclubs. Radio exposure brought him to the attention of bandleader Harry James, with whom Sinatra made his first recordings, including "All or Nothing at All." In 1940, Tommy Dorsey invited Sinatra to join his band. After two years of chart-topping success with Dorsey, Sinatra decided to strike out on his own.Solo ArtistBetween 1943 and 1946, Sinatra's solo career blossomed as the singer charted a slew of hit singles. The mobs of bobby-soxer fans Sinatra attracted with his dreamy baritone earned him such nicknames as "The Voice" and "The Sultan of Swoon." "It was the war years, and there was a great loneliness," recalled Sinatra, who was unfit for military service due to a punctured eardrum. "I was the boy in every corner drugstore who'd gone off, drafted to the war. That was all."Sinatra made his movie acting debut in 1943 with the films Reveille With Beverley and Higher and Higher. In 1945, he won a special Academy Award for The House I Live In, a 10-minute short made to promote racial and religious tolerance on the home front. Sinatra's popularity began to slide in the postwar years, however, leading to a loss of his recording and film contracts in the early 1950s. But in 1953, he made a triumphant comeback, winning a supporting actor Oscar for his portrayal of the Italian-American soldier Maggio in the classic From Here to Eternity. Although this was his first non-singing role, Sinatra quickly found a new vocal outlet when he received a recording contract with Capitol Records in the same year. The Sinatra of the 1950s brought forth a more mature sound with jazzier inflections in his voice.Having regained stardom, Sinatra enjoyed continued success in both movies and music for years to come. He received another Academy Award nomination for his work in The Man with the Golden Arm (1955) and earned critical acclaim for his performance in the original version of The Manchurian Candidate (1962). Meanwhile, he continued to be a formidable chart presence. When his record sales began to dip by the end of the 1950s, Sinatra left Capitol to establish his own record label, Reprise. In association with Warner Bros., which later bought Reprise, Sinatra also set up his own independent film production company, Artanis.Rat Pack and No. 1 TunesBy the mid-1960s, Sinatra was back on top again. He received a Grammy Lifetime Achievement Award and headlined the 1965 Newport Jazz Festival with Count Basie's Orchestra. This period also marked his Las Vegas debut, where he continued on for years as a main attraction at Caesars Palace. As a founding member of the "Rat Pack," alongside Sammy Davis Jr., Dean Martin, Peter Lawford and Joey Bishop, Sinatra came to epitomize the hard-drinking, womanizing, gambling swinger—an image constantly reinforced by the popular press and Sinatra's own albums. With his modern edge and timeless class, even radical youth of the day had to pay Sinatra his due. AsJim Morrison of the Doors once said, "No one can touch him."The Rat Pack made several films during their heyday: the famed Ocean's Eleven (1960), Sergeants Three (1962), Four for Texas (1963) and Robin and the Seven Hoods (1964). Back in the world of music, Sinatra had a big hit in 1966 with the Billboard No. 1 track "Strangers in the Night," which won a Grammy for record of the year. He also recorded the duet "Something Stupid" with daughter Nancy, who'd previously made waves with the feminist anthem "These Boots Are Made for Walkin'." The two reached No. 1 for four weeks with "Something Stupid" in spring 1967. By the end of the decade, Sinatra had added another signature song to his repertory—"My Way," which was adapted from a French tune and featured new lyrics by Paul Anka.After a brief retirement in the early 1970s, Sinatra returned to the music scene with the album Ol' Blue Eyes Is Back (1973) and also became more politically active. Having first visited the White House in 1944 while campaigning for Franklin D. Roosevelt in his bid for a fourth term in office, Sinatra worked eagerly for John F. Kennedy's election in 1960 and later supervised JFK's inaugural gala in Washington. The relationship between the two soured, however, after the president canceled a weekend visit to Sinatra's house due to the singer's connections to Chicago mob boss Sam Giancana. By the 1970s, Sinatra had abandoned his long-held Democratic loyalties and embraced the Republican Party, supporting first Richard Nixonand later close friend Ronald Reagan, who presented Sinatra with the Presidential Medal of Freedom, the nation's highest civilian award, in 1985.

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In 2013, breakout star Tiara Thomas made headlines with the hit single ‘Bad.’ Now the singer/songwriter is back with the release of her new single, ‘One Night.’ Indianapolis native Tiara Thomas has been singing since her childhood and began writing the day she was given her first guitar by her father at age twelve.  “The first day I got the guitar, I wrote a song,” recalls Thomas whose major influence is Lauryn Hill. “The more I taught myself, the more I realized I could bring all three things together: singing, rapping and playing.” Years of hard work afforded Tiara the opportunity to attend Ball State University where she further developed her musical talents and later graduated with a degree in Telecommunications. The newcomer has already co-written, co-produced and co-starred on her first Billboard No. 1 urban mainstream single, Wale’s ‘Bad.’ Since then, her multiple talents as a singer, songwriter, producer and emcee have shown through. She is currently preparing to release her debut album which will be released by Rico Love’s Division1 imprint, distributed by Interscope Records  

The masterful crooner is back on point with his seventh album, Face the Music (Feb. 5, 2013). Inspired by the R&B legends—Marvin Gaye, Stevie Wonder, Frankie Beverly & Maze, Luther Vandross and Kenny “Babyface” Edmonds—who have been guiding lights in Avant’s career, the project marks the singer’s first release on the Capitol/EMI-distributed independent label Mo-B. But the set does more than just pay homage to R&B masters. Thanks to Avant’s inventiveness, Face the Music cooks up a tantalizing blend of contemporary and traditional sounds. Jumpstarting the buzz about the forthcoming album is lead single “You & I,” Avant’s long-anticipated reunion with duet partner Keke Wyatt. Already a top 10 hit on Billboard’s Adult R&B chart and currently climbing the R&B/Hip-Hop Songs tally, the searing love ballad revisits the natural magic Avant and Wyatt conjured on their first hit together, “My First Love.” Like many R&B singers, Avant got his start singing in the church choir. After attending Cleveland School of the Arts, he became the first act signed to NBA legend Magic Johnson’s MCA-distributed label, Magic Johnson Music (MJM). Avant’s 2000 MJM debut album, My Thoughts, spun off the Billboard No. 1 R&B hit “Separated.” That was followed by the top five hit “My First Love,” a cover of the 1983 Ren&eac

As we continue Black History Month...we have another Legend...this time in the Music Industry, BARRETT STRONG!   BARRETT STRONG, Artist of the first Hit Record out of Motown Records is a Grammy Award Winner and Songwriter Hall of Famer best noted for his hits with the Temptations, Marvin Gaye, Gladys Knight & the Pips and others. BARRETT STRONG wrote some of the most successful and critically acclaimed songs ever to be released by Motown, including  "I Heard It Through the Grapevine", "Smiling Faces Sometimes", "Cloud Nine", "I Can't Get Next to You", Psychedelic Shack", "War", "Papa Was a Rollin' Stone" and others, including the co-write of "Just My Imagination (Running Away With Me)" a 1971 Billboard No. 1. 

The flipside of "Beautiful Mother", this track is - as we often find with Lennon-McCartney B-sides - a little masterpiece, albeit less commercial. John teamed up with Shuggie Otis (who is alive and touring) to record this track. Shuggie layed down the rythm tracks, and played keyboards (piano & organ) and also takes care of the stunning guitar solo. All that was left was Lennon's haunting vocals, to make this the best Billboard No 1 that never charted.