Podcasts about sony walkman

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What's Wrong with questioning God about a poem that questions God? Orny wants to be a juror on Diddy trial rather than waiting for the documentary to come out. Why his fans prefer him eating watermelon over his stand up. And finally What's Wrong with the Sony Walkman, three eyed fish and Bill Belichick and his 49 year old younger girlfriend. Who's conning who? Or is it love?

Today I finally get to speak about a book from Mad Cave Comics that I've obsessed over for the past 2 months as I sit with Rick Quinn & Dave Chisholm and their Cosmic Musical Supernatural (wait, that's too many adjectives) tale of 2 characters one in each issue: Melody Parker and Ada Latimer. Melody is conflicted by loss living on the streets of Seattle during the WTO Protests with nothing but her Sony Walkman when her reality starts to bend and a world between her world starts to appear. Clueless by what she is seeing, we then get transported to a time of Jazz and early Rock n Roll. We come to find the Melody was at one point a prodigy in music, but the loss of her mother made her lose her way. A mysterious character named Echo seems to know that Melody holds the solution to a secret war within the world.Issue 2 brings us Ada Latimer, a record store owner who similarly is also dealt with the disappearance of her Father. A former Musician, who after his first album vanished when she was a child. She describe her fathers music as eclectic and maybe before its time. Ada inherited his record collection and with every chord played she is taken to a place where she is closer to him. Her Boyfriend Theo, a strange character persona himself makes her life seem normal. Until Echo presents herself to take Ada in the same manner as she did Melody.A thriller nonetheless, but embolden in those who love music. (watch for the easter eggs)Support this podcast at — https://redcircle.com/the-faqs-project-hosted-by-james-grandmaster-faqs-boyce/donations

Billboard Magazine -. Frm Tokyo Bureau Chief, At the 16, Elise Krentzel became a Journalist & at 19, she was the youngest journalist on the KISS  Japan Tour.Her Book "Under My Skin Trauma, Drama, and Rock n Roll" is the FIRST in a Trilogy.We're Ready to Really ROCK n Roll!!."Elise Says""It takes courage to step out and write your truth, own it and forgive it. Neglect and abandonment, physical, emotional, and verbal abuse, narcissistic parents and a host of malcontents to add flavor and color to the toxic mix that was my childhood.Yet light always shines through, right? I channeled my talents, hopes and ambition into writing about music and became a rock journalist as a teenager. I toured with Kiss on a press junket at 19 in Japan. That was just the beginning!Please CELEBRATE with me today! My book is now available and I'm dancing around my apartment with a bottle of bubbly. Get your rock ‘n' roll on!"Elise Krentzel's fast paced memoir, Under My Skin has earned #1 new release in these categories: Biographies of Rock Bands, Music Business, Rock, Composers & Musicians, and Jewish life. She shares how she took charge of the tumultuous 1970s by making a name for herself as a rock journalist when still a teenager. As a kid, she was encouraged by her parents to sing, play music, and write, but she wasn't allowed to be “herself.” Alienated, she hid her heart and learned to become a stranger in her own skin as the torment of early childhood taught her to mistrust everyone, especially herself.She's a multiglot: author, ghostwriter, mentor, public speaker, and communications entrepreneur who has lived in five countries for over twenty-five years. Starting in Japan from 1977 to 1984, she owned a talent and booking agency, introduced punk rock, was a DJ and, music journalist. As Tokyo Bureau Chief for Billboard Magazine, Elise introduced the Sony Walkman and Laserdisc technology to a western audience during her stint.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Ever wondered how the music industry parallels the cautionary tales of Kodak, the Sony Walkman, and Nokia?Join us as we chat with Constantine Roussos of Dot Music. He shares his insights on this journey of music's digital transformation, spotlighting the industry's struggle with outdated business models and highlighting the power shift towards streaming platforms. Through his eyes, you'll see the urgent need for verified music identities as a key ingredient for a secure future for artists and rights holders.   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

Well it was typically right around this time of year when, every year, as a kid, our family would pack up our bags, load up the car, and travel up to Lutsen, Minnesota. Anyone ever been up to Lutsen before? It's a beautiful area. It's also an area that's four hours away, by car, from the cities. Which, for me as a kid, might as well have been eternity.So, like most kids, in an effort to offset the boredom that I would experience during the four-hour long drives, I began to develop and perfect my road trip set up, which involved stuffing all my drawing supplies into the cupholder and against the window to my left, placing my CDs and no-skip Sony Walkman to my right, usually on top of an overhanging suitcase of some sort, and then stacking a pile of Sports Illustrated for Kids magazines about a foot tall on the floor below my feet. I'd get that set up just right, squeeze on into what remained of the seat, and then buckle in for the journey. And it was typically about 20-30 minutes later when I'd begin wonder, “Why are we still parked in the driveway?” “Why have we yet to go anywhere?” I mean, I'm clearly ready to go. Why isn't this car moving yet?” I'm guessing you've been there before. And if so, then believe it or not, you know something of what readers of the Bible can, at times, experience when reading through these first few chapters in the book of Numbers — a kind of fidgeting, watch-checking, growing sense of impatience.Why We Grow ImpatientAnd there's a reason for that. The fact that we've now, by this time in the narrative, been gearing up to go somewhere for quite some time. What I mean is that, ever since Exodus chapter 19, following God's miraculous rescue of his people, the Israelites, from Egypt, we've been parked in the wilderness of Sinai. And not with intention of staying there indefinitely. But, with the intention of eventually moving on from there, to the Promised Land – the land of Canaan. And yet, as Exodus comes to its close and gives way to Leviticus, and Leviticus comes to its close and gives way to Numbers, in Sinai we yet remain. And so, as readers of the story, we begin to wonder, “Why are we still parked in the driveway?” “Why have we yet to go anywhere?” I mean, I'm clearly ready to go. Why isn't this thing moving yet?”But here's where our true colors really show, as a people. Here's where it becomes clear that either we've already forgotten the significance of all that's been going on throughout this stop in Sinai, or we never really grasped the significance of it all in the first place. Here's what I mean: it was while in Sinai, that God made a covenant with this people and gave them the Law (Exodus Ch. 20-24). And it was while in Sinai, that God took up his earthly residence in the Tabernacle (picture a somewhat large, tent-like structure), filling it with his glory as a cloud (Ex. 40). It was while in Sinai that this Tabernacle (dwelling place of God) became the Tent of Meeting between God and his people. And that was through the establishment of the Priesthood and the sacrificial system. And so, had the people not lingered in Sinai, and had not all the events of the second half of Exodus and the entirety of Leviticus occurred while here in Sinai, then we'd be looking at quite a different picture at this point. A people who still have no formal relationship with God, still have no experience of nearness to God, and still have no covering for their sin before God, heading into the Promised Land alone. You know why we so often get impatient as a people? So often ask, “God, why are we still parked here?” It's because though we do, by nature, desire comfort, and though we do, by nature, desire prosperity, and though we do, by nature, desire to dwell in the Promised Land, the land flowing with milk and honey – we do not by nature desire God. We desire his stuff, we desire his space. And we think our salvation lies in getting it, rather than getting him. We disregard the ultimate treasure, God himself, and go out in search of pocket-change instead. It is a mercy, absolute mercy, brothers and sisters, that God parks us from time-to-time in the wilderness. It's there we often realize that what we really need in life is God. And if we gain him, we will have gained all we ever needed. Israel was parked in Sinai for that: Creation of a relationship with God through covenant, experience of that relationship in God's presence, a presence enabled by the mediation of the priests and the sacrificial system.Now, here's the thing though. By Numbers 1, all those boxes have been checked. And we're still not going anywhere. We're going to yet stay here in Sinai till Numbers chapter 10. Why? With covenant made, Tabernacle created, sacrifices in motion — What is it that's still lacking?We're going to attempt to answer that question through the remainder of this sermon. And we'll do so, Lord-willing, with the help of three R's: Roles, relationships, and realities.1. RolesLet's begin with roles. And this first point will be our longest of the three. Roles. God is going to assign roles for his people to play throughout their journey in the wilderness. First one we're going to look at is that of the priest. You can see in Numbers 3:1-3,“These are the generations of Aaron and Moses at the time when the Lord spoke with Moses on Mount Sinai. These are the names of the sons of Aaron: Nadab the firstborn, and Abihu, Eleazar, and Ithamar. 3 These are the names of the sons of Aaron, the anointed priests, whom he ordained to serve as priests.”Now, if you were with us back in the fall of 2022 for our series through Leviticus, you might remember that the role of the priest involved carrying out the daily sacrifices upon the altar of the Tabernacle — sacrifices which served as a necessary covering for both their sins as well as the sins of the people. But the people who could qualify for this role represented only a very small percentage of the total population of Israel. From all those belonging to the 12 tribes we narrow down to those belonging to one tribe, that of Levi. From those belonging to the tribe of Levi, we narrow down to descendants of Aaron. Is it only this small percentage of the people who get a role to play? Is it the priests, and then everyone else simply along for the ride? Enter, a new role, the Levite.LevitesTurn back with me to Numbers 1:50-51,“But appoint the Levites over the tabernacle of the testimony, and over all its furnishings, and over all that belongs to it. They are to carry the tabernacle and all its furnishings, and they shall take care of it and shall camp around the tabernacle. When the tabernacle is to set out, the Levites shall take it down, and when the tabernacle is to be pitched, the Levites shall set it up. And if any outsider comes near, he shall be put to death.” So here's another role, that of the Levite, whose job it is to set up, take down, transport, and guard the Holy Tabernacle at which the priests offer the sacrifices. So the Priests, the smallest group, they carry out the sacrifices at the Tabernacle. The Levites (a slightly larger group — those remaining from the tribe of Levi who were not also in the line of Aaron), they guard and carry the Tabernacle. So the funnel widens once. It's going to widen again. Turn back with me, once more, to the very beginning of Numbers, chapter 1:1-3.SoldierNumbers 1:1-3,“The Lord spoke to Moses in the wilderness of Sinai, in the tent of meeting, on the first day of the second month, in the second year after they had come out of the land of Egypt, saying, 2 “Take a census of all the congregation of the people of Israel, by clans, by fathers' houses, according to the number of names, every male, head by head. 3 From twenty years old and upward, all in Israel who are able to go to war…”Here's a third role — that of soldier. This represents the largest group, pulling from the remaining eleven of the twelve total tribes. And as we can see down in verse 46 of chapter one, the total number of those who receive this role is 603,550. Which, quick note here…When God first called Abraham and said, “I'll make of you a people, like the stars in the sky and the sand on the shore for number,” does anyone know how many descendants he had at that time? …Zero. So, book of Genesis, God says “I'll provide for you a nearly uncountable number of descendants…beginning at…zero.” And, wouldn't you know, a few hundred years later, here in Numbers, more than half a million descendants of Abraham walking around, and that's only including the men in the camp who are old enough for war. Does God keep his promises?So priests, Levites, soldiers — three distinct roles for the people of God to receive prior to heading out on their journey. Three distinct roles that though very different from one another, clearly depend upon one another in order to function. For, how are the priests going to carry out the sacrifices at the Tabernacle if the Levites fail to guard the Tabernacle and it ends up becoming defiled? And how are the Levites going to guard the Tabernacle, if the soldiers fail to guard them when enemy armies approach?And how are either the Levites or the soldiers going to dwell anywhere near the camp, and guard anything at all, if the priests fail to carry out the daily sacrifices? See in this design, the priest cannot say to the Levite “I have no need of you.” Neither can the Levite say to the soldier, “I've no need of you.” Rather, it is when and only when all of these roles are working properly together, that the camp of Israel will be able to move forward as one — out of Sinai, into the Promised Land. How about us? How about our camp? Do we have a role to play here? God says we do. He says in Ephesians 4 that there are certain roles he's given. Some, apostles prophets. Some the evangelists, the shepherds and teachers. And those for the sake of equipping the largest role of all — the saints (that's all of us). Equipping the saints for the work of ministry — that's your job description. My job description — the work of ministry. The work of helping one another attain to the unity of the faith and of the knowledge of the Son of God. That's the role God's given us to play. So we should ask, “how am I doing in that role? How am I leaning-in for the good of the whole? And how might I lean-in just a little more in effort to build this body, and help us move forward as one?” God gave roles for the Israelites to play within the camp back then. He gives us roles to play within his church today. So, why have we not yet left Sinai? What is it we still lack? First R — roles. God's people had roles they still needed to receive. Second R, relationships. This one will move a bit quicker. 2. RelationshipsFor this one, I'll ask you to turn with me to Numbers Chapter 5. I know we're jumping around quite a bit this morning, but I believe it's worth it because it's going to help us better understand this section as a whole. So, Number 5, verse 5, and I want you to listen for the emphasis: And the Lord spoke to Moses, saying, “Speak to the people of Israel, when a man or woman commits any of the sins that people commit by breaking faith with the Lord, and that person realizes his guilt, he shall confess his sin that he has committed. And he shall make full restitution for his wrong, adding a fifth to it and giving it to him to whom he did the wrong.”God is establishing here rules for relationships. Rules for regulating and righting wrongs within relationships. Neighbor-to-NeighborAnd this first rule here, verse 5, applies to neighbor-to-neighbor relationships. It says, “if you wrong your neighbor, here's what you must do to make it right. You first confess your sin, then give back the full amount, plus a fifth, to that person to whom you did the wrong.” Clearly, God is concerned with the health of neighbor-to-neighbor relationships within the camp. Now, just as we moved in concentric circles in terms of roles — soldiers, Levites, priests. So once more we'll move in concentric circles in terms of relationships. Neighbor-to-neighbor at the widest point in the funnel. Moving further in we come to the relationship between spouses.Spouse-to-SpouseChapter 5:11,“And the Lord spoke to Moses, saying, 12 “Speak to the people of Israel, If any man's wife goes astray and breaks faith with him,” And now if we had time to read from there through the rest of chapter 5 we'd discover a public process laid out for righting wrongs between spouses. A process that would either result in proving the husband's accusation was unfounded, his wife has been faithful, and her good name should thus be reinstated within the community. Or, in proving her husband's accusation was accurate, his wife has been unfaithful, and she will receive from God the curse of barrenness as her punishment. Either way, a sense of justice, and righting of wrongs, will be recovered in the relationship between spouses.Neighbor-to-neighbor relationships. Spouse-to-spouse relationships. What's at the innermost circle? Our own relationship with God. We see this final movement, chapter 6, with the Law of the Nazirite.Self-to-GodWe can see the set up for it in Numbers chapter 6:1, “And the Lord spoke to Moses, saying, “Speak to the people of Israel and say to them, When either a man or a woman makes a special vow, the vow of a Nazirite, to separate himself to the Lord.”See, we're looking at the level of the individual — his or her relationship to the Lord. And we're seeing a means laid out here for the individual to especially dedicate him or herself, solely to the Lord, for a set amount of time.Again, if we had time to read the rest of this chapter, chapter 6, we'd see that the Nazirite vow involves not cutting your hair, consuming alcohol, nor going near a dead body throughout the time of the vow. And when the time of the vow was over, you'd conclude by bringing with you a very costly gift to sacrifice at the altar before God — one male lamb, one ewe lamb, one ram, a basket of unleavened bread — you'd even cut the hair you'd grown throughout the time of the vow and put that, as well, upon the altar. And then you'd burn it all up, right then and there, before the Lord, as a way of communicating to him, “Lord, I am fully yours, all I have is yours.”So, relationships — with neighbor, with spouse, and with God. God is concerned to have health in all these spheres, all the way through the camp. Once again, we'll ask, how about us? Are we dwelling in right relationships in all three categories?Is there perhaps a wrong you need to right between you and another person in your community group?Is there a wrong you need to right between you and a spouse, a family member, even a close friend? Is there not necessarily a wrong to be righted, but an opportunity, for a time, to intensely pursue the Lord with a passion, persistence, and commitment perhaps you never have before? God gave relationship rules and regulations for the Israelites to abide by within the camp. He gives relationship rules and regulations for us to abide by within his church. So, why have we not yet left Sinai? What is it we still lack? First R — roles. God's people had roles they still needed to receive. Second R, relationships. God's people had rules for their relationships that still needed to be established. Third, final R — reality. A reality finally to be experienced. 3. RealityNow, for this, we really need to draw our attention all the way back to one of the first things God said at the outset of this season in Sinai. Back before the establishment of the priests and sacrifices, back before the construction of the Tabernacle, just after the making of a covenant with his people. And I'll just read this one to you, from Exodus 25:8, where God said, “And let them make me a sanctuary that I may dwell in their midst.” Let them make me a sanctuary, because… I don't merely aim to make a covenant with them. I don't merely aim to dwell within their general vicinity. I don't merely desire to bring their priests near to carry out sacrifices while all the rest remain scattered elsewhere. Rather, I aim to dwell in their midst.And now with all the pieces finally in place, God is going to do exactly that — turn this aim into reality. Numbers, chapter 2, verse 1. Go there with me, I want you to behold this verse. Numbers 2:1,The Lord spoke to Moses and Aaron, saying, “The people of Israel shall camp each by his own standard, with the banners of their fathers' houses. They shall camp facing the tent of meeting on every side.”On every side.Now, here in Numbers, for the very first time, this people are going to form as one around God. God is going to be their central heartbeat filling and sustaining them all with life. God is going to be their sun, keeping them together within his orbit. God is going to dwell in their midst, they are going to camp facing him. With Moses and the priests to his immediate east, where the doors of his Tabernacle open. Moving clockwise from there, will be the Levites making up the central ribbon. Then, to the east once more, will be the tribe of Judah, clockwise from there, the remaining eleven tribes all around.Their new reality, as a people, will from now on involve: Waking up with God in their midst, laying down with God in their midst, working with God in their midst, resting with God in their midst, seeing him as their center, seeing him as their core, seeing the God whose delight it is to live among his chosen people and gladly pour out upon them his abundant joy and love. And, if this is hard for you to imagine, like, you just have a really hard time believing God actually desires to live amongst his people, is actually delighted to live amongst his people, is actually glad to make them glad with his presence…Then look with me at his first act upon assembling his people together as one. What is it, we could ask, that comes most naturally to God, upon the bringing together of his people? Cursing? Frustration? Annoyance? Ambivalence? When he, for the first time, has his people gathered all round, what is, we could say, his knee-jerk, immediate reaction? To bless.The first words out of his mouth are blessing. Go with me to Numbers 6:22, final word here, and it is the capstone of all that's gone on thus far,The Lord spoke to Moses, saying, 23 “Speak to Aaron and his sons, saying, Thus you shall bless the people of Israel: you shall say to them, 24 “The LORD bless you and keep you [hold you, protect you, be your shelter and shield]; 25 the LORD make his face to shine upon you and be gracious to you [as his face made Moses' to shine, so now may his smile shine upon you and pour forth its bright rays into your heart and life]; 26 the LORD lift up his countenance upon you and give you peace [Give you his Shalom, give you his experience of, “All is right, and all is full, and all is well because my God is here and he loves me]. “This is the blessing that, as one writer puts it, now readily flows forth from God, ushering forth from the Central Tent — encompassing the whole, and casting the light of his face on every Israelite within its bounds (Morales, 166).This is the great reality of God's people now realized. And brothers and sisters, it is only a foretaste of a greater reality still to come. For just as God assembled his people in the wilderness, so will he assemble us into his kingdom. Where it will be declared, “Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people, and God himself will be with them as their God (Rev. 21:3). Where God will bless us, keep us, and make his face to shine upon us in the face of his very own son whom we will then behold (Rev. 22:4).That is, my brothers and sisters, where we are headed. And we are headed there as a people, as a body, as a camp, trekking through the wilderness together, and onward into glory. The TableAnd this is what now brings us to the table. For at this table, we eat together as God's people — bought with his blood, sealed by His Spirit, bound for his Kingdom to behold his face and experience his peace forever.

Get ready for an episode where things escalate quickly—both in danger and fun! This week on Live, Laugh, Larceny, Trevin navigates the frustrating world of returning shoes by mail, while Amanda shares her frustrations with vacationing parents who seem to have forgotten how to check in. The fun ramps up with Amanda's hilarious Two Truths and a Lie segment about elevators, followed by Trevin's dive into surprising new animal facts! In Storytime, Amanda kicks off with an outrageous tale involving outstanding warrants, elevators, and a Florida woman causing chaos. Then, Trevin brings his most gruesome story yet—complete with a trigger warning—featuring a returning main character and a grisly scene involving a Brush Hog in Willow Springs, Missouri. Both stories hilariously tie together as the hosts role-play drive-thru workers serving coffee. Tune in for a wild ride filled with crime, comedy, and chaos as Amanda and Trevin take things to a whole new level. (Discussions include: Kristine with a K, shoes, Sony Walkman, Puma, post office, Mail anxiety, parenting, parents on vacation, Alaskan Cruise, elevator deaths, Shanghai Tower, Muzak, music, Taranaki, New Zealand, Farm Raised Salmon, Germany Raccoon Farm, WW2, George the Jack Russell Terrier, Patricia Ann Jamison, St. Lucie County Courthouse, Fort Pierce, Florida, Poop, Nervous Diarrhea, Outstanding Warrants, Pooping in Public, nuisance injurious to health, noir, detective story, insurance scam, dismemberment, Florida Man, Hatchet, farmer, Fueled by Trash Pizza) Join our Facebook Group: https://www.facebook.com/groups/livelaughlarcenydoomedcrew For ad-free episodes and lots of other bonus content, join our Patreon! https://www.patreon.com/LiveLaughLarceny  Check out our website: HereFollow us on Instagram: HereFollow us on Facebook: HereFollow us on TikTok: HereFollow us on Twitter: Here If you have a crime you'd like to hear on our show OR have a personal petty story, email us at livelaughlarceny@gmail.com or send us a DM on any of our socials!

CreepGeeks Podcast Episode 322 INTRO  You're listening to CreepGeeks Podcast! This is Season 8 Episode 322 CreepGeeks Omi's Western NC Update, FALSE Hurricane Helene Rumors, Project Cirrus and Listener Messages, and Hurricane Milton? Your favorite anomalous podcast hosts are Greg and Omi Want to Support the podcast? Join us on Patreon:  CreepGeeks Paranormal and Weird News is creating Humorous Paranormal Podcasts, Interviews, and Videos!  What is the CreepGeeks Paranormal and Weird News Podcast?  We broadcast paranormal news and share our strange experiences from our underground bunker in the mountains of Western North Carolina. Get our new Swag in our Amazon Merch Store: https://amzn.to/3IWwM1x  Hey Everyone, You can call the show and leave us a message!  1-575-208-4025 Use Amazon Prime Free Trial! Did you know YOU can support the CreepGeeks Podcast with little to no effort? It won't cost you anything!  When you shop on Amazon.com use our affiliate link and we get a small percentage!  It doesn't change your price at all. It helps us keep the coffee and gas flowing in the Albino Rhino!  CreepGeeks Podcast is an Amazon Affiliate CheapGeek and CreepGeeks Amazon Page's Amazon Page    Support the Show:  CreepGeeks Swag Shop!  Website- CREEPGEEKS PARANORMAL AND WEIRD NEWS Hey everyone! Help us out!  Rate us on iTunes!  ‎CreepGeeks Paranormal and Weird News Podcast on Apple  WARNING: This Podcast May Contain BioEngineered and Cell Cultivated Food Products. Interested in Past Lives or Past Life's Journeying- RC Baranowski. Past Life Journeying: Exploring Past, Between, and Future Lives Past Life Journeying: Exploring Past, Between, and Future Lives - Kindle edition by Baranowski, R. C.. Religion & Spirituality Kindle eBooks @ Amazon.com.  Over on our Patreon-  Patron's Messages-  James- Just came here to let Greg know you can still buy modern MP3 players.. Amazon has a bunch of them. No need to use an old iPod. I recently got a new Sony Walkman and the audio quality with wired headphones is amazing! It's an Android device but I just keep the wifi turned off. https://www.patreon.com/creepgeeks John- Same, we have Starlink, my flip phone stayed connected, so did T-Moblile - ATT, and Verizon? Forget it.  Glad that the Boys from Katrina were at least helping the folks out from Old Fort.  Never saw anyone here - we did drive the Asheville looters back into Asheville, so it was just our community, we had no help - really didn't need it.  The 160 and now 230 numbers are way low - that number is supposed to apply to the whole tri-state area. John Johnson 2d What's really tragic is that so much of the attention is given to Asheville and Boone, folks do not realize that the effect was far greater.  Was watching posts from Biltmore Lake where the affluent residents are complaining about their fiber connections not being on (they have LTE) - whereas as a native, I'm concerned with family far out near Cashiers that are cut off.  Asheville is getting so much help right now while a lot of the outlying mountain communities are hurting - plus the FEMA surge literally showed up today (not counting the forward teams that caused so many issues) - the first place they went: Asheville   Starlink CellPhone Service Welcome Patron's and new Patron- We have stuff for you! Brown Mountain Lights Geological Survey 1-800 Number Comments-  Kasper I hope y'all are well. I'm sure you've seen this or variations of the same. (FYI - I never use & do NOT agree with the creation or use of AI) THIS IS WILD !!!! Google didn't give me an AI-generated answer (like it does ALL the time I look up most anything). I used Brave and clicked on the AI answer. ALREADY talking about Milton in the past tense. Be Safe - Kasper https://search.brave.com/search?q=devastation+from+hurricane+milton&source=web&summary=1&summary_og=31a392a28bbe4f8a6a1a44 From the Parking Lot-  Fate Magazine - Fate Magazine  Last EpisodeFollowUp:  NEWS:   We're alive in Western North Carolina!  Hurricane Helene was VERY Mean to the area! The damage is going to affect this area for decades. Hurricane Milton- https://duckduckgo.com/?q=Hurricane+Milton&atb=v315-1&iar=news&ia=news  'Time is running out': Florida braces for monster Hurricane Milton. Live updates   Hurricane Helene was mean to Western NC. The impact these small mountain communities are feeling from Helene has a much wider impact than you may know. Spruce Pine- quartz Hurricane Helene Hits Spruce Pine Mine, Quartz Used for Tech | Entrepreneur  No power but only minor damage: Spruce Pine quartz mine owner updates Helene recovery   Lithium Mines around Lake Lure Baxter Manufacturing- medical supplies. IV bags/ fluid US' top IV fluid maker Baxter voices uncertainty about recovery timeline at North Carolina facility hit by Helene Baxter says no structural damage at North Carolina site hit by Hurricane Helene | MedTech Dive   Blue Ridge Parkway.  NPS: Blue Ridge Parkway closed until further notice  -Revenue Loss is tremendous  https://www.facebook.com/share/p/VMt6qEnj4VSMf1qo/?mibextid=WC7FNe   Hurricane  and Local Conspiracy- Hurricane Manupilated to Land Grab fro Homes,  Lithium and Quartz Mines. Fact-checking the viral conspiracies in the wake of Hurricane Helene | Grist  Hurricane Manipulated to sway the Election away from former President Donald Trump. So people won't be able to vote. 70th Anniversary of the first hurricane seeding experiment - NOAA's Atlantic Oceanographic and Meteorological Laboratory   Regional-  Warning Slight Rant The Government isn't coming- False! They were setting up on Friday and more aid and assistance was constantly arriving. Coordination takes time. NO FOOD, NO WATER, NO POWER- within 2 days, water was available, power was coming back, main roads were being cleared,  FEMA taking Land- NOPE They don't have the power Volunteers Denied Access to areas with lifesaving supplies- Yes- Roads were impassible and not there, or structurally sound Black Hawk Helicopters buzzing, destroying relief site- FALSE Context matters. Black Hawk Helicopters = EVIL Intent. NOPE, and Even Civilians can buy them now. Warehouses of dead bodies in Asheville. NOPE  People weren't allowed back to their homes. YES- If it was unsafe.  DipSHit Social Media Influencers- Spreading BS, Lies, and Endangering Others- Some had to be rescued/  Weird Stuff-  Dispute Over Vienna Sausages Leads to Stabbing at Georgia Nursing Home Keanu Reeves joins Graham Hancock for Season 2 of his Netflix documentary series 'Ancient Apocalypse' - The Daily Grail    *AD BREAK* READ: If you like this podcast subscribe on YouTube, follow on Spotify, review on Apple podcasts, support on Patreon, and connect with us on Facebook, Twitter Instagram @CreepGeeks.  LIBSYN AD *AD BREAK* Bumper Music- SHOW TOPICS: AD- Want to Start your own podcast? https://signup.libsyn.com/?promo_code=CREEP  Looking for something unique and spooky? Check out Omi's new Etsy, CraftedIntent: CraftedIntent: Simultaneously BeSpoke and Spooky. by CraftedIntent  Want CreepGeeks Paranormal Investigator stickers? Check them out here: CraftedIntent - Etsy  Check out Omi's new Lucky Crystal Skull Creations:  Lucky Crystal Skull: Random Mini Resin Skull With Gemstones - Etsy  Get Something From Amazon Prime! CheapGeek and CreepGeeks Amazon Page's Amazon Page     Cool Stuff on Amazon -Squatch Metalworks Microsquatch Keychain:  Microsquatch Keychain Bottle Opener with Carabiner. Laser-cut, stone-tumbled stainless steel. DESIGNED AND MANUFACTURED IN THE USA.  Amazon Influencer!  CheapGeek and CreepGeeks Amazon Page's Amazon Page   Instagram?  Creep Geeks Podcast (@creepgeekspod) • Instagram photos and videos   Omi Salavea (@craftedintent) • Instagram photos and videos  CreepGeeks Podcast (@creepgeekspodcast) TikTok | Watch CreepGeeks Podcast's Newest TikTok Videos  Need to Contact Us? 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Time named the Sony Walkman number 47 on a list of the 50 most influential gadgets of all time. How did the Walkman become a thing, and what influence has it had on how we experience music? See omnystudio.com/listener for privacy information.

There's probably not a GenX'er out there who wasn't somehow impacted by the introduction of the Sony Walkman. The ability to carry the music you want to hear and listen to it wherever you go was seen as nothing short of a miracle in technology. In this episode, we talk about the Walkman's history and our personal experiences with this life-changing piece of tech. YouTube » GenXGrownUp.com/yt Facebook » fb.me/GenXGrownUp Twitter » GenXGrownUp.com/twitter Website » GenXGrownUp.com Merchandise » GenXGrownUp.com/merch Theme: “Grown Up” by Beefy » beefyness.com Show Notes The history of the Walkman » goo.gl/Bu5JgG Watch the original commercial » youtu.be/xOTfzZCyCmo Great Wikipedia page on the Walkman » en.wikipedia.org/wiki/Walkman#Cassette-based So what exactly is a mixtape? » en.wikipedia.org/wiki/Mixtape Kids react to the Walkman » youtu.be/Uk_vV-JRZ6E Enter the Discman » en.wikipedia.org/wiki/Discman Sony stops producing MiniDisc Walkman » goo.gl/ja2PL3 Sony MiniDisc Walkman on Amazon » amzn.to/2Je4jDV Email the show » podcast@genxgrownup.com Visit us on YouTube » GenXGrownUp.com/yt Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is all about getting comfortable being uncomfortable. The topics range from the Sony Walkman, to squirrels eating walnuts in the morning silence, to there being such a thing as very real dangers of too much convenience. https://sienaandtoast.com/podcast/uncomfortable Links for stuff we mention: Bodyweight fitness programs by Mark Lauren: marklauren.com Michael Easter's Substack, called Two Percent: www.twopct.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we rewind to the late 20th century and explore the iconic story of the Sony Walkman, a device that revolutionised how the world listened to music. From its humble beginnings as a prototype created by Sony's co-founder Masaru Ibuka to its global domination in the personal audio market, the Walkman became a symbol of freedom and innovation. We'll delve into the origins of this groundbreaking gadget and discover how a simple idea turned into a cultural phenomenon. We'll start by setting the stage in the late 1970s when the concept of portable music was still a dream. Learn about the creative minds behind the invention and the initial skepticism faced by the Sony team. As we trace the development of the first model, the TPS-L2, we'll uncover how this seemingly niche product managed to capture the hearts and ears of millions around the globe. Next, we'll examine the Walkman's impact on pop culture and everyday life. The ability to carry your music with you transformed everything from daily commutes to workouts, and it even influenced fashion trends. We'll highlight personal stories and nostalgic memories from the era, showcasing just how integral the Walkman was to the youth of the 80s and 90s. As we move through the decades, we'll explore the various iterations and advancements of the Walkman, from cassette tapes to CDs to digital formats. Discover how Sony continued to innovate and adapt to changing technologies, maintaining the Walkman's relevance in an ever-evolving market. We'll also touch on the competition and how the Walkman held its ground against emerging rivals. Finally, we'll reflect on the legacy of the Sony Walkman in today's digital age. Though the way we consume music has drastically changed, the Walkman's influence is still felt in modern portable audio devices. Join us as we pay tribute to this pioneering gadget that not only changed the way we listen to music but also revolutionised technology and culture. Talk2TheHand is an independent throwback podcast run by husband and wife, Jimmy and Beth. Obsessed with 90s nostalgia and 90s celebrities, we'll rewind the years and take you back to the greatest era of our lives.   New episodes bursting with nostalgia of the 90s released on Tuesdays. Please subscribe to our podcast and we'll keep you gooey in 1990s love. Find us on Twitter @talk2thehandpod or email us at jimmy@talk2thehand.co.uk or beth@talk2thehand.co.uk

Billboard Magazine -. Frm Tokyo Bureau Chief, At the 16, Elise Krentzel became a Journalist & at 19, she was the youngest journalist on the KISS  Japan Tour.Her Book "Under My Skin Trauma, Drama, and Rock n Roll" is the FIRST in a Trilogy.We're Ready to Really ROCK n Roll!!."Elise Says""It takes courage to step out and write your truth, own it and forgive it. Neglect and abandonment, physical, emotional, and verbal abuse, narcissistic parents and a host of malcontents to add flavor and color to the toxic mix that was my childhood.Yet light always shines through, right? I channeled my talents, hopes and ambition into writing about music and became a rock journalist as a teenager. I toured with Kiss on a press junket at 19 in Japan. That was just the beginning!Please CELEBRATE with me today! My book is now available and I'm dancing around my apartment with a bottle of bubbly. Get your rock ‘n' roll on!"Elise Krentzel's fast paced memoir, Under My Skin has earned #1 new release in these categories: Biographies of Rock Bands, Music Business, Rock, Composers & Musicians, and Jewish life. She shares how she took charge of the tumultuous 1970s by making a name for herself as a rock journalist when still a teenager. As a kid, she was encouraged by her parents to sing, play music, and write, but she wasn't allowed to be “herself.” Alienated, she hid her heart and learned to become a stranger in her own skin as the torment of early childhood taught her to mistrust everyone, especially herself.She's a multiglot: author, ghostwriter, mentor, public speaker, and communications entrepreneur who has lived in five countries for over twenty-five years. Starting in Japan from 1977 to 1984, she owned a talent and booking agency, introduced punk rock, was a DJ and, music journalist. As Tokyo Bureau Chief for Billboard Magazine, Elise introduced the Sony Walkman and Laserdisc technology to a western audience during her stint.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Maddy Smith and Sean Patton join Luis J. Gomez and Zac Amico and discuss Sean's experience living in Atlanta for 2 months to film a TV show, people who get high before going to church, the first time they were all caught smoking weed by their parents, the best and worst cereals, beating this day in history in 1979 when the first Sony Walkman went on sale, listening to full albums on Spotify and their favorite full albums, the trend of fart walking, Maddy's crazy way of covering up that she pooped, Paige VanZant participating in Power Slap and so much more!(Air Date: July 1st, 2024)Support our sponsors!www.FactorMeals.com/RAP50- Use promo code: RAP50 to get 50% off!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!To advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!Submit your artwork via postal mail to:GaS Digital Networkc/o Real Ass Podcast151 1st Ave, #311New York, NY 10003You can sign up at GaSDigital.com with promo code: RAP for a discount of $1.50 on your subscription and access to every Real Ass Podcast show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Maddy SmithTwitter: https://twitter.com/somaddysmithInstagram: https://www.instagram.com/somaddysmithSean PattonTwitter: https://twitter.com/mrseanpattonInstagram: https://www.instagram.com/mrseanpattonLuis J. GomezTwitter: https://twitter.com/luisjgomezInstagram: https://instagram.com/gomezcomedyYouTube: https://www.youtube.com/c/LuisJGomezComedyTwitch: https://www.twitch.tv/prrattlesnakeWebsite: https://www.luisofskanks.comZac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On today's edition of the Newsroom Temperature Check, Melissa Etheridge revealed in an interview that David Crosby has even more children from donating his sperm to other couples, 45 years ago the first personal stereo cassette player, called the Sony Walkman was sold to the public, and more! The Newsroom Temperature Check is sponsored by American Weathermakers, Heating, Cooling, and […]

Some Gut Bacteria Linked to Compulsive Eating and TDIH - The Sony Walkman Arrives. Specific Gut Bacteria That Triggers Compulsive Eating Identified by Scientists Who Also Found Bacteria to Prevent it (goodnewsnetwork.org) Gut microbiota signatures of vulnerability to food addiction in mice and humans | Gut (bmj.com) The first Sony Walkman goes on sale | July 1, 1979 | HISTORY Flashback 1979: Sony's Iconic Walkman Is Born | Sound & Vision (soundandvision.com) Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Chris and Ethan are back to debrief about Ethan's week at the Olympic Trials. Later, the two celebrate the birthday of the Sony Walkman by ranking their favorite ways to listen to music and discussing how technology has revolutionized how we listen to music.  Support the show on Patreon! Becoming a Patron is the most effective way to support the show:https://www.patreon.com/grunge_bible Support the show, buy some merch! https://grungebible.creator-spring.com/

On this day in 1979 the first Sony Walkman went on sale.

Sue brings you today's Sue's News on Zipcodes, the Sony Walkman, and the Random Fact of the Day on airline pilot's facial hair guidelines.

Hour 2: Mark Reardon welcomes Chuck Coleman, engineer, airshow pilot, and the flight instructor for Top Gun: Maverick," to discuss this week's celebrate St. Louis 4th of July Festival in Downtown St. Louis, and what you can expect to see him fly in. Then, Sue brings you today's Sue's News on Zipcodes, the Sony Walkman, and the Random Fact of the Day on airline pilot's facial hair guidelines. Next, Charles Lipson, professor emeritus of political science at the University of Chicago, joins Mark Reardon to discuss his latest piece, "If Joe Stays In...the hard choices facing Biden, his party, and the country," and more! Lastly, Frank Cusumano, KSDK Sports Director explains the St. Louis City head coach situation, the Cardinals, and the NBA's new hefty pay check.

Heute vor 45 Jahren, am 1. Juli 1979, kam ein Produkt der Unterhaltungselektronik auf den Markt, das im folgenden Jahrzehnt unsere Jugend geprägt hat: Der TPS-L2 war der erste Sony Walkman und leitete eine ganze Produktfamilie ein. Und spätestens die 4. Generation, der Walkman „WM-DD“ im Jahr 1982, war weltweit mindestens so präsent und begehrt wie später der Palm PDA oder bis heute das iPhone. Man wird nicht zu pathetisch, wenn man sagt, dass der Walkman und seine Nachahmer zu Beginn der 80er Jahre nicht nur das Konsumverhalten von Musik verändert haben, sondern tiefgreifende kulturelle Auswirkungen hatten. Wissenschaftler haben das an zwei Phänomenen festgemacht: Zum einen war der Walkman ein Symbol von Freiheit und Individualismus – und zu diesem Individualismus gehörte die Begeisterung den ganzen persönlichen „Soundtrack des Lebens“ auf Kassetten aufzunehmen und nun auch mobil mit sich zu tragen. Begleitet wurde die Markteinführung mit kreativen Werbespots, die wie ein Vorbote der späteren Ära der Musikvideos wirkten. Kurzum, der Walkman war revolutionär, Kult, mit seinen Kopfhörern ein Fashion-Item und insgesamt auch ein Statussymbol.

Happy Canada Day!!! On the July 1 edition of Music History Today, one of the greatest voices in soul music passes away, there's a debut from the Walkman, as well as the Band, a classic Beatles song, and a rap classic. Plus, happy birthday to Debbie Harry, Fred Schneider, and Missy Elliot. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday  On this date:In 1956, Elvis Presley sang his song Hound Dog to a basset hound on the Steve Allen TV Show because Steve didn't want to risk showing Elvis swiveling his hips on camera. In 1969, Sam Phillips sold Sun Records Studio. In 1969, John Lennon and Yoko Ono were injured in an auto accident.  In 1975, Ringo Starr divorced his wife Maureen.  In 1978, Aerosmith, Ted Nugent, & Van Halen played at the Texxas Jam concert in Dallas. In 1979, Sony sold the first Walkman. In 1990, country music singer Hank Williams, Jr. married model Mary Jane Thomas.  In 1998, entertainer Barbara Streisand married actor James Brolin.  In 2000, Trent Reznor overdosed on heroin. He recovered & went to rehab. In 2005, the group Dance Gavin Dance formed. In 2006, The Bethel Woods Center for the Arts, which was built on the site of the original Woodstock Festival, opened. In 2006, singer Jennifer Peterson-Hind of Hi-5 married musician Tom Korbee. In 2007, a tribute concert to Princess Diana was held at Wembley Stadium.  In 2008, Travie McCoy of Gym Class Heroes beat up a fan who called him the N word at the end of their Warped Tour concert in St. Louis. In 2008, the Motley Crue festival Crue Fest started, with supporting acts Papa Roach & Buckcherry. In 2009, Michael Jackson became the first artist to sell over 1 million singles downloads in one week. He had passed away only 6 days earlier, which is what led to the sales surge. In 2011, Selena Gomez starred in the movie Monte Carlo. In 2011, guitarist James Hince married model Kate Moss. In 2013, singer Avril Lavigne married Chad Kroeger of Nickelback.  In classical music: In 1933, the Strauss opera Arabella opened in Germany. In 1960, the cantata Carmen Baseliense from Benjamin Britten premiered. In 1996, opera legend Placido Domingo became the artistic director of the Washington Opera. In theater, it's closing day on Broadway as:  In 1967, the musical Funny Girl closed on Broadway. In 1972, the musicals Hair & Stephen Sondheim's Follies both closed on Broadway. In 1973, the Broadway musical Jesus Christ Superstar closed.  In 1978, the musical The Act closed on Broadway. In 1984, the musical Baby closed on Broadway. In 1995, the musical Kiss of the Spider Woman closed on Broadway. --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Send us a Text Message.The Voice Of Autograph, Steve Plunkett Talks New Long Awaited Second Solo Album,"Straight Up"#singersongwriter #autograph #steveplunkett #newalbum #straightup The year was 1984, the year of the cassette boombox and the Sony Walkman, and the year when a little band from Los Angeles invited the world to “Turn Up The Radio.” That band was Autograph, fronted by the fiery-haired powerhouse vocalist Steve Plunkett, and their single became an immediate smash hit from the debut album Sign In Please and was featured in numerous films and TV shows of that era.But as big as Autograph was, it could not contain the creative energy of Plunkett. He soon found a new career as an in-demand songwriter for bands such as The Go-Go's, Edgar Winter and Vixen as well as doing production work for Cyndi Lauper and Graham Nash. He released his first solo album in 1991, an album that showed Plunkett's growing confidence in both his own songwriting and studio techniques. Now, more than 3 decades later, Plunkett is ready to release his second solo album, a smokin' hot collection called Straight Up.This 10-track all-killer, no-filler album cranks up the volume knob to 11 and shows that Plunkett hasn't lost an ounce of the passion and power that made him a hard rock hero! Just check out the album's first single, “Rock Machine,” which kicks off with a driving guitar lick and chanted lyric that lunges straight at the listener's jugular. It's a powerblast of pure, unfiltered rock mania as only Plunkett knows how to deliver.Stream/download the single: https://orcd.co/steveplunkett_rockmachineReflecting on the album, Plunkett declares, “With Straight Up, I wanted to get back to rock basics. No parameters or targets – just the kind of real rock that got me excited back in the day. Fast, fun and loud!”Stream/download the single: https://orcd.co/steveplunkett_rockmachineThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

In this episode, we reflect on the iconic Sony Walkman and its impact on design and personal experiences. We discussed the history of the Walkman, its design features, and its role in shaping the way people listen to music, the concept of iconic design and the importance of creating a holistic end-to-end experience. Also we talked about the transition from the Walkman to the iPod, the challenges of incumbency and legacy, and the future of design in the age of AI and streaming music.   TAKEAWAYS Discussion on balance between creating "good enough" products versus outstanding ones Background on the creation and market success of the Sony Walkman. Transition from the Walkman to the Minidisc; exploring both design excellence and legacy challenges. The role of design in enhancing the music listening experience, making it mindful and present. The move from Walkman to iPod, emphasizing on software-hardware integration and user experience. RESOURCES "Digital Dreams, the Work of the Sony Design Center" Join us as we shape the future of design by learning from the past and present    FOLLOW US Linkedin Albert Linkedin Thamer Instagram   Hosts: Albert Shum and Thamer Abanami Production and Post-production: Romina Hakim, Toño Tellez and Poonam Patel Music: Red Lips Media LLC Brand Design: Rafael Poloni

 When I was 13, I got a job with the Movie Exchange. It was the company owned bye buy step-grandparents Monty and Shelly Tibbitts, whom I've talked about in prior episodes. They were the only entrepreneurs in my teen years, but I never had the courage to ask them real questions on business mindset. I wish that I had! However, I did learn a ton from them by watching the way the they lived and the way others treated them. First of all, they had money! There were always two Jags in the driveway. They owned a private plane, a boat, a beach house, wave runners. Secondly, they had beautiful decor and they entertained first rate. Check out "Eat with your Eyes First". The Tibbitts' were all about serving and mingling family with business. They made their business deals and built relationships with employees and their families at the dinner table in their home. Their imprint is definitely on me as an adult entrepreneur. I just didn't recognize it until Pop-Pop Monty passed away a few years ago. I worked for the Movie Exchange for 2 summers. In this podcast, I'd like to share a fun story about swatting flies that connects deeply to how solo cleaners speed up their cleaning. This episode will be a great companion to "Optimizing is More Mental than Physical". During one of these summers, Grandma Shelly sent me into an unused, overflow office area. During the 90's, the Movie Exchange was rapidly growing a pre-viewed VHS division. They would sell acquire grocery store real estate sell these movies for under $10 and they sold very well. The movies had to be inspected, shrink-wrapped, price labeled, and distributed to their display cases in various outlets. In fact, my step-dad Paul was a lead salesman for this division of his parent's business. As a side note, I got to work in the shrink-wrap & labeling side the summer after this story takes place. Now that you understand the business model a little more, Grandma Shelly took me out to the empty office areas and showed me a full room of movie jackets (covers). She wanted me to organize these movie jackets alphabetically, so that they could easily match the VHS movies from the warehouse to the correct jacket faster. This work felt like busy work; a way to teach a teenager humility and work ethic. But no... I confirmed with Grandma Shellie recently and she assured me this was an important step in the process in 1990. She showed me where the box cutters, tape, and empty boxes were located and told me to stop by her office with any questions. That's all of the direction she gave me!I remember this job distinctly 30 years later. There was a large central room approximately 40 feet by 30 feet and few side rooms. One of those side rooms was empty and the other was stocked floor to ceiling with movie jacket boxes. In 1990, I was a HUGE Beatles fan and was already wearing out the cassette tape of the Beatles Greatest Hits 1962-1966 on my Sony Walkman. I was ready to play this over-and-over while sorting through boxes all day... and I did! The Movie Exchange was paying me minimum wage of $3.85 per hour. I worked through July and August for 5 hours per day. It was awesome earning that biweekly paycheck as a teenager.Read the rest of this article at the Smart Cleaning School website

Gareth and Ted play with Linux Mint, the Arc Browser and chat about AI in Ukraine, AI in Jet fighters, weak passwords, a smart rings from Amazfit, Nintendo Switch 2, the Asus ROG Ally 2 and HTC's new phone. With Gareth Myles and Ted Salmon Join us on Mewe  iTunes | Google Podcasts | Stitcher | Tunein | Spotify  Amazon | Pocket Casts | Castbox | PodHubUK Feedback, Fallout and Contributions Banters: Knocking out a Quick Bant Linux Mint experience News, Mews and Views A Woman Is Photographed In An Intimate Moment By Her Robot Vacuum, The Images End Up On Facebook No more 12345: devices with weak passwords to be banned in UK NASA achieves 25Mbps over a 140 million-mile gap The latest 400 hp water engine: better than all hydrogen and the end of electricity Ukraine unveils AI-generated foreign ministry spokesperson An AI-controlled test jet fighter has taken to the skies Hardline on the hardware FiiO has squeezed in 20 balanced armature speakers inside its new custom in-ear monitors for 3D printed hi-res audio bliss Astell & Kern takes on the Sony Walkman with all-new Activo brand and P1 player Matter 1.3 adds support for more appliances and EV chargers The Wearables Watch Amazfit Helio Ring pricing and US release date officially announced Razer to pay out over $1 million in refunds over its misleading (and hideous) Zephyr face mask Black Shark GS3: Smartwatch from the Xiaomi ecosystem launches at a low price with GPS, navigation and 5 ATM water resistance Samsung Galaxy Watches (and the Galaxy Ring) could get an AI-powered heart health upgrade Phone Zone The ghost of HTC might just have another phone in the works The Name of the Game Asus ROG Ally 2 confirmed Nintendo Switch 2 leak seemingly confirms magnetic Joy-Con and display upgrade Breaking Bad The Last Batch trailer Flap your trap about an App The long-awaited Arc browser finally launches on Windows, and it's well worth a try - Hands-On This awesome browser extension will give you the Microsoft Copilot sidebar inside Google Chrome Google Gallows & Chrome Coroner YouTube TV starting to roll out Multiview on Android phones, tablets Chrome's Gemini address bar shortcut rolls out Google Play Books curiously puts audiobook previews on YouTube Window-Snapping and Overview is here for ChromeOS 124 8 best Chromebook extensions for everyone from novices to power users Chromebooks may soon offer Spatial Audio Google Chrome is preparing its own version of Android's Circle to Search Bargain Basement: Best UK deals and tech on sale we have spotted SABRENT USB C HDMI Adapter Multi Port USB Hub - Save 32% promo code: WF4HVDHI  Now £6.49 (or something like that)  Was: £9.99 Kindle Scribe (64GB) £304.99 from £409.99 26% off AnkerWork M650 Wireless Lavalier Microphone - £139.99: £249.99 OnePlus Pad with Free Keyboard £379 from £449 (+ Keyboard value is £149, so the the kit was £598) Kingston DataTraveler Exodia DTX/256GB Flash Drive USB 3.2 Gen 1 - save 29% Now £13.49 Was: £18.99  Samsung Galaxy S24, S24+ and S24 Ultra now with various discounts Main Show URL: http://www.techaddicts.uk | PodHubUK Contact:: gareth@techaddicts.uk | @techaddictsuk Gareth - @garethmyles | Mastodon | garethmyles.com | Gareth's Ko-Fi Ted - tedsalmon.com | Ted's PayPal | Mastodon | Ted's Amazon YouTube: Tech Addicts

We're throwing it back to the '90s with this white noise mix tape! Grab your headphones, pop a cassette tape into your Sony Walkman and hit play. That's some old school analog white noise, perfect for sleep. The '90s are back! Cassette tapes always produced such a fly sound when listening to music on them, now imagine an 8-hour white noise track playing on your Walkman! Listen close and you can hear the cassette player spinning as the analog white noise for sleep plays all night. There is a sense of peace that comes with the memories that flood back when listening to this sound. FYI, this sound is great for relaxing and concentrating too! If you need to take a chill pill and have an evening of relaxation, try this sleep white noise and get lost in nostalgia! Here are some great products to help you sleep! Relaxing White Noise receives a small commission (at no additional cost to you) on purchases made through affiliate links. Thanks for supporting the podcast! ⁠⁠⁠Baloo Living Weighted Blankets⁠⁠⁠ (Use code 'relaxingwhitenoise10' for 10% off) At Relaxing White Noise, our goal is to help you sleep well. This episode is eight hours long with no advertisements in the middle, so you can use it as a sleeping sound throughout the night. Listening to our white noise sounds via the podcast gives you the freedom to lock your phone at night, keeping your bedroom dark as you fall asleep. It also allows you to switch between apps while studying or working with no interruption in the ambient sound. ⁠⁠Check out the 10-hour version on Youtube⁠⁠ ⁠⁠⁠Contact Us for Partnership Inquiries⁠⁠⁠ Relaxing White Noise is the number one destination on YouTube for white noise and nature sounds to help you sleep, study or soothe a baby. With more than a billion views across YouTube and other platforms, we are excited to now share our popular ambient tracks on the Relaxing White Noise podcast. People use white noise for sleeping, focus, sound masking or relaxation. We couldn't be happier to help folks live better lives. This podcast has the sound for you whether you use white noise for studying, to soothe a colicky baby, to fall asleep or for simply enjoying a peaceful moment. No need to buy a white noise machine when you can listen to these sounds for free. Cheers to living your best life! DISCLAIMER: Remember that loud sounds can potentially damage your hearing. When playing one of our ambiences, if you cannot have a conversation over the sound without raising your voice, the sound may be too loud for your ears. Please do not place speakers right next to a baby's ears. If you have difficulty hearing or hear ringing in your ears, please immediately discontinue listening to the white noise sounds and consult an audiologist or your physician. The sounds provided by Relaxing White Noise are for entertainment purposes only and are not a treatment for sleep disorders or tinnitus. If you have significant difficulty sleeping on a regular basis, experience fitful/restless sleep, or feel tired during the day, please consult your physician. ⁠⁠⁠Relaxing White Noise Privacy Policy⁠⁠⁠ © Relaxing White Noise LLC, 2023. All rights reserved. Any reproduction or republication of all or part of this text/visual/audio is prohibited.

Is technology out to get us, Slackers?With the looming threat of AI, I wanted to take a look at all of the technological advancements that have happened just in our lifetime. Remember your first computer? Or your first cell phone?With the 1971 introduction of the Intel 4004 microprocessor, the pace in which tech has moved is terrifying. Even something that now seems so quaint, like the Sony Walkman, was the first big leap forward for personal, portable devices. Apple and Microsoft have been at this since the 70's and still going strong today, while so many others have fallen by the wayside. Remember Netscape or when Compaq was the computer brand in the 90's? I remember my first real accounting job and falling in love with Lotus 1-2-3 - despite needing to save my data to a floppy disk and bring it to another machine that was running Windows 2.1 - just to produce our nightly reports!PCs. The Internet. Email. Cell phones. GPS systems. All of these entered into daily life within about 20 years. Now all of that those elements are available on phones that fit in the palms of our hands. Not to mention the fact that we now have self driving cars! What does the future have in store?

Full Court Press: WNBA Draft, Jontay Porter Banned For Life, NBA Playoffs Preview An Interview With: Journalist And TrueHoop Founder Henry Abbott And Also: Individual Leafs, Tabotage, Deep Dish Diva, All-Time Bag Fumble, Betcast, Quibi, Sony Walkman, Anthropology/Anthropologie, Slimed, The Sterling List, Putin Con, The John Wall, Whizzinator, The Washington Whizzinator, Air Bud, Eau De Piss, The Adam Era Sponsor: Tab for a Cause: Raise money for charity every time you open a new browser tab. Visit www.tabforacause.org/horse to start raising money today. Perfect for tab monsters like Adam!  Find Us Online - website: horsehoops.com - patreon: patreon.com/horsehoops - twitter: twitter.com/horse_hoops - instagram: instagram.com/horsehoops - facebook: facebook.com/horsehoops HORSE is hosted by Mike Schubert and Adam Mamawala. Edited by Kensei Tsurumaki. Theme song by Bettina Campomanes. Art by Allyson Wakeman. Website by Kelly Schubert. About Us On HORSE, we don't analyze wins and losses. We talk beefs (beeves?), dig into Internet drama, and have fun. The NBA is now a 365-day league and it's never been more present in pop culture. From Kevin Durant's burner accounts to LeBron taking his talents anywhere to trusting the Process, the NBA is becoming a pop culture requirement. At the same time, sports can have gatekeepers that make it insular and frustrating for people who aren't die hard fans. We're here to prove that basketball is entertaining to follow for all fans, whether you're actively watching the games or not. Recently featured in The New York Times! Learn more about your ad choices. Visit megaphone.fm/adchoices

Joel gives an update from Wind Energy Europe in Bilbao. Developers like Invenergy are building renewable projects and transferring ownership to utilities after completion - what is the advantage? Are wind turbines creating microclimates which could positively impact crop yields? Plus, an article in PES Wind magazine highlights RTSYS's offshore wildlife protection system using AI to accurately detect sea life. Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us! Pardalote Consulting - https://www.pardaloteconsulting.comWeather Guard Lightning Tech - www.weatherguardwind.comIntelstor - https://www.intelstor.comPES Wind - https://pes.eu.com/wind/ Philip Totaro: I was a toy tester for Fisher Price. When I was young, because they're in my hometown outside of Buffalo. And I helped the team in that invented the pocket rocker, which was the kids version of the Sony Walkman, which is very popular back in the eighties. Allen Hall: Wait a minute. Is this the one when it had a little microphone on it that you could record things with? Is this what I, I remember this. Don't I? That was really popular. That's good. That's actually a retro item that's coming back into favor. People are looking for those things. But so why you, Phil? Why were you chosen out of thousands of children? Philip Totaro: Companies headquartered in my hometown of East Aurora, New York. And my mother was taking a sabbatical from teaching when, I was very young. So I was like four or five years old. And was in the business of selling kids dolls and toys and stuff like that, although not necessarily directly affiliated with Fisher Price, but she must have just gotten to know somebody over there. And I want to believe that this wasn't just like a cheap daycare thing that she could just drop me off at Fisher Price and they would let me play with toys and she didn't have to deal with me. But So I, I got to play with, all kinds of the, they used to have a thing called Constructs I used to love that they, I got to play with all the cool Fisher Price toys before, anybody in the world ever got to see them but the Pocket Rocker was the one that, because of the popularity of the Sony Walkman back in the 80s, Fisher Price wanted to have the kids version of the Sony Walkman. And they, had me, I remember being like five year old sitting in this boardroom and it was enormous. It was like literally if you've seen like Putin's conference table, it was like that, that long with, with chairs and stuff. Joel Saxum: You funded your mother's retirement at the same time. You didn't know you were actually getting paid. She was taking your checks. Philip Totaro: I don't know of how much anybody got compensated for any of that. To be honest, free daycare. That's what it was. I hope we, yeah, I know. I hope it was more than just free daycare, but I haven't seen any royalties from any of that. Allen Hall: This is before, child safety came into favor on children's toys, where they took out all the small pieces and all the red items and all the lead that came out of toys. Yeah, that was the good old days. Is it just that one item, Phil? Philip Totaro: That's the one that was commercially popular. I'm sure I gave them product feedback on, cause we, they used to put you in these little rooms where they had, a double sided mirror, although you didn't know it was, you're a five year old, you don't know that it's a double sided mirror, but it's a little creepy cause you're sitting there just like playing with toys and people are watching you play with toys. And it's what is he doing now?

As you struggle to recover from losing an hour of sleep but gaining an hour of sunlight, you should celebrate the longer evenings by popping this amazing Am I The A**hole episode into your Sony Walkman and listening to it as you speed-walk through the park with your dog. Or you can listen to it in your car. Or on a plane. Or on your bed. Or even in a tree. We don't discriminate. Follow the podcast on Insta: @shttheydonttellyou Follow Nikki on Insta: @NikkiLimo Follow Steve on Insta: @SteveGreeneComedy To watch the podcast on YouTube: http://bit.ly/STDTYPodYouTube Don't forget to subscribe to the podcast for free wherever you're listening, or by using this link: http://bit.ly/ShtTheyDontTellYou If you want to support the show, and get all our episodes ad-free go to: https://stdty.supercast.tech/ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/ShtTheyDontTellYou To submit your questions/feedback, email us at: podcast@nikki.limo To call in with questions/feedback, leave us a voicemail at: (765) 734-0840 To visit our Patreon: http://www.patreon.com/stikki  To watch more Nikki & Steve on YouTube: http://www.youtube.com/nikkilimo To watch more of Nikki talking about Poker: https://www.twitch.tv/trickniks To check out Nikki's Jewelry Line: https://kittensandcoffee.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dave and Chuck the Freak talk about the viral dancing strawberries on TikTok, where the word “cop” comes from, excessively Google'ing bad things, top health questions on Google in every state, fetishes around the world, Herbert The Pervert, man busted watching porn on library computer, another balloon spotted in the sky, officer loses job after shoplifting while working, man dies after gilla monster bite, man busted with trouser snakes, new species of snake found in Australia with human-sized head, Sony Walkman making a comeback, Tesla cancels large bakery order, the inaugural Florida Man Games, rare hockey cards sold at auction, Shaq steps up for kid in need, Iggy Azalea makes $9 million a month on OnlyFans, Martha Stewart doesn't wear underwear, Screen Actors Guild Awards on Netflix, Dune Part 2 might actually be good, new Superman movie in the works, popular movies that are now cringey, Kevin Hart's tour rider, missing Taylor Swift show to get new kidney, couple tries to set concert-going record, what did he steal?, guy tries to buy Porsche with $78 Million check, deputies arrested for pranking other police station, nudes airdropped at the gym, penis horror stories, dumped them because of their hobbies, knife-wielding mad man is actually Harry Potter nerd with a wand, cop taking a leak ends up busting a meth smoker, former funeral home owner arrested after corpse left in hearse for 2 years, store owner scares robber with a machete, DoorDash driver dodges bullets while making delivery, Christmas Tree throwing contest fraud, company replaces the wrong roof, Wendy's employee attacks customer after argument in the drive-thru, man strikes fast food worker, man throws free coffee at Dunkin employee, woman's life changed by Subway sandwich, Pennsylvania chimney plant catches fire, husband in trouble with SEC after eavesdropping on wife's Zoom meetings, AT&T giving customers $5 back after outage, things you may not know Siri can do on your iPhone, and more!

This week, Robbo, Robert, George, and AP dive headfirst into the digital abyss of archiving audio sessions. It's a showdown of practices, preferences, and pure paranoia that none of us want to miss. We're slicing through the magnetic tape of mystery to answer the burning question: To archive or not to archive? That is the question. Especially for voice actors like AP - is digital hoarding a necessary evil, or just a fast track to a cluttered hard drive? We're peeling back the layers on why every beep, click, and voiceover session might just be worth its weight in digital gold. Robbo, with his trusty naming convention stolen from his days at Foxtel, shares his vault-like approach to keeping every sonic snippet since Voodoo Sound's inception. That's right, folks - for a mere $25, Robbo will keep your audio safe from the digital gremlins, guaranteeing that not even a rogue magnet could erase your audio masterpiece. Then there's Robert, with his tech fortress of JBODs and RAID arrays, ensuring not even a single byte goes awry. It's like Fort Knox for soundwaves over there, proving once and for all that redundancy isn't just a good idea; it's the law in the land of post-production. But wait, there's a twist! Robbo shares a cautionary tale that's straight out of an audio engineer's nightmare - precious recordings lost to the abyss of DAT tape oblivion. A horror story to chill the bones of any audio professional, reminding us all of the fragility of our digital (and not-so-digital) creations. As for AP? He's the wild card, questioning the very fabric of our digital hoarding habits. But when push comes to shove, even AP can't deny the siren call of a well-placed backup, especially when clients come knocking for that one session from yesteryear. We also get a deep dive into the eccentricities of backup strategies, from George's cloud-based safety nets to the analog nostalgia of reel-to-reel tapes. It's a journey through time, technology, and the occasional Rod Stewart office painting gig - because, why not? So, gear up for an episode that's part backup seminar, part group therapy for data hoarders. We're dissecting the digital, analog, and everything in between to keep your audio safe, sound, and ready to resurface at a moment's notice. Don't miss this electrifying episode of The Pro Audio Suite, where the backups are plentiful, and the stories are even better. Who's backing up this podcast, you ask? Well, let's just hope someone hit record. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Summary In the latest episode of the pro audio suite, we dive into the world of audio archiving and discuss the various approaches and philosophies toward preserving our work. We're joined by industry professionals including Robert Marshall from source elements and Darren 'Robbo' Robertson from Voodoo Radio Imaging, as well as George 'the tech' Wittam and Andrew Peters, who share their personal strategies and experiences with archiving voiceover projects. The conversation opens with a discussion about the importance of having a naming convention for files, with insights on the methods adopted from professional entities like Foxtel. Listeners will learn the value of archiving everything, as shared by Robbo, including the practice of charging a backup fee to clients to cover the costs of maintaining archives. George introduces his once-a-year protocol of transferring data to an archive hard drive, emphasizing how affordable data storage has become. However, he also highlights the importance of staying current with technology to avoid the obsolescence of media, sharing anecdotes about DA 88 tapes and the need to keep track of archival materials. The episode touches on practical voiceover tips, like not necessitating a workstation at home and utilizing a laptop as a backup plan for voiceover recording. We also cover the worst-case scenarios such as dealing with corrupted audio and the advantages of modern backup solutions. The discussion moves on to cloud storage, specifically iCloud, and its benefits for voice actors who might otherwise become digital hoarders. The team debates the challenges of booting up from an external drive on modern Mac systems like the M1 or M2, offering insights into the workaround solutions which may require additional purchases. Listeners are reminded of the great offers from our sponsors, such as Tribooth for the perfect home or on-the-go vocal booth and Austrian Audio's commitment to making passion heard. The episode comes to a close emphasizing the professional edge of the podcast, all thanks to the contributions of Triboof and Austrian Audio, and the craftsmanship deployed using Source Connect, with post-production by Andrew Peters and mixing by Voodoo Radio Imaging. The audience is invited to subscribe to the show and participate in the conversation via the podcast's Facebook group. #VoiceOverTechTips #TriBoothTales #ArchivingAudioArt Timestamps (00:00:00) Introduction: Tributh Vocal Booth (00:00:42) Archiving Discussion with Robbo (00:07:34) Talent Experiences with Archiving (00:13:17) Digital Media Frailties (00:18:48) Tape Transfers Before Auctions (00:21:27) Backup Plans in Voiceover Work (00:27:39) Importance of Redundancy (00:31:04) Apple Silicon Booting Limitations (00:35:25) Podcast Credits & Reminder to Subscribe Transcript Speaker A: Y'all ready? Be history. Speaker B: Get started. Speaker C: Welcome. Speaker B: Hi. Hi. Hello, everyone to the pro audio suite. These guys are professional. They're motivated. Speaker C: Thanks to tributh, the best vocal booth for home or on the road. Voice recording and austrian audio making passion heard. Introducing Robert Marshall from source elements and someone audio post Chicago, Darren. Robert Robertson from Voodoo Radio Imaging, Sydney. To the Vo stars, George the tech Wittam from LA, and me, Andrew Peters, voiceover talent and home studio guy. Speaker B: Learn up, learner. Here we go. : And don't forget the code. Trip a p 200 and that will get you $200 off your tribooth. Now, Robbo and I were having a bit of a chat the other day about archiving, which is something I strangely do, and I don't know why I do it, but I do. But there are different reasons for archiving, and mine is obviously completely different to Robert's. And of course, it's completely different from Robo's. So how much do you archive and how far back do your archives go? Speaker A: Well, as I said in the conversation yesterday, I actually archive everything. I could pretty much pull out any session I've done since voodoo sound existed, which is fast approaching 20 years. But I do charge a backup fee to my clients, so they pay $25 for the privilege. And, look, to be fair, whether they pay it or not, I do archive it, but it's a built in cost covering for me to be able to go and buy a couple of hard drives every year. But I reckon if you're going to do it, the most important thing for me anyway, is having some sort of naming convention. So I actually pinched mine off Foxtel when I used to freelance there. The channels had a three letter prefix. So I give all my clients or podcasts a three letter prefix, and then I use an underscore, and then it'll be what the thing is, whether it's a program or imaging component or whatever, and then the name of it, and then the month, and then an underscore, and the date the day of that month, and then an underscore in the year, and then usually. Sometimes after that, if it's a revision, I'll do underscore r two, r three, r four. And then each year is on its own hard drive or hard drives. So if I need to go back and find something, I've just got an external hard drive player, shall we call it? I can't think of what you call them, but you just plug your hard drive in and it turns up on your Mac, and I can just go through and find what I need. But, yeah, I've got clients that are sort of expecting me to do that. As you and I were talking about yesterday, I don't know whether maybe voiceover artists are expected to or not, but as I said, I kind of thought it would be nice to be able to. : I do it only on occasions if there's any chance that they're going to come back and want to do a revision or they're going to lose something, particularly if it's a massive session or something, that I've actually done the edit myself. I'll keep it, because you can bet your life that they're the ones who are going to come back and say, have you still got that thing? Because we've lost it. Speaker A: Yes. : It's like, no, I haven't, actually. So I keep all those things, but I was keeping day to day stuff and it was like, what's the point? It's like that stuff's already been on the air and it's off the air, it's gone. So why am I storing that for other people? But, yeah. Interesting. What about you, Robert? : I have a couple perspectives on this, I guess, from just sort of a mix operation point of view. What we have is what you call, it's a JBOD, just a bunch of drives is what it stands for. And it's controlled with the raid controller. So there's eight drives in this one, and it's not that big, actually. It's only, what is it? Like maybe two terabytes or something? And across all eight drives are all of our jobs that are sort of current, essentially. And the way the JBOD works is that it's an array. And so you can literally lose any one of those eight drives can just completely go to crap and we won't lose any data. You just slide a drive back in there and it heals. Speaker B: A raid five or a raid six. : Raid six, actually. Speaker B: Right. : So you can lose two out of the eight, I believe, is what we are. And we've had it over the last ten years. When we bought it, we just bought a whole stack of the same hard drives. And we've only had to use like two in the last ten years. So that's like kind of our live job. And then what we do, we would have all of our live jobs on that drive. And then if we ran out of space, we would peel out whatever, we would just go for the jobs that aren't active. So some of these jobs that we have were on that drive and have never been. They just keep on coming back, essentially. So they're always on the active drive. Meanwhile, the people that come in and do one thing and then they're gone, you never see them again. They get moved off, and then we would make two copies of that. And what we've been doing now is like, I'll go home with one and Sean will go home with the other. But however it goes, they're just basically on dead drives, or they're not spinning anymore, they're just sitting on a shelf so we can access those and then what we have. So last for a backup of the main drive. Ray, if the building was to burn down, I was using time machine and then taking a drive home every now and then. But we started using backblaze, which is just a really good service. It's like cheap for the year, and it just backs up. As long as the drive is spinning, they don't charge you. I think by the size, it just has to be an active drive. So that's our off site backup. And then we just have a database, which is really just a spreadsheet where a job comes in. We have like a naming convention, and we name it by the job name and then a job number, and there's a database that has basically every time that job was ever touched. So to us, these are all like a bunch of little rolling snowballs that get bigger and bigger and bigger and jobs come back and they get added to, or they just never go away. And they're always on the active drive. And that's how we do the post operation, the music operation. When I'mixing a band, I just have like a hard drive that sticks around with me for a while and then eventually it gets put on a shelf. And I have a lot of these drives that are sort of just dated. And I've used source zip a lot back in the day when I was low on hard drive space. But the problem is some of these drives are 40 pin ide drives, and I keep around a one firewire case that has a 40 pin. Like I can plug in any one of these hard drives. And then others are SATA. And those are really easy with the USB slots or the USB docking for the SATA drives, but it's looser. I just basically go by date and the client will say, hey, I did something with you, and I'll just go rummaging through my hard drives and hopefully find one from that date. Every now and then you may do two hard drives in a year, but those are my two systems. One is very stringent and good. And the other one is loose. : So George, do you know any other talent who know archive their sessions? Speaker B: I think the vast majority barely are functional on a computer that I work with. So they have extremely minimal protocol. : I know a lot of talent that don't even make a backup to be honest. Speaker B: Yeah. As far as they're concerned, once they got paid they could care less, it's gone. Some people are more data processing type people like me and they like to keep everything they've recorded. So what I would tell people, which almost never comes up, but my protocol is I have an archive hard drive that I will dump things onto about once a year. So I'm basically clearing space off of my local drive, cloud drives. I use Dropbox, Google Drive and iCloud. So stuff's in different places for different reasons. My business is on Google Drive, right. So every single client folder is on Google Drive at all times. And there's something around a terabyte or so there. And that's not that much because I'm not doing multi track productions or in most cases any video. Right. It's just small numbers of files. But my client media folder is on disk anyway because it's bigger than what's on my disk. But what's on disk is about 250gb and there's roughly 32,000 items in that folder. : Wow. Speaker B: And then it's funny, I just have 26 folders, ABCD and so forth. And the biggest folder is the letter C. So statistically there are more people by the name of C and I go by first names, right? So first names with c are the most common. Then s, then j, then a, then D, then m. It's kind of funny, I have all these weird statistics about names because I have 4000 clients. So it's really interesting to see some of the names that are so common. : I've got stuff. This is how stupid it is. I think I'm actually an order. I've got files here. Like I keep a folder for each client and then every session gets put into the folder, right? I look at some of them and even looking at the folder go, God, I haven't worked with those guys for years. And then you open the folder and look at the date of the sessions. It's like that was like 15 years ago. What the hell am I keeping that for? Speaker B: It's amazing, right? Well, data is cheap. It's really cheap to store data. I mean it's never been cheaper, so it's kind of like there's no harm in doing it you just have to eventually clear house. You're eventually going to fill your cloud drive or your local drive. So you have to have some kind of protocol to then move things. : You eventually have to take it into your own domain and not have it up on the cloud. Speaker B: Right. : And there's an old thing with data, though, which is you don't have a copy unless you have two copies. Speaker B: Right. True. This is what I think is interesting. So all these cloud storage scenarios have not changed price or capacity in many years. They're all still $10 for a terabyte or two terabytes. And that hasn't changed in a long time. : The meaning of a terabyte hasn't changed. Speaker B: Right. So what they're doing is they're making progressively more money per terabyte over the years. Yes, because their cost of storage is dropping, dropping, dropping year after year, and they're just keeping the price the same. : But they are continuously having to reinvest. Because another thing about archive and storage is that any. And this is the problem I have. It's like an archive is not a static thing. It must be moved and massaged, and you have to keep it moving with the technology going forward. Because if not, you end up with things like, I've got archives. I mean, I've got analog reel to reel tapes, plenty of those with stuff on them. And I can dig up the deck to play it back. But once you don't have that deck anymore, you just don't have it. And I've got dat backups and exabyte backups. Remember those, robo? Speaker A: Yeah, I do. : And CD Roms. And then. How about this one? That happened to me. I did a whole huge. One of the biggest albums I ever did, and I backed it up to a stack of dvds, dvdrs, dvdrs, like four gigs each. Four gigs each, I think. Were they four gigs each? Is that how much they were? I think so, yeah, four. Speaker A: And then dual layer were eight or something, weren't they? : Eight, right. Okay. And these were some crappy ones. Within three years, I went to play those things. And basically. Data rot. Yeah, it's gone. That's when you learn the lesson. And so if you don't keep your data moving, you don't know what's going to happen to that physical device that's holding it. And not just what happens to it, but what happens to the ability to even use that type of device or that type of software that reads it. Speaker A: Here's the interesting thing, right? I dragged out an old laptop case that I used to store all my dats in when I used to sort of freelance. And I always had dats, especially for radio imaging of bits and pieces that I would drag around with me. And I had to pull it out the other day. And this thing's been sitting in my garage, right? So not temperature controlled, not dust controlled, nothing else. There's about 60 dats in this thing. And I've got an old. It's not even on a digital database. It's an old sort of folder that's got like each dat has its own master and all that sort of shit. So I pulled this out, right? This is stuff that I recorded when I was still at AA in Adelaide. So we're talking 1996, right? I dragged this dad out and my trusty portable Sony Walkman, the TCD D 100, dragged that out, put some batteries in, plugged it into my Mac, chucked the dad in, going, there's no way this is going to work. Hit, dialed up the track number, play, bang, spun up to it, played it back. Pristine. Absolutely pristine. Speaker B: No glitches, no static. : I've had the same thing happen where the DaP machine has been completely screwed. And then you have to get a new DAP machine, but at least you can get those. But when the dat tapes go, you're kind of sol. Exactly your sol. Maybe you can find a read pass that works, but for the most part, that part of the tape is just like screwed. But that kind of thing happens even with files. I had a road. No, not a road. A zoom road. You'd be happy to know it's a zoom. And it was like a zoom recorder. Recorded the files, full concert, got home to play it. Files, complete silence. And it turns out that basically the zoom didn't like the little SD card. It was too slow, it was too this. And every indication was everything was fine until that file got big enough for the SD card to freak out. So all these mediums, even the new ones, still have their frailties. And I know dats are really known for being frail. Like, look at it wrong and it's never going to play back. Speaker B: Well, they're really pro media, right? The pro devices that use media like solid state media usually have redundant disks. They all have two slots, whether it's SD or CF or some other high speed. They'll always have a double slot because they have redundancy that's totally pro level. That's for doing like. : Because if you don't have two copies, you don't have one. Speaker B: Yeah, that's like when you're doing mission critical. You cannot afford to lose what you're doing. My daughter's a work at. : Exactly. : Yes, indeed. Speaker B: The oldest media I have still in a crate in my parents basement are DA 88 tapes, which were high eight digital tapes, and I don't have a machine anymore. I really don't recall telling my dad it's okay to sell my remaining Tascam Da 88, but apparently he did happen. : So I was just at La studios, and they still have their PCM 800 in the rack, which is a Sony version of a D 88. I still have eight at's around. And then. Speaker B: Yeah, I have no idea if those D 88. Some of them will work somewhat don't. I don't have a machine. I don't have any ide drives anymore. Everything's SATA. But one day I pulled up this Corboro box with like, 15 SATA drives, and I realized I could just go to Costco and buy $100 hard drive and literally put that entire box into one hard drive. And I could probably do that. In fact, I think three or four years ago, somebody said, hey, do you have this thing? And I went, I think I do. And I pulled out the archive drive and it wouldn't mount. I was like, okay, this is going to happen. Speaker A: But here's the other thing, right? And this is the thing that annoys me, and I've made this mistake, is you've got to keep a track of this stuff because you're always trying to sort of downsize your archives, I guess. And this is the classic mistake that I made. For years, I carried around these 15 inch reels of analog tape, right? Stereotape. My first demo of commercials and stuff was on this stuff. And when I finally landed this place called take two, which was my last sort of full time post production gig, they still had a quarter inch machine. And we're talking 2001, 2002. And I thought, right, this is probably the last time I'm going to see one of these. So I transferred it all carefully, professionally onto dats and all that. I had about three dats of stuff. And about two years later, I went looking for them. Do you reckon I've ever seen them again? I've lost them somewhere. But whereas a 25 inch reel. Sorry, a 15 inch reel, that's pretty hard to lose, you know what I mean? So it's like, you got to be careful. : Yeah, well, it's funny, when I was a kid, this is slightly off topic, but I suppose archiving in a strange way. But during summer holidays, a mate of mine, we used to go and try and get jobs. And his brother was a painter and decorator and he used to get us out, know, doing a bit of labouring for him. And he said, oh, do you guys want to earn some money? It's like, yeah. Yeah. So we jumped in his transit van and we took off down to London and ended up working in a recording studio. And we were painting Rod Stewart's office. : What, pink. : And he had above this. I can tell you exactly what color it was. Mission Brown and burnt orange. : I knew there'd be something like pink or orange. Yeah, there you go. Speaker B: Brown and orange headphones right here. : Yes, that's right. Yeah, it was pretty funny. But the recording studio downstairs, they just used to bin all this quarter inch tape, just throw it away. So it was bins full of. My dad was in electronics, so I thought I might just help myself to some of those. I mean, they're throwing them away after all. And it was just seven inch reels. So I just grabbed a whole bunch of seven inch reels out of the bin, took them home and didn't play them for some peculiar reason. We just recorded over the top of them. Speaker A: Right. : God knows what was on those tapes. Speaker B: Can you imagine? : So check it out. One of the studios that I freelance at one of the gigs they had was transferring before auctioning off these tapes that this janitor got out of a recording studio in New York. It was CBS or something. Turns out it's like the masters or some early tapes from Dylan's first. Speaker A: Wow. : So they auctioned them and then in order to prove, like, they had to have one playback, I don't know, they ended up supervising the transfer. But literally, it's, know, these tapes, they were supposed to go through the bulk erase, but not all of them would make it to the bulk erase. And this guy apparently was kind of into folk music and just happened to pull these out. And they just passed around for years and years until finally some grandparent or somebody is like, we're going to auction these. Speaker A: Do you reckon they stuck them in the microwave before they played them back? : Well, it's not the microwave. You put them in the dryer, in the dehydrator. Speaker A: I've heard stories and stories. It was always the microwave for me. We always used to nuke them. And you'd get one playback, but. Yeah, I haven't heard of the dryer. : But that's getting that tape. Because you ever seen one that does it, that you don't do that to? Yeah, well, it peels like it peels. It's the scariest thing. It goes through that pinch roller. One piece of tape comes into the pinch roller and two pieces of tape come out. One is the original tape. The other one's the oxide that briefly looks like a piece of tape until it crumbles into dust. Speaker A: Yeah. And the other is the back. : And you're just like, because it's playing. And you're like, okay, I should just let it play because this is the. Speaker A: Last playback should have been rolling on this ever. Yeah, it's crazy, isn't it? But going back to the Rod Stewart thing, was it Steve Balby on this show that was talking about. Steve was the bass player for noiseworks and his next band was what was greedy people, electric hippies. And they needed multi track to record their album. So they snuck into the archives and stole a couple of the noise works ones. : Yeah, they stole some multi track tape from somewhere. Speaker A: Yeah, it was noiseworks. They went and stole. : Over some band's archive. Speaker A: Well, his first bands. Yeah, the previous band, they stole their previous band's multi tracks and used those to record on. : Okay. At least it was theirs. : Bad archiving there. Speaker A: I know. I guess the other thing that this whole subject leads to, and I guess, George, this is more up your alley, is the thing that always terrifies me is if I've got a remote session, I'll set it up the night before and I'll test everything and I'll save it and make sure that I don't really shut anything down. I'll just leave it all working. But the thing that terrifies me as I'm walking back into the room, know what's gone wrong overnight when the computer's gone to sleep? Has something ticked over or something gone wrong? And I'm going to open up the computer and I'm just going to get into this panic that something's not working. Is there anybody out there in voiceover land, George, who has a plan b? Or who's ever thought about having a plan b? Like, okay, so if my main computer, for some reason just cocks it and I can't get a sound out of it, what am I going to, pushing a broom? Yeah, what am I going to do? Speaker B: I mean, the plan b is most people have a desktop and a laptop, so the laptop is the plan b. That's pretty much it. Home studio voice actors systems are pretty, let's face it, low end. I mean, you don't need a workstation, a $5,006 workstation to do voiceover at home. So you really just need another computer. And for most people, that's going to be the laptop. : It's the travel rig. Isn't the travel rig the backup rig, too? Speaker B: Yeah, I mean, I've had clients run and grab their travel rig when something completely goes haywire with their Apollo or whatever, and they're panicking, and I'm like, just pull out your MacBook, plug in your Micboard Pro, plug in your 416, and get the job done and move on. And the client will be happy because you're in your studio, which sounds amazing, so don't worry. Speaker A: Yeah. Speaker B: So that's the backup plan for any really true busy professional voice actor. : When I used to really panic about capturing audio that it wouldn't go wrong, I would actually have two microphones. I worked at two microphones, one going to the main computer and one going to the laptop, and I'd have them both recorded. Speaker B: Yeah, that's like BBC, remember? Wasn't like the 70s where they would literally duct tape. A second mic was for the television show and one was for the film. : You would see that many microphones. Exactly. Speaker B: That's true, because they didn't have distro boxes and splitters and stuff back in those days, I guess. But, yeah, we've never gone to that extent. In the beginning of my career, I did have clients running pro tools that had a DAT backup. That was definitely protocol. Pro Tools was so glitchy. : Yeah. You would run a dat backup with a dat tape. In fact, the way we ran the DAT backup was that you would record the talent in stereo, and then you'd put the clients on the left side so that you had both sides of the conversation. But the talent was always at least isolated on one channel. If you ever needed just the talent. Speaker A: There you go. Speaker B: Yeah, I retired. Dat backups were my clients 15 years ago. But Howard Parker had one. He had a Dat recorder, and he would just hit record every time he'd walk into the booth on the dat and rewind it, because we just didn't know if he'd walk out in a half hour later. And pro Tools had a 61, whatever the hell it is. Buffer. Speaker A: One of those fun errors that pop up that you got to go google what it means. Yeah. Speaker B: As a voice actor who's solo working at home in their closet or their booth. And at those times, we didn't necessarily have a second monitor, keyboard, and mouse in the booth. So you don't want to lose a session. You don't lose in a half an hour, an hour or 2 hours narration. That's the worst. The worst ever is when there's a nonsensical glitch during a two hour session and you don't know what's happening. You have no idea. And meanwhile, the audio is basically garbage. It's like static. : That's why sometimes in a session it is a good idea when you're like, okay, this is good. Stop and record a new file. Because computers like, if something's going to happen, it's more likely to happen to a big file. Back in the day, it wasn't uncommon for a file that was really big to be more likely to get corrupted, essentially. Speaker B: Well, I have set up a modern equivalent to the DAT backup which is getting like $100 task cam, flash recorder, real basic one. And then plugging an output from their interface or their mixer into that and then saying, listen, you're doing a phone patch. It's a two hour narration. You do not want to lose that work. Just hit record on that thing over there. Now you have a backup. You'll almost never, ever need it. But the one time that you need. : That freaking backup, if you don't make the backup, you'll need it. If you do make the backup, you won't need. Speaker B: It's like if you don't bring an umbrella. : Exactly. Speaker B: It's going to rain. : Exactly. Speaker B: That is an absolutely dirt cheap and extremely simple. You can even have a scarlet two I two. And as long as you're not using monitor speakers plugged into it, you can just use the outputs, put it in direct monitor mode and it'll just send whatever you're saying straight out the back line into your Tascam. Like I'm saying, $100 recorder. The basics, the really basic one. And record. : Yeah, it might be through like a little 8th inch connection. It might be mono, it might be analog. But you know what? It's going to be something compared to nothing. It'll probably be. No one will even know that it wasn't necessarily a digital copy. Speaker B: Yeah, it can be a 16 bit 44 or 48 wave. It's fine. I've set this up for a lot of people and when I go to their studios or I talk to them, they almost always say I haven't used it in a long time because they're so used to it being reliable until. Speaker A: It doesn't work, until the day it falls over. Yeah, exactly. Speaker B: And that's why I have clients that hire me and I work with them on a membership and like a contract and I check their systems out on a regular basis. Like, I do maintenance. I check. How much drive space do you have? Are you backing up? Is the backup working? Oh, crap. The time machine backup hasn't worked for six months. And you had no idea you filled. : Your time machine drive. Exactly. Speaker B: Or you filled your time machine, or whatever it is. It can sometimes just corrupt, get corrupt. What's my time machine right now say? It says cleaning up. I don't know how long it's been saying cleaning up. Maybe for a month. I have no idea. I just clicked on. It says cleaning up. So redundancy is really important for those big jobs that, where you're the engineer. : Essentially, the thing that starts to separate really pro operation from. It's like if you're there with a backup when someone needs it, and they're like, I didn't even expect you to have it, but you have it, you're delivering, and I think there's. Speaker B: Yeah, of course. I'm keeping everything I ever do. It's all in the cloud. At any moment, someone will email me and say, my computer crashed, I lost my stacks. I also can't find the email you sent me with the stacks or the email you sent me with the stacks. The links don't work anymore because it was another cloud based system that I don't use anymore. Right. I'm like, no problem. Within, like, ten, I can literally be on my phone, go to Google Drive, put in their name. We would just right click on that thing, and we would get the share link email to the client. I'm like, here's your folder. Here's literally everything I've ever done for you. And they're always grateful, and I never charge for it because I feel like we charge a pretty penny for what we do, and it's just one of those things that's so incredibly simple. It's not like I'm trying to keep online. I'm not trying to keep an online storage of, like, two terabytes for a client. These are not big folders. A big client folder is 2gb. Speaker A: You got to be careful what you keep, though, too, don't you? Because you can become a bit of a hoarder very quickly. You really can. Speaker B: Data hoarding, what's the problem? It's digital. Data hoarding is like, I could care less. Again, I'm not dealing in video, and I'm not dealing in big projects. So I can keep thousands of folders, which I do, and I don't care. It's no skin off my back. Speaker A: See, I used to back up all my video, too. All the videos that came in for tv commercials and stuff and the revisions. And I used to keep every video back, all that up. After a while, I just went, man, this is crazy. So I keep it for, like, it ends up two years now because I basically have two hard drives that I rotate. So when one's full, I'll take it out, stick it aside, get the other one, put it in and erase it and go again. So, I mean, I figure two years is enough. Speaker B: I feel like for any voice actor, it's an absolute no brainer to use some kind of cloud storage iCloud or Google Drive. ICloud is essentially automatic. The second you put anything into your desktop or your documents folder on any modern Mac, it is in the cloud. It just is. And so it's kind of a dirty trick to get you to upgrade your cloud, because it will fill up very quickly. But if you're not the kind of person that wants to think about another service and pay for another service and shop for one, and then think of a way to just use the dang icloud. It's built in, it's automatic, it's cheap, $10 a month for two terabytes. It'll take you a long time to fill that thing up. Just to me, it's a no brainer. And if you're on windows, there's an equivalent in the Windows side. I just don't know what it is. One drive, I think. Speaker A: Yeah, I heard you mention time machine before. Can I give a shameless plug to someone who's not a sponsor of the show, but something I've used for years and I love is carbon copy cloner, which is. : Yes, I love carbon. I use the Jesus out of that. Speaker B: I used to use it. I don't use it anymore. Speaker A: Such a good piece of software. Speaker B: Yeah, no, the beauty of that was you could have a secondary disk that was plugged into the computer that was literally an absolute copy duplicate of your computer. So you could literally have the system drive crap out, hold down, and you. : Can use that as your targeted backup. I used to point my hard drive at home to the hard drive at work so that it could get onto the back blaze at work. Speaker B: Oh, wow. Speaker A: Yeah, wow. There you go. Speaker B: That's a hack. Well, yeah, I mean, just to have. That was a nice thing. Now, here's the thing. Here's a little gotcha for all us Apple people. If you're on an m one or any of the silicon macs, they can no longer boot with a dead system drive. So if your system drive in any silicon Mac is toast. You cannot boot to an external USB drive. Speaker A: Oh really? Speaker B: There you go. Speaker A: I've got one running. I've got a backup running, so that's no good to me. Speaker B: If the internal drive system is blown away, it's unaware of any external drive. Speaker A: Why did they do that? Speaker B: I don't know. Ask Tim Apple. : It's Macintosh. That's why they did that. Speaker B: Yeah, Apple. Apple. : Because it's the slow progression of your computer into an. Speaker A: Yeah, yeah, right. Speaker B: Yeah. : That's annoying. I mean, I live and die on option. Booting the computer and having like some. Speaker B: I'll check. I will re verify that. But when the silicon Macs first came out, this was a bonus contention. People were talking. So here's just what the first search result on Google says. If you're using a Mac computer with Apple silicon, your Mac has one or more USB or Thunderbolt ports that have a type c connector. While you're installing macOS on your storage disk, it matters which of these ports you use. Okay, well, that's totally irrelevant. It has nothing to do with the answer I'm looking for. How do you start up your m one or m two from an external drive? There's another thing. It's not easy as it used to be and likely requires that you purchase. : I mean, you used to be able to boot up a Mac from the network. Speaker B: Yeah, I'm reading this article from Mac World. I'm just skimming through it. Awesome. I don't want to say something that's untrue, but this is what I recall day one when it came out. This is what somebody said. Speaker A: That's really annoying. Speaker B: So yes, you have to have a certain type of drive. Actually, this article mentions Bombich's carbon copy cloner. Speaker A: So we'll boot from that. : No, it just mentions carbon to copy your drive probably. Speaker B: Yeah, they're explaining the entire process. But that external drive has to be formatted in the correct way. Let's say you buy just a random hard drive, like a western digital, and you plug it in and then make that your clone. It will not work. : You have to be. You always had to make it like guide partition. I think it was something like that. It changed over the years. It used to be even like hfs plus. And then it's. Speaker B: Yeah, now it's apfs. : Yes, the container. Speaker B: Yeah, it's apfs. So I know we're going down a rabbit hole here, but yeah, this is the kind of thing you have to think about if you're really wanting to have redundancy and have a system that can essentially crash and be online within a minute. And for most voice actors, that's going to be just too frustrating and difficult to maintain. And for them just to have another computer that can plug in and go is really the most practical thing to do. : That is kind of like the ultimate backup. Speaker A: Yeah, I was going to get rid of my Mbox pro and my 2012 Mac Pro, but I think I might hang on to both of those and they might just be my backup. Speaker B: Well, if it's easy for you to plug those in and get back, right back to work, then it's worth keeping. Speaker A: I reckon that's the thing. I might just sit them in the garage, put them away in a box and seal it up and I can just grab them when I need them. Speaker B: Yeah, sounds good. : Sounds good to me. Speaker B: Sounds good to me. Speaker A: Well, who's backing up this podcast then? Speaker B: Oh shoot. Speaker A: Did you hit record? Speaker B: Well, that was fun. Is it over? Speaker C: The pro audio suite with thanks to Triboof and austrian audio recorded using source Connect edited by Andrew Peters and mixed by Voodoo Radio Imaging with tech support from George the tech Wittam. Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic, or just say good day, drop us a note at our website, theproaudiosuite.com. #AudioArchiving #ProAudioSuite #SoundEngineering #BackupStrategies #DigitalHoarding #AudioProduction #VoiceOverTips #RecordingStudioLife #TechTalks #AudioPreservation  

In this episode, I chat with the fun, creative, thoughtful Ruth Guerra, a design researcher with a knack for amplifying the questions about design, creativity, research and futures through a wonderful social media presence. We dive into her journey from a theater undergrad to mastering future design, where she champions participatory design with a twist. Ruth shares her passion for storytelling, not just any storytelling, but the kind that shapes our future. She's also getting busy hosting innovative workshops to help people get a sense of how design research and design fiction legible to normal humans. So buckle up, we're exploring how design, values, and a sprinkle of theater can make the world a more engaging place. Spoiler alert: there are no spoilers in here even though we talk for a moment about 'Leave the World Behind.' This is a fun one that just might have you thinking about joining the Near Future Laboratory Discord and supporting this podcast over on patreon.com/nearfuturelaboratory Check out Ruth's Linktree: ⁠https://linktr.ee/ridguerra⁠ And definitely her Instagram: ⁠https://instagram.com/ridguerra⁠ Check out the episode's sponsored book, Androids Dream of Electric Sheep, the book that came from an adjacent future in which the Sony Walkman failed: https://shop.nearfuturelaboratory.com/products/androids-dream-of-electric-sheep

Some of you remember how the Sony Walkman made listening to recordings conveniently easy and is a good example of maximizing your potential. It was revolutionary to listen on a portable cassette player and the Walkman happened because Masaru Ibuka and Norio Ohga took the risk to revolutionize the way people listened to music. Sony was concerned about the marketability of a portable audio device as well as miniaturizing the necessary technology for high-quality sound. Would people be willing to pay for such a device? It's a good thing they forged ahead as it revolutionized the way we were able to access media. Get full article here: https://goalsforyourlife.com/maximizing-your-potential J.K. Rowling is another example of someone who faced significant challenges. Her inspiring story is another demonstration of maximizing your potential. As a single mother living on welfare, she never gave up on her dream of being a writer. She spent hours and hours working on her manuscript for Harry Potter and the Philosopher's Stone in local cafes, pouring her imagination and creativity into the magical world she envisioned. Because she didn't quit, even after a number of rejections, she ended up achieving tremendous success as a best-selling author as well as gained the freedom to support charitable causes. Maximizing your potential largely relies on the actions you take that are aligned with your core beliefs and values. Those values, when fleshed out, lead to a strong purpose-driven life. (see Appendix in Stop Circling book: https://amzn.to/3NTdM6t) To develop that purpose in maximizing your potential, we cover five principles: belief in yourself, continuous learning, setting clear goals, developing resilience and adaptability and consistent habits and routines.  Listen to "The Hero Inside" song here: https://youtu.be/H49E-TjZBvk?si=HzKu2CkFz2k8l5ag

Welcome to 'The Adams Archive,' where host Austin Adams takes you on an enlightening journey into the heart of global conspiracies, cultural enigmas, and political intrigue. This podcast series sheds light on the most thought-provoking and underreported stories, exploring the unseen forces shaping our society and global politics. Unravel the complex narrative of Taylor Swift's alleged involvement in psychological operations, diving into the blurred lines between celebrity influence and political media manipulation. Explore the mystery of underground tunnels beneath a New York synagogue, probing their origins and potential purposes. Analyze the intricate dynamics of recent U.S.-UK joint military operations, uncovering their geopolitical motivations and strategic implications on a global scale. Dive into the art of media manipulation, examining historical and contemporary methods used to control public perception. Discover the profound influence of music and arts in shaping cultural narratives, reflecting on how artistic expression has been employed for political messaging and propaganda. Join 'The Adams Archive' for episodes that challenge perceptions and reveal the hidden truths behind current events and historical narratives. Subscribe on your favorite podcast platform, follow our YouTube channel for engaging visual content, and get exclusive insights through our Substack newsletter. Participate in our dynamic social media community for ongoing discussions. Whether you're a conspiracy enthusiast, a curious observer, or a seeker of deeper understanding, this podcast is your portal to the untold stories of our world. Tune in, subscribe, and be part of our journey to uncover the hidden truths beneath the surface. All Links: https://linktr.ee/theaustinjadams Substack: https://austinadams.substack.com/   ----more----  Full Transcription Hello, you beautiful people and welcome to the Adams archive. My name is Austin Adams. And thank you so much for listening today. On today's episode, we have some wild topics to get through. And I'm excited for it. So the very first topic that we're going to talk about today is going to be that the Pentagon actually responded to the idea that Taylor Swift Is a PSYOP.  So we'll look at what the response was. And that will actually look at the history of this because the fundamental idea around that is that there's a, uh, forces that be within our government that want to manipulate the art within our culture in order to influence the culture itself. And so we'll look at the history of that, whether it be Operation Mockingbird by the CIA, whether it be the CIA teaming up with certain artists during the cold war era, we'll look at all of that together. Then.  We'll jump into the next topic, which is going to be that there was some pretty shady stuff found in New York, which actually ended up being an underground tunnel underneath a Jewish synagogue, I believe.  So. We'll look at that  and why it's pretty, pretty crazy stuff. So there's a couple of theories on it. We'll actually dive into the history of the specific group, because the specific group that we're talking about is a little bit different than your average, uh, Practicer of Judaism. Um, so we will look at that as well. And then we will dive into some breaking news here, which is that the United States. In hand in hand with the, uh,  with Britain have the UK have actually, uh, conducted operations overseas against Houthi rebels, which some believe may be the spark of a war against.  So we'll look at the history of that as well.  So all of that more, but first I need you to go ahead and subscribe. If this is your first time, I appreciate you from the bottom of my heart, subscribe. And if you are here for your second time, third time around. 100th time, whatever, because we're actually about to hit that 100th episode. I believe we're on episode 96 right now, which is pretty wild. But thank you for being here. I appreciate you. I love doing this for you guys. Uh, we'll have some cool stuff coming up. Some interviews, some really awesome things that I am working on in the background. So thank you for being here. Leave a five star review and let's jump  into it.    The Adams archive.    Alright, so the very first topic that we're going to discuss today is going to be that the Pentagon actually responded to the idea that Taylor Swift is a PSYOP.  Now personally. I think this probably couldn't be more accurate. And so the reason that I think this, I think this is actually a lot of a part of the public psyche today surrounding Taylor Swift. We see everything that's happening with Taylor Swift and Travis Kelsey and Pfizer and her recently saying that she believes that Joe Biden has done a great job and will continue to do a great job. And he's exactly what our country needs right now to stop the divisiveness like That the only way that you are saying such a thing,  even if you voted for Biden and you wholeheartedly believed in him at the very beginning of this, uh, I don't think there's a person out there who is not either  protecting their, their ego by, you know, not admitting that they are wrong or, uh, or Are being paid off  and the likelihood that you're being paid off if you're a multi whatever billionaire this Taylor Swift is at this time and a super famous actor, actress, musician, artist, whatever is probably pretty, pretty high if you're still sitting there banging the drum of Joe Biden, or you're just worried about not getting another job again. So you don't have to worry You go along with the, the river that is Hollywood.  So it's, it's, it's crazy to see how far these people can go. So here we go. Let's go ahead and read this article. This article comes from the Post Millennial  and it is titled, let me go ahead and pull it up here for you. It  is titled,  Pentagon Claims Taylor Swift PSYOP Speculation is a Conspiracy Theory. Hmm.  Okay,  you have my back. Attention.  All right. This article says after Jesse water show on Tuesday, where he said the government has been turning Taylor Swift into an asset through a Psy op Pentagon spokesperson, Sabrina sign has denied the claim. An idea that first came from human events, senior editor, Jack Posobiec  quoting from one of Swift songs and the statement to politics sign said, as for this conspiracy theory, we are going to shake it off. Wow, catchy.  She continued to make other Taylor Swift puns in her statement, which stated, but that does highlight that we still need Congress to approve other supplemental budget requests as Swift Lee as possible so that we can be out of the woods with potential fiscal concerns. Haha. On December 6th, 2023. Right after Taylor Swift won the Time's Person of the Year award, Posobiec posted to Axe, the Taylor Swift girlboss psyop has been fully activated in her hand selected vaccine show boyfriend to dink lifestyle to her upcoming 2024 voter operation for Democrats on abortion rights. It's all coming.  Uh, and that was in response to the Time Person of the Year being  Taylor Swift.  And I'm pretty sure that used to be Man of the Year? And now it's person of the year.  I don't know. Pretty sure I heard that following the post ax Posobiec had Evita Duffy on his show, where they talked about why Swift could rally support for president Joe Biden in the 2024 election year. She's a girl boss. She has lots of failed relationships where she blames the man every time. Duffy then asked, why are we pushing Taylor Swift? Here comes a clip from Jack Posobiec.  Uh, and let's go ahead and watch it here.   Evita Duffy from the Federalists joins us now. Evita, they've just named Taylor Swift the, uh, you know, she's, that's basically her song that was used for that ad, which is a mix of Taylor Swift and Barbie, just named Taylor Swift times person of the year, uh, I  was out about a month ago. You had a great show where he talked about the Taylor Swift army coming online for the 2024 election. Is this at what we're seeing now? Are they activating  The Taylor Swift psyop.  Yeah, it's not. It's not just happening now. This has been happening for pretty much a year. They've been pushing Taylor Swift on us.  The corporate media has these articles fawning over her. She's like the greatest thing that's ever happened to humanity. Meanwhile, her music's pretty mid. Um, if you, it's actually something actually to break down of her music and, uh, the melodies, she has like the same melody progressions over 20, over 20 different songs. Um, she's always complaining about the same melodies. Okay, I'm going to have to question how old this girl is. If you're going to use the word mid, you better have been born pre or post  2000.  You better be under the age of 23. If you're going to use the word mid, I'll just leave it at that.  Anyways, I actually agree with it. So so if you understand what tick tock did when tick tock First started, TikTok artificially inflated the views, at least this is the idea that people have been talking about, is it took a few select amount of influencers and it artificially inflated the views that they were getting on the platform.  Those people then, who felt like they were a big deal, went and talked to people about it and told people how many views they were getting on TikTok. As a result, a bunch of people fled into TikTok.  And so. What they've and they cared about the original a few official people that got their views artificially inflated I think one of the names of the girls is I don't know There was one girl that started tick tock as like the tick tock girl and now nobody really cares about her, right? She just did like a dance and whatever and then all of a sudden she got like a billion views And so the way that they did that is they artificially inflated the views they artificially created celebrity And then they made those celebrities influence  Be valued by the mass public, right? And so I think that that's exactly what happens with Taylor Swift here, I believe, because Her music to be fair is pretty mid. Although I am cannot say that with a straight face and never will  But  Taylor Swift's music is garbage. It's terrible. She's a great  Performer and by performer, I mean she has a great team of people around her with fireworks and laser shows and All of that, but I did Taylor Swift is a very  Un  impressive musician, completely unimpressive to me in the fact that she is the single most. highest earning musician, music, musician of all musicians is astounding to me because she's just a performer.  Anyways, so that to me lends into the idea. The same way that we will look at this in a minute is they artificially inflate these people's viewership. They, they get the mainstream media, the mainstream radio stations, the mainstream award shows to all.  Pump these people up, pump them up, pump them up. Meanwhile, these people are just puppets for whatever they say, from the powers that be, goes. And so that's where this idea of it being a PSYOP comes from. So let's finish out this clip, if we can,  tolerate this girl's  vocabulary, and then we'll continue on.  In breakups over and over again, these songs, Jake Gyllenhaal, somebody who she wrote the song all too well about, which is like a 10 minute song where she complains  about a man that she dated for no joke, three months. This is not a musical mastermind. The media is pushing her on us constantly. And if you say anything negative about Taylor,  the media, the Swifties and Taylor Swift herself.  Okay. I think I know what she's going to say. A misogynist. And here's why I think that is. Taylor Swift is the perfect.   Okay, Taylor Swift's music is absolute trash. So the only way that she got into the position that she's in is if she's working with the government.  So here's the, here's the rest of the article. And it says, and this was December 6th that this conversation happened on Real America's Voice. But it says, uh, Waters posted a clip of his segment to Axe on Wednesday where he had, uh, he said an idea was floated at a NATO meeting in 2019 where Swift could combat online misinformation. So maybe here's some actual evidence of this potential Taylor Swift's the biggest star in the world. Sorry, Gutfeld.  She's been blanketed across the sports media entertainment atmosphere. The New York Times just speculated she's a lesbian. And last year's tour broke Ticketmaster, a tour that's revenue tops the GDP of 50 countries. Wow, I like her music. She's all right. But I mean, have you ever wondered why or how she blew up like this?  Well, around four years ago. The Pentagon's Psychological Operations Unit floated turning Taylor Swift into an asset during a NATO meeting. What kind of asset? A psy op for combating online misinformation. Listen. You came in here wanting to understand how you just go out there and counter an information operation. The idea is that social influence can help, uh, It can help, uh, encourage or, uh, promote behavior change, so potentially as like a peaceful information operation. I include Taylor Swift in here because she's, um, you know, she's a fairly influential online person. I don't know if you've heard of her.  Yeah, that's real.  The Pentagon's PSYOP unit pitched NATO on turning Taylor Swift into an asset for combating misinformation online.  This is nothing new. In the 1950s, the government strong armed Louis Armstrong into doing propaganda tours across Africa.  The CIA did the same thing with jazz singer Nina Simone, except they did it without her really knowing.  In the 70s, Nixon enlisted Elvis in his war on drugs. He gave the king a badge and named him a covert federal law enforcement agent.  Michael Jackson was tapped by Reagan, using his song Beat It and his public service campaigns against teen drinking and driving.  Michael Jackson persuading minors not to drink,  anyway.  So is Swift a front for a covert political agenda? Primetime obviously has no evidence. If we did, we'd share it.  But we're curious. Because the pop star who endorsed Biden is urging millions of her followers to vote. She's sharing links. And her boyfriend, Travis Kelty, sponsored by Pfizer? And their relationships boosted the NFL ratings this season, bringing in a whole new demographic. So how's the  PSYOP going?  Well, as usual, Biden's not calling the shots because he doesn't even know who Taylor Swift is. He's confused her with Britney Spears and Beyoncé.  You could say even this harder than getting a ticket to the renaissance tour or, or, or  Britney's tour. She's down in, it's kind of warm in Brazil right now. Former FBI agent Stuart Kaplan. Wow, that is brutal. Stuart, is this feasible?  Jesse, the deployment of a PSYOP in the United States in this day and age is still illegal. Um, the national security law prohibits the deployment of PSYOPs or using an operative for psychological warfare. However, if I was running Biden's management perception team, I would identify someone who would align themselves with my agenda, such 600 million followers. I would target her, I would engage her, and I would get her what, get her to do what we used to see as like public service announcements, and that type of enlistment, that type of solicitation is analogous to the old days of deployment of a PSYOP. And so in modern times, with these people having such influence and such,  you know, immeasurable amount of followers. She can potentially, single handedly, swing voters because of just the amount of followers that she potentially can influence. So the answer is yes, Jesse.  Wow.  And I completely agree, right? We see even back historically between Elvis and Louis Armstrong, this has been done before. This isn't a new tactic.  And so as we go on, we'll see. And I wanted to kind of Preempt this for you. And he talked about it a little bit with Travis Kelsey,  all of, and even behind that was the tick tock. There was a whole trend around the Travis Kelsey, Taylor Swift relationship situation  on tick tock, right? People were going crazy. Girls were making jokes to their, their husbands and their boyfriends. And those were going viral. And I talked about this last time is If anything is going  quote unquote viral and you think it's organic, the likelihood of that is probably low.  If it's the number one most,  most popular trend at the time, it's very likely that that was at least in some way, shape, or form even allowed, potentially, if that's the word you want to use, instead of being  stifled, they at least allow it to happen because it fits their agenda. And if it didn't fit their agenda, they would slap it with a big misinformation, disinformation, or at the very least, they would shadow ban the content. And so we know that at this point,  and as we start to look at more around this, I guess there's even more.  situations, but it says,  uh, and I wonder if we can look at the response, but that was crazy. The fact that the Pentagon PSYOP organization within the Pentagon actually  came and pitched the idea. They pitched the idea that they could use Taylor Swift to conduct a PSYOP against the American people. That's an, that's actual footage available right now.  I had no idea before watching that. And that is. Just crazy.  So as we go back in history, I wanted to start to have a discussion surrounding this and see historically what ways has art and Culture been manipulated by governmental forces to align their agenda with yours. And so we can go back and we can look at this in a few different ways.  And historically there has been not only Elvis and Louis Armstrong, but historically there's been many. Many governments that have done this from Nazi Germany. And I listed a few here after doing some research and under Adolf Hitler, the Nazi regime used music as a propaganda tool to reinforce its ideologies and suppress any opposing or non Germanic. cultural expressions. Jewish musicians and composers were not only banned from performing, but many were also persecuted and sent to concentration camps. The regime particularly promoted classical composers like Richard Wagner and Ludwig van van van Beethoven, who were seen as epitomizing Aryan and Germanic culture. Music played a pivotal role in Nazi rallies and events being used to evoke emotions of pride and nationalistic fervor among the masses. Hitler Youth was also heavily indoctrinated with music that promoted Nazi ideology.  So there's one.  The Soviet government, under Joseph Stalin, reinforced strict control over the arts, including music. Composers like, forgive me, Dmitri Shostakovich and Sergei Prokofiev  faced severe restrictions and were often compelled to adapt their compositions to fit the state's demands for music that glorified socialism and the Soviet state.  The government established the Union of Soviet Composers, which played a key role in censoring music and ensuring it adhered to the principles of socialist realism.  Music that was considered formalist  or bourgeoisie  I don't know if I pronounced that right at all,  was condemned and composers risked persecution if their work did not align with state ideologies. You even go back to Footloose, right? If you eliminate music, it has an effect. There's a reason that we sing in church. There's a reason that every religion across every country, across every historical timeframe ever  incorporates music  because music influences. And so if you can make one person the most influential musician  in the world  and then utilize them as a puppet to parrot the  opinions that you want them to hold that align with your agenda, why wouldn't you do that?  The Cultural Revolution in China is another example. Mao Zedong's Cultural Revolution sought to eradicate Chinese traditional culture, including its rich musical heritage. Western classical music was also banned. Instead, the government promoted revolutionary music, particularly the eight model operas that were sanctioned by Zhang Qing, Mao's wife. Those operas and revolutionary songs were designed to glorify the Communist Party, Mao Zedong's leadership, and the revolutionary spirit of the Chinese people. This was part of a broader attempt to reshape Chinese culture and align it with the Maoist ideology. In another example, people have talked about this before, I'm not sure if there's any evidence of this, just the same way that we can't say there's any evidence of the Taylor Swift Society,  but people have talked about how when it comes to black culture in the  Late 1980s talking about how rap music and not particularly any type of rap music, but well, I guess particularly a type of rap music, which was the, uh, you know, the violent and drug riddled gang, uh, promoting. type of rap that became popular. And we even see this today with the Travis Scotts, how much Satanism is incorporated into our music scene today. It's bizarre, but it's not bizarre because it's intentional.  And so when you go back to the 80s, even the times where the government was literally pushing crack cocaine into the ghetto areas, low income black communities, the very same time that rap music became what it was, and I love rap. I even love late 90s or early 90s rap about gangster shit and drugs and gang stuff. But like,  it, you can't deny the fact that it influences culture.  It influences how people act. It influences how people want to be when they grow up. How do, how, what makes them cool? What type of clothes should they wear?  What should they aspire to? Well  When all you hear about in music is selling drugs, making a bunch of money, how good they make you feel and the type of girls that you get when you do it.  What do you think you're going to do? Right? It goes hand in hand. Culture is music and music  creates culture.  And so, um, this goes on and on. I have other ones which talks about the apartheid South of South Africa. During the apartheid era, the South African government used music as a tool to support its racial segregation policies. Cambodia used it, Iran after the 1979 revolution, North Korea, and North Korea music is used as a tool of state propaganda to an extreme degree. All music in the country is strictly controlled by the government. Why? Why would they do that? They wouldn't. And of course they wouldn't do that here in the United States of America with us free people.  Right? Our government would never do that.  Songs are written in North Korea to glorify The Kim family, and the Workers Party of Korea, often incorporating themes of loyalty, patriotism, and devotion to the leaders. Music is used in schools, workplaces, and public events to instill loyalty to the regime and reinforce its ideologies. There is virtually no exposure at all to international music, and creating or listening to non state approved music can result in severe penalties. And when we talk about severe penalties in North Korea, we're talking about generational imprisonment.  Not just you go to jail.  Your sister, your brother, your mother, and your next three generations go to jail. Like, horrible, horrible stuff. And so Music has always been utilized as a weapon by governments, always, and to assume that we're just so far along that our government would never do that, they would never utilize our culture, our music, our art, our movies, against us in a way that would not be in our best interest? No, they just let us do whatever, and wherever our culture goes, they're perfectly okay with it.  Yeah,  okay.  And, and again, this is going to be an unraveling for everybody, and I think this is maybe a really good next one that we can get into as a society, as we've already unraveled the pharmaceutical industry, the medical industrial complex, the government, the politicians, the big money, the lobbying funds, all of that has happened. Now, as a society, I think it's time for us to realize that our culture has been infiltrated for decades. The music you listen to, the movies that you watch, the TV shows on Netflix, the articles that you read, the news media that you take in, every single piece of it, the art that you consume, the art on your walls, all of it.  The most famous artists  have historically, in some way, shape, or form, and we go back to even the, the,  the idea of post modernism. Post modernism is a somewhat new artistic theme, and we're seeing that artistic theme. Play out today in our own culture,  culture is shaped by art.  So that's where they start,  right? Postmodernism is the idea that there is no true reality. You have your truth. I have my truth and there's no two plus two equals five.  And so when you realize that  that's what they want to instill in your subconscious so that consciously you accept it when they tell you that a male is not a male. A male is a floating soul with no gender binary, and women are just women, and you can just declare it by standing on top of a desk and saying, I'm a woman now, even if you don't have ovaries or the ability to reproduce.  So that's postmodernism in action, and that's one way that they took art and implemented That subliminal idea into your subconscious so that later it can be activated and weaponized against you.  And so you could say, okay, I don't know any examples of that, Austin. I couldn't imagine our CIA working alongside artists. Well, let me clue you in, my friend.  For decades in art circles, it was either a rumor or a joke, but now it is confirmed as fact. The CIA used American modern art, including the works of such artists as such as Jackson Pollock, Robert Motherwell, William de Kooning, and Mark Rothko, right? Oh, a Rothko, right? You know, like the pretty sure that's like the square and a circle or whatever, as a weapon. In the Cold War.  Interesting. In the manner of a renaissance prince, except that it acted secretly, the CIA fostered and promoted American abstract expressionist paintings around the world for more than 20 years.  The connection is improbable. This was a period in the 1950s and 60s when the great majority of Americans disliked or even despised modern art. President Truman summed up a popular view when he said, If that's art, then I'm a  Hot, hot and taught. What  is a hot and taught as for the artists themselves, many were ex communists, barely acceptable in the American, in the America of the McCarthy era,  and certainly not the sort of people normally likely to receive us government backing. Why did the CIA support them? Because in the propaganda war with the Soviet union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the United States.  Russian art strapped into the communist ideological straitjacket could not compete.  So basically what the idea was that our artists, the way of capitalism is just so much better than everything else. This free expression, the environment of freedom and democracy and all of this stuff is so amazing that we just allow brains to thrive. And artistic expression is just so much better here in the United States. And so they took Upwards of 20, what are they? It's 20 million and purchased this art specifically to prop up. It's like if you, if they funneled money into us companies. Through shell companies so that they could say that, Oh, but look at our democracy. Our organizations, our shell companies are so much more successful than Russian companies, because look at how much money they have. Well, you gave them the money so you could make that argument. That's the whole point. The existence of the policy rumored and disputed for many years has now been confirmed by the, for the first time by former CIA officials, unknown to the artists, the new American art was secretly promoted under a policy known as the long. leash  arrangement, similar in some ways to the indirect CIA backing of the journal encounter edited by Steven Spender. The decision to include culture and art in the U S cold war arsenal was taken as soon as the CIA was founded in 1947. This made that the appeal communism still have for many intellectuals and artists in the West, the new agency set up a division, the propaganda assets. Inventory,  which at its peak could influence more than 800 newspapers, magazines, and public information organizations. They joked that it was like a Wurlitzer jukebox. When the CIA pushed a button, it could hear whatever tune it wanted to play across the entire.  The next key step came in 1950 when the international organizations division was set up under Tom Brayden. It was this office, which subsidized the animated version of George Orwell's Animal Farm, which sponsored American jazz artists. Opera recitals, the Boston symphonies, orchestra, international touring program.  It's agents were placed in the film industry in publishing houses, even as travel writers for the celebrated photo guides. And we now know it promoted the America's anarchic avant garde movement. Abstract. Expressionism.  Initially, more open attempts were made to support the new American art. In 1947, the State Department organized and paid for a touring international exhibition called Advancing American Art, which the aim of rebuting Soviet suggestions that America was a cultural desert. But the show caused outrage at home, prompting Truman to make his hot and taut remark in one bitter congressman to declare, I am just a dumb American who pays taxes. For this kind of trash,  the tour had to be canceled. The U S government now faced a dilemma. The fill in the fill Philistinism combined with Joseph McCarthy's hysterical denunciations of all that was avant garde or unorthodox was deeply embarrassing. It discredited the idea that America was sophisticated, culturally rich democracy. It also prevented the U S government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s.  To resolve the CIA to resolve the dilemma. The CIA was brought in.  Hmm.  Very interesting Now this goes on and on and on. This is an article written by independent  Independent dot co dot UK and the title of it is modern art was CIA Weapon and it was written written  on Sunday the 22nd October of 1995  Super interesting article, I absolutely think that you could dive into more of the history of that, but I just want to give you that background. That's just one aspect of it, where our CIA has been a part of influencing culture through art.  Now we can go into the next part of this, which is called Operation Mockingbird.  And Operation Mockingbird was the hand in hand  CIA operation between journalists, news networks, and Hollywood.  And I myself need to do a deeper dive into this, but I had just recalled about this when talking about the Taylor Swift conversation and honestly, I didn't think this conversation would go that long. I usually have some warm up articles sometimes before I get into the deep stuff, but man, this is so interesting to me that I think we could probably sit here for five hours and talk about this.  But it really is a culture death. You go back and listen to music, go back and listen to Led Zeppelin, go listen to a CDC, go listen to any of the, the great musicians of the 1970s and early eighties before the, the, the, the fingertips of the CIA started to get into our music and. We have done nothing but go downhill as a society musically.  There's very few examples that you can give me that would even rival any of that. The very first, I'll give you a side story, go down the memory lane real quick. When I was maybe, oh, I don't know,  8 years old, 8 to 10 years old probably, my grandparents, Took me on a train ride to Chicago from Detroit to go see my cousins And I had just gotten for the train ride a new Walkman. I believe it was a gray Sony Walkman and  My dad took me to go get my very first CD for my Walkman and I ended up getting the Led Zeppelin discography So all I listened to for probably Six months was every Led Zeppelin song ever and  that is still to this day my favorite album I have the vinyl upstairs right now that I listen to  greatest band of all time in my opinion  anyways Trip down memory lane, so  We have had a cultural death an artistic death here in the United States that has been unfolding for decades you even want to talk about architecture and I would love to do an interview with somebody who could speak more on this because I'm not an architect and I don't know the history of architecture But to me you go back and you look at even go back and look at Roman times Greek times go back and look at  the Gothic eras and and go back and look at  Pyramids like there go back and look at any history of time in the last 2000 years, and you will see if you took a time machine every 100 years, you would see beautiful architecture, cathedrals, and and  political buildings and and  courthouses and schools and all of these things are so beautifully created because when people used to create architecture, they used to do it to, to please the gods. They used to do it because there's a frequency within the building that you're in. And when you walk up to it and go through that door, there's a feeling that should be associated with that. And that is dead in the United States. Go drive your car around and the only thing you're going to see is a box and a box and a bigger box and a taller box and a wider box and you drive your box by the boxes and you see the boxes and you walk home to your box and you open up the box door to get into your box room to go into your box kitchen to create something in your box oven and pull something out of the box fridge to It's an endless cycle of squares in, in our culture, in our architecture. And it's, it's so sad to me to see that we just, that that's what we live in today.  And so when we look at  whether it's Project Mockingbird, whether we look at  the CIA working hand in hand with the art within the Cold War, whether we talk about the, the historical aspects of music.  There has been  nothing but death of creativity in the United States.  Every piece of culture that has been brought here has slowly dwindled and died, and it seems to me like it died at the hands of the organizations that are being funded by our tax dollars so that they can diminish our creativity, and so that they can control You are subconscious, and I think bringing it full circle back around to Taylor Swift is that's exactly what has happened. Here  and now I do have a full article on the project Mockingbird.  Let's see how far into this Well, we did 38 minutes on Taylor Swift  So I think we can move on but I did find a substack article because it was actually a little bit interesting It's called a media manipulation the operation Mockingbird. It was written October 14th 2024 and it is from the reveal revealed. I Substack so revealed I dot substack. com and it looks like they do a pretty I don't know decent breakdown I haven't read through it all yet, but  I think 38 minutes on  on  Media manipulation and Taylor Swift is probably a good start. So  On your own time, feel free to go watch that. Here's a quick video on Project Mockingbird. Then we'll move on  real concern  That planted story is intended to serve a national purpose abroad  Came home  And were circulated here, and believed here.  Because, uh,  this would mean that  the CIA could manipulate the news in the United States by channeling it through some foreign country. And we're looking at that very carefully. Do you have any  people being paid  by the CIA  who are contributing  to a major circulation American journal? We do have people who submit pieces to other, to American journals. Do you have any people  paid by the CIA  who are working for  television networks?  This, I think, gets into the kind of, uh, getting into the details, Mr. Chairman, that I'd like to get into in an executive session.  Uh, at CBS, uh,  we, uh, Had been contacted by the CIA. As a matter of fact, by the time I became the head of the whole news and public affairs operation in 1954. Ships had been established and I was told about them and asked if I'd carry on with them. We have  quite a lot of detailed information,  uh, and we will  evaluate it and we will include any,  um,  evidence of wrongdoing  or any evidence of impropriety  in our final report and make recommendations.  Do you have any people  being paid by the CIA  who are contributing to the  National News Services, AP and UPI?  Well, again, I think we're getting into the kind of detail, Mr. Chairman, that I'd prefer to handle in an executive session.  Senator, do you think you named the new plan? So the answer is yes.  Uh, that remains to be decided. I think it was entirely in order for our correspondents at that time, uh, to make use of, uh, C. I. A. agent, uh, chiefs, uh, of station and other members of the executive staff of C. I. A. as source.  Alright, so there you have it. You can go, uh, read it through the article there, um, find it on Substack, uh, reveal. i. substack. com.  Alright, so, let's move on. on from that into the next topic, which is going to be  that in New York  over the past few days, there has been a A  bit of a debacle and one specifically between the Hasidic  Jewish community in New York and the New York police. So the New York police showed up  to a synagogue  in,  let's see here, let  me go ahead and pull it up.  All right.  Basically what happened is the police showed up and they decided that they needed to shut down a underground. Tunnel system  in New York, underneath a place of worship where these Hasidic Jews would go and  congregate.  And the idea behind this, the mainstream narrative is that the secret underground synagogue tunnels were causing destabilization  of the buildings that were surrounding it. So that's the mainstream narrative that's come out in the last day or so.  And nine of these Jews were arrested.  And now I do want to preempt this with.  Love my Jewish family.  I'm not Jewish, so I don't technically have Jewish family, but you know what I mean?  Love Jewish people. I love Christian people. I love Muslim people. I have no affinity towards any one class over the other. I have my own personal spiritual beliefs. I don't think that any religious beliefs in and of themselves make you a great or a bad person. I believe that there's Terrible people who are Jewish, and there's great people that are Jewish, there's terrible people who are Christians, there's great people that are Christians, there's terrible people who are Muslims, and there's great people who are Muslims. I've met them all.  Mostly good people across the board. I can't even look at one and be like, Hey, I've met a bunch of people in this. No, every religion has bad apples. Just like you can say, you know, there's a bunch of people who say, Oh, police are bad. No, they're not bad. There's bad people everywhere in every occupation, religion, uh,  country, uh, whatever it is.  There's bad people everywhere, in every type of thing, but mostly people are good, mostly people intend good, and I, so, there's your disclaimer,  as we go into this, because it's a very, um, very sensitive time, for this specific culture, and I get that, and so, I'm just going to preempt that. There's your disclaimer. All right. Now, everything from here forward is just me  talking, but, uh, understand it from that framework. Um, so just as we were discussing, there has been a Jewish synagogue. That was creating underground tunnels. They were digging, digging, digging underground tunnels. And so the idea from the Jewish community that was there, and this is a very specific Jewish community. It's the Hasidic Jews, the, uh, I can see if I can pull up the exact names of them here for you. Cause it, it does matter because the specific culture is known for having to deal with some very specific, uh,  um, pushback in certain situations in this small area. So this specific. Uh, Jewish culture, I believe is a, um, more Orthodox culture and I actually have a whole thing here, but  to me, it's of Russian descent and So here's the general idea is that they were digging these holes and they claim that they were digging these holes because they were six. They started digging these holes six months ago because of the COVID restrictions or they dug them during COVID because they wanted to Uh, congregate and practice their faith during a time where they were being told, no, you cannot do that.  Okay. Now there's a secondary theory, which is that they are digging these tunnels because the person that they, the, the,  the Messiah, I believe that they believe in  says that you have to consistently expand your place of worship. And maybe I'm getting that wrong because we'll get into a thread here in just a moment. Um, but let's, let's dive into the timeline of this. So on January 8th, videos circulated that showed a tunnel network under the Lubavitch, that's the specific one, the Lubavitch HQ in Crown Heights and several Jewish men being arrested. More videos show another Jewish man escaping through another tunnel and a group. resisting officers. The building was shut down afterwards.  Initially, the claim was that the tunnels were made to pray during COVID. This, according to this thread,  okay, and this thread is not, this is not CNN. This is not Fox. This is not, um, it's not a news organization. So  In, I guess, everything you hear from every organization because I'm talking about those two, too. I wouldn't believe Fox or CNN on everything either, but this is the individual account on X, so take it with a grain of salt, but this seemed to be the most, uh,  factually and organized article that I could find on this.  It says initially the claim was the tunnels were made to pray during COVID. This is most likely false. Neighbor with Mikva access, as of six months ago, no work on the tunnel had begun. Since renovation was the main reason the tunnels were noticed, they could have Um,  and now they add some receipts here, which says that the tunnel found burrowed under the women's section of 770, possibly destabilizing the building. And there's three, four other articles that are attached to this to back up the idea that they were just stating there.  And so the next thing that it states here as we go into that, and so that's the,  the general idea is that they were saying, Oh, we were doing this. During COVID because we weren't allowed to worship. Well, it seems to be that that was according to this false because these tunnels weren't started, but six months ago  now where it really started to get some fuel on the fire is during one of these videos, as these people are.  Resisting arrest. There was a, quite the scene. They're flipping over pews and creating these wall barriers as the police are grabbing them and they're pushing back and forth. And like this, this, the whole chaos ensuing inside of the synagogue.  And as that's happening, a guy is breaking down the walls and like a police officer is like, or is breaking down the walls and starting to pull people out of it.  And one of the, the, um, Jewish people that are there  pull out a mattress and on this mattress, this is a soiled mattress that looks to be whether it's old blood or,  uh, feces or something that's on this mattress. And it seems to be a small mattress. Um, Uh, that some people were saying was meant for, uh, a child and that's kind of what it looks like. Okay. But we won't make any assumptions yet, but that's, that's what's probably one of the biggest fuels of the fire. Now, the other thing that was very questionable about the situation is one of the people, one of the Jewish guys was escaping and he went through the tunnel system and he came up, right? Next to a child's museum.  Hmm. Now that's not to say that there's children in the museum, but it is to say that the museum is meant for children.  And so there has been  theories  that these individuals were using this for some sort of human trafficking.  Okay. Now again, unfounded, a couple of weird coincidences  and. Here's the side part. If these people were just digging tunnels so that they could pray during COVID, more power to them. That's awesome. You should do that. Fuck the government. They can't tell you what you can and cannot do, especially when it comes to your religious practices. So,  wholeheartedly believe that. If that's what they were doing, awesome. They should do it. Um, but, there's a lot of skepticism around maybe some more nefarious reasons why this was happening.  And so, as we go deeper into this thread and deeper into this article,  It starts to talk about some of those things. It talks about the mattress, talks about the, um, the pushing and shoving that ensued, I believe nine people total were arrested that were a part of this synagogue.    so the next portion of this says, The contents of the tunnel are very disturbing and don't seem like items extremists students would keep. A mattress with a dark stain was found. A baby high chair? Was found as well. So that's a weird one.  The crowd protecting the tunnels isn't small. They are also aren't of student age.  Here's the full video of the tunnel network that we have access to. The video shows passageways that extend that aren't explored. It's unclear whether the other passages might contain does this tunnel network look like something done in six months? So it's absolutely does not look like something done in six months. So let me share this with you here.  Um, this is.  It looks old, almost, to me. It looks like it's been used. There's, there's like, old chipped paint hanging off of door frames, and there's a big, uh, like, sand  Let me go ahead and  expand this for you here, but there's the, the high chair,  there's what looks like some wheel barrels,  a bunch of just stuff thrown around, cinder blocks thrown around some carved little tunnel doorways that they're crawling into now with a flashlight. And so as they walk back, it's just a crawl space now, essentially from the more.  Substantial part of it that is where  could have been where that person  came up into that right right outside of that Children's Museum. So that's bizarre. I don't think this was built six months ago. Again, I'm not a  archaeologist or whatever the hell you need to be to date that stuff. But it says where does the tunnel exit to using geomapping one of the tunnels exit near the local Children's Museum. It's also unclear how large the tunnel network is and where the other passages lead. As more information comes in, we will know how extensive the network is. And they show you the photos as to how they know this. This is where the video where the guy came out of it. This is the photo where they actually found that same portion of it. Um, discussion of the tunnels online has been avoided by many accounts. Some accounts claimed the tunnels were even fake. Israel War Room labeled such discussions of the tunnel anti Semitic. They claim that it's just a simple building code violation. Hmm, then why are we getting in, like, fights and arrested over  building code violations? You get a  fine for that. You don't get arrested. You don't get into pushing, shoving matches with the police over building codes. It says the label conspiracy theorist has been applied to people who believe tunnels could have been used to harm kids. No explanation has been given for the stained mattress and baby high chair in the tunnels. Is the conspiracy or is there more to the Brooklyn community?  Research reveals a dark history of sexual assault in the Brooklyn area. If you do speak out about it, you are shunned from the community and harassed. Disturbing testimony in the article speculates that the number of young boys sexually assaulted could be as high as 50%.  The community is, and there's four different articles that it attaches there. The community is very secretive and will oftentimes cover up or silence people who have been assaulted. The community is very religious and strict. If you go against the grain, the community turns against you.  Hmm. And they have a video  about this specific here with a religious look at the Satmar sect. John, good morning. Good morning. Fascinating case. And it's a case that's being watched closely Anthony, not just because of the allegation that a trusted community leader sexually abused a young girl. He was  assigned to help, but also because the trial has.  Hmm.  Okay.  So it sounded like maybe a different name of a different sect. That he was mentioning here, but within the Brooklyn area, a specific Jewish Pull back the veil, concealing the inner workings of a closed community.  The trial of the  Alright.  So, here's shuns those who have been traumatized. They send threats to the survivors, harass them, and have total control over their lives. Police confirm it is very tough to get convictions and to have victims.  While we wait for more information, here are some of the questions I and many others have about the tunnels. What was the liquid on the stained mattress? Why was there a baby high chair in the tunnel?  Has a full forensic analysis been performed in the area? Where does the tunnels lead?  Hmm. All good questions. Do any security cameras have clear view of entrances to the tunnels? If so, have they been subpoenaed? Have there been any people who reported this before the renovations in December 2023? Who anonymously  tipped off the fire department? Who used the tunnels?  How many minors entered the tunnels? Have any minors displayed behavior of a survivor upon exiting the tunnels? Okay, this is like, it's very specific. So, there's, there's the thread for you. Now, as we go into the  culture  surrounding this community that we are referencing here, which again is not just the normal Orthodox Judaism, it's not, um, it's a specific religious sect within Brooklyn. It's a very small, tight knit community, um, that are, uh, uh, uh, uh, Hasidic, uh, Yadkivik, right? Is that the name of it? So, very specific, uh, religious sect. So it says, okay. Once upon a time, it says, okay, for real. Once upon a time in Eastern Europe, a movement called Shabbat was founded. Its founder was Rabbi Schnur Zalman of Laity. This was in 1812. He was many things, among them a genius, Talmudist, and rabbi, the Kalbalist and mystic, and the rarest of things, a true original thinker. A Kabbalist, sorry, a Talmudist, meaning he follows the Talmud, um, and a rabbi and a Kabbalist and a mystic. So, there is a really interesting conversation surrounding the mystical Judaism, uh, there is a whole subsection of, of Judaism, uh, and historically much more prevalent. Back then, but that believed in mysticism and there is certain sections of this that still do, but like literal magic, um,  while a true original of, and one of, in my opinion, the greatest philosophers and theologians in the history of humankind, he was also profoundly devoted to his own teachers in the Hasidic tradition and saw himself as the natural successor. The Hasidic tradition was founded a couple of generations earlier, and one of the prophecies is connection and devotion to a master in Hasidic parlance above all. Hasidism love and devote themselves to their rabbi as the one who helps connect the soul of the Jew with godliness. Okay, sounds a little bit like Catholicism, right? The aspect of Hasidic Judaism made into a lesser extent continues to make some people nervous. However, it has also been extremely thoroughly defended and broadly accepted as a legitimate manifestation of Judaism, which always has its Moses, Rabbi Akiva, and Vilna.  And again, this is a single account. This isn't a religious text. This isn't a official person that is sitting here giving me this information, but it is, seems to be pretty legit to me. Um, but I haven't done a ton of research on the theology behind Hasidic mystic Judaism. Um, Rabbi, Rabbi Schnur Shabbat, uh, Rabbi Schnur Zalman Shabbat movement. So it's the Shabbat. Hasidic Judaism is one movement within a much broader Hasidic world full of dynasties of Rees, which each of their own rich traditions in ways, and it's R-E-B-B-E-S, not rabbis, although it is not a widely studied, they're al always emphasized point has has Hasidism  Hasidism as part of their devotion. Generally see their rabbi as a Masonic figure. The word is loaded and makes people extremely uncomfortable. It may worth pausing briefly to explain that Hasidism is seen by,  um, the founding of the movement as a redemptive revelation of Torah, a movement whose original Geist is to raise the Jewish people from the spiritual and physical malaise of exile and return them to their deepest soul and identity, a holy nation. with God.  The more that holiness and redemptive soul is brought into the world, the more the time of the general redemption, the macronism of that inner redemption draws near. The rabbi is a Torah of flesh and blood, that general reality in state instantiated in a holy and saintly individual.  Uh, so much for the brief explanation. They said fast forward to the 20th century, the descendant of Rabbi Schnur Zalman, Rabbi Joseph Yitzhak of Lubavitch  survives imprisonment. and near execution by the KGB in the Nazi bombing of Warsaw, and after much deliberation, moves to New York City. Wow, that's wild. the known reasons for this choice are varied. Some are spiritual, New York becoming a center of influence on world Jewry.  Not sure that's a word. Um, and some are very pragmatic. The Jews of the U. S. are already monetarily feeding most of the Eastern Bloc Jewry.  Thus, the sixth Lubavitcher rabbi, Lubavitch is a tiny town in Belarus that has the home of the longest surviving branch of the Shabbat movement, um, comes to Brooklyn and moves into 770 Eastern Parkway in Crown Heights. The sixth rabbi passes away in 1950 and is succeeded by his son in law and distant cousin, Rabbi Menchem, Mendel Schneerson. In 1951, though he doesn't live in the building, 770 is where his office is located and remains the HQ of the Shabab movement.  Now you have to understand the Shabab movement in the U. S. in 1951 can practically fit into a single small room. It is a tiny poor immigrant community, remnants of a world for that the Nazis and Bolsheviks destroyed between them. They had nothing, no resources, no connections, barely any English, a tiny immigrant community in what was then a prestigious middle class Jewish neighborhood in Brooklyn. What they got in 1951, however, was capital L leadership. Not sure what that means.  The 7th Rebbi, henceforth the Rebbi, declares in his first official speech as Rebbi that this is the generation that will bring a final end to exile and usher in the messianic age. He declares this about a long room full of people.  He then sets about changing world Jewry.  Again, don't know if that's a word. Books could be written about the Rebbi and have been, but suffice to say the Rebbi creates from nothing a mass movement devoting to hunting down and love the Jews that Hitler hunted and hatred. I'm not going to read all of it. hunting down  in love, the Jews that hunter, that Hitler hunted in hatred with bringing Torah and mitzvoth, in love. The commandments to every single Jew. Shabbat centers, so it sounds like they're trying to just expand among all of the Jewish people. Shabbat centers with no central funding whatsoever, by the way, are opened all over the world. The rabbi pushes and pushes for a single Jew to perform a single commandment. He seeks to revive a broken and orphaned generation. He expands Shabbat and massive global movement.  All of this is just an atheist, know nothing  All of this is just what an atheist know nothing can appreciate about the Rebbe. He barely slept and was totally publicly devoted to other people for decades. Stories of Jews and non Jews meeting with him are countless, and always he emphases the imminent redemption and how to get there.  Okay, now it says we get to the sensitive part of the story, but I'm going to try to stick to simple public fact. The Rebbe's emphasis on, um, The Messiah grows greater and greater in his final years of leadership. The Rebbe passes away in 1994. The Rebbe's Hasidism very much believed, and believe, that if anyone in this generation was a candidate to become the final Redeemer according to Jewish law and tradition, it was and is the Lubavitcher Rebbe. However, following the Rebbe's passing, as the dust settles, there is a bit of a split.  Some hedonism fervently believe that spreading the awareness of the Rebbe as the Redeemer is a core part of bringing about the Redemption. They are the Masik, Mes, Mesh, Ikitism.  M E S H I C H I S T I M. Their flag is yellow and ubiquitous. The majority of Hasidism and ever growing consolidated core of Shabbat official organs believe that this is not the Rebbe's will. Okay. Um.  Now another issue, 770, the home and place, let's see if there's anything specific we want to get into here. Uh, now you know a lot about a certain subsection of Jewish culture that you probably never needed to know so much about. Um, another thing you should know is that even beyond the, by now, old distinction between, uh, the maschicatism  and the anti S, as they are known, Shabbat is highly decentralized and full of typical politics. Territorialism fights over money and all sorts of very human issues.  Okay,  uh, let's see what else.  Um, this person is very thorough in their study of this.  Um, and so, to the current contremps, you have a global, decentralized, massively successful organization that runs charities and synagogues and helps Jews with problems, physical and spiritual, all over the world  with an official HQ partially occupied by something like a street gang. Sounds like we missed that part, but I'm not going to go back for you. Um, and so, uh, This basically just says they're not above violence to claim their own turf. There's a big turf war between that split off between one subsection of this and the other subsection. In any case, this week, the actual ownership of 7770 called the cement trucks to repair this damage and stop the progress on the expansionism. Um  Interesting.  Uh, basically it says that as a result of this expansionism and taking over this territory, they wanted to, uh, start breaking into,  uh, the, the, so basically one portion of this subsection lives in the top floor and one portion lives on the bottom floor. And so, uh, you have a global decentralized, right? Like a streaking. This, uh, Fat Tim. have taken upon themselves in recent months unilaterally to expand 770. Their way was doing was starting to break into an adjoining basement. The main synagogue of 770 is in the basement and old decommissioned ritual bath. Or mitzvah.  770 is indeed, which a mikvah is basically where you're supposed to go bath, bathe yourselves. Women are supposed to go there before they have their period. Men are supposed to go there before and after they have sex. It's like a, it's like you cleanse yourself in this area. Um, 770 is, Uh, is indeed far too small for the massive number of people who wish to pray there, study there, or something that more and more Hasidism have been seeking a proper solution to for years. However, a bunch of teenagers breaking down walls in their free time, you be the judge. In any case, this week, the actual ownership of 770 called in the cement trucks to repair this damage and stop the progress on the expansion. Um, the Fatim responded territorially, the police became involved, and you have videos of Yeshiva students escaping arrest through sewer gates. I think that's most of the factual context. You're welcome.  Wow! Uh, okay. Super super interesting.  Uh, if you wish to read more about these topics, here are some good books. The Philosophy of Shabbat by Rabbi Nisan Mindel, The Rebbe's Army by Sue Fishcough, and Rebbe by Josef Tolskien. Hmmm.  Very interesting.  Uh, the broad interest in this story on Twitter and beyond is largely antisemitic with filth like this, uh, is a dime a dozen. Looks like something was, uh, deleted there. Um, interesting. Okay. So this makes much more sense to me and I think was probably. important to actually get into the details on, uh, then, uh, then  long term human trafficking under the streets of New York. Uh, so we have come to a conclusion and that is I vote. Not human trafficking. That is my, that is my conclusion here. I have debunked this, uh, maybe not completely, but it seems much more likely that that was the case, is that there's a bunch of territorial, uh, Jew fights going on and they're fighting over territory and expanding their territory and the landlord called on them and they were digging into the basement and now we see what we have. A little weird that there was a high chair.  There, so there's your competing threads, I guess, and one thread being these, uh, this Jewish sect is creating underground tunnels for human trafficking, the other one being this is a territory war between very  somewhat poor, um, and,  uh,  emotionally charged organizations for territory. Um, so that, that seems to make a lot more sense to me guys than, than underground human trafficking. Jewish rabbis.  I don't know. Um, but there is some articles out there of, of, you know, just as you can find for Christians and Catholics of wrongdoings, which if that's the, the  ruler that you measure everybody's affiliations by, then you can basically say that everybody is running a human trafficking organization then, I guess.  All right, so let's move on.  The last thing that we're going to talk about, and we're going to talk about this somewhat briefly, is the fact that, uh, and let me go ahead and actually just pull this article up, because I haven't been, I haven't had time to read through this completely yet, because this just happened. So, this is breaking news, is the fact that the United States and the UK coalition conducted a strike  on Houthi rebels. A joint strike, and So, as this article loads, we'll learn more and more, but I guess the, the, uh, the concern around this is that the reason that,  the concern around this is obviously that the Houthi rebels are backed by Iran. Right? So, this is, this comes from Fox News, and it says, hold  this over a little bit.  Alright, this comes from Fox News, where it says,  as it loaded and unloaded on me, um,  That the U. S. and U. K. coalition strike  Iran backed Houthi targets in Yemen after spat of ship attacks in the Red Sea. So you've been hearing this back and forth, right?  The drone strikes, and the aircraft carriers shooting down the drones, and all of this has been going on with these rebel militants that are backed by Iran. And so what I think is interesting is it's always Iran backed militants.  Is, is, are Ukraine, in every article by Russia, U. S. backed?  Ukrainian militants?  Do they? I'm sure they understand the proxy war just as much there as we do here, right? So if we're calling that every single thing, it's not it's not a war with Houthi rebels. It's a war with Iran. And that's what they're preempting for us. And that's that's what the priming that we're seeing here is before they put Houthi, they put Iran backed and that's for a reason. So Yemen's Iran backed Houthi militants have stepped up attacks or commercial on commercial vessels in the Red Sea and  It says the United States and Britain carried out a series of strikes on military organizations and locations belonging to Iran backed  Houthis in Yemen early Friday in response to militant groups ongoing attacks on vessels traveling through the Red Sea. Fox News is told that there were attacks on more than a dozen Houthi targets by air, surface, and subsurface platforms. The attacks were carried out with support from Australia, Netherlands, Iran and Canada, a U. S. defense official says the U. K. contributed aircraft.  President Biden said he'd authorize strikes in direct response to unprecedented  Houthi attacks against the International Maritime Vessels in the Red Sea, including the use of anti ship ballistic missiles for the very first time in history. These Houthi attacks, Biden said, have endangered U. S. personnel and its allies and have threatened freedom of navigation.  These targeted strikes are a clear message that the United States and our partners will not tolerate attacks on our personnel or allow hostile actors to imperil freedom of navigation in one of the world's most critical commercial routes. I would love to hear President Biden say imperil freedom of navigation together. That would be impressive.  I will not hesitate. He said to direct further measurements to protect our people.  And the free flow of international commerce as necessary.  The strikes came shortly after the White House called a lid on President Biden's engagements for the evening as he was not expected to discuss the matter publicly. It follows news that the Defense Secretary Lloyd Austin had not notified the President or other officials of his whereabouts for several days. Okay. A joint statement from the government

Terrance Stamp, Hugo Weaving, and Guy Pearce on a road trip to a drag performance run in central Australia in 1994. What more could you want? Brother J and Eric discuss The Adventures of Priscilla, Queen of the Desert.   Housekeeping starts at 51:50.  The brothers discuss the original Sony Walkman, ABBA cassettes, winter weather and roof loads, Lego, the Atari 2600, and dog drugs.   File length 1:17:51 File Size 59.3 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

1. Postcards from some possible futures, sent to me by Elliot P. Montgomery 2. A Magazine from the Future in which autonomous vehicles are about as normal, ordinary, and everyday as television remote controls, wheels on luggage, and laptop sleeves. 3. Androids Dream of Electric Sheep, our pulp pop-psychology paperback from some future in which Sony's Aibo became as popular as the Sony Walkman and now, well — they're just here, and about as ferocious as a cuddly cute robot dog. https://magazinefromthefuture.comhttps://shop.nearfuturelaboratory.com... * Exploration of Possible Futures through Artifacts: The use of creative artifacts like postcards, magazines, and books to explore and represent possible futures. These artifacts are designed to augment traditional, analytical approaches to future studies with imagination and sensory experiences. * Design Fiction as a Tool: The value of design fiction is that it's a method that translates ideas and scenarios about the future into tangible, visual forms. You can think of Design Fiction's translation of research analysis into something engaging as an analog to the way a screenplay becomes an immersive, engaging visual story when it is made into a film. Design fiction serves to make future concepts more relatable and understandable. * Some Examples of Artifacts I've Created * Magazine from a Future with Autonomous Vehicles: Created for a client, this magazine represents a world where autonomous vehicles are commonplace. It was developed through workshops with various researchers and designers, capturing collective hopes, fears, and expectations. * Book from a Future with Ho-Hum Androids: Imagine a world where androids are as common and non-threatening as a Sony Walkman. I created a book from that world — a pop-psychology analysis of the Android psyche. * Imagination and Speculation: It's important to imagine and speculate about different futures, considering the wide-ranging implications of technological advancements. Design Fiction presents the useful challenge to think beyond the immediate and apparent effects of new technologies. * Cognitive and Sensory Engagement: Design Fiction is a way to create more immersive and sensory engagement with future scenarios, moving beyond traditional, data-driven methods. Design Fiction emphasizes the role of imagination and creativity - the making of artifacts from these futures — in making future studies more accessible and emotionally resonant.

In today's PodPops episode, Ginni breaks down the history of the first mass-produced portable audio device - the Sony Walkman. Tune in to learn about why it was invented, why no one was particularly impressed with it at first, and the eventual huge cultural impact that it had. Hosted on Acast. See acast.com/privacy for more information.

Good morning Dropouts. I hope every single one of you skipped out on your education to stream the 2023 Fanfest at London. The event brought as much FFXIV-related merriment as you'd expect, but the real meat of the show (aside from the thicc monster-meat steaks being grilled up by the Mamool Ja) was the new Dawntrail trailer and the new job reveal: Viper. Oh, and there was news about the next Alliance raid being based in the world of Final Fantasy XI. Rest assured, Victor has things to say about it. Actually, we all have a lot of things to say, so slip this tape into your Sony Walkman and turn it up when your teacher turns her back.  Spoiler Warning Level: Yellow. Past game content comes into our discussions about Dawntrail, but we don't focus on any story specifics. 

Cardiovascular disease is the leading cause of death in the US. Clifford Thornton explores the impact of technology on medical devices, cardiography and treatment, with Jim Cagliostro.   Episode Introduction  Clifford explains the two types of echocardiograms, the benefits of 3D versus 2D echoes, and why it takes $72 million and a decade to launch new medical devices in the US. He also highlights how spending on cardiovascular care has risen to $600 bn a year and offers a Top Gun analogy to emphasize why healthcare leaders must carry out competitive and environmental scans.    Show Topics   Two different types of echocardiogram  Advances in technology have transformed echocardiography 3D echo versus 2D echo A $72 million barrier to new technology  Choosing the right medical device for your patients Staying ahead in your market (learning from Xerox)      05:50 Two different types of echocardiogram (echo) Clifford said there are two main types of echo, surface and invasive.  ‘'So to really answer your question, echo is basically an ultrasound or sonogram of the heart, which is why we also refer to it as a cardiac sonogram. So those who perform this test are called an echocardiographer technician or a cardiac sonographer. There is a movement to change it to an echo specialist. Some people are not so thrilled with the technician annotation. I don't have a problem with it, but there's some discussion around that just for everyone's awareness. Of course. So echoes, they can be broken down into two main types and they basically use a different type of probe. One is on the surface and one is invasive. I say invasive, but through the esophagus. I guess it is invasive. The more common and more easily performed surface echo, or you can call it a vanilla echo, is the transthoracic echocardiogram, which we also call a TTE as an acronym….So that's the one type and the other, and this is a little more complex, this requires a healthcare team, a clinical team. So it requires the performing cardiologist, whereas the surface echo and echo tech can do it alone, just the tech and the patient.‘'   10:34 Advances in technology have transformed echocardiography Clifford said both patients and healthcare employees benefit from the impact of technology.  ‘'Look where we've gone from our Texas instrument scientific calculators to smart watches. And I remember always running with the Sony Walkman, the Sony cassette Walkman and the Discman, and now we have iPods. So echo is no different. It's amazing, right? To answer that, echocardiography and its related technology because as we know, it relies a great deal on technology. So meaning the design and engineering of the cardiovascular ultrasound systems, it has actually evolved immensely since the beginning, and that was about 40 years ago. You see as techs, we joke around about those early machines that were beef, like little tanks to push around. And just like other techs, they've gotten more and more compact and lighter. And that of course makes techs' lives much easier and more ergonomically friendly. I'm sure you know from a nurse's standpoint, how important that is. Actually, the number one occupational injury for nurses is moving patients in the country, ergonomics. So we as techs love these new machines, me included. So for example, one thing I love about what's called the Philips iE33 system, it's one of their more modern systems is that the monitor actually pivots for angles in different directions to so many physicians. It's really neat. So since I'm actually an oddball, lefty scanner, most echo scanners are righty, for me that's super helpful. Most ready techs, they're facing away from the patient, but the positive for lefties is I'm facing the patient. They can actually look at the screen. So this type of flexibility with the machines, it's a godsend, especially for bedside echoes where we go and do the echo in the unit.''   13:17 3D echo versus 2D echo Clifford said 3D echoes give a more real perspective of the heart, enhancing interventional procedures and patient care. ‘'Really though, the most meaningful advance for echo, what really has changed, it has been the growing availability use of 3D echo versus the standard 2D. So there's been a growing availability of 3D echo over the last decade or so. And today I would say there's about 75% of availability of 3D echo….about 35% of all US labs probably use it routinely. So you can see it's become pretty standard. The clinical benefit, it may not be readily apparent sometimes, but I thought it was pretty neat. I definitely found it to be a more real perspective of the heart. But there really is a benefit to the 3D TEE, and it actually plays a pivotal role in the growing prevalence of interventional procedures. Especially things like transcatheter valve replacement. Some other important advantages of the 3D echo include it eliminates geometric assumptions, quantifying complex geometric shape volumes, the ability to view structures from any perspective, and also assessing a lesion in what we call simultaneous multiplane. So with 2D echo, as tech cardiologists, we have to kind of imagine things, but the 3D gives it more of this real visualization.''   17:17 A $72 million barrier to new technology   Clifford said it takes a decade and $72 million to launch a new medical device in the US.  ‘'On average, it costs about $72 million to start a new medical device in the United States. You need a good amount of money. It's a dynamic, but very challenging intersect between the medical science and business. But I would say the main challenge with all this is it takes around a decade, and I know you're very familiar with this, it takes around a decade or more to develop and refine and test these medications and new medical devices. What could happen in the span, the market evolves and you see new entrants, the economy changes. So this timing aspect, Jim, it's really difficult, extremely difficult. Also, unfortunately, we've seen a lot of biotech, venture capital firms actually exit the United States or pull back significantly. I think the risk is scaring a lot of people. Very risky. For those launching something in this space, some advice. I would say, you really want to make sure it is quite novel and really have a compelling case and the proof of concept, that's your bread and butter. That's a critical early milestone.''   20:39 Choosing the right medical device for your patients  Clifford explained the key elements hospital leaders should consider in choosing the right medical device.  ‘'Yeah. That's another very important question. It's become difficult to sort through it. You're right there. So my underlying philosophy that I learned from experience and also by studying a lot of successful leaders is that you want to always aim for high quality and strong results. Okay? You want to have your binoculars pointed in the right direction and everything should fall behind that. With that being said, I think the key for hospital leaders is, one, they want to look at how the technology, how it fits into their existing suite of services and how it aligns and how it can bolster their existing services. Two, they must consider if they have the infrastructure, the staff and the resources to support a certain program, say like what we talked about, their percutaneous valve replacement. If they don't have the tools, it doesn't mean never, it means now they need to start building and selling a business plan to amass that capability on all levels, which means the tech, the staff, and related expertise and the infrastructure. Build a business case for that. There are then... Of course, we talked about before with the medical device tiers, the regulations. You got to take that into account.''   28:59 Staying ahead in your market (learning from Xerox)   Clifford said competitive and environmental ‘'scans'' are vital with rapid advances in technology.  ‘'And finally, I think this is really key. We talked about this, the piece of change. We talked about the windows of opportunity and so forth, and what we need to do or leaders need to do, and I mean they need to do this constantly and also rigorously, is to do what we call from marketing people, we talk environmental or competitive scans. And the reason for this is you never know what technology or competitor can come out of a field or to identify new opportunities. A lot of people know Xerox was invented some of the early internet technologies, but they just didn't capitalize on it. They maybe didn't look at the competition out there. And now we have Google and there was Netscape and then Google, and the leaders out there. Now Google almost dominates online advertising. So you want to be aware of what's out there…. on average today, companies have only about a three-year window to make a profit on a given product or service.''   Connect with Lisa Miller on LinkedIn Connect with Jim Cagliostro on LinkedIn Connect with Clifford Thornton on LinkedIn Check out VIE Healthcare and SpendMend    You'll also hear:    Inspiration from his uncle, and a passion for fitness; Clifford's journey into cardiology.  Putting the power of a human heart into context: ‘'They say in a lifetime an average heart pumps enough volume of blood to fill more than three super tankers. So just to give you a picture that equates to around 1 million barrels of blood.'' Why a good pair of shoes is critical working in cardiac care: ‘'….for one of my first or early echo jobs in Naples, Florida, the job description listed the ability to walk, I kid you not. seven miles per day as a requirement for the job.''   Keeping the focus on people: ‘Just an example, in New York state, they just made a certain nurse to patient ratios mandatory, meaning it's a state law in their intensive care unit. So they have to adhere to these nurse to patient ratios in all New York ICUs now. So managers, they need to work around all these kinds of things and take it into account.''   The cost of treating cardiovascular disease: ‘'…shortly after Medicare was instituted, cardiovascular spending in the United States jumped to around 100 billion a year within 10 years. Today that figure how much we spend on cardiovascular to treat cardiovascular disease in the US is 600 billion a year. And globally, I would say it's around 1 trillion.''   What To Do Next:   Subscribe to The Economics of Healthcare and receive a special report on 15 Effective Cost Savings Strategies.   There are three ways to work with VIE Healthcare:   Benchmark a vendor contract – either an existing contract or a new agreement. We can support your team with their cost savings initiatives to add resources and expertise. We set a bold cost savings goal and work together to achieve it.  VIE can perform a cost savings opportunity assessment. We dig deep into all of your spend and uncover unique areas of cost savings.  If you are interested in learning more, the quickest way to get your questions answered is to speak with Lisa Miller at lmiller@spendmend.com or directly at 732-319-5700.

Doug bought a Sony Walkman (not one that plays cassettes), and we discuss personal music players, as well as boom boxes, which were collective listening devices. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: The Zen of Everything, Buddha Basics 02: Dukkha Sucks (https://www.zen-of-everything.com/80) Rude Boy (https://en.wikipedia.org/wiki/Rude_Boy_(film)) (don't watch this movie) Our next tracks: Sugarhill Gang: Rapper's Delight (https://amzn.to/3KCRhBa) ABC: The Lexicon of Love (https://amzn.to/3KH9z4f) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

Rob Hart was fortunate enough to take lessons with the great Steve Smith for over 20 years and he recorded many of them on his Sony Walkman or Steve's studio rig! Rob shares 7 great clips from his lessons with Steve Smith that cover things such as playing in odd time signatures, perfecting your hi-hat foot, maximizing time on your drum set and much more! Rob Hart has taken lessons with many great players and we will cover more on future episodes of this mini-series, but this particular episode gives you a glimpse of what it was like to take lessons with Steve Smith at his personal recording studio in the mid 1980's! Check out Rob Harts Drum Studio on his website: https://www.robhartdrumstudio.com/ Rob Hart's YouTube channel: https://www.youtube.com/@robharttrio Here is Steve Smith's website: https://www.vitalinformation.com/ Steve Smith on YouTube: and here is a link to Rob's original episode of the podcast which breaks down a Tony Williams clinic from 1982: https://www.drumhistorypodcast.com/episodes/search/rob%20hart Thank you to my friends at Bloo Goose Classical Percussion / Atlanta Drum Shop for sponsoring this episode! - https://bloogoose.com/ **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast

Mikor nincs nálam a Steamdeck.Diablo Immortal. Alvásminőség. BFR edzés. Sony Walkman. Wham! Dokumentumfilm (Netflix). Mission Impossible Dead Reckoning. Silo (AppleTV), Secret Invasion (Disney plus).

How the Sony Walkman paved the way for the iPod and streaming a million songs, TV shows and movies from our smartphones.

Today's guest changed the trajectory of my life forever. When I was just 11 years old, I heard the song Xpander by Sasha for the first time. That EP opened me up to the world of electronic dance music which would change my career and my life for the next sixteen years and beyond. From that moment forward nobody ever saw me without wearing a pair of headphones, without my trusty little Sony Walkman, listening to all of these albums – Global Underground, Airdrawndagger—all of this deep house music from around the world. I didn't know it at the time but the creator of this and many other world-changing electronic records was Charlie May, ghost producer extraordinaire. Over the years he's made pivotal tracks with Sasha, Spooky, Junkie XL, and a who's-who of top underground artists for the last several decades. You might not know his name but that's exactly the point. You should. His works have shaped the current electronic scene, taking us from a time when DJs were uncelebrated and underpaid weirdos in the corner of a room to this massive celebrity industry that we see today. This week all the music in this episode is an original creation of Charlie May—I would strongly encourage you to check out Charlie's Bandcamp for more of his work. ➡️ https://charliemay.bandcamp.com/ ➡️ Highlights: https://rosspalmer.com/charlie-may

When the Sony Walkman arrived in 1979 it not only changed the way we experience audio, it also changed the way we experience the world. Suddenly listening was a private experience and everyone with headphones on was experiencing their surroundings with a different soundtrack. Radiolab senior producer Simon Adler created a five part series for the podcast and a new live performance about the transformations spawned by that easy access to audio through the cassette tape and Walkman. We talk with Adler about the impact of the cassette tape across the globe – from opening communist China's ears to rock and roll through our exported plastic trash to delivering hypnotic self help messages straight to listeners' souls. What's a cassette tape that changed your life? Guests: Simon Adler, senior producer, Radiolab

Secret Origins. Comic & Writer Alexandria Love heads to the mall, puts a cassette of A-ha in her Sony Walkman, and meets up with Ivan & Red at the American Girls store to talk HBO Max's The Last of Us for at least one more episode. Also, check out Red & Maggie Tokuda-Hall's podcast, Failure to Adapt, available on Spotify, Apple Podcasts, or via RSS As always: Support Ivan & Red! → patreon.com/boarsgoreswords Follow us on twitter → @boarsgoreswords Find us on facebook → facebook.com/BoarsGoreSwords

Grab a bottle of Fruitopia and your Sony Walkman, because Christine and David are taking us deep into the behind the scenes depths of the dude ranch.  Being on Nickelodeon before it was cool, playing second fiddle to the ‘Network kids,' and…oh, did we mention…having your first love be your co-star! You read that right, Christine and David had an on set romance! But they haven't spoken about the break-up…until now. AWKWARD!   We won't spoil any more except to say that hearts were broken and the only thing worse than a first love break-up is watching your Tamagotchi Die.See omnystudio.com/listener for privacy information.