Podcast appearances and mentions of William Hope Hodgson

Zwar sind weder Isa noch Jascha bisher in Kur gegangen, aber wenn es mal so weit ist, wissen wir genau, wie wir uns erholen: mit extremem Cave Diving! Die gleiche ungesunde Idee hat auch Dr. James Hardcastle, unser Protagonist in Das Grauen im Blue-John-Stollen von Arthur Conan Doyle. Ob das so eine gute Idee ist? Zumal sich in dem gemiedenen Schacht eine ziemlich biestige Kreatur aufhalten soll, die in mondlosen Nächten nicht nur Schafe reißt ... Begleitet uns ins malerische Derbyshire und lernt Doyle einmal ganz ohne Sherlock Holmes kennen. VIel Spaß mit der Folge! --- In der nächsten Folge lesen wir die Kapitel 1 und 2 von Schatten über Innsmouth (The Shadow over Innsmouth) von H. P. Lovecraft. Hier findet ihr eine kostenlose, digitale Version auf Deutsch: https://www.bastiancleve.com/wp-content/uploads/Schatten_ueber_Innsmouth.pdf Und hier geht's zum englischen Original: https://www.gutenberg.org/cache/epub/73181/pg73181-images.html --- Wenn ihr möchtet, könnt ihr euch auch schon auf unser darauffolgendes Projekt vorbereiten: Das Haus an der Grenze (The House on the Borderland) von William Hope Hodgson. Wenn ihr die Geschichte auf Deutsch lesen wollt, müsst ihr euch leider eine analoge Ausgabe kaufen. Das englische Original gibt es aber hier online: https://archive.org/details/william-hope-hodgson_the-house-on-the-borderland --- Unterstütz uns auf Steady für noch mehr Content abseits der Literatur

We're back and complete or third collection. This week it's: "A Tropical Horror" by William Hope Hodgson. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back and complete or third collection. This week it's: "A Tropical Horror" by William Hope Hodgson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pese a su impagable legado de relatos y novelas de terror, William Hope Hodgson solo ha conocido una adaptación cinematográfica. Y en el contexto más insospechado: las producciones de ciencia ficción y efectos especiales de la Toho en el Japón de los sesenta, un filón que abrió la primera película de «Godzilla». El director de esta última, Ishiro Honda, se encargaría también de llevar a la pantalla un relato de Hodgson sobre una pareja de náufragos que acaba en una isla donde prolifera un hongo maldito y que los termina por convertir en monstruos. De ahí nace «Matango», uno de los proyectos más atípicos de Honda y la Toho. Donde el escritor inglés vio fatalidad y soledad, el cineasta encontró la perfecta metáfora del ser humano posmoderno, su individualismo atroz y su necesidad de evasión de la realidad. En este podcast, analizamos tanto la película como el relato para ahondar en sus bases comunes y sus divergencias. Tras los micros, Miguel Muñoz Garnica, José Luis Forte y Lourdes Esqueda Verano.

Esta noche tenemos el privilegio de estrenar un nuevo relato de terror del maestro William Hope Hodgson. Con la traducción de la gran Caridad Carnero Jurado, "Un Horror Tropical". Con nuestros habituales delirios sobre Monstruos Marinos, vuelven los terrores abisales a Noviembre Nocturno. ^(;,,;)^ No se lo pierdan amigos... Sigan a Cari para más traducciones aquí: https://www.instagram.com/mekancorvus/ Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

"Al final me di cuenta de que solo era un hombrecillo a bordo de un pequeño barco en mitad del vasto océano" El autor británico William Hope Hodgson fue sin saberlo, uno de los más influyentes escritores de horror sobrenatural de su generación. A lo largo de su vida, sus textos a penas le proporcionaron ingresos, muchos de sus relatos no se publicarían hasta después de su muerte durante la primera guerra mundial. Su fama se acrecentó de manera póstuma, y fueron otros escritores y lectores del género los que reconocieron la importancia de su legado. Demonios del mar fue publicado por primera vez el 5 de octubre de 1923, en la revista Sea Stories. forma parte de la colección de relatos marítimos que Hodgson desarrolló inspirándose en muchas de las mentadas experiencias. Hodgson nunca perdió su fascinación por el mar, pero la dura vida entre marineros le pasó factura, sufro el maltrato y desazón de un oficio duro y poco agradecido… No se pierdan esta maravillosa compilación de Los Mares Grises Sueñan con mi Muerte , con la edición y traducción de José María Nebreda… https://www.valdemar.com/libro/los-mares-grises-suenan-con-mi-muerte/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

"Al final me di cuenta de que solo era un hombrecillo a bordo de un pequeño barco en mitad del vasto océano" El autor británico William Hope Hodgson fue sin saberlo, uno de los más influyentes escritores de horror sobrenatural de su generación. A lo largo de su vida, sus textos a penas le proporcionaron ingresos, muchos de sus relatos no se publicarían hasta después de su muerte durante la primera guerra mundial. Su fama se acrecentó de manera póstuma, y fueron otros escritores y lectores del género los que reconocieron la importancia de su legado. Demonios del mar fue publicado por primera vez el 5 de octubre de 1923, en la revista Sea Stories. forma parte de la colección de relatos marítimos que Hodgson desarrolló inspirándose en muchas de las mentadas experiencias. Hodgson nunca perdió su fascinación por el mar, pero la dura vida entre marineros le pasó factura, sufro el maltrato y desazón de un oficio duro y poco agradecido… No se pierdan esta maravillosa compilación de Los Mares Grises Sueñan con mi Muerte , con la edición y traducción de José María Nebreda… https://www.valdemar.com/libro/los-mares-grises-suenan-con-mi-muerte/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

"Al final me di cuenta de que solo era un hombrecillo a bordo de un pequeño barco en mitad del vasto océano" El autor británico William Hope Hodgson fue sin saberlo, uno de los más influyentes escritores de horror sobrenatural de su generación. A lo largo de su vida, sus textos a penas le proporcionaron ingresos, muchos de sus relatos no se publicarían hasta después de su muerte durante la primera guerra mundial. Su fama se acrecentó de manera póstuma, y fueron otros escritores y lectores del género los que reconocieron la importancia de su legado. Demonios del mar fue publicado por primera vez el 5 de octubre de 1923, en la revista Sea Stories. forma parte de la colección de relatos marítimos que Hodgson desarrolló inspirándose en muchas de las mentadas experiencias. Hodgson nunca perdió su fascinación por el mar, pero la dura vida entre marineros le pasó factura, sufro el maltrato y desazón de un oficio duro y poco agradecido… No se pierdan esta maravillosa compilación de Los Mares Grises Sueñan con mi Muerte , con la edición y traducción de José María Nebreda… https://www.valdemar.com/libro/los-mares-grises-suenan-con-mi-muerte/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

In Ireland, a newly purchased castle unsettles its American owner. He is wealthy, engaged to a local woman, and certain that jealous countrymen mean him harm. What truly threatens the household is a particular room that fills at night with a dangerous, sustained whistling that rises and falls like breath. Doors quiver; servants keep away. Carnacki is summoned with his lamps, his electric scepticism and his knowledge of spirit manifestations. He investigates, seals the room, warns no one to enter and admits himself stumped. At least at first! “The Whistling Room” was first published in 1910 and later collected in Carnacki, the Ghost-Finder (1913).UK publisher: Eveleigh Nash. William Hope Hodgson (1877–1918) was an English writer of sea horrors and visionary weird fiction.A former merchant sailor, he served in the First World War and was killed near Ypres. Here is my ebook and audiobook store payhip.com/TheClassicGhostStoriesPodcast For 33% discount - use coupon 33OFFGHOSTPOD Learn more about your ad choices. Visit megaphone.fm/adchoices

Bar Talk (our recommendations):Jessica is reading A Boy and His Dog at the End of the World by C.A. Fletchere; drinking a Blind Tiger's Bees Knees.Damien is reading The Haar by David Sodergren; drinking a Larceny bourbon whiskey.Ryan is watching "Adolescence" (Netflix); drinking and Old Forester 86.If you liked this week's story, watch Black Swan (2010; dir. Darren Aronofsky)Up next: "An Evicted Spirit" by Marguerite MeringtonSpecial thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

Who comes to claim our narrator at the end of his cosmic experience? William Hope Hodgson, today on The Classic Tales Podcast. Welcome to The Classic Tales Podcast. Thank you for listening. Have you ever had a book that you wanted to read, but you couldn't get into? Then you tried it a few years later, and it was your favorite book? Something really clicked, and you identified with it so much? That's how I was with Ivanhoe, by Sir Walter Scott. After a while, something just clicked. It's now one of my favorites. With the audiobook library card, you can listen to all this and more for only $9.99 a month. Unlimited downloads and streaming of the entire Classic Tales Library. No limits, just is heavily curated, well produced audio, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes. And now, The House on the Borderland, Part 5 of 5, by William Hope Hodgson Follow this link to get The Audiobook Library Card for a special price of $6.99/month Follow this link to subscribe to our YouTube Channel: Follow this link to subscribe to the Arsène Lupin Podcast: Follow this link to follow us on Instagram: Follow this link to follow us on Facebook:

Happy Halloween gentle listener. We begin our celebration of the Spooky Season with a mist enshrouded tale of dread on the high seas from Mister 'mist enshrouded dread on the high seas' himself - WILLIAM HOPE HODGSON NOCTURNAL TRANSMISSIONS is proud to present:  William Hope Hodgson's 'THE VOICE IN THE NIGHT' ---   NOCTURNAL TRANSMISSIONS is a fortnightly podcast featuring inspired performances of short horror stories, both old and new, by voice artist Kristin Holland.   ⁠⁠⁠⁠⁠https://www.nocturnaltransmissions.com.au⁠⁠⁠⁠⁠   You can support us (and access lots of exclusive content) by becoming a patron at Patreon.com: ⁠⁠⁠⁠⁠https://www.patreon.com/nocturnaltransmissions⁠⁠⁠⁠⁠ ___ NOCTURNAL TRANSMISSIONS is proud to be a part of the SpectreVision Radio podcast network. SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. spectrevisionradio.com linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever had the longest day? What about the horror of sensing the days getting shorter? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Have you listened to the Fu-Manchu trilogy? How about the John Carter Trilogy? How about all 51 hours of The Count of Monte Cristo? With the audiobook library card, you can listen to all this and more for only $9.99 a month. Unlimited downloads and streaming of the entire Classic Tales Library. No limits, just is heavily curated, well produced audio, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.     And now, The House on the Borderland, Part 4 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $9.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:    

Where did the swine creatures go after the attack on the house? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Have you listened to the Fu-Manchu trilogy? How about the John Carter Trilogy? How about all 38 hours of Charles Dickens' David Copperfield? With the audiobook library card, you can listen to all this and more for only $9.99 a month. Unlimited downloads and streaming of the entire Classic Tales Library. No limits, just is heavily curated, well produced audio, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.     And now, The House on the Borderland, Part 3 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

What benighted creatures lurk in the pit where the trickle of river springs from the ground? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Have you listened to the Fu-Manchu trilogy? How about the John Carter Trilogy? How about all 38 hours of Charles Dickens' David Copperfield? With the audiobook library card, you can listen to all this and more for only $9.99 a month. Unlimited downloads and streaming of the entire Classic Tales Library. No limits, just is heavily curated, well produced audio, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.   And now, The House on the Borderland, Part 2 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:    

What weird tales hide within a decrepit book filled with cosmic horror? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Are you looking for one place where you can get a dynamite audiobook every time? The Audiobook Library Card is the perfect solution. Unlimited downloads and streaming of the entire Classic Tales Library for $9.99 a month. Each title is heavily curated, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.   The Audiobook Library Card is an all-you-can-listen smorgasbord of classics I've been building for the last 18 years. Many have won awards! Only about a quarter of the library has been on the podcast. And with the Audiobook Library Card, you gain access to everything.   So head on over to audiobooklibrarycard.com and start listening.   We had a great event at FanX last week – we filled the room! People were turned away for lack of seating. This rarely happens. It was such a fun performance, and so fun to be in character and in costume. I had a little front row cheering section, with a bunch of my kids and their significant others who came. It was so neat to see them there.   We have five Fridays this October! Perfect for this incredible classic from the great William Hope Hodgson. First published in 1908, this installment to the genre of classic horror is legendary. H.P. Lovecraft and Terry Pratchett have both praised it at length. It's kind of obvious that it helped them see what could be done, and inspire them to reach for the next level. But oh boy, what a level Mr. Hodgson established. I hope you like it.   And now, The House on the Borderland, Part 1 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

Part 2 of Spooktacular September with a full cast production of The Derelict, by William Hope Hodgson. Beware strange derelict vessels on the high seas, for they may contain horrors beyond imagination. Adapted from the public domain short story The Derelict by William Hope Hodgson, produced by Mind's Eye Productions and podcast by arrangement with Podcast Universe Productions. Undertow is a production of Realm, hosted by Fred Greenhalgh. Find more shows like Undertow on Apple, Spotify, or wherever podcasts are served. Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 2 of Spooktacular September with a full cast production of The Derelict, by William Hope Hodgson. Beware strange derelict vessels on the high seas, for they may contain horrors beyond imagination. Adapted from the public domain short story The Derelict by William Hope Hodgson, produced by Mind's Eye Productions and podcast by arrangement with Podcast Universe Productions. Undertow is a production of Realm, hosted by Fred Greenhalgh. Find more shows like Undertow on Apple, Spotify, or wherever podcasts are served. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever dreamed something, and then it happened in reality? E.F. Benson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Edward Frederic Benson is often mentioned in the same breath as M.R. James and William Hope Hodgson, and holds a distinct place as one of the great writers of supernatural fiction in the Edwardian period. Today's story is one of his finest.   Benson plays with the connection between dreams and reality, and builds the tension through the device of a recurring dream, with a progression of time that mirrors reality.   As with last week's story, I was getting vibes from the original Twilight Zone when I read this one. I hope you like it.   And now, The Room in the Tower, by E.F. Benson   Follow this link to become a monthly supporter:       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

Nearly 5 years ago to the day, we reviewed The Horse of the Invisible with our very best podfriends the Antiques Freaks. Years later, we realized that we had never actually read the story aloud as we had promised you, as we've done with all the other Carnacki stories. Once again, we were wrong - there is yet one more 'nack to Carn, so the Terrible Antique Book Freaks assembled anew! Dust off your Carnacki Bingo cards and enjoy a second round of the gobble-neighing contest, all set to the impeccable scoring and SFX talents of Chris (Oselka Sound). If you haven't had enough invisible horse after you listen to this episode, you can also hear our review of the story from April of 2020 in Episode 83 - The Horse of the Invisible from Carnacki, the Ghost Finder by William Hope Hodgson *Special Guests D & Ken from Antiques Freaks* 

Would you still love me if I was a mermaid? With that as the central question, your hosts tackle NIGHT TIDE (1961) from writer/director Curtis Harrington! The film takes inspiration from William Hope Hodgson and Edgar Allan Poe, and stars Dennis Hopper, Linda Lawson and Gavin Muir. Context setting 00:00; Synopsis 36:30; Discussion 48:34; Ranking 1:20:26

Have you ever dreamed something, and then it happened in reality? E.F. Benson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Edward Frederic Benson is often mentioned in the same breath as M.R. James and William Hope Hodgson, and holds a distinct place as one of the great writers of supernatural fiction in the Edwardian period. Today's story is one of his finest.   Benson plays with the connection between dreams and reality, and builds the tension through the device of a recurring dream, with a progression of time that mirrors reality.   As with last week's story, I was getting vibes from the original Twilight Zone when I read this one. I hope you like it.   And now, The Room in the Tower, by E.F. Benson   Follow this link to become a monthly supporter:       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:  

Today's first fantastic offering is ‘The Black Cloud' by Nick Moore, kindly shared with me via NoSleep and read here with the author's express permission. https://www.reddit.com/user/nmwrites/ https://www.reddit.com/r/nosleep/comments/ccorqq/the_black_cloud/ Today's second fantastic offering is ‘The Voice in the Night', a classic work by William Hope Hodgson, a story in the public domain, but recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Voice_in_the_Night  Today's third tale of terror is ‘The Devil and Tom Walker', a classic work by Washington Irving, another story in the public domain, also recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Devil_and_Tom_Walker We round off proceedings with the old school classic ‘The Isle of the Torturers', a work by Clark Ashton Smith; again a story in the public domain, once more recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Hunters_from_Beyond

Bar Talk (our recommendations):Jessica is reading The Militia House by John Milas; drinking Rogue Spirits Morimoto Whiskey.Damien is watching Sting (2024; dir. Kiah Roache-Turner); drinking the Glenmorangie 12 Single Malt.Ryan is watching Heretic (2024; dir Scott Beck, Bryan Woods); drinking the Isle of Jura 10.If you liked this week's story, check out *deep breath* Scavengers Reign, Leech, In the Earth, Everything by Jeff VanDerMeer, Dreamcatcher, The Girl with the Gifts, Mold!, Come into my Cellar, the first story in the  Creepshow movie, one episode of Hannibal, What Moves the Dead, The Hungry Earth, Mexican Gothic, The Last of Us show + game, ETCETERA ETCETERA ETCETERA. Whew.Up next: We're hoping to chat with editor Daisy Butcher, before kicking off Season Eight of Whiskey and the Weird! Our next volume might have you on your knees...Special thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

A classic horror story by William Hope Hodgson. If you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app.

"A Tropical Horror" is a short story by William Hope Hodgson. First published in The Grand Magazine in its June 1905 edition, the tale tells of a ship attacked by a monstrous sea creature.

House of Leaves, Mark Danielewski, Anne Danielewski (Poe), Haunted, Tad Danielewski, Tad's death as a reason for House of Leaves & Haunted, Utah, Provo, Mormonism, Brigham Young University (BYU), BYU's film program, SRA claims in Provo, House of Leaves in the context of 1990s alienation, immersive art, ergodic literature, the history of immersive art & ergodic literature, Leaves' places in these traditions, alternate reality games (ARGs), transmedia, Ong's Hat, Joseph Matheny, Blair Witch Project, Pink Floyd, Plubius enigma, Museum for Jurassic Technology, Mr. Wilson's Cabinet of Wonder, treasure hunts, Beale papers, QAnon, Edgar Allen Poe, University of Virginia, Menomonie, Neil Gaiman, House on the Borderland, weird fiction, William Hope Hodgson. Jorge Luis BorgesMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/Additional Music: J Money Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Today's opening tale of terror is ‘Across the Moors', a classic work by William F. Harvey, a story in the public domain but recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/Across_the_Moors Today's second tale of the macabre is ‘Old Garfield's Heart', a classic work by Robert E. Howard, a story in the public domain but recorded here under the conditions of the CC-BY-SA license: http://gutenberg.net.au/ebooks08/0801211h.html Today's next offering is ‘The Abominations of Yondo', a classic work by Clark Ashton Smith; a story in the public domain, but recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Abominations_of_Yondo Today's fourth tale of terror is ‘Derelict', a classic work by William Hope Hodgson, a story in the public domain but recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/Derelict  Today's next phenomenal offering is ‘The Hunters from Beyond', a classic work by Clark Ashton Smith; a story in the public domain, but recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Hunters_from_Beyond  Today's next tale of terror is ‘The Devil and Tom Walker', a classic work by Washington Irving, a story in the public domain but recorded here under the conditions of the CC-BY-SA license:  https://creepypasta.fandom.com/wiki/The_Devil_and_Tom_Walker Today's next old school classic is ‘The Isle of the Torturers', a classic work by Clark Ashton Smith; a story in the public domain, but recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Hunters_from_Beyond Today's penultimate tale of terror is ‘The Well', a classic work by W.W. Jacobs, a story in the public domain but recorded here under the conditions of the CC-BY-SA license: W.W. Jacobs https://creepypasta.fandom.com/wiki/Well Today's final fantastic offering is ‘The Voice in the Night', a classic work by William Hope Hodgson , another story in the public domain but also recorded here under the conditions of the CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Voice_in_the_Night