Podcasts about Another Sunny Day

Tune in to the show weekly at 8 pm mst on HGR 2. Pastor Bob Simons would love to have you participate in the live discussion. New Life Pentecostal Church in Dickenson ND invites you to tune in and participate by texting Pastor Simons at 701 290 7862.

Clouds will arrive overnight, but showers are mostly going to fall Friday evening.

Jeffrey has a cherry beer. Mike has a cursed wine. Wednesday have a new manager.

Vi diskuterar apkoppor, dubbelpungsparkar, styrvårtor och den nyligen bevistade Sparks-konserten samt drar rafflande stenkastaranekdoter. Det blir Joanna Newsom, Damien Youth, Boyd Rice och Another Sunny Day. Robert har hittat hiphop han gillar, som är blott 16 år gammal. Love har inte mindre än _två_ egna låtar (fastän den ena är från när han var 15) samt blåser mera nytt liv i mashup-trenden. Skott avlossas mot Norah Jones och Stockholm Live. Robert får äntligen köra sin topplista över falsettsång, med så mycket HARD DRIVING ROCK och testosteron att alla blir bögar. Dessutom har han ett nytt och oerhört sexigt live-DJ-set. I Bisarra hörnan blir det rapping om tecknade figurer -- för andra gången i samma avsnitt. Gör oss sällskap på Discord: https://discord.gg/Cywtq7vaqZ Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt

Vi diskuterar apkoppor, dubbelpungsparkar, styrvårtor och den nyligen bevistade Sparks-konserten samt drar rafflande stenkastaranekdoter. Det blir Joanna Newsom, Damien Youth, Boyd Rice och Another Sunny Day. Robert har hittat hiphop han gillar, som är blott 16 år gammal. Love har inte mindre än _två_ egna låtar (fastän den ena är från när han var 15) samt blåser mera nytt liv i mashup-trenden. Skott avlossas mot Norah Jones och Stockholm Live. Robert får äntligen köra sin topplista över falsettsång, med så mycket HARD DRIVING ROCK och testosteron att alla blir bögar. Dessutom har han ett nytt och oerhört sexigt live-DJ-set. I Bisarra hörnan blir det rapping om tecknade figurer -- för andra gången i samma avsnitt.

It's time to get twee! Belle & Sebastian exploded across college dorm rooms in the late '90s but they were not the only Scottish indie pop band making waves, facing competition from upstarts Camera Obscura. So who is the favorite Scottish indie pop song of 2006, Camera Obscura's "Lloyd, I'm Ready to Be Heartbroken" or Belle and Sebastian's "Another Sunny Day"?

Back home in Melbourne, Andy talks you through the writing of Another Sunny Day, the first song on his new album 'This garden is only temporary'. He plays some of the original recordings, most of which made it to the final version, and talks about some of the earliest inspirations for the song and his early plans for the direction of the album. The interview where Tony Visconti analyses the master tape of 'Heroes' is here and the songs Andy mentions from his own catalogue are The Pale Moonlight, If You Want It, COWP, and James Joyce's Grave. You can hear the full version of Another Sunny Day and listen or download the whole album on Andy's Bandcamp. Please subscribe to here or wherever you get your podcasts and the next episode will appear as if by magic.

In this episode of The Vinyl Detroit Podcast, Brian speaks to the absolutely delightful co-founder of highly-influential indie label Sarah Records. Sarah started in 1987 in Bristol, England where Clare Wadd and Matt Haynes got to know each other by exchanging their individual fanzines, Kvatch and Are You Scared To Get Happy. Lamented by the British music press of the day yet worshiped by passionate fans world wide, Sarah was ultimately ranked #2 in the NME's “Greatest Indie Labels of All Time”. Clare recounts stories from the early days of Sarah, their design and label aesthetic and culminating with their ending of the label in 1995 famously proclaiming “we don't do encores”. Clare also shares with Brian the origins of Sarah's feminist and political statements, going from subtle in the beginning to the forefront by the end. She also explains the role Bristol plays in the personality of the label and the importance of John Peel's support of the bands. For those new to Sarah, Clare shares where someone looking to understand the Sarah ethos should start to become familiar with the label. Her cat Bella also makes an appearance in this “can't miss” episode for any fan of Sarah!This podcast features classic songs from Sarah singles including tracks by Brighter, Even As We Speak, The Field Mice, The Sea Urchins and Another Sunny Day. Featuring the third “The Vinyl Detroit Podcast Interview” with Clare Wadd, co-founder of Sarah Records, please sit back, relax and enjoy Brian's deep discussion with Clare Wadd.Apple Music Playlist - https://music.apple.com/us/playlist/episode-5-clare-wadd-of-sarah-records/pl.u-xyMdckxkyKySpotify Playlist - https://open.spotify.com/playlist/4lBXm75GYlxH0WmIp3YCGd?si=daf95affacab44fd

This month we travel back to 1988 where we've been accidentally downloading the first ever computer virus, playing Treasure Island Dizzy on the Spectrum, & watching Beetlejuice at the cinema. We've also been talking about ambient superstars buying castles, Colin's Orangutan like behaviour, & potentially life saving rap lyrics. We've each chosen our 10 favourite songs of the year and sent them over to Ian's wife Lydia, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them to Colin's wife Helen, who totalled up the points and worked out the order. Helen also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine. Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - a-ha, Another Sunny Day, Billy Bragg, Candlemass, Neneh Cherry, The Church,Dead Can Dance, Def Leppard, Dinosaur Jr., Enya, The Go-Betweens, The House Of Love, Iron Maiden, Jane's Addiction, Kino, Manowar, Metallica, Ministry, my bloody valentine, N.W.A., Pixies, The Primitives, Public Enemy, R.E.M.,Sea Urchins, Sonic Youth, The Sugarcubes, Talking Heads, Ultra Vivid Scene, & The Wonder Stuff Find all songs in alphabetical order here - https://open.spotify.com/playlist/6XBlolI0ymFbnFiYlcsrbx?si=7995f72788754cfb Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQ If you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows - 1st place - 20 points 2nd place - 18 points 3rd place – 16 points 4th place – 14 points 5th place – 12 points 6th place – 9 points 7th place – 7 points 8th place – 5 points 9th place – 3 points 10th place -1 point Hosts - Ian Clarke, Colin Jackson-Brown & Tracey B Guest starring Helen Jackson-Brown. Playlist compiling/distributing – Lydia Clarke Recorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig Podcasts Thanks to Peter Latimer for help with the scoring system. Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis

This month we travel back to 1988 where we've been accidentally downloading the first ever computer virus, playing Treasure Island Dizzy on the Spectrum, & watching Beetlejuice at the cinema. We've also been talking about ambient superstars buying castles, Colin's Orangutan like behaviour, & potentially life saving rap lyrics.We've each chosen our 10 favourite songs of the year and sent them over to Ian's wife Lydia, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them to Colin's wife Helen, who totalled up the points and worked out the order. Helen also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - a-ha, Another Sunny Day, Billy Bragg, Candlemass, Neneh Cherry, The Church,Dead Can Dance, Def Leppard, Dinosaur Jr., Enya, The Go-Betweens, The House Of Love, Iron Maiden, Jane's Addiction, Kino, Manowar, Metallica, Ministry, my bloody valentine, N.W.A., Pixies, The Primitives, Public Enemy, R.E.M.,Sea Urchins, Sonic Youth, The Sugarcubes, Talking Heads, Ultra Vivid Scene, & The Wonder StuffFind all songs in alphabetical order here - https://open.spotify.com/playlist/6XBlolI0ymFbnFiYlcsrbx?si=7995f72788754cfbFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQ If you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Lydia ClarkeRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis

Listen to what the trio thinks about this song by Scottish indie band, Belle and Sebastian.

This week, on the Is This Song Good? podcast, we discuss the Scottish indie band Belle & Sebastian and their song Another Sunny Day from the album The Life Pursuit (2006). Tune in to find out if the trio will dub thee a good song or a not good song.

On their new album Golden Doubt, Melbourne-via-Tasmanian quartet Quivers honor their resilience. Vocalist Sam Nicholson breaks down the LP title. “Golden, because musically we daydream with the guitars of Teenage Fanclub and The Cure, the singing of The Roches' sisters, the basslines of Another Sunny Day, and the drums of Lower Dens or Car Seat Headrest,” he says. “Golden Doubt, because hitting your thirties after losing people knocks you off balance for a while, but no longer caring what the world thinks is always a breakthrough feeling.” On today's Song of the Day, the band reflects on the beauty in the world. They explain in a press statement, “It is a song about being overwhelmed by someone, and somewhere, but also overwhelmed by the beauty of those strange, new experiences we used to have when travel was possible.” Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

Este podcast está hecho a base de canciones que a ti y a mí que nos recuerdan a la primavera y es una sesión festiva porque, aunque sigamos en pandemia, es viernes y el cuerpo lo sabe. WEEZER – Island In The Sun BELLE & SEBASTIAN – Another Sunny Day SIDONIE – Me Llamo Abba THE BREEDERS – Cannonball ARCADE FIRE – Month Of May LOS INVADERS – Wrong Is Wright LA LA LOVE YOU – El Fin del Mundo (Elyella & Innmir Remix) ASH – Girl From Mars THE JESUS AND MARY CHAIN – April Skies ALIZZZ – Ya No Siento Nada ROYAL BLOOD – Limbo BLOC PARTY – Banquet BLUR – Song 2 FLORENCE + THE MACHINE – You’ve Got The Love THE LEMONHEADS – Into Your Arms GINEBRAS – Con Altura KIKO VENENO – Volando Voy C TANGANA – Ingobernable Escuchar audio

Sunshine, coffee walk, lunch, and my moms knee surgery appt is set! Part one and part two coming.

Con motivo del concierto en Valencia de The Pains Of Being Pure At Heart, tenemos un programa especial con música de bandas que son o han sido inspiración para el grupo de Nueva York, suenan The Pastels, Teenage Fanclub, Ride, The Field Mice o Another Sunny Day entre otros. Además también escuchamos algunas de las mejores canciones de la banda.

You're still here? Great! Turns out this is the best episode of the season so far. You know that one you share with all your friends to turn them on to your new favorite (this) podcast? Yes, that one is this one. We're back with Belle and Sebastian's 2006 album The Life Pursuit, and wow ... what a ride. Will you jangle as if unchained? Are you in touch with your feelings? Will you also succumb to artistic discography addiction? Could you love an indie mid-2000s Beatles? Will we discover which of these songs is a full court shot, nothing but net? Find out in this fantastic episodes. Now hear this: "Another Sunny Day," "White Collar Boy," "The Blues Are Still Blue," "Dress Up In You," "Sukie in the Graveyard," and "Funny Little Frog."Have something to say? Email us: nowhearthisofficial@gmail.comIf you want to listen to the music discussed on the show, then subscribe to this playlist: https://nowhearthis.lnk.to/theplaylist See acast.com/privacy for privacy and opt-out information.

The Field Mice special with Mark Dobson in conversation with David Eastaugh The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, Emma's House, was released in November 1988, and reached number 20 in the UK Independent Chart. But it was with their second single "Sensitive" that they first received significant critical attention, giving them a top-20 indie hit and with a subsequent placing in John Peel's 1989 Festive 50. Debut mini-album Snowball reached number 3 on the indie albums chart. The original duo were joined by Harvey Williams(of Another Sunny Day) on guitar: the first fruits of this new line-up being the Skywriting mini-LP and in late 1990 the band expanded to include Annemari Davies on vocals, keyboards and guitar and Mark Dobson on drums. This five-piece line-up later recorded what was to be their final album (but their first full length for Sarah Records), For Keeps. Over a three-year career the band were often dogged with the reputation of having a post-C86 indie pop or generic Sarah Records sound despite producing tracks with numerous styles and influences. Early singles and even their sleeves harked back to early Factory Records bands such as New Order and The Wake, with many tracks often featuring sequencers and samples. Many of the group's recordings, notably "Triangle" and their epic seven-minute swan song, "Missing the Moon", displayed a strong influence from the popular dance music of the time. Most of the group's records were produced by Ian Catt, who later went on to develop the pop dance sound of "Missing The Moon" further with Saint Etienne (whose second single was a cover version of The Field Mice's "Let's Kiss and Make Up").

Reg and Tiff pay an ode to Reg's old camo messenger bag, half linings in suits, the need of wearing a undershirt in your life (crew or wife beater) and wearing opera pumps for black tie. This is a sophisticated episode.

The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, Emma's House, was released in November 1988, and reached number 20 in the UK Independent Chart. But it was with their second single "Sensitive" that they first received significant critical attention, giving them a top-20 indie hit and with a subsequent placing in John Peel's 1989 Festive 50. Debut mini-album Snowball reached number 3 on the indie albums chart. The original duo were joined by Harvey Williams (of Another Sunny Day) on guitar: the first fruits of this new line-up being the Skywriting mini-LP and in late 1990 the band expanded to include Annemari Davies on vocals, keyboards and guitar and Mark Dobson on drums. This five-piece line-up later recorded what was to be their final album (but their first full length for Sarah Records), For Keeps.

A long weekend yields special programming and so we're delighted to present an extra special afternoon episode of Eclectic Kettle for the Labor Day holiday. “Less Steve Lamaq, a little more Mark Radcliffe” is the plan. Tune in for afternoon choons, affable rambling, and the true meaning of Labor Day. Plus we'll replay our conversation with Matt B from last week's Tuesday show, and give you all another chance to indulge the wonders of the modular synth.What's more, this broadcast comes LIVE from BFF.fm's studio installation in the window of Artists Television Access on Valencia. So, stop by on your way to and from your grills and beer runs, watch Ben in action, gawp and wave, chill with a coffee in the Blue Fig parklet, perhaps. One way or another, we hope to see you there!Sorry it took a little while to get the podcast of this show up: The logistics of broadcasting from multiple locations are no joke. Massive thank yous to Lily Sloane and Forrest Guest for helping get the recordings wrangled. Enjoying the show? Please support BFF.FM with a donation. Playlist 2′22″ Bank Holiday by Blur on Parklife (Food) 3′35″ Another Sunny Day by Belle & Sebastian on The Life Pursuit (Matador) 10′20″ The Masses Against The Classes by Manic Street Preachers on The Masses Against The Classes (Sony) 13′32″ The View from the Afternoon by Arctic Monkeys on Whatever People Say I Am, That's What I'm Not (Domino) 17′40″ Afternoon by Youth Lagoon on The Year of Hibernation (Fat Possum) 25′33″ To Have and Have Not by Billy Bragg on Life's A Riot with Spy vs. Spy (Cooking Vinyl) 28′58″ Thatcher Fucked The Kids by Frank Turner on Campfire Punkrock (Xtra Mile) 31′24″ Blue Collar by Gil Scott-Heron on Nothing New (XL) 35′20″ 70's Blues by Betty Davies on They Say I'm Different (Light in the Attic) 42′28″ The Eton Rifles by The Jam on Setting Sons (Universal) 46′52″ The Underside of Power by Algiers on The Underside of Power (Matador) 51′26″ French Disko by Stereolab on Serene Velocity (Elektra) 53′55″ One of These Days by Pink Floyd on Meddle (Sony) 65′23″ Slip Inside This House by Primal Scream on Screamdelica (Reprise) 70′23″ Run Run Run by The Velvet Underground on The Velvet Underground & Nico (Universal) 74′39″ The Flowers of Guatemala by R.E.M. on Life's Rich Pageant (EMI) 78′31″ Half The World Away by Oasis on The Masterplan (Helter Skelter) 96′06″ Moons Apart by Ann Annie on Atmospheres, Vol. 2 (Modularfield) 98′54″ Goodbye Earth by Hannah Peel on Mary Casio: Journey to Cassiopeia (My Own Pleasure) 104′24″ Perdonare by Alessandro Cortini on AVANTI (Point of Departure) 111′49″ The Dajon Song by Gomez on Machismo EP (Virgin) Check out the full archives on the website.

Podden tar semesteruppehåll. Musik: - Göteborg Wind Orchestra, En vänlig grönskas rika dräkt - Belle & Sebastian, Another Sunny Day

The June 30th, 2018 edition of Look At My Records! features songs from The Sadies and C.R. & The Degenerates, who blew Tom away during their June 29th gig at Monty Hall. Plus, more summertime-y tracks from Sarah Records veterans Another Sunny Day and The Sea Urchins, and Tom's all-time favorites The Feelies. Plus, brand new songs from The Essex Green, The Stroppies, Anna Burch, Say Sue Me, and Rachel Angel. Tom also sprinkled in some classics from The Dream Syndicate, The Golden Palominos, and a holiday-themed song from Galaxie 500. Full playlist: https://spinitron.com/export/rfb286-pl7158-SBavxTba.html

Benjamin Schoos and Claire Wilcock ( Planet Claire) talked with Clare Wadd, co owner of Sarah Records. Recorded and produced by Benjamin Schoos for radio rectangle Sarah Records was a UK independent record label active between 1987 and 1995,[1] best known for its recordings of indie pop. The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes, and grew out of the fanzine scene at the time, Haynes having previously edited Are You Scared To Get Happy?,[2] and Wadd Kvatch. Both these fanzines had given away flexidiscs - indeed, Are You Scared To Get Happy? had been part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexi-discs, as it was felt this summed up the aesthetic of the label better than 12" singles and albums.[2] Sarah Records was usually seen as being grounded in the C86 jangly indie-pop sensibility, though the late Seventies DIY scene and independent yet stylish and imaginative labels such as Postcard Records, Factory and Creation, plus the mid-Eighties fanzine culture, were bigger influences. It ceased operation with the release of There and Back Again Lane, the hundredth release in the main catalogue sequence - a booklet telling the story of the label, along with a CD of representative tracks. Half-page adverts entitled "A Day For Destroying Things" in both NME and Melody Maker marked the release. "We don't do encores", the advert announced, and the label has stuck by this sentiment, with no further releases. Bands on the label included Heavenly, East River Pipe, The Orchids, The Hit Parade, Even As We Speak, Boyracer, Brighter, Blueboy, The Field Mice, Another Sunny Day, Shelley and St. Christopher. Haynes subsequently established Shinkansen Recordings, where many Sarah artists went on to record; he now edits a zine, Smoke, dedicated to writing and art inspired by London.

Benjamin Schoos and Claire Wilcock ( Planet Claire) talked with Clare Wadd, co owner of Sarah Records. Recorded and produced by Benjamin Schoos for radio rectangle Sarah Records was a UK independent record label active between 1987 and 1995,[1] best known for its recordings of indie pop. The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes, and grew out of the fanzine scene at the time, Haynes having previously edited Are You Scared To Get Happy?,[2] and Wadd Kvatch. Both these fanzines had given away flexidiscs - indeed, Are You Scared To Get Happy? had been part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexi-discs, as it was felt this summed up the aesthetic of the label better than 12" singles and albums.[2] Sarah Records was usually seen as being grounded in the C86 jangly indie-pop sensibility, though the late Seventies DIY scene and independent yet stylish and imaginative labels such as Postcard Records, Factory and Creation, plus the mid-Eighties fanzine culture, were bigger influences. It ceased operation with the release of There and Back Again Lane, the hundredth release in the main catalogue sequence - a booklet telling the story of the label, along with a CD of representative tracks. Half-page adverts entitled "A Day For Destroying Things" in both NME and Melody Maker marked the release. "We don't do encores", the advert announced, and the label has stuck by this sentiment, with no further releases. Bands on the label included Heavenly, East River Pipe, The Orchids, The Hit Parade, Even As We Speak, Boyracer, Brighter, Blueboy, The Field Mice, Another Sunny Day, Shelley and St. Christopher. Haynes subsequently established Shinkansen Recordings, where many Sarah artists went on to record; he now edits a zine, Smoke, dedicated to writing and art inspired by London.

Si, como lo oyen, ¡hemos vuelto! Y prometemos con intención de cumplirlo hacer podcasts casi semanalmente. Echábamos de menos juntarnos, poner hits y hablar de cualquier parida sin límites. Este fue el propósito desde el primer episodio allá por el pleístoceno y seguimos con la misma misión, divertirnos y compartir pequeños hits y cientos de datos absurdos entre nosotros y claro, con vosotros. Y volvemos a las andadas: producción casera, cucumbers bestiales, verborrea chalada y el mismo trío: Pepo, Borja y Cristina. Está Pasando Radioshow sigue siendo un magazine que repasa con el mismo amor el mundo mega-mainstream y el universo infra-underground que tanto nos atrae. Sean todos bienvenidos a una nueva, y esperemos que constante, temporada de Está Pasando Radioshow. Canciones que medio suenan en este programa: 1. Meninas Remix 2. Puto Chino Maricón - Gente de mierda 3. Sant Miquel. Osos Pardos. 4. Diosque y Molly Nilson. Viéndolo. 5. Another Sunny Day. You should all be murdered 6. Los Urogallos. Extrarradio Puedes seguir a Está Pasando en: Único link importante: INSTAGRAM ESTA PASANDO RADIOSHOW www.instagram.com/esta_pasando_radioshow/ twitter.com/estapasandonow www.facebook.com/EstaPasando Pepo: twitter.com/Pepo_Marquez Borja: twitter.com/PepitoPrieto Cristina: twitter.com/Chiu_chium

Another Sunny Day With Mark Cedermark On ITNS Radio!"ITNS Radio" In The Neon Spotlight, the show “By Musicians For Musicians”, bringing you the best Songwriters, Artists and Music Professionals from all over the world! This is the place for great music, interviews by professionals in the music field and a whole lot more!!! Come into the Neon Lights, ITNS Radio!!! DISCLAIMER: Receiving airplay on ITNS Radio is free. All the artist's that we feature or play their music have rights to the music submitted to us. We have various promotions that include our newsletter, website, and social media sites; check them out at www.samwatkinscountry.com.

Fragmento de la entrevista realizado al batería del grupo Grises. También se hace una repasada a los temas musicales que les gustan como por ejemplo Another Sunny Day de Belle and Sebastian, y el tema Parfait, que representa un antes y un después en la carrera musical de Grises. Programa: Poplaroid. Fecha de emisión: Miércoles 28 de enero de 2015

Fragmento de la entrevista realizado al batería del grupo Grises. También se hace una repasada a los temas musicales que les gustan como por ejemplo Another Sunny Day de Belle and Sebastian, y el tema Parfait, que representa un antes y un después en la carrera musical de Grises. Programa: Poplaroid. Fecha de emisión: Miércoles 28 de enero de 2015

On the second episode of Size Matters, Kwandry and Kenson are joined by writer Sylvan Scott, as they discuss his twenty years of macro/micro fiction, as well as shrinking and growing in Saturday Morning Cartoons. Of course, we couldn't record a macro/micro podcast without tlking a little bit about our good friend Godzilla and Pacific Rim, now could we? Special thanks to Sofia.exe and Daniel Dennis for their help with this episode. Sylvan Scott's FA page Sylvan Scott's Smashwords page Lava Dome Five / Dinosorceror's FA page Tyrnn's FA page MKVero's FA page Music Credits: Intro / Outro Music - "Little Talks" by Of Monsters And Men 7:55 - "Bang" by Yeah Yeah Yeahs 18:54 - "Another Sunny Day" by Belle Sebastian 29:34 - "Marathon Runner" by Yellow Ostrich 42:22 - "Main Theme" from Star Trek: The Next Generation 1:08:28 - "Macro" by Dinosorceror 1:18:04 - "Stunt Expo 2004" by Alexandre Desplat, from the soundtrack to Fantastic Mr. Fox All music is owned and copyrighted by their creators/copyright holders

Claire Wilcock ( Planet Claire) talked with Clare Wadd, co owner of Sarah Records. Recorded and produced by Benjamin Schoos for radio rectangle Sarah Records was a UK independent record label active between 1987 and 1995,[1] best known for its recordings of indie pop.The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes, and grew out of the fanzine scene at the time, Haynes having previously edited Are You Scared To Get Happy?,[2] and Wadd Kvatch. Both these fanzines had given away flexidiscs - indeed, Are You Scared To Get Happy? had been part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexi-discs, as it was felt this summed up the aesthetic of the label better than 12" singles and albums.[2]Sarah Records was usually seen as being grounded in the C86 jangly indie-pop sensibility, though the late Seventies DIY scene and independent yet stylish and imaginative labels such as Postcard Records, Factory and Creation, plus the mid-Eighties fanzine culture, were bigger influences. It ceased operation with the release of There and Back Again Lane, the hundredth release in the main catalogue sequence - a booklet telling the story of the label, along with a CD of representative tracks. Half-page adverts entitled "A Day For Destroying Things" in both NME and Melody Maker marked the release. "We don't do encores", the advert announced, and the label has stuck by this sentiment, with no further releases. Bands on the label included Heavenly, East River Pipe, The Orchids, The Hit Parade, Even As We Speak, Boyracer, Brighter, Blueboy, The Field Mice, Another Sunny Day, Shelley and St. Christopher.Haynes subsequently established Shinkansen Recordings, where many Sarah artists went on to record; he now edits a zine, Smoke, dedicated to writing and art inspired by London.

Claire Wilcock ( Planet Claire) talked with Clare Wadd, co owner of Sarah Records. Recorded and produced by Benjamin Schoos for radio rectangle Sarah Records was a UK independent record label active between 1987 and 1995,[1] best known for its recordings of indie pop. The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes, and grew out of the fanzine scene at the time, Haynes having previously edited Are You Scared To Get Happy?,[2] and Wadd Kvatch. Both these fanzines had given away flexidiscs - indeed, Are You Scared To Get Happy? had been part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexi-discs, as it was felt this summed up the aesthetic of the label better than 12" singles and albums.[2] Sarah Records was usually seen as being grounded in the C86 jangly indie-pop sensibility, though the late Seventies DIY scene and independent yet stylish and imaginative labels such as Postcard Records, Factory and Creation, plus the mid-Eighties fanzine culture, were bigger influences. It ceased operation with the release of There and Back Again Lane, the hundredth release in the main catalogue sequence - a booklet telling the story of the label, along with a CD of representative tracks. Half-page adverts entitled "A Day For Destroying Things" in both NME and Melody Maker marked the release. "We don't do encores", the advert announced, and the label has stuck by this sentiment, with no further releases. Bands on the label included Heavenly, East River Pipe, The Orchids, The Hit Parade, Even As We Speak, Boyracer, Brighter, Blueboy, The Field Mice, Another Sunny Day, Shelley and St. Christopher. Haynes subsequently established Shinkansen Recordings, where many Sarah artists went on to record; he now edits a zine, Smoke, dedicated to writing and art inspired by London.