Survival and adventure novel by Richard Adams
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Today's episode of The Literary Life is part 4 of our series on Richard Adams' Watership Down. Angelina and Thomas discuss chapters 31-40 this week, starting with some thoughts on the conventions of literature in different literary periods. Thomas also makes a note that although this book mirrors many aspects of The Aeneid, readers ought not expect to find exact correspondence between the characters and plot points in the two stories. They talk about the depth and weight of this story due to its connections with mythology and the literary tradition. Don't forget to check out everything going on over at HouseofHumaneLetters.com, and sign up for the newsletter to stay up to date on all the upcoming new autumn classes and webinars. To view the full show notes for this episode, please visit https://theliterary.life/343.
Is Whitney from The Hills really inviting me somewhere or is this some kind of scam? Jackie Kashian joins Daniel, Tony and me to discuss. Plus, we might be living in Watership Down, drama between comedy club owners, cancelled comedians, Jackie's living situation, the harridan on the phone, pencil sharpeners and more. Plus we did a round of JMOE, HGFY and our new words segment. Learn more about BEDUCATED here: https://beduc.at/pd2634-alisonrosen Get yourself some new ARIYNBF merch here: https://alison-rosen-shop.fourthwall.com/ Subscribe to my Substack: http://alisonrosen.substack.com Podcast Palz Product Picks: https://www.amazon.com/shop/alisonrosen/list/2CS1QRYTRP6ER?ref_=cm_sw_r_cp_ud_aipsflist_aipsfalisonrosen_0K0AJFYP84PF1Z61QW2H Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen Buy Alison's Fifth Anniversary Edition Book (with new material): Tropical Attire Encouraged (and Other Phrases That Scare Me) https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/ Try Amazon Prime Free 30 Day Trial
On The Literary Life Podcast this week, Angelina and Thomas continue their series on Richard Adams' Watership Down, covering chapters 21-30 in this episode. Angelina opens the discussion with some thoughts on the importance of the structure of a story in view of the literary tradition inspired by her commonplace quote for today. Once again, in these chapters we see echoes from mythology and beast fables, including references to the "and-then" story structure, the Sabine women, the rabbit as trickster, testing of the leader, and so much more! Don't forget to check out everything going on over at HouseofHumaneLetters.com to stay up to date on all the upcoming new autumn classes and webinars. And to see the full show notes for this episode, please visit https://theliterary.life/342.
Welcome to The Literary Life Podcast and the second episode in our series on Richard Adams' Watership Down.This week Angelina and Thomas will be discussing chapters 11-20. In addition to covering the main plot points and characters in these chapters, they share connections with other stories in the literary tradition and highlight elements of the journey story seen in this section of the book. The contrasts between the Aeneid and the Odyssey and Illiad are part of the conversation in context of the ways in which Watership Down reflects the Aeneid. Angelina also brings out some of the beast fable elements we find in this part of the story. Be back here next week when we will talk about chapters 21-30. Don't forget to check out everything going on over at HouseofHumaneLetters.com to stay up to date on all the upcoming new autumn classes and webinars. For the full show notes on this episode, please visit https://theliterary.life/341.
This week, Art Hounds is devoted to the Minnesota Fringe Festival. More than 100 individual plays will run on stages across Minneapolis Thursday through August. Fringe is the largest non-juried theater festival in the U.S.; amateur and professional theater makers alike pitch shows that are chosen by lottery. Each show must be fewer than 60 minutes, and there are up to seven slots a day for shows to run. For many, it's the wild diversity of shows itself that is the draw. Performances this year span from musicals to improv, dance to clowning, one-person shows to full casts. Most performers are local, but there are visiting performers who travel to Minnesota to take part. Each show runs five times throughout the 12-day period. Interested in going? There are ticketing options for single shows as well as a range of multi-show options. Check out the shows and ticketing options on the Minnesota Fringe website. For those attending with families, each show page includes recommended minimum ages and content warnings. And while it's hard to select just one or even a few shows to highlight, we asked Art Hounds to do just that. Tech: What could go wrong? Actor Taj Ruler recommends the improv comedy show, Tech. Set on the night before an opening Fringe show, anything can and will go wrong in this ensemble led by Mike Fotus at Strike Theater. "I'm excited because I think it is a stellar cast of improvisers, the best in the Twin Cities. So I think you're in for a good time, and it'll be different every time for the five shows that they have." Watership Down: An authorized musical based on the classic novel Actor and writer Isabella Dunsieth is looking forward to seeing "Watership Down." The musical is based on the 1972 novel by Richard Adams; Rachel Ropella and Timothy Kelly worked with Adams' estate as they adapted it for the stage. Bee Davis of Minneapolis wrote the music and lyrics. The novel tells the story of a band of rabbits on a perilous journey to find a new home. This show by Melancholics Anonymous runs at the Rarig Stoll Thrust Theatre. "I can't wait to see what they do with this. 'Watership Down' with Melancholics Anonymous is a little something different for that company. Typically, they're doing silly tongue-in-cheek coming-of-age type stories. Last year at Fringe, they did Joan of Arc for Miss Teen USA, which was, you know, very funny, but also really grounded in community and girlhood and caring for others. It was very beautiful. I feel like Watership Down is maybe a little darker for melancholics, and so I'm very interested to see how they make that tonal shift." And three more ... Sarra Beckham-Chasnoff and her wife treat the Fringe as a staycation, taking time off work to see a show in every time slot over the next 12 days. Pressed to name a few shows she particularly wanted to see, she cited "Watership Down" and "Tech," as well as these: Bay Creek by the Miller Company, written and performed by Derek Lee Miller, at the Barbara Barker Center for Dance "I've seen this show performed at another fringe festival and at the Twin Cities Horror Festival, and in my mind, I forget that he's the only person on stage. It's creepy and well-acted, written beautifully, and has some surprises in it." A Confluence of Magical Arseholes by the Winding Sheet Outfit, at Rarig Stoll Thrust Theatre. "Winding Sheet Outfit have always done beautiful productions that really highlight why coming to a theater is so much different than going to a movie or listening to music. They often have music in their performances. Their presentations are beautiful, and I always come away feeling moved and learning something new. It appears that this one may be more comedic, and I'm really excited to see how they weave comedy into their shows." Leave Room for Jesus by Hannah Wydeven, at Barbara Barker Center for Dance "It's an improvised comedy musical where Hannah Wydeven takes on the role of a pastor who believes that she is very charismatic and does a revival. Her hang-ups become very clear early in the show, and she, of course, uses some information that she gets from the audience. It's just a wild romp."
Halle and Alison tackle what scared them as children all month, starting with the harrowing rabbit tale of Watership Down. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome back to The Literary Life Podcast and a new book discussion series! This month, Angelina and Thomas will be covering Richard Adams' Watership Down. Beginning of their commonplace quotes, they talk about the background of this book and what type of story this is, as well as how Angelina is approaching this first read. Thomas gives some biographical information on Richard Adams, including the publishing challenges facing Adams. Angelina highlights the epigraphs beginning each chapter and their significance. Some of the other topics Thomas and Angelina share their thoughts about include the classical references in these chapters, the allegory of the journey of the soul, and the archetypes and obstacles that we may see in the rest of the book. Join us again next week for chapters 11-21! Don't forget to check out everything going on over at HouseofHumaneLetters.com to stay up to date on all the upcoming new summer classes and webinars. To view the full show notes for this episode, please visit https://theliterary.life/340.
Matt Reed believes Newcastle has one of the best comedy audiences in the country. He's also still recovering from Allo Allo and Watership Down, in roughly equal measure.Matt Reed is a comedian and co-host of the comedy podcasts This Tastes Funny and Mother's Ruin.Why the North East is the most joyously funny region on the planet — and why Bill Bryson got off the train at Durham just to prove itWhy Watership Down traumatised an entire generation more effectively than anything modern horror has managed sinceThe fascination of seeing Jaws as a child, then seeing The Shark Is Broken on stage as an adult — and the brilliant on-set stories about Bruce the mechanical sharkWhy Top of the Pops needs to come back — with fewer dodgy presenters, more live performances, and everyone miming badly just for funConnect with Matt here:InstagramFacebookTikTokFind us on social media — links on the About page. Hosted on Acast. See acast.com/privacy for more information.
In Episode 162, Corey Jackson covers: —The Odyssey just opened, but the NRL has their own Achilles problem —The Red V finally name their Head Dragon —3 Week Ban for Fainu Ridiculous! —Watership Down has 2 more Bunnies Lost —Phin gets GOTR
This week on the Roach Koach Podcast Lorin reveals he went to a Muse concert! Also we dive into the comments and emails to answer questions, listen to new music from Watershipdown, check out Roachamendations, and of course listen to Stupid F'N Matt's Nu-Core for Old Heads 2. Take a listen!Rate, review, and follow Roach Koach on Apple Podcasts and Spotify! We'd appreciate it! Questions about the show? Have album recommendations? Just want to say hi? We'd love to hear from you! Contact the show @RoachKoach on Twitter, Roach Koach on Facebook , Roach Koach on Instagram, or send an email to RoachKoachPodcast at Gmail. Follow the show on Youtube and TikTok! Find every episode of Roach Koach and order your Roach Koach T-shirt at Roach Koach dot com.
Hello spooky kids! In this very nearly topical episode, your hosts Ren Wednesday and Adam Whybray discuss the phenomena that is The Amazing Digital Cirucs, created by Gooseworx. Is it for children? Is it horror? Is it Vapourwave? Is it Watership Down? All these questions and more will be answered on this rambling journey through the thing what the kids like these days. Enjoy! Transcript is in the show notes here: https://stillscared.podigee.io/76-amazingdigitalcircus
Send us Fan MailDee and Carol talk all things herbal this week.For more info, check out our Substack newsletter.To watch us on YouTube, click here. Question of the Week:What herbs grow well with roses? Insect of the Week:Mayflies, Good info from Birds & BloomsFlowers:Herbs to grow for the flowersMore info from Epic GardeningVegetables:Herbs for the vegetable gardenBasil ‘Monteverde' from PanAmerican Seed, for sale from Burpee.What makes an herb good for the vegetable garden?On the Bookshelf:Carol recently bought Time Traveller's Herbal: Stories and recipes from the historical apothecary cabinet by Amanda Edminston, an herbal storyteller (Amazon link) She's on Instagram.She has another book coming out on June 30th: Collected Curiosities: more stories and recipes from the historical apothecary cabinet. (Amazon link)Dirt:National Herb Week - May 7th - 13th - Always the week leading up to Mother's Day, per the International Herb Association. The Herb Society of America, and why you might want to join it. Rabbit Holes: Dee: ‘Kazanlik' rose from Antique Rose EmporiumCarol: Anthropomorphism, where animals are given human characteristics… Watership Down by Richard Adams, Shady Hollow by Juneau Black, the new movie, The Sheep Detective, which is based on the book, Three Bags Full by Leonie Swann. Beanstack app for reading challenges.Also the latest lost lady Elda Haring, who was all about growing plants from seed.A Garden to Visit:The Chelsea Physic Garden (visited by Dee) and Florilegium SocietyAs always, we appreciate all of you for listening to our podcast and for reading this newsletter!(If you'd like to support us, check out our affiliate links here. Book links are also affiliate links.)Support the showOn Instagram: Carol: Indygardener, Dee: RedDirtRamblings, Our podcast: TheGardenangelists.On Facebook: The Gardenangelists' Garden Club.On YouTube.
Send us Fan MailDee and Carol talk about growing flowers and veggies in containers. For more info, check out our Substack newsletter. To watch on YouTube, click here.Links:From Southern Living Plant Collection It's A Breeze® Ivory Blush Rose. Carol's garden fairies reviewed her performance so far this spring in a blog post.Carol's blog post on forcing peonies into bloom in July.Insect of the WeekCrane flies. Flowers:Queen Tut papyrusTattoo™ Papaya VincaVegetables:Examples of veggies good for containers from Burpee: On-Deck Corn, Patio Baby Eggplant, Sweetheart of the Patio Tomato, Mocha Swirl Sweet Peppers, Hamburg Lettuce.On the Bookshelf:The Creative Container Garden by Anders Royneberg with Erik Schjenven (Amazon)Plus A Year Full of Pots: Container Flowers for All Seasons by Sarah Raven (Amazon)Dirt:Carol's spinstercore gardening, and a search on Pinterest… for Unusual Plant Containers. Rabbit Holes:Five for Sorrow, Ten for Joy, by Rumer Godden (1979). Watership Down by Richard Adams. And another Lost Lady of Garden Writing, Elda HaringA Garden to Visit:Wing Haven in Charlotte, North Carolina, the gardens of Elizabeth and Edwin Clarkson, and Elizabeth Lawrence.(If you'd like to support us, check out our affiliate links here. Book links are also affiliate links.)Support the showOn Instagram: Carol: Indygardener, Dee: RedDirtRamblings, Our podcast: TheGardenangelists.On Facebook: The Gardenangelists' Garden Club.On YouTube.
Casual Trek's month celebrating Red Shirts continues as we have a look at Star Trek episodes which have thrown away the lives of extras in order to raise the stakes.In “The Apple”, we get the highest red shirt body count as a planet wants people to die which is sad, as they won't get to live long enough to see the most D&D cartoon-looking cave mouth ever!In “The Bonding” one extra dies, which hits everyone really hard, especially her son and The Boy, who went through this before.Finally “Now the Battle to the Strong” gives Miles another opportunity to sing the M.A.S.H. theme tune as Bashir and Jake Sisko encounter the horrors of war!00:01:26 What Non-Star Trek Thing We've Been Enjoying: Disney's Pixar's Hoppers & Pokopia00:12:40 Star Trek: The Original Series “The Apple”00:47:12 Star Trek: The Next Generation “The Bonding”01:20:25 Star Trek: Deep Space Nine “Now the Battle to the Strong”Talking points include: Miles is not a fan of imperialist colonialism, Disney's Pixar's Hoppers is NOT Avatar, the Watership Down experience, traumatic cartoons, Charlie and the Chocolate Factory where it's all Saw Traps, Charlie does NOT have a Pokopia problem, Professor Tangrowth is a clueless busybody, the first time Charlie shaved his hair, the hot new character finds of 1967, Chekhov's whole Russia bit, the most Dungeons & Dragons-ass prop ever, watching Star Trek for educational purposes, The Apple is really colonialist even for early Star Trek, Dr Who, Space: 1999, Chekhov was just on the away team to pull, JL's your dad now, Worf only just now realises what Troi's job is, some good acting from a young Wil Wheaton, Alexander has a new uncle?, Tony Todd is Worf's more interesting brother, the Macarena, M.A.S.H. references & the futility of war, a grim Wonder Years, Stargate: The Militarism Star Trek, Charlie does a reading from Bible, . Oh, and occasionally Star Trek.Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-LobattoMusic by Alfred Etheridge-NunnCasual Trek is a part of the Nerd & Tie Networkhttps://ko-fi.com/casualtrekMiles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com
Casual Trek's month celebrating Red Shirts continues as we have a look at Star Trek episodes which have thrown away the lives of extras in order to raise the stakes. In “The Apple”, we get the highest red shirt body count as a planet wants people to die which is sad, as they won't get to live long enough to see the most D&D cartoon-looking cave mouth ever! In “The Bonding” one extra dies, which hits everyone really hard, especially her son and The Boy, who went through this before. Finally “Now the Battle to the Strong” gives Miles another opportunity to sing the M.A.S.H. theme tune as Bashir and Jake Sisko encounter the horrors of war! Timecodes: 00:01:26 What Non-Star Trek Thing We've Been Enjoying: Disney's Pixar's Hoppers & Pokopia 00:12:40 Star Trek: The Original Series “The Apple” 00:47:12 Star Trek: The Next Generation “The Bonding” 01:20:25 Star Trek: Deep Space Nine “Now the Battle to the Strong” Talking points include: Miles is not a fan of imperialist colonialism, Disney's Pixar's Hoppers is NOT Avatar, the Watership Down experience, traumatic cartoons, Charlie and the Chocolate Factory where it's all Saw Traps, Charlie does NOT have a Pokopia problem, Professor Tangrowth is a clueless busybody, the first time Charlie shaved his hair, the hot new character finds of 1967, Chekhov's whole Russia bit, the most Dungeons & Dragons-ass prop ever, watching Star Trek for educational purposes, The Apple is really colonialist even for early Star Trek, Dr Who, Space: 1999, Chekhov was just on the away team to pull, JL's your dad now, Worf only just now realises what Troi's job is, some good acting from a young Wil Wheaton, Alexander has a new uncle?, Tony Todd is Worf's more interesting brother, the Macarena, M.A.S.H. references & the futility of war, a grim Wonder Years, Stargate: The Militarism Star Trek, Charlie does a reading from Bible… oh, and occasionally Star Trek. [ Additional Show Notes ] Music by Alfred Etheridge-Nunn. Read Miles's blog or Charlie's blog. [ Support this show on Ko-fi ] Subscribe to this Podcast: Apple PodcastsSpotifyAndroidRSSThe post 94. Press F to Pay Respects first appeared on Nerd & Tie Network.
Caleb returns for the third entry in his series looking at the books he read in 2025! Many more books are covered in this one, but this is not the end of his series as one more entry will be needed to close out the series. What will think of this set of books? Find out now! Email the show at thenoviceelitists@gmail.com Books Included on this list: 1. Web (1979) [John Wyndham] 2. The Crysalids (1955) [John Wyndham] 3. The Andromeda Strain (1969) [Michael Crichton] 4. Alien: Sea of Sorrows (2014) [James A. Moore] 5. The Wendigo (1910) [Algernon Blackwood] 6. Mean Spirited (2024) [Nick Roberts] 7. Eaters of the Dead (1976) [Michael Crichton] 8. The Dark Descent of Elizabeth Frankenstein (2015) [Kiersten White] 9. The Cavern (2019) [Alister Hodge] 10. Inferno (1321) [Dante Alighieri] 11. Domain (2001) [Steve Alten] 11. Jaws the Revenge (1987) [Hank Searls] 12. Alien: River of Pain (2014) [Christopher Golden] 13. Alien vs. Predator: Prey (1994) [Steve and Stephani Perry] 14. The Deep (1976) [Peter Benchly] 15. The Dark Crystal (1982) [A. C. H. Smith] 16. We Love you, Bunny (2015) [Mona Awad] 17. Vostok (2014) [Steve Alten] 18. Predator: Incursion (2015) [Tim Lebbon] 19. Watership Down (1972) [Richard Adams]
Charlotte Greenway bringing you the podcast on Good Friday and joined by RTÉ‘s Jane Mangan. They look ahead to the action this weekend with particular focus on Fairyhouse's Easter Festival for which the highlight will be Monday's Boyle Sports Irish Grand National. Sean Graham, racing manager to Tony Bloom and Ian McAleavy, is along to discuss next steps for those in their burgeoning ownership empire including Energumene who runs Monday and two fillies that could play a big role in the Classics this flat season Venetian Sun and My Ophelia. Finally, Simon Marsh debriefs us on his recent trip to the Inglis Easter yearling sale where Watership Down purchased a AU$2.2 million Too Darn Hot colt.
Charlotte Greenway bringing you the podcast on Good Friday and joined by RTÉ‘s Jane Mangan. They look ahead to the action this weekend with particular focus on Fairyhouse's Easter Festival for which the highlight will be Monday's Boyle Sports Irish Grand National. Sean Graham, racing manager to Tony Bloom and Ian McAleavy, is along to discuss next steps for those in their burgeoning ownership empire including Energumene who runs Monday and two fillies that could play a big role in the Classics this flat season Venetian Sun and My Ophelia. Finally, Simon Marsh debriefs us on his recent trip to the Inglis Easter yearling sale where Watership Down purchased a AU$2.2 million Too Darn Hot colt.
This episode is scripted by John Ruths and Newell Fisher. It includes adapted text by John. My sincere thanks John, for your extensive help this week after last week's expedition to WD.
15: Bigwig's Character and the Lost Paragraph 15.1 Burrowkeeping I made my favourite mistake yet last week, when I referred to 'The Warren of the Snares' as 'The Warren of the Swears' That would make for a completely different story. One where they have to leave Cowslip's Warren because Fiver has an issue with all the bad language. Which is a bit rich for a rabbit who comes out with such potty-mouthed stuff as "embleer Frith". 0:4715.2: Bigwig's Character and the Lost Paragraph revisited. 7:3515.3 The Lost Paragraph analysed 13:0315.4 Next episode Next week I return to going through the book and we begin Part Two with perhaps the pivotal Chapter of the entire story. A chapter with the title...Watership Down.
32: Chapter 32. Across the Iron Road The opening quote is another one in French. John Ruths has helped me out here. He says the translation is: "Spirit of rivalry and misunderstanding which more than once preserved the English army from defeat." The person quoted is General Jean-Baptiste Jourdan, a French officer in the revolution and Napoleonic Wars. The backhanded compliment towards their historical enemy, the English, is both funny and interesting. Basically implying that an army where there is a little chaos and dissent can have an advantage. During the last chapter, Pipkin excused himself because he found the story of the Black Rabbit too frightening. Because he excused himself he was able to spot the Fox approaching them at the end of the Chapter. This chapter opens with an explanation of how rare encounters between rabbits and foxes are. The only hope a fox has is to sneak up on them downwind. So Pipkins spotting this fox is very lucky. Hazel also realises that Fiver probably used Pipkin's fear as an excuse to act as a sentry. Yet again his instincts preserve the group. Hazel sensibly observes the Fox, while planning what to do next. Suddenly a rabbit pushes past him out into the open. Fiver says it was Bigwig, who they then watch deliberately draw the fox away from the group by pretending to limp away from them. This was completely unnecessary and Hazel feels very angry. As Bigwig and the Fox disappear into undergrowth, they hear the squeal of a rabbit and immediately conclude that Bigwig has been killed by it. Suddenly he reappears and runs towards them fast. He is unharmed. A very angry Hazel begins to round on Bigwig before Fiver points out that the group are very stressed and need to get away. Hazel takes his advice. They cross the road into more open farmland beyond, where they make good progress. As soon as they stop, Hazel has a conversation with Bigwig. Hazel tells Bigwig how angry he is and asks him to explain himself. Bigwig says that he was feeling tense, though the source of his tension is kept from the reader for now, and felt he had to do something such as run a risk. And it worked. He explains the rabbit that cried out by saying that, as he made away from the fox, he bumped into a group of large rabbits, who tried to stop him going any further. As he broke free he heard squealing and concluded that the Fox must have got one of them. This is the death of Mallow, member of the Efrafan Owsla, that we learn about in chapter 37. For Bigwig had bumped into a wide Patrol. How much more luck are the rabbits of Watership Down going to have to rely on? First they narrowly avoid an encounter with a fox, then that same Fox saves them from an Efrafan Wide-Patrol that was tracking them. And that only happens because one of the group does something stupid. Maybe they ARE under the protection of Frith? Silver comes up to Bigwig and Hazel to say that he's realised are closer to Efrafa than he thought. They need to go. Hazel says he wants to skirt around Efrafa and cross the Iron Road. This next part of the journey takes place during a moonlit night, and Adams embellishes it's description with the sounds downland Birds that they Encounter during it. Eventually, as morning approaches, Silver thinks they are near the Iron Road. Here, rather than being at the top of a bank it is in a cutting. They cross it and rest in the field beyond where they are met by Kehaar. They are exhausted but he warns them that another Wide-Patrol is tracking them and they need to go immediately. Again, having aerial reconnaissance proves crucial for the group. They take cover among some trees. Kehaar says that they moved just in time, as the Wide Patrol turned back as it reached the Iron Road. He keeps watch as the rabbits sleep and the day grows hot. 32.3 Next Episode Next time the rabbits reach the River Test, where they have an idea...and Bigwig goes to Efrafa
This episode is scripted by Newell Fisher, John Ruths and Leea Mäkelä and is narrated, recorded and edited by Newell Fisher. It includes adapted text by John. "Watership Down. Perspectives On and Beyond Animated Violence" edited by Doctor Catherine Lester of the University of Birmingham https://www.bloomsbury...
46: Chapter 44. A Message from El-ahrairah Scripted by John Ruths and Newell Fisher and is narrated, recorded and edited by Newell Fisher. The pre-chapter quote is from a fairly well-known book about crusader castles. So, not 'normal' European castles but those built or occupied mostly in the Middle East. The quote clearly lines up with what's going on at Watership Down. As our heroes have essentially dug themselves in, they are kind of stuck listening to the activities above. The chapter opens after the passage of some time from the end of the previous chapter, with the Efrafan attack on WD having started. Speedwell is reporting to Hazel-rah that he no longer hears the sounds of digging. We then switch and get the point of view of the Efrafans who are surprised to see how many holes there are at this warren. Woundwort counters his unsettled rabbits with his own brand of logic. The WD rabbits have left themselves open to attack with so many holes, rather than the other way around and are not in a position of dominance. Vervain is starting to stand out as a rabbit who is used to being the bully at home rather than the bully far away. Only Campion and Groundsel seem to be holding up well. Two of Vervain's rabbits meet with the stalwart Silver and the oft-wounded Buckthorn underground and are lucky to get away with their lives. Trying to set the example, Groundsel digs his way in only to meet Blackavar who, much like Silver and Buckthorn, comes out on top. The descriptions of the altered conditions and advantages of close-quarters combat in a narrow run are fascinating. Blackavar is the smaller rabbit, but a good holding bite, and knowing when to let go, are all he needs to drive the larger rabbit back injured. Woundwort discusses things with Campion, who has advocated starving the WD rabbits out. This is rejected because of the risk of staying on open downland for the time needed, which not many rabbits could handle as well as Campion. Determined to have a fighting victory, Woundwort wishes to draw upon the past success at Nutley Copse, the last warren the Efrafans succesfully attacked. They find another rabbit, Ragwort, who was also on that mission. Woundwort learns what he has to. To make this work, the Efrafans will have to dig their way in straight down. Hazel listens for a bit and realizes that the Efrafans have stopped digging at one point. It means they're slowly figuring out the best way to get into the warren. Fiver is also listening but not to the omnipresent sound of the digging but to those things that only a rabbit such as Fiver can 'hear.' He's dropping off into some sort of stupor but he first makes a fearful unnatural sound and speaks sentences that strike fear into our heroes. For, while Fiver now lies unable to be roused, Hazel's mind is processing things and it seems like he too has a vision. Suddenly Hazel knows what to do. We readers don't yet and this makes this part very intriguing. In the form of Blackberry and Dandelion, he'll take both brains and speed with him. Hazel's instructions to those that he'll take with him are to get out of the warren. To get away no matter what and to link up with him at the iron tree at the foot of the scarp slope of the Down. He instructs Bigwig to block a run and not to give up. He intimates that El-ahrairah has given him a plan. And with that, Hazel and his two companions are gone. Hazel's vision Just a couple more thoughts on this chapter from John Ruths that pertain to Hazel's 'vision.' Was it a vision akin to one of Fiver's or does the trance that Fiver is in at the end of the chapter bring this onto Hazel? The relevant passage is from page 385 in my Kindle edition and begins: "In Hazel's mind, green branches were straining in the wind."
This episode is scripted, narrated and edited by Newell Fisher, with script assistance by John Ruths.
This episode is scripted by Newell Fisher and Leea Mäkelä and is narrated, recorded and edited by Newell Fisher.
This episode is scripted by Newell Fisher, Leea Mäkelä and Sean Hagins and is narrated, recorded and edited by Newell Fisher.Just Giving Rabbit Welfare Fund Appeal: https://www.justgiving.com/page/thewatershipdownpodcast?utm_source=copyLink&utm_medium=one_page&utm_content=page%2Fthewatershipdownpodcast&utm_campaign=pfp-share&utm_term=3d23a01526584a4a9c5c76b9f620ffa4
This episode is scripted by Newell Fisher and Giacomo Luca. It is recorded, edited and narrated by Newell Fisher. Watership Down graphic novel: Penguin: https://www.penguin.co... Amazon: https://www.amazon.co....Rabbit Welfare Association and Fund website:https://rabbitwelfare.... I am still showcasing WD fan art, by posting any that is submitted as the podcast title image on YouTube and posting the art on the podcast Instagram feed with no podcast title getting in the way. All, of course, with full credit given. I am not actively canvassing for contributions, so if you want to showcase your WD themed art, or know of someone elses art that you think should be, please get in touch with me either by social media or by emailing me at thewatershipdownpodcast@outlook.com
13: Chapter 17. The Shining Wire 13.1 Snares Before I researched this episode, I vaguely assumed that the use of snares was now illegal in the UK. It isn't. And I am embarrassed not to have already realised this. There is no excuse for using such a cruel and fundamentally lazy method as snaring. There is a campaign to ban the use of snares in the UK that I fully support. They can be found at antisnaring.org.uk. 13.2 Chapter 17. The Shining Wire 13.3 Part One of Watership Down 13.4 Next Episode I am going to pause from going through the book for one, maybe two, episodes, so that I can discuss wider subjects around the book and its portrayals. Vocab: Silf: Outside (as in 'silflay')
8: Chapters 10 and 11: The Road and the Common and Hard Going 8.1 Housekeeping: I referred briefly to Speedwell waking up Acorn It was Hawkbit waking up Speedwell only. Bigwig's phrase "u embleer rah" suggests a more complex meaning of "u", possibly meaning "you" as well as "the" depending on context. Interesting discussion of the book in the latest episode of the 'Read it twice' podcast on spotify. Episode 2. There is now a link in the description if you would like to leave a voice message for possible use in the podcast. The link is https://anchor.fm/wate... 3:368.2 Chapter 10. The Road and the Common. 9:088.3 Chapter 11. Hard Going and The Lost Paragraph. 18:228.4 Next Episode The next episode covers the beginning of the last 6 chapters of the end of Part One of the book. These chapters cover that metaphorical mist that Fiver spoke of in trance when he first saw the distant Watership Down. Vocab: Embleer: Stinking (missed in last episode) Hrududu: a car or other human vehicle Yona: Hedgehog
5.1: Housekeeping re. Blackberry and Dandelion and the first conversation: I didn't actually say it. Also must say "geek" less. First shout outs to Nati Plavin and Will Fuller. Thank you for your lovely comments. Also a comment, from Nathan Holec that the podcast is a bit quiet. I only record it on my smartphone, so I can believe that. The working title for WD was 'Hazel and Fiver' apparently. There seem to be two Facebook groups called 'Watership Down Fans'. I will be posting on, both. Editorial decisions: I will be dealing with versions of WD in chronological order. This means the 1978 film before the sequel 'Tales from Watership Down' (1996). Then the 1999 TV series. I have also decided that my site visits will follow the numerical order on the map at the start of the book. Today I will cover 3 chapters. Two short and one long, sandwiched between the other two.5:135.2 Chapter 5. In The Woods9:005.3 Chapter 6. The Story of the Blessing of El-ahrairah18:255.4 Chapter 7. The Lendri and the River22:13 5.5 Next Episode: Chapter 8. The Crossing. Which should give a clue what happens next.Vocab: El-ahrairah: The Prince with a thousand enemies (Elil-Hrair-Rah). Frith: God. Also the Sun. Lendri: Badger Tharn: a state of paralysis in rabbits brought on by fear.
We're kicking off a fresh batch of FYIZ episodes with something new: a monthly check-in with Bekah Eaton where we discuss the books we've just finished reading, the books we're reading now, and the books we plan to read next. So, in other words it's the coolest thing in the world that anyone could listen to. Featured in this installment: Watership Down! Margaret Atwood's The Blind Assassin! A lengthy breakdown of J.M. Barrie's Peter & Wendy! And more!
The Watership Down Podcast is intended for listeners who are familiar with the plot. There will be spoilers. This episode is scripted, narrated, recorded and edited by Newell Fisher.RELEVANT LINKS: With thanks to Andrew Stevens:'Understanding Comics: The Hidden Art' by Scott McCloud: https://www.scottmccloud.com/2-print/1-uc/ Bob Cropman's website: https://watershipdownonline.co.uk/ Awards for the graphic novel:https://www.instagram.com/p/C97CumNRDA7/?igsh=dzJvZWtqN2oyOHdz https://www.instagram.com/p/DO5P__NjWTM/?igsh=MWdrb3o2bGs3emJ3cA== CONTACTS AND SOCIAL MEDIA: Email: thewatershipdownpodcast@outlook.com Social media: Facebook page:https://www.facebook.com/thewatershipdownpodcast The Watership Down Podcast Honeycomb on Facebook:https://www.facebook.com/groups/468458781496287/?ref=share Instagram:https://www.instagram.com/thewatershipdownpodcast?igsh=MWtlNjR5MDNrNGZzdw== Threads:https://www.threads.net/@thewatershipdownpodcast Bluesky:https://bsky.app/profile/watershipdpodcast.bsky.social YouTube channel:https://youtube.com/@thewatershipdownpodcast1300?si=NWMmo3D2mVdLn-25 Past charity appeals: Rabbit Welfare Association and Fund website:https://rabbitwelfare.co.uk/
Brianna and Caleb are back for their annual series discussing their favorite books of the prior year, this time discussing their favorites picks of 2025! What will they think of eachothers picks? Find out now! Caleb's pick: Watership Down (1972) Brianna's pick: Chain-Gang All-Stars (2023). Email the show at thenoviceelitists@gmail.com
We talk about bunny lore and British words Next Week: Super Dimension Fortress Macross: Do You Remember Love https://archive.org/details/super-dimension-fortress-macross-do-you-remember-love_202212 Original Artwork by Bernadette Meeker Theme music by Miles Morkri
The Watership Down Podcast is intended for listeners who are familiar with the plot. There will be spoilers. This episode is scripted, narrated, recorded and edited by Newell Fisher. WATERSHIP DOWN (1978) REACTION VIDEOS:Awkward Ashleigh:https://youtu.be/D9B5LKIJHQE?si=h-ErUfgyRkAUt8uKSuzyLu Official:https://youtu.be/acItuWVD4Qs?si=sd1zjsr-_anh1C17OTHER RELEVANT LINKS: With thanks to Andrew Stevens:'Understanding Comics: The Hidden Art' by Scott McCloud: https://www.scottmccloud.com/2-print/1-uc/ Bob Cropman's website: https://watershipdownonline.co.uk/ Awards for the graphic novel:https://www.instagram.com/p/C97CumNRDA7/?igsh=dzJvZWtqN2oyOHdz https://www.instagram.com/p/DO5P__NjWTM/?igsh=MWdrb3o2bGs3emJ3cA== CONTACTS AND SOCIAL MEDIA: Email: thewatershipdownpodcast@outlook.com Social media: Facebook page:https://www.facebook.com/thewatershipdownpodcast The Watership Down Podcast Honeycomb on Facebook:https://www.facebook.com/groups/468458781496287/?ref=share Instagram:https://www.instagram.com/thewatershipdownpodcast?igsh=MWtlNjR5MDNrNGZzdw== Threads:https://www.threads.net/@thewatershipdownpodcast Bluesky:https://bsky.app/profile/watershipdpodcast.bsky.social YouTube channel:https://youtube.com/@thewatershipdownpodcast1300?si=NWMmo3D2mVdLn-25 Past charity appeals: Rabbit Welfare Association and Fund website:https://rabbitwelfare.co.uk/
In this episode, I'm joined by Lucy Caldwell, ahead of the publication of her new short story collection Devotions, due out in April 2026. We may be early to the party, but this conversation offers a rich introduction to a book that explores love, loss, longing, and the everyday objects and rituals we turn into acts of devotion. From a Belfast theatre troupe taking an experimental Hamlet to New York, to stories that edge into the metafictional and the uncanny, Devotions is a collection of intimate, luminous portraits of desire and regret.Our conversation unfolds as something of a masterclass in writing. Lucy reflects on her life and work, from growing up in Belfast during the Troubles in an ecumenical family, to building an acclaimed literary career marked by depth, empathy, and formal curiosity. We talk about how and why she writes, her path to international recognition, and the four books that shaped her literary imagination. Thoughtful, generous, and quietly inspiring, this is an episode especially rich for readers and writers alike.Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram at @litwithcharles. Let's get more people listening – and reading!Lucy Caldwell's four books:Lorrie Moore, Self-Help (1989)Lucia Berlin, A Manual for Cleaning Women (2015)James Joyce, Dubliners (1914)Richard Adams, Watership Down (1972)
The Watership Down Podcast is intended for listeners who are familiar with the plot. There definitely will be spoilers. This episode is scripted Newell Fisher, narrated, recorded and edited by Newell Fisher. LINKS: With thanks to Rob Lylyk:'Bravery, Tragedy and Watership Down in Oosterbeek Airborne Cemetery - Operation Market Garden':https://youtu.be/uzxNYm-9H34?si=M3rMyKiSYyB3nFwKScene from 'A Bridge Too Far' featuring Michael Graham Cox:https://youtu.be/EIPZRBCuW-4?si=6vwEvQ3ScA30bNkbCaptain Desmond 'Paddy' Kavanagh's grave at Oosterbeek War Cemetery, Netherlandshttps://monument.marketgarden.com/person/299/desmond-t-kavanaghOTHER RELEVANT LINKS: With thanks to Andrew Stevens:'Understanding Comics: The Hidden Art' by Scott McCloud: https://www.scottmccloud.com/2-print/1-uc/ Bob Cropman's website: https://watershipdownonline.co.uk/ Awards for the graphic novel:https://www.instagram.com/p/C97CumNRDA7/?igsh=dzJvZWtqN2oyOHdz https://www.instagram.com/p/DO5P__NjWTM/?igsh=MWdrb3o2bGs3emJ3cA== CONTACTS AND SOCIAL MEDIA: Email: thewatershipdownpodcast@outlook.com Social media: Facebook page:https://www.facebook.com/thewatershipdownpodcast The Watership Down Podcast Honeycomb on Facebook:https://www.facebook.com/groups/468458781496287/?ref=share Instagram:https://www.instagram.com/thewatershipdownpodcast?igsh=MWtlNjR5MDNrNGZzdw== Threads:https://www.threads.net/@thewatershipdownpodcast Bluesky:https://bsky.app/profile/watershipdpodcast.bsky.social YouTube channel:https://youtube.com/@thewatershipdownpodcast1300?si=NWMmo3D2mVdLn-25 Past charity appeals: Rabbit Welfare Association and Fund website:https://rabbitwelfare.co.uk/
The Watership Down Podcast is intended for listeners who are familiar with the plot. There definitely will be spoilers. This episode is scripted Newell Fisher, narrated, recorded and edited by Newell Fisher. LINKS: With thanks to Rob Lylyk: 'Bravery, Tragedy and Watership Down in Oosterbeek Airborne Cemetery - Operation Market Garden': https://youtu.be/uzxNYm-9H34?si=M3rMyKiSYyB3nFwKScene from 'A Bridge Too Far' featuring Michael Graham Cox: https://youtu.be/EIPZRBCuW-4?si=6vwEvQ3ScA30bNkbCaptain Desmond 'Paddy' Kavanagh's grave at Oosterbeek War Cemetery, Netherlands https://monument.marketgarden.com/person/299/desmond-t-kavanaghOTHER RELEVANT LINKS: With thanks to Andrew Stevens: 'Understanding Comics: The Hidden Art' by Scott McCloud: https://www.scottmccloud.com/2-print/1-uc/ Bob Cropman's website: https://watershipdownonline.co.uk/ Awards for the graphic novel:https://www.instagram.com/p/C97CumNRDA7/?igsh=dzJvZWtqN2oyOHdz https://www.instagram.com/p/DO5P__NjWTM/?igsh=MWdrb3o2bGs3emJ3cA== CONTACTS AND SOCIAL MEDIA: Email: thewatershipdownpodcast@outlook.com Social media: Facebook page:https://www.facebook.com/thewatershipdownpodcast The Watership Down Podcast Honeycomb on Facebook:https://www.facebook.com/groups/468458781496287/?ref=share Instagram:https://www.instagram.com/thewatershipdownpodcast?igsh=MWtlNjR5MDNrNGZzdw== Threads:https://www.threads.net/@thewatershipdownpodcast Bluesky:https://bsky.app/profile/watershipdpodcast.bsky.social YouTube channel:https://youtube.com/@thewatershipdownpodcast1300?si=NWMmo3D2mVdLn-25 Past charity appeals: Rabbit Welfare Association and Fund website:https://rabbitwelfare.co.uk/
When Jesse Wente was a kid, he was given a stuffed penguin as a gift. He decided to name his penguin Danger Eagle, the stunt performing stuffy. Decades later, Danger Eagle has taken center stage in Jesse's first ever children's book. Since wrapping up his term as chair of the Canada Council for the Arts and with a bestselling memoir under his belt, he joins the show to share the stories that have influenced his own life the most. Plus, musician Girl Ultra recommends A Room of One's Own by Virginia Woolf.Books discussed on this week's show include:Watership Down by Richard AdamsThe Monster At the End of This Book by Jon StoneSteering the Craft by Ursula K. Le GuinIndian School Days by Basil H. JohnstonDanger Eagle by Jesse WenteA Room of One's Own by Virginia Woolf
*CONTENT WARNING!! THIS PODCAST & FILMS FEATURE TOPICS SUCH AS ANIMAL CRUELTY, DEATH, DEBILITATING INJURY & VIVISECTION!A much deeper and longer podcast than I was expecting given the violent subject matter, but no less beautiful than the films Maff has us covering this week. Not unlike nature herself. In the latest #CloneBores we compare #MartinRosen's animated adaptations of #RichardAdam's environmentalist novels #WatershipDown & #ThePlagueDogs! Two films that no doubt scarred many a child's psyche due to their questionable age ratings. Join us as we discuss Depressed Mode, Holocaust parallels & our own family pet's predatory natures… #PrepareForPrattle This episode continues our animal theme from previous podcasts our last one was on giant spiders! https://tinyurl.com/236bvdhzSpeaking of animal themes listen to Maff's latest reviews on the resurrected Pop Guerrillas 2.0 https://pod.link/1840647225 Along with discussing all the Glup Shittos with Mike & Dave on Star Wars Chit-Chat https://pod.link/1657925693And if you still can't get enough of Maff check out his Letterboxd https://letterboxd.com/maff78/Where to find the Spider-Dan & The Secret Bores Podcast…Follow this link to find your preferred podcast catcher of choice pod.link/danboresFacebook: https://www.facebook.com/secretboresThreads:https://www.threads.net/@spiderdansecretboresTiktok: https://www.tiktok.com/@dan_boresInstagram: https://www.instagram.com/spiderdansecretbores/?hl=enDiscord: https://discord.com/invite/CeVrdqdpjkIMDB: https://www.imdb.com/title/tt22023774/?ref_=nv_sr_srsg_0Letterboxd: https://letterboxd.com/spiderdan_2006/Like, share, comment, subscribe etc. and don't forget to use the #PrepareForPrattle when you interact with us.Please subscribe to The Pop Culture Collective newsletter to find out what myself, Comics In Motion and all the other related podcasts are up to week by week https://pccnewsletter.com/I'd like to thank my patrons on #Patreon for their continuing donations it is very much appreciated and helps PrattleWorld keep turning and if you ever find yourself in a position to help the podcast please consider it. https://www.patreon.com/spiderdanandthesecretboresIf you would like to make a one off donation head over to https://ko-fi.com/spiderdanandthesecretboresIf you want to #JoinThePrattalion and to be briefed in full on the #SecretBores head over to #PrattleWorld https://www.spiderdanandthesecretbores.com/
This week on the podcast Tracy chats with listener Lauren Eanes, who turned her family's shared love of books into a literary-themed UK adventure. From Dickens' Broadstairs and Winnie-the-Pooh's Ashdown Forest to Tolkien and Lewis in Oxford and the landscapes of Watership Down, Lauren shares how stories shaped their itinerary - and how she kept her teens engaged along the way.You'll hear practical tips for planning a smooth family trip: combining trains with short car hire, using Airbnbs and meal deals to budget for splurges, and building in rest days for happy travellers. Packed with inspiration, logistics, and lessons learned, this episode shows how to bring Britain's literary world to life for the whole family.⭐️ Guest - Lauren Eanes
Illustrator Joe Sutphin returns to the Radio Backyard Fence with a project for the whole family. Joe has illustrated children's books and graphic novels like Watership Down, Little Pilgrim's Progress, and Andrew Peterson's Wingfeather Saga. You'll hear about his take on Charles Dickens' classic Christmas story. Grab your pencils, crayons, and markers and get ready for a festive edition of Chris Fabry Live. Featured resource:The Little Christmas Carol Coloring & Activity Book by Joe Sutphin and Erik M. Peterson November thank you gift:The Little Christmas Carol Coloring & Activity Book by Joe Sutphin and Erik M. Peterson Chris Fabry Live is listener-supported. To support the program, click here. Care NetBecome a Back Fence Partner: https://moodyradio.org/donateto/chrisfabrylive/partnersSee omnystudio.com/listener for privacy information.
This week, we review Watership Down (1978), Martin Rosen's hauntingly beautiful animated adaptation of Richard Adams' novel about a band of rabbits fleeing destruction in search of a new home. Featuring the voices of John Hurt, Richard Briers, and Ralph Richardson, this isn't your typical cartoon, it's a gripping survival epic exploring leadership, freedom, and the brutal realities of nature. With its striking hand-drawn animation and unexpectedly dark tone, the film has earned cult status as one of the most emotionally resonant animated films of its time.Is this just a tale of rabbits or a fable about the fragility of civilization itself? Listen on to find out!Movie 7635 on Metacritic's all time movie list.Join Colin & Niall as we embrace the weird, the wonderful, and the downright awful of cinema!Contact us: itwasamoviepodcast@gmail.comSpotify: It was a movie..Spotify pageFollow, rate & review us here:https://linktr.ee/itwasamovieYoutube: It was a movie channel...Facebook: https://www.facebook.com/itwasamovieInstagram: https://www.instagram.com/itwasamoviepodcast/X: https://x.com/itwasamoviepodTikTok clips & highlights: https://www.tiktok.com/@itwasamoviepodSee all our ratings & reviews: Google SpreadsheetIMDb List: IMDb | Letterboxd: Letterboxd
In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.
The Watership Down Podcast is intended for listeners who are familiar with the plot. There definitely will be spoilers. This episode is scripted, narrated, recorded and edited by Newell Fisher. CREDITS: Wikipedia, the Watership Down wiki on Fandom.com, the Guardian newspaper, the Radio Times US National Public Radio and the illustrator Joe Sutphin. https://www.instagram.com/joesutphin?igsh=aTg1ZjF6eDcxOG1i https://en.m.wikipedia.org/wiki/Martin_Rosen_(director) https://watershipdown.fandom.com/wiki/Watership_Down:_The_Graphic_Novel https://www.theguardian.com/culture/2018/dec/10/true-meaning-watership-down-revealed-ahead-of-revival-its-rabbits https://www.radiotimes.com/tv/drama/how-does-the-new-watership-down-compare-to-the-original/ https://www.npr.org/2023/10/22/1207408409/watership-down-graphic-novel-richard-adams-james-sturm-joe-sutphin 1974 WATERSHIP DOWN DOCUMENTARY:(Trigger warning: film of a rabbit being shot at the start) https://youtu.be/YdpQs8O1S10?si=eNDhqA0jVpSQyscxBOB CROPMAN'S WEBSITE:On The Real Watership Down'https://watershipdownonline.co.uk/OTHER RELEVANT LINKS: Awards for the graphic novel:https://www.instagram.com/p/C97CumNRDA7/?igsh=dzJvZWtqN2oyOHdz https://www.instagram.com/p/DO5P__NjWTM/?igsh=MWdrb3o2bGs3emJ3cA== CONTACTS AND SOCIAL MEDIA: Email: thewatershipdownpodcast@outlook.com Social media: Facebook page:https://www.facebook.com/thewatershipdownpodcast The Watership Down Podcast Honeycomb on Facebook:https://www.facebook.com/groups/468458781496287/?ref=share Instagram:https://www.instagram.com/thewatershipdownpodcast?igsh=MWtlNjR5MDNrNGZzdw== Threads:https://www.threads.net/@thewatershipdownpodcast Bluesky:https://bsky.app/profile/watershipdpodcast.bsky.social YouTube channel:https://youtube.com/@thewatershipdownpodcast1300?si=NWMmo3D2mVdLn-25 Past charity appeals: Rabbit Welfare Association and Fund website:https://rabbitwelfare.co.uk/
YouTube link: https://youtu.be/vEsXr4kzD18?si=2YBStuYz5PR-AB1kI got names wrong a few times. These are corrected on the video version.---The Watership Down Podcast is intended for listeners who are familiar with the plot. There definitely WILL be spoilers.This episode is filmed, narrated and edited by Newell Fisher.BFI re-release of the 1978 film:https://www.skwigly.co.uk/bfi-distribution-announces-re-release-of-classic-british-animation-watership-down/Joe Sutphin's award for the graphic novel:https://www.instagram.com/p/C97CumNRDA7/?igsh=dzJvZWtqN2oyOHdzWatership Down music playlist on YouTube:https://youtube.com/playlist?list=PLOzizcmtJScABzFA52snD9cmsgd1zvOkq&si=QscIc0T4uaFvILAOEmail: thewatershipdownpodcast@outlook.com Social media:Facebook page:https://www.facebook.com/thewatershipdownpodcastThe Watership Down Podcast Honeycomb on Facebook:https://www.facebook.com/groups/468458781496287/?ref=shareInstagram:https://www.instagram.com/thewatershipdownpodcast?igsh=MWtlNjR5MDNrNGZzdw==Threads:https://www.threads.net/@thewatershipdownpodcastBluesky:https://bsky.app/profile/watershipdpodcast.bsky.socialYouTube channel:https://youtube.com/@thewatershipdownpodcast1300?si=NWMmo3D2mVdLn-25Past charity appeals:Rabbit Welfare Association and Fund website:https://rabbitwelfare.co.uk/
In this episode Karl Buechner (vocalist for Earth Crisis, Freya, Apocalypse Tribe) makes his second appearance, this time alongside Jeremy Mueller and Keith Ward – all are co-authors of the post-apocalyptic book trilogy, “The Unraveling” – which Is a series that is written for middle school age kids, as well as adults. We discuss the first book in the series, “The Unraveling – The Counsel of Crows” (the major themes and storylines), as well as the writing process, book tours, future plans, and more! From the publisher, “Perfect for fans of Watership Down, Redwall, and The Green Ember, The Unraveling is a sweeping middle-grade fantasy adventure of courage, rebellion, and destiny. With pulse-pounding action, unforgettable characters, and a world as rich as it is dangerous, this is a story for anyone who believes even the smallest hero can change the world.” You can grab the book on Amazon, Barnes & Noble, and direct from the publisher at https://www.th3rdworld.com/collections/the-unraveling?srsltid=AfmBOormgJ8H0y0dbSRI4GoBJo3vtOaMMQL8ZIA7dkSRxUrM0ahGB2qJ Audio version of the book is available from Audible: https://www.audible.com/pd/The-Unraveling-The-Counsel-of-Crows-Audiobook/B0F7J4GF16?srsltid=AfmBOop8zYwKZJP1LrAi_XFtizKfMOrQd1uZ77aYQ3Wxb6EMCzOpP9UW As always, please hit the subscribe button if you like and support what we do! You'll get early access to new episodes! Also please leave a review! Follow us on IG: @bigtruth TikTok: @bigtruthpodcast YouTube: @thebigtruthpodcast For feedback, questions, sponsorship info contact: bigtruthpodcast@gmail.com For more info: http://www.bigtruthpodcast.com To support the show: http://www.patreon.com/bigtruth The Big Truth Podcast is proudly sponsored by: - Choppahead Kustom Cycles (IG: @choppahead / www.choppahead.com) - Jeffrey Glassman Injury Attorneys ( www.jeffreyglassman.com ) IG: @gottagetglassman - Tattoo Flash Collective – www.tattooflashcollective.com – use promo code: BIGTRUTH for 10% off your order - Omerta (IG: @omertamia / www.omertamia.com) - use code: BIGTRUTH at checkout for 20% off your order! - Heavy (IG: @heavyclothing / www.heavy.bigcartel.com)
It's time for another Mind Gap Podcast! This week, Doug and Justin explore the weirdest food combinations they secretly love and some of their less savory eating habits. The dorks then delve into their main topic of discussing the most traumatizing scenes from kids' movies. Some of the films discussed are The Neverending Story, The Lion King, Charlie and the Chocolate Factory, Watership Down, E.T., and My Girl. By the end, our guys finally start to figure out why they're carrying around so much emotional baggage! Things are wrapped up with another round of Patch Notes: Real Life Edition, where Doug reads out patch notes for real life and Justin has to decide if they're good or if they should be scrapped as garbage. Check out our YouTube channel where we livestream our new podcast episodes every Tuesday at 8pmCT and our video game stream every Saturday at 8pmCT. Be sure to like and subscribe for this content as well as episode highlights, Doug Watches Awkward Videos, Justin Plays Video games, and more! We have MERCH now! Follow us on all of our social medias and other platforms!
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