Podcasts about field mice

This week, Steve picked a set of "invisible" songs.  In this show you will hear the artists: The Amber Squad, Smith Westerns, Lazy, Alison Moyet, Viola, U2, The Boys, The Damned, Bartees Strange, Alabama 3, Sharon Van Etten, The Pale Fountains, The Field Mice, Cage The Elephant, Ginger. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

This week's Suburban Underground episode is filled with all 1990 songs.  That nether land of music between slick 80s and gritty 90s.  These artists are included in the show: Lloyd Cole, Depeche Mode, Inspiral Carpets, World Party, Better Than Ezra, INXS, The Field Mice, Pixies, Jellyfish, The Charlatans, Richard Barone, Echo & The Bunnymen, Sinead O'Connor. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Tracey is particularly happy this month as we're discussing our favourite songs from her favourite ever year, 1991, including hip hop, shoegaze, thrash, pop, grunge, indie, & more.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - American Music Club, Billy Bragg, Curve, Cypress Hill, Dinosaur Jr, Extreme, The Field Mice, Guns N Roses, Chesney Hawkes, Ice-T, Mercury Rev, Metallica, Monster Magnet, My Bloody Valentine, Nirvana, Orbital, Primus, R.E.M., Scorpions, Sepultura, Shudder To Think, Slint, The SMashing Pumpkins, Soundgarden, SPin Doctors, Teenage Fanclub, The Telescopes, Temple Of The Dog, A Tribe Called Quest Ft Leaders Of The New School, & The Wedding PresentFind all songs in alphabetical order here - https://open.spotify.com/playlist/5XhJtoJjmZC9DLNh2lQqCL?si=6c98c73fd7dd480bFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Twitter – https://twitter.com/wedigmusicpcast/Instagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

Mientras la comunidad de fanzines contemplaba la primera ofrenda de la nueva banda misterio del sello Sarah (y la prensa principal los dejaba pasar sin comentarios), Field Mice mostraba un grado de prolificidad y ansiedad que Sarah no había visto antes. Edita y conduce Jose M Corrales. t.me/EnfoqueCritico (https://t.me/EnfoqueCritico) debateafondo@gmail.com @EnfoqueCritico_ facebook.com/DebateAFondo facebook.com/josemanuel.corrales.750/ https://www.youtube.com/@EnfoqueCritico Instagram enfoquecritico Mastodon @EnfoqueCritico@masto.es

Chase Biado, 2023, Photo by Ed Mumford Chase Biado said bridging fantasy and art once felt off limits, as if he were “smuggling childhood interests into a contemporary conversation.” In reality, fantasy is a critical facet of adult life. “We're having these epic mythological experiences — in our heads and in our relationships,” he said. “But on the exterior, we're going about our daily lives.” Biado's style, draped in jubilation, entices viewers to imagine, for a second, what else is possible. Chase Biado (b. 1985) lives and works in Los Angeles, CA. He received a BFA from Portland State University, Portland, Oregon in 2012. Biado exhibits both under his own name as well as one half of the artist duo A History of Frogs alongside his partner Antonia Pinter. Recent solo exhibitions of Biado's include The Pit and Noon Projects in Los Angeles, CA. He has also shown with VODA, Seoul, South Korea; Marta, Los Angeles, CA; Bozo Mag, Los Angeles, CA; The Neutra VDL House, Los Angeles, CA; Helen's Costume, Portland, OR; Ruscha and Co., Los Angeles, CA; and participated in DIMIN's inaugural exhibition. Chase Biado, The Elf Disappeared, 2024. Chase Biado, Music for Field Mice, 2024. Chase Biado, Another Night in Elf City, 2023.

In this chapter, where destiny aligns with the thrumming heart of the wild, the friends  encounter the regal sovereignty of the animal kingdom, twisted in the unexpected form of a tiny field mouse. Here is where courage shines not through grandeur but purity and where valour, even when bestowed upon the smallest of creatures, manifests the most enchanting of wonders.And so unfolds a tale of kinship that transcends size and form. A great yellow Wildcat, fierce and fanged, disrupts the pastoral serenity, chasing a would-be helpless mouse. The Woodman, steadfast in his sense of right, his axe swaying with the grace of poetry, beheads the beast to save a life that whispers thanks in a squeak. But this mouse is no common creature; she is a queen, a sovereign whose rule extends over thousands, and with gratitude profound, she pledges her subjects' fealty to their saviours. 

Strange Title. Worth a Listen for the Explanation. Highlights from this short episode: Are you focusing on getting new clients or keeping your regulars? Are you a clinic who is always recruiting or should you take care of your current massage therapists? The energy cost of micromanaging Follow on Instagram @theradicalmassagetherapist www.theradicalrmt.com

In this episode, Blaine talks about a PDF article from the famous blogger and author, Tim Ferriss. The article was a collection of questions designed to get the reader to think deeply, and also to think differently, than we might otherwise. Blaine talks about 6 of the 17 questions in this epsidoe and relates some of his own stories for each.  Thinking about increasing your appraisal business? Go here...

  2:26:33 – Frank in New Jersey, plus the Other Side. Topics include: Nested artificial worlds, Sunoco, Times Square, rainy night, The Exit Ramp, Laurie Anderson – Sharkey’s Day, David Letterman, Dope Lemon, The Field Mice, Boston Trip, Cool Beans Outcast, trucking, TV in the 20th Century, NYC flooding, whatever happened to the metaverse, and much more… […]

2:26:33 – Frank in New Jersey, plus the Other Side. Topics include: Nested artificial worlds, Sunoco, Times Square, rainy night, The Exit Ramp, Laurie Anderson – Sharkey’s Day, David Letterman, Dope Lemon, The Field Mice, Boston Trip, Cool Beans Outcast, trucking, TV in the 20th Century, NYC flooding, whatever happened to the metaverse, and much more… plus […]

Aos 66 anos e apesar de não manter uma regular edição discográfica, Siouxie Sioux mantém uma certa chama (e charme) punk, tal como pudemos observar ao vivo no festival Kalorama. Atitude punk também com The Field Mice, banda independente da mítica editora britânica Sarah records.See omnystudio.com/listener for privacy information.

This week, Steve picked an hour of songs by artists with an animal in their name.  These are the artists you will hear: The Field Mice, Echo & The Bunnymen, Amy Shark, Eels, Crocodile Tears, Band Of Horses, Noel Gallagher's High Flying Birds, The Blow Monkeys, Cage The Elephant, Pony, Snowdogs, Porcupine Tree, Catfish & The Bottlemen, Wolf Alice, Gorillaz with Stevie Nicks. On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***    Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock  

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Bobby Wratten t

Featuring: The Smiths, Flatmates, Field Mice, Squeeze, Bow Wow Wow, XTC and more!

Do vegan's cause more death than carnivores?  This flawed argument has come up so many times that Jason has given it a name "The Anti-Vegan Field Mice Rant." Where did it come from? We trace the origins of a troll.  

3 enero 2023 - programa #155 Feliz año! Mañana martes día 3 de Enero, a las 20:00 horas, nueva edición de Rudy Sessions Radio Show en www.sputnikportal.com y en el 105.4 de la FM. Dj Salme hará un paseo pop para dar la bienvenida al nuevo año. Desde Sarah Records hasta Serge Gainsbourg. PLAYLIST #155: The Field Mice – Song Six The Field Mice – Sensitive Another Sunny Day – Impossible? Heavenly – Our Love is Heavenly Heavenly – Wrap My Arms Around Him The Pastels – Yoga Sinaïve – Ténèbres Small Factory – Happy to See Small Factory – Not Afraid (Collision Time 1991) The Cleaners From Venus – Living with Victoria Grey The Cleaners From Venus – Only a Shadow (Autoeditado 1982) Fortunate Sons – Sometimes you Win Speedways – Number Seven Ramones – I Remember You Chris Hodge – We’re on our Way Serge Gainsbourg – Cannabis Desde la promotora musical RUDY SESSIONS hace algún tiempo estamos intentando activar la escena musical de la isla con nuestros conciertos de carácter internacional. Todos los martes de 20 a 21 horas les haremos partícipes de nuestro amor por la música con programas en los que varios de los socios pincharán sólo buena música de variados estilos (pop, rock, rhythm & blues, power pop, garaje, jazz, groove, folk, etc.

Chris takes a look at some of the smaller mammals resident on the farm.

More time travel before we snap back up to date with next month;s best of 2022 episode, This month we're in 1989 (the year, not the Taylor Swift album) where we're crashing the Exxon Valdez into the Berlin Wall (or something like that, I don't know, I was only 7...) We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine. Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - The Cult, The Cure, The Darling Buds, Del Amitri, Electronic, Extreme, Faith No More, The Field Mice, Don Henley, Kitchens Of Distinction, Loop, Biz Markie, Ministry, Mother Love Bone, Bob Mould, Nine Inch Nails, Nirvana, The Pastels, Pixies, Pop Will Eat Itself, Public Enemy, Ramones, Senseless Things, Sepultura, Skid Row, Skinny Puppy, The Sundays, Spaceman 3, Technotronic, & Transvision Vamp Find all songs in alphabetical order here - https://open.spotify.com/playlist/4uuaF2z2giwA5OBbH7LxbT?si=ffd7a22f3065434c Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQ If you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows - 1st place - 20 points 2nd place - 18 points 3rd place – 16 points 4th place – 14 points 5th place – 12 points 6th place – 9 points 7th place – 7 points 8th place – 5 points 9th place – 3 points 10th place -1 point Hosts - Ian Clarke, Colin Jackson-Brown & Tracey B Guest starring Helen Jackson-Brown. Playlist compiling/distributing – Lydia Clarke Recorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig Podcasts Thanks to Peter Latimer for help with the scoring system. Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com

More time travel before we snap back up to date with next month;s best of 2022 episode, This month we're in 1989 (the year, not the Taylor Swift album) where we're crashing the Exxon Valdez into the Berlin Wall (or something like that, I don't know, I was only 7...) We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - The Cult, The Cure, The Darling Buds, Del Amitri, Electronic, Extreme, Faith No More, The Field Mice, Don Henley, Kitchens Of Distinction, Loop, Biz Markie, Ministry, Mother Love Bone, Bob Mould, Nine Inch Nails, Nirvana, The Pastels, Pixies, Pop Will Eat Itself, Public Enemy, Ramones, Senseless Things, Sepultura, Skid Row, Skinny Puppy, The Sundays, Spaceman 3, Technotronic, & Transvision VampFind all songs in alphabetical order here - https://open.spotify.com/playlist/4uuaF2z2giwA5OBbH7LxbT?si=ffd7a22f3065434cFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQ If you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Lydia ClarkeRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com

Coming up on the A&E Show this week - Chromatics, Marsheaux, Magazine, Hookworms, Preoccupations and The Field Mice.

Anne Mari - The Field Mice, Lightning In A Twilight Hour & Trembling Blue Stars - in conversation with David Eastaugh Lightning In A Twilight Hour is an alias of The Field Mice and Trembling Blue Stars' frontman Bobby Wratten, one of indie-pop's most undervalued cult figures. The project's second album ‘Overwintering' was co-produced by Ian Catt, with Field Mice lieutenants Anne Mari Davies (vocals) and Michael Hiscocks (bass) featured throughout the album.

We return to Oz again this week, where Tip has  amassed quite a group to challenge the invaders for the Scarecrow's crown. Mombie, the cruel witch, has tried her best to stop them reaching the Emerald City, but has been foiled with help from old friend, the Queen of the Field Mice. Now Tip, Jack Pumpkinhead, the wooden Saw-Horse, the Scarecrow, the Tin Woodman and the magnified Wogglebug approach the city gates, but will they be able to reclaim the throne for the Scarecrow?If you'd like to support The Well Told Tale, please visit us on Patreon: https://www.patreon.com/thewelltoldtaleBooks - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you):Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-taleThe Wizard of Oz - https://uk.bookshop.org/a/9522/9780241411209The Marvelous Land of Oz - https://uk.bookshop.org/a/9522/9781782263067The Road to Oz - https://uk.bookshop.org/a/9522/9781782263098The Wizard of Oz Collection - https://uk.bookshop.org/a/9522/9781782263203 I would like to thank my patrons: Toni A, Joshua Clark, Maura Lee, Jane, John Bowles, and Cade Norman.Support the show

The mice will eventually come to your door one day, will you be ready? Behavior solves your situation, not money. I go into a handful of psychological hacks that can help prime you for an amazing year hitting your financial goals!***All handles = ZacDIYWealth***Patreon - Patreon.com/ZacDIYWealthTwitter - https://twitter.com/ZacDIYWealthInstagram - https://www.instagram.com/ZacDIYWealth/Facebook - https://www.facebook.com/ZacDIYWealthWebsite - ZacJuergensen.com ****Disclaimer: Zachary Juergensen is not providing or undertaking to provide any financial, economic, legal, accounting, tax, real estate or official advice in or by virtue of this podcast. The information, statements, comments, views and opinions provided in this podcast are general in nature, and such information, statements, comments, views and opinions, and the receipt of this podcast by any listener, are not intended to be and should not be construed as the provision of official advice by Zachary Juergensen, to that listener or generally, and do not result in any listener being considered a client or customer of Zachary Juergensen. The information, statements, comments, views and opinions expressed in this podcast do not constitute and should not be construed as an offer to buy or sell any asset or to make or consider any investment or course of action.****Support the show (https://www.patreon.com/zacjuergensen)

More great books at LoyalBooks.com

In this episode of The Vinyl Detroit Podcast, Brian speaks to the absolutely delightful co-founder of highly-influential indie label Sarah Records. Sarah started in 1987 in Bristol, England where Clare Wadd and Matt Haynes got to know each other by exchanging their individual fanzines, Kvatch and Are You Scared To Get Happy. Lamented by the British music press of the day yet worshiped by passionate fans world wide, Sarah was ultimately ranked #2 in the NME's “Greatest Indie Labels of All Time”. Clare recounts stories from the early days of Sarah, their design and label aesthetic and culminating with their ending of the label in 1995 famously proclaiming “we don't do encores”. Clare also shares with Brian the origins of Sarah's feminist and political statements, going from subtle in the beginning to the forefront by the end. She also explains the role Bristol plays in the personality of the label and the importance of John Peel's support of the bands. For those new to Sarah, Clare shares where someone looking to understand the Sarah ethos should start to become familiar with the label. Her cat Bella also makes an appearance in this “can't miss” episode for any fan of Sarah!This podcast features classic songs from Sarah singles including tracks by Brighter, Even As We Speak, The Field Mice, The Sea Urchins and Another Sunny Day. Featuring the third “The Vinyl Detroit Podcast Interview” with Clare Wadd, co-founder of Sarah Records, please sit back, relax and enjoy Brian's deep discussion with Clare Wadd.Apple Music Playlist - https://music.apple.com/us/playlist/episode-5-clare-wadd-of-sarah-records/pl.u-xyMdckxkyKySpotify Playlist - https://open.spotify.com/playlist/4lBXm75GYlxH0WmIp3YCGd?si=daf95affacab44fd

When the Pumpkin Patch Pixie goes missing, the prairie dogs go looking and find something they never expected.Support the show (https://www.patreon.com/NannyBea)

In this inaugural episode of the Vinyl Detroit Podcast, Brian takes a deep dive into the music of The Field Mice and their seminal 1991 compilation Coastal.He takes a look at some select tracks and discuss the history of the band, their connection to legendary indie label Sarah Records and the ultimate break-up of the band.Sit back, relax and let's take Coastal by The Field Mice for a spin!Many thanks to Bobby Wratten for the very kind words while preparing for this episode!

START SPREADING THE NEWS…. It's the guest you've all been waiting for! Our childhood friend Michele Fletcher, Sacramento's answer to Stacey McGill, joins us to discuss SS6! There are random dogs, British children, art classes, lots of shopping, boy ballerinas, and, of course, no vacation is complete without babysitting. We've all lived in NYC, but  Michele was the first of any of us to move to the Big Apple (because she's so sophisticated). Join us as we paint the town red! 

START SPREADING THE NEWS…. It's the guest you've all been waiting for! Our childhood friend Michele Fletcher, Sacramento's answer to Stacey McGill, joins us to discuss SS6! There are random dogs, British children, art classes, lots of shopping, boy ballerinas, and, of course, no vacation is complete without babysitting. We've all lived in NYC, but  Michele was the first of any of us to move to the Big Apple (because she's so sophisticated). Join us as we paint the town red! 

"The Wonderful Wizard of Oz is an American children's novel written by author L. Frank Baum and illustrated by W. W. Denslow, originally published by the George M. Hill Company in May 1900. It has since seen several reprints, most often under the title The Wizard of Oz, which is the title of the popular 1902 Broadway musical adaptation as well as the iconic 1939 live-action film. The story chronicles the adventures of a young farm girl named Dorothy in the magical Land of Oz after she and her pet dog Toto are swept away from their home in Kansas by a cyclone. The book is one of the best-known stories in American literature and has been widely translated. The Library of Congress has declared it "America's greatest and best-loved homegrown fairytale." Its groundbreaking success, and that of the Broadway musical adapted from the novel led Baum to write thirteen additional Oz books that serve as official sequels to the first story." Wonderful Wizard of Oz Wikipedia Laura Hales, an amateur voice actor, is reading The Wonderful Wizard of Oz, chapter by chapter, as a small service to the global community. At a time when many are stuck at home, feeling isolated or alone, hopeless or discouraged, Laura is hoping to provide an opportunity for individuals and families to listen to literary classics with Persuasion, Little Lord Fauntleroy, Pride and Prejudice, The Secret Garden, A Little Princess, Alice in Wonderland, Anne of Green Gables, Jane Eyre, Anne of Avonlea, Anne of the Island, The Great Gatsby, and A Christmas Carol and now The Wonderful Wizard of Oz. All readings are done live, meaning that mistakes and errors are made in the performance. These mistakes are valuable for young readers to observe and understand as they approach their reading. Did you enjoy this performance? Email us your best reading, art, music creation, dance, or anything else, that this reading has inspired you to create. YOUR ART may be featured on the next video! Videos may be shared freely, or used in classrooms/virtual learning without the performers permission, as long as credit is given in the shared video description to the YouTube video link. This reading material is under free copyright domain. Education. Find us on Facebook!

This week we are back to a Drew and Steve show and Steve picked a set of songs by bands that have long names.  Together we plays these artists: Spyres, Beastie Boys, Arlo Parks, Squeeze, The Comsat Angels, Seratones, Someone Still Loves You Boris Yeltsin, Noel Gallagher's High Flying Birds, The Pains Of Being Pure At Heart, The Presidents Of The United States Of America, The Field Mice, Hazel English, The Ventures, David Byrne & Brian Eno, Veruca Salt and The Linda Lindas.   On the Air on Bedford 105.1 FM Radio      * 5pm Friday *      * 10am Sunday *      * 8pm Monday * Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ Twitter: @SUBedford1051 Facebook: SuburbanUndergroundRadio Instagram: SuburbanUnderground And available on demand on your favorite podcast app!  

This episode is also available as a blog post: http://5-dimensionz.com.au/2020/06/21/are-you-chasing-field-mice-or-antelopes/

Los nuevos discos de Acid House Kings y The Go! Team son dos de las novedades más destacables de este programa, en el que también están presentes Dum Dum Girls o The Vaccines. Además escuchamos varias piezas clásicas de grupos como The Field Mice o Inspiral Carpets para comentar las dos nuevas entregas de los recopilatorios de La Conjura de las danzas.

Dorothy and her crew meet a special friend on their journey to the Emerald City.  Don't miss the next exciting chapter in this family-friendly adventure!!

While waiting for Dorothy to wake up, Tin Woodman and the Scarecrow notice a wildcat chasing a mouse. Tin Woodman swiftly slashes the wildcat's life. The mouse comes to a halt and tells them that the wildcat they just killed is known as the "Queen of all Field Mice." Tin Woodman's assistance has made the mouse extremely happy. As a result, he offers to grant him any wishes he may have. The Scarecrow asks the mouse to send “thousands” of subjects to her. A lengthy piece of string is required for each subject. During this time, the Tin Woodman constructs a carriage for the mice to attach to. The goal is for the mice to move the wagon in the same way that horses do. The mice work rapidly, pulling the cart to Lion's location. The Lion is lifted and placed on top of the wagon by the Tin Woodman and the Scarecrow. They then assist him in being rolled out of the poppy field. https://chimesradio.com http://onelink.to/8uzr4g https://www.instagram.com/vrchimesradio/ https://www.facebook.com/chimesradio/ Support the show: https://www.patreon.com/chimesradioSee omnystudio.com/listener for privacy information.

The travelers find out that there is no road between the witch and the Emerald City. Dorothy and her companions spend several days wandering through the woods before coming across a road that leads them off the place. Dorothy uses the enchanted whistle that the Queen of the Field Mice had given her to summon the mice for assistance. The Queen also instructs Dorothy that she can use the Golden Cap to summon the Flying Monkeys. The Winged Monkeys' king agrees to fly the visitors to Emerald City. He also informs her about the Winged Monkeys' history and that the Cap grants three wishes. She has used one of the wishes by requesting to be flown to Emerald City. When they arrive, the monkeys drop their passengers off in front of the city's gates and take off. https://chimesradio.com http://onelink.to/8uzr4g https://www.instagram.com/vrchimesradio/ https://www.facebook.com/chimesradio/ Support the show: https://www.patreon.com/chimesradioSee omnystudio.com/listener for privacy information.

Look, I’m not saying size matters but… If you would like to read along with Dark Days of Dorothy Gale you can purchase the book on Amazon! If you've already read it, and hopefully enjoyed it, you can purchase the sequel Darker Days on Amazon as well. Dark Days of Dorothy Gale (Paperback also available in E-Book form) https://www.amazon.com/dp/1790616700 Darker Days of Dorothy Gale (E-Book) https://www.amazon.com/dp/B081W75CQQ Darker Days of Dorothy Gale (Paperback) https://www.amazon.com/dp/1710750871 Royalty-free Music for this podcast-audiobook is from https://www.fesliyanstudios.com

“its ears were lying close to its head and its mouth was wide open, showing two rows of ugly teeth, while its red eyes glowed like balls of fire.”“its ears were lying close to its head and its mouth was wide open, showing two rows of ugly teeth, while its red eyes glowed like balls of fire.” If you would like to read along with Dark Days of Dorothy Gale you can purchase the book on Amazon! If you've already read it, and hopefully enjoyed it, you can purchase the sequel Darker Days on Amazon as well. Dark Days of Dorothy Gale (Paperback also available in E-Book form) https://www.amazon.com/dp/1790616700 Darker Days of Dorothy Gale (E-Book) https://www.amazon.com/dp/B081W75CQQ Darker Days of Dorothy Gale (Paperback) https://www.amazon.com/dp/1710750871 Royalty-free Music for this podcast-audiobook is from https://www.fesliyanstudios.com

“Not a bad idea for a man with straw for brains.” If you would like to read along with Dark Days of Dorothy Gale you can purchase the book on Amazon! If you've already read it, and hopefully enjoyed it, you can purchase the sequel Darker Days on Amazon as well. Dark Days of Dorothy Gale (Paperback also available in E-Book form) https://www.amazon.com/dp/1790616700 Darker Days of Dorothy Gale (E-Book) https://www.amazon.com/dp/B081W75CQQ Darker Days of Dorothy Gale (Paperback) https://www.amazon.com/dp/1710750871 Royalty-free Music for this podcast-audiobook is from https://www.fesliyanstudios.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Catch up with or listen again to Going Indieground broadcast week commencing 5 April 2021 on Mad Wasp Radio. On this show you can hear:Field Mice – Let’s kiss and make upYoung Marble Giants – Radio SilentsOasis – LylaLos Shadows – PumaKleenex – Heidi’s headVisage – Night TrainAlabama 3 – Woke Up This MorningInspiral Carpets … Continue reading →

In this episode, we do animal trivia, discuss the first episode of Mighty Ducks Game Changers and the second episode of The  Falcon and the Winter Soldier (spoiler alert!). We also talk about our trip to the Galloping Ghost Arcade in Brookfield, IL!

Join us as Bridget continues reading from The Wonderful Wizard of Oz by L. Frank Baum. If you enjoy our podcast, please support us by subscribing, rating, writing a review, and telling your friends. You can also donate to our podcast via the "Support" link found at https://anchor.fm/bridget-reads Thank you for listening!!! If you own the rights to a children's book and would like us to read it on our podcast, please get in touch at: storytimewiththeshapirofamily@gmail.com If you would like your book professionally narrated for distribution email Bridget at: bridgetreads247@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bridget-reads/support

Con motivo del concierto en Valencia de The Pains Of Being Pure At Heart, tenemos un programa especial con música de bandas que son o han sido inspiración para el grupo de Nueva York, suenan The Pastels, Teenage Fanclub, Ride, The Field Mice o Another Sunny Day entre otros. Además también escuchamos algunas de las mejores canciones de la banda.

Tara and EmKay get one step closer to the Emerald City by meeting the generous and trusting Queen of the Field Mice (No King Necessary) and her tiny queendom, who give without expecting anything in return. Your gingham gals discuss ways they hope to bring that same giving openness into their lives and relationships - why put a cap on generosity?Show Notes:Oz in Disneyland ParisMice in Children's LiteratureBungle of Oz by Carrie BaileyJerry ZaksInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: @emshrayOriginal music by Shane Chapman

RER269 : Field Mice with Lasers for Looters Partners, Sponsors & Friends: This episode of Ruel’s Running is sponsored by Abadam Studios, a graphic and web design service. Go to abadamstudios.com to support the show and learn more. Music by: DOROTHY LANE from Martinez, CA.  Check em out, have listen and follow: dorothylanemusic.com www.facebook.com/dorothylanemusic www.instagram.com/dorothylanemusic/ soundcloud.com/dorothylane

El último Está Pasando Radio Show de la temporada resume a la perfección la insoportable inestabilidad mental que lo caracteriza: featurings imposibles de Loquillo, Los Inhumanos y Morphine hablando en castellano, mezclado con reflexiones en torno a la implosión de Burger Records, la situación de la música en directo que sido devastada por el Covid19 y el futuro del underground. Borja y Pepo, cada uno en una punta de España, también hablan de cosas trascendentes, como la declaración de fanatismo extremo de Pepo por Mano Negra y Manu Chao, el disco que están grabando The Cure o la confirmación de que gracias a Está Pasando Radio Show algunos grupos han vendido algún disco. Lo quieran o no son prescriptores. Una despedida que es un hasta luego, mientras suenan llantos de niñas pequeñas, ecos de meigas y fresquito madrileño. Todo gratis, como siempre. Todo pagado. Suenan: Pablo Prisma y Las Pirámides - Backstreet Voice (adelanto de su nuevo disco) Cabiria - Si pudiera hablar Black Marble - In Manchester (Wire cover)

We made it episode 200, folks!  So, this week Drew and Steve pulled together a very special show.  It is filled with artists that we may have never learned about if we were involved with creating this show every week.  In other words, these are artists of which we were unaware before we started Suburban Underground. We play songs from these artists: Alex Lahey, Weaves, Caroline Rose, The Peach Kings, Gothic Tropic, The Accidentals, The Dollyrots, The Academic, Dude York, Royal Republic, Images In Vogue, Courtney Barnett, The Drums, CHVRCHES, The Aces, The Field Mice.  Originally aired February 28, 2020

Jubilate Singers Michael Groff, Director Jim Watkins, piano

The Field Mice special with Mark Dobson in conversation with David Eastaugh The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, Emma's House, was released in November 1988, and reached number 20 in the UK Independent Chart. But it was with their second single "Sensitive" that they first received significant critical attention, giving them a top-20 indie hit and with a subsequent placing in John Peel's 1989 Festive 50. Debut mini-album Snowball reached number 3 on the indie albums chart. The original duo were joined by Harvey Williams(of Another Sunny Day) on guitar: the first fruits of this new line-up being the Skywriting mini-LP and in late 1990 the band expanded to include Annemari Davies on vocals, keyboards and guitar and Mark Dobson on drums. This five-piece line-up later recorded what was to be their final album (but their first full length for Sarah Records), For Keeps. Over a three-year career the band were often dogged with the reputation of having a post-C86 indie pop or generic Sarah Records sound despite producing tracks with numerous styles and influences. Early singles and even their sleeves harked back to early Factory Records bands such as New Order and The Wake, with many tracks often featuring sequencers and samples. Many of the group's recordings, notably "Triangle" and their epic seven-minute swan song, "Missing the Moon", displayed a strong influence from the popular dance music of the time. Most of the group's records were produced by Ian Catt, who later went on to develop the pop dance sound of "Missing The Moon" further with Saint Etienne (whose second single was a cover version of The Field Mice's "Let's Kiss and Make Up").

Sarah Records special with Michael White with David Eastaugh From 1987 to 1995, Bristol, England s Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as indie-pop, C86, cutie and twee ) whose moment had passed. Yet now, more than 20 years after its founders symbolically destroyed it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians some of them not yet born when Sarah shut down claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences.Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah s eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.

Dorothy and the Cowardly Lion are fast asleep in the deadly poppy field. With the heroism of the Tin Woodman, the cleverness of the Scarecrow, and a "little" help from others, they manage to save them. BKFK has a new Patreon Tier called Green Kid Crafts. With this AMAZING benefit, you get ad-free episodes, a shout out, exclusive Patreon-only episodes, and a free 3 MONTH SUBSCRIPTION to GREEN KID CRAFTS!!! Also, all of our listeners can get a 20% discount off any Green Kid Product with the Promo Code STORYTIME20 Green Kid Crafts is the perfect gift that is: GREEN, “NOW”, and SMART and EASY. Hours of unplugged, screen-free and educational fun every month delivered right to your doorstep. Designed by educators and child development experts, each month has a different child- tested theme and includes all materials and instructions for 4-6 science and art activities plus an educational magazine with games and puzzles – hours of fun, learning and exploration! Green Kid Crafts is the perfect way to inspire your kids to take care of the planet with science, art, and engineering projects. Plus, kids LOVE getting mail! This is truly the gift that keeps on giving once the holiday season is over and the other toys are left to collect dust. Green Kid Crafts delights kids each month with fun, creative and eco-friendly STEAM activities (science, technology, engineering, arts and mathematics), delivered right to their door through the company's award-winning subscription program! Every month’s package is packed with up to 6 science and art kits designed by teachers and STEAM experts to foster a child’s creativity and confidence while helping to raise the nation's next generation of creative leaders. Green Kid Crafts's monthly box themes generally fall within four categories: Ecosystem Science, Environmental Activism, Wildlife Science, and Earth Science. Information on specific boxes can be found on our website - https://www.greenkidcrafts.com/shop/

The Coward Lion is rescued by the Queen of the Field Mice and our friends meet the Guardian of the Gates to the Emerald City.

In this episode of the Loan Officer Experience podcast, Michael and his guest discuss the kinds of leads you need to have, and what you need to do once you have them. Enjoy!

This episode features "Field Mice" written by Andy Dudak. Published in the June 2019 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: http://clarkesworldmagazine.com/dudak_06_19 Support us on Patreon at http://patreon.com/clarkesworld

This episode features "Field Mice" written by Andy Dudak. Published in the June 2019 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: http://clarkesworldmagazine.com/dudak_06_19 Support us on Patreon at http://patreon.com/clarkesworld

Episode 164 of Suburban Underground, WBNH-LP Bedford 105.1 FM's alternative mixtape show with hosts Drew Cline and Steve Poschmann. Mini-sets this week are instrumentals and songs about clothes.  Artists are Dirty Streets, Authority Zero, The Sports, Duran Duran, Ultravox, The World, Jack Berry, Frankie Cosmos, Albert Hammond Jr., Madness, Electrocute, Arctic Monkeys, Remember Sports, The Field Mice, Lucy Spraggan, and Eater.  Originally aired June 22, 2019. 

Is It Time To Stop Letting Small Opportunities Distract You From Big Ones?In today’s episode, I want to share with you an anecdote that helped me realise a few things I wasn’t focused on in my business, which came back to bite me! Yes literally! We talk about lions field mice and antelopes.**INSTAGRAM, follow me on @bumperleads***FACEBOOK Page called Bumper Leadshttps://www.facebook.com/bumperleads*** Follow me on Twitterhttps://twitter.com/JovanaTheGreat***Follow me on LinkedInhttps://www.linkedin.com/in/jovanavujnic/*** How to save 10+ hours per week using marketing automationhttps://www.bumperleads.com/save-10-hours-a-week/ ***SUBSCRIBE & REVIEW my podcast so I can continue delivering awesome shows(I do a happy dance around the house every time I see a 5-star review ;) Muchas Gracias!)

The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, Emma's House, was released in November 1988, and reached number 20 in the UK Independent Chart. But it was with their second single "Sensitive" that they first received significant critical attention, giving them a top-20 indie hit and with a subsequent placing in John Peel's 1989 Festive 50. Debut mini-album Snowball reached number 3 on the indie albums chart. The original duo were joined by Harvey Williams (of Another Sunny Day) on guitar: the first fruits of this new line-up being the Skywriting mini-LP and in late 1990 the band expanded to include Annemari Davies on vocals, keyboards and guitar and Mark Dobson on drums. This five-piece line-up later recorded what was to be their final album (but their first full length for Sarah Records), For Keeps.

If a tree falls in the forest and no one's around to hear it, who cut down the tree? What sort of creature could do such a thing? Should they be venerated? Anyway, we talk about places to live in this one. Jusqu'à ce que nous nous revoyons, mon ami... "Emma's house is empty, so why do I call it Emma's house?" - Emma's House, The Field Mice

Benjamin Schoos and Claire Wilcock ( Planet Claire) talked with Clare Wadd, co owner of Sarah Records. Recorded and produced by Benjamin Schoos for radio rectangle Sarah Records was a UK independent record label active between 1987 and 1995,[1] best known for its recordings of indie pop. The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes, and grew out of the fanzine scene at the time, Haynes having previously edited Are You Scared To Get Happy?,[2] and Wadd Kvatch. Both these fanzines had given away flexidiscs - indeed, Are You Scared To Get Happy? had been part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexi-discs, as it was felt this summed up the aesthetic of the label better than 12" singles and albums.[2] Sarah Records was usually seen as being grounded in the C86 jangly indie-pop sensibility, though the late Seventies DIY scene and independent yet stylish and imaginative labels such as Postcard Records, Factory and Creation, plus the mid-Eighties fanzine culture, were bigger influences. It ceased operation with the release of There and Back Again Lane, the hundredth release in the main catalogue sequence - a booklet telling the story of the label, along with a CD of representative tracks. Half-page adverts entitled "A Day For Destroying Things" in both NME and Melody Maker marked the release. "We don't do encores", the advert announced, and the label has stuck by this sentiment, with no further releases. Bands on the label included Heavenly, East River Pipe, The Orchids, The Hit Parade, Even As We Speak, Boyracer, Brighter, Blueboy, The Field Mice, Another Sunny Day, Shelley and St. Christopher. Haynes subsequently established Shinkansen Recordings, where many Sarah artists went on to record; he now edits a zine, Smoke, dedicated to writing and art inspired by London.

Benjamin Schoos and Claire Wilcock ( Planet Claire) talked with Clare Wadd, co owner of Sarah Records. Recorded and produced by Benjamin Schoos for radio rectangle Sarah Records was a UK independent record label active between 1987 and 1995,[1] best known for its recordings of indie pop. The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes, and grew out of the fanzine scene at the time, Haynes having previously edited Are You Scared To Get Happy?,[2] and Wadd Kvatch. Both these fanzines had given away flexidiscs - indeed, Are You Scared To Get Happy? had been part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexi-discs, as it was felt this summed up the aesthetic of the label better than 12" singles and albums.[2] Sarah Records was usually seen as being grounded in the C86 jangly indie-pop sensibility, though the late Seventies DIY scene and independent yet stylish and imaginative labels such as Postcard Records, Factory and Creation, plus the mid-Eighties fanzine culture, were bigger influences. It ceased operation with the release of There and Back Again Lane, the hundredth release in the main catalogue sequence - a booklet telling the story of the label, along with a CD of representative tracks. Half-page adverts entitled "A Day For Destroying Things" in both NME and Melody Maker marked the release. "We don't do encores", the advert announced, and the label has stuck by this sentiment, with no further releases. Bands on the label included Heavenly, East River Pipe, The Orchids, The Hit Parade, Even As We Speak, Boyracer, Brighter, Blueboy, The Field Mice, Another Sunny Day, Shelley and St. Christopher. Haynes subsequently established Shinkansen Recordings, where many Sarah artists went on to record; he now edits a zine, Smoke, dedicated to writing and art inspired by London.

有声英语少儿童话故事 绿野仙踪 第9卷 第2章So the Woodman raised his axe,and as the Wildcat ran by he gave it a quick blow that cut the beast's headclean off from its body, and it rolled over at his feet in two pieces.The field mouse, now that it wasfreed from its enemy, stopped short; and coming slowly up to the Woodman itsaid, in a squeaky little voice:“Oh, thank you! Thank you ever somuch for /ˈsevɪŋ/ my life.”“Don't speak of it, I beg ofyou,” replied the Woodman. “I have no heart, you know, so I am careful to helpall those who may need a friend, even if it happens to be only a mouse.”“Only a mouse!” cried the littleanimal, indignantly. “Why, I am a Queen–the Queen of all the Field Mice!”“Oh, indeed,” said the Woodman,making a bow.

"I'm want a monarchy instead of democracy. It is one step closer to anarchy and it is easy to find where one family lives"-Jim S.,The Law, Taxes, Marc Stevens, Veganism, Vegetarianism, Speciesism, Animal Rights, Hinduism, The Horticultural Holocaust, Darwinism, The Creative Drive, Monkey Praise and Worship Band, The Great Chain of Being, Pet Ownership, The Secret Life of Plants, Paleo Diets, the hydrologic cycle, Cat Kibble Grows on Trees, The Orlando Shooter, Gender Identity vs. Reality. Richdistroi on the call hoaxbusterscall.com

Rescue comes from an unexpected source. --- Send in a voice message: https://anchor.fm/bedtime-in-the-public-domain/message

Tiny Fireflies are an electronic dream pop band that layer vintage synthesizers and drum machines underneath the airy vocals of songwriter, Kristine Capua. Although based in Chicago, their debut record, ‘The Space Between’ was produced with the Transatlantic assistance of Ian Catt (Saint Etienne, The Field Mice) in London. The result is a collection of lush, kinetic songs that represent where Tiny Fireflies are now as musicians and as people.

This is one of those shows where you may start by saying, "huh?" But with any luck, 30 minutes from now, you'll start to say, "Oh!" I got interested in the word "twee" and in the idea that it's a mostly undocumented cross-platform artistic movement.There is no question that, in the 1990s, a musical movement called "twee pop" arose, first in England, spearheaded by a label called Sarah Records. Acts like The Field Mice and Talulah Gosh were embraced as twee by fans who wore their twee-ness with pride.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Claire Wilcock ( Planet Claire) talked with Clare Wadd, co owner of Sarah Records. Recorded and produced by Benjamin Schoos for radio rectangle Sarah Records was a UK independent record label active between 1987 and 1995,[1] best known for its recordings of indie pop.The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes, and grew out of the fanzine scene at the time, Haynes having previously edited Are You Scared To Get Happy?,[2] and Wadd Kvatch. Both these fanzines had given away flexidiscs - indeed, Are You Scared To Get Happy? had been part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexi-discs, as it was felt this summed up the aesthetic of the label better than 12" singles and albums.[2]Sarah Records was usually seen as being grounded in the C86 jangly indie-pop sensibility, though the late Seventies DIY scene and independent yet stylish and imaginative labels such as Postcard Records, Factory and Creation, plus the mid-Eighties fanzine culture, were bigger influences. It ceased operation with the release of There and Back Again Lane, the hundredth release in the main catalogue sequence - a booklet telling the story of the label, along with a CD of representative tracks. Half-page adverts entitled "A Day For Destroying Things" in both NME and Melody Maker marked the release. "We don't do encores", the advert announced, and the label has stuck by this sentiment, with no further releases. Bands on the label included Heavenly, East River Pipe, The Orchids, The Hit Parade, Even As We Speak, Boyracer, Brighter, Blueboy, The Field Mice, Another Sunny Day, Shelley and St. Christopher.Haynes subsequently established Shinkansen Recordings, where many Sarah artists went on to record; he now edits a zine, Smoke, dedicated to writing and art inspired by London.

Claire Wilcock ( Planet Claire) talked with Clare Wadd, co owner of Sarah Records. Recorded and produced by Benjamin Schoos for radio rectangle Sarah Records was a UK independent record label active between 1987 and 1995,[1] best known for its recordings of indie pop. The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes, and grew out of the fanzine scene at the time, Haynes having previously edited Are You Scared To Get Happy?,[2] and Wadd Kvatch. Both these fanzines had given away flexidiscs - indeed, Are You Scared To Get Happy? had been part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexi-discs, as it was felt this summed up the aesthetic of the label better than 12" singles and albums.[2] Sarah Records was usually seen as being grounded in the C86 jangly indie-pop sensibility, though the late Seventies DIY scene and independent yet stylish and imaginative labels such as Postcard Records, Factory and Creation, plus the mid-Eighties fanzine culture, were bigger influences. It ceased operation with the release of There and Back Again Lane, the hundredth release in the main catalogue sequence - a booklet telling the story of the label, along with a CD of representative tracks. Half-page adverts entitled "A Day For Destroying Things" in both NME and Melody Maker marked the release. "We don't do encores", the advert announced, and the label has stuck by this sentiment, with no further releases. Bands on the label included Heavenly, East River Pipe, The Orchids, The Hit Parade, Even As We Speak, Boyracer, Brighter, Blueboy, The Field Mice, Another Sunny Day, Shelley and St. Christopher. Haynes subsequently established Shinkansen Recordings, where many Sarah artists went on to record; he now edits a zine, Smoke, dedicated to writing and art inspired by London.

A five minute radio show airing weekly focusing on gardening, nature and outdoor living produced by the Alabama Cooperative Extension System. Visit us at www.backyardwisdom.info. You can also find Backyard Wisdom on Facebook and follow @BackyardWisdom on Twitter.

In celebration of L. Frank Baum's 153rd birthday, we have a special 3-part podcast in which Oz fans read excerpts from his famous Oz books. PART 1 "The Queen of the Field Mice" read by James C. Wallace II "The Story of the Winged Monkeys" read by Peter Hanff "Home Again" read by Sera Alexia "How Tip Manufactured A Pumpkinhead" read by Patrick Quigley "The Flight Of The Gump" read by Sam Milazzo "The Transformations of Mombi" read by Travis Black "Dorothy Says Good-Bye" read by Sam Milazzo Part 2 Part 3

Ted Kooser says that one of the things "poets can do for people when they're lucky is to give them ways of looking at the world afresh." In this video podcast, the former U.S. Poet Laureate reads "Spring Plowing" and says that at least one reader was so moved that she wrote Ted that she would never look at a newly plowed field in the same way again.

-In this episode: The Queen of the Field Mice