Podcast appearances and mentions of Tracie Morris

Podcast de Caroline Bergvall pour websynradio : VOICES WITH TEXTS... Morceaux et textes par des poètes et musiciens, solo ou en collaboration. Avec les voix et les sons de Lee Ann Brown, Tom Phillips & Gavin Bryars, Sawako Nakayasu, Ida Börjel & Mathias Kristerson, Caroline Bergvall & Adam Parkinson, Fred Frith, Pauline Oliveros & John Giorno, Charles Bernstein & Ben Yarmolinsky, Rosmarie Waldrop,Will Montgomery & Carol Watts, Robert Ashley, Tracie Morris, Laurie Anderson, Linh Dinh, Cia Rinne & Sebastian Eskildsen, Vincent Broqua, Barbara Barg & Barbara Ess, Bernadette Mayer.

In this episode, co-hosts Linda Lane Gonzalez and Kathryn Garcia Castro are entertained by Amelia Bethel & Karen Loewy Movilla as they perform during the interview some of the characters they embody in “Tia Talk,' their theatrical collaboration where they try to prove their Latinidad to themselves and the audience by embodying every stereotype they have been fed by the media, their peers, and even their families.The uniqueness of the show also brings in different guests for each performance to hear another point of view and also allow the audience to participate in the show.Special thanks to Liz Lombardi, Publicist at Matt Ross Public Relations for her help in arranging this interview.  We also want to thank the band PGM for the use of its song, “April” as The Revolucion theme.Amelia Bethel is a theater artist whose work confronts the performance of identity and the materiality of the body, with a focus on sexuality and a mixed-race experience. She can be heard as Marisol on the award-winning podcast Unwell: A Midwestern Gothic Mystery from HartLife Studios. Amelia is a former associate artist in residence with poet Tracie Morris and playwright Sibyl Kempson at the Atlantic Center for the Arts, and received her MFA in Theatre from Sarah Lawrence College.Karen Loewy Movilla is a Colombian artist based in New York City. She's interested in the question of: How do we take up space, when it is not freely given? Combining digital media, embodiment, spoken word, and puppetry she confronts inherent biases, and oppressive systems. She's this year resident at Object Movement Puppetry Residency 23', a 2021 MFA graduate of Sarah Lawrence College and a 2026 Scenic Design Candidate at Yale University. Find more about her at: https://www.karenloewymovilla.com/#tiatalk #thetanknyc #tias #stereotypes  #conversations #collaborators #femalestereotypes #thetanknyc #mattrosspr  @revolver_podcasts @thetanknyc @mattrosspr

When I first saw Eyes Wide Shut, I hated it. 20 years later, thanks to poet and sound artist Tracie Morris, I took a second look.Check out Tracie Morris's work here!https://traciemorris.com/Support the show!https://loveandradio.org/memberSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vivid is the debut album from Living Colour, and it was a commercial and critical success, peaking at number 6 on the Billboard 200 album charts.  Vernon Reid formed Living Color in New York in 1984.  Reid is from England and used the British spelling of the band.  It was known as "Vernon Reid's Living Colour" for the first couple of years, and evolved through a number of band members and genres including jazz, punk, experimental rock, and funk.The lineup for the debut album was set by 1986, and consisted of Reid on guitars, Corey Clover on vocals, Muzz Skillings on bass, and Will Calhoun on drums.  The group settled on a hard rock to heavy metal approach to their music, though elements of funk and jazz remain.  They built their experience playing in New York's CBGB club where they built up a following, eventually including Rolling Stones front man Mick Jagger.  Living Colour is an all black band playing hard rock music, which is uncommon.  Vernon Reid pushed for acceptance of black musicians in alternative music genres, forming the Black Rock Coalition in 1985 to support development and exposure.  During a time when highly produced hair metal bands were common, Living Colour was refreshingly different.  The band entered the studios in December 2022 to record their seventh album.Bruce brings this group and their debut album to the podcast. Funny VibeThis track was performed in their earlier days and was reworked for the album with a harder rock sound.  It features Chuck D and Flava Flav from Public Enemy.  It is about racial stereotyping - something Vernon Reid had to deal with in the music industry when he's bringing an all-black group onto the rock scene.Cult of PersonalityThis is the song which really launched Living Colour into a worldwide phenomenon.  It hit number 13 on the Billboard Hot 100.  Reid said it was essentially written in just one rehearsal session, and is the only song on the album written by all the band members.  The title comes from a report Nikita Khrushchev wrote in 1956 on Stalin called "On the Cult of Personality and Its Consequences."Open Letter (to a Landlord)A poet named Tracie Morris was part of the Black Rock Coalition, and Reid got her help on the lyrics for this song.  It is inspired by concern over the gentrification of the East Village in New York City, pushing out long term tenants and replacing them with "yuppies." Glamour BoysThe third single from the album is about men obsessed with high society.  Mick Jagger is on backing vocals.  Jagger came to know the band through working with bassist Doug Wimbush who would replace Skillings as bassist in 1992 in the band.  Jagger produced a couple of their demos. ENTERTAINMENT TRACK:Hippy Hippy Shake by the Georgia Satellites (from the motion picture "Cocktail")This cover appeared on the soundtrack to a movie featuring Tom Cruise flipping bottles of rum as a showman bartender in exotic Caribbean locales. STAFF PICKS:Tutti Frutti by Little RichardWayne does a little double dipping on the Entertainment track.  Little Richard's hit made its way back on the charts when it appeared on the "Cocktail" motion picture soundtrack.  The line "aw rooty" was a slang expression for "all right!"  Many rock and roll staples would be introduced in this song, including the loud volume, powerful vocal style, and distinctive rhythm.Nothin' But a Good Time  by PoisonAccording to Poison drummer Rikki Rockett, John's staff pick was written during a time the band was living in a downtown LA warehouse with no money, and getting fast food and going to the beach was a good time.  The song was written for the everyday person making it through the work week and just looking for a good time at the end of it all.Peek-a-Boo by Siouxsie & the Banshees Rob brings us a post-punk group with their breakthrough U.S. hit.  Featuring a looping brass part played in reverse and unusual instruments like the accordion, Vocalist Siouxsie Sioux added to the unusual nature of the song by using a different microphone for each line.  Peek-a-boo would reach number 53 on the Billboard Hot 100.Fast Car by Tracy ChapmanBruce's staff pick was originally released in April, but Chapman really moved up the charts after appearing at the Nelson Mandela 70th Birthday tribute concert.  Stevie Wonder was supposed to be the surprise guest star, but when his keyboard hard disk went missing, Tracy Chapman was ushered back on stage in prime time with just a microphone and a guitar.  The song she performed was a sad, stark tale of a woman trapped in poverty, reminiscing about a time when she felt she could be someone. NOVELTY TRACK:Parents Just Don't Understand by DJ Jazzy Jeff and the Fresh PrinceBefore becoming a film icon and celebrity, Will Smith got his start as the Fresh Prince.  This comedy rap did well on the charts in 1988.

This is Beauty Podcast Thurs., Sept, 1, 2022 Episode 2: Poetry and Beauty with Professor Tracie Morris Lots of people think of poetry as an inconsequential art form. Sure, it's pretty sometimes, but where's the utility - what's the point? Why do people always seem to speak of poetry and Beauty in the same breath, and why should we bother reading or listening to poetry it in the first place? In this episode of This is Beauty Podcast, host Nina Kins speaks with poet and professor Tracie Morris about the role of poetry in society, poetry's link to Beauty, and about how we frequently use poetry as a tool to help us process complex, and sometimes overwhelming, experiences like pain, love, loss, death, and even life itself. Tracie is a professor of poetry at the Iowa Writer's Workshop and the author of “Who Do With Words” and “Rhyme Scheme". She is widely recognized as one of the most innovative and consequential performance poets of the last half century, and her installations and performances have been presented in multiple venues here in the U.S. and around the world, including the Whitney Museum and the Museum of Modern Art in New York.  A former Woodberry Poetry Room Creative Fellow at Harvard University, Tracie also served as the Inaugural Distinguished Visiting Professor of Poetry at The Iowa Writers Workshop where she now teaches some of the most gifted and promising young poets and writers of tomorrow.  In this interview, we talk about poetry as an art form and its inextricable links to Beauty. Key highlights from this episode include: [00:09:23] Why poetry is important now [00:12:59]  Poetry's connection to music [00:14:43]  Meanings of the word, "poetic" [00:16:30] The inks between poetry and Beauty across cultures [00:23:22] Poetry readings Akilah Oliver and William Shakespeare [00:26:30] Shakespeare Sonnet 24 on Beauty [00:35:48] What makes a poem "Beautiful"? [00:40:51]  Poetry in Popular Culture/Poetry in Hip-Hop [00:52:36] Recommended readings for people new to poetry [01:00:02]  Poetry of everyday life. [01:03:17] The poet's role in society. Resources & Suggested Reading From This Episode Books by Tracie Morris: https://www.spdbooks.org/Products/9781946104212/who-do-with-words-second-edition-expanded.aspx#:~:text=Tracie%20Morris,%20MFA,%20PhD,,also%20published%20by%20Chax%20Press. (Who Do With Words) https://www.amazon.com/Rhyme-Scheme-Tracie-Morris/dp/8487467490 (Rhyme Scheme) https://traciemorris.com (https://traciemorris.com) The Iowa Writer's Workshop https://writersworkshop.uiowa.edu/ (The Iowa Writer's Workshop) Recommended Reading: https://www.poetryfoundation.org/poets/akilah-oliver#:~:text=Akilah%20Oliver%20was%20born%20in,a%20PEN%20Beyond%20Margins%20award. (Akilah Oliver, Poet) https://www.amazon.com/Letters-Future-Black-Radical-Writing/dp/1888553855 (Letters to the Future: Black Women/Radical Writing) https://www.amazon.com/dp/B0713XJFBJ/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1 (BAX 2016: Best Experimental Writing) https://www.amazon.com/Haiku-Handbook-25th-Anniversary-Appreciate/dp/4770031130 (The Haiku Handbook -25th Anniversary Edition: How to Write, Teach and Appreciate Haiku) https://www.amazon.com/Shakespeares-Sonnets-Revised-Arden-Shakespeare/dp/1408017970 (The Arden Shakespeare: Shakespeare's Sonnets) LEARN MORE ABOUT WHERE THE JOURNEY FOR REAL BEAUTY BEGINS ON THIS IS BEAUTY PODCAST: https://this-is-beauty-podcast.captivate.fm/listen (Listen & Subscribe) https://www.thisisbeautypodcast.com/ (This is Beauty on the Web) https://www.thisisbeautypodcast.com/contact/ (Subscribe to Our Newsletter for the Latest New, Updates & Guest Info!) Follow our Journey on Instagram https://www.instagram.com/thisisbeautypodcast/ (@This is Beauty Podcast) and on https://www.facebook.com/ThisIsBeautyPodcast (Facebook)

Delali Ayivor brings fun to the archive! In this conversation, we talk about her practice in information technology; family history and recipes in iPhone notes; creative tips for free writing; and her current project, Consideration, which mines her Facebook for 8th grade conversations. To top it all off, she reads one of her poems, IBID. Delali is a poet writing for Black women and those who hope to love them. Delali has been a U.S. Presidential Scholar in the Arts and was a member of the second cohort of Kehinde Wiley's Black Rock Senegal residency. A 2020 Tin House Summer Workshop Scholar, and a resident at Atlantic Center for the Arts with Tracie Morris and at the STONELEAF Retreat. Her new book, She is this, is available from King's Leap Editions. Also check out her two new poems in The Iowa Review Delali's work is online at DelaliAyivor.com and on Instagram @_laney.boggs ---------------------- Have something you want to share? It's easy. Send a voice message here! No logging in required. 1-800-POWERS is written and produced by artist, writer, and performer Lex Brown. Visit her website www.lexbrown.com or Instagram at @lex_brown_ Animations by Nora Rodriguez Music by Ben Babbitt --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/1-800-powers/message

Festival Atlantide - Interview with Tracie Morris on feminism by Euradio

in which poet/interdisciplinary artist Clay Scofield and i talk play, the benefit of creative communities, and non-attachment to when things don't work out... where to find Clay: website - https://lizclaytonscofield.com/ instagram - lizclaytonscofield other things referenced: Deep Play by Diane Ackerman - http://www.dianeackerman.com/deep-play-by-diane-ackerman House of Light by Mary Oliver - https://www.penguinrandomhouse.com/books/204278/house-of-light-by-mary-oliver/ Number - http://www.numberinc.org/ The School of Making Thinking - http://www.theschoolofmakingthinking.com/ Tracie Morris - https://traciemorris.com/

Tracie Morris on her selection: I have the great pleasure of sharing small excerpts from Brent Hayes Edwards' wonderful book, Epistrophies. In it, I repeat a quote from the legendary Mary Lou Williams to introduce Edward's commentary on Sun Ra at the dawn of the Space Age. Epistrophies, by Brent Hayes Edwards Music: "Shift of Currents" by Blue Dot Sessions // CC BY-NC 2.0

Episode 41 Sounds for Museums Sound Art to Accompany Exhibits Playlist François Baschet, Bernard Baschet, and Jacques Lasry, “Sonatine (3 Mouvements)” from Structures for Sound (1965 BAM). The exhibition 'Structures For Sound-Musical Instruments' by François and Bernard Baschet was shown at The Museum of Modern Art, New York, from October 4 to December 5, 1965. Although not heard in the exhibit, this set of compositions was co-marketed by the museum and BAM and clearly intended as a takeaway souvenir. The recordings were made in France, and released there as Les Structures Sonores Lasry-Baschet, then repackaged for the US market and exhibit. The piece was written by Jacques Lasry. Various Artists, Art By Telephone (1969 Museum Of Contemporary Art Chicago). Artists were asked to phone-in instructions for a work of art to be exhibited at Art by Telephone, held at the Museum of Contemporary Art Chicago. The museum released a recording of the phone calls and sold it at the exhibit. Here are four excerpts by John Giorno, Dick Higgins, Sol Lewitt, Richard Serra, and Jack Burnham. In total, 38 artists provided instructions that were included on the album. Audio Arts: Volume 3 No 4 Side A (1977 Audio Arts). Excerpts from a radio work by John Carson broadcast by Downtown Radio, Belfast in 1977. The program was a compilation of recordings made in June 1977 at Documenta VI, an international exhibition of contemporary art in Kassel, West Germany. We hear two excerpts, the first from artist Wolf Vostell which opens with the sound of bubbling water and the second a sound work by Achim Freyer. These audio works played in the exhibit. Other portions of the complete cassette recordings alternated between statements/interviews and sound environments/installations. Audio Arts was a magazine in continuous publication for 33 years and ran to 24 volumes, each of four issues. Various artists, from Sound (1979 Los Angeles Institute of Contemporary Art). Four of the tracks from this collection are included: Terry Fox, “Labyrinth Scored For II Cats” (1979); Jim Gordon, “Piece For Synthesizers, Computers And Other Instruments” (1979); Doug Hollis, “Aeolian Harp” (1975-76), composed 1975-76 at the San Francisco Exploratorium; Bill Fontana, “Kirribilli Wharf” (1979). Album produced for SOUND. An exhibition of sound sculpture, instrument building and acoustically tuned spaces. Los Angeles Institute of Contemporary Art July 14-August 31, 1979. P.S.I. New York, September 30-November 18, 1979. Jeff Gordon, “Everyone's An Artist” (1984). Vocal Jeff Gordon and Mug Maruyama; Programming, Graham Hawthorne; Emulators/Keyboards, Jeff Gordon. Gordon produced Revolutions Per Minute (The Art Record), a collection of audio tracks by artists released as a double LP. This track by Gordon was not included in that release but I think was used for a traveling exhibition featuring sound, The RPM Touring Exhibitions, designed by Gordon and his wife Juanita, that toured the US and Europe for over four years, including The Tate Museum in London. Laurie Anderson, “The telephone,” “The polaroid,” “The sheet,” “The wedding dress,” “The bathrobe” from La Visite Guidée (1994). Music: Laurie Anderson; Voice: Sophie Calle. Exhibition catalogue consisting of artist's book and Audio CD published in conjunction with the show held March 27- 29, 1994. The work consisted of a total of 21 short compositions. We hear five consecutive tracks from the collection. This audio was provided on a cassette for the exhibit, which visitor's played on a Sony Walkman while taking a guided tour of the Sophie Calle's exhibition Absent. Steven Vitiello. World Trade Center Recordings: Open House Bounce (1999). A recording from the 91st floor of the World Trade Center, Tower One made with contact microphones placed on the inside of the windows. This recording was only published as part of a CDR sold at an Open House Exhibition in the fall of 1999. Various recordings were made during a 6-month residency. This one in particular picked up a number of passing planes and helicopters. Various artists, Whitney Biennial 2002 (2002 Whitney Museum Of American Art). A CD was included with the 292-page hardcover catalogue "Whitney Biennial 2002" published for the same-titled exhibition at the Whitney Museum Of American Art, March 7-May 26, 2002. Four tracks are heard: Maryanne Amacher, “A Step Into It, Imagining 1001 Years Entering Ancient Rooms” (excerpt); Meredith Monk, “Eclipse,” with performers Ching Gonzalez, Katie Geissinger, Meredith Monk, Theo Bleckmann; Marina Rosenfeld, “Delusional Dub;” Tracie Morris, “Slave Sho' To Video A.k.a. Black But Beautiful.” 33 RPM: Ten Hours of Sound From France (2003 235). Exhibition companion compilation to San Francisco Museum of Modern Art, Sept. 6-14, 2003, listening room program. 33 RPM consisted of ten one-hour segments that were played on a rotating schedule at the museum during the exhibition. This was the fourth installment of an ongoing series at the museum that presented sound art scene in a variety of countries. We include the following tracks from this compilation: Kasper T. Toeplitz, “PURR#2” (2003); Jean-Claude Risset, “Resonant Sound Spaces/Filters” (2002); Mimetic, “evolution” (2003); and Lionel Marchetti, “À rebours” (1989). Jane Philbrick, "Voix/e" (2003-04 SW Harbor Songline). Installation two lightboxes, with color Duratrans (large-format backlit color transparency film), 48 x 24 x 6; two inset Alpine speakers, synthesized voice track, 9 1/2 mins. looped.; two companion LCD-screen DVDs. On view at Real Art Ways, Hartford, CT, and Consolidated Works, Seattle (2004). Audio work created by Jan Philbrick at the Center for Spoken Language Understanding, Oregon Graduate Institute. The piece consists of Philbrick's reading of the "Song of Solomon," modified and edited using voice-gendered speech synthesis to speak bride, groom, and companion parts. Marko Timlin, “Audible Light” (2017), Created by Marko Timlin, a Finnish sound artist whose work has frequently been integrated into museum installations. This installation, Audible Light, created sound directly out of light, “work inspired by Evgeny Sholpo's Variophone instrument developed in 1930.” Solo exhibition, Oksasenkatu 11 in Helsinki. Not to be confused with the 2000 museum exhibition called Audible Light at the Museum Of Modern Art, Oxford, to be featured in a future podcast. Opening montage: sounds from the recordings of Art By Telephone (1969 Museum Of Contemporary Art Chicago) and Audio Arts: Volume 3 No 4 Side A, cassette (1977 Audio Arts). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

Hosted by Al Filreis and featuring Derek Beaulieu, Tracie Morris, and Douglas Kearney.

Featuring Brooklyn-born interdisciplinary poet & sound artist TRACIE MORRIS + QUINCY SCOTT JONES whose first comic, Black Nerd with artist Ronald Nelson, will be released this year + HETTIE JONES, one of the most prolific Beat poets of her generation. Spun by DR. BRUCE CAMPBELL JR. aka DJ JUNIOR, a professor who runs his own independent record label, Record Breakin’ Music. “But that’s another whole story” is a line from Hettie Jones’ poem “All Told.”

Hey everyone. I hope everyone is staying safe. My school in China has currently moved to online teaching for the foreseeable future as no one knows how long the virus will affect China. As I mentioned in my previous episode, I rerouted my flight to Thailand to wait out the virus. I stayed in Chiang Mai and enjoyed living in  warm weather and eating a lot of amazing northern Thai food, also called Lanna cuisine. I was also able to check out the Land Foundation, an art project started by Rirkrit Tiravanija. The foundation was hosting a solar panel cookout with local Lanna recipes and it interesting to see the whole event play out. I also met two other professors from Shanghai and Beijing who also left their cities and are teaching remotely. The longer I stayed in Asia, the more the news seemed to get worse and worse, so my original plan to teach remotely while traveling across Asia didn't seem too good. I left for Seoul for a week, but by the time this episode will be released, I'll be flying back to the US.For today's episode, I have Jo Elizabeth Stewart. Jo is a poet and theater maker. She uses a combination of gesture, voice, and text to make performance that investigates entrapment, borders, and freedom. Jo graduated from Reed College with a BA in English literature (2014) and continues to study poetry under the guidance of experimental poet Tracie Morris. She is a cross-disciplinary MFA candidate in the Literary Arts program at Brown University.I met Jo at a recent residency I did at Vermont in the winter break between semesters. In the residency, I met a wonderful group of artist of color and was lucky to interview a number of them. Jo was the first one I interviewed during my time there. Jo and I got to know each other by doing early morning meditations together before breakfast and on snowy walks in the woods. In our discussions, we talk about learning how to be uncomfortable, finding meaning in meaninglessness, and how to move the body in relation to the grammar of a language. I hope you enjoy this.Links Mentioned:Jo's WebsiteDenise Ferreira da Silva's On HeatM. NourbeSe Philip’s Zong!Camille T. DungyKathryn Yusoff's A Billion Black Anthropocenes or NoneKevin Everod QuashieFollow Seeing Color:Seeing Color WebsiteSubscribe on Apple PodcastsFacebookTwitterInstagram

Hosted by Al Filreis and featuring Tracie Morris, Marjorie Perloff, and Danny Snelson. (With a cameo appearance by Charles Bernstein himself at the end.)

Carnival of Carnage by Insane Clown Posse. Well, here we are… the first Insane Clown Posse album! It’s… not great. We have a hard time maintaining enthusiasm (or staying awake) through the sheer misogyny and arrhythmic rapping.  There are a few bright(er) spots, but overall, we’re left wondering: did we make a mistake in picking ICP? Also, will Cameron quit the podcast because Nathan used the word "Crasscinating" for the title of this episode? Learnin’ Links Leck mich im Arsch—which Nathan almost got the title of right ICP Andy Kaufman, famed wrestler Tracie Morris Mikhail Bakhtin Ship of Theseus The Wiz MKUltra You can support us in several ways: Kick us a few bux on Patreon! By becoming a supporting member, you'll gain access to special bonus episodes! Buy T-shirts, sweatshirts, and more at our merch page!

Hosted by Al Filreis and featuring Amber Rose Johnson, Tracie Morris, and Alexandria Johnson.

Al Filreis and seven past PoemTalk guests convene for a special 90-minute celebration of PoemTalk's 100th episode: William Joe Harris, Tracie Morris, erica kaufman, Steve McLaughlin, Maria Damon, Charles Bernstein, and Herman Beavers.

Hosted by Al Filreis and featuring William J. Harris, Tracie Morris, Erica Kaufman, Steve McLaughlin, Herman Beavers, Maria Damon & Charles Bernstein.

Hosted by Al Filreis and featuring Kristen Gallagher, Tracie Morris, and Michael Magee.

Tracie Morris, Kristen Gallagher, and Michael Magee join Al Filreis to discuss Will Alexander's "Compound Hibernation."

As part of Creative Capital's “Artist to Artist” interview series, Queen GodIs (2013 Performing Arts) and Tracie Morris (2000 Performing Arts) met up at the Brooklyn Museum to discuss commonalities in their work.

Herman Beavers, Tracie Morris, Jo Park, and Al Filreis discuss Etheridge Knight and Gwendolyn Brooks

This week is kind of different at the brunch studios.  First we listen to a big band program from 1936 as Henry Hall entertains with Christmas and other dance tunes.  Then we return to our naval draft and see what happens when a sea lord comes to inspect them.  Then the meat of the brunch.  It's Christmas in the UK and we'll begin our own celebrations by seeing what goes on at the UK pavillion.  Joining Matt for this lively festive discussion will be Scott and Tracie Morris aka the first family of Disney Indiana http://www.disneyindiana.com and Scott Viers aka the Mortis http://www.themortis.com  and don't forget next week for the big 100 we'll be learning about Christmas in the UK from England.

Al Filreis, Tracie Morris, Kenny Goldsmith, and Joshua Schuster discuss a Jaap Blonk sound poem

(c) 2007 Tracie Morris. Distributed by PennSound: http://www.writing.upenn.edu/pennsound/

(c) 2007 Tracie Morris. Distributed by PennSound: http://www.writing.upenn.edu/pennsound/