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7 episodes with Tony Visconti
3 episodes with Tony Visconti
4 episodes with Tony Visconti
3 episodes with Tony Visconti
3 episodes with Tony Visconti
3 episodes with Tony Visconti
4 episodes with Tony Visconti
2 episodes with Tony Visconti
3 episodes with Tony Visconti
Today, we're putting The Tonearm's needle on Stephen Emmer, a Dutch composer and musician based in Amsterdam. Stephen came up in the late 70s post-punk underground, and his band Minny Pops was the first international act signed to Factory Records. He is a curious genre-explorer who has worked with Lou Reed, Chaka Khan, Tony Visconti, Trevor Horn, Flood, and many others.His latest album, Asymmetrical Dot, is a chamber work rooted in his Dutch-Indonesian heritage, built around sustained tones, wordless vocals, vibraphone, and strings. The record came out of a year when his mother died, and his first grandson was born, and the contracting themes of grief and arrival appear throughout the work.We cover the album, his hearing loss, and why he walked away from commercial work to make the most personal music of his career.(The musical excerpts heard in the interview are from Stephen Emmer's Asymmetrical Dot)—Dig Deeper• Artist and Albums:Visit Stephen Emmer at stephenemmer.com and follow him on Bluesky, Instagram, and YouTubePurchase Stephen Emmer's album Asymmetrical Dot from Bandcamp or Qobuz and listen on your streaming platform of choiceThe two previous installments in the 'introspective trilogy': Maison Melody (2020) and Mt. Mundane (2024)• Key Collaborators:Tony Visconti — Producer of Recitement; longtime producer of David BowieBeth Hirsch — Vocalist and co-writer on Asymmetrical Dot, Track 5; best known for AIR's Moon SafariFernando Aponte — Grammy-winning mixing engineer, HoustonEverton Nelson — Concertmaster and violinist; has performed with the LSO, BBC Concert Orchestra, and on recordings for Radiohead, U2, and Paul McCartneyPatricia Sullivan — Mastering engineer at Bernie Grundman Mastering, Los Angeles• *Recitement* and Its Voices:Recitement — Emmer's 2007 spoken-word album, produced by Tony Visconti.Ken Nordine — Voice-over artist and "Word Jazz" pioneer; voiced "Absolutely Grey" on RecitementColors — Ken Nordine's 1966 album, originally commissioned as radio spots for the Fuller Paint CompanyLou Reed — Rock musician and poet; voiced "Passengers" on RecitementAllen Ginsberg — Beat poet; voiced "Disconnected" on RecitementRichard Burton — Welsh actor; voiced "The Leaden Echo" and "Boy with a Cart" on Recitement• Musical Influences and References:Gamelan — Traditional Indonesian percussion ensemble; central to the sonic concept of Asymmetrical DotDave Brubeck — American jazz pianist; one of the first musicians Emmer heard as a child, via his mother's ballet teachingHeitor Villa-Lobos — Brazilian composer; among the diverse influences Emmer's mother brought to her ballet classesClaude Debussy and Gamelan — Referenced by Emmer as a historical predecessor in integrating gamelan into Western composition• Contextual References:Holiday on Ice — International touring ice show for which Emmer served as music directorMotörhead — British heavy metal band; Emmer's hearing damage traces to a backstage encounter with their sound systemCharles Ives — American modernist composer who ran a successful insurance business alongside his musical career; referenced in the episode's discussion of portfolio careersAmbon, Indonesia — Island in the Maluku province of Indonesia, historically known as Amboina; birthplace of Emmer's mother and inspiration for the album's track "Amboina (for Roekie Aronds)"—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today, we're putting The Tonearm's needle on Stephen Emmer, a Dutch composer and musician based in Amsterdam. Stephen came up in the late 70s post-punk underground, and his band Minny Pops was the first international act signed to Factory Records. He is a curious genre-explorer who has worked with Lou Reed, Chaka Khan, Tony Visconti, Trevor Horn, Flood, and many others.His latest album, Asymmetrical Dot, is a chamber work rooted in his Dutch-Indonesian heritage, built around sustained tones, wordless vocals, vibraphone, and strings. The record came out of a year when his mother died, and his first grandson was born, and the contracting themes of grief and arrival appear throughout the work.We cover the album, his hearing loss, and why he walked away from commercial work to make the most personal music of his career.(The musical excerpts heard in the interview are from Stephen Emmer's Asymmetrical Dot)—Dig Deeper• Artist and Albums:Visit Stephen Emmer at stephenemmer.com and follow him on Bluesky, Instagram, and YouTubePurchase Stephen Emmer's album Asymmetrical Dot from Bandcamp or Qobuz and listen on your streaming platform of choiceThe two previous installments in the 'introspective trilogy': Maison Melody (2020) and Mt. Mundane (2024)• Key Collaborators:Tony Visconti — Producer of Recitement; longtime producer of David BowieBeth Hirsch — Vocalist and co-writer on Asymmetrical Dot, Track 5; best known for AIR's Moon SafariFernando Aponte — Grammy-winning mixing engineer, HoustonEverton Nelson — Concertmaster and violinist; has performed with the LSO, BBC Concert Orchestra, and on recordings for Radiohead, U2, and Paul McCartneyPatricia Sullivan — Mastering engineer at Bernie Grundman Mastering, Los Angeles• *Recitement* and Its Voices:Recitement — Emmer's 2007 spoken-word album, produced by Tony Visconti.Ken Nordine — Voice-over artist and "Word Jazz" pioneer; voiced "Absolutely Grey" on RecitementColors — Ken Nordine's 1966 album, originally commissioned as radio spots for the Fuller Paint CompanyLou Reed — Rock musician and poet; voiced "Passengers" on RecitementAllen Ginsberg — Beat poet; voiced "Disconnected" on RecitementRichard Burton — Welsh actor; voiced "The Leaden Echo" and "Boy with a Cart" on Recitement• Musical Influences and References:Gamelan — Traditional Indonesian percussion ensemble; central to the sonic concept of Asymmetrical DotDave Brubeck — American jazz pianist; one of the first musicians Emmer heard as a child, via his mother's ballet teachingHeitor Villa-Lobos — Brazilian composer; among the diverse influences Emmer's mother brought to her ballet classesClaude Debussy and Gamelan — Referenced by Emmer as a historical predecessor in integrating gamelan into Western composition• Contextual References:Holiday on Ice — International touring ice show for which Emmer served as music directorMotörhead — British heavy metal band; Emmer's hearing damage traces to a backstage encounter with their sound systemCharles Ives — American modernist composer who ran a successful insurance business alongside his musical career; referenced in the episode's discussion of portfolio careersAmbon, Indonesia — Island in the Maluku province of Indonesia, historically known as Amboina; birthplace of Emmer's mother and inspiration for the album's track "Amboina (for Roekie Aronds)"—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
It's been many years and many albums since our introduction to Denmark's Kashmir, and while the line-up stayed the same, the sound has evolved. This time we check out the 2005 album No Balance Palace, with a studio legend (Tony Visconti) behind the board, and two more legends (David Bowie and Lou Reed) making appearances. Kashmir didn't work for us the first time around, will maturity and a trio of big names help us connect with the band? Songs In This Episode Intro - Jewel Drop 9:14 - Kalifornia 11:26 - The Cynic 14:14 - The Curse Of Being A Girl 26:09 - She's Made Of Chalk 21:33 - Snowman 28:21 - Black Building Outro - No Balance Palace Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
It's been many years and many albums since our introduction to Denmark's Kashmir, and while the line-up stayed the same, the sound has evolved. This time we check out the 2005 album No Balance Palace, with a studio legend (Tony Visconti) behind the board, and two more legends (David Bowie and Lou Reed) making appearances. Kashmir didn't work for us the first time around, will maturity and a trio of big names help us connect with the band? Songs In This Episode Intro - Jewel Drop 9:14 - Kalifornia 11:26 - The Cynic 14:14 - The Curse Of Being A Girl 26:09 - She's Made Of Chalk 21:33 - Snowman 28:21 - Black Building Outro - No Balance Palace Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Dirk Blanchart (1958) is muzikant, hij was lid van Once More, de eerste Rock Rally winnaar in 1978 en schreef mee aan de hit African Time van Luna Twist. Daarna ging hij solo. Hij heeft ook les gegeven aan het KASK in Gent, hij woont nu in Drongen samen met zijn vrouw Sonja.Dirk Blanchart is een gretig lezer. In deze podcast vertelt hij over zijn enthousiasme voor de ereader, over zijn nummer dat Lolita heet, over de vergadering die hij ooit had met Tony Visconti, die ondermeer bekend is van zijn werk met David Bowie. En hij vertelt over de autobiografie die hij zelf aan het schrijven is: een autobiografictie, noemt hij het zelf. Alle boeken en auteurs uit deze aflevering vind je in de shownotes op wimoosterlinck.beWil je de nieuwsbrief in je mailbox? wimoosterlinck.substack.comWil je de podcast steunen? Bestel je boeken dan steeds via de link op wimoosterlinck.be! Merci.De drie boeken van Dirk Blanchart zijn:1. Miriam Toews: All My Puny Sorrows2. Auke Hulst: Zoeklicht op het gazon3. Richard Powers: The Time of Our SingingLuister ook naar de drie boeken van: Stefan Hertmans, Eva Mouton, Nicci French, Josse De Pauw, Ish Ait Hamou, Murielle Scherre, Michèle Cuvelier, Françoise Chombar en vele anderen.Wil je het boek '103 boeken die je gelezen moet hebben' bestellen - het boek van de podcast? Dat kan op wimoosterlinck.be. Ik schrijf er met plezier iets in voor jou of voor de persoon aan wie je het boek cadeau wil doen.
The Strange Brew - artist stories behind the greatest music ever recorded
Boz Boorer talks about his life in music, from his earliest memories of Marc Bolan and T. Rex to punk shows in London in the late 70s, The Polecats, and eventually decades on the road and in the studio with Morrissey. Boz talks about touring with Dave Edmunds, working alongside Tony Visconti, Mick Ronson and Steve Lillywhite, and the stories behind some of Morrissey’s most beloved songs: ‘Jack The Ripper’, ‘Speedway’, ‘Scandinavia’, ‘Istanbul’ and ‘I’m Throwing My Arms Around Paris’ among them. He gets into the making of Your Arsenal and Vauxhall and I, the stage invasions on those early tours, and why recording a chainsaw made perfect sense for ‘Speedway’. There’s also his recent collaborations with Paul Roland and Andy Ellison, digging through old archive tapes, and life running a record shop in Portugal. Further information bozboorer.com Morrissey Reimagined I Was A Teenage Zombie…& Other Children's Party Favourites by Paul Roland, Andy Ellison & Boz Boorer Support The Strange Brew Podcasts also available: Andy Ellison, Paul Roland, Mark Nevin, Kevin Armstrong, Morrissey – the music that shaped his life This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms The post Boz Boorer – The Polecats to Morrissey appeared first on The Strange Brew .
In this edition Ashea is joined by Stephen Gilchrist and Liam Nolan, where they discuss behind the making of Adele's Hello at Metropolis Studios, the process behind Tony Visconti & Toontrack's Drumopolis and where record making is headed in 2026 and beyond.Stephen Gilchrist: Drummer and percussionist. Writer under the name Stephen Evens https://www.instagram.com/thestephenevens also director and producer/engineer at Brixton Hill Studios https://brixtonhillstudios.com/ / https://brixtonrecording.com/ https://www.instagram.com/brixtonhillstudio / https://linktr.ee/brixtonhillstudiosLiam Nolan: Recording and Mix Engineer, has worked at Metropolis Studios, but has just become freelance. https://www.instagram.com/liamjnolan/ https://mixedbyliamnolan.com/
From Singing for Sweets to Punk PioneerHugh Cornwell, best known as the original frontman of The Stranglers, has lived a career shaped by instinct, rebellion and creative evolution. Remarkably, his journey began at just three years old, singing in the garden for neighbours who rewarded him with sweets. Even then, Cornwell knew he wanted to be a singer—though his parents had very different plans.Despite his artistic ambitions, Cornwell followed a scientific path, studying biochemistry at university under pressure from his family. He even pursued a PhD in Sweden, but it was there that fate intervened. Immersed in a new social scene, he formed a band—and before long, music overtook academia. Abandoning his studies, he returned to the UK determined to make it in music.Back in England, Cornwell helped form what would become The Stranglers, alongside key members including Jean-Jacques Burnel and Dave Greenfield. Early songwriting success came with “Get a Grip on Yourself,” their debut single, marking the beginning of a formidable catalogue. Cornwell's melodic instincts, combined with the band's raw energy, helped define their sound.The band emerged during a turbulent period in mid-'70s Britain—a time of economic hardship, strikes and social unrest. This environment fed directly into their music, sharpening their sound into something tougher and more confrontational. While often labelled as punk, Cornwell saw the band more simply—as songwriters focused on melody and strong hooks, even amid the chaos.The Stranglers quickly rose to prominence with hits like “Peaches” and “No More Heroes,” blending aggression with sophistication. Cornwell even reflects on “Peaches” as an early form of rap due to its spoken delivery. Their later hit “Golden Brown” revealed a more melodic, experimental side—its meaning famously debated before Cornwell acknowledged its dual inspiration.During breaks from relentless touring, Cornwell began exploring solo projects, often driven by spontaneity. His first solo recordings were made in Los Angeles without even informing his record label—an early sign of his independent spirit. Over time, he built a substantial solo catalogue, collaborating with figures like Tony Visconti and continuing to refine his craft.By 1990, after 16 years with the band, Cornwell made the bold decision to leave. The band dynamic had shifted, becoming more like a job than a shared creative journey. Acting on instinct—something that defines much of his life—he walked away, choosing artistic freedom over familiarity.Cornwell has never stood still. From embracing new music distribution models, including free downloads, to experimenting with songwriting processes, he has continually evolved. His later work, including the album Moments of Madness, reflects a more spontaneous and exploratory approach to recording.Outside of music, Cornwell is an author, actor and podcast host, with a deep passion for film. He also maintains a disciplined lifestyle rooted in his scientific background, prioritising health and routine—or as he prefers to call it, “rhythm.”Today, Hugh Cornwell continues to tour and record, performing both solo material and classic Stranglers songs. His story is one of constant reinvention, guided less by planning and more by instinct—a philosophy that has kept him relevant and creatively alive for decades.
Tony Visconti left Brooklyn for London in 1967, began working with the Move and Marc Bolan and formed a life-long friendship with the teenage David Bowie, playing on his first two albums and producing 10 of ones that followed. And in 2014 he formed Holy Holy with Woody Woodmansey, a live celebration of Bowie's music from 1970 to Blackstar. They're touring again in September with Glenn Gregory as lead singer – “you can't mourn forever.” He talks to us here about … … the gig they played the night Bowie died … life at Bowie's commune at Haddon Hall – “I kept my door firmly locked!” … Marc Bolan at Middle Earth, “a hundred spellbound kids sitting cross-legged on the floor” … hearing Flowers In The Rain (which he arranged) as the first record on Radio One … “A little chinwag?” How Bowie broke the news about his illness … his dislike of Space Oddity, “I told him it was novelty, a sell-out” … producing The Man Who Sold The World and the emotional Blackstar … the night he met the teenage Bowie and they wound up in a Chelsea cinema … “Why are you doing this?” Bowie's reaction to the first Holy Holy tour in 2014 … his time as the red-caped Hypeman and Ronson and Woody's resistance to make-up, “macho boys from Hull” … walking round New York with a cassette of secret The Next Day album in his pocket … and the big emotional moments in the Holy Holy set list Order Holy Holy tickets here: https://www.ticketmaster.co.uk/holy-holy-tickets/artist/2096354Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Tony Visconti left Brooklyn for London in 1967, began working with the Move and Marc Bolan and formed a life-long friendship with the teenage David Bowie, playing on his first two albums and producing 10 of ones that followed. And in 2014 he formed Holy Holy with Woody Woodmansey, a live celebration of Bowie's music from 1970 to Blackstar. They're touring again in September with Glenn Gregory as lead singer – “you can't mourn forever.” He talks to us here about … … the gig they played the night Bowie died … life at Bowie's commune at Haddon Hall – “I kept my door firmly locked!” … Marc Bolan at Middle Earth, “a hundred spellbound kids sitting cross-legged on the floor” … hearing Flowers In The Rain (which he arranged) as the first record on Radio One … “A little chinwag?” How Bowie broke the news about his illness … his dislike of Space Oddity, “I told him it was novelty, a sell-out” … producing The Man Who Sold The World and the emotional Blackstar … the night he met the teenage Bowie and they wound up in a Chelsea cinema … “Why are you doing this?” Bowie's reaction to the first Holy Holy tour in 2014 … his time as the red-caped Hypeman and Ronson and Woody's resistance to make-up, “macho boys from Hull” … walking round New York with a cassette of secret The Next Day album in his pocket … and the big emotional moments in the Holy Holy set list Order Holy Holy tickets here: https://www.ticketmaster.co.uk/holy-holy-tickets/artist/2096354Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Tony Visconti left Brooklyn for London in 1967, began working with the Move and Marc Bolan and formed a life-long friendship with the teenage David Bowie, playing on his first two albums and producing 10 of ones that followed. And in 2014 he formed Holy Holy with Woody Woodmansey, a live celebration of Bowie's music from 1970 to Blackstar. They're touring again in September with Glenn Gregory as lead singer – “you can't mourn forever.” He talks to us here about … … the gig they played the night Bowie died … life at Bowie's commune at Haddon Hall – “I kept my door firmly locked!” … Marc Bolan at Middle Earth, “a hundred spellbound kids sitting cross-legged on the floor” … hearing Flowers In The Rain (which he arranged) as the first record on Radio One … “A little chinwag?” How Bowie broke the news about his illness … his dislike of Space Oddity, “I told him it was novelty, a sell-out” … producing The Man Who Sold The World and the emotional Blackstar … the night he met the teenage Bowie and they wound up in a Chelsea cinema … “Why are you doing this?” Bowie's reaction to the first Holy Holy tour in 2014 … his time as the red-caped Hypeman and Ronson and Woody's resistance to make-up, “macho boys from Hull” … walking round New York with a cassette of secret The Next Day album in his pocket … and the big emotional moments in the Holy Holy set list Order Holy Holy tickets here: https://www.ticketmaster.co.uk/holy-holy-tickets/artist/2096354Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Episode 119 features artist and producer manager Stephen Budd who shares stories of his times with Tony Visconti, long time producer of none other than David Bowie ! Wearing a multitude of music industry hats over many years the conversation certainly flowed ! Learn more about your ad choices. Visit megaphone.fm/adchoices
La matinale d’AF : l’actu des instruments de musique et du matériel audio
Bienvenue dans la 222e Matinale d'Audiofanzine. Dans cette vidéo, on parle du nouveau contrôleur MIDI compacte de Novation, de la mise à jour chez Kemper, des nouveaux kits de batterie de Toontrack supervisés par Tony Visconti et de la nouvelle version du KeyStep 37 mk2.
On January 8th, 2016, David Bowie celebrated his 69th birthday with the release of his 26th and final studio album, Blackstar. Two days later, Bowie was gone after succumbing to liver cancer. Now, a decade after its haunting release, host Ted Asregadoo revisits Bowie's final masterpiece. Was it a "pretentious" swan song or a stroke of avant-garde genius? From its "dark jazz" undertones to the incredible musicianship of the Donny McCaslin Quartet, we break down why this record remains a monumental final statement in a career defined by constant reinvention. Joining the conversation is long-time friend of the pod and veteran radio broadcaster Michael McGauley (KCBS/KNX). Michael shares why Blackstar has climbed the ranks to become his favorite Bowie record and recounts his first experiences with the Thin White Duke's legendary catalog. In This Episode, We Discuss: Track-by-Track Breakdown: We dive into the "guts" of the record, from the experimental merging of parts in the title track to the "Cure-esque" tones of Lazarus. The Power of the Band: A look at how drummer Mark Guiliana and the Donny McCaslin Quartet blew away even seasoned producers like Tony Visconti. The Death of Rock? We pivot to Billy Corgan's recent "paranoid" claims about the decline of rock music. Is it a conspiracy, or has the genre run its course -- which is why Bowie kept pushing into new music territory. The Emotional Weight of Musical Icons: Ted reflects on a 2016 blog post written after the deaths of Bowie and Prince. He explores why we grieve for artists we never met—not just for the loss of the person, but for the loss of the "touchstones" to our own youth and the era of "immortality" we felt in our teens. Read the full post here. Special Thanks to our Sponsor: This episode is brought to you by Steve Fox's Old School. It's a "party in a box" featuring the best of Classic Soul, Disco, Hip-Hop, and 90s R&B. Listen now at SteveFoxOldSchool.com.
Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Descubre la historia detrás de “Blackstar”, el último y revolucionario álbum de David Bowie, publicado el 8 de enero de 2016 como despedida artística justo el día de su 69 cumpleaños. En este episodio analizamos el contexto creativo del disco, desde su regreso con “The Next Day” y el éxito de la exposición “David Bowie Is” hasta las sesiones secretas en The Magic Shop de Nueva York junto al productor Tony Visconti. Comentamos cómo Bowie fichó a la banda de jazz de Donny McCaslin para dar forma a un sonido híbrido entre jazz moderno, rock experimental y electrónica, influenciado por Kendrick Lamar, Death Grips, D'Angelo, Boards of Canada y Portishead. Nos adentramos en los temas centrales del álbum: mortalidad, renacimiento, identidad cambiante e introspección espiritual, que convierten a “Blackstar” en una auténtica obra-testamento. Repasamos cortes clave como “Blackstar”, “Lazarus”, “Dollar Days” o “I Can't Give Everything Away”, desgranando letras, arreglos y simbología, incluida la conexión con el musical “Lazarus” y el personaje de Thomas Newton de “The Man Who Fell to Earth”. También hablamos de la impresionante recepción crítica: máximas puntuaciones en medios como AllMusic y valoraciones excelentes en Rolling Stone, Pitchfork y Rate Your Music, donde se sitúa entre los mejores discos de la década y de toda su carrera. Si te apasiona David Bowie, el rock experimental y quieres entender por qué “Blackstar” es considerada una de las despedidas más épicas de la historia de la música moderna, este episodio es para ti.
Il suffit que dans une conversation, je mentionne, pas souvent hein, avoir rencontré David Bowie pour lire dans la réaction des gens à quel point son statut est passé de personnage légendaire à aujourd'hui, historique. La preuve : lors de ce dixième anniversaire de sa disparition, on n'a pas compté le nombre de chroniqueurs qui ont parlé de sa trilogie berlinoise comme d'une évidence. Il n'y en a sûrement pas un pour savoir qu'en réalité, Bowie n'a enregistré qu'un album et demi à Berlin. Mais c'est justement quand les gens évoquent un fait comme certain sans le vérifier qu'on voit qu'il est devenu historique. Ah c'est vrai que le titre Heroes et l'album du même nom, enregistrés intégralement à Berlin, ceux-là, ont marqué les esprits. La pochette déjà, immédiatement identifiable et identifiée, est iconique. Et si l'album est loin d'être le plus vendu de sa carrière, peu d'entre nous le connaissent par cœur, la chanson titre est aujourd'hui la plus streamée de son répertoire.Une réussite que Bowie ne doit qu'à lui et à son producteur et ami Tony Visconti. Le choix du studio Hansa, tout d'abord, avec sa cabine de son immense, et pour cause, une ancienne salle de concert, qui avait d'ailleurs servi de salle de réunion à la Gestapo. Tony a donc prévu de ne pas isoler David dans une cabine son comme on le fait habituellement pour les chanteurs, afin de bénéficier d'une réverbération dans la voix, 100% naturelle. Un enregistrement qui se fait quasiment en même temps que l'écriture. David va plusieurs fois demander une pause pour changer des phrases. Et c'est là que le génie se manifeste. Car arrivés au studio, quel n'est pas l'étonnement des musiciens en ouvrant grand les tentures lourdes de découvrir une baie vitrée donnant sur le Mur de Berlin, avec à 500 mètres, des gardes soviétiques qui les observent à la jumelle depuis un mirador. Berlin est alors une ville sinistre, du moins les quartiers, les rues et les boîtes où Bowie son équipe le soir, après la session. Il ne veut pas qu'elle soit distraite par autre chose que le travail auquel elle est occupée : son disque. Quant à lui, il fait flèche de tout bois. Ainsi, la chanteuse d'un cabaret que Tony a ramenée, participe aux chœurs sur la chanson. Et au cours d'une des pauses demandée par David, Tony sort avec elle pour le laisser écrire et au cours de leur promenade, l'embrasse près du mur. Bowie les voyant depuis la fameuse baie vitrée a alors l'idée d'un fameux couplet. En moins de deux heures, tout est terminé.Oui, David Bowie est entré dans l'Histoire. Non pas parce qu'il nous a quittés il y a dix ans mais parce que plus aucune page de son fabuleux parcours ne sera écrite. Sans doute la raison pour laquelle il a tenu la plume jusqu'au dernier week-end de son existence.
Zaine Griff in conversation with David Eastaugh https://www.zainegriff.com/#home In 1979 Griff started his solo career. He released two albums, Ashes and Diamonds (recorded in 1979, released in 1980), produced by Tony Visconti, and Figvres (1982), on which he collaborated with future successful film composer Hans Zimmer, and many colleagues from the new wave and new romantic era including Kate Bush, Warren Cann of Ultravox and Yukihiro Takahashi, of Japanese electronic band YMO. The single "Tonight" peaked at No. 54 in the UK Singles Chart in February 1980, whilst "Ashes and Diamonds" reached No. 68 in the same listing in June that year.
Let's Dance: Art Rock to Arena In this episode, you will be able to: Discover how the Let's Dance album reshaped David Bowie's sound and sparked a new wave in 1980s pop culture. Explore Bowie's career evolution to understand how he kept reinventing himself and staying relevant through the decade. Wonder why Stevie Ray Vaughn is on this album. Find out what Dan loves about this album maybe. The key moments in this episode are: 00:06:32 - Historical Context and Bowie's Career Popularity 00:10:02 - Album Artwork and Symbolism Discussion 00:14:05 - Bowie's Transition Toward Mainstream Success 00:24:29 - Comparing “Let's Dance” to “Young Americans”: Production and Artistic Intent 00:29:43 - From Disco to Corporate Funk: Evolution of Dance Music and Cultural Shifts 00:38:43 - MTV's Role in Music Industry Transformation and Marginalization 00:42:06 - The Shift to Singles and Pop's Commercial Pressures in the 1980s 00:50:03 - The Appeal and Reality of Arena Shows for Legacy Artists 01:04:34 - Exploring Stevie Ray Vaughan's Impact on David Bowie's Album 01:13:39 - Young Americans Album's Underrated Brilliance and R&B Influence 01:16:31 - Navigating Bowie's 1980s Albums: Hits, Misses, and Artistic Context 01:22:04 - Tony Visconti's Replacement and Production Dynamics 01:33:07 - Discussing Music Criticism and Personal Tastes 01:36:46 - Exploring David Bowie's Persona and Artistic Values 01:38:25 - Analyzing the Themes and Ironies in Bowie's “Let's Dance” Album 01:43:05 - Emotional Response and Critique of Bowie's Glossy Hits and Album Cohesion 01:47:22 - Critical Review of Specific Tracks and Musical Experimentation on the Album 01:53:02 - David Bowie's Collaboration with Queen Explored 01:54:15 - Patreon Challenges and Future Content Plans This podcast is powered by Pinecast.
Derek Shulman: Giant Steps - Exclusive Interview An in depth interview with Derek Shulman—Gentle Giant founder and the executive who helped power Bon Jovi, Pantera, AC/DC, Dream Theater, Slipknot and more. I discuss his remarkable memoir Giant Steps: grief and grit after his father's passing, the leap from Simon Dupree & The Big Sound to Gentle Giant, mentorship from Tony Visconti, live reinvention, and the bold move to the business side (minus the clichés). Derek also drops news on remixing In A Glass House with cutting-edge AI, and explains why hip-hop embraced Gentle Giant.If you love honest music stories—from Top of the Pops to arena tours—this is essential.“We didn't have a plan. We just needed musicians who would push each other. Out dripped Gentle Giant.” — Derek Shulman“Bon Jovi said, ‘I want to be bigger than Elvis.' You can't stop that kind of drive—you nurture it.” — Derek ShulmanPhil Aston | Now Spinning Magazine
Band On The Run is Paul McCartney's succesvolste album na het uiteenvallen van The Beatles. De opnamesessies verlopen nogal chaotisch: bandleden lopen weg, de Nigeriaanse studio is nog niet af, Paul ontsnapt aan de dood. Wat gebeurt er allemaal in het najaar van 1973? Fab4Cast duikt in de muziek en de verhalen van dit meesterwerk. Met een exclusief interview met de arrangeur van het album, Tony Visconti! Wil je ons financieel ondersteunen? Word dan Vriend Van Fab4Cast en luister naar exclusieve afleveringen die je alleen als donateur kunt beluisteren! Kijk op petjeaf.com/fab4cast voor de mogelijkheden. We zouden je heel dankbaar zijn voor je steun.
Low (1977) is David Bowie's groundbreaking 11th studio album and the first installment in his celebrated "Berlin Trilogy," produced in collaboration with Brian Eno and Tony Visconti. Marking a radical departure from his previous glam rock sound, Low is split into two distinct halves: the first side features fragmented, experimental art rock and electronic pop songs, while the second side dives into haunting, ambient instrumentals. Recorded in the wake of personal turmoil and relocation to West Berlin, the album reflects themes of alienation, dislocation, and emotional numbness. Tracks like “Sound and Vision” and “Be My Wife” showcase Bowie's minimalist lyrical approach, while Side B's atmospheric compositions such as “Warszawa” evoke a post-war European desolation. Initially polarizing, Low is now widely regarded as one of Bowie's most influential and visionary works, paving the way for post-punk, new wave, and ambient music.Listen to the album on Apple MusicListen to the album on SpotifyWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press Discord ServerFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.
Today's epic episode of Electronically Yours is part 1 of a 2 part final episode featuring the rock legend and Spider From Mars, Woody Woodmansey.Born in Hull, his exceptional work with Bowie in his breakthrough period has gone down in history as a major influence on so many bands, including The Human League and Heaven 17. Woody is still touring with Glenn and Tony Visconti as Holy Holy, and his reminiscences about the characters involved throughout his career are both entertaining and profound.Ladies and gentlemen, here's one spider I love - the amazing Woody Woodmansey...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours
An intimate performance at the Neil Finn owned bar Tabac, sees the Finn Brothers workshopping songs for Everyone Is Here prior to heading overseas to lay them down with Tony Visconti. Louis from Brighton joins the chat to highlight the curiosities and help give what became album b-sides their day in the sun.Performances include: Tell me come on, Land torments the sea, Homesick, A Life between us, Faraway children, Gentle hum, Sunset swim, Way back down, Everyday Alright.Episode cover: Don't dream it's over by Birds Are Better. Check out the latest Birds Are Better album on Spotify over herehttps://open.spotify.com/album/2kO6osBmmIAA3Rg6Ppnmtx?si=9etCAElbSNawIHn1PnhwYwYou can significantly support the continuation of the 240 podcast for a donation of just a couple dollars per month. This goes directly towards covering the podcast hosting fees. Big thank yous if you are in a position to help. Head over here to: http://patreon.com/240neilfinn
Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves … … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967. … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves … … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967. … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves … … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967. … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Today's guest is BISHI - singer, electronic rock-sitarist, composer, producer, and performer born in London of Bengali heritage. She has independently released two albums and several EPs on her own label Gryphon Records to critical acclaim. She co-produced her third album ‘Let My Country Awake,' with Jeff Cook, out now on all platforms. BISHI has recorded work with Tony Visconti, Sean Ono Lennon, Jarvis Cocker, Richard Norris and Daphne Guinness. Her collaborations and commissions for the stage include; The London Symphony Orchestra, The Kronos Quartet and Yoko Ono's ‘Meltdown', and is the founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary genders in tech, through commissions, performances & the podcast 'Creative Women in Tech.' Ladies and gentlemen – meet the unique performer Bishi...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours
La banda Cápsula, formada en Buenos Aires y asentada en Bilbao, toma su nombre de la canción "Space Oddity", de David Bowie. El artista británico es una de sus grandes influencias, de ahí que hayan buscado trabajar con productores como Tony Visconti. También han colaborado con otros grandes nombres como John Agnello y han compartido escenario con leyendas como Iggy Pop, Pearl Jam u Os Mutantes. Su nuevo álbum, Primitivo Astral, lanzado en 2024 es una exploración sonora que fusiona lo mejor del pasado y del presente del rock.Escuchar audio
The teenage Woody Woodmansey was offered the job of under-foreman in the Vertex spectacle factory in Hull but then got a call from Bowie inviting him to move to London and play drums on his new album - “plus food and somewhere to stay”. It took him all weekend to decide. And involved some cultural readjustment when he did. 56 years later he's a founding member of Holy Holy and touring the UK in May – along with Tony Visconti and Glenn Gregory – performing songs from Bowie's breakthrough early ‘70s albums. He talks here about … … the life-changing sound behind the silver door of an air-raid shelter in Driffield. … supporting the Kinks in Bridlington and the Herd at Leeds University - and why Peter Frampton told him, “I'll see you at the top”. ... his first paid gig at the local girls' school. … the Spiders' instructional group outings to see ballet, mime and theatre. ... “never more than three takes”: how Bowie wrote and recorded and the sketches he drew for their stage gear. … life at Haddon Hall and its “Gone With The Wind staircase”. … Yorkshire to London and the cultural collisions involved. … what Bowie realised was “the missing ingredient”. … Woody's checklist to assess Bowie's talents when he met him: “He wasn't Paul Rodgers or Roger Daltrey. He could write. He could communicate.” … “I'm not wearing that!” The day Mick Ronson packed his bags and left. Order Holy Holy tickets here:https://www.ticketmaster.co.uk/tony-visconti-tickets/artist/2003254Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
The teenage Woody Woodmansey was offered the job of under-foreman in the Vertex spectacle factory in Hull but then got a call from Bowie inviting him to move to London and play drums on his new album - “plus food and somewhere to stay”. It took him all weekend to decide. And involved some cultural readjustment when he did. 56 years later he's a founding member of Holy Holy and touring the UK in May – along with Tony Visconti and Glenn Gregory – performing songs from Bowie's breakthrough early ‘70s albums. He talks here about … … the life-changing sound behind the silver door of an air-raid shelter in Driffield. … supporting the Kinks in Bridlington and the Herd at Leeds University - and why Peter Frampton told him, “I'll see you at the top”. ... his first paid gig at the local girls' school. … the Spiders' instructional group outings to see ballet, mime and theatre. ... “never more than three takes”: how Bowie wrote and recorded and the sketches he drew for their stage gear. … life at Haddon Hall and its “Gone With The Wind staircase”. … Yorkshire to London and the cultural collisions involved. … what Bowie realised was “the missing ingredient”. … Woody's checklist to assess Bowie's talents when he met him: “He wasn't Paul Rodgers or Roger Daltrey. He could write. He could communicate.” … “I'm not wearing that!” The day Mick Ronson packed his bags and left. Order Holy Holy tickets here:https://www.ticketmaster.co.uk/tony-visconti-tickets/artist/2003254Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
The teenage Woody Woodmansey was offered the job of under-foreman in the Vertex spectacle factory in Hull but then got a call from Bowie inviting him to move to London and play drums on his new album - “plus food and somewhere to stay”. It took him all weekend to decide. And involved some cultural readjustment when he did. 56 years later he's a founding member of Holy Holy and touring the UK in May – along with Tony Visconti and Glenn Gregory – performing songs from Bowie's breakthrough early ‘70s albums. He talks here about … … the life-changing sound behind the silver door of an air-raid shelter in Driffield. … supporting the Kinks in Bridlington and the Herd at Leeds University - and why Peter Frampton told him, “I'll see you at the top”. ... his first paid gig at the local girls' school. … the Spiders' instructional group outings to see ballet, mime and theatre. ... “never more than three takes”: how Bowie wrote and recorded and the sketches he drew for their stage gear. … life at Haddon Hall and its “Gone With The Wind staircase”. … Yorkshire to London and the cultural collisions involved. … what Bowie realised was “the missing ingredient”. … Woody's checklist to assess Bowie's talents when he met him: “He wasn't Paul Rodgers or Roger Daltrey. He could write. He could communicate.” … “I'm not wearing that!” The day Mick Ronson packed his bags and left. Order Holy Holy tickets here:https://www.ticketmaster.co.uk/tony-visconti-tickets/artist/2003254Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
John Conte Live on Game Changers With Vicki Abelson What crazy fun to sit down with my old dear friend, bassist John Conte, whom I hadn't seen in decades. How is it possible that he appears to have aged barely a day? Seriously! John took us back to childhood days, his jazz-singing mother, Rosemary, his early days on guitar, and his brother Steve at first on drums. Their first band when John was 8 or 9, their early songwriting, including John's first song, Maryanne, Sittin on a Log, which he gave us a little taste of. He was a boy with a dream of playing arenas with rock stars. He told us how they flipped instruments, with John choosing bass. His college days, jazz-infused, where he gigged around with stellar players like Terence Blanchard. We tripped down memory lane, where we met, in the md-80s at The Rock 'n Roll Cafe on Bleecker Street, 1/2 of The Brothers of Conte, as I affectionately came to call them, with his brother Steve, they were weekly regulars whenever their schedules allowed. John was in Blood, Sweat & Tears, his first major gig, at the time, and told us all about that. Great stories there, including playing Madison Square Garden. Not bad for a 23-year-old. During their tenure at the Rock 'N Roll, late one rainy night they brought in their friend, Phoebe Snow, a life changer for me who had been a diehard fan since high school. The Phoeb's and I became fast friends, and I have the boys to thank for that as well as for years of amazing live music there, and at Spo-dee-o-dee's, Woody's, RockGirl, The Marquee, The Cafe Wha, True Blue and The China Club, where they were also a part of my RockGirl Jam Band. A stellar bassist, with an easy temperament and oh so easy on the eyes, it was always a joy when John was around. I made him tell his requisite Chuck Berry story. At that same time, the Conte brothers, as part of The Hudson River Rats, were laying the foundation for much of the session and road work that was to follow. Like Finding himself in the studio with Tony Visconti and David Bowie. John's description of hearing Bowie vocalize in his ear gave me goosebumps. He talked about laying down tracks with Peter Wolf and Ian Hunter, getting to jam with loads of his heroes. The Conte Brothers connected with Kyf Brewer and Company of Wolves were borne. They did some showcases, got signed, did a tour with Richard Marx, and foreshadowed John's future, one with Southside Johnny and The Asbury Jukes. John talked us through touring with Joan Osbourne (beautiful words here), Roseanne Cash, and Southside Johnny choosing him in 2007, a gig that would take him through to present day. There was a short tour with Billy Joel during his 2012 comeback with our friend, Tommy Byrnes, lovely to hear John's take on it, and great stories about his tenure playing with The Disciples of Soul, the house band for the American Music Honors where he got to play with honorees, Jackson Browne, Mavis Staples, John Mellencamp and Dion, as well as host, Bruce Springsteen and Steven Van Zandt. John's shared the stage with Bruce numerous times before, memorably for an impromptu 45-minute set with Southside. John's recounting of that and of playing with Peter Frampton (and Sheryl Crow) at the Sandy Hook Promise Benefit is another moving, goosebump-inducing tale. I loved every single second with my old friend. It's thrilling to see how his life has played and continues to play out. The young boy living his dream. Southside Johnyy's future may be unsure, but John's certainly isn't. He's always got multiple projects cooking, his own music in the works - check him out here johnconte.bandcamp.com and here Facebook.com/johncontebass I just adore the boy. He'll always be a rockboy to me and damn, he sure still looks like one. John Conte Live on Game Changers With Vicki Abelson ****Wednesday, 1/29/25, 1 PM PT, 4 PM ET**** Streamed Live on my Facebook Replay here: https://bit.ly/4hbKHj6
Chuck Prophet has put out 17+ solo records, 10 records with his former rock band Green on Red, and has worked with Bruce Springsteen, Kim Richey, Kelly Willis, Alejandro Escovedo, and Tony Visconti, appeared on many late night shows, toured with Lucinda Williams, and more. We chat with Chuck about transitioning from being in a band to having a solo career, San Fransisco as inspiration, how major successes come out of the blue, learning by doing, songwriting as a self taught art form, the need for more danger in music, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Chuck ProphetGreen on RedJules ShearChuck CloseAngelo PetragliaLarry GottleibKim RicheySound EmporiumThe Paradise LoungeThe AlbionDead KennedysJohn CunibertiAlan WattsClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.
Today on the LaunchLeft Podcast, Rain Phoenix engages in a rich dialogue with renowned music producer and composer, Tony Visconti. Tony reflects on his early influences, including his high school music teacher and his family's musical background. He shares fascinating stories about his collaborations with David Bowie and Brian Eno, highlighting the innovative techniques used in producing albums like Heroes and Low. The episode also explores Tony's work with T. Rex and Paul McCartney, offering listeners a glimpse into the unique creative processes behind some of rock music's most iconic records. Then, Tony launches Daisy the Great. Mina and Kelly, the voices behind the raw and playful album Spectacle: Daisy the Great vs. Tony Visconti give us a glimpse into their creative process and co-writing with Toni Visconti. The conversation is both nostalgic and insightful, providing a deep dive into the world of music production. ----------------- LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft TWITTER https://twitter.com/LaunchLeft INSTAGRAM https://www.instagram.com/launchleft/ FACEBOOK https://www.facebook.com/LaunchLeft --------------------- IN THIS EPISODE: [1:57] Tony discusses his unique and creative work with David Bowie and how they captured the unique vocal sound in the album Heroes [14:28] Tony reflects on how his high school music teacher, Dr. Israel Silberman, inspired him and helped build his foundation for music theory and love for music composition [20:00] Tony discusses the musical talent in his family, then how music found him [27:15] Tony reflects on his collaborations with David Bowie and Brian Eno [37:03] How Tony ended up composing for Paul McCarney [43:29] Meet Mina and Kelly, the voices behind Daisy the Great, and hear how their latest EP Spectacle: Daisy the Great vs. Tony Visconti came to be and a discussion about collaborating with Tony. KEY TAKEAWAYS: From a young age, Toni studied the master sheet music of classical artists like Mozart and Beethoven, learning each instrument’s part, then figuring out how they came together. This is how his passion for producing music was sparked and led him to dive straight into the music industry after high school Tony, David Bowie, and Brian Eno worked so well together and each brought their own innovative skill sets and creative energy into the studio. Together, they created some of rock music's most iconic records. Even so, each artist would still create their own work or have other collaborations in progress, which was ideal, because it kept them from growing stagnant as artists. They were constantly learning and trying new techniques or experimenting with equipment, which they would bring into their next album together After decades creating music with icons, Tony is still passionate about learning from and collaborating with artists. For instance, while working with Mina and Kelly, his co-writing experience was something that he had never experienced before. RESOURCE LINKS: LaunchLeft Podcast Smart Link Daisy the Great Links: Daisy The Great - Website Spectacle: Daisy the Great vs. Tony Visconti Daisy the Great - Instagram Daisy the Great - TikTok Daisy the Great - YouTube Spectacle: Daisy the Great vs. Tony Visconti is the most expansive release from Daisy the Great yet. It is a masterclass in sonic storytelling — a dazzling exploration of the indie innovation that has defined the duo since the release of their hit “The Record Player Song” and its certified-gold follow-up, “Record Player” with AJR. The five new tracks were co-created with Grammy-winning producer Tony Visconti (David Bowie, T. Rex), and capture the New York City duo honing in on their unique brand of genre-defying music where interlocking double lead vocals and striking harmonies give their sound an artful and kaleidoscopic twist. Tony Visconti Links: Tony Visconti - Instagram Tony Visconti - X Tony Visconti - Facebook Tony Visconti is recognized as one of the top music producers in the history of rock music.
Nadja [00:23] "Sievert Pt. 1" Sv Broken Spine Productions BSP015 2023 (original release 2016) Doomy ambient goodness from Aidan and Leah once again. Eurythmics [22:32] "Love Is a Stranger" Sweet Dreams Are Made of This RCA AFL1-4681 1983 Side one, track one from their sophomore album, with a classic video (https://youtu.be/o6f593X6rv8?si=JdUQVqkJ6oVbYuni) to go along for the ride. Plus, high harmonies by Kiki Dee (https://youtu.be/z0qW9P-uYfM?si=y9ywrtnrvrpZvDqI)! Mose Allison [26:15] "Stop This World" Swingin' Machine Atlantic SD 1398 1963 Amen, Mose. Throwing in some horns is not quite the same as the classic trio from the preceding album I Don't Worry About a Thing, but it's still pretty great. Wendy Carlos [29.38] "Brandenburg Concerto No. 3 in G Major - Third Movement" Switched-On Bach Columbia Masterworks MS 7194 1968 Carlos collaborated with Bob Moog on his nascent synthesizer technology to create this album. Because the Moogs were monophonic, it took 1,000 hours over five months to record. In case you are wondering what a traditional version of this movement sounds like, here is the Netherlands Bach Society performing it (https://youtu.be/qr0f6t2UbOo?si=yiW4DA0AxFSb3sB5&t=370). The Police [34:44] "Miss Gradenko" Synchronicity A&M Records SP-3735 1983 The requisite Stewart Copeland track from final album by The Police. Ultravox [38:18] "Slow Motion" Systems of Romance Antilles AN-7069 1978 Lead track and single from Ultravox's third studio album, which became a large influence on Gary Numan (https://youtu.be/_nt5EH0UYxE?si=pm0h_4YWwXlCKJks). T. Rex [41:44] "20th Century Boy" T. Rextasy: The Best of T. Rex, 1970-1973 Warner Bros. Records 25333-1 1985 As usual, Marc Bolan lays down an undeniable groove (https://youtu.be/9SG65dlho_o?si=4Q8NPlKJc_87trVQ), produced by Tony Visconti. I almost forgot about the sax parts. Can [45:23] "Mushroom" Tago Mago United Artists Records 1971 (2007 "unofficial" repress) Tago Mago was Damo first outing with the band, following Malcolm Mooney's departure. According to guitarist Michael Karoli, the explosion at the end of the song is a slowed-down recording of an exploding firecracker. Zola Jesus [49:41] "Long Way Down" Taiga Mute 9611-1 2014 Zola Jesus' fourth studio album and only outing on Mute (before returning to Sacred Bones). Produced by musician, sound designer, and composer Dean Hurley. The Folk Implosion [54:49] "Had to Find Out" Take a Look Inside...... Communion Label COMM 32 1994 The debut album from Lou Barlow and John Davis... released 30 years ago! Stevie Wonder [56:55] "You Are the Sunshine of My Life" Talking Book Tamla T319L 1972 What?! It's a great song. And it was the single that followed up "Supersition". That's a heckuva gear shift. Number one on the Hot 100, of course. Silver Jews [59:53] "Sometimes a Pony Gets Depressed" Tanglewood Numbers Drag City DC297 2005 A rehabilitated Dave Berman comes back with this album, the fifth studio album. He is joined once again by Bob Nastanovich and Stephen Malkmus, as well as his then-wife Cassie Berman. Cover photo by William Eggleston. Music behind the DJ: "Jackie (https://youtu.be/HqAbaqVBCyo?si=qu8P0gk6OeWL5SeB&t=224)" by Billy May and his Orchestra
On this week's Talkhouse Podcast we've got two guys with more than a hundred years of music-making experience between them and the endless stories to match: Tucker Zimmerman and Tony Visconti. You'll be forgiven if you don't recognize Tucker Zimmerman's name: The songwriter existed on the fringes of the folk scene in the late 1960s but in spite of acclaim from fellow musicians—including David Bowie, as you'll hear—he never broke out. That may be because Zimmerman left America for Belgium, where he's continued to quietly create music and write for the past 40 years. But you can only keep a secret like Zimmerman for so long, and Big Thief's Adrianne Lenker happened to hear one of his records a couple of year ago and was inspired enough that one thing led to another and Big Thief ended up creating an entire record with Zimmerman called Dance of Love, which came out earlier this year. It's an odd, beautiful collaboration that's well worth checking out. In fact, check out “Burial At Sea” from Dance of Love right here; it features Lenker and Zimmerman's voices together. The other half of today's conversation is a legendary musician and producer who also had a lot to do with bringing Tucker Zimmerman into the public consciousness. Tony Visconti is best known for his many, many collaborations with David Bowie, with whom he worked closely over Bowie's entire career. Visconti has also produced records for T. Rex, Morrissey, Sparks, and way more others than I have time to list here. But for purposes of this conversation, we need to note that he helped created Zimmerman's Ten Songs album back in 1968, which they get into in this chat. They've stayed in touch over the years, and you'll hear the affection in their voices. Speaking of voices, the third person who pops up briefly in this chat is Tucker's wife Marie Claire, who also appears on the cover of Dance of Love and contributes some vocals. Elsewhere in this conversation, Tucker and Tony talk about their early adventures together, include an acid trip facilitated by a guy named Dr. Sam. They chat about Bowie, of course, and Tucker gets a chance to thank Tony for helping him out over the years—and how he's glad Tony didn't agree to produce an ABBA record when he had the chance. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Tucker Zimmerman and Tony Visconti for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and be sure to check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse
In this new episode of the Kate Bush Fan Podcast, Seán talks to Leah Kardos, author of the new book about Hounds of Love which is part of the acclaimed 33⅓ book series which examine key albums from music history. Leah is a musician, a senior lecturer in music at Kingston University in London, co-founder of that university's Visconti Studio (with producer Tony Visconti) and is also author of Blackstar Theory: The Last Works of David Bowie. A very enjoyable chat in which she discusses what made her pitch Kate's fifth studio album to the book publishers, her experience of writing the book as we emerged from a pandemic, the challenges of producing a smaller sized book like this and why it was important to her to emphasise Kate's pioneering production work and barrier-breaking career achievements. I highly recommend this excellent little book as the perfect Christmas stocking filler for the Kate Bush fan in your life!
In a lively podcast episode, hosts Jesse Jackson and Sylvan Groth explore John Hiatt's song 'I Look for Love' from his 1982 album 'All of a Sudden,' produced by Tony Visconti. They discuss its 80s production, notable reception, and the impact of its lyrics, including power dynamics in relationships and emotional themes. The hosts share a deep appreciation for the song while expressing curiosity about acoustic or rock renditions. They also mention Roseanne Cash's version and their personal experiences with the song. Learn more about your ad choices. Visit megaphone.fm/adchoices
In a lively podcast episode, hosts Jesse Jackson and Sylvan Groth explore John Hiatt's song 'I Look for Love' from his 1982 album 'All of a Sudden,' produced by Tony Visconti. They discuss its 80s production, notable reception, and the impact of its lyrics, including power dynamics in relationships and emotional themes. The hosts share a deep appreciation for the song while expressing curiosity about acoustic or rock renditions. They also mention Roseanne Cash's version and their personal experiences with that song. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Backstage Sonoma, Steve Roby sits down with the iconic frontman of Cherry Poppin' Daddies, Steve Perry, ahead of their performance at the Hop Monk Tavern in Novato on September 29th. Known for their genre-blending style, Perry takes us through the band's evolution from the breakout success of "Zoot Suit Riot" to their latest album, At The Pink Rat. Get insights into their eclectic fusion of ska, swing, punk, and funk, and hear how Perry continues to challenge himself musically. Episode Highlights: The origins of Cherry Poppin' Daddies' unique genre fusion. Steve Perry's reflections on punk rock's DIY ethic and how it shaped his artistic vision. A deep dive into the new album At The Pink Rat and its jukebox musical concept. The inspiration behind featured tracks like “Thrill Thing” and “Undecided.” Collaborations and influences: working with musical legends like Buckwheat Zydeco and Tony Visconti. What fans can look forward to at the upcoming Hop Monk show in Novato. Featured Songs: “Lowdown Appreciator” “Thrill Thing” from At The Pink Rat “Undecided” (cover) Links: Cherry Poppin' Daddies Official Website Tickets to Hop Monk Tavern Show Follow on Social Media: Instagram: @cherrypoppindaddies Twitter: @cherrypoppindaddy Hashtags: #BackstageSonoma #CherryPoppinDaddies #AtThePinkRat #StevePerry #SwingRevival #SkaFusion #HopMonkLive
Through art, film, fashion, collecting, and now music, Daphne Guinness has been a creative force and industry muse second to none. On this season finale of The Grand Tourist, Dan speaks with Guinness about her new album “Sleep,” what it was like collaborating with legendary producer Tony Visconti, the unconventional summers of her youth with Salvador Dalí, her memories of Alexander McQueen and Isabella Blow, her thoughts on AI and the future of creativity, and more. Hosted on Acast. See acast.com/privacy for more information.
Sylvan @sylvangreeneyes and Jesse @jessejacksonDFW are opening doors to discover John Hiatt's "Forever Yours." Will we sit and cry or smile as we dig into the lyrics of this song from 1982's All of A Sudden, produced by Tony Visconti? Learn more about your ad choices. Visit megaphone.fm/adchoices
Adam talks with American actor, comedian, voice artist, screenwriter, producer and musician Fred Armisen about hotel hacks, what Fred and Matt Berry learned when they hung out with David Bowie's producer Tony Visconti, the Stop Making Sense nerd fact David Byrne told Fred, how Adam could help Talking Heads get on better, why you can't beat Paul McCartney, why Fred wasn't nervous for his Saturday Night Live Audition, the Portlandia sketches that summed up the show best and Fred takes us on an accent tour of New York.This conversation was recorded face-to-face in London on 25th November 2023.Thanks to Séamus Murphy-Mitchell for production support and conversation editing.Podcast artwork by Helen GreenJIM DOWN - LIFE IN THE BALANCE (PAPERBACK) - 2023 (WATERSTONES)RELATED LINKSFRED ARMISEN BRITISH MUSIC PLAYLIST - 2023 (LINE OF BEST FIT WEBSITE)DAVID BOWIE, BRIAN ENO AND TONY VISCONTI RECORD WARSZAWA (animated by Brothers McLeod) - 2013 (YOUTUBE)BREAKING DOWN HEROES - TONY VISCONTI & ERIN TONKON (FROM MUSIC MOGULS: MASTERS OF POP, BCC) - 2016 (YOUTUBE)MATT BERRY INTERVIEWS BRIAN ENO - 2018 (YOUTUBE)PORTLANDIA - PUT A BIRD ON IT - 2011 (YOUTUBE)PORTLANDIA - IN THE RESTAURANT - 2011 (YOUTUBE)PORTLANDIA - WHICH BIN DOES IT GO IN - 2012 (YOUTUBE)HISTORY OF PUNK SNL - 2013 (YOUTUBE)SNL WEEKEND UPDATE - GARTH AND KAT SING HALLOWEEN SONGS - 2010 (YOUTUBE)NARDWUAR VS FRED ARMISEN - 2013 (YOUTUBE)FRED ARMISEN, BILL HADER, SETH MYERS RECALL PRINCE AFTERSHOW PARTY ON HOWARD STERN SHOW - 2016 (YOUTUBE)BEST OF BILL HADER AND FRED ARMISEN (YOUTUBE)SATURDAY NIGHT - A DOCUMENTARY ABOUT SNL BY JAMES FRANCO - 2014 (YOUTUBE) Hosted on Acast. See acast.com/privacy for more information.
Producer of T. Rex and David Bowie and this guy was SO good I was pinching myself throughout our conversation!See omnystudio.com/listener for privacy information.
Music producer Tony Visconti's long career includes albums with David Bowie, Marc Bolan, Damon Albarn, Esperanza Spalding, and more. By his count, he's produced more than 2,000 recordings. A new four-CD box set, Produced by Tony Visconti, collects nearly 80 songs on which he worked. Visconti joins us to reflect on his career and his approach to production.
Music producer Tony Visconti's long career includes albums with David Bowie, Marc Bolan, Damon Albarn, Esperanza Spalding, and more. By his count, he's produced more than 2,000 recordings. A new four-CD box set, Produced by Tony Visconti, collects nearly 80 songs on which he worked. Visconti joins us to reflect on his career and his approach to production.
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