The School of Movies Archive

[School of Movies 2016] We're back talking about Disney and we've jumped from their 21st animated classic all the way to the 55th. Dan was not available this time round but when we reach this movie in our list of films we're going through naturally anyway we can get his take on it for an epilogue.    This was a movie that kind of came out of nowhere and delighted pretty much everyone by having a lot more going on below the surface than your average animated animal adventure. At the very least it's a major new find for the furry community as our guests Lorin Grieve from A Year of Steam and Matt Wardle and Laureta Sela of New Century can attest. As well as this there is a multi-layered and infinitely applicable series of social commentaries on everyday prejudices. This downright demanded discussion so we pulled out all the stops to deliver you a packed two hour show.    Folks on the patreon at the $5 per month support level can, this week, get their paws on an additional 90 minutes of rambling tangents which also took place during recording and while fascinating in places, strayed far from the movie itself. If you love these shows there are far worse things you could do with five bucks every thirty days which DON'T get you access to exclusive content.    Guests:    Doctor Lorin Grieve from Year of Steam   Laureta Sela of New Century   Matt Wardle of New Century

[School of Movies 2017] This one took a lot out of us.  The tenth X-Men-related movie, and just like the other two really great instalments in this series (First Class and Deadpool) most of its strengths are augmented by only having tenuous ties to what came before.  Both a sobering goodbye to two of our established heroes and the actors inhabiting the roles, and an introduction to a little acting tornado who pulled off the performance of a lifetime right out of the gate, this film stands as testament to what a steady hand and a focus on character can achieve in a marketplace stuffed with citywide destruction and CGI final bosses without any personality… in fact it used the latter to make a statement on its central protagonist.  Logan is impressive, sparing, powerful and heartbreaking, and more than worthy in all kinds of nominations among the best of 2017.

[School of Movies 2017] A commissioned show from Joel Robinson, this is the first of the LAIKA studio movies.  Written by Neil Gaiman of Sandman fame, Coraline is the story of a girl dissatisfied with her boring parents and finding her way into a strange pocket universe, and a mirror of her new house, itself containing a woman who claims to be her "Other Mother". This film has, what I like to call a "Twisted sumptuousness", and Sharon and I delve into the many details hidden throughout.

[School of Movies 2017]   For our 200th movie episode we celebrate the occasion by taking on another immensely challenging film, not because it's a mixed bag that's hard to place, but because it's pretty much perfectly crafted, very personal to us, dauntingly important and critically acclaimed. So we had to somehow shed new light on a masterpiece. This is why we put things like this off. Paschal Dooley commissioned this one to match his prior request of Hero, and it forms another part in the trilogy of epic, Chinese wuxia ("wushu") period piece films featuring the amazingly beautiful Zhang Ziyi.   This time, Ang Lee takes what he learned from the interpersonal drama of The Ice Storm and the Jane Austen propriety of Sense and Sensibility to convey a drama surrounding two couples. One middle-aged and regretful of time misspent and one young and fearful of lives that almost certainly will not bring them what they want. And then there's fighting, glorious martial arts with weightless wire-work, choreographed by the master himself, Yuen Woo-ping. 

[School of Movies 2017]   This was a commission from Chris Finik and turned out to be one of our most challenging shows. I was ill and having to energise myself on sugar, caffeine and enthusiasm while painkillers did their work, but more specifically we were dealing with a movie that is on the surface a silly mess, unlovable and mostly forgotten. We had to find the elements of quality in a mismanaged, overambitious yet underachieving project which ended the careers of a promising director (Stephen Norrington, the man behind Blade and little else) and a legendary actor, Shaun Connery.  Also we haven't seen most of the rest of the cast in the interim years either, but that's what happens when you throw 22% of your budget ($17 million) at one actor and find yourself short on what is obviously an ensemble film. This also serves as a weirdly specific prototype for Marvel's Avengers movie which came out nine years later in 2012.  So join us for ourr 199th movie covered as we go on a voyage with these men who aren't very extraoriary, certainly not gentle and the best of their number is a woman (notably the only person in the film without a Y-chromasome.) 

[School of Movies 2017] A little-seen animated film from 2014, produced by Guillermo del Toro, directed by Jorge Gutierrez, the man behind the award-winning show El Tigre: The Adventures of Manny Rivera. This is a celebration of mexican culture, centred around the Day of the Dead, and the Lands of the Remembered and the Forgotten, as much about life as it is about death, and dealing with ancient gods making wagers with one another over the actions of humans.  Masquerading as a cute, colourful, hyperactive, kid's movie, this in fact has more in common with the work of LAIKA, and slowly, over time, introduces more and more texture and personal touches from its creators who strove to make the art match their beautiful concept work.  A commission by Abel Savard, who encouraged us with his supporting of this episode to dig deeper and find something really rather wonderful. 

[School of Movies 2017] A commissioned show, but for a film we adore. The only reason it's taken us this long is that L.A. Confidential is as rich and complex and powerful as a bottle of Pappy Van Winkle's Buffalo Trace Bourbon, and frankly... it was intimidating.  It's a beautifully crafted film noir from 1997 which pretty much sets the bar for the genre from this point on, blending the best elements of the classics with contemporary filmmaking sensibilities, focusing on defying character expectations and showcasing physically expressive acting.  Featuring career high performances from Russel Crowe, Guy Pearce, Kevin Spacey, Kim Basinger, Danny DeVito, James Cromwell and David Strathairn, a darkly crooning score by Jerry Goldsmith, and an endlessly quotable script from Brian Helgeland, adapted from the novel by James Elroy. It's the finest film Curtis Hanson ever made and the fact that Titanic gobbled up all the Oscars for that year is nothing short of a travesty (and I REALLY like Titanic!).  Enjoy, and especially enjoy the toe-tapping jazz soundtrack. 

[School of Movies 2017] Truly a work of classic British animation, less know outside this island, but a tale of rabbit society in Rural England, just waiting to be discovered. OR A horribly misjudged, mercilessly brutal, relentless, casually sadistic massacre of rabbit-kind, made by aloof Brits who don't understand story structure from a source novel thrown together by a man who hates the idea of anyone finding allegory in his work. And a film responsible for irresponsibly traumatising a generation. You decide... with our help. A commissioned show sponsored by Jamas Enright.

[School of Movies 2017] This one was an unexpected commission and pushed us well out of our comfort zone. It's an obscure little indie film about being isolated from civilisation, and it has a couple of particularly... provocative ways of illustrating that point. Many thanks to Dan Mayer for getting this episode made, because I can ASSURE you that without his backing it absolutely would never have happened. So for better or worse, here's what Sharon and I think of Paul Dano and Daniel Radcliffe in the movie Swiss Army Man. Next week, make sure you get hold of a copy of L.A. Confidential in the highest resolution possible. It's an amazing film and you don't want it spoiled before watching.  Love the shows, kick us a few dollars: https://www.patreon.com/alexandershaw?ty=h

[School of Movies 2017] This is a big one, a DC movie that we not only don't hate, but actively love. Wonder Woman is breaking all sorts of new ground and Gal Gadot looks set to be the next universally beloved big screen superhero, joining a fairly small group that includes Reeves as Superman, Maguire as Spider-Man, Downey Jnr. as Iron Man and Evans as Captain America. We spend two and a half hours discussing Diana's debut in solo form, highlighting the best aspects and touching on a few of the flaws. Largely though this is a celebration of a magnificent, empowering, inspiring experience. Guests: Bob Chipman of Geek.com Laura Kate Dale of Lets Play Video Games  

[School of Movies 2017] Back with Marvel for one of their best movies yet. We kick off with why this hit me like a freight train, right in the soul, and then move on to an extensive and tasty discussion about these wonderful characters, old and new. This episode, like the movie, is very special.  Guests: Joshua Garrity of Cane and Rinse Brendan Agnew of Cinapse Jerome McIntosh of GameBurst  

[School of Movies 2017] A mystical return to the Marvel Cinematic Universe we love so very much. This one took us a while to get our heads around. On walking out of the cinema Sharon declared it as possibly her favourite of the MCU entries, which, if you know her, is saying something. Alex on the other hand had doubts about why it failed to make such a huge impact on him, and they took several months of mulling over and three viewings on blu ray to really nail this one down.  Guests Joshua Garrity of Cane and Rinse Neil Taylor of TheKidDogg New Century on Bandcamp

[School of Movies 2017] This is our first Wes Anderson film and we explore what makes his worlds and characters distinctive. It was commissioned by Tylor Long and Harrison Brockwell.  You should definitely see the film first. Funny, quirky, rude, unpredictable, sweet, sad, clever and uplifting. It's magnificent. Do not miss this one. It's one of our most personal shows.

[School of Movies 2017] This is another commissioned show, and you have Jason Ronson to thank, because we wouldn't have done this movie for a long time, and when we did we would have spent half the time we did, delving beneath the surface. We felt, since we always like to give you guys value for money, that we would go all-out. And it's not a movie we love, in fact there are elements of it that drive one or both of us up the wall, and we make no bones about its issues. But we also look for what they were attempting, and the reasons why this failed to wrangle a suitable audience upon theatrical release. Book fans, we have you covered, and Alex Maskill joins us to fact-check the details of the six volumes. This is also the podcast where I finally explain the "No Anime" rule. If anyone asks for anime in future, this will be the show I point them to. The Cornetto trilogy will eventually happen. One of them is a little bit patchy for us, but gets better with repeat viewings, kind of like Scott Pilgrim, the other two are among the most perfectly crafted comedies ever made. And the book to track down and read for the episode we're doing in two weeks is called Transmetropoiltan, Vol. 2: Lust for Life, by Warren Ellis. Guests: Alex Maskill

[School of Movies 2017] In another commissioned show this week we cover the 2002 Chinese blockbuster from the director of The Great Wall. Loosely (and as we find out that means REALLY loosely) based on a real life assassination attempt on the first emperor of China, this is one of Jet Li's most prestigious appearances. Featuring a trio of assassins played by Tony Leung, Maggie Cheung, and the amazing Donnie Yen, this blends serious, historical drama with stunningly photographed, excellently choreographed martial arts. It's immense in scale, breathtaking in beauty and thought-provoking in story. It's also one of the Zhang Ziyi trilogy of period-set martial arts spectaculars, the other two being House of Flying Daggers by the same director as Hero, Zhang Yimou, and Crouching Tiger, Hidden Dragon directed by Ang Li. All three are absolutely worth your viewing time, especially on blu ray.    

[School of Movies 2017] This one is pretty special. You will laugh, you will facepalm, your jaw will hit the floor.  The Thief and the Cobbler, or Arabian Knight, or The Princess and the Cobbler, or Once, OR The Amazing Nasrudin is, to date, the animated movie with the longest production run in history. It was begun in 1964 and released (after a fashion) in 1993... and then again in 1995.  A cautionary tale for studios and a treasure trove of interest to animation experts, the story within the film itself pales in comparison, in terms of fascination, to its dreadfully staggered road of creation.  This is the story of one unusual man who dreamed of making the finest animated film the world has ever seen, and what happened when that dream came up against reality. If you would like to see more about this film (once you've seen the film, because I'm betting you hadn't even heard of it until today) you might want to catch this in-depth documentary *Persistence of Vision*, which features an array of animators and others involved with the making, and in which they are far more complimentary of the film than we are.

[School of Movies 2017] This episode would never have happened without a commission from Jamas Enright who effectively made me go back to a movie I had previously dismissed as an impenetrable mess.  Terry Gilliam's 1985 dystopia, intended as a satirical black mirror held up against the bureaucracy that had driven him crazy was a box office flop, and if you've seen it you'll understand why. If you haven't you will get a lot more out of it from listening to our show first. 

[School of Movies 2017] Bob Moviebob Chipman and Brendan Agnew join us to delve into this deconstruction of the Batman mythos. While we do talk a lot about the movie, there's a great deal of pop culture analysis, examining the disparity between the colourful crime-fighter and the 'roided-up, armoured monster. I think that approach ended up kind of appropriate, since the film itself devotes much of its running time to the same concept, making the incidental events a lot less important than what they're actually saying. Expect a hell of a lot of fun, some moments that are more than likely to become podcast memes and the messy business of taking to task overly obnoxious DC fans. Reference Videos: Cracked: So You Want to be Batman / Modern American History (As Taught by Batman Movies) Folding Ideas: Everyone Batman Kills in BVS (And Why It Matters) We Hate Movies: Mailbag (One Ticked Off BvS Superfan) Moviebob: Does Batman Need a New Origin School of Movies/Gonzo Planet: How to Fix The DC Movies With Just One Superman Film Last Week Tonight: Ferguson, MO and Police Militarization Bob Chipman Patreon: https://www.patreon.com/moviebob1/posts Alex Shaw Patreon: https://www.patreon.com/alexandershaw Guests: Bob Chipman of Geek.com Brendan Agnew of Cinapse

[School of Movies 2018] Dan Floyd joins us once again as the Disney Project continues. The house of Mouse picked themselves up from the financial low for the 90s that was Hercules, and came back punching with this Chinese legend of a girl who steals her father's armour to take his place in the army. Still to this day one of the most beautiful and moving of their animated classics, Mulan had its detractors, and all of them had solid reasons to admonish story decisions. However, it is also beloved and inspirational, and the kind of movie that could be made today (with a few tweaks).  Jerry Goldsmith's soaring yet delicate score was fortunately in plentiful supply for this one. Guests Daniel Floyd of New Frame Plus 

[School of Movies 2018] Now we reach the point where Disney seemed off their game, at least in comparison with the lightning strikes of Mermaid, Beauty, Aladdin and Lion King. The fact that I really like Hercules is neither here nor their, this was a snarky yet earnest take on Greek mythology framed around an action sports movie for boys.  It had one of the most real-feeling and grown up of Disney heroine's so far, James Woods before he revealed himself to be a complete dick, Danny DeVito on top form as a washed up boxing coach and a quick-witted, slightly-too-energetic pace which a lot of people might consider off-putting. It was also an ideal, basic model for the superhero movies that were around the corner, and in fact it's a better Superman story than any of Kal-El's movies that have followed so far, though Thor and then Wonder Woman far exceed its reach.  Since Alan Menken's lovely, lively score only spans a few minutes I have used other, tonally appropriate music for this one. Next week, Mulan.  Guests Daniel Floyd of Extra Frames

[School of Movies 2018] The year was 1996, just a few months ago Pixar had changed the face of cinema by introducing a whole new medium of 3D animated film, with Toy Story. Disney followed up their lukewarm reception of Pocahontas with another middling-in-appreciation Broadway musical. The art is beautiful, the scale epic, the songs memorable. The subject matter is a serious social commentary written by a man who fiercely disapproved of injustice, framed as a tragic, gothic romance, but in the all-singing, all-dancing Disney style, the jokes are witty banter mixed with fart noises made by a pig-like gargoyle (who may not have even been real) played by Jason Alexander from Seinfeld. The main villain is a judge, because executives weren't happy with him being a Catholic Priest, yet rogue animators deliberately confounded their demands and depicted him upon his knees, praying for forgiveness from Mary for the darkness inside him which he knew would imminently lead to murder, in one of the most spectacular song sequences in ANY movie. In short, it had a tone problem.  And with the help of Dan Floyd and Nama Chibitty, we dig into how this was pulled together and what the end result was. It's one hell of a ride.   We have covered all the Disney animated classics canon so far from Snow White up to The Lion King and they can be found of the "School of Movies Archive" which is a separate feed on iTunes or wherever else you find podcasts. Here's all the Disney ones. Guests Daniel Floyd of Extra Histories  Nama Chibitty

[School of Movies 2018] The Disney shows return, Daniel Floyd of Extra Credits joins us once again to continue our trek through the past of the animation giant. And we are in the middle of the 90s renaissance, their third period of creatively blossoming (Pre-War/Post-War/90s) and the first after the box office high point of The Lion King presented a bar almost impossible to reach. Even if it hadn't been culturally troubling, deliberately historically naive and melodramatic when the audiences wanted fun, Pocahontas was going to stumble. It became the benchmark of what happens when Disney decide they have a hit on their hands before release (everybody thought this was going to be their Cinderella and Lion King was just going to be a muck-about with animals). And yet for its faults, which we will go into, it remains a beautiful, sweeping, bittersweet Hollywood romance of the kind it's very tough to pull off successfully, even today, *especially* today.  The music by Alan Menken is once again amazing, the voice acting is top notch, the animation might make you gasp, and it's probably the most Broadway musical-feeling of all the Disney canon, for better or worse.  We have covered all the Disney animated classics canon so far from Snow White up to The Lion King and they can be found of the "School of Movies Archive" which is a separate feed on iTunes or wherever else you find podcasts. Here's all the Disney ones. Guests Daniel Floyd of Extra Histories  Nama Chibitty

[School of Movies 2017] This episode will be the deepest single Disney show we will ever do. It weighs in at just under four hours long, so I'd recommend absorbing it in two sessions, unless you have a long drive or a flight. But if you love the film you'll feel like you've died and gone to never-ending Lion Heaven! Daniel Floyd of Extra Credits joins us again to examine this magnificent beast of a film. Disney had taken a year off after Aladdin to develop their next two theatrical, animated projects, a sweeping Broadway musical melodrama, sure to go down in history as one of their greatest achievements (Pocahontas... it didn't) and a fun little movie about lions (which became known as one of their greatest achievements). More than anything else, this movie made Bambi redundant for me. I never much gelled with the little dear, and while the death of his mother did have a shocking impact its repercussions were felt for all of 90 seconds. Lion King spends the rest of the movie either overtly avoiding confronting grief or stepping up to face it. The courageous subject matter, the beautiful animation, the majestic James Earl Jones, the amazing music and brilliant songs put this one at the highest peak for me. This super special episode also includes the debut of the SteamHeart trailer. Guests: Daniel Floyd of Extra Credits  

[School of Movies 2017] This one was recorded immediately after the Beauty and the Beast show, so we are absolutely exhausted by the end. What you can't hear because I trimmed it out is all the times we lose our thread and forget the point we were making. The magic of audio editing. As it is, with musical breaks and comedy clips, this is another superbly detailed show where we praise the animation and efforts that went into making this a truly unique Disney experience. It was recorded one month before Robin Williams died, and 23 years after master songwriter Howard Ashman died, and it is a celebration of their amazing work. Extra Credits: https://www.youtube.com/user/ExtraCreditz Cane and Rinse: http://caneandrinse.com/ Support our shows on Patreon: https://www.patreon.com/alexandershaw Come listen to my audio drama series, New Century:http://newcenturyshow.podbean.com/ Guests: Daniel Floyd of Extra Credits Joshua Garrity of Cane and Rinse

[School of Movies 2017] Get ready for a show of epic proportions, and a roller-coaster journey through the making of an absolute classic. Daniel Floyd of Extra Credits and Joshua Garrity of Cane and Rinse join us for a deep study into what made this work so well, and why it manages what so many of the previous films in the canon couldn't quite reach. Every aspect is discussed, from animation to music, to rejected ideas, to what makes Beast and Belle so endlessly appealing and what function the supporting cast serve. This is either one to absorb in two sittings or a long evening spent watching the movie with the sound off at the same time... twice. Support our shows on Patreon: https://www.patreon.com/alexandershaw Come listen to my audio drama series, New Century:http://newcenturyshow.podbean.com/ Guests: Daniel Floyd of Extra Credits Joshua Garrity of Cane and Rinse

[School of Movies 2017] This will be the shortest of our Disney 90s Renaissance episodes, principally because there's so little information available on the making of this movie and also not too much actually happens. It's more mice wearing shirts, but there are some wonderful elements in there that we will illuminate in between me being scathing about Disney underachieving and some amusing side roads into Australia. Guests: Daniel Floyd of Extra Credits

[School of Movies 2017] We finally his the 90s third renaissance for Disney, and this kicks off a series of two hours plus shows of super detail and perspective on this era. Disney was under new management and after a string of mediocre successes and big failures now aimed to pull themselves out of the doldrums they had settled into following Walt's death. This entailed a storm of creativity with artists being ridden ruthlessly by cold-hearted businessmen. By all rights it shouldn't have produced such wonderful results... but it did.  The Little Mermaid is a story of a human girl born as a mermaid, who just never feels right down under the sea, looking up longingly at our world. The emotional arc of the movie is the barely-seen King Triton getting over his overprotective desire to see his child stay down aith her family, culminating in him letting her go for her own happiness.  Plus it has a Jamaican crab.  Daniel Floyd of Extra Credits and Extra Histories joins us again and you will hear the music of Alan Menken and the late, but indescribably great Howard Ashman.  School of Movies is funded not by advertising, but by Patreon. It's you guys who keep this show going, help us pay our bills and buy more stuff to watch and talk about. So if you get a major kick out of these shows consider throwing a few dollars per month our way: https://www.patreon.com/alexandershaw Guests: Daniel Floyd of Extra Credits

[School of Movies 2016] Another commissioned show, this one is a heist movie with a stellar cast that we had literally never seen before. It's also rare as unicorn horn in that it's a movie about hacking and tech that DOESN'T make you say "That's not how computers work!" Requiring some veteran perspective we recruited Alasdair Stuart and Marguerite Kenner. The two of them took us through the myriad details of this now-forgotten treasure. Guests: Alasdair Stuart of Escape Pod Marguertite Kenner of Cast of Wonders  

[School of Movies 2016] With all those fantastic beasts rampaging around New York city right now we went back to a movie that turned that concept into big business. Naturally we read way, WAY too much into the story and turn both this film and its little-seen sequel Zathura into deep, psychological learning experiences for the protagonists. This is another commissioned show. Guests: Brendan Agnew of Cinapse

[School of Movies 2016] In 1993 Steven Spielberg directed the movie Jurassic Park, adapted from the book by Michael Crichton. It was a wildly successful family blockbuster. Immediately all studios began a mad dash to replicate that formula. Paramount believed they had cracked it with this film in 1995, written by Crichton in 1980, featuring a cast of genuinely talented actors and seemingly going for an Indiana Jones-discovers-King-Solomon's-Mines-with-rabid apes vibe. However, the results, as you will hear, fell so short of Jurassic Park that Congo is barely in the same medium. Less a movie and more a confused 110 minute commercial advertising a product you can't work out but probably has something to do with diamonds or laser guns. This episodes was commissioned by Maureen Foley (who guests) and Nick, and features Neil Taylor and Brenden Agnew. Guests: Brendan Agnew of Cinapse Maureen Foley of New Century Neil Taylor of TheKidDogg  

[School of Movies 2016] On this sad, grim, dark week... here's a stupid movie about cartoon dinosaurs that get smart eating magic cereal! Obviously we'll get political and angry later on, but right now I think what everyone needs most of all is to laugh together, so here you go. This animated movie was released on Thanksgiving 1993, produced by Steven Spielberg, surfing the dinosaur craze of his own Jurassic Park, but actually put into production several years before and mismanaged the whole way. It's a higgledy-piggledy mess of half-thought-out ideas and pandering to kids that the meddling executives clearly see as adorable little morons. It's John Goodman's first voice role, it's confusing and cringe-worthy, sickeningly sweet and occasionally alarmingly horrific for no good reason. It has a song that will stick in your head and not a shred of logic in any of its 72 minute run-time. And this is one of the funniest shows we've done, so kick back, forget about how awful 2016 has been for a little while and let us take you back to a simpler time, 1993. Guests: Harrison Brockwell of Talk Film Society Brendan Agnew of Cinapse

[School of Movies 2016] This is our show about the initial three Purge movies (I can assure you of more to come).  The premise is pretty simple. In an alternate timeline America has ruled that on one night of the year every crime (including murder) is legal. Over time this has done wonders for their economy and is celebrated by the overtly patriotic, the rich and the insanely bloodthirsty, but proves an annually terrifying span of hours for the poor, the homeless and the vulnerable. This premise raises many practical questions which we ask throughout the show.  We cover, in turn, the home invasion thriller The Purge (2013) and its sequel, dark, urban chaos sci-fi, The Purge: Anarchy (2014), followed by nail-biting political thriller, The Purge: Election Year (2016).  We are of course releasing this in a time of great unrest for America (and the watching world). We figured rather than placating you with pink, fluffy distractions we'd cover some fairly savage dystopian satire. 

[School of Movies 2016] This is a deep dive into the 1978 classic, that became the model for the slasher sub-genre. It's also a scorching critique of the kind of BAD slasher that came about afterwards when lesser directors than John Carpenter misinterpreted what made this film so effective, such as 1981s Halloween II. It's also a damning of the repulsive 2007 remake by Rob Zombie, a tonally confused mess of the most horrible things imaginable stirred into an inhuman slop.  And we finish talking about Jamie Lee Curtis' character Laurie Strode and how the unappreciated seventh film, Halloween H20 presents an excellent evolution and conclusion of Strode's story.  We are joined by Kaoru Negisa, Debbie Morse and Brendan Agnew for this Carpenter hat-trick for 2016. Check out our shows on The Thing and Big Trouble in Little China too. Guests: Kaoru Negisa of Sequentially Yours Debbie Morse of Sequentially Yours Brendan Agnew of Cinapse

[School of Movies 2016]   The Spooktacular continues as we look at three different ways of telling effectively the same story.  1999. The Blair Witch Project: An incredibly low budget found footage movie that took the world by storm. 2000. Book of Shadows: Blair Witch 2: A cash-grab meta-movie slapped together by a confused studio hoping to capitalise on unexpected success.   2016. Blair Witch: An in-world sequel to the original released to immense derision to an audience sick of remakes and reboots.   Sharon and I go in hard and tackle each film in turn. You get the raw responses from the first two as we watch and then account for their craftsmanship and how they make us feel. The third I saw at the cinema a few days before this review and Sharon hadn't heard anything about it so you get to hear about it fresh along with her. Major spoilers for all three in turn so leave off when you don't want to hear what happens.    We both recommend you see the original, we can't advise seeing the second, as we both found it atrocious, and Alex actually really recommends the third, but with the caveat that most critics panned it so his is the minority experience. 

[School of Movies 2016] This is the 1975 adaptation of the stage musical written by and co-starring Richard O'Brien. In it, a straight-laced, white-bread American couple end up stuck in a Gothic castle full of strange people, presided over by the outrageous Doctor Frank N. Furter. It's a hilarious, toe-tapping musical which has developed a cult following over the years and means a great deal to a lot of people. It's also a bit of a mess and reviewed terribly when it first came out and bombed. In this episode you'll almost certainly find out new things about this influential oddball.  This is a birthday present for our dear friend Maureen Foley who has a serious crush on Tim Curry, especially in stockings.  Guests: Neil Taylor of TheKidDogg Kaoru Negisa of Sequentially Yours Ian Hopwood of A Year of Steam Megan Hopwood

[School of Movies 2016]   This is one of the films of the year. A Japanese fable delivered in stunning stop-motion by American studio LAIKA, the team behind Coraline, ParaNorman and Boxtrolls.  Every single one of you needs to see it.    Joining us are animation experts Joshua Garrity of Cane and Rinse and Jerome McIntosh of GameBurst. Among other things we discuss the climate for animated films and what it takes to make a hit, which this, tragically, despite its beautiful direction, tight, well-delivered script, vibrant, fun characters and playful yet heartrending score, is not.    Guests: Joshua Garrity of Cane and Rinse Jerome McIntosh of GameBurst

[School of Movies 2016] The second of our commissioned shows, this time we delve into John Carpenter's underappreciated (and downright ignored on release) mythical, gangland, kung-fu adventure Big Trouble in Little China.  Kurt Russel (clearly having the time of his life) stars as the obnoxiously macho Jack Burton, self-styled cowboy hero who gets caught up in a kidnapping involving an ancient sorcerer, warring gangs and elemental magic he couldn't possibly understand. We explore the cultural implications of this being made in 1986 and the mooted remake starring The Rock.  Guests: Neil Taylor of TheKiddDogg Brendan Agnew of Cinapse Kaoru Negisa of Sequentially Yours

[School of Movies 2016] This is an unexpected episode covering an absolutely batshit mental experimental film from 1974 directed by John Boorman. It's set in a dystopian future with the standard class divides and extreme violence, but with so many ridiculous decisions in design and direction delivered in an extremely po-faced, allegedly satirical fashion. Sean Connery is a mean enforcer who was supposed to spend his life running down unruly farmers and molesting the womenfolk, but he goes on a journey to find out who the mysterious Zardoz is. There's a floating stone head, there's boner-fixation, there's people in plastic bags, people with drawn-on moustaches, green bread, psychic powers, and speaking gibberish. Sean Connery wears the pictured costume of gunbelt lingerie with hairy nonchalance and at one point for no reason at all squeezes into a bridal gown.  It's a film to watch whilst slightly drunk with friends but not heavily stoned on your own. But first listen to our take on it so you know what to look out for and crucially what the hell is going on! 

[School of Movies 2016] We continue our Shyamalan season with his follow-up to The Sixth Sense, a story about a security guard who realises he's been Super his whole life. Since this came about in 2000 it was ahead of the age of the superhero and arguably made some in-roads to legitimising the new wave of comic book to screen adaptations.  Samuel L. Jackson joins Bruce Willis to deliver an everyday hero and a delicate man looking for their places in the world. This was the first commissioned work we have done, as we were originally only going to cover The Sixth Sense but patreon supporter Nick Grugin rates this as a favourite of his, so you have him to thank for what we came up with.

[School of Movies 2016] This is the first of two episodes covering the brief period of time when M. Night Shyamalan was suddenly an amazing new director.  Sharon and I go deep into this wonderful, delicate, tense, terrifying, heartbreaking ghost story including some really arresting colour theory. 

[School of Movies 2016] DC continue their epic campaign of not being able to pull together a cinematic universe that many people enjoy being in. There has been much said of Suicide Squad already and backlash across the board. If critics are critical they get it in the neck from one crowd, if they praise it they get it in the neck from the other crowd, if they vocalise their view that it's a mixed bag they get a heady cocktail of flak from BOTH crowds. So here's a mixed bag for you.  This film is empirically botched in the edit. It most definitely has problems of tone, structure and characterisation and has clearly and manifestly been mismanaged by too many executives unsure of exactly what film they wanted. I'm going to say the people who enjoyed it are capable of overlooking those problems or consider them to be more than made up for by the good stuff. Bob "Moviebob" Chipman joins myself, Sharon, Brenden Agnew and James Perkins to look at what the hell happened here. Guests: Bob Chipman of Geek.com Brendan Agnew of Cinapse James Perkins of The Digital Fix

[School of Movies 2016] We are back to talk about the latest Trek movie, one which is being hailed as the best for many years by some and "Still not good enough" by others. We start off with the question "Why do people hate J.J. Abrams?" because I think it's worth discussing before we get into the first of the alternate universe movies not directed by him. After that we look at many aspects of this confidently delivered classic spacefaring adventure, rounding off by ranking the thirteen Trek movies. Rejoining Sharon and I are Brenden Agnew and Kaoru Negisa, and they are joined by newcomer to the show Eric Jones. Guests: Kaoru Negisa of Sequentially Yours Brendan Agnew of Cinapse Eric Jones of Waxing Cinematic  

[School of Movies 2016] This second foray into New Star Trek is hard to get a balanced view on. Those who liked the 2009 reboot found a movie of similar energy and vibrancy but with more flaws, those who hated the new continuity had more of the same to rage about, especially as it turned out to be a not-so-secret remake of Wrath of Khan. Into Darkness reviewed well with an 86% freshness rating but when people talk about it, usually it's in a negative context.  Alex starts off with a monologue that compares the strengths of both new and old films. This is followed by some lengthy discussion on where they went wrong from everybody else.  Guests: Kaoru Negisa of Sequentially Yours Brendan Agnew of Cinapse Joe Simpson of Anfield Index Movie Night Aaron LaCluyze of Card Advantage

[School of Movies 2016]   This show covers the 1982 classic and probably most widely loved of the original six Star Trek movies (maybe the first ten... maybe the first thirteen!)  With Leonard Nimoy no longer with us, composer James Horner no longer with us, not to mention DeForest Kelley, James Doohan, Ricardo Montablan and who knows who else will follow as 2016 continues its scything away of our heroes, this is a bittersweet experience to watch now. Guests: Kaoru Negisa of Sequentially Yours Brendan Agnew of Cinapse Joe Simpson of Anfield Index Movie Night Aaron LaCluyze of Card Advantage

[School of Movies 2016] To get a really good meta conversation going wherein we still managed to focus on the movie for what it was rather than what we wanted it to be we recruited Bob "Moviebob" Chipman. Maybe the most anticipated follow-up since Star Wars and maybe the least wanted reboot, New Ghostbusters had some enormous boots to fill and an immense amount of people to prove itself to. Considering one of the possibilities mooted since 1989 and the deflating balloon that was Ghostbusters 2 was Adam Sandler and his wretched cronies squeezing into the overalls to bust ghosts with all the enthusiasm and respect for the source material that they brought to Pixels this movie could have been far, FAR worse! Guests: Bob Chipman of Geek.com

[School of Movies 2016] John Carpenter's remake of The Thing from Another World, based on the novel Who Goes There was woefully unappreciated on initial release, for reasons we will go into on this show. It has, over the next three decades become a sci-fi pop-culture classic, unblemished by greedy meddling studios desperate to wring every penny from nostalgia. Even the remake/prequel, while slavishly loyal to the aesthetic and tone of this one and not endeavouring to actually be *about* anything isn't all that bad.  Joshua Garrity of Cane and Rinse and Neil Taylor of GameBurst consider it one of their all-time favourites and in this show you'll find out why it's still so effective.  This episode exists thanks to Nick Grugin, one of our patreon sponsors buying us a new mic when ours broke. For that show of generosity and faith in our work we are doing one of our first request shows and if you would like something similar done for something you love then this episode has all the details on how you can sponsor us to do an episode. Our weekly movie podcast will continue to be free for everyone and you can back us on patreon like the other awesome people who support this show, but we're also freelance podcast reviewers now. Guests: Neil Taylor of TheKidDogg Joshua Garrity of Cane and Rinse

[School of Movies 2016] In this episode we talk about the first film from 1996, the sequel from 2016 and the state of Britain post-Brexit.  It's thematically resonant with current events since the angle of the first movie is "We can succeed together" and the angle of the second seems to be "Look at these pretty, young people as they save the day for America."  Be sure to check out Bob Chipman's YouTube episode of Really That Good on the first Independence Day, it is superb. 

[School of Movies 2016] This time around Sharon and I take a look at a movie nobody asked for a review of and that most people are either unaware of or just plain dislike. The 1987 attempt to bring He-Man to the big screen. Eschewing a land of swords and sorcery blended with crazy technology in favour of running around American suburbs at night dressed like utter plonkers this film was presented with the task of making space barbarian He-Man real and relevant to teenagers in the 80s. It fails, but it fails spectacularly and earnestly which, for us is enjoyable to watch.  So out with the old Masters of the Universe and in with Gwildor, (the exuberant wizard-dwarf), Blade (the guy with the blades), Saurod (the guy who gets killed) and Karg (the over-designed glam metal housecat with a hook for a hand), in with Courtney Cox and in with Kevin! And VERY much in with bored-looking, pleasant-berserker; Dolph Lundgren's He-Man and ranting, gloating, aggressive Frank Langella's Skeletor.  Whether you have fun watching the movie or not you'll probably have fun with us here.

[School of Movies 2016] This is a troubling film for us. My overriding feeling on leaving the theater was not just being pissed off and disappointed, but angry at many of the decisions taken that will leave general audiences cold to this, and unless it does gangbusters overseas will greatly reduce the chances of a sequel that could correct these oversights. But then again, the Transformers movies are increasingly more vile and poorly received, yet clean up worldwide and continuously break a billion, so you never know for sure.  This is a game series and a concept that is important to a great deal of people. It was more important to show everyone else why they should care as well rather than placate fans of the lore.  Join Sharon and I with Glen Watts as we discuss what went wrong that resulted in a critical mauling. There are still definitely elements we like, but they are bogged down in a lot of stuff we don't, and that people don't respond well to in general. Guest: Glen Watts

[School of Movies 2016] This show covers both the 2014 reboot of the Turtles (recorded a year ago and stored in our vault for this very week) AND the 2016 sequel, Out of the Shadows.  It's Sharon and I going back to a series that has had patches of good, flashes of great but never produced a truly brilliant film. It's also been plagued by some horrible decisions on the parts of the creators, hair-brained, patronizing, head-slappingly dismal attempts to cash in again on the four green brothers once ubiquitous Turtlemania.  So how do Michael Bay's Turtles stack up against both the previous movies and the Transformers series, which this is now intrinsically linked with?

[School of Movies 2016] Honestly,  the pains I went through to get this to you. It turned into a really fun but shouty show with a lot of editorializing.  I strongly advise against going to see this film. Listen to the show at least before you decide. It DOES go into every detail of the plot, but frankly I don't think we could spoil it any more than Fox, Singer and Kinberg have already.  Jerome McIntosh of GameBurst who also saw the movie joined me with Sharon who hadn't. Guest:   Jerome McIntosh of GameBurst