Podcast appearances and mentions of scott hull

Mike Cervantes is a Grammy-nominated, Juno award-winning multi-platinum mastering engineer with over 30 Billboard #1 songs and 9 Dove Award wins.At his studio The Foxboro, he has worked with select artists such as Kane Brown, Walker Hayes, Julia Michaels, Alan Walker, Lauren Daigle, Toby Mac, Flo Rida, Josh Ross, Brandon Lake, Mitchell Tenpenny, Russell Dickerson, Tyler Hubbard, Phil Wickham, Skillet, Lecrae, Yung Gravy, Avril Lavigne, Maverick City Music, Underoath, Misterwives, Against The Current, CeCe Winans, and many many more.IN THIS EPISODE, YOU'LL LEARN ABOUT:Taking the entrepreneurial journeyWorking for Scott Hull of MasterdiskDeciding to stop working at one of the biggest mastering studiosBuilding your clienteleUsing social media to sell your servicesWhy your gear doesn't attract clientsThe benefits of switching from an analog to digital workflowManaging your time when you're working on hundreds of projectsUsing Zapier to help streamline your business processes and save moneyMastering fastKnowing the needs of your clientsTo learn more about Mike Cervantes, visit: https://www.thefoxboro.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Want to make the process of dealing with mix-revisions easy? Check out Samply and get three months free off any plan: http://samply.app/?utm_source=mymDownload Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Have questions you'd like answered on the show?Send them to questions@masteryourmix.comPlease leave a rating and review:https://masteryourmix.com/review/ Thanks for listening!

The Classic Center   The Classic Center is northeast Georgia’s premier award-winning convention center and performing arts theatre. Located in the heart of downtown Athens, Georgia, The Classic Center provides unique meeting space, outstanding special event services and a wide range of entertainment options making this unconventional convention center the choice for conferences, meetings and […]

The Classic Center   The Classic Center is northeast Georgia’s premier award-winning convention center and performing arts theatre. Located in the heart of downtown Athens, Georgia, The Classic Center provides unique meeting space, outstanding special event services and a wide range of entertainment options making this unconventional convention center the choice for conferences, meetings and […] The post The Classic Center appeared first on Business RadioX ®.

With humble beginnings in Pig Destroyer guitarist Scott Hull's bedroom, Agoraphobic Nosebleed quickly took on a life of its own in the underground. While having rarely played live the band's first decade was prolific to say the least, featuring several splits, EPs, and full-length releases. The formula was effective: “micro-length” arrangements combined with programmed drum parts at insanely fast tempos and tongue-firmly-planted-in-cheek lyrical concepts. 2009 stands as an anomaly for the band. Much of their catalog by this time captured the band with an almost improvised, raw intensity but perhaps lacked weight. However, Agoraphobic Nosebleed's fourth album would retain many of these same elements while also making room for dynamics, hooks and song lengths that surpassed a two-minute runtime. The inclusion of the band's newest member and Salomé vocalist Kat Katz is the standout, whose performance brought their sound to a new level of extremity listeners didn't realize was possible. One thing was clear, this was a new era for Agoraphobic Nosebleed. This week on Riff Worship, Austin & Dylan are joined by their longtime friend Justin Swindle to discuss Agorapocalypse Recommendations: Body Void - Atrocity Machine Chelsea Wolfe - Hiss Spun The Murder Mansion (1972) Krieg - Ruiner Hate Eternal - King Of All Kings Leprechaun (1993) Selenoplexia - Exalt and Despair Dinosaur Jr. - Dinosaur Friday the 13th Part VII: The New Blood (1988) For all updates on the show, follow us here: @distortion891 on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tune in LIVE to Vocal Distortion, Mondays at 6PM CST on FM89, ⁠⁠⁠⁠⁠⁠⁠⁠WONC.org⁠⁠⁠⁠⁠⁠⁠⁠, & the ⁠⁠⁠⁠⁠⁠⁠⁠iHeart Radio app⁠⁠⁠⁠⁠⁠⁠⁠ RIFFS ON REPEAT PLAYLIST: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/playlist/37W4wEyb5ELf2y0YYlhRy2?si=8529ae1e880d442c⁠

Earlier this month I caught up with Bandit after their show in Atlanta. In between obnoxiously loud car engines and jokes about killing each other, we talked about their latest LP Siege of Self, their lastest tour with Chepang and Decultivate, what it was like to work with Colin Marston, and why Denny's might actually be hell on earth. Read the (lightly edited) transcript below or listen at the bottom. Eenzy: Hey guys, Eenzaamheid - Eenzy - here, I'm outside 529 in Atlanta, which is a venue, hanging in the parking lot where I came to piss earlier tonight - Bandit is the band I'm with. Do you guys wanna introduce yourselves? Gene: Yeah I'm Gene Meyer, I'm the vocalist Gobi: I'm Gobi, drummer for Bandit Jack: I'm Jack, I play guitar, and is it a coincidence that every place that's good for an interview is also good for a piss and a murder? *Eenzy laughs* Eenzy: You ruined the end of this interview for me, so thank you! Eenzy: Siege of Self, your full-length came out earlier this year. Me and a lot of other reviewers heard a lot of Pig Destroyer in the sound, was that intentional or just our lack of imagination as reviewers? Also, generally what are you main influences specifically on that album? Jack: I would say it was intentional but we already got one Cease and Desist so I'm just gonna say no comment - I'm just kidding. I've listened to Phantom Limb and Terrifyer more than any other albums in my entire life. They have absolutely a massive amount of influence [on me]. The guitar you saw me use tonight I actually got from Scott Hull. In terms of other influences, I listen to a lot of Discordance Axis, Agents of Abhorrence from Australia - super incredible band - a lot of Chepang both new and old. I'm really big into the latest Car Bomb LP, which had a big influence on the grooves on the record, and you know like Rock 'n Roll - AC/DC, Lou Reed, stuff like that. Eenzy: I actually got to see Chepang also tonight cause they're on tour with these guys, so it was quite the show. Eenzy: For me, when I listened to Warsaw, I felt like there was an underlying theme. A lot of the songs are named after cities that had concentration camps in WW2 - would you say there's an underlying theme to [Siege of Self], and is there a connection to the record Warsaw? The reason I ask is because the last line in "End of the Rainbow" says "bury me in Czestawova" [Gene corrects my terrible pronunciation]. Are they connected, do they both have general themes, what's up? Gene: Warsaw is about inter-generational trauma. Both sides of my family - my dad went through a very painful divorce as a child and my mom, her parents survived WW2 labor camps and all that shit. Siege of Self is more about my own struggles. A lot of it focuses on failed relationships, depression - I was diagnosed with schizoaffective disorder while we were recording - so a lot of it plays into that. But one thing we always try to do is reference older material in the new material. In that last song not only do I reference Czestawova but I reference the parking lot which is a reference from Self-Inflicted and throughout the album there are a few lines that are repeated like "a little bit of violence never hurt anyone" and stuff like that. Eenzy: Your music seems intensely personal to me; is playing a cathartic experience? And do you ever struggle with how much you're willing to share with your audience? Gene: It is intensely personal, I don't think we'd have it any other way. Playing is also intensely cathartic, I also don't think we'd have it any other way. On this tour, there have been some shows where we have just given our all and the audience stares at us like we're a bunch of penguins at the zoo, but tonight was a good example of the crowd really reciprocating our energy. We know that if we're gonna be a band that gives 110% every time, sometimes people just aren't gonna be ready for it and that's ok.

This episode was a ton of fun because I got to learn so much about mastering, which is an art that most people don't know enough about. Scott has done it all in the Audio side of music and we talk about such things as - Mastering - Volume wars -Being in a room with Eric Clapton - Why mastering is so important to a record -Analog and so much more.... IF you need your project mastered, Scott is the guy and here's the way to contact him for his services. Scott HullChief Mastering Engineer Podcast : Making Vinyl at Masterdisk (212) 541-5022  www.Masterdisk.com -- Instagram --Facebook Use the link below to send me your songs for mastering or evaluation... Send me your mix files --- Send in a voice message: https://podcasters.spotify.com/pod/show/eric-stangeland/message Support this podcast: https://podcasters.spotify.com/pod/show/eric-stangeland/support

Scott Hull is a 39-year veteran mastering engineer and the owner of Masterdisk studios in Peekskill, New York. Scott started his career in 1983 and has mastered and cut major hit records in every genre, as well as many Grammy-winning titles. He is widely regarded as an expert in vinyl mastering. Scott Hull started his mastering journey at Masterdisk in 1983. He started as an intern, and then became Bob Ludwig's (then chief engineer) assistant and digital editor. In 1994, Scott was named chief engineer at Masterdisk, and has been working on major label and independent projects from around the world every day. IN THIS EPISODE, YOU'LL LEARN ABOUT: Fixing issues in a mix before sending to mastering Taking a holistic approach to mastering What to do when you aren't feeling inspired How your speakers could be hiding important details of your mix How to get masters to translate Understanding how to communicate effectively with musicians Why mastering shootouts are a bad idea How to prepare for mastering Mixing with master bus processing Should you limit your mixes? Why louder isn't always better How much headroom to leave in your mix Mixing and mastering in the same session How loudness is affected by streaming services Understanding LUFS values To learn more about Scott Hull, visit: https://www.masterdisk.com/scott-hull To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Scott Hull is a 40-year veteran Grammy award-winning mastering engineer and the owner of Masterdisk based in Peekskill, NY, USA. In our conversation Scott and I go deep on the following:Landing a Masterdisk internship and working with Bob LudwigLeading an interdisciplinary lifeStriving for excellenceThe role of the engineerHis approach to masteringAvoiding overprocessing and doing more with lessBecoming familiar with your monitoringHuman hearing and perception are malleableMastering is a perspectiveAnalog vs. Digital masteringMastering and cutting for vinylAmazing Steely Dan and John Mayer storiesRolling with the chaosDecision-making and having a successful mindsetAnd so much more!You can learn more about Scott at https://www.masterdisk.com/scott-hullYou can follow Scott on Social MediaIG - https://www.instagram.com/masterdisk_nyc/***Thanks to our sponsors!***Safari Pedals (Promo Code secretsonics20 at checkout) - https://safaripedals.com/collections/allCarl Bahner's resources for studio professionals - https://www.carlbahner.com/resourcesProgressions with Travis Ference - https://www.progressionspodcast.com/listen***Join the Secret Sonics Discord community here(!) - discord.gg/UP97b72W6t***BRAND NEW!*** SECRET SONICS PATREON - patreon.com/benwallickmusicReferences:Bob Ludwig - https://en.wikipedia.org/wiki/Bob_LudwigMasterdisk - https://en.wikipedia.org/wiki/MasterdiskBobby Owsinski - https://www.benwallick.com/podcast-episodes/2022/7/5/secret-sonics-151-bobby-owsinski-birds-eye-view-of-the-audio-industrySam Moses - https://www.benwallick.com/podcast-episodes/2022/1/30/secret-sonics-130-sam-moses-finishing-recordsTwo Against Nature - https://open.spotify.com/album/2MJc2N3eFVT0ZabBN4zc32?si=oTCQgW0nQtGNwdqdxI3J2gRoom for Squares - https://open.spotify.com/album/3yHOaiXecTJVUdn7mApZ48?si=_CJKTf92RGyXDvM2oJE2wgConsider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the podcast theme music!Thanks to Gavi Kutliroff for editing this episode!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.coHave a great week, stay safe, and dig in!-Ben

NEWS The latest on streaming royalty rates from various services A look at why bands are disappearing GUEST Mastering engineer Scott Hull Scott Hull started his illustrious career in mastering at New York’s famed Master Disk studios. Rising from an assistant to chief engineer, Scott then took a series of jobs at some of New York’s other excellent mastering facilities including Classic Sound and the Hit Factory before striking out on his own. He returned to Master Disk in 2008, this time as the owner, where he continues to cut both digital and vinyl masters for a wide variety of artists. Scott has mastered records for Sting, Bruce Springsteen, Steely Dan, John Mayer, Bob Dylan, Miles Davis, and hundreds more. During the interview we spoke about Scott’s experience assisting the legendary Bob Ludwig, interpreting what a client means when describing what they hear, why the tools of mastering don’t always work as well, getting used to different rooms, and much more. On the intro I’ll take a look at the current streaming rates, and why bands are disappearing.

My guest on the podcast this week is Scott Hull, who started his illustrious career in mastering at New York’s famed Master Disk studios. Rising from an assistant to chief engineer, Scott then took a series of jobs at some of New York’s other excellent mastering facilities including Classic Sound and the Hit Factory before striking out on his own. He returned to Master Disk in 2008, this time as the owner, where he continues to cut both digital and vinyl masters for a wide variety of artists. Scott has mastered records for Sting, Bruce Springsteen, Steely Dan, John Mayer, Bob Dylan, Miles Davis, and hundreds more. During the interview we spoke about Scott’s experience assisting the legendary Bob Ludwig, interpreting what a client means when describing what they hear, why the tools of mastering don’t always work as well, getting used to different rooms, and much more. On the intro I’ll take a look at the current streaming rates, and why bands are disappearing. Remember that you can find the podcast at BobbyOInnerCircle.com, or either on Apple Podcasts, Stitcher, Mixcloud, Google Podcasts, Google Play, Spotify, Deezer, TunIn Radio, and RadioPublic. Enjoy the show!

We here at Metal Nerdery live by a few “rules”:  Our Trust is in Black Sabbath and Slayer, Pantera was the Metallica of the 90’s and some songs, albums AND/OR bands simply CAN’T BE LOUD ENOUGH!! (sorry, that’s the text representation of turning everything up to 11 and SCREAMING IN CYBERSPACE!).   We were all over the road and had a lot of fun with this one and dug into all kinds of incredible tracks that need to be ‘LOUDER’ (isn’t it obvious?).  We actually got into some really obscure, old school thrash stuff, some super obvious classics that CBLE and some newer stuff as well (and perhaps even stuff that, while not “overtly” Metal, most definitely belongs on the CBLE lysticle). So, enjoy your favorite relaxers, put on your headphones, OR put in your earbuds, crank that volume to 101 and JOIN US for Volume 2 of Metal Nerdery’s Can’t Be Loud Enough series. Visit www.metalnerdery.com/podcast for more on this episodeConsider supporting us at Patreon - patreon.com/metalnerderypodcast You'll find some extra goodies there too!Metal Nerdery Tees and Hoodies – metalnerdery.com/merchand kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast appListen on iTunes, Spotify, Podbean, Google Play or wherever you get your Podcasts.Follow us on the Socials:Facebook - Instagram - TwitterEmail: metalnerdery@gmail.com Show Notes:(00:00):  A word from Lars / #dontdenythepowerof the #hashtags, especially #cantbeloudenough / Can’t Be Loud Enough Volume 2 (check out episode #8 for #CBLE Vol1) / An update from Milley (and Butthole)(04:00):  A brief review of the Volume 1 lysticle / Black 13 (Exodus - Blood In Blood Out), a typical BADASS Exodus opener!! (check out our Killer Openers episode, Episode #48)  (07:57):  Songs that, while not “explicitly” Metal, may also be tangentionally related to Metal and thusfore cannot be fucking loud enough! / #breaktheknob / The Accused:  Bethany Home (and Psychomania) #oldschoolthrash filled to the fucking brim with #crunchyballriffs / Duff McKagan and his tangentionalalityness to The Accused / #applebeesmusic(15:30):  Today is the Day:  Eyes of God (1/2 of Mastodon!!), BUT FIRST… #metalnerderyADHD / More from The Accused (***BRING BACK LIVE ENTERTAINMENT!!!!***)  and #jams beachwear (which made them more metal) / #readthoselyrics(19:19):  Whole albums that can’t be loud enough… (#backshadowing regarding the “Reign” Dive) / Slayer – Altar of Sacrifice (Enter to the realm…Learn the sacred words…) #dontdenythepowerof / Slayer ALBUMS can’t be loud enough (25:00):  Iron Maiden - The Prisoner (YOU are Number 6!) / #ACDC – If you Want Blood (You’ve GOT IT!) #ACDCISMETAL / Iron Maiden – Prowler (#oldschool) / Lars rattles off all the NWOBHM bands that can’t be loud enough / Headstrong- Swing Harder (a more metal 311) #waitforit and then put it on your #motivationalmusic playlist (a lot like Filter:  Hey Man, Nice Shot)(35:53):  A Perfect Circle – Judith / Rush – Tom Sawyer (check out Episode 31 A Salute to 3 Badass Drummers) / The Magic of album production in the 70’s and early 80’s(40:30):  DIO – Holy Diver (#keyboardsAREmetal #smellthebox #HAIL2DIO) / An appropriate track:  Down-Mourn (Over The Under) / Soundgarden – Birth Ritual HAIL to Chris Cornell! / Alice in Chains – Them Bones (#seattlethrash) & Dam That River(51:08):  Flying High Again – Ozzy / Led Zeppelin (#noteven):  Kashmir (from Physical Graffiti, NOT Led Zeppelin IV!!) / Black Country Woman(58:11):  Machine Head:  Davidian (#motivationalmusic that Metal Bane approves of) / Meshuggah – Born in Dissonance (enjoy the #djent) / And now for some #backshadowing and #foreshadowing for Helmet – Wilma’s Rainbow) / #fortherecord #ilovethehelmet(1:03:50):  Corrosion of Conformity…BUT FIRST:  Quiet Riot – Metal Health (BANG YOUR HEAD!), the next “jump” in Metal / And NOW, some C.O.C. (Producer’s Choice) – Albatross, which is fitting with the Fall, Sabbath vibe, suicide paneling, shag carpeting  #southernfriedsabbath(1:10:35):  Rigor Mortis – Bodily Dismemberment / “Check out my brisket” / #metalnerderyASMR / Rigor Mortis factoids / One of Lars’ favorite bands:  Pig Destroyer – Dark Train (HAIL to Scott Hull and the MIGHTY #pigdestroyer, GO BUY ‘Head Cage’) and Terminal Itch (That IS a REAL drummer!) “Excuse me, is Greg here!?” / Death Angel – Open Up (check out Frolic Through the Park…we will be doing a Dive on this one!):  Honorable Mention:  I’m Bored / Producer’s choice to close out:  Pantera – Drag the Waters / THANK YOU FOR LISTENING!! CONTINUE TO SUPPORT METAL AND METAL NERDERY PODCAST (metalnerdery.com/merch) AND ANY AND ALL SONGS ALBUMS AND BANDS THAT CANT BE LOUD ENOUGH!!! 

Have you heard? The audio compact cassette is marching back to join the classic audio formats category. Scott and KJ cover every vantage point of the new, old compact cassette with help from excerpts of the 2019 Making Vinyl Conference panel on the return of cassettes.Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.Mentioned :Making Vinyl ConferenceMusic heard :Artist - Snarky PuppySong - GØListen on Spotify

This is Part 2 of Crate Digging. Here you will find more practical information to help you find really great used records. What to avoid - how to spot an expensive piece of junk. Collecting artwork - vs- great-sounding vinyl. Scott and KJ go deep on what can go wrong when buying used Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.Mentioned :Big Jim's RecordsMusic heard :Artist - Melany WatsonSong - Why Why Whyhttp://www.melanywatson.com/home

What is an original pressing? Is it really the best? How can you tell before you buy it? Are Current editions better? Scott has a go at answering KJ's question about his used vinyl experience.Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.Mentioned :Pat Matheny - Bright Size LifeMusic heard :Artist - Herbie HancockSong - When Can I See YouListen on Spotify

Scott And KJ Talk about how vinyl makes us feel - and specific examples of genuine emotional reactions. These reactions might help explain why music on vinyl makes us happy. Several references to Oliver Sachs' book Musicophelia. Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.Mentioned : Musicophelia By Oliver SachsNonesuch records Teresa SterneMusic heard :Artist - Herbie Hancock Song - New York Minutelisten on Spotify : Click to hear full song on Spotify

Scott Hull talks today with Matt Earley - VP of Gotta Groove Records. The Topic today is vinyl quality control. How do disk weight and disk color affect the quality of the record? What steps do we take to create the best possible vinyl records? Are Colored records noisier than Black Vinyl? Why 180 Gram records? Want to make your own record? Team up with Masterdisk and Gotta Groove Records for some killer vinyl Matt E. EarleyGotta Groove Records, Inc.WE WANT TO PRESS YOUR NEXT RECORD.This is what you get with a GGR pressing (click here).www.gottagrooverecords.comMusic heard :Artist - Ray AngrySong - Jake-IsmClick to listen on Spotify : Jake-ISMMusic mastered By Scott Hull @ masterdisk.

Scott Hull - Brings current events to this podcast. Just a few days ago - Apollo Masters Headquarters, Factory, and Warehouse were destroyed by fire. Thankfully no one was hurt - but the repercussions will be felt for many months - maybe years. Scott talks with KJ about this event and why it's SO significant to the entire record-making community. Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.Music heard :Artist - Bill Laurance Song - AftersunListen on Spotify : https://open.spotify.com/track/1U4x761c1TSmtDcsZUhs3G?si=K1DD_6bsTN--2E2lM3lK9g

Scott And KJ Field questions from our listeners - Entertaining - while being mostly random :) Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.Music heard :Artist - Snarky Puppy with Lalah HathawaySong - Somethinglisten on Spotify : Something from Family Dinner I

Scott Hull of Masterdisk explains in very intricate detail - all about Test Pressings. Joined by the massively talented bass player KJ of the band The Oddysy who has the questions. Prepare to be schooled on all things Test pressings. Scott has the answers.Don't forget to comment - and ask questions - for future episodes. Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.See KJ in action Music heard :Artist - Clarence Bucaro Song - Maybe You Should Go. listen to: Clarence Bucaro on Spotify

Scott And KJ continue their discussion about the most important part of your home vinyl experience: the Turntable. Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.Music heard :Artist - Freedy Johnston Song - Across the Avenuelisten on Spotify : Across The Avenue

Scott Hull Of masterdisk and KJ of the band Odsys Discuss in-depth many of the issues any consumer faces with their Vinyl record player. Listen to KJ's Q&A with Scott and learn a ton about turntable set up and quality control Making a record of your own? Your music deserves the best.Learn more about Masterdisk here.Support The Oddysy here.Music heard :Artist - Freedy Johnston Song - Bad reputation listen to: Bad Reputation

Drummer Adam Jarvis of Pig Destroyer,Misery Index, Scour, Asthma Castle, & Fulgora (to name a few) talks breathing when playing intense music, our mutual fascination with drummer Ash Pearson, "Squeezin'" in some notes, the confusing parts of PD's Prowler in the Yard record and the process of demoing songs written by Scott Hull, recording Head Cage with Will Putney, recalling the first time he heard Pantera, seeing Metallica live, zodiac drumming, Jim Morrison as a prophet, Keith Richards as a vampire, John Bonham as a 50 year old teenager,  and a whole lot more! https://pigdestroyer.bandcamp.com/ https://miseryindex.bandcamp.com/ https://scourofficial.bandcamp.com/ https://fulgoramusic.bandcamp.com/ https://asthmacastle.bandcamp.com/

Scott & KJ talk this week about a hot current topic on social media. The Phonocut. It's a personal - DIY record cutter. Is it for real? Is it a toy - or might it be the beginning of a new era in record cutting technology? Making a record of your own? Your music deserves the best. Learn more about Masterdisk here.Support The Oddysy here.Music heard :Donald Fagen - Weather in the World from "Sunken Condos" listen to Weather in the world on Spotify

Special guest- Mastering Engineer Darcy Proper joins Scott on this episode to discuss the making of a new vinyl release for the band Blind Guardian entitled Legacy of the Dark Lands. We talk tech and about the music and all the skill that went into this "orchestral - metal" release. We spend some time talking about how to make the vinyl turn out great and the power of a working partnership.

Why are some records 33 rpm, while others are 45rpm? What are the differences and how do you decide which is best? Why should you care what speed your record was cut at?Scott Hull - Chief cutting Engineer at Masterdisk explains the difference and goes deep into the details with sideman KJ of the Oddysy. Making a record of your own? Your music deserves the best. Learn more about Masterdisk here.Support The Oddysy here.Music heard :Steely Dan - Jack of Speed From the Album Two Against Nature listen to it on Spotify: Jack of Speed

Scott and KJ explore the Locked Groove on a record. What is a locked groove? What creative ways can you use a locked groove on a record? Scott Hull - Chief cutting Engineer at Masterdisk explains the who, what, and why and how of locked grooves and other Vinyl oddities with KJ of the Oddysy. Making a record of your own? Your music deserves the best. Learn more about Masterdisk here.Support The Oddysy here.Music heard :Steely Dan - What A Shame About Me From the Album Two Against Nature listen to it on Spotify: What a Shame about me

Often asked - often misunderstood. How Do i prepare my mixes for Vinyl mastering? There are many layers to this topic and Scott and KJ explore all angles on mastering for vinyl. Dont make those common mistakes that hurt the sound quality of your music. This episode is for record producers, recording engineers and those that enjoy listening to records. Scott Hull - Chief cutting Engineer at Masterdisk give common-sense tips and solutions as he guides his client's music onto vinyl records with KJ of the Oddysy. Making a record of your own? Your music deserves the best. Learn more about Masterdisk here.Support The Oddysy here.Music heard :Alectro -The Debt - Listen to Alectro on Spotify Like Steve on Facebook : https://www.facebook.com/steve.kirkman.927listen to more: Steve kirkman on Spotify

A current events podcast episode from Masterdisk. First, we hear about KJ's fundraiser and video premiere party, Then Scott Talks about Making Vinyl 2019 - The Vinyl conference coming to LA, CA next week. And to wrap up - Scott Tells us all about cutting the Grammy-winning Two Against Nature by Steely Dan. Follow along Steely Dan Fans - to hear behind the scenes stories about the making of this iconic record. Making Vinyl - Link Here: http://makingvinyl.org/Making a record of your own? Your music deserves the best. Learn more about Masterdisk here.Support The Oddysy here.Music heard :Steely Dan - Cousin DupreeFrom the Album Two Against Nature listen to it on Spotify: Cousin Dupree

Scott Hull and KJ of the Oddysy are passing out cigars while talking about the new arrival of the bands first 7" record Bang Bang ft. Chuck D. b/w Rage of Love. KJ tells us about his experience and Scott adds the technical and creative details. At the end of the episode We spin both sides of the 7" on the podcast. Making a record of your own? Your music deserves the best. Learn more about Masterdisk here.Support The Oddysy here.Learn more about Microforum Record Pressing Here

In this first episode of Making Vinyl @ Masterdisk, Scott Hull and his guest KJ of The Oddysy discuss their experience with Jack White's record pressing facility in Detroit. Who knew that a rock star could dream up his own personal record manufacturing plant?Making a record of your own?Your music deserves the best. Learn more about Masterdisk here. Learn more about Third Man Records here.Support The Oddysy here.

In this episode, Scott describes the process of making a 7-inch record in detail. He talks with KJ of The Oddysy, who has some questions as The Oddysy ventures into the world of vinyl for the first time. Making a record of your own? Your music deserves the best. Learn more about Masterdisk here.Support The Oddysy here, and listen to "Bang Bang" here.

Today, Scott outlines his 4 major steps of making a record and talks through each step in detail. KJ of The Oddysy asks the questions, and Scott has the answers. He touches on everything you need to know about making a record, from mastering and cutting to pressing and the final product. Making a record of your own? Your music deserves the best. Learn more about Masterdisk here.Support The Oddysy here.

Scott Hull, M.Div June 23, 2019

Grindcore is what happens when hardcore punks start listening to thrash and decide to slam both together and go faster. It’s extreme, uncompromising and sometimes overwhelming. Pig Destroyer are all of these things and more. Their third album ‘Terrifyer’ is often heralded as a landmark metal album. Many say it’s one of the most important grindcore albums ever written, whilst OG grindcore fans think it’s just not dirty enough. Spoiler alert: we agree with the former. We discuss the genre’s origins, touch on subgenres, dive into the various projects of Scott Hull and give Pig Destroyer’s discography a once over. We also touch upon J.R Hayes’ brilliant lyrics and Scott Hull’s exceptional playing. Is this their best album? Vote below.  

Scott Hull is a world-renowned mastering engineer and owner of Masterdisk, the country's number one mastering facility. Scott’s mastering expertise runs the gamut of modern recorded music. Equally accomplished in pop, rock, avant-garde, soundtracks, world, jazz, soul and many other areas of music, Scott is one of the most sought after mastering engineers in the industry. http://www.scotthullmastering.com https://masterdisk.com Here's a partial (!) discography: https://www.allmusic.com/artist/scott-hull-mn0000310817/credits Dave Moulton's Golden Ears Audio Training: http://kiqproductions.com Sound Heights Records YouTube page: https://www.youtube.com/channel/UCsjcvOkduobMdBnVYjNIpEg Support us on Patreon: https://www.patreon.com/soundheightsrecords

In this episode of the podcast I interview three time national champion Scott Hull on his tips for setting up a scope on a Hunter Division rifle. Scott talks about his favorite scope, mill dots, using ballistic programs, and bracketing. Scott is an engineer by training and he brings his approach to setup and figuring out a reliable way to range with the limitations of a 12x scope.

In this episode Scott Hull, three time national champion, and I talk about the West Coast Piston Championship scheduled for August 19th and 20th near Morro Bay, California. Scott is the match director and is putting together another great piston shoot. This two-day, all piston rifle shoot, is unique in the U.S. and my hope would be to see similar piston shoots held around the country. For Registration: http://www.slsba.org/airgun/westcoast2017reg.htm Roster: http://www.slsba.org/airgun/WC-2017-entrants.htm Scott is allowing registration on arrival as well, but let him know ahead of time, if possible.

Recently I interviewed Scott Hull (www.scotthull.com), an agent for illustrators who, when you ask what he does, says he, “links creativity to the corporate world.” We talked a lot about how illustration has changed and who the new “art buyers” are. He shared some interesting information for creatives and illustrators—especially when it comes to selling themselves to art buyers and agencies. Scott believes that we've fallen short in marketing creative services and that what the new art buyers care about is: What value are you going to bring to me? How are you going to make my life easier? So how can a creative sell themselves? Scott says: An illustrator can talk about the value they bring and the potential return on investment over stock illustration or photography. He also suggests emphasizing turnaround time.”The illustrator has the training and sense to convert concepts into a visual translation in 3-4 weeks. This is probably one of the biggest sales tools I have found.” In this interview, Scott also shares his thoughts on: Students coming out of art school, what should they do? Can an illustrator directly approach an art buyer? Can an illustrator learn enough about ROI to persuade corporate decision-makers? Listen to this 14-minute interview on the Marketing Mentor podcast.