Podcast appearances and mentions of Tony Visconti

Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Descubre la historia detrás de “Blackstar”, el último y revolucionario álbum de David Bowie, publicado el 8 de enero de 2016 como despedida artística justo el día de su 69 cumpleaños. En este episodio analizamos el contexto creativo del disco, desde su regreso con “The Next Day” y el éxito de la exposición “David Bowie Is” hasta las sesiones secretas en The Magic Shop de Nueva York junto al productor Tony Visconti. Comentamos cómo Bowie fichó a la banda de jazz de Donny McCaslin para dar forma a un sonido híbrido entre jazz moderno, rock experimental y electrónica, influenciado por Kendrick Lamar, Death Grips, D'Angelo, Boards of Canada y Portishead. Nos adentramos en los temas centrales del álbum: mortalidad, renacimiento, identidad cambiante e introspección espiritual, que convierten a “Blackstar” en una auténtica obra-testamento. Repasamos cortes clave como “Blackstar”, “Lazarus”, “Dollar Days” o “I Can't Give Everything Away”, desgranando letras, arreglos y simbología, incluida la conexión con el musical “Lazarus” y el personaje de Thomas Newton de “The Man Who Fell to Earth”. También hablamos de la impresionante recepción crítica: máximas puntuaciones en medios como AllMusic y valoraciones excelentes en Rolling Stone, Pitchfork y Rate Your Music, donde se sitúa entre los mejores discos de la década y de toda su carrera. Si te apasiona David Bowie, el rock experimental y quieres entender por qué “Blackstar” es considerada una de las despedidas más épicas de la historia de la música moderna, este episodio es para ti.

Il suffit que dans une conversation, je mentionne, pas souvent hein, avoir rencontré David Bowie pour lire dans la réaction des gens à quel point son statut est passé de personnage légendaire à aujourd'hui, historique. La preuve : lors de ce dixième anniversaire de sa disparition, on n'a pas compté le nombre de chroniqueurs qui ont parlé de sa trilogie berlinoise comme d'une évidence. Il n'y en a sûrement pas un pour savoir qu'en réalité, Bowie n'a enregistré qu'un album et demi à Berlin. Mais c'est justement quand les gens évoquent un fait comme certain sans le vérifier qu'on voit qu'il est devenu historique. Ah c'est vrai que le titre Heroes et l'album du même nom, enregistrés intégralement à Berlin, ceux-là, ont marqué les esprits. La pochette déjà, immédiatement identifiable et identifiée, est iconique. Et si l'album est loin d'être le plus vendu de sa carrière, peu d'entre nous le connaissent par cœur, la chanson titre est aujourd'hui la plus streamée de son répertoire.Une réussite que Bowie ne doit qu'à lui et à son producteur et ami Tony Visconti. Le choix du studio Hansa, tout d'abord, avec sa cabine de son immense, et pour cause, une ancienne salle de concert, qui avait d'ailleurs servi de salle de réunion à la Gestapo. Tony a donc prévu de ne pas isoler David dans une cabine son comme on le fait habituellement pour les chanteurs, afin de bénéficier d'une réverbération dans la voix, 100% naturelle. Un enregistrement qui se fait quasiment en même temps que l'écriture. David va plusieurs fois demander une pause pour changer des phrases. Et c'est là que le génie se manifeste. Car arrivés au studio, quel n'est pas l'étonnement des musiciens en ouvrant grand les tentures lourdes de découvrir une baie vitrée donnant sur le Mur de Berlin, avec à 500 mètres, des gardes soviétiques qui les observent à la jumelle depuis un mirador. Berlin est alors une ville sinistre, du moins les quartiers, les rues et les boîtes où Bowie son équipe le soir, après la session. Il ne veut pas qu'elle soit distraite par autre chose que le travail auquel elle est occupée : son disque. Quant à lui, il fait flèche de tout bois. Ainsi, la chanteuse d'un cabaret que Tony a ramenée, participe aux chœurs sur la chanson. Et au cours d'une des pauses demandée par David, Tony sort avec elle pour le laisser écrire et au cours de leur promenade, l'embrasse près du mur. Bowie les voyant depuis la fameuse baie vitrée a alors l'idée d'un fameux couplet. En moins de deux heures, tout est terminé.Oui, David Bowie est entré dans l'Histoire. Non pas parce qu'il nous a quittés il y a dix ans mais parce que plus aucune page de son fabuleux parcours ne sera écrite. Sans doute la raison pour laquelle il a tenu la plume jusqu'au dernier week-end de son existence.

Zaine Griff in conversation with David Eastaugh https://www.zainegriff.com/#home In 1979 Griff started his solo career. He released two albums, Ashes and Diamonds (recorded in 1979, released in 1980), produced by Tony Visconti, and Figvres (1982), on which he collaborated with future successful film composer Hans Zimmer, and many colleagues from the new wave and new romantic era including Kate Bush, Warren Cann of Ultravox and Yukihiro Takahashi, of Japanese electronic band YMO. The single "Tonight" peaked at No. 54 in the UK Singles Chart in February 1980, whilst "Ashes and Diamonds" reached No. 68 in the same listing in June that year.

Let's Dance: Art Rock to Arena In this episode, you will be able to: Discover how the Let's Dance album reshaped David Bowie's sound and sparked a new wave in 1980s pop culture. Explore Bowie's career evolution to understand how he kept reinventing himself and staying relevant through the decade. Wonder why Stevie Ray Vaughn is on this album. Find out what Dan loves about this album maybe. The key moments in this episode are: 00:06:32 - Historical Context and Bowie's Career Popularity  00:10:02 - Album Artwork and Symbolism Discussion  00:14:05 - Bowie's Transition Toward Mainstream Success  00:24:29 - Comparing “Let's Dance” to “Young Americans”: Production and Artistic Intent  00:29:43 - From Disco to Corporate Funk: Evolution of Dance Music and Cultural Shifts  00:38:43 - MTV's Role in Music Industry Transformation and Marginalization  00:42:06 - The Shift to Singles and Pop's Commercial Pressures in the 1980s  00:50:03 - The Appeal and Reality of Arena Shows for Legacy Artists  01:04:34 - Exploring Stevie Ray Vaughan's Impact on David Bowie's Album  01:13:39 - Young Americans Album's Underrated Brilliance and R&B Influence  01:16:31 - Navigating Bowie's 1980s Albums: Hits, Misses, and Artistic Context  01:22:04 - Tony Visconti's Replacement and Production Dynamics  01:33:07 - Discussing Music Criticism and Personal Tastes  01:36:46 - Exploring David Bowie's Persona and Artistic Values  01:38:25 - Analyzing the Themes and Ironies in Bowie's “Let's Dance” Album  01:43:05 - Emotional Response and Critique of Bowie's Glossy Hits and Album Cohesion  01:47:22 - Critical Review of Specific Tracks and Musical Experimentation on the Album  01:53:02 - David Bowie's Collaboration with Queen Explored  01:54:15 - Patreon Challenges and Future Content Plans  This podcast is powered by Pinecast.

Derek Shulman: Giant Steps - Exclusive Interview An in depth interview with Derek Shulman—Gentle Giant founder and the executive who helped power Bon Jovi, Pantera, AC/DC, Dream Theater, Slipknot and more. I discuss his remarkable memoir Giant Steps: grief and grit after his father's passing, the leap from Simon Dupree & The Big Sound to Gentle Giant, mentorship from Tony Visconti, live reinvention, and the bold move to the business side (minus the clichés). Derek also drops news on remixing In A Glass House with cutting-edge AI, and explains why hip-hop embraced Gentle Giant.If you love honest music stories—from Top of the Pops to arena tours—this is essential.“We didn't have a plan. We just needed musicians who would push each other. Out dripped Gentle Giant.” — Derek Shulman“Bon Jovi said, ‘I want to be bigger than Elvis.' You can't stop that kind of drive—you nurture it.” — Derek ShulmanPhil Aston | Now Spinning Magazine

Band On The Run is Paul McCartney's succesvolste album na het uiteenvallen van The Beatles. De opnamesessies verlopen nogal chaotisch: bandleden lopen weg, de Nigeriaanse studio is nog niet af, Paul ontsnapt aan de dood. Wat gebeurt er allemaal in het najaar van 1973? Fab4Cast duikt in de muziek en de verhalen van dit meesterwerk. Met een exclusief interview met de arrangeur van het album, Tony Visconti! Wil je ons financieel ondersteunen? Word dan Vriend Van Fab4Cast en luister naar exclusieve afleveringen die je alleen als donateur kunt beluisteren! Kijk op petjeaf.com/fab4cast voor de mogelijkheden. We zouden je heel dankbaar zijn voor je steun.

Low (1977) is David Bowie's groundbreaking 11th studio album and the first installment in his celebrated "Berlin Trilogy," produced in collaboration with Brian Eno and Tony Visconti. Marking a radical departure from his previous glam rock sound, Low is split into two distinct halves: the first side features fragmented, experimental art rock and electronic pop songs, while the second side dives into haunting, ambient instrumentals. Recorded in the wake of personal turmoil and relocation to West Berlin, the album reflects themes of alienation, dislocation, and emotional numbness. Tracks like “Sound and Vision” and “Be My Wife” showcase Bowie's minimalist lyrical approach, while Side B's atmospheric compositions such as “Warszawa” evoke a post-war European desolation. Initially polarizing, Low is now widely regarded as one of Bowie's most influential and visionary works, paving the way for post-punk, new wave, and ambient music.Listen to the album on Apple MusicListen to the album on SpotifyWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press Discord ServerFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

Send us a textSplash Stories caught up with Bowies legendary drummer who was touring with Holy Holy featuring Tony Visconti.Woody is a straight up yorkshireman with a wicked chuckle and stories galore How he became a spider from mars -teaming up with Mick Ronson- recording Ziggy Stardust, Hunky Dory and the Man Who Sold The World and so much more It was such a pleasure. This is a rollicking rocket of a show ...Ladies and gentleman listen up to Woody Woodmansey...live from July 1 2025Check out our website www.facebook.com/thesplashclubSupport the showGet in touch with Splash Stories : splashclubtv@gmail.comwww.facebook.com/thesplashclubJoin Splash Stories https://www.buzzsprout.com/1891668/supporthttps://www.instagram.com/thewonderstuffofficial/https://www.instagram.com/rickywarwickofficial/https://www.instagram.com/echobelly_official/https://www.instagram.com/officialskunkanansie/https://www.instagram.com/feederofficial/https://www.instagram.com/kcmanc/?hl=enhttps://www.facebook.com/kerbdogband/https://www.instagram.com/sohoradiohttps://www.facebook.com/groups/SoundAsEverhttps://www.pearllowe.co.ukhttps://www.supergrass.comhttps://www.wienerworld.com/product/gary-crowleys-indie-90s-playback-classics-curveballs-and-bangers/Terrorvision Tequila : https://youtu.be/8hLQCA2h8kA?si=7_HfuruL5fFUnMdFhttps://linktr.ee/thesoupdragonshttps://www.merchbar.com/rock-alternative/cj-wildhearthttps://www.facebook.com/CJWildheartOfficial/https://www.instagram.com/cjwildheart/EMF www.emf-theband.comhttps://www.facebook.com/lustforlife1976/...

Today's epic episode of Electronically Yours is part 1 of a 2 part final episode featuring the rock legend and Spider From Mars, Woody Woodmansey.Born in Hull, his exceptional work with Bowie in his breakthrough period has gone down in history as a major influence on so many bands, including The Human League and Heaven 17. Woody is still touring with Glenn and Tony Visconti as Holy Holy, and his reminiscences about the characters involved throughout his career are both entertaining and profound.Ladies and gentlemen, here's one spider I love - the amazing Woody Woodmansey...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

An intimate performance at the Neil Finn owned bar Tabac, sees the Finn Brothers workshopping songs for Everyone Is Here prior to heading overseas to lay them down with Tony Visconti. Louis from Brighton joins the chat to highlight the curiosities and help give what became album b-sides their day in the sun.Performances include: Tell me come on, Land torments the sea, Homesick, A Life between us, Faraway children, Gentle hum, Sunset swim, Way back down, Everyday Alright.Episode cover: Don't dream it's over by Birds Are Better. Check out the latest Birds Are Better album on Spotify over herehttps://open.spotify.com/album/2kO6osBmmIAA3Rg6Ppnmtx?si=9etCAElbSNawIHn1PnhwYwYou can significantly support the continuation of the 240 podcast for a donation of just a couple dollars per month. This goes directly towards covering the podcast hosting fees. Big thank yous if you are in a position to help. Head over here to: http://patreon.com/240neilfinn

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Today's guest is BISHI - singer, electronic rock-sitarist, composer, producer, and performer born in London of Bengali heritage. She has independently released two albums and several EPs on her own label Gryphon Records to critical acclaim. She co-produced her third album ‘Let My Country Awake,' with Jeff Cook, out now on all platforms. BISHI has recorded work with Tony Visconti, Sean Ono Lennon, Jarvis Cocker, Richard Norris and Daphne Guinness. Her collaborations and commissions for the stage include; The London Symphony Orchestra, The Kronos Quartet and  Yoko Ono's ‘Meltdown', and is the founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary genders in tech, through commissions, performances & the podcast 'Creative Women in Tech.' Ladies and gentlemen – meet the unique performer Bishi...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

La banda Cápsula, formada en Buenos Aires y asentada en Bilbao, toma su nombre de la canción "Space Oddity", de David Bowie. El artista británico es una de sus grandes influencias, de ahí que hayan buscado trabajar con productores como Tony Visconti. También han colaborado con otros grandes nombres como John Agnello y han compartido escenario con leyendas como Iggy Pop, Pearl Jam u Os Mutantes. Su nuevo álbum, Primitivo Astral, lanzado en 2024 es una exploración sonora que fusiona lo mejor del pasado y del presente del rock.Escuchar audio

The teenage Woody Woodmansey was offered the job of under-foreman in the Vertex spectacle factory in Hull but then got a call from Bowie inviting him to move to London and play drums on his new album - “plus food and somewhere to stay”. It took him all weekend to decide. And involved some cultural readjustment when he did. 56 years later he's a founding member of Holy Holy and touring the UK in May – along with Tony Visconti and Glenn Gregory – performing songs from Bowie's breakthrough early ‘70s albums. He talks here about … … the life-changing sound behind the silver door of an air-raid shelter in Driffield. … supporting the Kinks in Bridlington and the Herd at Leeds University - and why Peter Frampton told him, “I'll see you at the top”. ... his first paid gig at the local girls' school. … the Spiders' instructional group outings to see ballet, mime and theatre. ... “never more than three takes”: how Bowie wrote and recorded and the sketches he drew for their stage gear.  … life at Haddon Hall and its “Gone With The Wind staircase”. … Yorkshire to London and the cultural collisions involved. … what Bowie realised was “the missing ingredient”. … Woody's checklist to assess Bowie's talents when he met him: “He wasn't Paul Rodgers or Roger Daltrey. He could write. He could communicate.” … “I'm not wearing that!” The day Mick Ronson packed his bags and left. Order Holy Holy tickets here:https://www.ticketmaster.co.uk/tony-visconti-tickets/artist/2003254Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Woody Woodmansey was offered the job of under-foreman in the Vertex spectacle factory in Hull but then got a call from Bowie inviting him to move to London and play drums on his new album - “plus food and somewhere to stay”. It took him all weekend to decide. And involved some cultural readjustment when he did. 56 years later he's a founding member of Holy Holy and touring the UK in May – along with Tony Visconti and Glenn Gregory – performing songs from Bowie's breakthrough early ‘70s albums. He talks here about … … the life-changing sound behind the silver door of an air-raid shelter in Driffield. … supporting the Kinks in Bridlington and the Herd at Leeds University - and why Peter Frampton told him, “I'll see you at the top”. ... his first paid gig at the local girls' school. … the Spiders' instructional group outings to see ballet, mime and theatre. ... “never more than three takes”: how Bowie wrote and recorded and the sketches he drew for their stage gear.  … life at Haddon Hall and its “Gone With The Wind staircase”. … Yorkshire to London and the cultural collisions involved. … what Bowie realised was “the missing ingredient”. … Woody's checklist to assess Bowie's talents when he met him: “He wasn't Paul Rodgers or Roger Daltrey. He could write. He could communicate.” … “I'm not wearing that!” The day Mick Ronson packed his bags and left. Order Holy Holy tickets here:https://www.ticketmaster.co.uk/tony-visconti-tickets/artist/2003254Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Woody Woodmansey was offered the job of under-foreman in the Vertex spectacle factory in Hull but then got a call from Bowie inviting him to move to London and play drums on his new album - “plus food and somewhere to stay”. It took him all weekend to decide. And involved some cultural readjustment when he did. 56 years later he's a founding member of Holy Holy and touring the UK in May – along with Tony Visconti and Glenn Gregory – performing songs from Bowie's breakthrough early ‘70s albums. He talks here about … … the life-changing sound behind the silver door of an air-raid shelter in Driffield. … supporting the Kinks in Bridlington and the Herd at Leeds University - and why Peter Frampton told him, “I'll see you at the top”. ... his first paid gig at the local girls' school. … the Spiders' instructional group outings to see ballet, mime and theatre. ... “never more than three takes”: how Bowie wrote and recorded and the sketches he drew for their stage gear.  … life at Haddon Hall and its “Gone With The Wind staircase”. … Yorkshire to London and the cultural collisions involved. … what Bowie realised was “the missing ingredient”. … Woody's checklist to assess Bowie's talents when he met him: “He wasn't Paul Rodgers or Roger Daltrey. He could write. He could communicate.” … “I'm not wearing that!” The day Mick Ronson packed his bags and left. Order Holy Holy tickets here:https://www.ticketmaster.co.uk/tony-visconti-tickets/artist/2003254Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

John Conte Live on Game Changers With Vicki Abelson What crazy fun to sit down with my old dear friend, bassist John Conte, whom I hadn't seen in decades. How is it possible that he appears to have aged barely a day? Seriously! John took us back to childhood days, his jazz-singing mother, Rosemary, his early days on guitar, and his brother Steve at first on drums. Their first band when John was 8 or 9, their early songwriting, including John's first song, Maryanne, Sittin on a Log, which he gave us a little taste of. He was a boy with a dream of playing arenas with rock stars. He told us how they flipped instruments, with John choosing bass. His college days, jazz-infused, where he gigged around with stellar players like Terence Blanchard. We tripped down memory lane, where we met, in the md-80s at The Rock 'n Roll Cafe on Bleecker Street, 1/2 of The Brothers of Conte, as I affectionately came to call them, with his brother Steve, they were weekly regulars whenever their schedules allowed. John was in Blood, Sweat & Tears, his first major gig, at the time, and told us all about that. Great stories there, including playing Madison Square Garden. Not bad for a 23-year-old. During their tenure at the Rock 'N Roll, late one rainy night they brought in their friend, Phoebe Snow, a life changer for me who had been a diehard fan since high school. The Phoeb's and I became fast friends, and I have the boys to thank for that as well as for years of amazing live music there, and at Spo-dee-o-dee's, Woody's, RockGirl, The Marquee, The Cafe Wha, True Blue and The China Club, where they were also a part of my RockGirl Jam Band. A stellar bassist, with an easy temperament and oh so easy on the eyes, it was always a joy when John was around. I made him tell his requisite Chuck Berry story. At that same time, the Conte brothers, as part of The Hudson River Rats, were laying the foundation for much of the session and road work that was to follow. Like Finding himself in the studio with Tony Visconti and David Bowie. John's description of hearing Bowie vocalize in his ear gave me goosebumps. He talked about laying down tracks with Peter Wolf and Ian Hunter, getting to jam with loads of his heroes. The Conte Brothers connected with Kyf Brewer and Company of Wolves were borne. They did some showcases, got signed, did a tour with Richard Marx, and foreshadowed John's future, one with Southside Johnny and The Asbury Jukes. John talked us through touring with Joan Osbourne (beautiful words here), Roseanne Cash, and Southside Johnny choosing him in 2007, a gig that would take him through to present day. There was a short tour with Billy Joel during his 2012 comeback with our friend, Tommy Byrnes, lovely to hear John's take on it, and great stories about his tenure playing with The Disciples of Soul, the house band for the American Music Honors where he got to play with honorees, Jackson Browne, Mavis Staples, John Mellencamp and Dion, as well as host, Bruce Springsteen and Steven Van Zandt. John's shared the stage with Bruce numerous times before, memorably for an impromptu 45-minute set with Southside. John's recounting of that and of playing with Peter Frampton (and Sheryl Crow) at the Sandy Hook Promise Benefit is another moving, goosebump-inducing tale. I loved every single second with my old friend. It's thrilling to see how his life has played and continues to play out. The young boy living his dream. Southside Johnyy's future may be unsure, but John's certainly isn't. He's always got multiple projects cooking, his own music in the works - check him out here johnconte.bandcamp.com and here Facebook.com/johncontebass I just adore the boy. He'll always be a rockboy to me and damn, he sure still looks like one. John Conte Live on Game Changers With Vicki Abelson ****Wednesday, 1/29/25, 1 PM PT, 4 PM ET**** Streamed Live on my Facebook Replay here: https://bit.ly/4hbKHj6

Chuck Prophet has put out 17+ solo records, 10 records with his former rock band Green on Red, and has worked with Bruce Springsteen, Kim Richey, Kelly Willis, Alejandro Escovedo, and Tony Visconti, appeared on many late night shows, toured with Lucinda Williams, and more. We chat with Chuck about transitioning from being in a band to having a solo career, San Fransisco as inspiration, how major successes come out of the blue, learning by doing, songwriting as a self taught art form, the need for more danger in music, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Chuck ProphetGreen on RedJules ShearChuck CloseAngelo PetragliaLarry GottleibKim RicheySound EmporiumThe Paradise LoungeThe AlbionDead KennedysJohn CunibertiAlan WattsClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Today on the LaunchLeft Podcast, Rain Phoenix engages in a rich dialogue with renowned music producer and composer, Tony Visconti. Tony reflects on his early influences, including his high school music teacher and his family's musical background. He shares fascinating stories about his collaborations with David Bowie and Brian Eno, highlighting the innovative techniques used in producing albums like Heroes and Low. The episode also explores Tony's work with T. Rex and Paul McCartney, offering listeners a glimpse into the unique creative processes behind some of rock music's most iconic records. Then, Tony launches Daisy the Great. Mina and Kelly, the voices behind the raw and playful album Spectacle: Daisy the Great vs. Tony Visconti give us a glimpse into their creative process and co-writing with Toni Visconti. The conversation is both nostalgic and insightful, providing a deep dive into the world of music production. -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- IN THIS EPISODE:  [1:57] Tony discusses his unique and creative work with David Bowie and how they captured the unique vocal sound in the album Heroes [14:28] Tony reflects on how his high school music teacher, Dr. Israel Silberman, inspired him and helped build his foundation for music theory and love for music composition [20:00] Tony discusses the musical talent in his family, then how music found him [27:15] Tony reflects on his collaborations with David Bowie and Brian Eno [37:03] How Tony ended up composing for Paul McCarney [43:29] Meet Mina and Kelly, the voices behind Daisy the Great, and hear how their latest EP Spectacle: Daisy the Great vs. Tony Visconti came to be and a discussion about collaborating with Tony. KEY TAKEAWAYS:  From a young age, Toni studied the master sheet music of classical artists like Mozart and Beethoven, learning each instrument’s part, then figuring out how they came together. This is how his passion for producing music was sparked and led him to dive straight into the music industry after high school Tony, David Bowie, and Brian Eno worked so well together and each brought their own innovative skill sets and creative energy into the studio. Together, they created some of rock music's most iconic records. Even so, each artist would still create their own work or have other collaborations in progress, which was ideal, because it kept them from growing stagnant as artists. They were constantly learning and trying new techniques or experimenting with equipment, which they would bring into their next album together After decades creating music with icons, Tony is still passionate about learning from and collaborating with artists. For instance, while working with Mina and Kelly, his co-writing experience was something that he had never experienced before.  RESOURCE LINKS:  LaunchLeft Podcast Smart Link Daisy the Great Links: Daisy The Great - Website Spectacle: Daisy the Great vs. Tony Visconti Daisy the Great - Instagram Daisy the Great - TikTok Daisy the Great - YouTube Spectacle: Daisy the Great vs. Tony Visconti is the most expansive release from Daisy the Great yet. It is a masterclass in sonic storytelling — a dazzling exploration of the indie innovation that has defined the duo since the release of their hit “The Record Player Song” and its certified-gold follow-up, “Record Player” with AJR. The five new tracks were co-created with Grammy-winning producer Tony Visconti (David Bowie, T. Rex), and capture the New York City duo honing in on their unique brand of genre-defying music where interlocking double lead vocals and striking harmonies give their sound an artful and kaleidoscopic twist. Tony Visconti Links: Tony Visconti - Instagram Tony Visconti - X Tony Visconti - Facebook Tony Visconti is recognized as one of the top music producers in the history of rock music.

Nadja [00:23] "Sievert Pt. 1" Sv Broken Spine Productions BSP015 2023 (original release 2016) Doomy ambient goodness from Aidan and Leah once again. Eurythmics [22:32] "Love Is a Stranger" Sweet Dreams Are Made of This RCA AFL1-4681 1983 Side one, track one from their sophomore album, with a classic video (https://youtu.be/o6f593X6rv8?si=JdUQVqkJ6oVbYuni) to go along for the ride. Plus, high harmonies by Kiki Dee (https://youtu.be/z0qW9P-uYfM?si=y9ywrtnrvrpZvDqI)! Mose Allison [26:15] "Stop This World" Swingin' Machine Atlantic SD 1398 1963 Amen, Mose. Throwing in some horns is not quite the same as the classic trio from the preceding album I Don't Worry About a Thing, but it's still pretty great. Wendy Carlos [29.38] "Brandenburg Concerto No. 3 in G Major - Third Movement" Switched-On Bach Columbia Masterworks MS 7194 1968 Carlos collaborated with Bob Moog on his nascent synthesizer technology to create this album. Because the Moogs were monophonic, it took 1,000 hours over five months to record. In case you are wondering what a traditional version of this movement sounds like, here is the Netherlands Bach Society performing it (https://youtu.be/qr0f6t2UbOo?si=yiW4DA0AxFSb3sB5&t=370). The Police [34:44] "Miss Gradenko" Synchronicity A&M Records SP-3735 1983 The requisite Stewart Copeland track from final album by The Police. Ultravox [38:18] "Slow Motion" Systems of Romance Antilles AN-7069 1978 Lead track and single from Ultravox's third studio album, which became a large influence on Gary Numan (https://youtu.be/_nt5EH0UYxE?si=pm0h_4YWwXlCKJks). T. Rex [41:44] "20th Century Boy" T. Rextasy: The Best of T. Rex, 1970-1973 Warner Bros. Records 25333-1 1985 As usual, Marc Bolan lays down an undeniable groove (https://youtu.be/9SG65dlho_o?si=4Q8NPlKJc_87trVQ), produced by Tony Visconti. I almost forgot about the sax parts. Can [45:23] "Mushroom" Tago Mago United Artists Records 1971 (2007 "unofficial" repress) Tago Mago was Damo first outing with the band, following Malcolm Mooney's departure. According to guitarist Michael Karoli, the explosion at the end of the song is a slowed-down recording of an exploding firecracker. Zola Jesus [49:41] "Long Way Down" Taiga Mute 9611-1 2014 Zola Jesus' fourth studio album and only outing on Mute (before returning to Sacred Bones). Produced by musician, sound designer, and composer Dean Hurley. The Folk Implosion [54:49] "Had to Find Out" Take a Look Inside...... Communion Label COMM 32 1994 The debut album from Lou Barlow and John Davis... released 30 years ago! Stevie Wonder [56:55] "You Are the Sunshine of My Life" Talking Book Tamla T319L 1972 What?! It's a great song. And it was the single that followed up "Supersition". That's a heckuva gear shift. Number one on the Hot 100, of course. Silver Jews [59:53] "Sometimes a Pony Gets Depressed" Tanglewood Numbers Drag City DC297 2005 A rehabilitated Dave Berman comes back with this album, the fifth studio album. He is joined once again by Bob Nastanovich and Stephen Malkmus, as well as his then-wife Cassie Berman. Cover photo by William Eggleston. Music behind the DJ: "Jackie (https://youtu.be/HqAbaqVBCyo?si=qu8P0gk6OeWL5SeB&t=224)" by Billy May and his Orchestra

On this week's Talkhouse Podcast we've got two guys with more than a hundred years of music-making experience between them and the endless stories to match: Tucker Zimmerman and Tony Visconti. You'll be forgiven if you don't recognize Tucker Zimmerman's name: The songwriter existed on the fringes of the folk scene in the late 1960s but in spite of acclaim from fellow musicians—including David Bowie, as you'll hear—he never broke out. That may be because Zimmerman left America for Belgium, where he's continued to quietly create music and write for the past 40 years. But you can only keep a secret like Zimmerman for so long, and Big Thief's Adrianne Lenker happened to hear one of his records a couple of year ago and was inspired enough that one thing led to another and Big Thief ended up creating an entire record with Zimmerman called Dance of Love, which came out earlier this year. It's an odd, beautiful collaboration that's well worth checking out. In fact, check out  “Burial At Sea” from Dance of Love right here; it features Lenker and Zimmerman's voices together. The other half of today's conversation is a legendary musician and producer who also had a lot to do with bringing Tucker Zimmerman into the public consciousness. Tony Visconti is best known for his many, many collaborations with David Bowie, with whom he worked closely over Bowie's entire career. Visconti has also produced records for T. Rex, Morrissey, Sparks, and way more others than I have time to list here. But for purposes of this conversation, we need to note that he helped created Zimmerman's Ten Songs album back in 1968, which they get into in this chat. They've stayed in touch over the years, and you'll hear the affection in their voices. Speaking of voices, the third person who pops up briefly in this chat is Tucker's wife Marie Claire, who also appears on the cover of Dance of Love and contributes some vocals. Elsewhere in this conversation, Tucker and Tony talk about their early adventures together, include an acid trip facilitated by a guy named Dr. Sam. They chat about Bowie, of course, and Tucker gets a chance to thank Tony for helping him out over the years—and how he's glad Tony didn't agree to produce an ABBA record when he had the chance. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Tucker Zimmerman and Tony Visconti for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and be sure to check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

In this new episode of the Kate Bush Fan Podcast, Seán talks to Leah Kardos, author of the new book about Hounds of Love which is part of the acclaimed 33⅓ book series which examine key albums from music history. Leah is a musician, a senior lecturer in music at Kingston University in London, co-founder of that university's Visconti Studio (with producer Tony Visconti) and is also author of Blackstar Theory: The Last Works of David Bowie. A very enjoyable chat in which she discusses what made her pitch Kate's fifth studio album to the book publishers, her experience of writing the book as we emerged from a pandemic, the challenges of producing a smaller sized book like this and why it was important to her to emphasise Kate's pioneering production work and barrier-breaking career achievements. I highly recommend this excellent little book as the perfect Christmas stocking filler for the Kate Bush fan in your life!

In a lively podcast episode, hosts Jesse Jackson and Sylvan Groth explore John Hiatt's song 'I Look for Love' from his 1982 album 'All of a Sudden,' produced by Tony Visconti. They discuss its 80s production, notable reception, and the impact of its lyrics, including power dynamics in relationships and emotional themes. The hosts share a deep appreciation for the song while expressing curiosity about acoustic or rock renditions. They also mention Roseanne Cash's version and their personal experiences with the song. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a lively podcast episode, hosts Jesse Jackson and Sylvan Groth explore John Hiatt's song 'I Look for Love' from his 1982 album 'All of a Sudden,' produced by Tony Visconti. They discuss its 80s production, notable reception, and the impact of its lyrics, including power dynamics in relationships and emotional themes. The hosts share a deep appreciation for the song while expressing curiosity about acoustic or rock renditions. They also mention Roseanne Cash's version and their personal experiences with that song. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textDavid Bowie's “Scary Monsters (and Super Creeps)” is, for many fans, his last great album. Mick regards it as one of Bowie's best, with the singles "Ashes to Ashes" and "Fashion".  Mick and Jeff talk through what makes this album great, and look at the music environment as Bowie, along with many other 70's greats, faced the changes and challenges of the 80's.“Knockin' on Heaven's Door” offers a long line of new entrants to Rock'n'Roll Heaven including Herbie Flowers, Tito Jackson, Kris Kristofferson and Liam Payne from One Direction. Our Album You Must Listen to Before you Die, fresh from Robert Dimery's book, is Dexy's Midnight Runners' “Don't Stand Me Down”, a massive failure on release in 1985 but receiving a fresh critical re-evaluation in modern times.  We didn't like it!  Not least because of their complete rip-off of “Werewolves of London” by Warren Zevon.   Episode PlaylistScary Monsters (and Super Creeps) - just the album__________________________________More Trump! One of those things – Dexy's  Bowie interview - “My Phil Collins Years”  Bowie – Ashes to Ashes live on Jools Holland  Pete Townshend   Glass Spider LiveOther References Alt Rock Chick – fabulous insightful reviews across the rock spectrum  References:  Angie Bowie, Eno, Lodger, Outside, Joy Division, Kate Bush, Gary Numan, New Romantic, “Are “Friends Electric?”, The Pleasure Principle, “Cars”, “It's No Game”, Pete Townshend, “Because You're Young”, Robert Fripp, “Heroes”, Carlos Alomar, George Murray, Dennis Davis, Tony Visconti, Kellogg's Corn Flakes, Edward Bell, Pierrot, "Ashes to Ashes", Brian Duffy, Natasha Korniloff, Lindsay Kemp, Pierrot in Turquoise, Berlin Trilogy, Phil Collins, Let's Dance, Nile Rodgers, “In the air tonight”, Alt Rock Chick, Major Tom, Fripp's skronky guitar work, “Scary Monsters (and Super Creeps)”, “Fashion”, “Scream Like a Baby”, “Kingdom Come”, Tom Verlaine, Neil Young, “Hey Hey My My” 

In this episode of Backstage Sonoma, Steve Roby sits down with the iconic frontman of Cherry Poppin' Daddies, Steve Perry, ahead of their performance at the Hop Monk Tavern in Novato on September 29th. Known for their genre-blending style, Perry takes us through the band's evolution from the breakout success of "Zoot Suit Riot" to their latest album, At The Pink Rat. Get insights into their eclectic fusion of ska, swing, punk, and funk, and hear how Perry continues to challenge himself musically. Episode Highlights: The origins of Cherry Poppin' Daddies' unique genre fusion. Steve Perry's reflections on punk rock's DIY ethic and how it shaped his artistic vision. A deep dive into the new album At The Pink Rat and its jukebox musical concept. The inspiration behind featured tracks like “Thrill Thing” and “Undecided.” Collaborations and influences: working with musical legends like Buckwheat Zydeco and Tony Visconti. What fans can look forward to at the upcoming Hop Monk show in Novato. Featured Songs: “Lowdown Appreciator” “Thrill Thing” from At The Pink Rat “Undecided” (cover) Links: ⁠Cherry Poppin' Daddies Official Website⁠ ⁠Tickets to Hop Monk Tavern Show⁠ Follow on Social Media: Instagram: ⁠@cherrypoppindaddies⁠ Twitter: ⁠@cherrypoppindaddy⁠ Hashtags: #BackstageSonoma #CherryPoppinDaddies #AtThePinkRat #StevePerry #SwingRevival #SkaFusion #HopMonkLive

Through art, film, fashion, collecting, and now music, Daphne Guinness has been a creative force and industry muse second to none. On this season finale of The Grand Tourist, Dan speaks with Guinness about her new album “Sleep,” what it was like collaborating with legendary producer Tony Visconti, the unconventional summers of her youth with Salvador Dalí, her memories of Alexander McQueen and Isabella Blow, her thoughts on AI and the future of creativity, and more. Hosted on Acast. See acast.com/privacy for more information.

Hablamos sobre el disco ‘The Rise and Fall of Ziggy Stardust and the Spiders from Mars' de David Bowie, con el cantante y compositor Héctor Gerónimo como invitado. En este episodio, publicado originalmente el 13 de julio de 2023, comentamos: La música, los sonidos y las letras de la primera canción del disco, «Five Years». El origen del nombre 'Ziggy Stardust'. El viaje de Bowie desde «Space Oddity» hasta ‘Ziggy Stardust', pasando por ‘The Man Who Sold the World', ‘Hunky Dory' y Hype, la banda precursora de los Spiders from Mars. El distanciamento temporal entre Bowie y Tony Visconti, su bajista y productor anterior a ‘Hunky Dory'. El talento único de Mick Ronson como guitarrista y arreglista de los Spiders from Mars. Haddon Hall, la residencia y el laboratorio creativo de Bowie a principios de los setenta. Arnold Corns, la banda ficticia de Bowie con Freddie Burretti. Y por el camino nos encontramos con Lou Reed y la Velvet Underground, Iggy Pop, Marc Bolan, Jim Morrison, Pink Floyd, Andy Warhol, Stanley Kubrick y George Lucas, entre otros. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com  

Martha Mooke is a pioneer in the field of the electric five string viola and transcends boundaries as a performer and composer. This episode features insights, stories and music, including from the beautiful album by Carla Patullo So She Howls  which just won the GRAMMY® Award for “Best New Age, Ambient, or Chant Album.” as well as from several of Martha's solo and collaborative albums. You'll hear about the unique multi-style string program she's helped launch at New Jersey City University, and about many of her mentors and collaborators from David Bowie to Tenzin Choegyal to Laurie Anderson to  Jean-Luc Ponty. Martha is passionate about the breadth and diversity needed in music education for the 21st century, and it was a joy and an inspiration for me to be able to hear about the arc of her multi-faceted career so far.   Like all my episodes, you can also watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to my website:  https://www.leahroseman.com/episodes/martha-mooke Can you buy this independent podcaster a coffee? https://ko-fi.com/leahroseman Martha Mooke Website: https://www.marthamooke.com/ Complete Catalog of Episodes: https://www.leahroseman.com/about Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Linktree for social media: https://linktr.ee/leahroseman photo of Martha Mooke: Ebru Yildiz The podcast theme music was commissioned from composer Nick Kold, and you can use the timestamps to navigate the episode: Timestamps (00:00) Intro (02:59) electric viola demo with explanation of gear and effects Edmar Castaneda (09:01) Martha's creative process (13:41) clip from Ice 4 from No Ordinary Window (15:40) Martha's creative process (18:42) Multi-Style Strings program New Jersey City University (35:29) Carla Patullo So She Howls  (38:31) Machine Dreams from Carla Patullo So She Howls  (43:15) Carla Patullo album concert, vocal group Tonality (43:51) please support this independent podcast!  (44:29) Thru the Walls, Scorchio quartet, Tibet House benefit concerts, Tony Visconti, David Bowie, Philip Glass (01:01:17) Tenzin Choegyal with clip from Sutras of the Heart (01:03:50) meditation practice (01:05:46) different types of electric violins and violas, collaborations with Yamaha (01:12:17) strings education outreach project in Jamaica (01:17:18) album Buzz, Metachrosis electronic music production using insect sounds with audio clip, Linsey Pollak, sound design (01:24:46) Jean-Luc Ponty (01:33:57) clip from Omotion from No Ordinary Window (01:34:53) Laurie Anderson (01:39:09) Martha's perspectives on her career    --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Sylvan @sylvangreeneyes and Jesse @jessejacksonDFW are opening doors to discover John Hiatt's "Forever Yours." Will we sit and cry or smile as we dig into the lyrics of this song from 1982's All of A Sudden, produced by Tony Visconti? Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam talks with American actor, comedian, voice artist, screenwriter, producer and musician Fred Armisen about hotel hacks, what Fred and Matt Berry learned when they hung out with David Bowie's producer Tony Visconti, the Stop Making Sense nerd fact David Byrne told Fred, how Adam could help Talking Heads get on better, why you can't beat Paul McCartney, why Fred wasn't nervous for his Saturday Night Live Audition, the Portlandia sketches that summed up the show best and Fred takes us on an accent tour of New York.This conversation was recorded face-to-face in London on 25th November 2023.Thanks to Séamus Murphy-Mitchell for production support and conversation editing.Podcast artwork by Helen GreenJIM DOWN - LIFE IN THE BALANCE (PAPERBACK) - 2023 (WATERSTONES)RELATED LINKSFRED ARMISEN BRITISH MUSIC PLAYLIST - 2023 (LINE OF BEST FIT WEBSITE)DAVID BOWIE, BRIAN ENO AND TONY VISCONTI RECORD WARSZAWA (animated by Brothers McLeod) - 2013 (YOUTUBE)BREAKING DOWN HEROES - TONY VISCONTI & ERIN TONKON (FROM MUSIC MOGULS: MASTERS OF POP, BCC) - 2016 (YOUTUBE)MATT BERRY INTERVIEWS BRIAN ENO - 2018 (YOUTUBE)PORTLANDIA - PUT A BIRD ON IT - 2011 (YOUTUBE)PORTLANDIA - IN THE RESTAURANT - 2011 (YOUTUBE)PORTLANDIA - WHICH BIN DOES IT GO IN - 2012 (YOUTUBE)HISTORY OF PUNK SNL - 2013 (YOUTUBE)SNL WEEKEND UPDATE - GARTH AND KAT SING HALLOWEEN SONGS - 2010 (YOUTUBE)NARDWUAR VS FRED ARMISEN - 2013 (YOUTUBE)FRED ARMISEN, BILL HADER, SETH MYERS RECALL PRINCE AFTERSHOW PARTY ON HOWARD STERN SHOW - 2016 (YOUTUBE)BEST OF BILL HADER AND FRED ARMISEN (YOUTUBE)SATURDAY NIGHT - A DOCUMENTARY ABOUT SNL BY JAMES FRANCO - 2014 (YOUTUBE) Hosted on Acast. See acast.com/privacy for more information.

Band On The Run from Paul McCartney and Wings has just turned 50! A new anniversary edition of the album has been released featuring an uderdubbed version of the album. RadioBypass is honored to join in the celebration of this great album! Find out from Paul McCartney, the late Denny Laine, Dustin Hoffman, James Coburn, engineer Geoff Emerick, and arranger Tony Viscontii about the many stories that surrounded the recording and release of an all-time rock classic. Join us for the 50th anniversary celebration of Paul McCarney and Wings - Band On The Run: All Access!

Hello Cave-Dwellers! Welcome to the the launch of The Cavern Podcast, with our guest May Pang. She worked for John Lennon and Yoko Ono as a personal assistant and production coordinator. When Lennon and Ono separated in 1973, Pang and Lennon began a relationship that lasted more than 18 months. Lennon later referred to this time as his "Lost Weekend". Pang published two books about her relationship with Lennon; a memoir, Loving John (Warner, 1983), and a book of photographs, Instamatic Karma (St. Martin's Press, 2008). A documentary about their relationship, The Lost Weekend: A Love Story, was produced in 2022. Pang was married to producer Tony Visconti from 1989 to 2000 and has two children. Follow us for weekly episodes of some of the biggest names in rock and roll! **************************** THE CAVERN CLUB, LIVERPOOL - THE MOST FAMOUS CLUB IN THE WORLD. THE PLACE WHERE THE BEATLES PLAYED NEARLY 300 TIMES AND THAT CONTINUES TO HOST SOME OF THE BIGGEST NAMES IN MUSIC. WHEN PEOPLE TALK ABOUT ICONIC MUSIC VENUES, THE CAVERN CLUB IS AT THE FOREFRONT OF THE CONVERSATION. BUT WHAT IS IT ABOUT THE CLUB THAT CONTINUES TO ATTRACT VISITORS FROM AROUND THE WORLD AND SOME OF THE BIGGEST NAMES IN MUSIC ? IN THIS SERIES, HOST JON KEATS DELVES INTO THE CHARACTER OF THE CAVERN CLUB AND ITS CONNECTION WITH SOME WELL-KNOWN SPECIAL GUESTS. ********************************************************** Thanks The Cavern HQ Team

Nos aproximamos al universo de David Bowie a través de canciones interpretadas por artistas que fueron amigos o compañeros de viaje en algún momento de la trayectoria del camaleónico artista. (Foto del podcast de los archivos de Michael Ochs; Mick Ronson (guitarra), Trevor Bolder (bajo), David Bowie y Mick Woodmansey (batería), foto promocional de "Ziggy Stardust And The Spiders From Mars", noviembre 1972 en Londres, Inglaterra)Playlist;(sintonía) MIKE GARSON “Space oddity”TONY VISCONTI and WOODY WOODMANSEY “The man who sold the world”SPIDERS FROM MARS “Ziggy Stardust”WOODY WOODMANSEY’s U BOAT “Oh La La”IAN HUNTER and MICK RONSON “All the Young dudes”MICK RONSON “Growing up and I’m fine”DANA GILLESPIE “Andy Warhol”IGGY POP and DAVID BOWIE “Funtime”CUDDLY TOYS “Madman”REEVES GABRELS feat DAVID BOWIE “You’ve been around”ADRIAN BELEW “I wish I knew”CHIC feat NILE RODGERS “Good times”CARMEN “Lonely house”FRANKIE GOES TO HOLLYWOOD “Sufragette City”Escuchar audio

Producer of T. Rex and David Bowie and this guy was SO good I was pinching myself throughout our conversation!See omnystudio.com/listener for privacy information.

Music producer Tony Visconti's long career includes albums with David Bowie, Marc Bolan, Damon Albarn, Esperanza Spalding, and more. By his count, he's produced more than 2,000 recordings. A new four-CD box set, Produced by Tony Visconti, collects nearly 80 songs on which he worked. Visconti joins us to reflect on his career and his approach to production.

Music producer Tony Visconti's long career includes albums with David Bowie, Marc Bolan, Damon Albarn, Esperanza Spalding, and more. By his count, he's produced more than 2,000 recordings. A new four-CD box set, Produced by Tony Visconti, collects nearly 80 songs on which he worked. Visconti joins us to reflect on his career and his approach to production.

On this episode of The It's Only Rock And Roll Podcast, record producer, arranger, musician, and music business veteran TONY VISCONTI discusses his life both in and out of the recording studio, working with future legends like David Bowie and Marc Bolan at the start of their careers, straight through to superstardom. Additionally, Tony recounts how a kid from the streets of Brooklyn became an indispensable presence in the studio for sessions like Joe Cocker's "With A Little Help From My Friends” to arranging strings and horns for Paul McCartney & Wing's 1973 classic LP “Band On The Run”. We also discuss the new releases from The Rolling Stones and The Beatles, as well as his own newly released seventy-seven track, career-retrospective box set, appropriately entitled “Produced By Tony Visconti”. ------------------------ ֎ Visit Tony Visconti online - https://www.tonyvisconti.com/ ֎ To order “Produced By Tony Visconti” - https://a.co/d/4UAIrYa/ Visit the 'It's Only Rock And Roll PODCAST' online at: ● Homepage – http://www.ItsOnlyRockAndRollPodcast.com ● Facebook – https://facebook.com/ItsOnlyRockAndRollPodcast/ ● YouTube - https://youtu.be/w4TLNEtjgwc ● Instagram - @itsonlyrockandrollpodcast © 2023 Howlaround Productions. All rights reserved.

THE ARWEN LEWIS SHOW - Richard Baron Arwen welcomes Richard Barone! Richard is a recording artist, performer, producer, and author. Since pioneering the indie rock scene in Hoboken, NJ as frontman of The Bongos and helping to launch the chamber pop movement with his solo debut “Cool Blue Halo”, Barone has produced numerous studio recordings and worked with artists in every musical genre. His list of collaborators has included producer Tony Visconti, Donovan, Lou Reed, and folk legend Pete Seeger. He has scored shows and staged all-star concert events at venues such as Carnegie Hall, the Hollywood Bowl, and Summer Stage in Central Park. His memoir Frontman: Surviving The Rock Star Myth was published in 2007. His album Sorrows & Promises and his latest book, Music + Revolution (2022), are celebrations of the 1960s music scene in Greenwich Village NYC, where Barone lives. He teaches the course “Music + Revolution” at The New School's School of Jazz & Contemporary Music, has served on the Board of Governors of The Recording Academy (GRAMMYs), serves on the Advisory Board of Anthology Film Archives, and hosts Folk Radio on WBAI New York.  @TonyVisconti, @Donovan, @LouReed, @PeteSeeger. Richard's Website: http://www.richardbarone.com More info:Wikipedia: https://en.wikipedia.org/wiki/Richard_Barone The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins

The smash-hit interview podcast Out To Lunch will be returning on the 3rd October with a sparkly new host on dining duty: the much loved British actor, comedian and writer Ade Edmondson. After breaking into the comedy circuit in the 1980s, Edmondson starred in countless British films and TV shows, including seminal comedy The Young Ones and alongside his wife, Jennifer Saunders as part of the legendary Comic Strip Presents. Ade's more recent projects include Rain Dogs with Daisy May Cooper, Back to Life with Daisy Haggard and as Captain Peavey in Star Wars: The Last Jedi. Having won Celebrity MasterChef and 'star baker' in The Great Sports Relief Bake Off, Edmondson will leave the cooking to the professionals... taking guests such as Chrissie Hynde, Reece Shearsmith, Tony Visconti, Daisy Haggard and Ed Byrne to a top restaurant whilst you get to hear the witty and wonderous conversation. It's like you're sat at the table next to us. And if you're hungry for more, yes more… be sure to subscribe ‘The Digestivo' on Apple Podcasts where our special guests give us their five favourite restaurants from around the world and what they ate there. Plus.. those extra juicy offcuts of conversation that we couldn't squeeze into the main ep and… it's all ad free. A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

The smash-hit interview podcast Out To Lunch is out now, with a sparkly new host on dining duty: the much loved British actor, comedian and writer Ade Edmondson. Ade takes guests such as Chrissie Hynde, Reece Shearsmith, Tony Visconti, Daisy Haggard and Ed Byrne to a top restaurant whilst you get to hear the witty and wonderous conversation. It's like you're sat at the table next to us. After breaking into the comedy circuit in the 1980s, Edmondson starred in countless British films and TV shows, including seminal comedy The Young Ones and alongside his wife, Jennifer Saunders as part of the legendary Comic Strip Presents. Ade's more recent projects include Rain Dogs with Daisy May Cooper, Back to Life with Daisy Haggard and as Captain Peavey in Star Wars: The Last Jedi. Having won Celebrity MasterChef and 'star baker' in The Great Sports Relief Bake Off, Ade will leave the cooking to the professionals... A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're back! And by we, I mean me and musician, writer and academic Leah Kardos, amongst whose many achievements is the critically-acclaimed book 'Blackstar Theory: The Last Works of David Bowie' which takes a thoughtful and informed view of Bowie's final projects. She is also a friend and trusted collaborator of Tony Visconti's, founding The Visconti Studio at London's Kingston University. Currently, Leah's working on her next book, exploring Kate Bush's 'Hounds of Love' album. In this conversation, we continue our deep dive into The Next Day, with anecdotes, opinions, random theories and what we hope are facts, all of which will hopefully  entertain you as much as they did us, in the making of this podcast. Huge thanks this episode to bowiebible.com for tons of helpful information, a shoutout to our writing hero Chris O'Leary and thanks again to Leah for her custom-made theme music for this episode. 

To celebrate our 100th episode, we take a brief look at merely some of the "First Record I Ever Bought" stories for a selection of our guests over the four seasons so far: Tony Visconti, Margo Price, Fred Armisen, Rhian Teasdale (Wet Leg), Bonnie Raitt, Jane Wiedlin (Go-Go's), Robyn Hitchcock, Questlove, Susanna Hoffs (Bangles), Marc Maron, Jason Isbell, Lucinda Williams, Andy Partridge (XTC), Michelle Zauner (Japanese Breakfast), Alice Cooper, Robert Glasper, Johnny Marr (The Smiths), Joe Elliott (Def Leppard), plus Jeff Tweedy and the members of Wilco. We also surveyed some of our independent record retailers for their "First Record" stories, plus RSD co-founder Carrie Colliton and Paul Myers share their "First Record" stories. Written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Thanks to you for listening to our show, we really appreciate it. Please subscribe and or tell your friends to listen to us wherever podcasts are found. For the latest in RSD News go to RecordStoreDay.Com Sponsored as always by Crosley turntables, Tito's Handmade Vodka, and Dogfish Head Craft Brewery.  

This week's guest, Don Cowan (Kraut), brings us T. Rex's 1972 release 'The Slider'. Leader Marc Bolan - still at the top of his game - unleashes a trippy cast of characters (Telegram Sam, Baby Strange, Jungle-face Jake, Buick Mackane...etc) on this rock-and-roll dream of a record. Rock on! Songs discussed in this episode: Metal Guru - Nena; Don't Believe - Kraut; Ziggy Stardust, Heroes - David Bowie; Bang A Gong (Get It On), Metal Guru - T. Rex; Panic - The Smiths; Elenore - The Turtles; Mystic Lady - T. Rex; Sloop John B - The Beach Boys; Rock On, The Slider, Baby Boomerang - T. Rex; The Ballad Of John and Yoko - The Beatles; Walk On The Wild Side - Lou Reed; Spaceball Ricochet - T. Rex; Trampled Under Foot - Led Zeppelin; Buick McCane - T. Rex; Telegram Sam - Bauhaus; Telegram Sam, Rabbit Fighter, Baby Strange, Ballrooms Of Mars, Chariot Choogle, Main Man - T. Rex; Arming The World - Kraut