Podcast appearances and mentions of William Hope Hodgson

There's a whole host of stuff mentioned in this episode. First, there's some Movie Monday feedback from Jason Connerley, then I speak a little bit about the possibility of recreating Kane Parson's Backrooms (2026) at the gaming table. Here's Bob World Builder talking about it https://www.youtube.com/watch?v=iBPaGuWnNmg Ben Stiller's Severance, my new favourite thing. A few things I picked up recently from Beyond Cataclysm; Donn Stroud's Ruination Pilgrimage bundle and Eely Moon's The Fangwitch's Falls. Here's the Quinns Quest review of Jeremy Strandberg's Stonetop https://www.youtube.com/watch?v=wH5-uQj4uOA Here's Cody Barr's Zones, perfect for solo play. Find tips for playing solo at Legends & Dice Cafe https://youtu.be/K0tT1ZKlPJU?is=ZM_A301Gk6psNdvN Ishirō Honda's Matango recommended by Roy Vieira as inspiration for TerrorFormed https://free-thrall.itch.io/terrorformed You can here The Good Friends of Jackson Elias discussing it here https://open.spotify.com/episode/2UxRstQ6aPeUu8ySe4Uxsu?si=VB0CSTulSKKlElAtIXfo8w&utm_source=copy-link Here's a better picture than the one I took of Jon Hodgson's Cold City/Hot War 2nd edition slipcase from Handiwork Games. Honourable mentions: Chaosium's Call of Cthulhu, Andy Goodman's Grizzly Peaks Radio, Goblin Archive's Liminal Horror, Pawel Kicman's Corp Borg, Chris Lowery's Mörk Org, William Hope Hodgson's The House on the Borderland. Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ In honour of the legend that is Tim Curry, who sadly passed on last month, I've chosen the comedy mystery Clue from 1985, directed by Johnathan Lynn. That episode will air on the 28th of September, so please submit your message by the 26th to ensure you can be included in the episode. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Welcome to episode 763. We have one classic tale for you, about a derelict mansion that may not be so deserted after all.COMING UPGood Evening: Thank-you: 00:01:06William Hope Hodgson's The House Among the Laurels as read by Brian Rollins: 00:03:32PERTINENT LINKSSupport us on Patreon! Spread the darkness.Shop Tales to Terrify MerchBrian RollinsBrian Rollins on XBrian Rolliuns on BlueskyOriginal Score by Nebulus EntertainmentNebulus on FacebookNebulus on InstagramSPECIAL THANKS TOOrion D. HegrePaul BelcherSupport this show http://supporter.acast.com/talestoterrify. Hosted on Acast. See acast.com/privacy for more information.

It's the finale for our continuing fourth collection with"The Voice in the Night" by William Hope Hodgson.

This month's story is a listener request! My thanks to Dr Monkeyface for the suggestion.Far out at sea, the crew of an oceangoing vessel are faced with a mysterious and horrifying foe lurking somewhere in the thick impenetrable mist that surrounds them.If you're enjoying these stories, why not buy me a nice cup of tea? ⁠⁠⁠⁠⁠https://ko-fi.com/mrspikesbedtimestories⁠⁠⁠⁠⁠.Mr Spike's Bedtime Stories theme and incidental music composed by Graham Walmsley.Graham is the creator of role playing games including 'Cthulhu Dark' and 'Cosmic Dark' and you can find him on Substack at ⁠⁠⁠⁠https://grahamwalmsley.substack.com/⁠⁠⁠⁠ and Bluesky ⁠⁠⁠⁠@grahamwalmsley.bsky.social⁠⁠⁠⁠If you are enjoying these tales, why not leave a review on your listening platform of choice.My thanks to Scott Dorward for audio post-production processing.

A welfare check on an elderly recluse draws a man into an otherworldly conflict spanning decades and dimensions.  Adapted from "The House on the Borderland" by William Hope Hodgson.  CW: Includes themes and depictions of Cosmic Horror, Grief, Animal Attacks, Animal Endangerment, and Potential Violence & Death.    Starring Harold Octavius Jacob, Sean C. Sanders, and Shanda Gardner.  Written & Directed by Jonathan Inbody.  Editing & Sound Design by Jeff Lavin. Music by Samantha Hunt.  Episode Art by Jon-Michael Marinell.   Full series credits, sound effects attribution, and links to social media can be found at https://www.graymatterhorror.com/  If you like the show, leave us a 5-star rating and review on Apple Podcasts or Spotify!  For ad-free episodes, behind the scenes commentaries, and more, join the Gray Matter Patreon at https://patreon.com/graymatterhorror  Buy Gray Matter Shirts at https://www.teepublic.com/user/graymatterhorror 

Was für ein wildes Finale, und zwar mit Special Guest: Der Horla ist wieder da! Außerdem erwarten uns pilziger Infektionshorror, nächtliche Alptraum-Besucher und Tierwohl wird im Haus an der Grenze von William Hope Hodgson anscheinend auch nicht gerade groß geschrieben. In den letzten Kapiteln der Geschichte bekommen wir es noch mal mit einer diffusen Menge unterschiedlicher Horror-Tropes zu tun. Sollen wir Hodgson für seinen bewussten Umgang mit unserer Erwartungshaltung bewundern oder wütend darüber sein, dass er uns mit falschen Hoffnungen auf einen wieder lebendigen Pepper trollt? Entscheidet selbst! --- In der nächsten Folge lesen wir Hinab in den Maelström (A Descent into the Maelström) von Edgar Allan Poe. Hier findet ihr eine kostenlose, digitale Ausgabe auf Deutsch: https://projekt-gutenberg.org/authors/edgar-allan-poe/books/hinab-in-den-maelstroem/ Und hier geht's zum englischen Original: https://poemuseum.org/a-descent-into-the-maelstrom/ --- Unterstütz uns auf Steady für noch mehr Content abseits der Literatur

Adrift on a vast and moonlit ocean, a lone ship encounters a desperate voice crying out from the darkness. What begins as a strange maritime encounter soon unfolds into one of the most unsettling tales in classic horror literature. As the narrator listens, a horrifying story emerges—of isolation, decay, and a creeping, unnatural transformation that...

In an old private chapel attached to a country house, a trusted servant keeps night watch beside the ancient altar, alone behind a locked door. By morning he is found dead, a dagger from the chapel's peculiar mechanism driven clean through his heart—though no human hand should have been able to strike the blow. No tracks, no witnesses, only the oppressive sense that something in that dim, little sanctuary has moved unseen. As Thomas Carnacki retraces the dead man's final hours and tests the chapel's sinister contrivance for himself, the silence around the altar begins to sound like an answer of its own. First published in the 1909 collection The Ghost Pirates, A Chaunty, and Another Story, “The Thing Invisible” later appeared in The New Magazine (January 1912) before being collected in Carnacki, the Ghost-Finder (1913). The story is in the public domain. William Hope Hodgson (1877–1918) was an English writer of sea stories, supernatural fiction, and weird horror. He is best known for his visionary novels The House on the Borderland and The Night Land, as well as his stories featuring the occult detective Carnacki.

We're back and complete or third collection. This week it's: "A Tropical Horror" by William Hope Hodgson. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back and complete or third collection. This week it's: "A Tropical Horror" by William Hope Hodgson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Esta noche tenemos el privilegio de estrenar un nuevo relato de terror del maestro William Hope Hodgson. Con la traducción de la gran Caridad Carnero Jurado, "Un Horror Tropical". Con nuestros habituales delirios sobre Monstruos Marinos, vuelven los terrores abisales a Noviembre Nocturno. ^(;,,;)^ No se lo pierdan amigos... Sigan a Cari para más traducciones aquí: https://www.instagram.com/mekancorvus/ Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

"Al final me di cuenta de que solo era un hombrecillo a bordo de un pequeño barco en mitad del vasto océano" El autor británico William Hope Hodgson fue sin saberlo, uno de los más influyentes escritores de horror sobrenatural de su generación. A lo largo de su vida, sus textos a penas le proporcionaron ingresos, muchos de sus relatos no se publicarían hasta después de su muerte durante la primera guerra mundial. Su fama se acrecentó de manera póstuma, y fueron otros escritores y lectores del género los que reconocieron la importancia de su legado. Demonios del mar fue publicado por primera vez el 5 de octubre de 1923, en la revista Sea Stories. forma parte de la colección de relatos marítimos que Hodgson desarrolló inspirándose en muchas de las mentadas experiencias. Hodgson nunca perdió su fascinación por el mar, pero la dura vida entre marineros le pasó factura, sufro el maltrato y desazón de un oficio duro y poco agradecido… No se pierdan esta maravillosa compilación de Los Mares Grises Sueñan con mi Muerte , con la edición y traducción de José María Nebreda… https://www.valdemar.com/libro/los-mares-grises-suenan-con-mi-muerte/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

"Al final me di cuenta de que solo era un hombrecillo a bordo de un pequeño barco en mitad del vasto océano" El autor británico William Hope Hodgson fue sin saberlo, uno de los más influyentes escritores de horror sobrenatural de su generación. A lo largo de su vida, sus textos a penas le proporcionaron ingresos, muchos de sus relatos no se publicarían hasta después de su muerte durante la primera guerra mundial. Su fama se acrecentó de manera póstuma, y fueron otros escritores y lectores del género los que reconocieron la importancia de su legado. Demonios del mar fue publicado por primera vez el 5 de octubre de 1923, en la revista Sea Stories. forma parte de la colección de relatos marítimos que Hodgson desarrolló inspirándose en muchas de las mentadas experiencias. Hodgson nunca perdió su fascinación por el mar, pero la dura vida entre marineros le pasó factura, sufro el maltrato y desazón de un oficio duro y poco agradecido… No se pierdan esta maravillosa compilación de Los Mares Grises Sueñan con mi Muerte , con la edición y traducción de José María Nebreda… https://www.valdemar.com/libro/los-mares-grises-suenan-con-mi-muerte/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

"Al final me di cuenta de que solo era un hombrecillo a bordo de un pequeño barco en mitad del vasto océano" El autor británico William Hope Hodgson fue sin saberlo, uno de los más influyentes escritores de horror sobrenatural de su generación. A lo largo de su vida, sus textos a penas le proporcionaron ingresos, muchos de sus relatos no se publicarían hasta después de su muerte durante la primera guerra mundial. Su fama se acrecentó de manera póstuma, y fueron otros escritores y lectores del género los que reconocieron la importancia de su legado. Demonios del mar fue publicado por primera vez el 5 de octubre de 1923, en la revista Sea Stories. forma parte de la colección de relatos marítimos que Hodgson desarrolló inspirándose en muchas de las mentadas experiencias. Hodgson nunca perdió su fascinación por el mar, pero la dura vida entre marineros le pasó factura, sufro el maltrato y desazón de un oficio duro y poco agradecido… No se pierdan esta maravillosa compilación de Los Mares Grises Sueñan con mi Muerte , con la edición y traducción de José María Nebreda… https://www.valdemar.com/libro/los-mares-grises-suenan-con-mi-muerte/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

In Ireland, a newly purchased castle unsettles its American owner. He is wealthy, engaged to a local woman, and certain that jealous countrymen mean him harm. What truly threatens the household is a particular room that fills at night with a dangerous, sustained whistling that rises and falls like breath. Doors quiver; servants keep away. Carnacki is summoned with his lamps, his electric scepticism and his knowledge of spirit manifestations. He investigates, seals the room, warns no one to enter and admits himself stumped. At least at first! “The Whistling Room” was first published in 1910 and later collected in Carnacki, the Ghost-Finder (1913).UK publisher: Eveleigh Nash. William Hope Hodgson (1877–1918) was an English writer of sea horrors and visionary weird fiction.A former merchant sailor, he served in the First World War and was killed near Ypres. Here is my ebook and audiobook store payhip.com/TheClassicGhostStoriesPodcast For 33% discount - use coupon 33OFFGHOSTPOD Learn more about your ad choices. Visit megaphone.fm/adchoices

Bar Talk (our recommendations):Jessica is reading A Boy and His Dog at the End of the World by C.A. Fletchere; drinking a Blind Tiger's Bees Knees.Damien is reading The Haar by David Sodergren; drinking a Larceny bourbon whiskey.Ryan is watching "Adolescence" (Netflix); drinking and Old Forester 86.If you liked this week's story, watch Black Swan (2010; dir. Darren Aronofsky)Up next: "An Evicted Spirit" by Marguerite MeringtonSpecial thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

Who comes to claim our narrator at the end of his cosmic experience? William Hope Hodgson, today on The Classic Tales Podcast. Welcome to The Classic Tales Podcast. Thank you for listening. Have you ever had a book that you wanted to read, but you couldn't get into? Then you tried it a few years later, and it was your favorite book? Something really clicked, and you identified with it so much? That's how I was with Ivanhoe, by Sir Walter Scott. After a while, something just clicked. It's now one of my favorites. With the audiobook library card, you can listen to all this and more for only $9.99 a month. Unlimited downloads and streaming of the entire Classic Tales Library. No limits, just is heavily curated, well produced audio, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes. And now, The House on the Borderland, Part 5 of 5, by William Hope Hodgson Follow this link to get The Audiobook Library Card for a special price of $6.99/month Follow this link to subscribe to our YouTube Channel: Follow this link to subscribe to the Arsène Lupin Podcast: Follow this link to follow us on Instagram: Follow this link to follow us on Facebook:

Happy Halloween gentle listener. We begin our celebration of the Spooky Season with a mist enshrouded tale of dread on the high seas from Mister 'mist enshrouded dread on the high seas' himself - WILLIAM HOPE HODGSON NOCTURNAL TRANSMISSIONS is proud to present:  William Hope Hodgson's 'THE VOICE IN THE NIGHT' ---   NOCTURNAL TRANSMISSIONS is a fortnightly podcast featuring inspired performances of short horror stories, both old and new, by voice artist Kristin Holland.   ⁠⁠⁠⁠⁠https://www.nocturnaltransmissions.com.au⁠⁠⁠⁠⁠   You can support us (and access lots of exclusive content) by becoming a patron at Patreon.com: ⁠⁠⁠⁠⁠https://www.patreon.com/nocturnaltransmissions⁠⁠⁠⁠⁠ ___ NOCTURNAL TRANSMISSIONS is proud to be a part of the SpectreVision Radio podcast network. SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. spectrevisionradio.com linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever had the longest day? What about the horror of sensing the days getting shorter? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Have you listened to the Fu-Manchu trilogy? How about the John Carter Trilogy? How about all 51 hours of The Count of Monte Cristo? With the audiobook library card, you can listen to all this and more for only $9.99 a month. Unlimited downloads and streaming of the entire Classic Tales Library. No limits, just is heavily curated, well produced audio, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.     And now, The House on the Borderland, Part 4 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $9.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:    

Where did the swine creatures go after the attack on the house? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Have you listened to the Fu-Manchu trilogy? How about the John Carter Trilogy? How about all 38 hours of Charles Dickens' David Copperfield? With the audiobook library card, you can listen to all this and more for only $9.99 a month. Unlimited downloads and streaming of the entire Classic Tales Library. No limits, just is heavily curated, well produced audio, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.     And now, The House on the Borderland, Part 3 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

What benighted creatures lurk in the pit where the trickle of river springs from the ground? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Have you listened to the Fu-Manchu trilogy? How about the John Carter Trilogy? How about all 38 hours of Charles Dickens' David Copperfield? With the audiobook library card, you can listen to all this and more for only $9.99 a month. Unlimited downloads and streaming of the entire Classic Tales Library. No limits, just is heavily curated, well produced audio, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.   And now, The House on the Borderland, Part 2 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:    

What weird tales hide within a decrepit book filled with cosmic horror? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Are you looking for one place where you can get a dynamite audiobook every time? The Audiobook Library Card is the perfect solution. Unlimited downloads and streaming of the entire Classic Tales Library for $9.99 a month. Each title is heavily curated, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.   The Audiobook Library Card is an all-you-can-listen smorgasbord of classics I've been building for the last 18 years. Many have won awards! Only about a quarter of the library has been on the podcast. And with the Audiobook Library Card, you gain access to everything.   So head on over to audiobooklibrarycard.com and start listening.   We had a great event at FanX last week – we filled the room! People were turned away for lack of seating. This rarely happens. It was such a fun performance, and so fun to be in character and in costume. I had a little front row cheering section, with a bunch of my kids and their significant others who came. It was so neat to see them there.   We have five Fridays this October! Perfect for this incredible classic from the great William Hope Hodgson. First published in 1908, this installment to the genre of classic horror is legendary. H.P. Lovecraft and Terry Pratchett have both praised it at length. It's kind of obvious that it helped them see what could be done, and inspire them to reach for the next level. But oh boy, what a level Mr. Hodgson established. I hope you like it.   And now, The House on the Borderland, Part 1 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

Part 2 of Spooktacular September with a full cast production of The Derelict, by William Hope Hodgson. Beware strange derelict vessels on the high seas, for they may contain horrors beyond imagination. Adapted from the public domain short story The Derelict by William Hope Hodgson, produced by Mind's Eye Productions and podcast by arrangement with Podcast Universe Productions. Undertow is a production of Realm, hosted by Fred Greenhalgh. Find more shows like Undertow on Apple, Spotify, or wherever podcasts are served. Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 2 of Spooktacular September with a full cast production of The Derelict, by William Hope Hodgson. Beware strange derelict vessels on the high seas, for they may contain horrors beyond imagination. Adapted from the public domain short story The Derelict by William Hope Hodgson, produced by Mind's Eye Productions and podcast by arrangement with Podcast Universe Productions. Undertow is a production of Realm, hosted by Fred Greenhalgh. Find more shows like Undertow on Apple, Spotify, or wherever podcasts are served. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever dreamed something, and then it happened in reality? E.F. Benson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Edward Frederic Benson is often mentioned in the same breath as M.R. James and William Hope Hodgson, and holds a distinct place as one of the great writers of supernatural fiction in the Edwardian period. Today's story is one of his finest.   Benson plays with the connection between dreams and reality, and builds the tension through the device of a recurring dream, with a progression of time that mirrors reality.   As with last week's story, I was getting vibes from the original Twilight Zone when I read this one. I hope you like it.   And now, The Room in the Tower, by E.F. Benson   Follow this link to become a monthly supporter:       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

Would you still love me if I was a mermaid? With that as the central question, your hosts tackle NIGHT TIDE (1961) from writer/director Curtis Harrington! The film takes inspiration from William Hope Hodgson and Edgar Allan Poe, and stars Dennis Hopper, Linda Lawson and Gavin Muir. Context setting 00:00; Synopsis 36:30; Discussion 48:34; Ranking 1:20:26

Have you ever dreamed something, and then it happened in reality? E.F. Benson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Edward Frederic Benson is often mentioned in the same breath as M.R. James and William Hope Hodgson, and holds a distinct place as one of the great writers of supernatural fiction in the Edwardian period. Today's story is one of his finest.   Benson plays with the connection between dreams and reality, and builds the tension through the device of a recurring dream, with a progression of time that mirrors reality.   As with last week's story, I was getting vibes from the original Twilight Zone when I read this one. I hope you like it.   And now, The Room in the Tower, by E.F. Benson   Follow this link to become a monthly supporter:       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:  

Today's first fantastic offering is ‘The Black Cloud' by Nick Moore, kindly shared with me via NoSleep and read here with the author's express permission. https://www.reddit.com/user/nmwrites/ https://www.reddit.com/r/nosleep/comments/ccorqq/the_black_cloud/ Today's second fantastic offering is ‘The Voice in the Night', a classic work by William Hope Hodgson, a story in the public domain, but recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Voice_in_the_Night  Today's third tale of terror is ‘The Devil and Tom Walker', a classic work by Washington Irving, another story in the public domain, also recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Devil_and_Tom_Walker We round off proceedings with the old school classic ‘The Isle of the Torturers', a work by Clark Ashton Smith; again a story in the public domain, once more recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Hunters_from_Beyond