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Jim took the April 2025 New Music train out for a spin and dropped it off in Scotland, where Steven Routledge takes over and steams back across the Atlantic to pick up Bob Peterson in Wisconsin. This pair of new music aficionados discuss tunes from Brown Horse, Messa, Suede, Bon Iver, Etran de L' Air and Lifeguard. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2009 retrospective continues with the first animated Best Picture nominee since 1991's "Beauty And The Beast," Disney Pixar's "Up," starring Ed Asner, Christopher Plummer, Jordan Nagai & Bob Peterson. Hot off the heels of "Wall-E"the year prior, Pete Docter's film about an elderly man who gets reconnected with life in the aftermath of his wife's passing continued Pixar's hot streak with critics, audiences, and the Academy. Did this one float to the top of our favorite Pixar films? Please join Alyssa Christian, Josh Parham, Dan Bayer, Cody Dericks, guest Nick Spake and me as we discuss our thoughts on the story, characters, animation, score, iconic opening montage, its awards season run, and more in our SPOILER-FILLED review. We appreciate your support and hope you enjoy our review! Thank you! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Bob Peterson joins Patrick to induct Dylan's left-turn into country music – the short but oh-so-sweet Nashville Skyline – into the Bob Dylan Album Hall of Fame. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
The March 2025 New Music Train is picking up steam and headed for top speed as it travels from Scotland to Wisconsin. That means new music OG Steven Routledge is on board, along with the doctor of rock and roll, Bob Peterson. They discuss new music from Matt Berninger, Telepathy, Neal Francis, My Morning Jacket and Brian D'Addorio. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
The New Music train is back on the tracks for 2025! In this episode, Dr. Bob Peterson and Harris King are driving the train from Wisconsin to South Carolina. Along the way, they discuss new music from Sault, Rose City Band, Delivery and Lambrini Girls. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Happy New Year and welcome to the Best of 2024 series! Our listeners are choosing their favorite album and song from last year and today Bob Peterson takes center stage. He picks an album from The Lemon Twigs and a song from Suburbs Pod favorites Half Catholic. Thanks Bob! Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
It's a jam-packed trip on the November 2024 New Music Train today, with three musical messengers on board: Kevin Porter, Liam McIndoe and Bob Peterson. They will discuss new tunes from Illiterate Light, Perfume Genius and Alan Sparhawk, The Chills, The Wildhearts, Andrew Gabbard, Michael Kiwanuka and Lambrini Girls. And if you listen carefully, you'll hear some New Music Train theme music! Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Jim and Patrick are joined by Bob and Phil Ingrassia and Bob Peterson to discuss the life and musical legacy of Minneapolis musical legend Slim Dunlap, who passed recently at the age of 73. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
The Rocktober 2024 New Music Train is on a long distance journey today, chugging from Wisconsin to Sweden. Bob Peterson and Niklas Nygards are in control and they are talking up new tunes from Frankie and the Witch Fingers, Brower, Abstract Crimewave and Isak Benjamin. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
We start the week with the September 2024 New Music Train winding its way from Louisville up to Wisconsin. Jay Ignacio and Bob Peterson are on board and they fill you in on new music from MJ Lenderman, Being Dead, Soul Asylum and Muun Bato. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Send us a textIn today's episode, I interview Luke Morgan, the director of the short film "The Boat." The film is based on a heartbreaking true story of a father who must make a difficult choice when his daughter begins exhibiting troubling medical symptoms and is it qualified for the 97th Academy Awards.Listen to hear about the work that Luke and his brother were doing that led them to the story, why they decided to make a film that highlighted the disease of leprosy, and the realities of quicksand as a danger in film production.Books mentioned in this episode include:Raised Among Vultures by Molly ToomeyPalm Wine Tapper and The Boy at Jericho by Nithy KasaEat Or We Both Starve by Victoria KennefickBloodrot by Annemarie Ní ChurreáinPit Lullabies by Jessica TraynorFilms mentioned in this episode include:"The Boat” directed by Luke MorganLife is Beautiful directed by Roberto BenigniCinema Paradiso directed by Giuseppe TornatoreThere Will be Blood directed by Paul Thomas AndersonUp directed by Bob Peterson and Pete DocterCoco directed by Lee UnkrichIn Bruges directed by Martin McDonaghI Daniel Blake directed by Ken LoachThe Seventh Seal directed by Ingmar BergmanAruna's Magic (Disney+ series)Follow Luke and his brother on Instagram @morgan_bros and the film @calf_thefilm.You can check out "The Boat" at the Offline Film Festival going on right now, and the Kerry International Film Festival from October 17-20. You can check out the trailer on morganbrother.ie.You can also learn more about The Mission to End Leprosy at their website.
A group of listeners who attended this year's Bourbon and Beyond Festival in Louisville, Kentucky – namely Keith and Mary Jacobsen, Adam Coop, Bob Peterson and Billy McNeil — join Patrick to discuss all the happenings. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
It's a cross-continental August 2024 New Music train today, with Bob Peterson starting the journey from Wisconsin and Roger Grace (with some help from his wife Hilary!) tearing up the tracks from Scotland. They will give you plenty to listen to in the form of new music from Futurebirds feat. Waxahatchee, X, Say She She, Hamish Hawk, The Last Dinner Party, Scarlet Rebels and David Coverdale. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Bob Peterson speaks on walking by faith in light of our future.
The July 2024 New Music Train is steaming through America's heartland today, with Bob Peterson and Paul Hayden at the controls. They will tell you about new records from Parlor Greens, The Breaks Inc., Wand, Beachwood Sparks and Say She She. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
The May 2024 New Music Train is steaming through the heat today, with Jeff Frank discussing new tunes from Hinds (ft. Beck) and Garbage, both of which are perfect summer jams. Bob Peterson pushes the train to top speed with picks from Black Market Karma and Childish Gambino. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Ohio is facing an invasion at it's southern border; by feral hogs. The guys are joined by Ohio Rep Bob Peterson to explain what Columbus is doing to address the problem.
Jason Williams fills in for Eddie Fingers and co-hosts the Eddie and Rocky on today's show. Rock and Jason talk to Ohio Rep. Bob Peterson of District 91; the guys get a call from Eddie live from the Rock and Roll Hall of Fame to talk Mojo Nixon Day; Willie joins the show to talk about all the madness happening around the tristate; and Royal Oakes from ABC gives updates about Hunter Biden.
Ohio is facing an invasion at it's southern border; by feral hogs. The guys are joined by Ohio Rep Bob Peterson to explain what Columbus is doing to address the problem.
Jason Williams fills in for Eddie Fingers and co-hosts the Eddie and Rocky on today's show. Rock and Jason talk to Ohio Rep. Bob Peterson of District 91; the guys get a call from Eddie live from the Rock and Roll Hall of Fame to talk Mojo Nixon Day; Willie joins the show to talk about all the madness happening around the tristate; and Royal Oakes from ABC gives updates about Hunter Biden.
rWotD Episode 2572: Tom McCarthy (director) Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Sunday, 19 May 2024 is Tom McCarthy (director).Thomas Joseph McCarthy (born June 7, 1966) is an American filmmaker and actor who has appeared in several films, including Meet the Parents and Good Night, and Good Luck, and television series such as The Wire, Boston Public and Law & Order.McCarthy has received critical acclaim for his writing and directing work for the independent films The Station Agent (2003), The Visitor (2007), Win Win (2011), and Spotlight (2015), the last of which won the Academy Award for Best Picture, won McCarthy the Academy Award for Best Original Screenplay, and earned him a nomination for the Academy Award for Best Director.McCarthy also co-wrote the film Up (2009) with Bob Peterson and Pete Docter, for which they received an Academy Award nomination for Best Original Screenplay. McCarthy also wrote Million Dollar Arm (2014), and directed and executive-produced for the Netflix television series 13 Reasons Why (2017).This recording reflects the Wikipedia text as of 00:43 UTC on Sunday, 19 May 2024.For the full current version of the article, see Tom McCarthy (director) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Danielle Neural.
The April 2024 New Music Train is picking up speed as we head towards the weekend. On board today are Bob Peterson and Paul Hayden, who bring us new releases from The Lemon Twigs, Total Strangers, Vampire Weekend and Killer Kin. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Join us this week in the SNL Hall of Fame as we welcome Jon Schneider onto the podcast to discuss the one of kind, Will Forte. Will he be enshrined in the hall? Only you can decide.Transcript: Track 2:[0:42] Hey, it's J.D. here, and I want to thank Doug DeNance for another lovely introduction.Welcome to the SNL Hall of Fame podcast. As I mentioned off the top, I am your host, J.D.I am joined by Matthew Ardill in the trivia corner, and of course, our chief librarian, Thomas Senna, will handle the conversation with John Schneider today. So that's really exciting.But who are we going to cover? Well, before that, the SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration.Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall.And that's how we play the game. It's just that simple.May the 6th is the date you're going to want to circle on your calendar.That is when voting opens in the SNL Hall of Fame, and we have one hell of a ballot.There are some stakes here, as there are people that are on their fifth ballot that if they don't make it in, they will be removed from the ballot.And that is as high stakes as it really gets here on the SNL Hall of Fame, except for that time that we had lava on the floor.You bet your ass people wiped their feet then.Track 2:[2:10] Let's go to our friend, Matt Ardill. Matthew, my friend.Track 3:[2:13] How are you doing, JD? I'm great. I'm great. Thanks for asking. How about you?I'm good. I'm great as well. Yeah. Yeah. I've got, I'm really excited.I love Will Forte on so many levels.I can't wait to share. Well, learn me up.Okay. Well, Will Forte, 5'9", born June 17th, 1970. He has 132 acting credits, 26 writing credits, 20 soundtrack credits, and five producer credits.He was born in Alameda County, California, and attended the University of California.He was a member, and this shocked me.He was a member of the varsity football team, varsity swim team. So he was a jock.Track 3:[2:57] That's not what I would have expected. Me neither. I want a picture of Theater Nerd. Yeah.Exactly i would have imagined that as well but i mean it's that's just you know that's i guess us not seeing past the stereotype but uh yeah he went on to earn a history degree valuable lesson you just taught us matthew yeah let's do just because somebody plays sports doesn't mean they don't have the the love of theater in them that's right but yeah so thank you for that yeah not from but yeah got a degree in history from ucla and um then he realized his true love was comedy so he joined the groundlings he also tutored faye dunaway's 12 year old son in mathematics while he was in high school which is like that's just a weird i mean this is the weird connections you get living in california yeah i suppose so yeah yeah you know so it's just it i i don't know No, I feel like living in Canada, we don't get those wacky connections, but, um.Track 3:[3:59] At a young age, he went to see Tony Orlando, and Tony brought him and his friend up on the stage, and he encouraged them to follow their passions.So much so, he wrote him and Tony a nice letter many years later.What a class act. Yeah, yeah. And he, in fact, is a class act in multiple ways.He is also a class act video game player. He is the 36th highest scorer in the world in Donkey Kong.Long whoa yeah he watched the that fistful of quarters documentary and he's like i can do that and is now registered on twin galaxies as number 36 in the world that's brilliant that movie also very very good yes and it's not to go on a tangent you watch that fistful of quarters that the villain in that show is a total nut bar you can go down a rabbit hole all on its own as As well as an amazing video gamer, he is also a super sweet dude.Rachel Dratch describes him and Seth Meyers as her comedy non-boyfriends, basically her comedy brothers.She's remained incredibly close to them.Track 3:[5:12] But he's also remained close to other cast members.He attended Andy Samberg and Seth Meyers' weddings, both in character as Hamilton.Hamilton oh my gosh i would have paid good money just to see that i mean just a full character problem is a lot of their families don't know the character so all they know is there's a super racist weirdo walking around at the way which is the most will thing like that just is like yeah i that that that makes sense that makes sense um he collects life preservers and construction helmets he actually got his start uh as a published author he wrote 101 things definitely Definitely not to do if you want to get a check.Track 3:[6:12] It was a comic that he wrote at 24, which he parlayed into his first gig writing for the Jenny McCarthy show and then moving on to Letterman.One of the weirder things that I read is at one point, Val Kilmer was trying to find a house in Malibu.So he was just couch serving and will let him stay on his couch for a couple of months. And one night they were watching the amazing race and they thought that'd be awesome and wanted to go on the amazing race there.Their agents ultimately stopped them.Track 3:[6:46] Uh, boo, those agents did not really do the right thing.Uh, and then unfortunately time got away from them and it didn't happen.Um, but yeah, just, and just to illustrate how amazing a dude he is.Uh, he gave his entire per diem to the crew, uh, for MacGruber, which when he was filming the film MacGruber, he, uh, his mom visited the set on this, the naked celery scene, uh, shooting day.So that must've been a little weird.Um, you think, yeah, it's like, uh, but yeah.So as a part of a fundraising event for boys and girls club of Venice, he auctioned off an opportunity to see, um, a early cut of MacGruber with him and Ryan Philippe, uh, before its premiere.Um but he said if somebody paid a hundred thousand dollars he'd take them out for yogurt twice a year for the rest of his life thought it was a joke and someone called us bluff so now wow ever since the release of mcgruber he's been taking this person out twice a year for yogurt.Track 3:[8:00] Um oh that's they're gonna develop a friendship yeah yeah that i mean you don't you don't do that not actually start to like one another you would think you would explore it at least yeah yeah and and i mean in the ultimate expression of how good a duty is like a true gentleman when filming the last scene for the last man on earth he and kristen shaw had a sex scene after her character ate a can of beans and she let one rip like crazy and he took the bullet for it he claimed it was his so, Just a true gentleman all around. Wow. A gentleman of thoughts.Track 3:[8:47] Yes. Yes, indeed. Well, I think that I'm pretty excited that our guest today is the Grand Poobah over at the Saturday Night Network.It's John Schneider, and he is joined right now downstairs with Thomas, so let's join them in conversation.Track 4:[9:40] All right, J.D. and Matt, thank you so much. Yes, welcome to another episode, another wonderful conversation with a great guest.Welcome to the SNL Hall of Fame podcast.And today we are talking about, this is a personal favorite of mine. This is a chance for me.And my guests to just be total geeks. It's almost for me like when Sammy K and I did the Vanessa Bear episode last season.That's like 14 for you and one for me kind of thing.So this is what this is like with Will Forte, our nominee today.So to join me, another fellow Will Forte nerd, possibly he's, Will Forte is one of my favorite, probably in the top two or three favorite cast members of mine personally.And I think for my guest, Will Forte falls under that category, too.So I am joined by a friend, somebody who I greatly admire in the podcast.He's kind of like a podcasting influence for me personally.Track 4:[10:42] It is from the Saturday Night Network, John Schneider. Hey, man, what's up? Thanks for joining me. Hey, Thomas.Track 4:[10:49] Well, I'm very first of all, I'm very humbled that you would say that mutual respect here and love what you've done with the show and and JD and Matt and everybody here so thank you so much for having me back and I have to say Thomas I maybe have podcasted about I'm gonna just I'm gonna throw out a guess here I'm gonna say like 300 podcasts about SNL I maybe have done like over the last few years I don't think I've ever been as excited to do a podcast as I am right now like this is this is one of the best things I could have ever done as an SNL podcaster is get to talk about will forte he is definitely my favorite cast member of all time i wouldn't be talking about snl or podcasting about snl or doing all the things that we're doing at the snn if i didn't fall in love with will forte on the show and everything that he did and i i know i'm not alone with that i know that there's so many people out there that will forte is such a big influence on so thank you for having me today i can't wait to have this conversation yeah absolutely i'm so giddy too and then redoing some refresh because with will forte i don't necessarily need to do research quote unquote but i like to refresh myself watch sketches go in with uh you know having watched these sketches as close to recording time as possible so they could be fresh and this is like the most fun quote unquote research i think that i've done for this entire show because.Track 4:[12:07] I love will forte so much so so yeah this is gonna be great thanks for so much for joining i meant what i said as far as you being like a podcasting influence what you've built at saturday night Network is just amazing.Track 4:[12:19] So tell us, tell the listeners what's been going on over at the S&N a lot. I know.Thank you so much. Yeah. I mean, it's been pretty crazy. It's been great to get the show back after that writer's strike and glad that everything turned out well over there. And.Track 4:[12:37] You know, nonstop coverage of the season. As we go through all the live weeks, we have coverage right after the show is done airing.So we have this great group of people who stay up late with us and talk about the show.If you're watching on YouTube, you can always find our hot take shows and join us in the conversation.So let's say, you know, you're tired, you're lying in bed, you just enjoy the show, but you just have to talk to somebody about it.It's a great place to go and hang out. And we also have our Monday night round tables where we're just, you know, breaking down the show even further, talking about the legacy of a specific host in a specific episode.And then our By the Number shows that we do on Wednesday that Mike Murray hosts for all the stats on, you know, turning SNL into a live sport.So that's our regular coverage. We also get to do some really cool interviews that we do on our show called SNL Stories.We just had Christine Ebersole, season seven cast member. We just spoke to Bobby Moynihan. There's a lot of great ones out there as well.Track 4:[13:25] Yeah, now we're sort of turning our heads towards the end of season 49, finishing up all the coverage on that, doing some summer stuff.And then it's season 50. It's the big one. So we have lots of stuff planned for season 50, and I can't wait to get to all of that.And yeah, you got to come hang out with us at the Saturday Night Network.Yeah, so this guy's built like a true network, like you and everybody else.Bill Kenney, Sammy K, the Andrews, everybody who's really closely involved.You've got quite the community going at S&N. It's a true network, like you have a Saturday Night thing, a Monday thing, a Patreon thing, by the numbers.So it's really definitely a true network there. Maybe you can get Will Forte on, like, SNL Stories one day.That is the dream. I'm hoping for, like, yeah, that's the big one or one of the big ones for sure.I'm hoping maybe for a special numbered show, maybe a 500th, maybe a 1,000th, something like that.I can convince him to do it. I have met Will Forte before.Track 4:[14:21] I actually went to go meet him on my birthday when he was at Just for Laughs.This was before I was doing SNL media coverage. But I went to go talk to him, and he could not have been nicer. and I know that some of our podcasters have bumped into him over the last few years and he said that he would do it.So I'm hoping one day we'll get him to, you know, come on board.And I think we're gonna have a blast whenever that does happen.Yeah, that that would be a biggie. So Will Forte, our nominee today on the SNL Hall of Fame on the cast from 2002 to 2010.And from what I understand, John, that was basically the era that made you love the show like that whole that all those was cast between 2002 and 2010, that whole era.So what were your impressions of Will Forte when you first saw him on SNL, this oddball?Track 4:[15:08] Yeah so very fun fact that he almost got hired the year prior but i think he wanted to keep writing on that 70s show which was also a show i enjoyed very much at the time but uh yeah so when so i'll go back to like my original my origin story for watching the show the first time, and um i really fell in love with the show you know from like 2005 to 2010 i was in high school then and that for me was just like will was such a big part of that cast but prior to that i tuned into SNL.I knew what it was. We had like friends who had older siblings who were watching it all the time.And at times I would just like turn on the show and just catch glimpses.And I remember seeing like Tina and Jimmy on the show and being like really intrigued. Some of, you know, Smigel's TV Funhouse stuff.But one time I remember my parents going out on a Saturday night and I turned on SNL and I was very curious what I was gonna see.And I saw Will Forte as Tim Calhoun, this politician who's just like is so anxious and can't get anything out and just like nervous flop sweating I think I would make a real good president because I'm a hockey dad soccer uncle football cousin ping-pong brother and And Donkey Kong best friend.Track 4:[16:35] My opponents have been using my full name to scare people.Is it my fault that my middle name is Boo?Track 4:[16:47] I just fell in love. For me, there's just something about it that clicked.And getting to watch him throughout his time at the show, So I've like psychoanalyzed this over the years, Thomas, where I'm like trying to figure out what it is for him that just, you know, makes me laugh harder than anybody else.And I think it's because like...I think I'm like a pretty like I have quirks, but I think I'm like a pretty normal person Yeah, but like will brings out the weird in me Like he brings out something in my personality that isn't brought out by most people And it's something that I watch on the screen and I just get purely happy So in some of like the you know saddest times of my life i've turned on will forte sketches and he's just Brightened my day.That's such the mark of a good performer, too He does that for me As well, like i'm a pretty normal i'm probably a little more weird than you i would say like if we're doing a scale or we have to ask listeners i'm guessing we'll ask we'll take a we'll take a poll or something but uh i'll ask them on i'm doing the hot take show so maybe that'll i'll chat to see to see about that uh but so but you're right so he brings out like the the weird aspect of me to like all those little those little things that i'm like why do i relate to this like because i've kind of i kind of had that like weird side of me but that that's That's like the mark of a good performer is like he's relatable in that weirdness that maybe you didn't know you had until you watched him perform in some ways. Does that make sense?Track 4:[18:09] Yeah, I mean, I think he's he's reminds me a lot of like the friends that I chose like for my life.Like I'm I have a very unique situation in my personal life where some of my friends have been my friends for over 20 years. Like these are friends from when I was really little.And I won. I always like wonder like why I gravitated to a specific type of person.And it's like the people who will go the furthest with a joke like that and like they have a lot of will forte qualities in them and i just think i like to surround myself with people who are um sort of like you know don't give a shit and you know and it will like take something really far not not offensively but like um i remember seth meyer is telling this amazing joke uh this amazing story about will forte once on late night where he said that um i believe it was one of the writers, I'm blanking on the name of the specific writer, but one of the writers had been so hungry on a Tuesday night writing night and was writing all night and ordered Chinese food.And it took so long to get upstairs to the 17th floor.Hours and hours. Finally, the delivery guy drops out the food, gets there. The writer is like so excited.Will Forte goes to pick up the bag and drops it out the window.Track 4:[19:17] It's one of the greatest things I've ever heard. And I'm just like, you got to look that up on YouTube and like watch Seth tell that story.It is so funny to me and it is perfectly like encapsulates Will Forte and why everybody loves hanging out with him.That's so oddball. That's so Will Forte. You honed in on something that relates to something that I wrote down, like a key word.I was thinking about Will Forte, and the word that keeps coming up for me is commitment.I think Will Forte, more than most cast members that have come through the show, is he's 100% committed to this sketch.No matter what, this character, this sketch, Will Forte is in it.And to me, John, when I see cast members, won't name names obviously, but when I see cast members who maybe are less so, who I gravitate less toward, or maybe cast members who I feel slightly uncomfortable watching on screen, I think it's a lot of times because they lack commitment on screen.Because I see there's something that's not letting them just break out of their shell completely.With Will Forte, that was never the problem. Can you think of a performer on SNL that can rival? I mean, there's probably people who can rival, but is there any performer who could exceed Will Forte's commitment?Track 4:[20:34] I think Will Ferrell probably is a good example. I mean, the like the two Wills, I think like, you know, Phil Hartman and Dana Carvey.You got to put that in that category a little bit. Those are all time greats, though. Yeah, like I really I really do feel.But Will, like it has his own kind of commitment where he goes to like he goes to one side that is so unique to the show. And, you know, a lot of times on on our podcast, when we're evaluating an episode, we'll talk about the 10 to 1 sketch.And he basically, you know, that did exist prior to it. But, you know, it's really the Will Forte slot in the show.Like, I think everyone that's come after him has always been like looking for a Will Forte to be the weird sketch.Sketch um and i think like the committed weird is really what people are looking for in that 10 to 1 it's not just like oh here's like a random weird one-off character that's quirky it's like somebody who is so weird that it just makes everybody in the sketch and out of the sketch just like amazed at that person i think sarah sherman does that sometimes as well and i wish we got that more on the show but yeah i mean i think you nailed it i think that's that is a quality that we look for and will but i will also say one other quality thomas, that i always stuck out to me about will was that he's like a very normal good-looking guy.Track 4:[21:49] And like you know maybe like barring the time like for last man on earth that he like shaved like half his beard and half his head like he is like so normal looking and he's a secret sicko, that's what i love is that like you would never know that this guy in his head is an evil genius and i love that about him yeah and i think that's one of the things when i first saw will forte on screen i'm like okay he's just kind of a your standard issue male cast member that they hired and he's just gonna be like cookie cutter but you put this real quick he he totally dispelled all the notions that i had just by looking at him you're right there's like this sicko i love that word that's that's a perfect word to describe a lot of what's underneath the surface of will Will Forte is just, yeah, like that sicko, right?They're like a nondescript, normal-looking guy, but then something comes bursting out of him that's just very weird.And when I think about all-time greats, Hall of Famers, whatever, I think it scores bonus points, especially, you know, with Will Forte, that he had his own unique lane in the show.Like, you can see a sketch and say, that's a Will Forte sketch.Track 4:[23:07] And that's rare. And that's something that I, you know, when it comes to SNL, when I see a cast member like that, I really gravitate toward it because that's a rare quality to have where it's just like, that's Will Forte's lane.You mentioned 10 to 1, any sort of oddball thing.Andrew Dismukes kind of has that right now. That's why I kind of gravitate toward him because Dismukes has a stamp.But to me, that scores Will Forte bonus points for having his own unique lane, John.Track 4:[23:37] I agree. I mean, look, I think we had this very interesting discussion when we did the SNN's cast member countdown.So Will Forte was voted 18th overall by the viewers.I was doing my rankings at the same time. I had him at 21.So really around the same range, but slightly lower than that.And you may be saying like, John, how can this person be your favorite cast member? And you have them at 21st.And the truth is, is that I think that, you know, when you're looking at the 50 year legacy of the show, um, there are a lot of performers that are extremely well-rounded that have contributed and just, you know, built in every aspect of the show.And I just, I don't, I think that will have the ability to make the show all about him like an Eddie Murphy at times, like a Kristen and wig at times.You know, like a Will Ferrell. But the show was never built around Will.Will was always one or two parts or three parts of an episode.And you would watch his sketches and you may walk away feeling like they were your favorites.But it was very rare when you you watch an episode of Saturday Night Live during Will Forte's tenure, that you're like, that is a Will Forte episode, or this season was Will Forte season.Track 4:[24:42] So I also needed to be objective and fair about that. Now, I don't think that disqualifies him from the Hall of Fame whatsoever, because I think that like The Hall of Fame is a whole other thing where you're talking about people who built the legacy of the show, and I think he's very, very much a part of that. Yeah, absolutely.And still, I mean, you said 21st. He ended up on the, or 18th on the countdown.18th on the cast, 21 on my list. Where do you have him?I think I had him probably about 16th, ultimately, even though he's one of my two or three.Yeah, he's one of my two or three favorite cast members, but favorite, and then, and I'm trying to put together the greatest.So it's different, but to me.Track 4:[25:18] Shoot like top 20 top 25 that's right smack in the middle of hall of fame territory right there if we're talking 160 or something now cast members so to me will forte is a slam dunk hall of famer so this is gonna be like the listener will know where i'm coming from and where you're coming from obviously with this episode but i was surprised i think that i had him higher than you but really you're right like it's the same ballpark so we both view him about equally i think yeah i mean the other thing you have to you know like the other thing that i factored into my cast rankings was also you know his contribution after his time in the cast he does leave in 2010 um and i think that he you know we'll get to this full conversation of his career but i i do think he could have stayed an extra couple years and that really would have helped him in terms of legacy like had he left at the same time as andy sandberg and kristen wigg he He has only come back to host once.That episode that he hosted was one of the weirdest episodes in SNL history.I think we could say that now.Track 4:[26:18] So, you know, that to me is a factor that I think about in terms of overall contribution to the series.So, you know, these are things to think about. But overall, I mean, what a career that he put up at the show. I can't wait to get into it. Just amazing.And we can get into it. What is maybe the first sketch or character that you think about when you think of Will Forte?All right. So I got two that are my quintessential Will Forte sketches.These are two of my favorite sketches of all time.I've always I've had the trouble of deciding which one is my truly my favorite all time.But if I had somebody who came to me said I've never watched a Saturday Night Live sketch before, which one should I start with?Track 4:[27:01] I'm going to start with Jeff Montgomery, the sex offender.Just out of curiosity, what exactly is your Halloween costume? I'm a sex offender.Track 4:[27:17] Excuse me? I'm a sex offender. For Halloween.A sex offender. Yes, pretty convincing, huh? Here, watch this.I'm Jeff Montgomery. summary by law i'm required to inform you that i'm a repeat sex offender and i'll be living in your neighborhood it's a great costume right yes yes to me this to me like encapsulates everything i look for in the show it is so fantastic this is a this is a sketch by the way that was cut once previously from the brian williams episode in 2007 it was then brought back for the john Jon Hamm episode in October 2008.Track 4:[27:57] And this is a guy who rings the doorbell, trick or treat, and says that he's dressed as a sex offender and needs some papers to be signed.And the confusion between Jon Hamm and Will Forte, as they discuss, are you dressed as a sex offender or are you actually a sex offender, is one of the funniest things I have ever seen.And Will Forte plays this beautifully.It's beautiful wordsmithing by Will Forte to dance around the fact that he's a sex offender needing to go around the neighborhood.And this is a great example of understated Will Forte, in my opinion.I think the other one that you're going to mention that I have a feeling you're going to mention is more so on the bigger side a little bit.But this, yeah, this Jeff Montgomery one is more understated Will in a lot of ways.Yes. And I want to credit Colin Jost, who wrote that sketch with him.So that, you know, the two of them, I mean, what a team that is.Collins wrote some fantastic sketches over the years.But yes, I would say this is the sketch that I would show people the most of, of Will Forte.I have, I struggle whether it's truly my favorite sketch because there's one that like sentimentally means more to people, but I don't know if you get it if you're not an SNL fan. So do you want me to jump to that one?Yeah, I think you're going to, well, go ahead.Track 4:[29:19] So so i also want to say jeff montgomery did come back a second time with tim mcgrath which is uh but but yes um the the one i'm the one that means the most to me in my heart is the dancing coach sketch with peyton manning yeah and that to me is like i i think i can say it's my favorite sketch of all time this is where peyton manning uh is on a is not a football player he's a basketball player in the sketch and it's halftime in a basketball game uh like sort of like a college basketball situation and him and keenan and fred and andy and bill and jason they all come in uh to the locker room, and Will Forte is the coach and starts talking to them about, you know, being more motivated.All right, listen up.Track 4:[30:00] I see a lot of mopey faces around here. Granted, we're down by 34 points.McMillan broke his ankle, and our cheerleaders have started cheering for the other team. That doesn't mean we can't come back and win this thing.And Wally, you got something you want to say? Yeah, coach.Guys. And gives them the speech that leads to Will Forte playing the theme or one of the songs from Casino Royale and he starts dancing.You definitely got to look this up if you can find it online because Will Forte dancing and making everybody laugh, including, you know, watching Bill Hader's face in the back of the sketch is.Honestly like when this came out and i saw this live we watched this sketch maybe a hundred times thomas that's how much you watched it was so funny to me and i cannot watch it without laughing, great one of my greatest sketches of all time this is amazing physical comedy by will forte i'm glad you paired this one with the jeff montgomery one at the top because it's almost like the comedic yin and the yang for will forte like i said jeff montgomery's more like it's about how Will Forte's delivering the lines and it's more understated.And this one, it's just like physical comedy, these dance moves, how he times it out with the song.Track 4:[31:17] You're right, like Keenan. Keenan's almost the first one to break.He and Peyton have to cover themselves, their faces with towels just to not break.And Fred, Fred's usually like pretty, you know, keeps it together.Famously in the Debbie Downer sketch, Fred was the one kind of like watching everybody going, going okay guys we still have a scene to do in this one fred was this is one of the few times that i saw fred almost break and bill of course bill hater uh always does but how could you not this was such great will forte physical comedy like i i absolutely love this one john honestly i think a lot of cast members feel like this is one of their favorite sketches of all time bobby moynihan when he joined us uh he he mentioned this sketch at one point about how this is one of his favorite sketches and then he got to be in the second one in his first episode and it was just like so exciting for him to see the dancing uh you know the dancing coach and i just you know like i said it's one of those visual things that you got to go watch this it is so amazing the commitment from will forte absolutely fantastic so to me those are the two quintessential will forte sketches there's a lot more though i can't wait to get into yeah i have a quintessential central one as well it comes toward the end of his SNL tenure and it's the one that he and Jason Sudeikis did with Blake Lively the potato chip, Janelda, how many potato chips did you put in here today? Thirty-five.I thought so. I thought so!Track 4:[32:43] You didn't happen to take any out for yourself? Oh, God, no.Why, that would be stealing. It certainly would.Track 4:[32:53] Janelda, what would you say if I'd have told you that that man right there is nothing but a common potato chip thief? Ah!Potato chip thief! to me if i wanted to show somebody like this is will forte's humor this is will forte's playground i might show them potato chip thief too that'd be one of the first ones that i show them, like just just displaying will forte's like humor what he brought to snl he and this one he plays it big like it's maybe a little more understated at the beginning but he ends up like yelling screaming but underneath that screaming he says some really funny things so potato chip thief john would be to me like another quintessential will forte yeah so i love this sketch a lot it has a lot of elements of other sketches which is maybe why i don't put this at the top of my will forte list like i would say that this is and i get what you're saying i think for a lot of people this is the top will forte stuff um for me i'd say this is maybe like my B tier Will Forte, just because it has elements of other things that I think ultimately led to this occasion.Track 4:[34:01] It's a brilliant sketch. Love Jason Sudeikis in this as well.Love Blake Lively. Like this is a really, really great sketch.I believe this is John Solomon and Will Forte in this one.John Solomon wrote a lot with Will when he was on the show. But the, you know, chewing the potato chip and spitting it into, you know, the mouth, which is just like, again, something you got to see I know that that happened a little bit in the 2000s the baby bird stuff with Will Ferrell and all that stuff so the grossness of the sketch I think really does work here but it does lose its luster a little bit if you've seen it before whereas I think the dancing coach like is just like non-stop money but yeah ultimately I do I do really really love this sketch and I think that the commitment here from Will is fantastic and the reason that I felt like it has you know stuff from Will's earlier career is because him yelling is a another staple of Will Forte with the Zell Miller impression which you ever go see that you know one of his like talk show guys that he did and like he would just yell that's like an early Will Forte career thing where he would just yell so much that his face would turn red.Senator Miller knowing what we know now how could we possibly avoid such destruction from future tsunamis? Tsunamis!I'm sick of hearing about tsunamis!Thank you.Track 4:[35:30] And that is also incorporated into the sketch a little bit. But I love this one too, Thomas.Yeah, definite Zell Miller vibes, one of his recurring characters.Zell Miller, Georgia politician.I think Zell Miller said some crazy things, especially about Barack Obama.And then Will Forte just sort of turned him into a caricature completely.Track 4:[35:53] I do want to talk about Will Forte as a breath of fresh air for the show.Show to uh because i think and i know it's subjective but he started at a time where i think snl was trying to find an identity will ferrell had just left and they didn't quite have an identity they were playing around with like do we push seth meyers as the star of the show who's the star of the show what's our humor what's our viewpoint and i think will forte was a breath of fresh air amidst them trying to figure themselves out i mean the show and things like the falconer that premiered in season 28 and that was so to me that was so unlike a lot of what was on snl at the time that it was um it was a relief sometimes to see the falconer something like that pop up on screen and this the falconer is one of the things that will forte is best known for but it was just like a relief for me as a viewer when it popped up in this era of SNL.Donald, we're starving to death.This land that once filled us with life is now barren.One of us must search elsewhere, and only one of us can fly.Track 4:[37:06] No, Donald, you! Oh, Donald, even in these desperate times, you still retain that dry sense of humor.Now you must fly away from these woods and bring back something, a possum, a squirrel, anything to keep us alive. So be gone, my friend.Bring us life. Bring us life.Yeah, I do like the Falconer a lot. I think those sketches are pretty forgotten because of all the great things that Will Forte did after.But I truly believe those are great sketches.That's Will with Eric Slovin and Leo Allen. And I think Eric Slovin was the guy who, by the way, who will dump.Track 4:[37:47] Before but yeah those falconer sketches are really great and just so weird and bizarre for a time where snl's writing was a little choppy and they were trying to figure it out like you said in that you know post will ferrell world and pre kristin wigg bill hater jason sudeikis and andy samberg world and i think that those sketches are really great i think they did nine of them um and they are very enjoyable i love will getting to talk to objects like that and i think you know or Or animals like that.And I do think you get to see more of this in Last Man on Earth.If you ever go watch that show.Track 4:[38:23] Yeah. That he brings out some of his Falconer character.Yeah. Especially like at the beginning of the series. The Last Man on Earth.When he's talking to the balls.The various balls that become his friends.That are like placed inside the bar.I can definitely see that. I'm going to go ahead and call Donald an object too. Because you could see.One of the funny things is you could see the strings on that puppet.I'm sure that was a choice.Like let's make the strings show and make it look as ridiculous as possible and john when i sometimes when i as a viewer when i complain about like little writing things and stuff one of my chief things is escalation like how do you do escalation what's proper escalation the sketch needs more escalation that's if i always say that like it could have been bumped up just another notch with the falconer to me a lot of these sketches were just perfect examples of how you escalate, especially a recurring sketch.How do you find escalation in something recurring?I think Will Forte and the people behind this Falconer sketch just did that escalation beautifully.Track 4:[39:32] I totally agree. I think that's a great point for these.You know, there are some other sketches from early in his career that I think are really important to bring up that are often lost upon people.So I think now is a good time to maybe pivot to some of those um one of those is from the season 28 episode 14 episode with queen latifah i don't know if you know what i'm gonna say but this one is give up the ham give up the ham, such a good sketch that is like because of the i don't know if it's like the song like it doesn't get put up a lot and like you gotta look you gotta google it and look up this but um basically people fighting over ham at a grocery store and then the sketch breaks down with bull forte singing singing, give up the ham.Track 4:[40:44] And it is so so good and like i think maybe the first moment of really seeing like how great this guy is i know that him and fred sort of did some stuff on update but like this was to me the first like major major moment for well for a day on the show it's commitment to something ridiculous or like a commitment to an everyday thing like uh shopping at a grocery store say so how can we take that scene that scenario and and play it up into something ridiculous and and uh it was that amy poehler and queen latifah i think rachel dratch comes in as amy poehler's friend so all these people start walking in but then will just totally owns it with this song like yeah that's just total commitment again like you'll never have trouble with will forte and commitment give up the Ham's one of the ones that I go back to semi-regularly, honestly, if I need a good laugh, I do that.That's a really good shout out. That's from season 28, episode 14.One that I thought of, season 28, the next episode, episode 15, it was a sketch that he did with Jimmy Fallon, Salma Hayek.It was called Cardboard Box. You remember this one, John? I do.Yeah, go ahead. So Will Forte, so he played a husband who was suspecting his wife of cheating.Track 4:[42:06] So Will Forte's character mailed himself to their house in this big cardboard box so he could catch them in the act.And this is just, to me, like we're talking early examples, like such a wonderful early example of a truly absurd premise that Will Forte completely sells.And he has to do this inside a box that he's not even on on camera most of the sketch and what he has to do and what he has to convey from inside a cardboard box is like chef's kiss like beautiful work yeah he does this thing sometimes where he can like we talked about zell miller with yelling till he's red but sometimes he does this like angry yell in a calm way that it's very hard to describe unless you hear it but um he did this recently on like i think you should leave in one of the episodes uh tim robinson's show where he's like almost like he like fell on the sidewalk and he was like under a car but he wasn't like really stuck um but yeah he does this thing sometimes where he's like stuck in a place and he's just like someone will say something to him and he'll like respond with this sarcasticness in his voice that's like oh of course you would think that you know like that type of thing and it's just so brilliant to me and this is this is This is a real deep cut Thomas, but this is a great sketch.You don't think he has any idea what's going on with us, do you? Oh, please.That ignoramus doesn't suspect a thing. He does now.Track 4:[43:32] Ray, where are you? Right here.All right here i'm in the box what the hell are you doing in the box i thought you went to cleveland i was but i mailed myself home to lay this little trap for you and now after laying in wait for 28 hours the trap is sprung ha 28 hours it's awesome i think what jimmy fallon was hosting this or was it salma no salma hike was hosting it jimmy fallon was still on the cast obviously season uh 28 uh but yeah this is like kind of a deep cut i think will forte has a lot of these it's like these one-offs yeah where you you get reminded of it and it was like oh yeah will forte.Track 4:[44:14] Did this well let me take you to one of the greatest episodes in snl history i think which is the jack black episode from 2005 that december episode that had you know lazy sunday and all that stuff in it um that really like changed uh you know changed the era of the show and brought on this new golden age and one of the sketches there that uh really cemented you know will's place in the show throughout this golden age is that spelling bee sketch that's very famous well forte moment where they ask him to smell business and he keeps asking questions back and he goes on and on and on and on and it is the ultimate commitment to the bit as he continues to go on Q, M, T, S, D, T, Q, M, P, R, F, T, D, P, D, P, N, H, R, K, T, E, T, F, business.Track 4:[45:20] And I think that so many people growing up writing sketch comedy have tried to find a take on this specific sketch.And I don't know that anyone's ever matched the level at which Will Forte can pull something like the spelling bee sketch off.It's a very specific type of humor where you're testing how far you can push the joke.And sometimes so like you're testing the cycle of a joke almost.So you make the joke. It's funny, funny, funny.And it hits the peak and then almost becomes less funny.But then he's still doing it. And it's less funny, less funny.But then he does it enough to where it circles back around and it's really funny again.That's a very specific type of thing. A very, I think, maybe possibly brave thing to do on a show like SNL.I can see people doing that on like, you know, let's make a YouTube video and try this out.But to do something like that on a show like SNL where you're almost messing with the viewer in some ways and testing their patience.But there's a really great reward ultimately. I think the spelling bee sketch is a perfect example, especially like the run he goes on of saying Q, I don't know how many times in a row.Track 4:[46:32] But you know what's great about something like this is that I don't think there is a person that came before Will Forte that can pull off this sketch as well.Like you think about uh great like orators in snl history like people like dan akroyd or phil hartman who can just say things really quickly but still make the listener understand them and it's so brilliant at the speed at which they communicate whether it's as a pitchman or even just as a game show host or something like that but will forte can say things slower than the average person and it doesn't sound like too slow where it's not entertaining and that is like a whole other level of brilliance that i don't know that i've seen before prior to well forte yeah his voice it's almost like asmr in a lot of ways like yeah like with this spelling bee one you mentioned tim calhoun and that's one of the things that stood out was almost like a low-key asmr kind delivery with Tim Calhoun.He was a little bit nervous, but it gets that he's just like whispering, but not.And just, yeah, it's just that like a very unique delivery.Track 4:[47:42] And I had written a note. So Spelling Bee, as far as like testing, see how far you can push the joke.It also reminded me of something else that he did on Weekend Update when he was, he appeared He appeared with Amy, I think Amy and Seth, in season 34, and he appeared as himself, and he was recapping a Senate vote.When Friday's tally was finally counted, and that was all she wrote, people asked, how did that pass?Track 4:[48:37] So this was an example of him kind of taking a joke so far that maybe it becomes unfunny but then it circles back around so he was he made up this song and recapping how certain how certain senators voted and then amy interrupted him and he's scolding amy about how rude it is to interrupt your friends when they're singing and this reminded me of spelling bee in like how far can Can we push something?It is really great. I mean, he basically started on SNL when he kept coming on and doing songs with Fred Armisen a couple times and, you know, in different variations of that.But yeah, he will come on update and do songs on a regular basis throughout his SNL tenure and he will push things to the absolute limit.And, you know, I think a great sketch to jump to off of this conversation is Fly High Duluth, which to me is like an underrated classic john yes this is uh this good snl podcaster, that's from the scarlett johansson episode and it's basically like a tv talk show where they're like oh we have a band that's finally gonna come out and do the theme song for the show and they just like keep going and going and going with the song where they keep thinking it's over but it's not and will forte is like drinking and going like full rock star with it and it is so brilliant.I cannot wait to hear what you think of the sketch because I don't get to talk about it enough. Mama.Track 4:[50:04] Don't you point that gun at me.I said, please, Mama.Track 4:[50:15] Don't you point that gun at me.Because my love is consecrated in the blood of the.Track 4:[50:36] It's an example to me. Well, by the way, first of all, as an example of the, just the breadth of will for taste sketches, we had mentioned spelling bee.That was season 31 episode 9 fly high Duluth was season 31 episode 10 so this came like one episode after that like you can look through all his great sketches and like dang that happened those happen like back to back and that happens a lot uh like I'm on my list I'm seeing like back to back to back episodes but yeah fly high Duluth is again one of those where I frequently go back and watch it and it's just again that commitment to the sketch the commitment to the bit it's so So ridiculous.He's like this Jim Morrison type of guy singing this theme song for a show in Duluth, Minnesota. And he's like...Track 4:[51:25] With his with scarlett johansson so his his his lover his his uh what's she line or she tiger i think he called her something like that i think her name is yeah it's like they're wally and char char yeah yeah yeah so it's just like this is a wonderful example to me of like will will forte's commitment to the sketch just doing these ridiculous things chugging which i assume was iced was tea or something like that in a jack daniels bottle uh but no this is one of my favorites and i never get the sense that will forte is is self-conscious even for one split second up there and so to me as a viewer it makes me feel like i'm in good hands with will forte in this sketch yeah absolutely and this is uh this is one that he put together with eric kenward who's is now a producer on the show um but yeah i mean this is a this is another brilliant sketch that you just got to break down it's a very long sketch and sometimes you know my personal preference is not to go too long with sketches unless we're talking about like one of the great debate sketches in snl history that really has like something to say i think then you can push things a little bit which is my opinion but you know i think you know i prefer shorter sketches but the the joke here is that you know will is going to push this and push this as far as it And they've done this a couple times in the talk show format in SNL history where things just like break down to an extreme and you need somebody who can.Track 4:[52:53] You know, you can drive the ship when that's happening and not let the sketch go off course to the point where people are like, oh, they're doing the same joke over and over again. And why was it so long? Why did it drag?Track 4:[53:05] Will forte never lets that happen he always lets it escalate he always has to get to another point that's interesting like i find that there's never a will for to sketch i'm watching and i'm like ah i wish i saw less of that no you're completely right like by the end of this duluth live sketch like they're doing a full-on breakdown like he's starting and he's kind of seeing the lyrics are kind of weird but you're like okay this is kind of like a weird kind of hippie or 70s rock band doing this but okay like it's kind of weird but then you're right like it escalates and escalates to the point where like Fred's doing this full drum solo and he's shredding on the guitar he's breaking the guitar Will's screaming on the mic like yeah so yeah the escalation this was beautiful beautiful escalation and something that I always look for as an SNL fan uh yeah go check that out that was season 31 episode 10 and we haven't with Will Forte we haven't talked about.Track 4:[54:00] Impressions so much or anything i have kind of a maybe a hot somewhat of a hot take for you i actually think i actually think he was a decent george w bush oh okay i i really do and i think it suffered because he had to follow will ferrell's george w bush that was its own thing but i think just in a vacuum i think he could have really made that work because i think he has the type of personality to where he can play understated but he could also say weird things and be squirrely and have that bizarre nature underneath the surface which was george w bush and kind of how will ferrell depicted it but i think it suffered because he had to follow will ferrell but i think in a vacuum and going back to re-watch some of these i was thinking to myself like, a pretty good George W. Bush, honestly. You know, we're roughly $7 billion in debt. But don't worry, I got a plan.I've decided to consolidate all of our debt with one of those debt consolidation companies.Track 4:[55:09] That's right. We're going to go with Dytek.Like me, you've probably seen their commercials late at night on ESPN2.You know, the ones with the guy who says, lost another loan did I take?It's a funny commercial.I think he's a decent impressionist, and that's a very interesting take.Now, I think that the decline in the show post-Will Ferrell, I think, gets unfairly associated with the Bush impression a little bit.And that sort of falls on to people like Will Forte and Sudeikis and Daryl Hammond, who tried to do it for a bit.Like you know you know i think people were were upset that will ferrell wasn't around anymore, and that was like nobody really gave it a chance um and the show has like a history of not being able to transition over these iconic impressions in a way maybe besides daryl is bill clinton who took that from phil harman i think that maybe is the only exception but yeah i see what you're saying i just don't know that i ever really gave it a chance as much as i loved will forte i wasn't Like, you know, we're talking about like a post 9-11 world where people are pretty down on Bush in general.Track 4:[56:24] And, you know, the, you know, you know, Will Ferrell made Bush lovable because he was like a frat guy.And that's what he turned him into, like a bro and a frat guy.And I think that Forte never got the characterization or the writing to be able to turn the sketch and make it something of its own in the way that Will Ferrell had that leash to do. Yeah, you couldn't make the George W.Bush around when Will Forte was playing him lovable like Will Farrell did.I'm going to confuse that the whole darn show. Will Farrell, Will Forte.But so so will forte's uh george w bush i think it it was at a disadvantage because of just where george w bush was as a political figure around that time you know the kind of the whatever paul shine was on him if you could say that was was worn off quite a bit around that time so so you couldn't do the same type of depiction as will ferrell did and i i was like you i didn't really give it a chance but this is just sort of in hindsight kind of re-watching it sort of dawned on me I'm like this could you know it's not like.Track 4:[57:33] He was the best impressionist or like mimic but you don't have to be if snl history has taught us anything about impressions is you don't have to sound exactly like the person or even look exactly like the person i think he could have found an angle that i think he had the right personality to do and i saw i saw something in these george w bush impressions impressions that i hadn't really given a chance prior i mean he did it for a while i think he did it for over were he did 20 of them yeah like maybe two years he was doing it so sort of like finished up a little bit of um you know uh george w which is tenure of the show i guess they handed to sudeikis for like that the baton for like a little bit but yeah i don't know i i just i always felt like will forte um like i said he brings such a like a bright light to the show and and stuff like that and i don't think that the country was like very happy in general with bush and you know was looking for a change and like i don't know that um will it wasn't the right place in the right time for him to play him i think ultimately but i love the hot take i think it's a great hot take it's like there's a lot of what-if scenarios like do i think um if well forte was around a couple years earlier could he have played the original like incarnation of bush that's a possibility i think so um but.Track 4:[58:49] Well, I think you're right that you mentioned that maybe his George W.Bush impression unfairly gets lumped in with why the show was struggling around that time.I agree with that. I think there are a lot of factors. I just think where the country was, where humor was at the time.And I brought this up a few times on the show around 2000, let's say 2002 to 2005.Track 4:[59:11] That was a very weird time for humor in general. It was a lot of edgelord stuff.It was just a lot of really broad humor, I would say.And so i think maybe the the show suffered from just where humor was over in our society just in in general look i think i think um our community of like snl diehards looks back at that time, very like unfondly because you know you watch these things off time you go back and you watch these things on a binge and you'll see like all these episodes and you'll see the decline of the the show um and i'm not disqualifying you know people's feelings about those seasons because i would definitely rank them pretty low but i think tina fey often mentions how it was a very hard time to write comedy just like post 9-11 everybody you know nobody wanted to talk about politics you know they i mean the u.s was like invading countries around the world and then potentially invading the wrong countries and like you know there was like all this crazy politics stuff going on that nobody really wants to talk about.And people want it to, as far as, you know, Tina was concerned is that people wanted to turn on SNL on a Saturday night and not think about these things.So they focused more of their writing around pop culture.And the problem when you do that is that the references and the sketches become very dated.So to go back and watch like season 29 and season 30, um.Track 4:[1:00:34] I don't know almost 20 years later you're like this doesn't hold up as well as the things that came before it or the things that came after it so i think there's a lot of things working against it though i will say will forte was a bright spot in a little bit of a dark time of the show yeah breath of fresh air for me definitely and since i'm confusing will ferrell and will forte as probably a lot of people did around that time i want to talk about a sketch that i love that has both of them and when Will Ferrell came back to host in season 30 toward the end of that season it was a sketch called Pepper Grinder oh wow and yeah this is one that I think slips through the cracks for a lot of people too so basically Will Forte's character he and his wife are celebrating their anniversary at dinner and Will Ferrell oddly plays a college student you have to suspend your disbelief there for that real quick and basically will forte's character makes will ferrell's waiter character grind the pepper for a long time to teach him about grit and perseverance and and everything and this is just like to me will is so good at taking an everyday situation to like a dramatic absurdity sir my arm is starting to burn louis that's enough stay out of this jamie this is between me and the boy i can't lose this job sir then keep grinding.Track 4:[1:02:02] Oh god the pain grind son grind oh god oh god it burns please sir please.Track 4:[1:02:19] He's working with another master at that, Will Ferrell.So as a comedy nerd, as an SNL nerd, John, this type of sketch is like a dream for me.I love this sketch. It's a great one. And it's great seeing like two legends, you know, play off of each other.This is the type of sketch that you watch as a you know, what we're making when we're putting together a reel of Will Forte sketches, which is essentially what we're doing here.And then giving this off to the Academy of voters to go vote for Will Forte.I want the listeners to consider something here, which is watch this sketch and then think about if Will Forte could have fit in any era of the show.And this is a sketch that shows you why he could have like he could have done this sketch in the original cast by far like that could have fit in really well with a couple people here and showed them you know like i could just picture like a gilda radner sitting across from the table and like a dan akroyd with a pepper grinder like you could picture these things when you see these sketches because he just fits in so well with any cast um because he is such a unique archetype that i think really molds to the people around him so i do feel like that is why hosts it was It was probably their dream to be in a Will Forte sketch because he is such a great scene partner.Yeah, it was amazing to watch them work. And Rachel Dratch does a really good job with her role and her comments throughout this sketch.And now that I'm thinking about it and thinking about one of the traits of Will Forte that we've been talking about all episode, I think the pepper grinder sketch really has a bunch of them all wrapped in one. So you have that commitment.Track 4:[1:03:44] Completely 100% commitment. You have the escalation. It's what this sketch is built on, is that escalation that you're not quite expecting.You have the more kind of subtle Will Forte and good line deliveries at the beginning, especially.You have Will Forte just going nuts and yelling in this sketch.So I think this Pepper Grinder sketch encompasses encompasses all the like the a lot of the positive traits that we've talked about with will forte john am i wrong to say this is the perfect will forte sketch oh there's so many though that's the problem yeah it's not like you know there's every sketch is the perfect will for i'm just getting excited i'm just using hyperbole at this point too i like it i like it but um yeah i know i agree i think this is a like i said it represents a lot about you know what i like about will forte which which is, this is one of the sketch.I think there's another sketch that he does that is a comparable sketch to this one.And this is like later in his career, but I'm just trying to remember.It's one where he's like, maybe you can place this for me in my mind, but it's one where like, they're trying to decide like, who's going to pick up the check.And then like, he insists that he's going to pick it up.Track 4:[1:04:55] And that one is so, so great.I need to find where that was. It was called, I got this. I think if you look it up on on YouTube that's from season 35 and it's uh, it was like a game show basically Yeah, that was yes. Okay. You mentioned it's a game show.Yes It's a game show bill hater was trying to figure out who's gonna settle the bill And I think I honestly think that like that could be the same character from the pepper grinder sketch Like him just playing this like older gentleman about like who's gonna pay the bill and stuff like this and this is um One of it's in one of will's last episodes of a cast member as a cast member, but it's it's a really good sketch, Check still out there gentlemen. I got your money's no good here.I got this dad Come on, you're getting on in years, and I want to show you my love before you pass.I got this I'm only 58 I got this you introduced me to jazz.I got this you helped me to learn eBay. I got this I got my MasterCard right here.I could just not I got this I got this this is the woman I will be buried next to she comforts me when my hernia acts up the least I can do for this blessed angel is Is buyer spaghetti on her birthday? I got this!Track 4:[1:06:04] Impressive! Good rat! When people complain, like, they see, oh, another game show sketch.I think the game show format is perfect for a sketch comedy show.Especially, you could talk about technical reasons, blocking, the way the studio's set up, all of that.But I don't scoff at game show sketches just because they're game show sketches.We've had a lot of really clever ones recently this is an example and you just have to have the right premise and the right performers and we certainly had that especially with the premise of this and with will forte my problem the game show sketches is just that people don't really they're like aren't that many new game shows that's the problem right but i guess that's the you know evolution yeah that's why you invent a game show called like i got this yeah yes but But yeah, this is a great sketch.I think, you know, Thomas, we talked about how great of a great of a performer is Will is with performing with basically anybody.But I do think that he's also built chemistry with cast members that he has seen as like his ultimate scene partners.Track 4:[1:07:10] And that may have developed like later in his career, so much so that I wish he could have stayed on the show more.But I think that him and Jason Sudeikis on the show together is an all time duo that people talk about and still reference to this day of like oh that could be a forte in sudeikis.Track 4:[1:07:27] And we haven't even talked about any of their sketches together where they are so brilliant um i'll start with the espn guys the pete twinkle and greg stink you know this is a sketch that sort of premiered like very late in will forte's uh career at the show where i think it was in his last season this is season 35 and then we get it a bunch of times in that season but it's all like,
Steven Routledge and Bob Peterson pull the March 2024 New Music Train out of the station and head straight for the beauty of the new music hills, discussing new tunes from Rosali, Motorists, Run Westy Run, Karate Boogaloo and Eyelids. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Another installment in our Musical Pilgrimage series is featured on today's episode. We hear the tale of Bob Peterson's trip to Athens, Georgia and surrounding environs. Crack open a George Killian's Irish Red and join him. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
About Robert PetersonRobert Peterson is the author of five books: Out of Body Experiences: How to have them and what to expect Lessons Out of the Body The Gospel According to Mike Answers Within Hacking the Out of Body Experience Robert (Bob) Peterson was born on April 14, 1961. He has been studying and inducing out-of-body experiences and psychic experiences since he graduated from high school in 1979. He graduated from the University of Minnesota Institute of Technology, with a B.S. degree in computer science in 1984. While attending the University, he became more proficient at out-of-body exploration, while keeping detailed journals of his experiences. At the same time, he did volunteer work for a student-based organization called the Minnesota Society for Parapsychological Research (MSPR), which gave him experience as a “Ghost Buster” before the movie made the subject popular. Since college, he has had a very successful career in systems level computer programming. He lived in Phoenix, Arizona in 1985 and 1986, where he started editing and occasionally contributing articles for a local spiritually themed newsletter called The Spontaneous Self. In 1987, he moved to Rochester, Minnesota and worked as a contract programmer at the IBM plant until 1996. During that time, he compiled his experiences and journals into his first book, Out of Body Experiences: How to have them and what to expect (Hampton Roads Publishing, 1997) which has been available online for free since 1996. His second book, Lessons Out of the Body, was published in 2001. His third book is a novel titled The Gospel According to Mike. Today, Bob works for Linux software leader Red Hat. He lives near Brainerd, Minnesota with his wife and soulmate, Kathy. They have no children. His hobbies include writing, traveling, biking, woodworking, stained glass, fishing, kayaking, and strategy games. His web site is: http://www.robertpeterson.org/?fbclid=IwAR2nkyxS5GlYbDJ0SHyZjRaqnvNZLO67yGgT2U6mxHmrUadVsnB3GcjTtE4 https://www.facebook.com/groups/495848321095643/ https://www.facebook.com/profile.php?id=100063613507200
The warm musical embrace of Bob Peterson and Roger Grace awaits you today, listener. Roger discusses Swim School, Broken Chanter and The Last Dinner Party, while Bob muses on a new single from The Lemon Twigs. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
We kick off our annual January series featuring our listener's picks for best song and album of the previous year. First up are a pair of Wisconsin-ites, Bob Peterson and Peter Nordgren, who choose music from boygenius, Say She She, Durry and The Beatles. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Tonight, “The Light Gate” welcomes author and out-of-body traveler, Robert (Bob) Peterson. Episode:34 Date: December 18th, 2023 Discussion: Bob will be taking about his OBE experiences and Travel Bob was born on April 14, 1961. He has been studying and inducing out-of-body experiences and psychic experiences since he graduated from high school in 1979. He graduated in 1984 from the University of Minnesota Institute of Technology, with a B.S. degree in computer science. While attending the University, he became more proficient at out-of-body exploration, while keeping detailed journals of his experiences. At the same time, he did volunteer work for a student-based organization called the Minnesota Society for Parapsychological Research (MSPR), which gave him experience as a “Ghost Buster” before the movie made the subject popular. Since college, he has had a very successful career in systems level computer programming. He lived in Phoenix, Arizona in 1985 and 1986, where he started editing and occasionally contributing articles for a local spiritually themed newsletter called The Spontaneous Self. In 1987, he moved to Rochester, Minnesota and worked as a contract programmer at the IBM plant until 1996. During that time, he compiled his experiences and journals into his first book, Out of Body Experiences: How to have them and what to expect (Hampton Roads Publishing, 1997) which has been available online for free since 1996. His second book, Lessons Out of the Body, was published in 2001. His third book is a novel titled The Gospel According to Mike. He also has other books, “Hacking the Out of Body Experience” and “Answers Within,” and has written many articles about various aspects of OBEs, which you can read on his website. Today, Bob works for Linux software leader Red Hat. He lives near Brainerd, Minnesota with his wife and soulmate, Kathy. They have no children. His hobbies include writing, traveling, biking, woodworking, stained glass, fishing, kayaking, and strategy games. LINKS: http://www.robertpeterson.org/ https://www.facebook.com/bob.peterson.127
Tonight, “The Light Gate” welcomes author and out-of-body traveler, Robert (Bob) Peterson. Episode:34 Date: December 18th, 2023 Discussion: Bob will be taking about his OBE experiences and Travel Bob was born on April 14, 1961. He has been studying and inducing out-of-body experiences and psychic experiences since he graduated from high school in 1979. He graduated in 1984 from the University of Minnesota Institute of Technology, with a B.S. degree in computer science. While attending the University, he became more proficient at out-of-body exploration, while keeping detailed journals of his experiences. At the same time, he did volunteer work for a student-based organization called the Minnesota Society for Parapsychological Research (MSPR), which gave him experience as a “Ghost Buster” before the movie made the subject popular. Since college, he has had a very successful career in systems level computer programming. He lived in Phoenix, Arizona in 1985 and 1986, where he started editing and occasionally contributing articles for a local spiritually themed newsletter called The Spontaneous Self. In 1987, he moved to Rochester, Minnesota and worked as a contract programmer at the IBM plant until 1996. During that time, he compiled his experiences and journals into his first book, Out of Body Experiences: How to have them and what to expect (Hampton Roads Publishing, 1997) which has been available online for free since 1996. His second book, Lessons Out of the Body, was published in 2001. His third book is a novel titled The Gospel According to Mike. He also has other books, “Hacking the Out of Body Experience” and “Answers Within,” and has written many articles about various aspects of OBEs, which you can read on his website. Today, Bob works for Linux software leader Red Hat. He lives near Brainerd, Minnesota with his wife and soulmate, Kathy. They have no children. His hobbies include writing, traveling, biking, woodworking, stained glass, fishing, kayaking, and strategy games. LINKS: http://www.robertpeterson.org/ https://www.facebook.com/bob.peterson.127
September New Music kicks into high gear as Steven Routledge and Bob Peterson check in with new songs from Gonzalez Smith and Say She She. And Steven calls our attention to a very special new release from Sparklehorse. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
In the conclusion of the interview with Bob Peterson's big brother Dano, we hear about him leaving the rock star lifestyle behind, getting a four-track and making music with his sons, Shayne and Jeff. Which led to some very interesting trips to Memphis. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
In the first episode of a two-part interview, friend of the podcast Bob Peterson conducts a fascinating interview with Dano Peterson, who has lived a life in rock and roll – and also happens to be Bob's older brother. Today, a journey from Wisconsin to L.A. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Bob Peterson definitely thinks “Hey Joe” is a song worthy of inclusion in our Perfect Pop pantheon. But which version? How about five? Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Bob Peterson uses the perfect pop platform to celebrate the songwriting genius of NRBQ, selecting three songs made by their classic lineup. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Our third helping of August 2023 new music is here. Today, we're served new tracks from Ratboys (twice!), plus A Giant Dog and Diners, courtesy of Bob Peterson and Kevin Porter. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Join Jeff & Jeff as they chat with friends of the podcast Bob Peterson and Rick Schwartz. Above-average beer connoisseurs, Bob and Rick share great stories about "beer mules", "beer-cations", and beer vocabulary like "gluggable", "swoosh-swoosh" and "rattle-rattle". Enjoy the drinking antics of the "average Joe" drinkers taking it to the next level.
Legendary guitarist Robbie Robertson passed on this week at age 80. Bob Peterson, Mike Wagner and Mike Snider (and Patrick) offer their memories of this remarkably influential career. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Bob Peterson compiles songs about revolution as a follow up to Episode 1653, in which we discussed revolution songs to mark Bastille Day. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Bob Peterson comes on to discuss his various entrepreneur endeavors including starting a music festival, owning a vending machine business, real estate and starting the homeschool co-op Bluegrass United.Commonwealth Connections is hosted by Weston Wilson and Dawson Fields. To connect with hosts of the show, email dawson@novainsurancegroup.com or culverscky@gmail.com
Roger Grace, Bob Peterson and Peter Nordgren take us into part three of May 2023 new music. We've got new tunes from Noa Kirel, Lord of the Lost, The Lemon Twigs, SUPER 8 and yes, the Ozark Mountain Daredevils. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
April 2023 new music picks roll on with selections from Harris King, Bob Peterson and Kevin Porter. They discuss new tunes from Angel Olsen, Wednesday, Daydream Review, Rose City Band, Palehound and Matthew Logan Vasquez. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Harris King, Jeff Frank and Bob Peterson take center stage today, highlighting new music from Weval, Chuck D, The Heavy Heavy, Long Ryders and Eyelids. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Patrick is joined by Bill Mulligan to review correspondence from listeners Bob Peterson, Paul Trap, Craig Rosen and Kevin Clement. They have all seen concerts in college basketball arenas ... and you need to hear about them! Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Our early start on February New Music continues with picks from Paul Hayden and Bob Peterson. Fresh hits from The Men, MEM_MODS, Yo La Tengo and Kanaan will be featured. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
So many marketers use dialogue as a crutch. They spell out what their product is, how their audience could benefit from it, and wrap things up with a run-of-the-mill CTA.But you don't need dialogue to make a powerful B2B marketing campaign. In fact, you might not need words at all.This week, we're looking at the iconic opening montage from Pixar's “Up.” The “Married Life” scene tells the story of the film's main character, Carl's marriage to his childhood sweetheart, Ellie. We follow them from youth to old age – and Ellie's death. These moments have no dialogue, instead letting the music, color, and shape tell Carl's backstory. The animators didn't tell us about Carl's life – they showed it to us. The result? Perhaps the most iconic scene in Pixar's storied history – and that's no easy feat.And we think your B2B marketing can leverage these same techniques to communicate your message so much more effectively than a voiceover ever could.About Pixar's “Up”“Up” is a 2009 animated movie by Pixar. It was directed by Pete Docter and co-director Bob Peterson, who also wrote the story along with Tom McCarthy. The original score is by Michael Giacchino.“Up” follows 78-year-old Carl Fredricksen as he rigs up his house with balloons in an attempt to fly to Paradise Falls and fulfill a promise to his late wife. He is joined by Russell, an 8-year-old Junior Wilderness Explorer, who has stowed away by clinging to the porch as the house lifted off its foundation. Together, they navigate the treacherous journey to the falls.What B2B Companies Can Learn From Pixar's “Up”: Let music do the emotional heavy lifting. The “Married Life” montage tells the story of Carl's marriage to Ellie. Though the two tragically discover they can't have children, they find hope in their childhood promise of trekking across the world to Paradise falls. The scene ends with Ellie's funeral – and the promise left unfulfilled. These emotional moments are even more powerful because of composer Michael Giacchino's score. In an interview, Giacchino said that the “Married Life” montage was the most difficult scene to write for. In order to make the scenes most effective, he wrote simple music for the scenes – or even opted not to score some of the most emotional moments. This restraint gave the scenes a gentle, melancholic feel, rather than a melodramatic one.Tell a story with color and shape. Whether they know it or not, viewers use basic visual cues to put together and understand a scene nearly instantaneously. So much of a scene can be told through these basic visual cues like color, and shape. In “Up”, each character is designed around a shape and color that conveys something about their personalities. Carl is blue and a square, Ellie is pink and a circle, and Russell is yellow and egg-shaped. The animators also adjusted the color palettes for scenes based on their emotional content: they used saturated colors in joyful scenes and drab colors in sad scenes. These visual cues may seem basic, but the connotations of specific colors and shapes will create instant context for your ad's viewers.Focus on facial expressions and body language. We don't just communicate with our words. The “Married Life” montage uses body language to show Carl and Ellie's feelings towards each other. When Ellie points at a cloud, we see Carl's blissful expression. We watch Ellie flinch as Carl smashes their savings jar again, telling us everything we need to know about how Ellie feels at that moment. Through intentional camera composition, editing, and directing, you can communicate a story with no words at all.Key Quotes*”By showing, not telling, especially in this example, it forces you to fill in the blanks with words that you understand or emotions that you can connect with.” - Dane Eckerle*”When you show a story without any V.O., we have no idea where we're going. So each thing happens sequentially and it builds on itself. You don't know where it's going. But by the end of it, you totally get it.” - Ian Faison*”If you go on TikTok, they're telling, not showing at all. There's someone speaking to you, there's captions, there's big text on the screen and you're seeing and hearing everything [being] spoon fed to the point where now, moments like this land that much harder, because I'm not used to using my imagination as much. This technique will work better now than it would've 15 years ago because people are so used to being spoon fed stuff. So it's all the more relevant today.” - Dane Eckerle*”It comes down to B2B companies seeing their audience as people first and not just other businesses. You are talking to people who have real needs and different personas and different target audiences.” - Anagha Das*”You're marketing a journey. So as a marketer, take a snapshot of your target customer at the midpoint of their journey, and then show the story of their journey.” - Ian FaisonTime Stamps[2:12] Tell me more about Pixar's "Up"[5:35] How did Pixar get audience buy-in within the first few minutes?[10:37] How did composer Michael Giacchino craft music to tell a story?[13:07] How did the storyboard artists use color and composition to convey meaning?[14:55] Why is showing-not-telling more powerful today than ever?[16:45] Examples of show-don't-tell in marketing[19:27] How do I market a customer journey?LinksWatch Pixar's UpLearn more about how Michael Giacchino wrote the scoreHow did Pixar design the characters?See how Apple used show-don't-tell in their accessibility campaignAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both non-fiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios), Dane Eckerle (Head of Development), Colin Stamps (Podcast Launch Manager), Anagha Das (B2B Content Marketing Manager), and Meredith O'Neil (Senior Producer). Remarkable was produced this week by Meredith O'Neil, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.
Our annual best of 2022 series enters its second day with contributions from Bob Peterson and Peter Nordgren. We'll hear music from The Sadies, Space Panther, Todd Rundgren and Lissie. Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com
November 2022 new music part two features picks from Sunny Varney, Bob Peterson and Liam McIndoe. Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com
With the term "weird studies" gaining currency inside and outside academia, Phil and JF thought it was time to discuss the philosophical method they've been developing on the podcast since 2018. Borrowing a term from Erik Davis, they call it weirding, and here set about trying to understand what it is, and what it means. David Lynch's fondness for crying, the practice of queering in cultural theory, the all-too-real phenomenon of "global weirding,"the spooky agency of artworks, and the tragic death of E.T. at the hands of Damien Hirst are just a few of the subjects touched on in the conversation. "Weirding" also happens to be the working title of the book your hosts are writing for Strange Attractor Press, as well as an eight-week series of lectures and discussions starting October 25th, 2022, on the Nura Learning platform. Header image: David Lynch, Mulholland Drive Link to the upcoming course: Weirding: An 8-Week Course With the Hosts of the Weird Studies Podcast (https://www.nuralearning.com) SHOW NOTES Ludwig van Beethoven, 9th Symphony James Elkins, Pictures and Tears (https://bookshop.org/a/18799/9780415970532) Eugenie Brinkema, The Form of the Affects (https://bookshop.org/a/18799/9780822356561) David Lynch (dir.), Mulholland Drive (https://www.imdb.com/title/tt0166924/) Gilkes Deleuze and Felix Guattari, What is Philosophy? (https://bookshop.org/a/18799/9780231079891) Weird Studies, Episode 121 on “Mandy” (https://www.weirdstudies.com/121) Erik Davis and Timothy Morton, “Uncanny Objects” (https://techgnosis.com/uncanny-objects/) episode of Expanding Minds Coen brothers (dir.), Hail Caesar (https://www.imdb.com/title/tt0475290/) Esther Williams (https://en.wikipedia.org/wiki/Esther_Williams), American swimmer Weird Studies, Episode 120 on Radical Mystery (https://www.weirdstudies.com/120) Douglas Rushkoff, Survival of the Richest (https://bookshop.org/a/18799/9780393881066) William Shakespeare, Macbeth (https://bookshop.org/a/18799/9780743477109) Erik Davis, “Weird Shit” (https://boingboing.net/2014/07/14/weird-shit.html) Pete Docter and Bob Peterson (dir.), Up (https://www.imdb.com/title/tt1049413/) Steven Spielberg (dir.), E.T. (https://www.imdb.com/title/tt0083866/) Alejandro Jodorowsky, Psychomagic (https://bookshop.org/a/18799/9781620551073) Martin Buber, I and Thou (https://bookshop.org/a/18799/9780684717258) Gilbert Simondon, Imagination and Invention (https://bookshop.org/a/18799/9781517914455) Weird Studies, Episode 106 the Wanderer (https://www.weirdstudies.com/106) Charles Ludlam, “On Camp” in Ridiculous Theater (https://bookshop.org/a/18799/9781559360418) Weird Studies, Episodes 14 and 15 on “Stalker (https://www.weirdstudies.com/14) Weird Studies, Episode 35 on M. C. Richards' “Centering” (https://www.weirdstudies.com/35)