Podcasts about Louisa May Alcott

The Daily Quiz - Art and Literature Today's Questions: Question 1: What was the sequel to Louisa May Alcott's "Little Women"? Question 2: Which artistic style of the late eighteenth and early nineteenth centuries revived the order and harmony of ancient Greek and Roman art? Question 3: The painting "The Gleaners" by Jean-François Millet is a part of which art movement? Question 4: Which author wrote 'Dead Souls'? Question 5: Which fairy tale character falls asleep for a hundred years after pricking her finger? Question 6: Which is the name of the villain in the Harry Potter series? Question 7: Which author wrote 'Who Do You Think You Are?'? Question 8: Which painting is also known as "La Gioconda"? Question 9: What is the surname of Cathy in "Wuthering Heights"? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer DAISY BUCHANAN gives us the five tracks she will meet in Hell!Daisy tells us all about her new novel, All Grown Up, which is a modern British reimagining of Louisa May Alcott's Little Women. We also talk about tribute bands, indie sleaze, what all the cool kids at the Tory Party Conference listen to, and the ahem suggestive number one record that was bouncing round her head when she had to talk about Salman Rushdie on television.All Grown Up came out on June 4th. Get it here.The bookshop Daisy talks about is Simply Books https://www.simplybooks.co.ukFOLLOW US ON SOCIAL MEDIAInstagram: www.instagram.com/hellish_podBlueSky: https://bsky.app/profile/hellishpod.comThreads: https://www.threads.net/@hellish_podFacebook: www.facebook.com/hellishpodcastTikTok: www.tiktok.com/hellishpodThe Hellish logo was drawn by Nick Roche https://nickrocheart.bigcartel.com/ Hosted on Acast. See acast.com/privacy for more information.

Today, I discuss all things Little Women, by Louisa May Alcott!Goodreads/Fable: Ellie ManoEmail: hookofabookpodcast@gmail.comInstagram/TikTok: @hookofabook

During his almost 40-year career in publishing, Bruce Nichols served as publisher of both Houghton Mifflin Harcourt and Little Brown & Company. His book is titled "The Emerson Circle: The Concord Radicals Who Reinvented the World." The focus of the book is on famous names, including Ralph Waldo Emerson, Nathaniel Hawthorne, Margaret Fuller, Louisa May Alcott and Henry David Thoreau. Author Nichols says "The Emerson Circle" is the story of this small group and the movements it inspired. He says it's not a comprehensive group biography. He suggests there are wonderful books about each member that go into far more detail. Bruce Nichols suggests their collective work represents a crucial cultural moment in American history. Learn more about your ad choices. Visit megaphone.fm/adchoices

During his almost 40-year career in publishing, Bruce Nichols served as publisher of both Houghton Mifflin Harcourt and Little Brown & Company. His book is titled "The Emerson Circle: The Concord Radicals Who Reinvented the World." The focus of the book is on famous names, including Ralph Waldo Emerson, Nathaniel Hawthorne, Margaret Fuller, Louisa May Alcott and Henry David Thoreau. Author Nichols says "The Emerson Circle" is the story of this small group and the movements it inspired. He says it's not a comprehensive group biography. He suggests there are wonderful books about each member that go into far more detail. Bruce Nichols suggests their collective work represents a crucial cultural moment in American history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fall asleep fast to the little known work by Louisa May Alcott, author of Little Women. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodOrder your copy of the Just Sleep book! https://www.justsleeppodcast.com/book/If you like this episode, please remember to follow on Apple Podcasts, Spotify or wherever you listen to your favourite podcasts. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailOur 2026 Classics Series is coming to a close with today's very special episode covering not only the 1868 novel Little Women by Louisa May Alcott, but also the 1994 and 2019 film adaptations. We deep dive, rate and review, and rank them all. Was the book our favorite this time around? Or did Christian Bale's hair or Greta Gerwig's feminist-leaning script steal our hearts?  This episode is our response to the many things that so many female authors across centuries have been using literature to say. Women's lives are important when examining the simple mundanity of their day to day experiences, as well as their extraordinary contributions and achievements. Not just because we are people, but because to exist in society as a woman is to understand that our personal lives are never separate from politics, religion, gender constructs, economics and all the other systemic influences that determine one's position. All three iterations of this amazing story hold such important lessons and criticisms, not unlike the other two novels we previously covered: Emily Bronte's Wuthering Heights and Jane Austen's Pride and Prejudice. We hope that you enjoyed our reading guides as well as our deep dive coverage into these classic novels because we plan to cover more next year!ANNNND… Stick around till' the end for some fun Little Women lore and our very first announcement of what HIGHLY REQUESTED and POPULAR dystopian science fiction series we'll be covering this summer, beginning in July! We're switching gears and we hope you'll join us.Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)Shop our Merch line | *  https://besties-and-the-books-shop.fourthwall.comCheck out these narrator interviews? ⬇️Anthony Palmini gives us the lowdown on what it's like to voice act Rhysand, Kingfisher, AND Slade Ravinger! https://youtu.be/zcCyrlZ5Jcc?si=2k7ULbRPgZl_5pUJ____Shop Bookish Merch we are wearing:Ashley is wearing:  A Troop Beverly Hills Sweater from @Etsy | * https://go.magik.ly/ml/2g6nn/ Liz is wearing :  An Impressive Wingspan Crop Tee by @downthebondofficial | https://www.downthebond.com/product-page/impressive-wingspan-baby-tee | Code: BESTIESANDTHEBOOKSAny link with an * is an affiliate link through the service Magic Links and is eligible for a commission to us with no extra cost to you. Thank you for helping support our podcast!Support the showYouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

Join me (Anna Stone) and guest hosts Lauren and Lily of the Pages and Plots Podcast as we discuss Louisa May Alcott's Little Women and the 2019 film adaptation. In this episode, we consider the unusual timeline in this adaptation, have multiple opinions on Florence Pugh's performance, and get distracted by our worst costume choices.Follow on Instagram @stonestoptensFollow Lauren and Lily on Instagram @pages_plots_podEmail stonestoptens@gmail.com KeywordsLittle Women, film adaptations, classic literature, female empowerment, character development, book to film, Greta Gerwig, Anna Stone, Pages and Plots, movie review Little Women, movie adaptation, character analysis, costume design, soundtrack, book to movie changes, casting choices, emotional themes, storytelling

Join me (Anna Stone) and guest host Halley Platz as we discuss Louisa May Alcott's Little Women and the 1994 film adaptation. In this episode, we explain why this story is so important, Halley demonstrates how it has aged like fine wine, and we somehow connect it to Twilight: New Moon, The Lion King, Saw, and Jumanji. Follow on Instagram @stonestoptensEmail stonestoptens@gmail.com KeywordsLittle Women, classic literature, film adaptation, sisterhood, girlhood, success, themes, Anna Stone, Hallie Platts, movie discussion Little Women, film analysis, character dynamics, emotional impact, casting choices, modern relevance, progressive themes, Beth's death, Jo and Laurie, feminist themes Little Women, film analysis, character development, emotional moments, acting performances, book adaptations, feminism, storytelling, costume design, relationships Little Women, adaptations, music, relationships, casting, themes, soundtracks, feminism, storytelling, film

Send us Fan MailWe read Little Women and we want you to too! Even if after all is said and done we feel the unrelenting urge to store this beloved text in the freezer instead of on the bookshelf. IYKYK… and if you don't, you will soon. We promise. Welcome to our newest bonus series where we're taking deep dives into some of the most beloved classics of our time. We kicked it off with Wuthering Heights, followed it up with Pride & Prejudice, and today we're moving on to the final book in this classic series journey with our “Phone a Friend' mini reading guide covering Little Women by Louisa May Alcott.We decided that rather than attempt to become overnight experts we would send an SOS signal out into the universe and rope a friend in to assist! So today Nicole @neuroticallybookish is here to flex her teaching skills and give us a little help with Little Women, providing us with the tips and tricks we need to really understand this novel. Nicole expertly breaks down the three character categories, the genre and themes, gives us some background on Louisa May Alcott herself, contextualizes the time period and relevant history, and gives us all her advice on how to truly immerse yourself in this story, and get the most out of it. We hope that you enjoy this bonus mini episode, and will join us for our future deep dive into the novel and movies! And don't forget to go follow @neuroticallybookish for some more amazing bookish content! Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)Shop our Merch line | *  https://besties-and-the-books-shop.fourthwall.comCheck out these narrator interviews? ⬇️Anthony Palmini gives us the lowdown on what it's like to voice act Rhysand, Kingfisher, AND Slade Ravinger! https://youtu.be/zcCyrlZ5Jcc?si=2k7ULbRPgZl_5pUJCheck out these author interviews? ⬇️We interviewed Callie Hart all about her NYT Bestseller Quicksilver! Watch it here! https://youtu.be/CED5s7qDBdQ?si=8xtIRO1IzX6Rsld4Check the official Follow Up Author Interview with Lindsay Straube of the Split or Swallow Universe all about Between Two Kings! https://youtu.be/OW1cxXTVcTc?si=oOxVIzbIheET_bNE____Shop Bookish Merch we are wearing:Ashley is wearing:  A Anne of Green Gables T-shirt from Amazon | *https://amzn.to/41eXnA2Liz is wearing :  A “So Lorcan Did” Tank by @swoonandspineshop | swoonandspine.shopAny link with an * is an affiliate link through the service Magic Links and is eligible for a commission to us with no extra cost to you. Thank you for helping support our podcast!Finding Fantasy ReadsFully narrated fantasy stories to help you find your next favorite fantasy author!Listen on: Apple Podcasts SpotifySupport the showYouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

What happens when the actors in Little Women read modern reinterpretations (Little Monsters, and Beth Is Dead) of the very characters they're bringing to life onstage?Dr. Diane welcomes the March sisters from Riverside Center for the Performing Arts ' Little Women for a lively conversation about sisterhood, performance, and reimagining classic characters. Sarah Mae Andersen (Meg), Ashlee Beary (Jo), Ella Schnoor (Beth), and Madison Cox (Amy) share how they found their way to theater, how they connect to their characters, and how reading modern versions of these familiar sisters deepens the story they're telling onstage. We also discuss how Little Monsters and Beth is Deadoffer new ways to think about the March sisters while honoring the emotional core of Louisa May Alcott's original story.Timestamps01:05 – Meet Sarah, Ashlee, Ella, & Madison05:05 – Connecting to Meg, Jo, Beth, & Amy10:16 – Sisterhood, peacemaking, and character nuance18:48 – First reactions to Little Monsters24:39 – Beth Is Dead and the murder mystery twist28:22 – Why Little Women keeps getting reimagined36:13 – What's currently bringing hopeLinksGet tickets for Little Women at Riverside Center for the Performing ArtsFollow Riverside Center for the Performing Arts, Sarah Mae Andersen, Ashlee Beary, Ella Schnoor, and Madison Cox on Instagram.Read Little Monsters by Máire Roche and Beth Is Dead by Katie Bernet.Support the showShare this episodeIf this conversation sparked wonder, gave you a helpful strategy, or offered a needed reminder of hope, please share it with a friend or colleague.Subscribe • Download • Review • Tell a friendStay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

Nada produce tanto placer como una novela histórica bien escrita, que nos proponga un viaje a una época remota, que nos presente personajes inolvidables, más reales que los de la vida misma, como si fueran de carne y hueso, enfrentados a conflictos, retos, dilemas morales.A Francisco Narla lo podríamos llamar para que nos hablara de aviones y de vuelos, porque es comandante de línea aérea. Pero no. Aquí en el Club queremos que nos meta en el mundo de su nueva novela Ultreia, donde vuelve a confirmar sus dotes de excepcional narrador del género histórico. El Camino empieza con una revolución. Esta es la historia de dos marginados, la hija de un orfebre arruinado por el obispo Gelmírez y un jorobado roto por la muerte de su hija. Istoria, del grupo Planeta, ha publicado esta novela. Nuestro recorrido hacia el pasado no se queda en el siglo XII. También vamos al París de 1938. Cultos esotéricos, sociedades secretas y un objeto codiciado por los nazis. Es la materia con la que Izara Batres ha escrito El cabaret del infierno. Un novelón que nos ha encantado. En la sección de Audiolibros, París era una fiesta, de Hemingway.El misterio de los manuscritos de Céline, perdidos durante 77 años.Ojo a la edición ilustrada de Mujercitas, la obra clásica de Louisa May Alcott, publicada por Editorial Alma. Y el diablo vuelve a vestirse de Prada…

This is the second of a series of posts about the literary alchemy of J. K. Rowling, a discussion jumpstarted by a post by ‘Iris' at a Strike fan website, an article that championed a Jungian perspective on this subject. The first post in this series, Literary Alchemy – A Primer for Those Interested in J. K. Rowling's Artistry, both explained what the ‘Iris' post asserted and reviewed much of the critical literature that the brevity of the S&E Files article prevented her from discussing. See that post for links to this material. The conversation between Nick Jeffery and John Granger above was recorded in the same spirit as the first post was written, namely, simultaneously a welcome to Strike fans and Rowling readers who have learned about literary alchemy only recently and an introduction to the work of the last twenty five years on this subject. Upcoming posts in the series will include a counter-point discussion in the debate Rowling is fostering about whether a psychological or spiritual perspective is better for understanding art and life and a review of the alchemical signatures that crowd Rowling-Galbraith's Hallmarked Man.This post is largely links to sources for points Nick and John discuss in their naturally enthusiastic and contrarian conversation, question by question. Enjoy!1. Welcome to the Conversation! (Nick) I just sent out an article about literary alchemy, John, in response to an article written by ‘Iris' and posted on the Strike-Ellacott Files website, a piece titled ‘What is Literary Alchemy? Spotting symbols that map Strike and Robin's growth.' What advice or guidance would you give to, say, Cormoran Strike readers who are brand new to the subject? * There are three types of alchemy and it is important to understand the common ground they share and the differences between them;* The first type is alchemy proper, which is to say ‘metallurgical alchemy,' the sacred science of purifying metals and the adept's soul via the creation of a Philosopher's Stone that will transform lead to gold and exude an elixir of life, the drinking of which will bestow immortality;* The second and third types of alchemy derive from interpretations of metallurgical alchemy's aims and the symbolic texts detailing the work in the hermetic laboratory;* Literary alchemy is the use of metallurgical alchemy's language, colors, sequences, and symbols in plays, poetry, and story to foster an edifying and transformative experience in the artist's theater or reading audience;* Psychological alchemy is Carl Jung's use of metallurgical alchemy's texts during and after WWII to illustrate his ideas of the integration of the conscious and unconscious aspects of the human mind;* Metallurgical alchemy was practiced in China, the Levant, India, and Europe within the revealed religious traditions of Hinduism, Buddhism, Judaism, Islam, and Christianity until its degeneration in the late Medieval period and eventual evolution into the strictly materialist chemistry we know today;* Literary alchemy has been a continuous stream in literature from Dante, Chaucer, Shakespeare, and the Metaphysical poets through to Dickens, Yeats, the Inklings, Joyce, Nabokov, and J. K. Rowling;* The academic study of “alchemy in literature” was the province of Baconian and allegorical readings of Shakespeare (cf., Beryl Pogson, Peter Dawkins, Martin Lings) until the late 20th Century and the advent of academic specialists in ‘Hermetic Studies,' e.g., Stanton Linden, Lyndy Abraham, and Charles Nicholl (cf., Cauda Pavonis: A Journal of Hermetic Studies, 1982-2000).* Jung and his followers used their psychological interpretations of metallurgical alchemy as allegories of the soul to interpret mythology (cf., Erich Neumann, Marie-Louise Von Franz, Robert Johnson);* Jungian analysis of story using Jung's ideas of subconscious archetypes within a collective unconscious was popularized by Joseph Campbell in his guides to Joyce's Ulysses and his more well known works on mythology (e.g., The Hero With a Thousand Faces);* ‘Isis' in her S&E Files article, ‘What is Literary Alchemy?,' suggests that Rowling-Galbraith is writing an allegory of soul transformation in the Cormoran Strike series using metallurgical alchemy's symbols and sequences as understood by Carl Jung and his disciples rather than as used by English writers since the 13th Century;* It's a challenging theory, the depth of which is hard to grasp without an appreciation of the types of alchemy, what they have in common, and their differences in approach and subject matter.2. The Lake: (John) What I found most fascinating in your post, Nick, was your best guesses about where Rowling would have learned about literary alchemy. She claimed in 1998 that she'd read a lot of alchemical texts from which she set the “magical parameters” of the Hogwarts Saga; if you had only three chances to name one of those books, what would you choose? * Charles Nicholl's The Chemical Theatre;* Titus Burckhardt's Alchemy: Science of the Cosmos, Science of the Soul (or Mirror of the Intellect: Essays on Traditional Acience and Sacred Art);* Lyndy Abraham Summerhaze's Marvell and Alchemy or her Dictionary of Alchemical Imagery;* Martin Lings' The Secret of Shakespeare3. Carl Jung, Alchemy: (Nick) I see you're chafing at the bit, John, with book titles I haven't mentioned so let me name-drop the author not on my list because, as you pointed out, he wasn't really a literary alchemist so much as a psychologist who discussed alchemy as a means of illustrating his own ideas about the ‘Great Work.' You've written, though, that literary alchemy as with metallurgical alchemy is a subset of soul-allegories or Psychomachia. Don't Jung's ideas jibe with that? * Yes and no!* Jung's ideas of the soul and archetypes (or archetypal forms) are based on late 19th Century Volkischer German ideas, which is to say, modern and materialist (some say ‘vitalist') premises. His hostility to Christianity and Judaism was grounded in his acceptance of Darwinian evolution and derived philosophically from Nietzsche (see Richard Noll's The Jung Cult and The Aryan Christ).* He conflates the spiritual with the psychological, consequently, and embraces integrated individual psychological health as the telos of human existence, none of which is consistent with traditional metallurgical or literary alchemy (see Titus Burckhardt's Mirror of the Intellect, Philip Sherrard's ‘An Introduction to the Religious Thought of C. G. Jung,' and Harry Oldmeadow's ‘C.G. Jung & Mircea Eliade: ‘Priests without Surplices'? Reflections on the Place of Myth, Religion and Science in Their Work.'* Psychological alchemy, insomuch as it is ‘Jungian,' is well removed from the other two types of alchemy. Which is not to say that Rowling is not a Jungian and hence a Jungian psychological alchemist.4. Back into the Lake: (John) You covered in your article, though, Nick, the several reasons to think it possible, even probable that the evidence from Rowling's life suggests she is using Jungian ideas in her literary alchemy. Iris over at S&E Files obviously thinks that is the case. What are the for and against ideas with respect to Rowling being a Jungian? There's Plenty of Evidence That Rowling IS a Jungian Writer:John Granger's discussion in Troubled Blood: A Jungian Reading* Robin's name-dropping Jung in conversation about astrology;* The Jungian notes sounded throughout Strike 5: Archetypes, Synchronicity, Persona;* The connection between Jung's illustrated ‘New Book' and Talbot's ‘True Book;' and* Pointers to Cupid-Psyche myth as understood by Jungians (see below)The Advent of Prudence Dunleavy, Jungian Psychologist, in Ink Black Heart* Hard to imagine a more sympathetic portrait of a Jungian than half-sister Prudence!* She clearly was the genius behind the Rokeby reconciliation in Hallmarked ManThe Cupid and Psyche myth underpinning the Strike series* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (note the discussion here of the Jungian understanding of this specific myth)* Ink Black Heart: Strike as Zeus to Robin's Leda and as Cupid to Mads' Psyche* ‘Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man‘* The Hallmarked Man‘s Mythological Template (Nick Jeffery, John Granger)Anything Else? Oh, yeah —* Rowling studied mythology in her ‘Classical Studies' program at UExeter and almost certainly encountered Jungian interpretation of myths there (e.g. the work of Neumann, Johnson, Campbell).* Rowling told Val McDermid if she had not become a successful writer she would have sought training and certification as a psychologist. * Her work reflects a broad reading in psychology (cf., Louise Freeman Davis' ‘J. K. Rowling and the Phantoms in the Brain,' ‘Cormoran Strike and the Itch that Cannot Be Scratched') and it is likely that she has read her fair share of Jung and Jungian authors during her studies.* Rowling benefited from psychological therapy and exercises herself when suffering from depression, the experience of and recovery from which she depicted in story via the Azkaban Dementors and Robin Ellacott's treatment for PTSD in Lethal White.And There is Plenty of Evidence That Rowling Is NOT a Jungian Writer:* Rowling has never been asked or revealed how she learned about literary alchemy; this includes, of course, any reference to Carl Jung, whose work was not focused on literary alchemy per se but a psychological interpretation or explanation of metallurgical alchemy's symbolism.* All that Rowling has revealed about her experiences as a patient seeking help with depression are about Cognitive Behavior Therapy (CBT), which treatment modality owes nothing to Jung or to Jung's students.* It is possible that Rowling encountered esoteric metallurgical alchemy, the precursor to literary alchemy, in her study of astrology, the complementary traditional sacred science to alchemy, a skill-set with which we know she was accomplished. That route to alchemy would have led her to Perennialist interpretations of alchemy, most notably Titus Burckhardt‘s Alchemy, Science of the Cosmos, Science of the Soul; the paperback cover of the Penguin Metaphysical Library edition of that book (1974) features an androgynous giant named REBIS standing on a dragon and a winged golden sphere (i.e., Rubeus, Norbert, Snitch).* As mentioned above, it is more likely that she encountered literary alchemy in her study of Shakespeare. The year she was studying for her A Levels, she traveled to see a production of King Lear which has prompted the idea that it was on her list of texts to prepare for her tests. The most challenging interpretation of Lear then in print was Charles Nicholl's The Chemical Theatre (1980), a book that explains almost every scene in perhaps Shakespeare's greatest tragedy as a parallel step in the Great Work of alchemy. If the budding astrologer was fascinated by this allegorical interpretation of the Bard, the most popular work in print at that time that championed reading Shakespeare as the author of soul allegories was Perennialist Martin Lings‘ The Secret of Shakespeare (1984).* Literary Alchemy is a tool set employed not only by Shakespeare but by a host of Rowling favorite authors to include Dickens, Nabokov, Lewis, and Tolkien. This view of alchemy, that is, as an allegorical depiction of the soul's transformation that affects that same cathartic experience in its theater or reading audiences, is the one found in Rowling's work, which is well removed from psychological alchemy, an analytic art which, though it springs from metallurgical alchemical texts, does not aim at the transformation at work in the sacred art or the science of traditional alchemy. * Rowling's use of chiastic structures and psychomachian allegory, tools that complement literary alchemy in spiritual perspective and aim, make a Jungian rather than a literary and Perennialist view of alchemy seem unlikely.* Alchemy: Jung, Burckhardt, or Maclean? John Granger, April 2007* Rowling's Soul Triptych Psychomachia: Is It From Shakespeare's ‘Macbeth'? John Granger, September 20245. The Debate at King's Cross: (Nick) So, John, you've mentioned Jung quite a few times in your posts about the Mythological framework of the Strike series and even written about the Jungian ideas of animus and anima with respect to Cormoran and Robin's relationship. You seem fairly confident, though, that Rowling is writing from the traditional esoteric ideas of alchemy a la Shakespeare rather than Jung's. Why is that? * Everything you just said!* As noted, Jung's ideas are modern and psychological while the stream of literary alchemy in English Literature is almost exclusively more Medieval and pointedly spiritual;* The Most Notable Exception: Angela Carter's The Passion of the New Eve (1977), that reads like a Jungian ‘Red Book' slide-show (think Bombyx Mori) or a transgender Odyssey written for feminists. Rowling has never mentioned her to my knowledge but it would be surprising if she hadn't read this book more than once. What Alana Bolton Cooke wrote about Carter's Passion could be said about Rowling's literary alchemy if she is a Jungian writer (or about Galbraith's fictional Elizabeth Tassel?):Angela Carter in The Passion of New Eve (1977) uses the exoteric phases of alchemy and Carl G. Jung's theory of esoteric alchemy as a means of demonstrating allegorically the idea ofrebirth and renewal. The purpose of this allegorical method is to produce an 'alchemical' change of thought in the reader about sexuality and gender associated with women's repression and liberation. In the novel Carter develops themes and ideas explored in her essay, The Sadeian Woman: An Exercise in Cultural History (1979), an analysis of the Marquis de Sade's pornography and its affect on the roles of men and women in society. The clash of opposites involved in combining alchemical symbolism, feminism and pornography within the fiction can be seen as representative of the state of chaos present in alchemy before the beginning of change. The circular narrative and alchemical structure of the fiction creates a literary version of the alchemical process as it brings together opposites involved in chaos, represented by events and characterisation that the protagonist, Evelyn/Eve, experiences, until, in the manner of alchemy, harmony is reached. The harmony created represents women's empowerment. Carter uses Evelyn's individuation process to encourage growth within the reader by altering patterns of thought to bring about change through self-confrontation and self-knowledge. The structure of Carter's fiction, thus, corresponds to the process of esoteric alchemy contained within the structure, imagery and symbolism of exoteric alchemy. The fiction is designed to stimulate the unconscious of the reader and make conscious hitherto unknown and repressed thoughts about gender and sexuality to bring about change in the lives of men and women.* I think what Rowling said she was trying to do with Harry Potter's meeting with Dumbledore at the dream-like King's Cross strongly suggests she is aware of the two approaches and wants readers to discuss them – but that she has made her own choice, however conflicted she may be.* In her 2008 interview with Adeel Amini, Rowling said that her hope for Harry's post-mortem conversation with Dumbledore at King's Cross was to stimulate “a debate” among readers about whether it was a psychological moment, that is, a fantasy in which Harry understands what he's been missing all along, or a spiritual event in which he is actually speaking with the late Headmaster:Enough Potter-plot, I think. Moving on to a slightly more contentious issue, Rowling has categorically said that she does believe in a higher power, a statement reinforced by her childhood church-going (“Till I was 17,” she clarifies). It must be difficult to reconcile her religious beliefs with those that denounce Harry Potter as anti-Christian, I wonder aloud. Rowling's expression does not change a fraction. “There was a Christian commentator who said, which I thought was very interesting, that Harry Potter had been the Christian church's biggest missed opportunity. And I thought, there's someone who actually has their eyes open.“I think he said it before the publication of the seventh book, and with the publication of the seventh book I think that clarified a lot of people's view on where I was standing. But I should emphasise that I am not pushing a specifically Christian agenda, and indeed till the very last moment in book seven, one can interpret what happens to Harry after he presents himself with death as him going into an unconscious state in which his subconscious reveals to him what he already knew.” I hum in faux-comprehension of what she's referring to; luckily my clued-in companion is nodding wildly. Proceed. “Any re-reading of Chapter 35 will show you that there's nothing that the Dumbledore he sees tells him that he couldn't have guessed for himself or already realised, and of course there's a key piece of information that Dumbledore doesn't articulate that Harry has realised. So you can deliberately interpret it that way, or you can say that he did go into a state of limbo beyond which there was another life, and that idea was expressed repeatedly, and most explicitly at the end of book five, Order of the Phoenix, where Harry understands that there is an ‘on', that you do go on. “I wanted there to be a debate there, so of my three main characters - when they come into the room which examines death at the Ministry of Magic - Hermione, the ultimate sceptic and a hyperrational person, hears nothing behind the veil and is scared of it. Ron is just uneasy; Ron is someone who does not grapple with anything deeper than beer, if he can avoid it. Harry's drawn to it, and therein lies Harry's slightly reckless, almost morbid streak, because Harry does have a hint of that dangerous adolescent trait which is the attraction to death.” Heavy. Obviously with this ambiguity, you do get a fair degree of misinterpretation as well; there is a certain section that does dislike Harry Potter intensely. “Oh, vehemently,” says Rowling, before muttering under her breath “…and they send death threats.”* I think that “debate” she's trying to foster is between the psychological, call it ‘Jungian' “just inside your head” subconscious perspective, and the authentically spiritual view of her work (well, of art and human existence, too, of course). And that this debate is one she has had for most of her life. Check out her comments about the “greatest missed opportunity” and explain to me how that doesn't line up with her preferring the spiritual, albeit “not explicitly Christian,” to the psychological and humanist. 7. Jungian Readings of Rowling's Work: (Nick) John, you're familiar with what has been written by Potter Pundits because of your PhD critical literature surveys; what are the better ones about Rowling and Jungian psychology and what do they emphasize? Here are seven off the top of my head (and Thesis ‘Works Cited' drafts):* Grynbaum, G.A. (2000). The Secrets of Harry Potter. The San Francisco Jung Institute Library Journal: Reviews From a Jungian Perspective of Books, Films and Culture, [online] 19 (4) pp. 17-48* Patrick, Christopher and Sarah (2007), ‘Exploring the Dark Side: Harry Potter and the Psychology of Evil,' in Mulholland (ed.), The Psychology of Harry Potter, BenBella Books, pp 221-232* Gerhold, C. (2011). The Hero's Journey Through Adolescence: A Jungian Archetypal Analysis of “Harry Potter.” PsyD. The Chicago School of Professional Psychology. * Rectenwald, Bob (2019). ‘Carl Jung's Impact on the Work of J. K. Rowling' * Skipper, Alicia and Kate Fulton (2021) ‘Out from the Shadows into the Light: Persona and Shadow in Harry Potter‘ in Anne Mamary (ed.) The Alchemical Harry Potter: Essays on Transfiguration in J. K. Rowling's Novels, McFarland, Jefferson, NC, 2021, pp 79-96* The Unfolding Journey, Jung's Shadow Self in Harry Potter: Confronting the Darkness Within (YouTube video)* My own Troubled Blood: A Jungian ReadingBob Rectenwald's piece is the best of the six I didn't write but it shares the several faults all the Jungian pieces make:* the first failing of even the best Jungian readers is the assumption that Rowling is a Jungian, which is an open question;* the next is that Jung's ideas (and Joseph Campbell's) are indisputably true; and* the last is, when alchemy is mentioned, the critics do not clarify either the commonalities of or the differences between literary alchemy, psychological alchemy, and Jungian analytic psychology. * Note, though, that Rowling, while aware of such Jungian tropes as the Hero's Journey, tweeks it shamelessly, adding a symbol of Christ and resurrection scene in every Potter story (cf., How Harry Cast His Spell, ‘The Harry's Journey,' pp 21-28).* Read her brief PotterMore piece on alchemy and note that it is written in such a way that it can be read as confirmation of either a psychological or spiritual perspective on alchemy and art:One interpretation of the ‘instructions' left by the alchemists is that they are symbolic of a spiritual journey, leading the alchemist from ignorance (base metal) to enlightenment (gold). There seems to have been a mystical element to the work the alchemist was engaged upon, which set it apart from chemistry (of which it was undoubtedly both an offshoot and forerunner).This “original writing” by Rowling, especially the words “spiritual” and “mystical,” suggests that she is a Perennialist rather than a Jungian, at least with respect to her understanding of alchemy. But the debate is still possible with Jungians who read those words as cyphers for the subsconscious contact they hold we have with archetypes.8. Back to the Alchemy: (John) I think the real question of whether Rowling's literary alchemy is predominantly literary and spiritual or psychological in orientation comes down to the postmodern confusion about the immaterial aspects of the human person, which is to say, the soul (or mind, psyche) and the spirit. Rowling's recent work may seem prosaic or secular to a casual reader who compares it to the relatively otherworldly and “obviously” symbolic Potter books, but she loads each Strike book with Shakespearean romance of soul and spirit, i.e., alchemical dramas, and hermetic tropes. I'm writing a piece now about the lions, dogs, incest, and the red man and white woman in Hallmarked Man, each of which are touchstones of alchemy. I think, though, that your work with Rowling's favorite books and her epigraph sources, Nick, point to a strong spiritual rather than psychological foundation in Rowling's work —* Louisa May Alcott, Little Women* Dodie Smith, I Capture the Castle* The Victorian Women Poets in Running Grave* Elizabeth Barrett Browning, Aurora Leigh* Robert Browning, The Ring and the Book* The Jungian love of the I Ching, Running Grave's epigraph source9. Jung in Running Grave: (Nick) Rowling's favorite writers, from Shakespeare and Nabokov to C. S. Lewis and Victorian Women poets, all clearly believe in a world-transcending spiritual realm. Given the quantity of the Jungian scholarship in Rowling Studies that Iris referred to and you've mentioned, it's curious -- if Rowling is aware of it and is resistant to it -- that she doesn't push back against it explicitly in her work. Can you think of a character that seems something like Jung in the books, someone as bad as Prudence Dunleavey is good? I can think of three:* United Humanitarian Church's guru Jonathan Wace in Running Grave: his “psychologizing of religion,” the comparative religion avenue to denial of any true faith, the psychological critical analysis of a patient using mythological tropes (”Artemis”), the cult leader, and the abuser of women and children -- he's a ringer for Jung! * Paul Satchwell, one-eyed serpent with a one-track mind, in Leamington Spa, a true Jungian artist working psycho-sexual motifs graphically on canvas:Naked figures twisted and cavorted in scenes from Greek mythology. Persephone struggled in the arms of Hades as he carried her down into the underworld; Andromeda strained against chains binding her to rock as a dragonish creature rose from the waves to devour her; Leda lay supine in bulrushes as Zeus, in the form of a swan, impregnated her.Two lines of Joni Mitchell floated back to Robin as she looked at the paintings: “When I first saw your gallery, I liked the ones of ladies…”Except that Robin wasn't sure she liked the paintings. The female figures were all black-haired, olive-skinned, heavy-breasted and partially or entirely naked. The paintings were accomplished, but Robin found them slightly lascivious. Each of the women wore a similar expression of vacant abandon, and Satchwell seemed to have a definite preference for those myths that featured bondage, rape or abduction. (Troubled Blood, 542)* And then there are the Masons, kind of an old school Jungian cult in Hallmarked Man. Like the UHC and “harmless” fraternal and charitable group with Christian touches but which doesn't change a man or human nature per Hardacre (and which harbors the rich and powerful like Lord Branfoot). * Coupled with Prudence, the Front of Jungian Beliefs, we get the front and back of Jung in Rowling's work, a characteristic touch of Rowling nuance as she did with Islam in Hallmarked Man.10. Conclusion: (John) I'm obviously not a Jung fan and I don't think Rowling is writing Jungian psychomachia in alchemical symbols a la Angela Carter, but I see how people would come to a contrary conclusion; Rowling's ‘spiritual not religious' public statements and political positions with respect to Same Sex Attraction and abortion line up much more easily with New Age and Jungian types than with any kind of orthodox Christianity. The great thing about essays like Isis' at S&E Files is that it brings more people into the conversation of what literary alchemy is and the various approaches to it. You've been reading about literary alchemy for several years now, Nick; what do you think the person whose first encounter with the subject was the S&E Files article do to hone their alchemy detection skills? * “Read your books and online talks, John!”* How Metallurgical Alchemy Worked and How it Became Literary Alchemy (from Deathly Hallows Lectures, Chapter 1):Alchemy, in a nutshell, was the science for the perfection or sanctification of the alchemist's soul. This heroic venture I need to say straight off is all but impossible today because the way we look at reality, at ‘things' per se makes the Great Work itself almost an absurdity. Unlike the medieval alchemists, we moderns and postmoderns see things with a clear subject/object distinction, that is, we believe that you and I and that table are entirely different things and between them is there is no connection or relation. The knowing subject is one thing and the observed object is completely ‘other.'To the alchemist that is not the case. His efforts in changing lead to gold are based on the premise that he as the subject will go through the same types of changes and purifications as the materials he is working with. In sympathy with these metallurgical transitions and resolutions of contraries, his soul will be purified in correspondence as long as he is working in a prayerful state within the Mysteries (sacraments) of his revealed tradition.Now, historically there was an Arabic alchemy, a Chinese alchemy, a Kabbalistic, as well as a Christian alchemy; each differs superficially with respect to their spiritual traditions but in every one, the alchemist was working with a sacred natural science or physics to advance his spiritual purification. This was only possible because he looked at the metal he was working with as something with which he was not ‘other' but with which he was in relationship, artifex and artifact in sacred art imitating and accelerating the work of the Creator creating a bridge, so that, as lead changes to gold or material perfection, his soul was going through similar transformations and purifications.The common ground is the logos in every created thing, to include persons (cf. John 1:9), which are all continuous with the Logos fabric of reality. As much as the alchemist identifies with this metaphysical ground, purifying himself of the ‘old man' or ego-driven individual and identifying himself with the spiritual Heart or light within him, that light will become his dominant quality, hence his “illumination” or “enlightenment”. And lead or solid darkness turning into gold, hard light.How does this edifying magic become the scaffolding for Harry's adventures? Largely through the genius of William Shakespeare. Hermetic wisdom and alchemical efforts were such commonplaces in Elizabethan England that Shakespeare and his contemporaries recognized, I think. that the magic of staged drama is essentially alchemical. If we groundlings are all watching what's going on up on the stage and everything is working the way it's supposed to, the subject-object distinction dissolves inasmuch as we identify with the characters and their agonies through our logos-imaginations. As they go through their changes, like the metals in a crucible, we identify with them and pass through the same cathartic moment.As the great dramatists of that period realized, “if what we're doing is alchemical, why don't we use alchemical imagery and language, too?” And, voila, literary alchemy is born. This stream of English literature in which narrator or characters and the reader or audience in correspondence pass through the stages of the alchemical work, the black the white and the red (basically dissolution, purification, and then perfection) runs through the next five centuries of poetry, stage work, stories and novels. You may not have recognized it, but its a big part of things you have read.* Literary Alchemy: Sacred Science, Sacred Art, and ‘The Alembic of Story':A Perennialist Explanation of J. K. Rowling's Signature Hermetic Symbolism This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Send us Fan MailCrow fam… we need to talk. We read our very first Jane Austen novel ever: Pride & Prejudice, and we may have some unpopular opinions. Will the fandom (and possibly you, our dear listeners) be upset with us? I guess you'll have to listen on to find out what us two gals had to say about this beloved classic, going in blind, with only ourselves and the crows to guide us. Just kidding! We also brought in a guide to help us through it. Sarah over @sarahsliteraryworld, our go to gal and “phone a friend” mini episode guest helped kick off book two in this classics series with our last bonus episode: “Pride & Prejudice for Dummies.” She goes over the basics like themes, characters, Jane Austen's life, which movie adaptations are best, and any tips and tricks to make a first time read that much easier. So go check that out if, just like us, you feel like you might be missing something. Or a lot of things. Today we rate the book, the 2005 movie adaptation, discuss which we liked better, and discuss if it's possible to respect an author and novel for its groundbreaking work and social commentary while also… possibly not loving it. We talk faves and least faves, tropes, themes, characters, and… what exactly was Jane Austen trying to say through this 1813 satire? And does it translate in 2026? We hope that you enjoy this bonus mini episode, and will join us for our future coverage of book 3 in the series: Little Women by Louisa May Alcott.Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)Shop our Merch line | *  https://besties-and-the-books-shop.fourthwall.comCheck out these narrator interviews? ⬇️Anthony Palmini gives us the lowdown on what it's like to voice act Rhysand, Kingfisher, AND Slade Ravinger! https://youtu.be/zcCyrlZ5Jcc?si=2k7ULbRPgZl_5pUJCheck out these author interviews? ⬇️We interviewed Callie Hart all about her NYT Bestseller Quicksilver! Watch it here! https://youtu.be/CED5s7qDBdQ?si=8xtIRO1IzX6Rsld4Need more Halloween reads in your life? Find out if “Halloweentown for adults” with Gilmore Girls vibes might be for you with our Haven Ever After Hazel Mack Interview! https://youtu.be/-kDxchCTysw?si=KpEbcsCHAniU-JTS____Shop Bookish Merch we are wearing:Ashley is wearing:   “Once Upon a Broken Heart” sweater from @thebeanworkshop | BOOKBESTIES10 to save! | * https://www.thFinding Fantasy ReadsFully narrated fantasy stories to help you find your next favorite fantasy author!Listen on: Apple Podcasts SpotifySupport the showYouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

In 1840, eight-year-old Louisa May Alcott moved to the small town of Concord, Massachusetts with her family. There, she spent her days wandering through the woods, putting on plays with her sisters, and learning from famed writers and philosophers such as Henry David Thoreau and Ralph Waldo Emerson.For years, Alcott struggled to achieve success as a writer. Then in 1868, she drew inspiration from her youth to write her beloved coming-of-age novel Little Women. ​​By exploring the aspirations and challenges faced by young women, she defied 19th century norms that sought to confine women in both life and literature.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Between 1081 and 1903, roughly 20 Japanese Buddhist monks voluntarily endured a grueling three-year process of starvation and isolation — sealing themselves alive inside stone tombs in pursuit of becoming Buddha in their own bodies.*No AI Voices Are Used In The Narration Of This Podcast*Take the Weird Darkness Survey: https://take.supersurvey.com/QGZCRXPVSIN THIS EPISODE: One of the greatest monsters ever to be brought to the screen was The Mummy, portrayed by Boris Karloff. We have, of course, seen numerous recreations of the creature since the original Universal film, but still, the image is grotesque and frightening no matter the incarnation. To see a mummy in real-life is that much more shocking. But real fear… real terror… would be if you yourself were to be mummified… while still alive. (To Be Mummified Alive) *** In the days that followed the rescue of 11-year-old Terry Jo Duperrault from the wreckage of the yacht called the Bluebelle, it would became clear that a storm hadn't destroyed the ship, as the previously-rescued captain, Julian A. Harvey, had said earlier. A storm hadn't killed everyone aboard… Harvey himself had. (The Final Voyage of the Bluebelle) *** When a loved one passes away, we sometimes wish we could speak to them one last time. Some people report they received phone calls or voicemails they believe are from their deceased loved ones. Sometimes they come through as eerie otherworldly static, while other times the ghostly caller is able to communicate one last message. We'll share a few true stories from people who have received phone calls from the beyond. (Phone Calls From Beyond The Grave) *** If you buy a furnished home and move the furniture to clean the floor – and the furniture moves back on its own – you can be pretty sure you've just moved into a haunted house. That's exactly what one family in Rockford, Illinois found out. (A Haunting on School Street) *** And I'll end the episode with the story that I began it with – a short story by Louisa May Alcott called “Lost in a Pyramid”… or “The Mummy's Curse”. A story that went pretty much unnoticed when it was originally published in 1869, but has had somewhat become undead since 1998 when it was rediscovered and is now considered an influential example of early “mummy's curse” narratives.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Short Message00:00:20.684 = The Foreboding00:01:41.062 = Show Open00:04:41.066 = The Final Voyage of the Bluebelle00:18:32.491 = Phone Calls From Beyond the Grave ***00:36:53.017 = A Haunting On School Street ***00:43:39.779 = To Be Mummified Alive00:50:44.908 = The Mummy's Curse (Lost in a Pyramid) – fictional story ***01:16:00.096 = Show Close*** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar SOURCES and RESOURCES:“The Final Voyage of the Bluebelle” by Lucia for The Ghost In My Machine: https://weirddarkness.tiny.us/23utyhja“Phone Calls From Beyond the Grave” by Amanda Ashley for Graveyard Shift: https://weirddarkness.tiny.us/7bw36uh4“A Haunting on School Street” by Kathi Kresol for Haunted Rockford: https://weirddarkness.tiny.us/s3c76yeb“To Be Mummified Alive' by Bipin Dimri for Historic Mysteries: https://weirddarkness.tiny.us/j89cukfe“The Mummy's Curse/Lost In a Pyramid” by Louisa May Alcott: https://weirddarkness.tiny.us/pwd9h3cb=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired: August 03, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/MummifiedAliveABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

Join the conversation by letting us know what you think about the episode!The 1st book in our 2026 Banned Books Series is Little Women by Louisa May Alcott. Whether you've read the book or not, many of us know the story of Little Women. In this episode we go beyond the story told in the pages of Little Women to discuss Louisa May Alcott, how Little Women was influenced by her own life, the effect the book has had on so many, the movie adaptations, etc. We also dive into why it was important to us to include Little Women in our Banned Books Series. If you've read Little Women, seen any of the movies or other adaptations, we'd love to know your thoughts. If you haven't read the book or seen any of the movies, why not - not interested, don't think it applies to you, haven't had time, etc.? Join the conversation and let us know!Support the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!

In this episode, we're joined by Peri Gilpin and Chris Mann to talk about Jo: The Little Women Musical, an ambitious and heartfelt adaptation of Louisa May Alcott's beloved novel. You know Peri from her extensive television and film work (Roz was a BOSS, y'all) and Chris has done everything from The Voice to Phantom of the Opera. Peri discusses her role as a producer on the musical alongside her daughter Ava, and why that collaboration feels especially meaningful given Little Women's focus on family, creativity, and women supporting one another. Chris, who plays Professor Bhaer, breaks down his approach to the character, what draws him to Jo's intellectual equal, and how he first became involved with the production. We also talk about the upcoming London performance and what makes this staging such a special moment for the show. The world premiere semi-staged concert of Jo - The Little Women Musical will take place at London's Theatre Royal Drury Lane on Sunday January 25, 2026. The event will be directed and choreographed by JoAnn M. Hunter (20 Broadway shows to her credit as a choreographer including Bad Cinderella and School of Rock). Tickets to the concert are available HERE.  

Jo: The Little Women MusicalA reimagined take on Louisa May Alcott's beloved classic. At its heart is Jo March, a passionate young writer whose grief over losing her sister transforms into the story we all know and love. With a lush, timeless score and bold new perspective, Jo brings universal themes of family, ambition, and identity into sharp focus for today's audiences—reminding us that the fight to claim one's voice and purpose is as relevant now as it was then.Tickets

The final episode of Season 4—and episode 70—is here! I'm beyond thrilled to welcome debut YA author Katie Bernet to the podcast to celebrate her forthcoming novel, Beth Is Dead.Beth Is Dead reimagines Beth March—yes, that Beth March—at the center of a contemporary Little Women–inspired murder mystery. Katie and I chatted about her writing journey, the lasting influence of Louisa May Alcott's original novel, visiting the Alcott house, and so much more.This conversation was the perfect way to close out the year—celebrating books, authors, and the literary foundations that continue to inspire us. A truly fun and fitting finale!

LITTLE WOMENby Kate HamillAdapted from the novel by Louisa May AlcottDirected by Abby WeissmanNovember 26 - December 28, 2025Step into the heart of the March family, where sisters Jo, Meg, Amy, and Beth grow up together amid the American Civil War. Brave, bright, and endlessly imaginative, each sister faces the challenge of balancing her dreams with the weight of society's expectations. Through moments of laughter, loss, and love, they discover that the true strength of family lies in unity, even when the world around them feels uncertain. Hedgerow presents the regional premiere of playwright Katie Hamill's fresh adaptation of Louisa May Alcott's beloved classic featuring live musical accompaniment. This holiday season, gather with your loved ones to celebrate a timeless tale of family, friendship, and the bonds that hold communities together.Cast
Jo…………………………………...……... Marissa Emerson
Beth……………………………...………….. Olive Gallagher
Laurie…………………………………….…………... Leo Mock
Marmee, Aunt March……... Emily-Grace Murray
Hannah, others……………………….. Katherine Perry
Meg………………………………….... Minou Pourshariati
Mr. Brooks, others……………... James Arthel Reilly
Mr. Laurence, others……………………... Bob Weick
Amy…………………………….. Jameka Monet WilsonProduction Team
Stage Manager Jessica Beaver • Assistant Stage Manager Ella Namour • Scenic Designer/Scenic Charge Sarah Schunke • Lighting Designer Lily Fossner* • Props Manager Kevin Ruehle • Music Director/Sound Designer/Composer Matthew Mastronardi • Costume Designer Leigh Paradise • Intimacy Choreographer Melanie Julian • Fight Director Ilana HuiYa Lo • Costume Shop Manager Elizabeth Hanson • Technical Director Pat Ahearn • Set Builder Karl McClellan • Director of Production Kate Fossner • Audio Description Gina PisasaleChapters00:00 Introduction to the Artists and Their Roles02:48 Exploring the Adaptation of Little Women05:40 The Role of Music in Storytelling08:07 The Unique Rehearsal Process11:02 Casting and the Ensemble13:30 Design Elements and Thematic Representation19:21 Audience Connection and Emotional Impact24:43 Personal Reflections and Takeaways29:55 Closing Thoughts and Final ReflectionsFOR MORE INFORMATION: https://www.hedgerowtheatre.org/little-women

“I'm so sick of people saying that love is just all a woman is fit for. I'm so sick of it."The best way to spend the holidays is curled up next to a warm fire and waxing poetic about the March sisters and LITTLE WOMEN. This year, The Wives Colangelo are dissecting Greta Gerwig's adaptation of Louisa May Alcott's novel, and debating the parallel storytelling device. And not to pit strong LITTLE WOMEN against each other, but they're also going to compare and contrast this version with the sacred 1994 film covered in 2023.--------Become a Patron! https://www.patreon.com/thisendsatprom--------MONTHLY SPOTLIGHTRainbow Railroad (https://www.rainbowrailroad.org)--------Social Media Plugs@ThisEndsAtProm@BJColangelo@HarmonyColangelo----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

Merry Christmas! In between looking at houses to rent and packing up the Granger house in Oklahoma City, Nick and John put together this yuletide conversation about perhaps the most neglected of Rowling's influences, Dodie Smith's I Capture the Castle. John was a reluctant reader, but, while listening to the audio book, reading the Gutenberg.com file on his computer, and digging the codex out of his packed boxes of books, the author of Harry Potter's Bookshelf was totally won over to Nick's enthusiasm for Castle.In fact, John now argues that, even if Rowling didn't read it until she was writing Goblet of Fire as some have claimed, I Capture the Castle may be the best single book to understand what it is that Rowling-Galbraith attempts to do in her fiction. Just as Dodie Smith has her characters explain overtly and the story itself delivers covertly, When Rowling writes a story, like Smith it is inevitably one that is a marriage of Bronte and Austen, wonderfully accessible and engaging, but with important touches in the ‘Enigmatist' style of Joyce and Nabokov, full of puzzles and twists in the fashion of God's creative work (from the Estecean logos within every man [John 1:9] continuous with the Logos) rather than a portrait of creation per se. Can you say ‘non liturgical Sacred Art'?And if you accept, per Nick's cogent argument, that Rowling read Castle many times as a young wannabe writer? Then this book becomes a touchstone of both Lake and Shed readings of Rowling's work — and Smith one of the the most important influences on The Presence.Merry Christmas, again, to all our faithful readers and listeners! Thank you for your prayers and notes of support and encouragement to John and for making 2025 a benchmark year at Hogwarts Professor. And just you wait for the exciting surprises we have in hand for 2026!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.The Twelve Questions and ‘Links Down Below' Referred to in Nick and John's I Capture the Castle Conversation:Question 1. So, Nick, we spoke during our Aurora Leigh recording about your long term project to read all the books that Rowling has admitted to have read (link down below!), first question why? and secondly how is that going?Rowling's Admitted Literary InfluencesWhat I want is a single internet page reference, frankly, of ‘Rowling's Admitted Literary Influences' or ‘Confessed Favorites' or just ‘Books I have Read and Liked' for my thesis writing so I needn't do an information dump that will add fifty-plus citations to my Works Cited pages and do nothing for the argument I'm making.Here, then, is my best attempt at a collection, one in alphabetical order by last name of author cited, with a link to at least one source or interview in which Rowling is quoted as liking that writer. It is not meant as anything like a comprehensive gathering of Rowling's comments about any author; the Austen entry alone would be longer than the whole list should be if I went that route. Each author gets one, maybe two notes just to justify their entry on the list.‘A Rowling Reading of Aurora Leigh' Nick Jeffery Talking about ‘A Rowling Reading of Aurora Leigh' Question 2. ... which has led me to three works that she has read from the point of view of writers starting out, and growing in their craft. Which leads us to this series of three chats covering Aurora Leigh by Elizabeth Barrett Browning, I Capture the Castle by Dodie Smith and the Little Women series by Louisa May Alcott. I read Castle during the summer. Amid all the disruptions at Granger Towers, have you managed to read it yet? How did you find it?Capturing Dodie Smith's I Capture the Castle: Elizabeth Baird-Hardy (October 2011)Certain elements of the story will certainly resonate with those of us who have been to Hogwarts a fair few times: a castle with an odd combination of ancient and modern elements, but no electricity; eccentric family members who are all loved despite their individual oddities (including Topaz's resemblance to Fleur Delacour); travel by train; a character named Rose who may have been one of the reasons Rowling chose the name for Ron and Hermione's daughter; descriptions of food that make even somewhat questionable British cuisine sound tasty; and inanimate objects that have their own personalities (the old dress frame, which Rose and Cassandra call Miss Blossom, is voiced by Cassandra and sounds much like the talking mirror in Harry's room at the Leaky Caldron).But far more than some similar pieces, I Capture the Castle lends something less tangible to Rowling's writing. The novel has a tone that, like the Hogwarts adventures, seamlessly winds together the comic and the crushing in a way that is reflective of life, particularly life as we see it when we are younger. Cassandra's voice is, indeed, engaging, and readers will no doubt see how the narrative voice of Harry's story has some of the same features.A J. K. Rowling Reading of I Capture the Castle: Nick Jeffery (December 2025)Parallels abound for Potter fans. The Mortmain's eccentric household mirrors the Weasleys' chaotic warmth: loved despite quirks, from Topaz's nude communing with nature (evoking a less veiled Fleur Delacour) to Mortmain's intellectual withdrawal. Food descriptions—meagre yet tantalising—prefigure Hogwarts feasts, turning humble meals into sensory delights. Inanimate objects gain voice: the family dress-frame “Miss Blossom” offers advice, akin to the chatty mirrors or portraits in Rowling's world. Even names resonate—Rose Mortmain perhaps inspiring Ron and Hermione's daughter—and train journeys punctuate the plot.The Blocked Writer: James Mortmain, a father who spent his fame early and now reads detective novels in an irritable stupor, mirrors the “faded glory” or “lost genius” archetypes seen in Rowling's secondary characters, such as Xenophilius Lovegood and Jasper Chiswell.The Bohemian Stepmother: Topaz, who strides through the countryside in only wellington boots, shares the whimsical, slightly unhinged energy of a character like Luna Lovegood or Fleur Delacour.Material Yearning: The desperate desire of Cassandra's sister, Rose, to marry into wealth reflects the very real, non-magical pressures of class and poverty that Rowling weaves into Harry Potter, Casual Vacancy, Strike and The Ickabog.Leda Strike parallels: Leda Fox-Cotton the bohemian London photographer, adopts Stephen, the working-class orphan, and saves him from both unrequited love and the responsibility that comes with the Mortmain family.Question 3. [story of finishing the book last night by candle light in my electricity free castle] So, in short Nick, I thought it astonishing! I didn't read your piece until I'd finished reading Capture, of course, but I see there is some dispute about when Rowling first read it and its consequent influence on her as a writer. Can you bring us up to speed on the subject and where you land on this controversy?* She First Read It on her Prisoner of Azkaban Tour of United States?tom saysOctober 21, 2011 at 4:00 amIf I recall correctly, Rowling did not encounter this book until 1999 (between PoA & Goblet) when, on a book tour, a fan gave her a copy. This is pertinent to any speculation about how ‘Castle' might have influenced the Potter series.* Rowling Website: “Books I Read and Re-Read as a Child”Question 4. Which, when you consider the other books on that virtual bookshelf -- works by Colette, Austen, Shakespeare, Goudge, Nesbit, and Sewell's Black Beauty, something of a ‘Rowling's Favorite Books and Authors as a Young Reader' collection, I think we have to assume she is saying, “I read this book as a child or adolescent and loved it.” Taking that as our jumping off place, John, and having read my piece, do you wish you had read it before writing Harry Potter's Bookshelf?Harry Potter's Bookshelf: The Great Books behind the Hogwarts Adventures John Granger 2009Literary Allusion in Harry Potter Beatrice Groves 2017Question 5. So, yes, I certainly do think it belongs -- with Aurora Leigh and Little Women -- on the ‘Rowling Reader Essential Reading List.' The part I thought most interesting in your piece was, of course, the Shed elements I missed. Rowling famously said that she loved Jo Marsh in Little Women because, in addition to the shared name and the character being a wannabe writer, she was plain, a characteristic with which the young, plain Jane Rowling easily identified. What correspondences do you think Little Jo would have found between her life and Cassandra Mortmain's?* Nick Jeffery's Kanreki discussion of Rowling's House on Edge of Estate with Two Children, Bad Dad ‘Golden Thread' (Lethal White)Question 6. Have I missed any, John?* Rockefeller Chapel, University of ChicagoQuestion 7. Forgive me for thinking, Nick, that Cassandra's time in church taking in the silence there with all her senses may be the biggest take-away for the young Rowling; if the Church of England left their chapel doors open in the 70s as churches I grew up in did in the US, it's hard to imagine Jo the Reader not running next door to see what she felt there after reading that passage. (Chapter 13, conversation with vicar, pp 234-238). The correspondence with Beatrice Groves' favorite scene in the Strike novels was fairly plain, no? What other scenes and characters do you see in Rowling's work that echo those in Castle?* Chapter 13, I Capture the Castle: Cassandra's Conversation with the Vicar and time in the Chapel vis a vis Strike in the Chapel after Charlotte's Death* Beatrice Groves on Running Grave's Chapel Scene: ‘Strike's Church Going'Question 8. I'm guessing, John, you found some I have overlooked?Question 9. The Mortmain, Colly, and Cotton cryptonyms as well as Topaz and Cassandra, the embedded text complete with intratextuual references (Simon on psycho-analysis), the angelic servant-orphan living under the stairs (or Dobby's lair!) an orphan with a secret power he cannot see in himself, the great Transformation spell the children cast on their father, an experiment in psychomachia a la the Shrieking Shack or Chamber of Secrets, the hand-kiss we see at story's end from Smith, love delayed but expressed (Silkworm finish?), the haunting sense of the supernatural everywhere especially in the invocation that Rose makes to the gargoyle and Cassandra's Midsummer Night's Eve ritual with Simon, the parallels abound. Ghosts!* Please note that John gave “cotton” a different idiomatic meaning than it has; the correct meaning is at least as interesting given the Cotton family's remarkable fondness for all of the Mortmains!* Kanreki ‘Embedded Text' Golden Thread discussion 1: Crimes of Grindelwald* Kanreki ‘Embedded Text' Golden Thread discussion 2: Golden Thread Survey, Part II* Rose makes an elevated Faustian prayer to a Gargoyle Devil: Chapter IV, pp 43-46* Cassandra and Simon celebrate Midsummer Night's Eve: Chapter XII, pp 199-224Let's talk about the intersection of Lake and Shed, though, the shared space of Rowling's bibliography, works that shaped her core beliefs and act as springs in her Lake of inspiration and which give her many, even most of the tools of intentional artistry she deploys in the Shed. What did you make of the Bronte-Austen challenge that Rose makes explicitly in the story to her sister, the writer and avid reader?“How I wish I lived in a Jane Austen novel.” [said Rose]I said I'd rather be in a Charlotte Bronte.“Which would be nicest—Jane with a touch of Charlotte, or Charlotte with a touch of Jane?”This is the kind of discussion I like very much but I wanted to get on with my journal, so I just said: “Fifty percent each way would be perfect,” and started to write determinedly.Question 10. So, I'm deferring to both Elizabeth Barrett Browning and J. K Rowling. Elizabeth Barrett Browning valued intense emotion, social commentary, and a grand scope in literature, which led her to favour the passionate depth of the Brontës over the more restrained, ironical style of Jane Austen. Rowling about her two dogs: “Emma? She's a bundle of love and joy. Her sister, Bronte, is a bundle of opinions, stubbornness and hard boundaries.”Set in the 30s, written in the early 40s, but it seems astonishingly modern. Because her father is a writer, a literary novelist of the modern school, do you think there are other more contemporary novelists Dodie Smith was engaging than Austen and Bronte?Question 11. Mortmain is definitely Joyce, then, though Proust gets the call-out, and perhaps the most important possible take-away Rowling the attentive young reader would have made would have been Smith's embedded admiration for Joyce the “Enigmatist” she puts in Simon's mouth at story's end (Chapter XVI, pp 336-337) and her implicit criticism of literary novels and correction of that failing. Rowling's re-invention of the Schoolboy novel with its hidden alchemical, chiastic, soul-in-crisis-allegories and embedded Christian symbolism can all be seen as her brilliant interpretation of Simon's explanation of art to Cassandra and her dedication to writing a book like I Capture the Castle.* Reference to James Joyce by Simon Cotton, Chapter IX, p 139:* The Simon and Cassandra conversation about her father's novels, call it ‘The Writer as Enigmatist imitating God in His Work:' Chapter XVI, pp 331-334* On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtSacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”I want to close this off with our sharing our favorite scene or conversation in Castle with the hope that our Serious Reader audience will read Capture and share their favorites. You go first, Nick.* Cassandra and Rose Mortmain, country hicks in the Big City of London: Chapter VI, pp 76-77Question 12. And yours, John?* Cassandra Mortmain ‘Moat Swimming' with Neil Cotton, Chapter X, 170-174* Cassandra seeing her dead mother (think Harry before the Mirror of Erised at Christmas time?): Chapter XV, pp 306-308Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

It’s been another fantastic year for Windsor’s Two Flints… Following on from the recent release of their celebrated collab Double IPA with Ghost Whale’s Ray Hadnett, the brewery has also worked with NZ Hops on their Bract Project initiative. Not only that, they’ve released one of the year’s best dark beers in Heartwood – the barrel aged evolution of their debut Imperial Stout ‘Into the Night’. So with that in mind, we’re revisiting our conversation with founder Alex Kerr from earlier this year. In this episode we speak with Alex to learn about his early influences and how he found a passion for brewing while living in Singapore. We discuss his fascination with hops and the qualities they impart on the beers they brew, the importance of Two Flints' taproom and also reflect on his desire for continuous improvement in everything that they do. “It takes two flints to make a fire” Where did the inspiration for your brewery name come from? For Alex Kerr, founder of Windsor, Berkshire-based Two Flints, he has his own story to tell. And drawing influence from the famous quote from Louisa May Alcott's coming-of-age novel Little Women was just the place to start. Opening at the end of 2022, Two Flints recently has marked its second anniversary brewing in Berkshire.  A town that has been the home of Windsor and Eton Brewery for more than 10 years, Alex Kerr and his team have given beer fans another new spot for excellent beer. And soon after in 2023, they would soon be joined in Windsor by neighbours Indie Rabble, the brewery founded by Naomi and Dave Hayward. Since starting out, Two Flints has made its name with a series of excellent hop-forward, hazy pale ales and IPAs such as Santiago, Never End and Big Bash. But they also make superb lagers and other styles, too.

John Ross, during his schoolboy days in New Zealand, was interested in far-flung places such as South America, Papua New Guinea, Ancient Greece and Rome, as well as books on World War One and Two. He read a lot of youth fiction starting at 10 years old, but as a teenager, had a voracious appetite for nonfiction. In his 20s he discovered a few wonderful fiction writers, but has still kept mostly to nonfiction through the decades.His first books were Willard Price's Adventure series and Gerald Durrell books on real-life animal collecting. He also read detective and war stories (Biggles) and lots of travel accounts and travel guides.Robert Louis Stevenson was a favorite—Treasure Island, Kidnapped—and later discovered that Stevenson was a very good essayist too. John also enjoyed Rudyard Kipling's Kim.The ancient Greeks left a great impression on him: Herodotus (The Histories) and Thucydides (The Peloponnesian War)In his early 20s he started reading proper literature:Anna Karenina, Dr Zhivago, George Orwell, and Joseph Conrad. He loved Peter Hopkirk's The Great Game series featuring colorful adventurers and spies in exotic locations. In his early 30s he discovered Raymond Chandler and in his 40s H.P. Lovecraft.For books on Asia and East Asia, he started reading about Burma in the late 1980s, and early 1990s, and Mongolia in the mid-1990s, and increasingly China and Taiwan, and even some works on Japan.Some well known book titles that made an early impression were Lost Horizon by James Hilton, Burmese Days by George Orwell, The Good Earth by Pearl S. Buck, and Jonathan Spence's China books. Also books on Asia by Maurice Collis.Amy's ReadingAs a child, Amy remembers reading Black Beauty (Anna Sewell, 1877), Walter Farley's series The Black Stallion (1941), and a book called Ponies Plot (Janet Hickman, 1971). She loved all the required reading for school (some books now banned): English literature such as Graham Greene's Brighton Rock, Shakespeare's plays, and lots of Roald Dahl, including Charlie and the Chocolate Factory, and James and the Giant Peach; and American authors John Steinbeck (1930s–1950s), J. D. Salinger's Catcher in the Rye (1951), Nathaniel Hawthorne's The Scarlet Letter (1850), Harriet the Spy by Louise Fitzhugh (1964) and A Separate Peace (1959) by John Knowles. She recalls that in first grade, her teacher read to the class Little Pear (1931), by Eleanor Francis Lattimore, about a Chinese boy.From her parents' book collection she read Little Women, by Louisa May Alcott (1868), and  Wuthering Heights (1847) Emily Bronte as well as stories by Charlotte Bronte and other classics.In college she moved into more popular literature, again much of it required reading for her classes: works by Thomas Pynchon, Jerzy Kosiński, Blind Date (1977) and The Painted Bird (1965) the latter of which—notably—had a scene on bestiality and would probably be banned as college reading these days!.In high school, her father paid her to read books, and she vividly remembers excerpts from Henry Hazlitt's The Foundations of Morality (1964), which still influences her choices in life today. She credits her father's books for her interest in philosophy and a basic understanding of free-market economics.Once she knew she was headed to Japan, she read Edwin Reischauer's  The Japanese Today (1988), and Japan as Number One, by Ezra Vogel (1979) which were her first books to read about Asia (other than Shogun). For most of her childhood she preferred non-fiction and didn't start reading fiction seriously till she arrived in Japan and read Haruki Murakami. Now she reads everything!At the end of the podcast Amy & John encourage listeners to write in to ask for suggestions on what books on Asia to give friends or family. They'll choose one to talk about at the end of each show with appropriate suggested reading. Since the BOA Podcast doesn't have an email address (yet), they ask you submit requests via social media:Follow BOA on Facebook and contact via Messenger or sign up for the BOA newsletter, from which you can reply directly to each email. There is a BOA Twitter (X) account, but they appear to be locked out at the moment (sigh).They also ask listeners to subscribe to the podcast, leave a review and share it with your friends so that Amy & John can have a happier holiday.May your holidays be bibliophilic: full of black ink, long words, excessive pages and new books! The Books on Asia Podcast is co-produced with Plum Rain Press. Podcast host Amy Chavez is author of The Widow, the Priest, and the Octopus Hunter: Discovering a Lost Way of Life on a Secluded Japanese Island. and Amy's Guide to Best Behavior in Japan.The Books on Asia website posts book reviews, podcast episodes and episode Show Notes. Subscribe to the BOA podcast from your favorite podcast service. Subscribe to the Books on Asia newsletter to receive news of the latest new book releases, reviews and podcast episodes.

Effie is a ten-year-old girl who has everything a child could want - except the spirit of Christmas in her heart. After she reads a Dickens classic and experiences a vivid dream, that all changes in this lovely tale of gratitude and generosity. Listen free, thanks to our friends at enVypillow.com and SierraSil.com. Drift is free, thanks to our wonderful sponsors, enVy Pillow.com and SierraSil.com, both of whom generously offer discounts on all online purchases when you use the code drift. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Kitty Reads Holiday Lit for Peace: Louisa May Alcott – A Christmas Dream, and How It Came True plus The Next Peacelands This episode features a gentle excerpt from Louisa May Alcott's short holiday story A Christmas Dream, and How It Came True, a reflective tale about a child who learns that the real richness of Christmas comes from generosity, attention, and shared joy. Kitty reads just enough to let Alcott's calm moral clarity come through. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons. For this holiday edition of The Next Peacelands, Avis Kalfsbeek shifts focus away from warzones and arms suppliers to reflect on the quieter, relational work of peace—care, generosity, and the everyday choices that shape a humane world. Get Avis Kalfsbeek's books: www.AvisKalfsbeek.com  Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Peace Is Here upcoming series: The Peace Experiments Louisa May Alcott – A Christmas Dream, and How It Came True on Gutenberg: https://www.gutenberg.org/cache/epub/40682/pg40682-images.html#a-christmas-dream

Classic Christmas Stories: A Merry Christmas – Chapter 2 from Little Women by Louisa May AlcottTravel back to the beloved March household for the timeless opening of Little Women.In this special episode we share Chapter 2, “A Merry Christmas” – the cozy, heart-tugging scene of the four sisters waking on Christmas morning, putting on their famous play, and learning the true spirit of giving when they share their precious breakfast with a poorer family.A perfect, nostalgic treat for every age.New episodes drop daily from Nov 27 through Dec 25, 2025. Subscribe now, visit our merch store for holiday gifts, or support us on Buy Me a Coffee — all links in the show notes!Keywords: Little Women Christmas chapter, A Merry Christmas audiobook, Louisa May Alcott, March sisters Christmas, classic holiday literature, family Christmas story, cozy Christmas podcastSend us a textSupport the showHelp keep the stories interruption free! https://buymeacoffee.com/jasonreadsclassics Merch Store Chamber of Classics Amazon Links Cozy Blankets: https://amzn.to/42EuiP2 Christmas Mugs: https://amzn.to/3WENatG All stories in this podcast are public domain works, read by Jason Hovde. No copyrighted material is used. Media & Interview Inquiries: truthtrekking@gmail.com...

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Concerts at the Cedar Cultural CenterRenee Vaughan, who plays the Swedish folk instrument the nyckelharpa, recommends a concert on Friday that will bring a mix of musical holiday folk traditions.Red Thread will perform along with Minneapolis and Duluth-based folk band Ponyfolk, Friday at 8 p.m. at the Cedar Cultural Center in Minneapolis.Renee says: Red Thread is fronted by one of my absolute favorite singers, Sarah Larsson, with her lush, warm voice, coupled with these incredible harmonies, and it's mixed with a deep love of cultural lineage. Their music spans from Yiddish and klezmer and Slavic, Scandinavian, Irish, English and American winter traditions, and they'll be sharing the stage with Ponyfolk. They're able to have this folk sound that creatively blends folk and rock and jazz and Nordic influences. I'm sure there'll be opportunities to get up and move, but you can also sing, and it'll be like this lovely musical quilt covering the audience.— Renee VaughanWhile you're looking at the Cedar website, musician Leslie Vincent recommends you check out a performance there on Sunday at 2 p.m. by Ben Cook-Feltz, with Ann Reed and Zippy Laske.Leslie says: He's an INCREDIBLE singer and performer. His “Holiday Shindig” is coming up on December 14 and features lots of my other favorite performers in town, including Zippy Laske, who I'm obsessed with.— Leslie VincentA musical classic in RochesterVoiceover actor Rebecca Brokaw-Sands is excited to see Rochester Repertory Theatre's production of “Little Women: The Musical” this weekend. Based on the classic story by Louisa May Alcott, the musical follows the four March sisters from childhood to adulthood. The remaining performances are tonight through Saturday at 7 p.m. and Sunday, Dec. 14 at 2 p.m.Rebecca says: “Little Women” itself is a fantastic, heartwarming story that focuses on family and dreams and hope and following your own path, even when it's not the one that others would have chosen for you or the one that seems traditionally laid out by society.The music is fantastic and supported very well by the voices in this cast. Amber Feind as Jo knocks it out of the park.— Rebecca Brokaw-SandsSymphonic celebration in Grand ForksStacy Bach is a band director at East Grand Forks High School, and she suggests coming back to her school's auditorium this Sunday at 2:30 p.m. for the Greater Grand Forks Symphony Orchestra's Yuletide Concert. Expect holiday favorites, including Tchaikovsky's “Nutcracker Suite,” plus classic carols that invite the audience to sing along. The winner of the Young Artist Concerto Competition will also be featured.

Greta Gerwig's follow up to Lady Bird, and an adaptation of the classic Louisa May Alcott book is the topic of our episode with 2019's LITTLE WOMEN. Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and rate/review/subscribe where ever you get your podcasts.

How much joy can a little girl's dream inspire? Louisa May Alcott, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   For a limited time, you can get a subscription for the Audiobook Library Card for only $6.99, instead of the typical ridiculously low price of $9.99. This is your chance to lock in a monthly subscription at the lower price, saving $3 a month. Unlimited downloading and streaming of the Classic Tales Library can be yours for even less!  Go to audiobooklibrarycard.com or follow the link in the show notes.     And now, A Christmas Dream, and How it Came True, by Louisa May Alcott   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

Today I welcome Liz Parker back on the show to discuss Louisa May Alcott's LITTLE WOMEN, as well as books that retell that story and nonfiction books that connect to this timeless classic. We also chat about THE OTHER MARCH SISTERS, a book that re-examines LITTLE WOMEN through the eyes of Jo March's sisters. Liz wrote Meg's chapters in the book, while Ally Malinenko and Linda Epstein wrote the Beth and Amy sections. All books, links and show notes are available on my website at https://www.sheworeblackpodcast.com/

Elizabeth previews a selection of stories from A Louisa May Alcott Christmas, first published from 1865 and 1872. This season is a premium exclusive. Thank you for supporting our show.Try The Sleepy Bookshelf Premium free for 7 days: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.supercast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Are you loving The Sleepy Bookshelf? Show your support by giving us a review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow the show on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Vote on upcoming books via the Survey on our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the music from The Sleepy Bookshelf in a relaxing soundscape on Deep Sleep Sounds:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=zxRt2AI7f80⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Having an issue with The Sleepy Bookshelf or have a question for us? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our FAQs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Connect: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you so much for joining us here at The Sleepy Bookshelf. Now, let's open our book for this evening. Sweet dreams

Today's story is an adaptation of a story by Louisa May-Alcott and written for you by Daniel Hinds. Tilly, the oldest of six siblings, is left in charge on Thanksgiving when their parents rush Nana to urgent care. Determined to save the holiday, the kids attempt to cook the Thanksgiving dinner themselves. Do you think they'll be successful? Listen and find out! Check out Stories RPG our new show where we play games like Starsworn with all your Max Goodname friends, and Gigacity Guardians featuring the brilliant firefly! https://link.chtbl.com/gigacity Draw us a picture of what you think any of the characters in this story look like, and then tag us in it on instagram @storiespodcast! We'd love to see your artwork and share it on our feed!! If you would like to support Stories Podcast, you can subscribe and give us a five star review on iTunes, check out our merch at storiespodcast.com/shop, follow us on Instagram @storiespodcast, or just tell your friends about us! Check out our new YouTube channel at youtube.com/storiespodcast. If you've ever wanted to read along with our stories, now you can! These read-along versions of our stories are great for early readers trying to improve their skills or even adults learning English for the first time. Check it out.

Today, in celebration of the American holiday "Thanksgiving Day," I want to share with you a recording of short story written by Louisa May Alcott, called "An Old-Fashioned Thanksgiving." The audio file has no commentary—it's merely an unabridged reading of the story—and is suitable for you to share with your children as a worthwhile story to enjoy this time of year. But this story is filled with financial lessons for those with ears to hear. As you listen to a life of long ago (circa 1830), I'd encourage you to reflect on the life that you and I now live in comparison. For me, this reflection fills me with Thanksgiving, which is the starting point of living a rich life now. You are rich. I am rich. Let's realize it and act appropriately. Joshua If you prefer to read the story to your children yourself, here is the text I read: https://digital.library.upenn.edu/women/alcott/thanksgiving/thanksgiving.html  Here are a few poem and prayers of Thanksgiving you may enjoy as well: O Lord, that lends me life, Lend me a heart replete with thankfulness! ~~William Shakespeare 1564-1616 May all who share these gifts today Be blessed by Thee, we humbly pray. What God gives and what we take 'Tis a gift for Christ his sake;

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Tonight, at long last, we'll read the final chapter of “Good Wives” written by Louisa May Alcott titled “Harvest Time”. It's hard to believe, but we have been reading this book for the first time as we've read it to you, and that first chapter was started back in December 2019, when Snoozecast was less than 1 year old. We took a break after part one concluded in June 2022 to explore other books. By popular request, we reopened the story in 2023, beginning the second part of Little Women—originally published separately as Good Wives. In our last chapter, “Under the Umbrella,” Jo, busy but lonely, had often thought of Professor Bhaer and regretted their stiff parting. On a rainy errand she met him beneath an umbrella; as they walked, he gently explained why he had stopped reading her sensational tales, and Jo told him she had left that work behind for truer writing—bringing them closer. In the rain he confessed his love, and Jo happily returned it. They reached the March home soaked but radiant, where Marmee quickly understood, and the chapter closed on Jo's quiet, genuine happiness and the promise of a life with Bhaer. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight, at long last, we'll read the final chapter of “Good Wives” written by Louisa May Alcott titled “Harvest Time”. It's hard to believe, but we have been reading this book for the first time as we've read it to you, and that first chapter was started back in December 2019, when Snoozecast was less than 1 year old. We took a break after part one concluded in June 2022 to explore other books. By popular request, we reopened the story in 2023, beginning the second part of Little Women—originally published separately as Good Wives. In our last chapter, “Under the Umbrella,” Jo, busy but lonely, had often thought of Professor Bhaer and regretted their stiff parting. On a rainy errand she met him beneath an umbrella; as they walked, he gently explained why he had stopped reading her sensational tales, and Jo told him she had left that work behind for truer writing—bringing them closer. In the rain he confessed his love, and Jo happily returned it. They reached the March home soaked but radiant, where Marmee quickly understood, and the chapter closed on Jo's quiet, genuine happiness and the promise of a life with Bhaer. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read the next chapter of “Good Wives” written by Louisa May Alcott titled “Under the Umbrella”. This is also known as the second half of the “Little Women” novel and is considered the 46th chapter as part of that work as a whole. In our last chapter, “Daisy and Demi,” Meg's twins become the delight of the March household. Meg devotes herself to their care, while John takes special pride in his son, dreaming of the man he will grow into. The babies charm the entire family—Jo, at first unsure of them, warms up and plays the lively aunt, while Laurie and the others also share in the joy of helping raise the little one. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight, we'll read the next chapter of “Good Wives” written by Louisa May Alcott titled “Under the Umbrella”. This is also known as the second half of the “Little Women” novel and is considered the 46th chapter as part of that work as a whole. In our last chapter, “Daisy and Demi,” Meg's twins become the delight of the March household. Meg devotes herself to their care, while John takes special pride in his son, dreaming of the man he will grow into. The babies charm the entire family—Jo, at first unsure of them, warms up and plays the lively aunt, while Laurie and the others also share in the joy of helping raise the little one. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

What does the film industry, Louisa May Alcott, and King Tut have in common? Mummy's curses! We dig into the history of the Curse of the Pharaohs, how they are viewed in the west, and how Tutmania changed Egyptology and the world. Content Warning: This episode contains conversations about or mentions of death, illness, racism, desecration of bodies, slavery, forced labor, grave-robbing, sexual assault, and animal death. Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Get our new Old Wives' Tale Teller Corduroy Hat!- Submit Your Urban Legends Audio: Call us! 617-420-2344Sponsors- United by Blue, creators of sustainable apparel and outdoor gear. Use code jointheparty for 20% off at https://unitedbyblue.comFind Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight, we'll read the next chapter of “Good Wives” written by Louisa May Alcott titled “My Lord and Lady”. This is also known as the second half of the “Little Women” novel and is considered the 45th chapter as part of that work as a whole. In our last chapter, Laurie visits the March home with Amy, and the newlyweds share lighthearted banter with Jo and Mrs. March. Laurie reveals his plans to work seriously in business to please his grandfather, while Amy speaks of creating a warm home before stepping into society. Later, at home, they discuss Jo's possible marriage to Professor Bhaer, with Laurie assuring Amy he would be happy for them. The couple then talk warmly about their shared desire to use their wealth to discreetly help those in need, particularly struggling artists, ambitious young women, and “poor gentlefolk” who cannot ask for aid. They pledge to make generosity a joyful part of their life together, seeing it as a way to strengthen their own marriage while brightening the lives of others. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight, we'll read the next chapter of “Good Wives” written by Louisa May Alcott titled “My Lord and Lady”. This is also known as the second half of the “Little Women” novel and is considered the 45th chapter as part of that work as a whole. In our last chapter, Laurie visits the March home with Amy, and the newlyweds share lighthearted banter with Jo and Mrs. March. Laurie reveals his plans to work seriously in business to please his grandfather, while Amy speaks of creating a warm home before stepping into society. Later, at home, they discuss Jo's possible marriage to Professor Bhaer, with Laurie assuring Amy he would be happy for them. The couple then talk warmly about their shared desire to use their wealth to discreetly help those in need, particularly struggling artists, ambitious young women, and “poor gentlefolk” who cannot ask for aid. They pledge to make generosity a joyful part of their life together, seeing it as a way to strengthen their own marriage while brightening the lives of others. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on From the Front Porch, it's another episode From the Archives! In this series, we're sharing some of our favorite past episodes of the show while Annie is on maternity leave. Enjoy today's episode about Annie's favorite books of all time from 2023. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search episode 542) or download and shop on The Bookshelf's official app: Libro.fm Bookshelf storefront Gilead by Marilynne Robinson A Place for Us by Fatima Farheen Mirza To Kill a Mockingbird by Harper Lee Go Set a Watchman by Harper Lee The Mothers by Brit Bennett The Road by Cormac McCarthy Crossing to Safety by Wallace Stegner Little Women by Louisa May Alcott An Old-Fashioned Girl by Louisa May Alcott (unavailable to purchase) Homegoing by Yaa Gyasi Transcendent Kingdom by Yaa Gyasi The Year of Magical Thinking by Joan Didion Station Eleven by Emily St. John Mandel Updated mentions since the podcast originally aired: Olive, Again by Elizabeth Strout Tell Me Everything by Elizabeth Strout James by Percival Everett Matrix by Lauren Groff From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading The Eights by Joanna Miller. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Beth, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, Jammie Treadwell, and Amanda Whigham.

Tonight, we'll read the next chapter of “Good Wives” written by Louisa May Alcott titled “My Lord and Lady”. This is also known as the second half of the “Little Women” novel and is considered the 44th chapter as part of that work as a whole. In our last chapter, Jo, feeling somewhat alone amid her family's celebration of Amy's return, is surprised by the unexpected arrival of Professor Bhaer. She welcomes him with visible joy, and he's warmly embraced by the March family. Jo observes his thoughtful presence and quiet charm, sensing a change in him—and in herself. As the family gathers to sing in memory of Beth, Jo and the Professor perform a duet that hints at growing affection. Though he claims to be in town on business, it becomes clear that Jo is the true reason for his visit. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight, we'll read the next chapter of “Good Wives” written by Louisa May Alcott titled “My Lord and Lady”. This is also known as the second half of the “Little Women” novel and is considered the 44th chapter as part of that work as a whole. In our last chapter, Jo, feeling somewhat alone amid her family's celebration of Amy's return, is surprised by the unexpected arrival of Professor Bhaer. She welcomes him with visible joy, and he's warmly embraced by the March family. Jo observes his thoughtful presence and quiet charm, sensing a change in him—and in herself. As the family gathers to sing in memory of Beth, Jo and the Professor perform a duet that hints at growing affection. Though he claims to be in town on business, it becomes clear that Jo is the true reason for his visit. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I want to tell you about a book that I really love—Little Women, by Louisa May Alcott. To be honest, it's one of my all-time favorite stories. It's warm, emotional, and full of life. I've listened to the audiobook version, and what makes it extra special is that it's a full-cast recording. That means each character has a different voice. It's not just one person reading the book—it sounds more like a movie. And it really brings the story to life. Get the transcript here: https://speakenglishpodcast.com/podcast/

Tonight we'll read the next chapter of Good Wives, written by Louisa May Alcott, titled "Surprises". This is also known as the second half of the Little Women novel, and is considered the 43rd chapter as part of that work as a whole. In our last chapter, Jo found herself adrift in a quieter home, struggling to lift her spirits or rekindle her sense of purpose. Though she tries to be useful, her days feel empty until simple comforts. Conversations with her parents. Small household tasks, and time with Meg and the children begin to steady her. Encouraged to write again, Jo pours her heart into a story that unexpectedly resonates with readers. She warmly supports Amy and Laurie's news, though it stirs her own longing for connection. Alone in the attic, Jo finds an old note from Professor Bear and holds it close. Sensing something quietly beginning. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight we'll read the next chapter of Good Wives, written by Louisa May Alcott, titled "Surprises". This is also known as the second half of the Little Women novel, and is considered the 43rd chapter as part of that work as a whole. In our last chapter, Jo found herself adrift in a quieter home, struggling to lift her spirits or rekindle her sense of purpose. Though she tries to be useful, her days feel empty until simple comforts. Conversations with her parents. Small household tasks, and time with Meg and the children begin to steady her. Encouraged to write again, Jo pours her heart into a story that unexpectedly resonates with readers. She warmly supports Amy and Laurie's news, though it stirs her own longing for connection. Alone in the attic, Jo finds an old note from Professor Bear and holds it close. Sensing something quietly beginning. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read the next chapter of “Good Wives” written by Louisa May Alcott titled “All Alone”. This is also known as the second half of the “Little Women” novel and is considered the 42nd chapter as part of that work as a whole. In our last chapter, Laurie tries to recover from Jo's rejection by turning to music, but soon realizes his love for her has faded into affection. His bond with Amy deepens through letters, and she quietly rejects another suitor. With news of Beth's passing, Laurie rushes to Amy's side in Switzerland, where love quietly blossoms between them. Tonight's chapter returns to Jo, amidst her grief and isolation. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.